Montreal, QC – December 22, 2022
Shores Of Null Begin Another Gloomy Chapter With “Nothing Left To Burn”
New Album “The Loss Of Beauty” Out March 2023
Rome’s Shores of Null has a fourth album coming out next year, to expand their discography of melancholic doom. “The Loss Of Beauty” goes back to the usual full-length structure with different tracks, after the immersive experience of 2020’s “Beyond The Shores (On Death And Dying)”, which consisted of a single 38-minute track. Each of the upcoming singles released in anticipation of the release are accompanied by a series of videos by Sanda Movies. The first single is “Nothing Left To Burn”, which the band comments on:
“This song was originally written in 2018 and recorded in 2019, with the intent of releasing it the next year, but then we changed our minds and released “Beyond The Shores” instead. So this song was kept secret until today, almost frozen in time, and it’s so cathartic to be finally sharing it with you, both song and video, which is by far the most complex visual piece we’ve ever done, and for this, we must thank Martina and the Sanda Movies crew for the amazing work. It is a song about the burden of life, its endless struggles, and suffering, with the awareness that our existence is only transitory”.
Watch and listen to the music video for “Nothing Left To Burn” – https://youtu.be/wuP14Dgx4F4
Those who have been following Shores Of Null from the very beginning know that their influences touch many genres, and those who loved “Quiescence” and “Black Drapes For Tomorrow” won’t be disappointed. The band considers “The Loss Of Beauty” to be the natural evolution of those records, while “Beyond The Shores (On Death And Dying)” represents a slight detour from the main road. Those who have known them from “Beyond The Shores” might find this new offering a bit different, faster in tempo, but still very gloomy and melancholic.
“The Loss Of Beauty” is melancholic dark metal with a wide range of influences, from gothic metal to doom metal and melodic black/death metal, with frequent use of vocal harmonies and deep growls. It is recommended for fans of Paradise Lost, Amorphis, and Enslaved.
“The Loss Of Beauty” is due out March 24th, 2023.
Album pre-order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty
1. Transitory – 1:20
2. Destination Woe – 4:52
3. The Last Flower – 4:59
4. Darkness Won’t Take Me – 4:14
5. Nothing Left To Burn – 4:55
6. Old Scars – 4:23
7. The First Son – 2:17
8. A Nature In Disguise – 6:26
9. My Darkest Years – 4:56
10. Fading As One – 5:19
11. A New Death Is Born – 4:54
Album Length: 48:40
Bonus Tracks (CD and digital only)
12. Underwater Oddity – 4:18
13. Blazing Sunlight – 1:57
Shores Of Null is:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums
About: Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.
The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out three impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and finally their most ambitious work to date “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long opus which continues to prove the band’s willingness to go off the beaten path while creating their ultimate doom manifesto.
The band’s fourth album “The Loss Of Beauty”, recorded during the same sessions of “Beyond The Shores”, is expected to be released in March of 2023.
– 30 –
Shores of Null continues to impress and expand upon their doomy sound. An epic-length track worthy to sit amongst the best of these ventures (Edge of Sanity, Insomnium). Emotionally fulfilling and musically satisfying all at once.” – Dead Rhetoric (Best-of 2020)
“this album definitely is one of the best Doom Metal pieces I had the pleasure to look at in 2020. Once you plunge into its astonishing flow, there will be no escape from that majestic march through soaring soundscapes to those tear-drenched horizons.” – Rock Music Raider (Best of 2020)
“it’s certainly ambitious (video for “Beyond the Shores (On Death and Dying)”), but if you have the time, it’s worth the watch. Steeped in quality and excellent videography, it definitely deserves the attention for the amount of effort used.” – Metal Injection
“Shores of Null rolled the dice with Beyond the Shores (On Death and Dying) and delivered in a big fucking way… Shores of Null have crafted something special; a heart-wrenchingly emotive and beautiful journey of sorrow, anguish, pain, and acceptance. Beyond the Shores (On Death and Dying) is a splendidly sombre, brilliantly written opus of commanding death-doom that demands attention.” – Teeth of The Divine
“this album is phenomenal, both in terms of concept and its monumental delivery… with this magnum opus [Shores Of Null] have proved their position front and centre as depressed doom-titans…” – The Sleeping Shaman
“Beyond The Shores (On Death and Dying)” is a near perfect, monumental achievement of doom. I can’t imagine any fan of the style not finding something here to enjoy.” – Metal Temple
“An enchanting, gloomy opus.” – Moshville Times
“A single track of incredibly well-realised melodic doom metal, layered with all sorts of treats and nuanced delivery.” – Wonderbox Metal
“A piece of delicious despair, delivered on a platter of storm-ridden and excellently executed Doom Metal. A record that left anybody else in the genre in 2020 quaking in their wake.” – Rock Music Raider
“their most intricate and brooding work to date… grandiose emotional impact.” – Metal Storm
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