Posts By Asher

0 IRON KINGDOM Shares Behind‑the‑Scenes Mini‑Documentary for New Album “Shadows and Dust” Out Now!

June 23, 2026
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – June 23, 2026

IRON KINGDOM Shares Behind‑the‑Scenes Mini‑Documentary for New Album “Shadows and Dust” Out Now!

Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest

L-R – Max Friesen (Drums), Chris Osterman (Lead Vocals / Lead Guitar), Megan Merrick (Lead Guitar), Leighton Holmes (Bass)

Photo Credit – Cailin Haley

Vancouver traditional heavy‑metal torchbearers Iron Kingdom have released a brand‑new behind‑the‑scenes mini‑documentary offering fans an inside look at the making of their sixth studio album, “Shadows and Dust,” released June 6, 2026.

The short film captures the band speaking of the recording process and pushing themselves creatively as they crafted what they describe as one of their darkest and most emotionally charged records to date. The documentary highlights the group’s jam‑oriented writing style, their collaborative approach, and the personal inspirations behind the album’s themes of death, impermanence, hardship, and resilience.

“Shadows and Dust” marks a significant evolution for Iron Kingdom. While rooted firmly in the classic heavy‑metal tradition they’ve championed since 2011, the album explores heavier emotional territory.

“The album explores a dark realm of topics, from death, hardship, and the lowest points of human emotion, balanced by music that offers hope and the will to fight on,” says bassist and lyricist Leighton Holmes.

Across its 10 new tracks and 48‑minute runtime, the album blends NWOBHM spirit, melodic storytelling, and the band’s signature twin‑guitar attack. Songs draw inspiration from history, mythology, literature, and personal reflection, ranging from the Battle of Gdansk (“Defenders”) to Malazan‑inspired fantasy (“Deadhouse Gates,” “Blood and Steel”) to philosophical meditations on time, compassion, and purpose.

The mini‑doc showcases how these ideas took shape in the rehearsal room, where riffs, lyrics, and arrangements were built collectively.

“We’re a very jam‑oriented band. We walk in with ideas, feel them out together, and let the songs grow naturally,” says vocalist/guitarist Chris Osterman.

Formed in Vancouver in 2011, Iron Kingdom has built a reputation for reviving the spirit of traditional heavy metal with unwavering authenticity. Inspired by Iron Maiden, Judas Priest, Helloween, Riot, and Savatage, the band delivers high‑energy performances, intricate melodies, and a stage presence reminiscent of metal’s golden era.

The current lineup, Chris Osterman (lead vocals/lead guitar), Leighton Holmes (bass), Megan Merrick (lead guitar), and Max Friesen (drums), represents the strongest incarnation of the band to date. Their chemistry is on full display in the documentary, revealing the trust, camaraderie, and shared passion that fuel their sound.

Iron Kingdom’s journey has taken them across Canada, the U.S., Europe, and Brazil, with appearances at festivals such as Keep It True XVII and tours alongside acts like Night Demon and Blaze Bayley. Through lineup changes, near‑fatal touring accidents, and global disruptions, the band has remained committed to carrying the torch of classic heavy metal.

Watch the mini‑doc at https://www.youtube.com/watch?v=uSiSsMpY8pg

“Shadows and Dust” can be heard in full at the following links:

Album Stream – https://www.youtube.com/watch?v=GYQzVXGtJXY

Spotify – https://open.spotify.com/album/1E5IetyIvOdAt5CKG54gLw

Official Merch store: https://www.iron-kingdom.com/shop
Bandcamp: https://iron-kingdom.bandcamp.com/music

Music Video – Deadhouse Gates – https://www.youtube.com/watch?v=zBE3s4WRlIw

Music Video – Defenders – https://www.youtube.com/watch?v=t3k7tW5-9Os

Lyric Video – Blood and Steel – https://www.youtube.com/watch?v=qb8BIzHT3_Q

The album’s exclusive EU edition is available from Steel Shark Records (France), offering limited-edition 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans.

To celebrate the album, Iron Kingdom is kicking off a summer of touring that includes festival appearances at Armstrong Metal Fest and Loud As Hell Open Air Festival (dates listed below).

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
July 2 – Nanaimo, BC – The Terminal
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – Palace Grand Theatre
July 25 – Dawson City, YT – outside at The Pit
July 26 – Whitehorse, YT – The 98 Hotel
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Ottawa, ON – Dominion Tavern
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montréal, QC – Foufounes Électriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – Retro
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Hamilton, ON – Doors Pub
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

Track Listing:
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdomofficial
https://www.instagram.com/iron_kingdom

About: Formed in 2011 in Vancouver, Iron Kingdom carries the flame of classic heavy metal inspired by Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their high‑energy performances, intricate twin‑guitar work, and unwavering DIY ethos, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with Night Demon, Blaze Bayley, and more.

Their discography includes “Curse of the Voodoo Queen” (2011), “Gates of Eternity” (2013), “Ride for Glory” (2015), “On the Hunt” (2019), and “The Blood of Creation” (2022). “Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.

– 30 –

“Ten tracks leading to a beautiful journey you will wish to live forever. A masterpiece to own with pleasure. Iron Kingdom has arrived on the stardom stairs, and it’s worth it 100/100.” – The Metal Mag
“the entire album is rock-solid from start to finish. If you call yourself a metal fan, this is a mandatory addition to your playlist.” – Broken Neck Radio

“Iron Kingdom has really taken their stance with hard rock and heavy metal to a standstill, packed with amazement and shining glory in all of its wonder, but making sure the two genres between the NWOBHM and thrash eras are kept in their mighty epic book of ingredients to keep you coming back for more. What can I say? Shadows and Dust is the album we’ve been waiting for this upcoming summer of 2026.” – Echoes and Dust

“After countless tours, line-up changes and even after a serious accident, IRON KINGDOM seem stronger today than ever. With ‘Shadows And Dust’ they deliver exactly the album that traditionalists have been longing for for years. Powerful, melodic, anthemic and rousing, full of great guitar moments and an honest passion for classic heavy metal. If you love IRON MAIDEN, RIOT, HELLOWEEN or SAVATAGE, you should definitely grab it here. The release in all formats as well as via “Steel Shark Records” with vinyl for collectors also fits in with this.” – Saitenkult

“Now six albums into their career, the NWOTHM Canadians show that they are very much still firing on all cylinders! The band are all insanely talented players, for one, and it translates perfectly into some awesome songwriting throughout this nearly-50-minute release. Opener ‘Defenders’ is an absolute banger perfectly reminiscent of that 80s sound. Then you have the likes of ‘Dreamless Sea’, ‘Blood and Steel’ and ‘Dark Demands’ that are also big highlight. If you’re into all things Maiden, Priest or Hammerfall, this is absolutely the release for you. It’s a sound that has remained hugely popular across the decades since its inception, and honestly these guys do it just as good as anyone. How they aren’t a massive name by now I don’t know. Hopefully this is finally the album to push them to that level, as it’s a really great release! A very easy 8/10 from us!” – Overtone Magazine

“There are no weak tracks on the album, just kick ass traditional metal from start to finish. Queue this one up if you want a mix of mid-80s Iron Maiden and Malice with a hint of Arch-era Fates Warning.” – Metal Crypt

“This is exactly how traditional heavy metal stays vital. True believers like Iron Kingdom guard the flame while adding their own chapter to the story. Shadows and Dust doesn’t omly honour the legacy of the genre, it actually strengthens it. Heavy metal remains a lifestyle as much as a sound, and this album is a worthy soundtrack for those who live it. Essential listening for anyone who still believes in real heavy metal.” – Sentinel Daily

“With Shadows and Dust, Iron Kingdom enter a new era with sharpened purpose, renewed fire, and a sound that honors the past while forging boldly ahead. It’s a story of endurance, evolution, and the unbreakable power of Heavy Metal, and I’m sure that after Shadows and Dust we’ll see those Canadians rockin’ for many years to come no matter what. Best moments of the album: Deadhouse Gates, Line of Fire and Dark Demands.” – The Headbanging Moose

“If you only have one selection to convince someone whether they should invest time/money/effort into Iron Kingdom, play them “Shadow Of Time” as it locks into the classic sound they do so well. Winner!” – Mark Gromen – Bravewords

“Iron Kingdom’s sixth full-length continues the band’s upward trajectory in a way that is both concise and still varied. Every track has just enough difference between to make them all stand out from one another, while never feeling like they belong to a different artist. 2022’s “Blood of Creation” was an absolute clinic in modern metal perfection, and it would always be a tough act to follow but Iron Kingdom did so with gusto. Masterfully produced and even better performed, “Shadows and Dust” is one of the years best.” – The NWOTHM

“If you enjoy classic heavy metal and want more of that timeless sound, then ‘Shadows and Dust’ will feel very familiar in a good way… it is honest, energetic, and enjoyable from start to finish.” – AfterNoiz

“Shadows and Dust is therefore an album recommended for all fans of classic heavy and power metal… forty-plus minutes of sincere, energetic, and expertly played music. For those who love traditional sounds and are looking for something slightly off the beaten track of contemporary mainstream metal, Iron Kingdom have created one of the most interesting works of their recent career.” – Tempiduri

“this new ten‑track album from Iron Kingdom definitely caught our attention. What we hear is very traditional heavy metal, with history and mythology serving as the thematic backbone for their lyrics. The result is ten songs that are well‑constructed and well‑arranged. You’ll find everything the subgenre demands: power, melody, and catchiness.” – Musika

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
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0 Climbing New Heights DOLL Drops “Snakes and Ladders” Lyric Video As The Final Chapter In Their “Animal Crackers” Trilogy

June 22, 2026
by Asher
· DOLL · Music News

NEWS RELEASE

Montreal, QC – June 22, 2026

Climbing New Heights DOLL Drops “Snakes and Ladders” Lyric Video As The Final Chapter In Their “Animal Crackers” Trilogy

Ottawa alternative rock band DOLL has released the new lyric video for their latest single “Snakes and Ladders,” the newest chapter in their evolving Animal Crackers trilogy. Following January’s standalone track “Bear Claw” and the fan‑favourite “Shark Bait” from their 2025 album “Better Days, Better Times,” the single continues the band’s creative resurgence, now brought to life visually with a gritty, high‑energy lyric video that amplifies the song’s message and mood.

After re‑emerging from a long hiatus with a renewed sense of purpose, DOLL, the wife‑and‑husband duo of Christina and Pete Kasper, have embraced a period of sonic exploration, pushing their sound into new territory while staying true to the raw emotion and honesty that defined their early work.

With “Snakes and Ladders,” the band lean into a D‑standard, grunge‑inspired throwback while weaving in the darker tones and textures that have shaped their recent evolution. Packed with harmonics, punchy riffs, and Christina’s unmistakable vocal rasp, the track captures DOLL’s signature blend of tension, drive, and cathartic release.

“Our fans expect the unexpected at this point. ‘Snakes and Ladders’ feels like the perfect final piece, gritty, energetic, and a real reflection of where DOLL is headed,” shares the duo.

The single channels the feral energy defining their latest era, a full‑throttle return to old‑school DOLL with raw vocals, jagged guitars, and drums that hit like a runaway car with no brakes. Carrying the emotional weight of Better Days, Better Times, the track confronts uncomfortable truths with a mix of vulnerability and defiance.

Lyrically, “Snakes and Ladders” stands as an anthem of resistance, calling out the “snakes in suits” who pretend to help but only serve themselves. It urges listeners to stay grounded, ask questions, and refuse to play someone else’s game. Musically, it’s one of the band’s most exhilarating songs to perform, built for movement, release, and shaking off whatever’s weighing you down. “As the song says, ‘I refuse to play your game.’ Always ask questions. Keep perspective. Don’t drink the Kool‑Aid blindly.”

The single’s artwork came together through a moment of pure serendipity. While wandering through a thrift store, the duo stumbled upon a vintage Snakes and Ladders board game, complete with classic packaging that felt uncannily perfect for the song’s theme.

“It was like the universe dropped it in front of us. Once we saw it, we knew this was the cover. It was meant to be,” they add.

The artwork mirrors the song’s message, life’s unpredictable climbs and falls, and the importance of staying true to yourself no matter where the board leads.

Listen to “Snakes and Ladders” at the following links:

Lyric Video – https://www.youtube.com/watch?v=fWD7Imbwjcg

Add to your Spotify Playlist – https://open.spotify.com/track/2jaDZUp5fZoRJDu7wXTEU7

All digital platforms – https://distrokid.com/hyperfollow/doll14/snakes-and-ladders

More info: https://www.facebook.com/dollband | https://www.instagram.com/dollbandmusic/

About: DOLL is a Canadian alternative rock band from Ottawa, Ontario. After releasing their debut album Inside the “Dollhouse” in 2009, with singles “Daddy’s Little Girl” and “Sally Lost Her Shoelaces” earning rotation on MuchMusic and MusiquePlus, the band followed up with 2011’s The Ragdoll Diaries, featuring the singles “FMO” and “Youth of Today, Hope for Tomorrow.”

Over the years, DOLL has shared stages with Three Days Grace, Lacuna Coil, Danko Jones, Protest the Hero, Halestorm, SNFU, Die Mannequin, and many more. After a long hiatus, the band returned in 2025 with Better Days, Better Times, reigniting their momentum and setting the stage for the Animal Crackers trilogy.

-30-

What the press has said about DOLL:

!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Truent – Vilemaker (2026) (single)

June 21, 2026
by Asher
· EPKs · Truent

EPK – Truent – Vilemaker (2026) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The most recent song we’ve written. There was much deliberation on the structure and placement of certain parts, but I think it came together in a very satisfying way. The first song our new vocalist, Darian, has written the lyrics for.” – Nicolas Landry (Drums) – Truent

For Fans of Revocation, Alluvial, Cognizance, Fit for an Autopsy, Psycroptic

All Links – https://ffm.bio/truentmetal

Facebook.com/Truentmetal | Youtube.com/@truentmetal | Tiktok.com/@truentmetal | Instagram.com/truentmetal

Truentmetal.bandcamp.com | Spotify | Apple Music | Tab Store: https://truentmetal.gumroad.com/

‘Maple Ridge’s Truent draw out the progressive side of thrash metal in a tightly knit package similar to greats such as Lamb Of God, Revocation or even Gojira. The band aren’t happy to sit on their hands slaying overdone thrash metal, opting to mix in melodic riffing, experimental passages of prog metal and more.’ – Altpress

Band: Truent
Single Title: Vilemaker – 4:27
Release Date: June 26th, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Death Metal
Location of Band: Vancouver, BC

Single Recording Credits:
• Song performed by: Matthew Pancoust (Guitar) | Eli Slamang (Guitar) | Nicolas Landry (Drums) | Darian Mazloomi (Vocals) | Jason Whitewick-Bonenfant (Bass)
• Song written by: Eli Slamang, Nicolas Landry, Darian Mazloomi, Jason Whitewick-Bonenfant, Matthew Pancoust
• Produced by: Truent
• Mixed by: Mike Low
• Mastered by: Mike Low
• Album Artwork by: Feri Irawan (@artfery_illustration)
• Member of SOCAN
• Canadian Content (MAPL)

Live and Single Band Lineup:
Matthew Pancoust – Guitar
Eli Slamang – Guitar
Nicolas Landry – Drums
Jason Whitewick-Bonenfant – Bass
Darian Mazloomi – Vocals

===================================================

About The Single Artwork:

The single’s artwork is inspired by the manga Berserk. Which also served as inspiration for the lyrics

About the single – Vilemaker:

Lyrically, Vilemaker is about a tyrant’s climb to reach absolute power through the deaths of those around him. Every corpse born from his conquest is another step towards a destiny, a vision, a kingdom. This song explores the evils of deceiving and manipulating others to achieve one’s goals. It is directly inspired by Berserk’s ‘Golden Age’ arc.

Musically, it’s very fast-paced and heavy. Very lyrically dense, lots of technical riffing, groovy drums, and a good sense of momentum and energy that builds throughout the song.

===================================================

BAND STORY ANGLES / FUN FACTS:

1. Tours Built Around Swimming
Our tours are basically elaborate excuses to find good places to swim. Lakes, rivers, hotel pools, sketchy roadside swimming holes: if there is water nearby, we are probably trying to get in it.

2. The Pickup Truck Tour
On our first cross-Canada tour, our van’s transmission blew in Edmonton before the first show even happened. Instead of calling it quits, we worked our connections, rented a Ford F-150, and kept going.

That meant five big dudes crammed into a pickup truck all the way to Montreal and back. Since our van had bunks built into the back, we also lost our mobile home overnight. When we did not have places to stay, we slept outside in parking lots and on park benches just to keep the tour going.

It was stressful, uncomfortable, and ridiculous, but somehow it became our most successful tour up to that point.

3. From Garage Covers to Original Metal
We started as a group of teenagers playing Rush and Led Zeppelin covers in our parents’ garages when we were in Grade 8. From there, we slowly found our way into metal together. We would discover a new band, get obsessed, then try to write songs in that style as a group.

By the time we were 15 or 16, we were writing and recording original songs. At 18 or 19, we released our second EP, To End an Ancient Way of Life, while still figuring out what kinds of metal and songwriting styles really felt like us. Around that same time, we started playing our first shows in Vancouver.

There have been a few lineup changes since then, but Matthew Pancoust and drummer Nicolas Landry have been there since the very beginning, jamming in garages around Maple Ridge and Pitt Meadows.

===================================================

L-R – Matthew Pancoust (Guitar) | Jason Whitewick-Bonenfant (Bass) | Darian Mazloomi (Vocals) | Nicolas Landry (Drums) | Eli Slamang (Guitar)

Photo Credit – Paradox Visuals – Instagram: @_prdxvisuals

Vancouver death metal act Truent, has spent the last several years becoming a force in the Canadian metal scene – extensively touring in Canada, and sharing stages with Archspire, Decapitated, Voivod, Revoaction, Signs of the Swarm, and more. With a fresh lineup, new music on the way, and a cross-Canada headlining tour under their belts, the band continues to bring their technical, groove-laden style of death metal to a rapidly growing audience.

Live and Single Band Lineup:
Matthew Pancoust – Guitar
Eli Slamang – Guitar
Nicolas Landry – Drums
Jason Whitewick-Bonenfant – Bass
Darian Mazloomi – Vocals

Discography:
2026 – Vilemaker – Single
2024 – Creating Mortality – Single
2022 – Through the Vale of Earthly Torment – LP
2018 – To End an Ancient Way of Life – EP
2017 – Faith in the Forgotten – EP

Shared Stage with:
Archspire, Decapitated, SepticFlesh, Kataklysm, Voivod, Signs of the Swarm, Revocation, Fallujah, The Zenith Passage, Opal in Sky, Filth

Touts and Festivals:
2026 – Vancouver Island Tour – Vancouver Island
2025 – Loud as Hell Festival – Drumheller, AB
2024 – Creating Mortality Across Canada Tour – Cross Canada
2023 – Melting Through the Abyss Tour – Western Canada
2023 – Armstrong Metal Festival – Armstrong, BC
2019 – Armstrong Metal Festival – Armstrong, BC

Artist Endorsements:
Engl Amplification
Barekuckle Pickups
Zuta Group (Amplifiers)

0 DieveNoire Drops Defiant New Video “IDGAF” + Performing at Rockfest 2026 w/ The Offspring, Halestorm, The Pretty Reckless and more!

June 19, 2026
by Asher
· Dieve Noire · Music News

NEWS RELEASE

Montreal, QC – June 19, 2026

DieveNoire Drops Defiant New Video “IDGAF” – A Personal Journey From When Humanity Breaks You

Performing at Rockfest 2026 w/ The Offspring, Halestorm, The Pretty Reckless and more!

L-R – Aaron Esquitin – Drums, Lothar Keller – Lead Guitar, Lariyah Perrin – Vocals, Paul McBride – Bass, Josh Perrin – Rhythm Guitar

Photo by Darrelle Esquitin

Melodic blues‑heavy rock band DieveNoire has released its boldest visual statement yet with the new music video for “IDGAF,” a track from their debut concept album “The Story of a Gunslinger.” The band will also bring their dynamic, theatrical live show to Rock Fest in Cadott, Wisconsin, on July 18, marking their biggest festival appearance to date and sharing the stage with a lineup that includes The Offspring, Halestorm, The Pretty Reckless, Hollywood Undead, and many more! More info available at https://rock-fest.com/.

Fans attending Rock Fest can expect a performance that goes far beyond simply recreating their album. DieveNoire’s live show is theatrical, high‑energy, and emotionally charged, with Lariyah (Havron, Hessler, Khaotika) delivering vocals with more grit, harshness, and intensity than on the studio recordings. The band’s stage presence transforms each song into a full‑body experience.

Demonstrating this emotion, the track “IDGAF” erupts unfiltered, born from a night of insomnia, overwhelming stress, and a moment of stark clarity as Lariyah lay in morning grass heavy with petrichor, reflecting on life, humanity, and the weight of her own history. It channels the rawest parts of the human experience, unapologetic, unfiltered, and fiercely honest, standing in sharp contrast to the album’s western narrative and highlighting the band’s ability to shift from cinematic storytelling to deeply personal expression.

Shaped by Lariyah’s own lived intensity, the song carries the urgency of someone who has survived the unimaginable. After a tragic tour accident that claimed three lives and left her clinically dead before being revived, she approaches every day with uncompromising authenticity.

“This song is a display of a middle finger to the two‑faced, fake world. If you give me an apple, I’ll give you an orchard. Cut off my finger, and I’ll cut you off from my life. I’m Polish; I’m blunt. You’ll always know exactly what I think.”

Though separate from the album’s gunslinger storyline, the track can still be interpreted through the lens of the concept, echoing the voice of the woman observing the gunslinger’s journey, a moment of surrender as she realizes she may never be able to follow where he goes.

Watch the video at https://www.youtube.com/watch?v=XaBKRsvsfP0

DieveNoire began as a solitary creative spark in Lariyah’s mind: simple beats, tribal textures, and haunting blues‑rock vocals. Over time, the project evolved into a full band featuring world‑touring musicians, guitarists Josh Perrin (Akhlys, Havron) and Lothar Keller (The Skull / Legions of Doom), along with drummer Aaron Esquitin, and the recent addition of Paul McBride (The Reticent) joining post-album release.

Their combined backgrounds in black metal, doom, progressive metal, and heavy rock helped transform DieveNoire into a melodic, blues‑driven heavy rock band known for its emotional depth and dynamic arrangements.

Their debut album, “The Story of a Gunslinger”, inspired by a vivid dream of the old wild west, blends storytelling, grit, and southern‑gothic atmosphere. The album was further shaped by renowned Gothenburg producer Jakob Herrmann (Draconian, Thyrfing, Art Nation), who encouraged the band to push toward heavier textures while preserving their blues‑rock soul.

Recommended for fans of Clutch, Dorothy, Everybody Loves an Outlaw, Pretty Reckless, and Halestorm, “The Story of a Gunslinger” (released September 5, 2025) is available on all digital platforms.

Add to your Spotify Playlist – https://open.spotify.com/album/5AaQXA6NbVieLh8YBpo4vH

Bandcamp – https://dievenoire.bandcamp.com/album/the-story-of-a-gunslinger

Music Video – Morningstar – https://www.youtube.com/watch?v=istfeAAYitk

Music Video – The Graveyard Song – https://www.youtube.com/watch?v=y1fJB5zDz3c

Show Dates:
7/16 – Chicago, IL – Live Wire Lounge
7/17 – Milwaukee, WI – Shank Hall
7/18 – Cadott, WI – Rock Fest

Track Listing:
1. Preacher – 3:36
2. To The Gallows – 3:43
3. Gunslinger in Black – 2:44
4. Streets of New Orleans – 5:04
5. The Graveyard Song – 4:04
6. Morning Star – 4:00
7. These Boots Are Made for Walkin’ – 3:48
8. Spell of White Oleander – 4:55
9. Throughout the Night – 3:28
10. IDGAF – 4:24
Album Length: 39:50

Album Band Line Up:
Lariyah Perrin – Vocals
Lothar Keller – Lead guitars
Josh Perrin – Rhythm guitars
Aaron Esquitin – Drums

Live Band Line Up:
Lariyah Perrin – Vocals
Lothar Keller – Lead Guitars
Josh Perrin – Rhythm Guitars
Aaron Esquitin – Drums
Paul McBride – Bass (joined the band fully after the album release)

More info:

http://dievenoire.com/

https://www.facebook.com/dievenoire

https://www.instagram.com/dievenoire

About: DieveNoire is a melodic blues‑heavy rock band blending storytelling, emotional depth, and dynamic musicianship. Formed by vocalist and songwriter Lariyah Perrin, the band evolved from a solo concept into a collaborative force featuring members of Akhlys, The Skull/Legions of Doom, The Reticent, and Havron. Their debut album, The Story of a Gunslinger, delivers a cinematic narrative rooted in dream‑born mythology, southern‑gothic atmosphere, and raw human emotion.

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“The nostalgic whistles, the storytelling approach of singer Lariyah Perrin, and the overall atmosphere of the song take the listener on a hypnotic journey. The song is the band’s third track before they drop their new album, which already seems like it will be a feast for the ears. Pushing the repeat button is the only way when the highly engaging, beautiful song ends.” – New Noise Magazine

“It may be true that Lariyah’s personal and dramatic story pushed her to see life from a somewhat different perspective. Her dark words, at times, attest to this. Through the darkness of West American history, is this some kind of introspection on her part? I will conclude by writing that this album is the result of a fusion of dark blues rock and Southern-gothic rock, carried by an expressive voice, powerful guitars, and a universe where the Wild West meets shadow and rebellion. For this album, 9/10 is essential.” – Rock Meeting

If DieveNoire should be recognised as anything, it should be as an unreckonable cultural force, wielding music as a conduit for their ethos, one that scratches beneath the superficial and strikes at the cerebral. Their latest seminal single, IDGAF, delivers an intimately candid rum-soaked vignette of a soul clawing for freedom through the rebellion of living authentically, sacrilegiously in the eyes of many, yet chasing redemption through defiant selfhood.” – A&R Factory (anrfactory.com)

“Hailing from Elgin, IL DieveNoire is a Dark Blues Rock Band that started from the vision and creation of Lariyah Perrin. Originally, this new endeavor was intended as a solo project. However, after the overwhelmingly positive reception of her debut single, “Gunslinger in Black,” Lariyah decided to form a full five-member, stage-ready band. Since a young age, Lariyah was exposed to none other than Johnny Cash, a key influence. Combining her Slavic roots, which are evident in her vocal style and songwriting with a newfound passion for blues and southern gothic rock, Lariyah began work on the band’s debut album, “The Story of a Gunslinger.”” WGN Channel 9 (Chicago)

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0 Montreal Tech-Death VOLUBILIS Unleashes Its Next Sci‑Fi Epic With New Single “Le Flamboiement Stellaire” From Debut Album “Theasterion” Out July 2026

June 19, 2026
by Asher
· Music News · Volubilis

NEWS RELEASE

Montreal, QC – June 19, 2026

Album Download HERE (for media use only)

Montreal Tech-Death VOLUBILIS Unleashes Its Next Sci‑Fi Epic With New Single “Le Flamboiement Stellaire”

Debut Album “Theasterion” Out July 2026

L-R – Shawn Hillman (Fretless bass) | Miguel Marcheterre-Pina (Guitar) | André Dubien (Vocals)

Photo Credit – Jade Weeles & Miguel Marcheterre-Pina

Montréal’s rising technical death‑metal force Volubilis announces the release of their second single, “Le Flamboiement Stellaire,” the follow‑up to their first single “Ashes & Embers” and the latest preview of their upcoming debut conceptual full‑length “Theasterion,” arriving July 10th, 2026.

Founded in 2020 by Afro‑Canadian multi‑instrumentalist and world‑builder Miguel Marcheterre‑Pina, Volubilis has evolved from a pandemic‑era bedroom project into one of Canada’s most promising new progressive and technical metal acts. Joined by André Dubien (vocals), Jacob Collins (drums), Alexis Rioux (guitar), and Shawn Hillman (fretless bass), the band has quickly gained recognition for its intricate musicianship, ambitious storytelling, and immersive sci‑fi universe.

“Le Flamboiement Stellaire” serves as the album’s opening chapter, both musically and narratively. Written with the intention of becoming a tech‑death anthem, the track explodes with prestissimo riffing, melodious solos, and relentless blast beats. It is also the only song on the album written in French, grounding the band’s conceptual universe in Québec’s metal identity.

“Le Flamboiement Stellaire was written to purposefully become a metal hit. With prestissimo, intricate riffs, melodious solos and blasting drums, the song is an homage to tech‑death’s best acts. We insisted on writing lyrics in French to make it a veritable testimony of Québec’s vernacular metal,” says Miguel Marcheterre‑Pina

Lyrically, the single introduces the prophecy at the heart of “Theasterion”, the foretelling of a catastrophic supernova, the political fracture it creates within a human colony, and the mercenaries who flee to the hostile planet Theasterion in search of survival.

Listen to “Le Flamboiement Stellaire” at the following links:

Lyric Video – https://www.youtube.com/watch?v=n_DXs3fYcgw

Add to your Spotify Playlist – https://open.spotify.com/track/4KEBCN1yM2mLJwp9ME6GF4

A sweeping sci‑fi epic told through six tracks, “Theasterion” blends technical death metal, progressive structures, neoclassical flourishes, and cinematic world‑building. The album explores humanity’s collapse, interplanetary survival, and the enigmatic Homo Cumulus, an anthropoid species native to Theasterion.

Musically, the record pushes Volubilis’ songwriting into more complex, immersive territory, with influences ranging from Beyond Creation, Vale of Pnath, and Obscura to Ne Obliviscaris and neoclassical composition.

Album pre-order / pre-save available at the following links:

Digital pre-save – https://distrokid.com/hyperfollow/volubilis1/theasterion

Bandcamp – https://volubilisband.bandcamp.com/album/theasterion

Track Listing:
1. Le Flamboiement Stellaire (5:16)
2. Theasterion (6:30)
3. Homo Cumulus (5:48)
4. Ashes & Embers (4:50)
5. The Prism (4:01)
6. Unukhalai Supernova (6:24)
Total Album Length: 33min

Album Band Line-up:
Miguel Marcheterre-Pina – Rhythm, lead and acoustic guitars, composition, concept art, lyrics.
Shawn Hilman – Fretless Bass, Contrabass
André Dubien – Vocals, lyrics on songs 03 & 06.
Jacob Collins – Drums
Alexis Rioux – Guest solos on songs 01, 02, and 03.
Michelle Gao: Violin, viola on song 06

Live Band Line-up:
Miguel Marcheterre-Pina – Guitar, backing vocals
Shawn Hilman – Fretless Bass
André Dubien – Vocals
Jacob Collins – Drums
Alexis Rioux – Guitar

More info:

https://bio.site/volubilis

https://www.facebook.com/profile.php?id=100093419962099

https://www.instagram.com/volubilisband/

About: Volubilis is a Montréal‑based technical death metal band founded in 2020 by multi‑instrumentalist Miguel Marcheterre‑Pina, originally conceived as a pandemic‑era solo project. It soon expanded into a full lineup featuring André Dubien, Jacob Collins, Alexis Rioux, and Shawn Hillman, quickly establishing itself as one of Canada’s most promising new extreme‑metal acts. After releasing their first single, “Ashes & Embers” in 2025, the band now returns with their ambitious conceptual debut album, “Theasterion.” Defined by colossal blast beats, monstrous vocals, and sweeping harmonies, their sound delivers a fresh and immersive take on progressive and technical metal. Rooted in a self‑created sci‑fi universe and driven by world‑class musicianship, Volubilis push extreme metal into bold new artistic territory.

Volubilis has received support from FACTOR and Concordia University’s FASA.

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0 STAGES OF DECOMPOSITION Unleashes New Music Video “Drilling Of The Cerebellum” + LA Show Date w/ DEVOURMENT and more!

June 18, 2026
by Asher
· Music News · Stages of Decomposition (Gore House Productions)

NEWS RELEASE

Montreal, QC – June 18, 2026

STAGES OF DECOMPOSITION Unleashes New Music Video “Drilling Of The Cerebellum”

LA Show Date June 21st w/ DEVOURMENT and more!

Los Angeles death‑grinders Stages of Decomposition have dropped a brand‑new music video for “Drilling Of The Cerebellum”, the opening track from their latest full‑length album “Raptures of Psychopathy,” out now via Gore House Productions.

Since erupting onto the scene with their acclaimed debut “Piles of Rotting Flesh,” Stages of Decomposition have carved out a reputation for sadistic, unrelenting brutal death metal and a relentless touring schedule. With “Raptures of Psychopathy,” the band pushes deeper into the darkest corners of human depravity, crafting a concept album rooted in horror, psychological distortion, and the grotesque realities of the human mind.

The band shares:

“Raptures of Psychopathy captures the minds of the psychotic, something all humans can relate to in one way or another. We all carry aggression, and for us, music is the release. This album defines the raptures we experience when going through our own psychopathies.”

The album’s opening track, “Drilling Of The Cerebellum,” offers a disturbing glimpse into the mind of serial killer Jeffrey Dahmer, setting the tone for the album’s descent into psychological horror. The new music video amplifies that narrative with imagery and pacing that mirror the song’s frantic riffs, inhuman drumming, and cavernous gutturals.

Watch the video at https://www.youtube.com/watch?v=yhdhRMFKgBk

Across the album’s eleven tracks, Stages of Decomposition explores a wide spectrum of horror, from serial killers to possession, mob mentality, and human extinction. Each song embodies a specific psychopathic narrative, delivered through frantic riffing, merciless blast beats, and guttural vocal savagery.

Recommended for fans of Kraanium, Suffocation, Mortician, and anyone who craves slamming, gore‑soaked brutality.

“Raptures of Psychopathy” (released February 2, 2024) is available on CD, Cassette, and all digital platforms – https://orcd.co/raptures-of-psychopathy

In additional news, Stages of Decomposition will be performing in Los Angeles on Sunday, June 21st at 1720 alongside death metal legends Devourment, Mortiferum, Civerous, and Mortal Wound. Event details at https://www.facebook.com/events/1275326321226596

Track Listing:
1. Drilling of the Cerebellum – 4:59
2. What Lies Within – 3:10
3. Beast of Jersey 2:42
4. Killing Under Possession – 3:36
5. Murder by Proxy – 3:26
6. Skid Row Slasher – 3:36
7. Carve out the Eyes – 2:37
8. Fetal Devourment – 3:04
9. Crawl Space Burial – 3:12
10. Human Extermination – 3:46
11. Mass Psychosis – 2:09
Album Length: 36:19

More info:

https://gorehouseproductions.com/

https://www.facebook.com/StagesofDecomposition

https://www.instagram.com/stagesofdecomposition_official

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“Listen to it because it contains quality and can easily be your new favorite band” – Dark Souls United

“Raptures of Psychopathy provides you with a savage dose of primitive death metal chocked full of pummelling brutal riffs and harsh guttural vocals. If you like your death metal with a layer of grit that you can scrape off with a knife then this is for you.” – The Razor’s Edge

“Seriously, you have to love how ‘matter of fact’ this album is. How straightforward and unsophisticated Stages of Decomposition are. It takes some serious talent to make a listener pay this much attention when they’re being f**ked up vigorously by the music. What more do you want to hear? There’s no point going into detail about each and every track as it’s a non-stop barrage of wickedness. There is a ton of talent in this band and for all its brutality, it does deliver compelling death-grind noise. The personification of extreme in ways that few will be prepared for. Don’t be surprised if you find yourself bleeding from every orifice come the end, if you do manage to make it that far.” – Games, Brrraaains & A Head-Banging Life

“On their new album Raptures of Psychopathy, Stages of Decomposition lean into the most violent and punishing aspects of their sound, and we have a prime example in the new album track we’re presenting today, along with a blood-spraying video… The song’s name is “Skid Row Slasher”. It’s based on true stories of serial killers, both of whom preyed on the homeless population of L.A…. The music is itself undeniably, and viciously, psychotic. The riffing is fast and frenzied, corrosive and cutting, and utterly crazed. The drums clatter at high speed, like automatic weaponry with a groove. The bass slugs like a heavyweight high on adrenaline. Equally rabid, the vocals expel raw guttural roars, crazed screams, and strangled gagging and gurgling excretions. It’s all macabre, and it’s all viscerally electrifying. But the band also make room for pulverizing slams capable of splitting concrete. It’s a kick to watch the band cut loose in the video, too, and of course there will be blood….” – No Clean Singing

“If you like Brutal Death, you’ll love Raptures of Psychopathy. Why should you? Stages Of Decomposition takes all the elements of this style and aligns them under a thick greasy Old School mix, nothing more, nothing less!” – Acta Infernalis

“three quarters of an hour of the most violent death metal, with the desire to break necks at all costs! It’s not kidding, it’s trying to make Cannibal Corpse look like choirboys and it vomits eleven explosions at us with all the bile, pus and of course blood inherent to the genre!” – Soil Chronicles

“This is pure bang your head ‘till it pulps music. From growling guitars to smash the kit into pieces drumming, then snarling vocals, and a horror tinge (as we’ll see). It’s only right that they’re signed to Gorehouse Productions… Stages of Decomposition are tight, they can be felt as well as heard. The album (Piles of Rotting Flesh) is consistent with no weak moments. You will bleed, this will hurt. For proof check the official video below.” – Severed-Cinema

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0 TONIC BREED Unleashes “Name Dealer” EP ft. guests from Whitesnake, Flotsam and Jetsam, Five Finger Death Punch, ex-Lamb of God, ex-Megadeth

June 18, 2026
by Asher
· Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – June 18, 2026

TONIC BREED Unleashes “Name Dealer” EP ft. guests from Whitesnake, Flotsam and Jetsam, Five Finger Death Punch, ex-Lamb of God, ex-Megadeth

Tonic Breed, the long‑running Norwegian thrash and heavy‑metal project led by Patrik K. Svendsen, returns in 2026 with its most ambitious and star‑studded release to date: the new EP “Name Dealer”. Reinvention has always been at the heart of Tonic Breed, and this EP pushes that ethos further than ever, bringing together an elite roster of guest musicians whose contributions elevate each track into its own distinct sonic world.

The EP features performances from Tommy Aldridge (Whitesnake, Ozzy Osbourne), Joel Hoekstra (Whitesnake, Trans‑Siberian Orchestra), Chris Adler (ex‑Lamb of God, ex‑Megadeth), Michael Gilbert (Flotsam and Jetsam), Charlie Engen (Five Finger Death Punch, Scale The Summit), and producer/mixer Adrian Bjerketvedt, along mastering by Steve Kitch except for track 3 “Anew” mixed and mastered by Gene “Machine” Freeman, “Name Dealer” stands as Tonic Breed’s most diverse, dynamic, and collaborative work yet.

“Name Dealer is the second EP in the new Tonic Breed format, where guests are invited to perform on the tracks. The first two songs were released last year, and the EP was completed with an additional two songs on June 10th. I’m extremely happy with the quality of the songs and the musicians involved in the process. This EP experiments with everything from the old recipe while adding new layers such as orchestration and different songwriting approaches. The quality of the deliveries from everyone involved is beyond my expectations. Everything from the musical contributions from the guests to the mixing and engineering process in the final stages of the song creation has exceeded what I hoped for,” says Svendesen.

Across its four tracks, the EP showcases the full spectrum of Tonic Breed’s identity: thrash roots, melodic depth, emotional storytelling, and the unmistakable fingerprints of world‑class guest performers.

The EP opens with a track that wastes no time establishing its intensity. Title track “Name Dealer” hits immediately, fast, sharp, and unrelenting, yet anchored by a rare melodic hook in the chorus, something not typically associated with Tonic Breed’s catalogue. The song is elevated by the powerhouse duo of Tommy Aldridge on drums and Joel Hoekstra on guitar, whose performances bring a level of precision and fire that Svendsen describes as exceeding all expectations. Their involvement marks a milestone collaboration for the project, adding both prestige and unmistakable character to the track.

The second track, “Close In,” featuring Charlie Engen on drums, shifts into a more expansive emotional space. Musically, it’s a layered semi‑ballad; clean passages, heavy surges, harmonies, choirs, and orchestration intertwine to create the most dynamic arrangement Svendsen has ever crafted. Lyrically, the song explores the long‑term weight of loss, not just the moment of impact, but the lingering emotional gravity that follows. It’s a deeply personal piece, balancing vulnerability with power.

A high‑octane eruption of riffs and rhythmic force, “Anew” features Chris Adler, whose unmistakable drumming reshaped the song from the ground up. Originally built from a rough demo, the track evolved through collaborative restructuring, with Adler taking the lead in forging a more unique and effective arrangement. For fans of Adler’s signature style, this track delivers in full; Svendsen calls it the most Lamb of God‑esque performance he’s heard from Adler since his time in the band. It’s a rare opportunity to hear Adler’s drumming behind someone else’s riffs, and the result is explosive.

Closing the EP is a pure thrash assault, direct, sharp, and free of filler. “The Die Is Cast” channels the spirit of ’80s thrash while weaving in touches of melody and atmosphere. Lyrically, it paints the image of a once‑mighty war machine lying broken among the wreckage of others like it, its silence heavy with the memory of destruction. The track features Michael Gilbert, whose presence ties the song directly to the era and genre that inspired it. His contribution adds authenticity and weight, making this a standout moment for longtime thrash fans.

Tonic Breed began in 2006 as a four‑piece band from Sarpsborg, Norway, but since 2019 has evolved into a one‑man project driven by Svendsen’s vision and a rotating cast of elite collaborators. Over the years, Tonic Breed has worked with some of metal’s most respected musicians, including Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot), and “Name Dealer” continues that tradition with its most impressive lineup yet.

Listen to “Name Dealer” (released June 10th, 2026) at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/1bMoNWS8EiuLAD2NDrurnj

Music Videos:

Name Dealer – https://www.youtube.com/watch?v=etvT8PAeRAU

Close In – https://www.youtube.com/watch?v=9-S1fQgYR0A

Anew – https://www.youtube.com/watch?v=wx-8n9qs5cY

The Die Is Cast – https://www.youtube.com/watch?v=mAC4_K0Sqko

Track Listing:
1. Name Dealer ft. Tommy Aldridge (drums), Joel Hoekstra (lead guitars) – 3:48
2. Close In ft. Charlie Engen (drums), Adrian Bjerketvedt (guitars and lead guitars) – 5:45
3. Anew – Chris Adler (drums) – 3:31
4. The Die is Cast ft. Michael Gilbert (guitar solo) – 3:31

For more info:
https://tonicbreed.com
https://facebook.com/tonicbreed
https://instagram.com/tonicbreed

About Tonic Breed:
Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations, which already include Chris Adler (Lamb of God), Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), Michael Gilbert (Flotsam and Jetsam) and Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy).

Discography:
-2026 – Name Dealer (EP)
– 2026 – Name Dealer (single) (ft. guest drums Tommy Albridge (Whitesnake, Ozzy Osbourne) and guest guitar Joel Hoekstra (Whitesnake, Trans-Siberian Orchestra))
– 2026 – Close In (single) (ft. guest drums Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy)
– 2025 – Anew (single) (ft. guest drums Chris Adler (Lamb of God)
– 2025 – The Die Is Cast (single) (ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP (ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

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“The new EP, “Name Dealer” from Tonic Breed (Patrik Svendsen) just landed and it’s a monster. Leading the way is the title track single which features guest appearances from rock legends Tommy Aldridge (Whitesnake, Ozzy Osbourne) on drums and Joel Hoekstra (Whitesnake, Trans-Siberian Orchestra) on lead guitar. We gave it a spin and it’s like sticking your face in a furnace with mean riffs, a driving snare, rolls a-plenty, deep hooks, a blistering guitar solo and nice slicing vocals. ‘Name Dealer’ unfolds as an unforgettable heavyweight of modern metal from three dudes that have been at this game quite a while and know what it takes to bring it, and then some. Catch Tonic Breed on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)

“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

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0 Streaming Now! Canadian Prog Death CONFLUX COLLECTIVE’s New Album “In the Wake of Saturn” (ft. members of ex-Augury, ex‑Decrepit Birth, Derelict, Gross Misconduct, Continuum and more!)

June 18, 2026
by Asher
· Uncategorized

NEWS RELEASE

Montreal, QC – June 18, 2026

Streaming Now! Canadian Prog Death CONFLUX COLLECTIVE’s New Album “In the Wake of Saturn”

(ft. members of ex-Augury, ex‑Decrepit Birth, Derelict, Gross Misconduct, Continuum and more!)

L-R – Max Lussier, Jesse Brint, Mallika Sundaramurthy, Tommy McKinnon, Eric Burnet, Jeffrey Mott

PHOTOGRAPHER CREDITS: Joe Diaz, Derek Carr of Visionsinpixels, Mat Barbeau, Tania Hébert

After years of dormancy, reinvention, and sheer determination, Conflux Collective unleashes its long‑anticipated debut full‑length album, “In the Wake of Saturn”, available digitally and on CD and Vinyl on June 19th, 2026.

And before it officially releases, check out its full stream premiere on BraveWords HERE.

Born from a chance reunion between drummer Tommy McKinnon (Derelict, Akurion, ex‑Neuraxis, ex‑Augury) and guitarist Chase Fraser (Continuum, ex‑Decrepit Birth, ex‑Animosity) after a King Diamond show in Montreal, Conflux Collective has always been something different, a project built on spontaneity, collaboration, and the collision of extreme voices.

What began as an unexpected jam session years ago has now evolved into a fully realized underground force.

“In the Wake of Saturn” is the culmination of a long creative journey marked by setbacks, reinvention, and unwavering resolve. After the project fell dormant, McKinnon resurrected it from the ground up, writing new material, reconstructing old tracks, recording all bass parts by ear, and crafting lyrics drawn from deeply personal experiences.

To bring the album to life, he assembled a powerhouse lineup of vocalists whose performances define the record’s emotional and sonic assault: Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator, ex‑Abnormality), Jeffrey Mott (The Monster Factory, Growlers Choir), Eric Burnet (Derelict, Samskaras), Max (Derelict), who also contributes a blistering guitar solo. Each vocalist adds a distinct identity, turning the album into a multi‑dimensional narrative rather than a traditional death‑metal record.

Across its eight tracks, “In the Wake of Saturn” channels the raw ferocity of ’90s death metal through the precision and ambition of modern technical death metal, forging a sound McKinnon defines as “progressive, brutal, technical, melodic, uncompromising.” The album moves through themes of loss, fear, survival, and rebirth, unfolding as a transformative listening experience where each song feels like a chapter in a larger narrative. Shifting vocal perspectives, intricate drum work, and a balance of atonal violence and melodic clarity guide the listener through its evolving landscape. As vocalist Jesse Brint put it, “…it’s a journey.”

That journey begins with the ferocious opener “The Antidote”, a blast of brutal energy featuring some of McKinnon’s most demanding drum performances and a searing vocal delivery from Eric Burnet. From there, the album descends into the doom‑leaning weight of “Devouring Light”, a groove‑driven, darkly atmospheric piece crowned by one of Fraser’s most expressive solos. “Reincarnation” follows as a technical, emotionally charged centerpiece that mirrors the rebirth of the project itself. The title track, “In the Wake of Saturn”, delivers the album’s fastest and most direct assault, embodying the transformative force at the heart of the record. Finally, the journey closes with “Desperate Post‑Humanist”, the album’s most layered composition, an expansive and unsettling dialogue between man and machine that ends the record with haunting finality.

Mixed by Jeanne Comateuse, the album stands as a testament to perseverance and artistic integrity. Despite setbacks, lineup changes, and years of uncertainty, “In the Wake of Saturn” exists because the collective refused to let the vision die.

“This album is a journey through pain, fear, defeat, survival and finally rebirth… a true underground monster, made for those who appreciate and seek the unusual,” adds McKinnon.

Recommended for fans of Cryptopsy, Necrophagist, Decrepit Birth, Augury, and Beyond Creation, “In the Wake of Saturn” will be available at the following links:

Album pre-save – https://confluxcollective.bandcamp.com/

Vinyl and CD pre-order – https://elasticstage.com/confluxcollective

Merch / Apparel available – https://confluxco-shop.fourthwall.com/

Lyric Video – Reincarnation – https://www.youtube.com/watch?v=Nce0-kz3nTk

Lyric Video – Devouring Light – https://www.youtube.com/watch?v=skYaLYoVjX8

Track Listing:
1. The Antidote – 3:02
2. Devoid of True Form – 2:39
3. Ethereal Executioner – 4:45
4. Devouring Light – 4:59
5. Blood from a Rock 4:18
6. Reincarnation – 3:20
7. In the Wake of Saturn – 2:29
8. Desperate Post-Humanist – 5:18
Album Length: 30:53

Album Band Line-up:
Guitar: Chase Fraser (Continuum)
Vocals: Eric Burnet (Derelict), Max Lussier (Derelict), Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator), Jeff Mott (Hollow, Monster Factory)
Additional guitar, bass, and drums: Tommy McKinnon
Track 1,2, 3, 6. Music: Chase Fraser. Lyrics: Tommy McKinnon
Track 4. Music: Chase Fraser. Lyrics: Jesse Brint
Track 5, 7. Music & Lyrics: Tommy McKinnon
Track 8. Music: Tommy McKinnon. Lyrics: Eric Burnet

More info:

https://www.facebook.com/confluxcollective

https://www.instagram.com/confluxco/

About: Formed in Montreal after a chance post‑show encounter, The Conflux Collective is a progressive technical death‑metal project built on collaboration, experimentation, and emotional depth. Featuring contributions from some of the genre’s most distinctive vocalists, the band blends the ferocity of old‑school death metal with the precision and ambition of modern tech‑death. In the Wake of Saturn marks their first full‑length album.

Album Recording Credits:
• All songs performed by: Conflux Collective
• All songs written by: Conflux Collective
• Produced by: Tommy McKinnon
• Mixed by: Jeanne Comateuse at Magma Art & Sound
• Mastered by: Jeanne Comateuse at Magma Art & Sound
• Album Artwork by: Filip Ivanovic
• Member of SOCAN

Affiliated links:

Mix engineer: https://magma-sound.com

Derelict: https://derelictmetal.bandcamp.com

Akurion: https://akurion-ca.bandcamp.com/album…

Emasculator: https://www.instagram.com/emasculator_bdm

Mallika: https://www.instagram.com/mallika_sun

Gross Misconduct: https://grossmisconduct.bandcamp.com

The Monster Factory: https://www.themonster-factory.com/en

Coma Cluster Void: https://comaclustervoid.com

– 30 –

“The song’s (Devouring Light) opening moments create tension and are viscerally frightening. They combine wrenching howls, swaths of eerily ringing guitar, immense groaning bass tones, and methodically bludgeoning beats. As the growled words (also frightening) cut loose, the tension doesn’t really break but the music morphs. The dissonant notes miserably writhe and dart away in strange angles; the drums variably clatter and slug in ways that both exacerbate the music’s feeling of dementia and create a vivid rhythmic counterpoint to the increasingly hallucinatory effect of the fretwork. A shrill and swirling guitar solo rises up, creating its own kind of ecstatic counterpoint to the music’s chilling manifestations of confusion and despair. Yet those very same melodic motifs that make the music so unsettling also turn out to be hooks: as they surface and re-surface, strangely ringing and warping, they dig in — as the bass-and-drum performances continue landing body blows while creating their own mystifying attractions. Although this song, unlike the album’s first single, isn’t a high-speed cavalcade of technically eye-popping adventurousness, it’s still a technically impressive exercise, one that deploys the musician’s technical skills to create chilling hallucinatory effects.” – No Clean Singing

“Centered around guitarist Chase Fraser (Continuum, ex‑Decrepit Birth, ex‑Animosity) and drummer Tommy McKinnon (Derelict, Akurion, ex‑Neuraxis, ex‑Augury) and featuring guest appearance contributions from members of Gross Misconduct, Emasculator, Samskaras, Hollow and Monster Factory, the Conflux Collective is a true collective that puts ’90s lensed, technical death metal in its creative crosshairs.” – Decibel Magazine – Track Premiere: Getting Cosmic with The Conflux Collective’s “In the Wake of Saturn”
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0 GANNONDORF Crowned WACKEN METAL BATTLE USA 2026 Champions! Set To Play WACKEN OPEN AIR!

June 17, 2026
by Asher
· Music News · Uncategorized · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – June 17, 2026

GANNONDORF Crowned WACKEN METAL BATTLE USA 2026 Champions! Set To Play WACKEN OPEN AIR!

Photo Credit – C.Huerta.Photos

One band has conquered them all! Wacken Metal Battle USA proudly crowns San Diego’s GANNONDORF as the 2026 champions. The band now seizes a coveted slot at Wacken Open Air, one of the world’s most iconic and influential metal festivals, and will advance to the international Wacken Metal Battle, where rising bands from across the globe unleash their headbanging, mosh‑ready power before a massive sea of metalheads gathered from every corner of the world.

The Wacken Metal Battle USA 2026 National Final brought together the top six bands from across the country after months of battles in cities nationwide. Representing the fiercest underground metal the United States has to offer, the final contenders were FATE DEFINED (Spokane, WA), NEMESIS (Houston, TX), GANNONDORF (San Diego, CA), RAMTHA (St. Petersburg, FL), THE VICTORIOUS DEAD (New York, NY), and THROUGH THE OCULUS (Apple Valley, CA).

After taking the stage on June 13th at Brick By Brick in San Diego, CA, before a crowd of metal‑hungry fans and a panel of industry judges including Rod Kukla (Silver Lining Music), Martin Koller (Prophecy Productions / SPKR Media), and Kelly McLauchlin (Pessimist), only one band could claim the title of WMBU 2026 Champion. GANNONDORF delivered with unrelenting fury, winning over both judges and fans to seize the crown.

WMBU organizer Eric Dow comments:

“Once again, we had a successful battle. 41 shows with over 200 bands competing. The National Final was full of talent, energy, and an overall sense of pride in our underground US bands. Thank you to all the judges, venues, media partners, promoters, bands, and, of course, the fans for making this thing happen every year. Special shout-out to Salman, Jon Asher, and Dean Guitars. Best of luck to Gannondorf at Wacken and best of luck to the rest of the bands as they move forward with their careers.”

Judges Rob Kukla, Kelly McLauchlin, and Martin Koller add:

“My fourth time judging the USA final, and I can honestly say the quality of the finalists was the best ever. Good luck to the winner, Gannondorf, in their final metal battle at the legendary Wacken Open Air.” – Rod Kukla

“What an amazing night… all the bands brought great energy, and were extremely talented – the best from all over the country – and it was fierce competition… some of the most brilliant performances I’ve seen. I know the judges agree that it was a very, very close battle, and it literally came down to fractions of a point to determine the winner. Congratulations to Gannondorf, and we wish them all the best as they represent the USA this year at Wacken!” – Kelly McLauchlin

“Congratulations to Gannondorf, the winner of the Wacken Metal Battle National Final! The final was a tight race; there were 4 bands just one point apart. Let’s push thumbs and hope Gannondorf will also rule at the Wacken Festival in Germany” – Martin Koller

Listen to all the USA national final bands on the WMBU 2026 Final Spotify Playlist – https://open.spotify.com/playlist/14751T41YocZkJCVUJWcjL?si=HGcF4x2xRXKHWR8PEaXy5w

The 2026 WMBU champion will receive the following:
– A slot at the 2026 Wacken Open Air Festival.
– Full professional backline provided.
– $1,000 USD towards flights to Germany.
– VIP camping at the festival.

Previous WMBU national winners: Mourning High (2025 – Southern California / Arizona), Cascade Effect (2024 – San Diego), Fadrait (2023 – San Diego), Mythraeum (2022 – San Diego), Monarch (2019 – San Diego), Voices of Ruin (2018 – Anaheim), and Corpse Hoarder (2017 – Philadelphia).

For the last seven years of battles (2017-2019, 2022, 2023, 2024, 2025), Wacken Metal Battle USA has hosted battles across the country to send one independent metal band to perform at the world’s largest metal festival, Wacken Open Air in Wacken, Germany. 2019 saw the festival celebrate its 30th anniversary, but due to COVID, the 2020 and 2021 editions were both canceled. As the metal community regains its strength, Wacken Open Air 2026 will be the 35th edition of the festival and will be held from July 29th to August 1st. The 2026 event is already sold out with a line-up that includes Def Leppard, Lamb Of God, In Flames, Powerwolf, Emperor, Sepultura, and Running Wild, among others. Details here.

Wacken Metal Battle USA is part of an international competition that sees bands from across the country battle each other for the chance to win their spot among over 55 other countries’ champions and represent the USA in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air. The battles have been hosted at the festival for over a decade and allow independent bands to showcase their talents to an international audience, along with the chance to win multiple prizes.

How it works:
Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter, where one band will move forward to the American national final (date and city to be determined). The winner of the national final will advance to perform at Wacken Open Air 2026 and compete against the winners of international bands from around the globe in a major international battle. All bands will be judged during battle rounds by respected local music industry representatives.

About Wacken Open Air:
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

About the bands:

GANNONDORF (San Diego, CA) (2026 WMBU Champion) – https://www.facebook.com/Gannondorfmetaloffical

Gannondorf is an avant‑garde black metal project from the San Diego/Escondido, California area, originally formed in 2008. The band began as a fusion of black metal and video‑game‑inspired themes, later evolving through a period under the name Gravespell before returning to their original identity in 2020. Their music blends experimental, gothic, and extreme‑metal elements, drawing on dark, apocalyptic, and fantastical themes. Gannondorf’s most notable release is The Nightmare Institution (2024), an eight‑track, hour‑long album praised for its technical guitar work, atmospheric horror‑driven aesthetics, and genre‑blending approach. The project remains active and independent, continuing to expand its sound while maintaining a cult following within the California extreme‑metal underground.

FATE DEFINED (Spokane, WA) – https://fatedefined.com/about-us-epk

Fate Defined is a heavy metal powerhouse from Spokane, Washington, formed in late 2020. Blending modern aggression with old‑school thrash, they aim to define the Pacific Northwest metal sound. Their debut EP, World in Flames, dropped in May 2024, fueling a run of headlining shows, festivals, their first music video, and a tour that included the historic Knitting Factory. The band kicked off 2025 with multiple sold‑out shows, including a support slot for (Hed) P.E. The quintet continues to hit stages while writing their next record.

NEMESIS (Houston, TX) – https://www.nemesisriffs.com/

NEMESIS began as the brainchild of guitarist Nick Broussard, who started writing music soon after picking up the instrument at 13. Through high school collaborations and the unexpected isolation of COVID, Nick wrote an entire album and shaped the band’s identity before lineup changes stalled their early momentum. After reconnecting with drummer Alex and teaming up with Reagan and Ezra, the revived lineup recorded and released their debut album False Reality in summer 2023. The band quickly hit the stage, opening for major acts like Fueled by Fire, Metal Church, Armored Saint, EYEHATEGOD, Goatwhore, and Accept while performing across Texas, Louisiana, and Oklahoma. Now finishing their second album, NEMESIS enters the 2026 Wacken Metal Battle as the reigning Texas State Champion, heading to San Diego to compete for the national title.

RAMTHA (St. Petersburg, FL) – https://linktr.ee/ramthabandfl

Ramtha is an extreme‑metal band from St. Petersburg/Tampa, Florida, known for fusing death metal, thrash, grind, and hardcore into a high‑intensity hybrid sound. Active since 2022, the band has carved out a distinct identity within Florida’s extreme‑metal scene. They’ve released two EPs, Void Tyrant (2023) and Through Eyes of Death (2024), and are currently developing a third EP slated for 2026. Ramtha has earned a reputation for explosive live performances, frequently hitting Tampa’s Brass Mug and sharing stages with major acts such as Exhorder, Crypta, Worm, Gruesome, Artillery, Killing Addiction, Bandit, Gillian Carter, Dayglo Abortions, and Hong Kong Fck You. With momentum continuing to build, the band remains a rising force in the underground.

THE VICTORIOUS DEAD (New York, NY) – https://linktr.ee/hailtvd

Founded in 2023 by guitarist Jonathan Theriault, The Victorious Dead is on a mission to unleash crushing and melodic metal upon the world. Joined by drummer Jude Austin and bassist Andrew Klabin, the band released their debut EP Life of Death in June of 2024. The Sound The crushing impact of The Victorious Dead’s sound is not at all compromised by their catchy hooks and breathtaking moments. With influences such as Iron Maiden, Amon Amarth, Mastodon, and Enslaved, both musicality and demolishing riffage take top priority.

THROUGH THE OCULUS (Apple Valley, CA) – https://www.facebook.com/profile.php?id=61572792274421

Through the Oculus is a female‑fronted metal band from Apple Valley, California, formed in 2017. The group blends powerful vocals, melodic guitar work, thunderous bass, and driving drums into a modern heavy‑metal sound that quickly sets them apart in the Southern California scene. Within a short time, they began performing at iconic venues including The Viper Room, Whisky a Go Go, and Adelanto Stadium, building momentum through high‑energy live shows. Their self‑titled debut album showcased a dynamic mix of hard‑rock and metal influences, earning attention for its blend of personal lyrical themes and fictional narratives of quests, revenge, sacrifice, and destruction. The band continues to write new material and perform actively, solidifying their reputation as one of the region’s rising heavy‑music acts.

More info:
Metal-Battle.com
MetalBattleUSA.com
Facebook.com/metalbattleusa.official
X.com/MetalBattleUSA
Instagram.com/wmbusa.official

– 30 –

Sponsors / Partners:
Fatal Illness Management
Bravewords.com
Metal-Rules.com
V13.net
GhostCultMag.com
Come And Take It Productions
Brick By Brick
Distilled Entertainment
Piox Promotions
Tampa Bay Metal Scene
Last Light Presents
East Coast Metal Mayhem
Dean Guitars
Asher Media Relations

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0 THE MOURNING Unveils New Members To Lineup Jason Ashcraft (Helion Prime) and Alon Mei-Tal (Helion Prime, Nili Brosh) + New Video “If I Die I Die”

June 17, 2026
by Asher
· Music News · The Mourning

NEWS RELEASE

Montreal, QC – June 17, 2026

THE MOURNING Unveils New Members To Lineup Jason Ashcraft (Helion Prime) and Alon Mei-Tal (Helion Prime, Nili Brosh)

+ New Video “If I Die I Die”

L-R – Alex Nasla, Nanda Hayek, Jason Berlin, Jason Ashcraft, Alon Mei-Tal, Johnny Ray, Francesco Pinter.

Photo credit: Alex Nasla

Progressive metal collective The Mourning announces a major evolution in their lineup with the official addition of guitarist Jason Ashcraft (Helion Prime, Lunar, Planeswalker) and bassist Alon Mei‑Tal (Helion Prime, Levinia). Their arrival marks a pivotal moment for the band, expanding its sonic depth, technical range, and creative firepower as they enter their next chapter.

Ashcraft expresses his excitement about joining the fold:

“I’m super stoked to be coming on officially with The Mourning. I’ve had the pleasure of working with a few of the members for a while, and everyone has been very welcoming. From a musical side, it’s been fun stepping out of my comfort zone and challenging myself to explore new avenues. I look forward to future adventures with The Mourning!”

Mei‑Tal adds:

“It’s official! I’ve been a friend of the band for a couple of years now, helping out on shows, recordings, etc., but I’m very pleased to be one of the gang now. The Mourning is a great group of talented musicians and quality humans. The songs are proggy enough to be interesting, but catchy enough to be fun and memorable, and I can’t wait to join them in bringing listeners more epic tunes and top‑tier performances!”

With both musicians now fully integrated, The Mourning steps into its most ambitious and musically dynamic era yet.

Alongside the lineup announcement, The Mourning recently unveiled their powerful new single and cinematic music video, “If I Die I Die.” The track introduces the band’s renewed sonic identity, heavier, darker, and more emotionally charged, while showcasing the expanded dual‑vocal dynamic between founding vocalist Johnny Ray and newly joined Brazilian co‑vocalist Nanda Hayek (OverAlive).

Built on the band’s signature blend of cinematic songwriting, progressive metal precision, and layered vocal interplay, the song confronts fear, existential dread, and the psychological exhaustion of living under its weight. Its core declaration, “I’m tired of all this fear, I’m done living in fear”, captures the track’s central theme of liberation through surrender.

Written by Francesco Pinter and Johnny Ray, and produced, mixed, and mastered by Alex Nasla (Edge of Paradise), the single blends intricate progressive elements with a more direct, modern heaviness. The band describes it as “a psychological and spiritual battle,” moving from dread into cathartic release.

The accompanying music video mirrors the emotional arc of the song. A woman is hunted by a mysterious figure of death, terrified at first, then increasingly resolute. She rides her motorcycle toward the confrontation she has avoided, only to discover that death was never the true enemy. Fear was.

“By facing it directly, she conquers the thing that had been ruling her,” says Johnny Ray.

The Mourning’s evolution follows a landmark year for the band. In 2025, they made their live debut aboard 70000 Tons of Metal, where Kerrang! hailed them as an “outrageously talented new prog collective” and praised their 3 a.m. debut as “one of the sets of the weekend.” They later performed at Prog on the Ranch 2025, further solidifying their rising status in the progressive metal world.

With the addition of Nanda Hayek and now Jason Ashcraft and Alon Mei‑Tal, The Mourning enters a new era, one defined by expanded musicianship, deeper emotional storytelling, and a sharpened modern metal edge.

Recommended for fans of Lacuna Coil, Amaranthe, Flyleaf, Disturbed, and Evanescence, watch and listen to the video for “If I Die I Die” at https://www.youtube.com/watch?v=Pbms_iiHgAM

Add to your Spotify playlist – https://distrokid.com/hyperfollow/themourning/if-i-die-i-die

Single and Live Band Lineup:
Nanda Hayek – Female Co-Vocalist
Johnny Ray – Male Co-Vocalist
Alex Nasla – Keyboards
Jason Berlin – Drums
Jason Ashcraft – Guitar
Alon Mei-Tal – Bass
Francesco Pinter – Lead Guitar

For more info: https://www.themourningmusic.com

About: Formed by vocalist and songwriter Johnny Ray, The Mourning was created to transform personal struggle, spiritual searching, and existential weight into emotionally immediate progressive metal. Their music blends soaring dual vocals, intricate musicianship, atmospheric tension, and deeply human lyrical themes. The band’s previous album, “Hush,” established them as a rising force in modern progressive metal, exploring anxiety, trauma, meaning, and inner transformation across its acclaimed tracklist.

– 30 –

“The band blends mid to uptempo grooves while also introducing space and atmosphere in just the right places. Combining melody, technical/progressive musical elements, and harmony lead vocals, I feel this band caters to both musicians and non-musicians alike.” – Todd La Torre (Queensrÿche)

“The Mourning masterfully marries classic synth sounds, modern Haken-esque rhythms, and massive vocal hooks into a modern progressive package worthy of every fan’s undivided attention.” – Metal Injection

“In a world of clones, The Mourning is a true original and a breath of fresh air.” – Gear Gods

“With the release of “Hush”, the band continue to showcase their mastery to balance technical prowess with broader thematic appeal. The Mourning will most definitely make a big impact on the prog metal scene today and in the future.” – Metal Epidemic

“An impressive first album from a young band with room to grow. Fans of bands like Haken and Distrct 97 will enjoy this album. One to watch.” – Prog Radio

“Hush” a sensory treat that transcends the limits of perception.” – Roadie Metal

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#.514.581.5780
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