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Tag: doom

0 Exitus Stratagem Records To Re-Release AITTALA’s Album “False Pretenses” Out Feb 28th + Tour Dates (FL, GA)

  • February 16, 2023
  • by Asher
  • · Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – February 16, 2023

​

Exitus Stratagem Records To Re-Release AITTALA’s Album “False Pretenses” Out Feb 28th

+ Tour Dates (FL, GA)

L-R – AITTALA – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Ali Lugo (Bass)
Photo Credit – Formont Photography

Originally unleashed in September 2019 on Curtain Call Records, Raleigh, NC’s Aittala will be re-releasing their fifth album via Exitus Stratagem Records, who also recently released the band’s follow-up and sixth full-length “Live To Regret” this past November.

Led by vocalist and guitarist, Eric Aittala, with bassist Ali Lugo and drummer Gary ‘Zeus’ Smith, “False Pretenses” features the trio’s unique stamp of infused classic rock licks, thrash, doom, and sludge along with progressive layers and hard rock grooves.

“When we offered up this album, I still believe it is one of the best Aittala recordings we have done,” Eric Aittala states. “Of course, all bands make that claim when their new album is released, but I still really mean it. If nothing else, it is one of the best-sounding Aittala albums. When we wrote it, we used an entirely different approach for recording, mixing, and mastering. Even with its re-release, I’m still really excited for people who have still not heard it yet.”

Rounding out the album’s track listing is “Different Day”, “Disowned”, “Infamy”, “How Much Longer”, “Nemesis”, “Afterthought”, “They Live”, “Funeral Procession” and “Debt”. Eric notes, “The album’s title comes from the idea that the songs have an underlying theme of misrepresentation”.

Drummer Gary Smith believes those who have not listened to the album, are in for a treat.

“When we made this album, we really stepped it up and I truly believe it is a record for a much larger audience than the previous four we released. There’s something for everyone on it that’s a fan of good metal.”

Recommended for fans of Baroness, Crowbar, and Katatonia, the re-release of “False Pretenses” is due out on February 28th via Exitus Stratagem Records and can be pre-saved at https://hypeddit.com/aittala/falsepretenses.

Music Video – Black Coffin – https://youtu.be/a1R6GpxvvGg

​

Music Video – Nemesis – https://youtu.be/DQJogfBlLmM

Aittala‘s latest album “Live to Regret” released on November 7, 2022, via Exitus Stratagem Records available at the following link: https://hypeddit.com/aittala/livetoregret

Music Video – War of Attrition – ​https://youtu.be/-QX5Tvspq2U

​

Music Video – Collateral Damage – https://youtu.be/Foh__WSHD4o​​

​

In additional news, Aittala will be doing a mini tour during March 2023 in Florida and Georgia (dates listed below).

Tour Dates:​
March 1 – Rain Dogs – Jacksonville, FL
March 2 – Propaganda – Lake Worth, FL
March 3 – Uncle Lous – Orlando, FL
March 4 – Sweetwater Bar and Grill – Duluth, GA

Track Listing:​
1. Different Day (Explicit Version) – 3:21
2. Black Coffin – 4:34
3. Disowned – 4:51
4. Infamy – 3:17
5. How Much Longer – 5:04
6. Nemesis – 3:09
7. Afterthought – 4:17
8. They Live – 3:38
9. Funeral Procession – 6:53
10. Debt – 4:02
Bonus Tracks for digital release
Forsaken – 4:02
Different Day (Clean Version) – 3:21

Album Band Line Up:
​
Eric Aittala – Guitar/Vocals/Bass
Gary ‘Zeus’ Smith – Drums
​
​Live Band Line Up:​
Eric Aittala – Guitar/Vocals
Ali Lugo – Bass
Gary ‘Zeus’ Smith – Drums

For more info:​
​https://www.exsrmusic.com​
​http://www.aittala.com​
​https://www.facebook.com/aittalamusic​
​https://www.instagram.com/aittalamusic​

About: The music of AITTALA (pronounced ‘EYE-tah-la’) crosses many metal genres; it’s hard to put it into just one category. The sound infuses elements of classic heavy metal, doom, progressive, power, thrash, and hard rock with lyrics drawing inspiration from the darker side of the human condition. The AITTALA sound has been cited for being unique which is no easy feat in the metal genre.

The first version of AITTALA was formed in 1991 while Eric Aittala was living in Holland. With fellow American Tim on vocals and Dutch bandmates Ed (drums) and Jon (bass), the band became a staple of the Dutch metal scene.

With the release of the 3-song EP ‘Selling Heaven’ in the summer of 1993, AITTALA opened for such bands as THE GATHERING and SADIST. Unfortunately, as the demo started to create a buzz in the underground European metal scene, Eric had to return to the US and disbanded AITTALA.

Over the next decade or so, Eric played in numerous bands (TRIBE, MAGNETHEAD, DWELL) and lost focus on AITTALA.

Near the end of the 00s, Eric decided it was time to refocus his efforts on the AITTALA brand. From 2009 to 2016, AITTALA released 4 full-length albums: ‘Bed of Thorns’ (2009), ‘Haunt Your Flesh’ (2011), ‘Effigy’ (2014), and ‘American Nightmare’ (2016). Each album showcases a natural progression of songwriting and lyrical content but retains the core AITTALA sound and evolves it.

In 2019, AITTALA signed with Curtain Call Records and released the band’s fifth full-length album ‘False Pretenses’. It was ten brand new songs that not only continued the songwriting evolution of heavier but catchy songs but also sonically. AITTALA used an entirely different approach for recording, mixing, and mastering to create the best AITTALA album to date.

The current lineup of AITTALA consists of Gary ‘Zeus’ Smith (THE FIFTH, ex-MR BLACKWELL) on drums and Ali Lugo (ex-AGE OF DESPAIR) on bass.

They continue to write, record, and tour to bring AITTALA to the masses, recently unleashing their sixth studio album entitled “Live To Regret” via label Exitus Stratagem Records on November 7, 2022, and the re-release of their 2019 album “false Pretenses” out on February 28, 2023, also through Exitus Stratagem Records.

– 30 –

“Their new album, “False Pretenses”, leans heavy on the Doom and Goth side of their listed influences but makes some interesting style choices within the genre.” – Metal Temple (False Pretenses)

“In my opinion, this is by far their best effort. Highlight tracks for me are: “Different Day”, “Black Coffin” and “Debt”. In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – That Metal Channel (False Pretenses)

“The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters (False Pretenses)

“Aittala Offer Powerful Pandemic Post-Mortem on ‘Live to Regret’… Stick it on a playlist with Apostle of Solitude, Crowbar, Famyne, and Paradise Lost, with a dash of Slayer for good measure.” – Doomed and Stoned​
​
​“One of the best albums for 2022” (Live to Regret) – 666MrDoom YouYube Channel​
​
​“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown​
​
​​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Minimalist Drone Collides With Dreary Doom In “Wither” Off THEY GRIEVE’s New Album “To Which I Bore Witness” Out Feb 2023 via Silent Pendulum Records

  • January 25, 2023
  • by Asher
  • · Music News · They Grieve

NEWS RELEASE

Montreal, QC – January 25, 2022

​

Minimalist Drone Collides With Dreary Doom In THEY GRIEVE’s “Wither”

New Album Out Feb 2023 via Silent Pendulum Records

Produced by Topon Das (F*ck The Facts)

Photo Credit – Nick Shaw

“To Which I Bore Witness” is the second release from Canada’s post-metal duo They Grieve. Intended to be an introspective journey, it is meant to be depressing. The listener will be confronted with sad, loud music that’s not meant to cross into anger. The latest single is “Wither”, the album opener, which happened to be written twice. The band explains in detail:

“The decision to scrap the original version in its entirety was anxiety-inducing at first, but clearly feels like the right decision now that everything is said and done. We spent a lot of time fine-tuning the last half of the song, and the ending was one of our favourite parts to write—in fact, it is still one of our favourite parts to play live. Writing this song really forced us to get more comfortable with not only using samples in a live context, but also with blending and balancing tones and dynamics at the same time to ensure everything hits in the right place. Without our electronics, we would need 5 or 6 guitarists to pull this off on stage.”

The band’s first EP was written quickly out of excitement for their new project. At first, they didn’t quite know what the band would end up being. Since then they have honed their sound and that is reflected in this new offering, which listeners will find more refined and nuanced. They slowed down, got heavier, leaned more into their drone, minimalist, and doom influences, and steered away from the colder, noisier moments on the first EP. They also note that the production level is much better thanks to Topon Das (F*ck The Facts) at Apartment Two Studio along with mastering done by Dave Williams at Eight Floors Above and additional tracks recorded by Alex Jakimczuk at Uppercut Studios. The album artwork was done by Pascale Arpin.

They Grieve took a long time to fine-tune these songs. Several of them were completely finished and even performed live before they eventually re-wrote them from the ground up. They actively collaborate on each song leaning into their individual strengths.

Self-described as tense atmospheres and sad riffs, “To Which I Bore Witness” and the single “Wither” is recommended for fans of Bell Witch, Thou, and Year of No Light. The album is being released on February 24, 2023, via Silent Pendulum Records.

Watch and listen to the video for “Wither” via its premiere on DoomedandStoned HERE.

Digital pre-save – https://distrokid.com/hyperfollow/theygrieve/wither​

Album pre-order:

– https://silentpendulumrecords.com/products/they-grieve-lp​

– https://silentpendulumrecords.bandcamp.com/album/to-which-i-bore-witness​

Music Video – “To Which I Bore Witness” – https://youtu.be/MV5DMP0rERE​

Album teaser – https://youtu.be/I2x696h8LCw​

Track Listing:​
1. Wither (7:12)
2. Under the Weight (7:23)
3. If Light Should Appear (7:00)
4. To Which I Bore Witness (6:43)
5. Guided (3:18)
6. Weakness (8:01)
Album Length: 39:40

Album Band Lineup:​
Gary Thibert: Guitars, Bass, Vocals
Deniz Güvenç: Drums, Synthesizers, Piano, Vocals

Album Recording Credits:​
• All songs performed by: Deniz Guvenc & Gary Thibert
• All songs written by: Deniz Guvenc & Gary Thibert
• Produced by: Topon Das at Apartment 2 Studios
• Mixed by: Topon Das at Apartment 2 Studios
• Mastered by: Dave Williams at Eight Floors Above
• Album Artwork by: Pascale Arpin
• Additional tracks recorded by Alex Jakimczuk at Uppercut Studios

For more info:​
​www.facebook.com/theygrieve ​
​www.instagram.com/theygrieve ​

About: They Grieve is a two-piece doom, drone, and post-metal band based in Ottawa, Canada. Drawing influence from both minimalist ambient music and down-tempo metal, they blend warm synthesizers, electronics, and lofty guitar drones into mournful hymns and monolithic dirges with urgency, tension, and weight.

Members Gary Thibert and Deniz Güvenç formed They Grieve in 2015 with the intent to experiment with new forms and processes for songwriting, collaboration, and improvisation. Their first EP, I Made My Sacrifice Accordingly, was self-recorded and self-released in late 2016. In 2018, it was re-released with an added bonus track and accompanying music video through Transcending Records.

They Grieve are set to release their first full-length album entitled To Which I Bore Witness. Recorded at Apartment 2 with Topon Das of Fuck the Facts, this album presents a marked change in the band’s sound. Moving away from the harsh-noise influence on their first album, To Which I Bore Witness unveils a much more refined approach to texture and atmosphere while simultaneously shifting to a slower, heavier pace.

Employing a nuanced sense of harmony, the result is an emotional, dynamic, and doom-laden take on post-metal.

– 30 –

“In the song (To Which I Bore Witness) itself, the music lumbers like a wounded leviathan, staggering ahead with terrific heaviness through corrosive chords and pounding drums — and unexpectedly, it also gets significantly louder, all the better to crush the listener into submission. Enhancing the daunting atmosphere of the music, the vocals scar the senses with harsh howls of ruinous torment, and a guitar wails in bitter grief. Suddenly, just as the video’s protagonist lands on a barren beach (to meet her other self), the music dramatically changes. A slow piano melody ethereally rings in moody but mesmerizing fashion above a humming bass and steady beats. That interlude only seems to magnify the bruising impact of what follows it. The piano still rings, but the rough reverberations that surround it abrade like heavy-grit sandpaper, and the screams reach new heights of harrowing intensity. The drums boom, the chords scrape and moan, the feeling of immense desolation becomes staggering. The protagonist buries the box she removed from within forest roots and wanders away, alone.” – No Clean Singing​
​
​“As you can probably imagine from the song titles, They Grieve are not a happy band. The duo infuse a lifetime’s worth of depression and darkness into their music, drawing inspiration from acts like Grieve, Amarok and Burning Witch.” – Decibel Magazine (All That a Body Can Suffer off I Made My Sacrifice Accordingly)​
​
​“[…] a surprisingly nuanced take on sludge metal.” – Dreams of Consciousness​
​
​“Previously I had compared the music to an introspective journey. This feels more like sinking into quicksand.” – Metal Trenches (I Made My Sacrifice Accordingly)

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

 

0 Tentacles Industries – ATOMIC TRIP Drop New Video For Doomy Sludge Epic “Bomb #6” For Upcoming Vinyl “Strike #3” Out March 2023

  • January 17, 2023
  • by Asher
  • · Atomic Trip (Tentacles Industries) · Music News

NEWS RELEASE

Montreal, QC – January 17, 2023

​

Tentacles Industries – ATOMIC TRIP Drop New Video For Doomy Sludge Epic “Bomb #6”

Vinyl “Strike #3” Out March 24th, 2023

L-R: Jean-Claude VanDoom (Guitar) | Grom Tattooer (Drums) | Gary McDoom (Guitar)
Photo Credit – Alispictures

France’s Atomic Trip released their third album this past October and coming this March 24th, 2023, they will have it on vinyl available via Tentacles Industries. An epic two-track doom and sludge marauder, today the band presents their video for the 20-minute closer chef-d’oeuvre “Bomb #6”.

“Bomb #6 follows with penetrating feedback and toms rolls, before a brutal silence and the entrance of the absolute anvil, its main riff which is the summit and the summary of the whole universe of the band. The more it goes on, the more the psychedelic heaviness sets in. And the end is just as definitive, with two last leaden minutes that twist your brain, concluded by leaking feedback and a final absolutely definitive drum hit.” adds the band.

Watch and listen to “Bomb #6” via its premiere on Doomed and Stoned HERE. ​

Fans familiar with Atomic Trip will not be disappointed with their latest album “Strike #3”; the sequel of “Strike #2” and Strike #1, it is even more crushing, and even more “in your face” than its predecessors. “Bomb #5” is full of finesse and heaviness, a fuzz apocalypse, and a cavalcade of mad drumming. “Bomb #6” interjects with penetrating feedback and toms rolls, and psychedelic heaviness. The last two last leaden minutes of it will completely twist your brain.

“We are so proud of our third album. We think that we have pushed all barriers to keep our motto: less is more. With a few riffs, we have made a progressive psychedelic doom masterpiece. Here the most simple becomes the most complex and every single note weighs a ton. A ton of harmonics, of resonance, of feedback. When we first played those tracks live, we were not confident and hesitated, but people reacted so well! From dark basements to the bigger stages at metal festivals, it has always been a total blast, from the top to the final drum hit. To describe Strike #3 in one sentence: like it or loathe it, you cannot ignore it.”

The album was mixed and mastered by Alexandre Borel and the album artwork was done by Jean-Luc Navette. Best served with a couple of brews and a joint, Atomic Trip is providing the soundtrack for a hazy evening and a cosmic trip so sit back and relax. They are recommended for fans of Conan, Bongripper, and Electric Wizard.

Vinyl for “Strike #3” due out March 24th, 2023 and available pre-order via Tentacles Industries – https://tentaclesindustries.bigcartel.com/artist/atomic-trip​

“Strike #3” can be hard on digital platforms via Atomictrip.bandcamp.com, Spotify.

Live Video – Live Full Concert 4K @ Le Michelet – Nantes, France – April 2022 – https://youtu.be/L7NgU17GzE8​

Track Listing:​
1. Bomb #5 – 24:12
2. Bomb #6 – 20:47
Album Length: 45:00

For more info: https://www.facebook.com/atomictripdoom/ | https://www.instagram.com/atomictripdoom/​

About: The dope factory has exploded, inhale the smoke, and prepare to trip. First, the violent blast of fuzz hits you in the face, then you board for a journey into blurry and muzzy dreams. Plug your darkest fuzz, light your joint, uncap your booze and feel the raw power of doom. We’re all atomic zombies trippin’ on slow riffs.

– 30 –

“These DOOM warlords have created the Instrumental Doom album of the year entitled Strike #1. Over the course of 40 minutes, this band proves that they can’t be fucked with when it comes to creating riffs that kill on contact. What I love about this record is how they are able to manifest such dynamic songs without using vocals. ATOMIC TRIP’s tunes are the perfect soundscape for your mind to run wild in a HEAVY NEVER-NEVER-LAND!” – CVLT NATION – Instrumental Doom album of 2017
​
“Each resonating chord is literally hammered out and left ringing over a bed of resonating bass and this is a pure and simple celebration of the utter power of the riff.” – MORE FUZZ
​
“These gargantuan sized riffs from Atomic Trip will hit you with hypnotic waves of radiation haze, while burying you in a mushroom cloud of fallout and smoke.” – SUPER DANK METAL JAMS
​
“Each, drawn out chord, is encapsulated with a veil of heaving discordance as hypnotic as it is painful, self flagellation by sledgehammer. Worship at the Sepulchre of doom!” – THE SHRIEKS FROM BELOW
​
“Atomic Trip creates soundscapes that are heavy and powerful as mountain massifs. It is a sense of desolation and at the same time magnificent and warm. Then Atomic Trip opens up completely new audio worlds far beyond the reality. The music is bigger than everything.” – SLAVESTATE
​
“Atomic Trip does not go below 8 on the Richter scale. Even with the earplugs, I thought my ears would fall like two pieces of plaster.” – FEEDBACK MUSIC
​
“Here is a raw, cryptic, deviant doom, where everything is played on the atmosphere. This is the secret little corner, where everything is only vibration, introspection, where the notes haunt the depths of the soul.” – THE DARK LODGE

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s Alienatör Look At Current Events Through Hardcore Sludge In “The Less Dead” + New Album “Regrets” Out Now!

  • January 12, 2023
  • by Asher
  • · Alienator · Music News

NEWS RELEASE

Montreal, QC – January 12, 2022

 

Canada’s Alienatör Look At Current Events Through Hardcore Sludge In “The Less Dead”

New Album “Regrets” Out Now!

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Ontario, Canada that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They have recently released their second album, “Regrets”, which is a grim postcard from the depths of the human psyche. Their darkest release yet, it is a reaction to years of deep political turmoil, the erosion of truth, as well as personal politics of grief, loss, and struggle. It’s an album that touches on personal and social themes. Flourishes of melody drenched in a caustic sludge, painted in shades of black. The music video for “The Less Dead” gives a glimpse of the band performing live, channeling all their energy and passion into their art. They describe the theme behind the song:

“The “less dead,” is a term for those that are considered less of a priority for police investigations and therefore are easy victims for predators – sex workers, people of color, the poor, etc. Written before the George Floyd murder but certainly reinforced by it. The closest to a straight-ahead punk song on the album. Simon’s tom work in the bridge really elevates it.”

The video for “The Less Dead” can be viewed via its premiere on Decibel Magazine HERE. ​

Alienatör started out very sludgy but as they mature they are cobbling bits of different heavy styles together, juxtaposing very fast, thrashy stuff with slower doomy stuff. They slowly forged their own sound which carries a lot of the energy of punk and post-hardcore but still has a heavy edge.

“Regrets” is bleak and abrasive but with moments of calm, melody, and beauty to juxtapose against the ugliness. It is dark, cathartic and explores personal themes of discontent, racism, and abuse of power in Canada and the erosion of truth we’ve seen in modern times. It is recommended for fans of Jesus Lizard, Unsane, and Melvins.

“Regrets” available on Spotify, Alienator.bandcamp.com (CD)

Previous music videos can be seen on the band’s YouTube here.

 

Track Listing:​
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:​
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:​
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
​Exitmusicstudio.ca/alienator​
​Facebook.com/alienatorband​
​Instagram.com/alienatorband​

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“Aggression is the name of the game in the latest offering from Thunder Bay, Ontario crew ALIENATÖR. Brad King (guitar, vox), Sean Skillen (bass, vox), and Simon Paquette (drums) pack a big wallop for a band of three. Their sound is a hash of sludge, hardcore, noise, and crust, with a message that’s urgent and dire… Regrets plays out like a nervous breakdown, but a damned exhilarating one.” – Doomed and Stoned

“Dark, powerful and honest.” – Metal Noise.

“Music that will leave you feeling elated even if it’s covered in so much dirt and slime.” – GBHBL

“If you’re after something heavy and different, go for this because this is impressive.” – My Global Mind ​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Shores Of Null Begin Another Gloomy Chapter With “Nothing Left To Burn” Off “The Loss Of Beauty” Out March 2023

  • December 22, 2022
  • by Asher
  • · Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – December 22, 2022

​Shores Of Null Begin Another Gloomy Chapter With “Nothing Left To Burn”

New Album “The Loss Of Beauty” Out March 2023

Rome’s Shores of Null has a fourth album coming out next year, to expand their discography of melancholic doom. “The Loss Of Beauty” goes back to the usual full-length structure with different tracks, after the immersive experience of 2020’s “Beyond The Shores (On Death And Dying)”, which consisted of a single 38-minute track. Each of the upcoming singles released in anticipation of the release are accompanied by a series of videos by Sanda Movies. The first single is “Nothing Left To Burn”, which the band comments on:

“This song was originally written in 2018 and recorded in 2019, with the intent of releasing it the next year, but then we changed our minds and released “Beyond The Shores” instead. So this song was kept secret until today, almost frozen in time, and it’s so cathartic to be finally sharing it with you, both song and video, which is by far the most complex visual piece we’ve ever done, and for this, we must thank Martina and the Sanda Movies crew for the amazing work. It is a song about the burden of life, its endless struggles, and suffering, with the awareness that our existence is only transitory”.

Watch and listen to the music video for “Nothing Left To Burn” – https://youtu.be/wuP14Dgx4F4

​

Those who have been following Shores Of Null from the very beginning know that their influences touch many genres, and those who loved “Quiescence” and “Black Drapes For Tomorrow” won’t be disappointed. The band considers “The Loss Of Beauty” to be the natural evolution of those records, while “Beyond The Shores (On Death And Dying)” represents a slight detour from the main road. Those who have known them from “Beyond The Shores” might find this new offering a bit different, faster in tempo, but still very gloomy and melancholic.

“The Loss Of Beauty” is melancholic dark metal with a wide range of influences, from gothic metal to doom metal and melodic black/death metal, with frequent use of vocal harmonies and deep growls. It is recommended for fans of Paradise Lost, Amorphis, and Enslaved.

“The Loss Of Beauty” is due out March 24th, 2023.

Album pre-order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty​

Track Listing:​
1. Transitory – 1:20
2. Destination Woe – 4:52
3. The Last Flower – 4:59
4. Darkness Won’t Take Me – 4:14
5. Nothing Left To Burn – 4:55
6. Old Scars – 4:23
7. The First Son – 2:17
8. A Nature In Disguise – 6:26
9. My Darkest Years – 4:56
10. Fading As One – 5:19
11. A New Death Is Born – 4:54
Album Length: 48:40
Bonus Tracks (CD and digital only)
12. Underwater Oddity – 4:18
13. Blazing Sunlight – 1:57

Shores Of Null is:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info: Spikerot.com/ | Shoresofnull.com | Facebook.com/shoresofnull | Instagram.com/shoresofnull | Twitter.com/shoresofnull​
​

About: Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out three impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and finally their most ambitious work to date “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long opus which continues to prove the band’s willingness to go off the beaten path while creating their ultimate doom manifesto.

The band’s fourth album “The Loss Of Beauty”, recorded during the same sessions of “Beyond The Shores”, is expected to be released in March of 2023.

– 30 –

Shores of Null continues to impress and expand upon their doomy sound. An epic-length track worthy to sit amongst the best of these ventures (Edge of Sanity, Insomnium). Emotionally fulfilling and musically satisfying all at once.” – Dead Rhetoric (Best-of 2020)

“this album definitely is one of the best Doom Metal pieces I had the pleasure to look at in 2020. Once you plunge into its astonishing flow, there will be no escape from that majestic march through soaring soundscapes to those tear-drenched horizons.” – Rock Music Raider (Best of 2020)

“it’s certainly ambitious (video for “Beyond the Shores (On Death and Dying)”), but if you have the time, it’s worth the watch. Steeped in quality and excellent videography, it definitely deserves the attention for the amount of effort used.” – Metal Injection

“Shores of Null rolled the dice with Beyond the Shores (On Death and Dying) and delivered in a big fucking way… Shores of Null have crafted something special; a heart-wrenchingly emotive and beautiful journey of sorrow, anguish, pain, and acceptance. Beyond the Shores (On Death and Dying) is a splendidly sombre, brilliantly written opus of commanding death-doom that demands attention.” – Teeth of The Divine

“this album is phenomenal, both in terms of concept and its monumental delivery… with this magnum opus [Shores Of Null] have proved their position front and centre as depressed doom-titans…” – The Sleeping Shaman

“Beyond The Shores (On Death and Dying)” is a near perfect, monumental achievement of doom. I can’t imagine any fan of the style not finding something here to enjoy.” – Metal Temple

“An enchanting, gloomy opus.” – Moshville Times

“A single track of incredibly well-realised melodic doom metal, layered with all sorts of treats and nuanced delivery.” – Wonderbox Metal

“A piece of delicious despair, delivered on a platter of storm-ridden and excellently executed Doom Metal. A record that left anybody else in the genre in 2020 quaking in their wake.” – Rock Music Raider

“their most intricate and brooding work to date… grandiose emotional impact.” – Metal Storm

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Descend Into Post-Metal Despair With “To Which I Bore Witness” From THEY GRIEVE + Post Album Teaser & Pre-Order

  • November 28, 2022
  • by Asher
  • · Music News · They Grieve

NEWS RELEASE

Montreal, QC – November 28, 2022

​

Descend Into Post-Metal Despair With “To Which I Bore Witness” From THEY GRIEVE + Post Album Teaser & Pre-Order

Photo Credit – Ev Osmanovic

“To Which I Bore Witness” is the second release from Canada’s post-metal duo They Grieve via Silent Pendulum Records. Taking the form of an introspective journey, it is meant to be depressing. The listener will be confronted with sad, loud music that’s not meant to cross into anger. The band wants people to sit with the album’s sadness and find comfort or kinship within. Each element of the release from the music, to the artwork, to the liner notes, is very intentional and suggested to be enjoyed as a whole. The band explains further:

“This album, both lyrically and musically, tries to capture the uncomfortable juxtaposition between weakness and weight. We are constantly trying to express the ways in which the ugliness and decay we see in the world sets itself down and plants its roots inside of us—how the weight of the world transforms into our own weakness once it has done so. We try to capture this feeling of juxtaposition and tension within the music itself by oscillating between ambient, textural drones and heavy, doom-laden riffs.”

They Grieve hopes that their music fills a niche not quite like other post-metal acts who are currently active. They feel that they offer a nuanced blend of doom(ish) metal and post-metal ambiance without diving into the more typical harsh noise territory. The production value of “To Which I Bore Witness” is a clear step up for them. Compared to the self-recorded debut EP, “I Made My Sacrifice Accordingly”, this new offering does a much better job of capturing the atmosphere and energy of their live performances.

A cold embrace of post-metal colliding with ambient drone, “To Which I Bore Witness” is recommended for fans of The Body, Cult of Luna, and Bell Witch. The album was produced by Topon Das (F*ck The Facts) at Apartment 2 Studio along with mastering done by Dave Williams at Eight Floors Above and additional tracks recorded by Alex Jakimczuk at Uppercut Studios. Album artwork was done by Pascale Arpin.

It can now be pre-ordered with a release date of February 24, 2023, via Silent Pendulum Records.

Album teaser – https://youtu.be/I2x696h8LCw

​

Album pre-order

– https://silentpendulumrecords.com/collections/all-products​

– https://silentpendulumrecords.bandcamp.com/album/to-which-i-bore-witness​

Track Listing:​
1. Wither (7:12)
2. Under the Weight (7:23)
3. If Light Should Appear (7:00)
4. To Which I Bore Witness (6:43)
5. Guided (3:18)
6. Weakness (8:01)
Album Length: 39:40

Album Band Lineup:​
Gary Thibert: Guitars, Bass, Vocals
Deniz Güvenç: Drums, Synthesizers, Piano, Vocals

Album Recording Credits:​
• All songs performed by: Deniz Guvenc & Gary Thibert
• All songs written by: Deniz Guvenc & Gary Thibert
• Produced by: Topon Das at Apartment 2 Studios
• Mixed by: Topon Das at Apartment 2 Studios
• Mastered by: Dave Williams at Eight Floors Above
• Album Artwork by: Pascale Arpin
• Additional tracks recorded by Alex Jakimczuk at Uppercut Studios

For more info:​
www.facebook.com/theygrieve
www.instagram.com/theygrieve
www.soundcloud.com/theygrieve
https://theygrieve.bandcamp.com
​

About: They Grieve is a two-piece doom, drone, and post-metal band based in Ottawa, Canada. Drawing influence from both minimalist ambient music and down-tempo metal, they blend warm synthesizers, electronics, and lofty guitar drones into mournful hymns and monolithic dirges with urgency, tension, and weight.

Members Gary Thibert and Deniz Güvenç formed They Grieve in 2015 with the intent to experiment with new forms and processes for songwriting, collaboration, and improvisation. Their first EP, I Made My Sacrifice Accordingly, was self-recorded and self-released in late 2016. In 2018, it was re-released with an added bonus track and accompanying music video through Transcending Records.

They Grieve are set to release their first full-length album entitled To Which I Bore Witness. Recorded at Apartment 2 with Topon Das of Fuck the Facts, this album presents a marked change in the band’s sound. Moving away from the harsh-noise influence on their first album, To Which I Bore Witness unveils a much more refined approach to texture and atmosphere while simultaneously shifting to a slower, heavier pace.

Employing a nuanced sense of harmony, the result is an emotional, dynamic, and doom-laden take on post-metal.

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Doomed and Stoned Premiere – ​Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

  • November 4, 2022
  • by Asher
  • · Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – November 4, 2022

​Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

“Live to Regret” Out November 7th

L-R – AITTALA – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Ali Lugo (Bass)
Photo Credit – Formont Photography

Aittala has been around since 1991 and in that time has developed a sound that is unique, progressive, and memorable. With a solid core of doom metal, they add hints of power metal, sludge, and traditional metal, a feast of variety that is on full display in their upcoming seventh album “Live to Regret”. Lyrically, the album chronicles a chaotic period of time for members of the band personally as well as the global events happening in parallel. The band comments on the album:

“Aittala is extremely excited for the fans to hear the new album “Live to Regret”. The pandemic was a stressful time for everyone, but it’s even much more stressful when you’re dealing with an unhealthy relationship that’s full of tension and animosity on a daily basis. A lot of toxic energy fueled the writing of the album and became something of a way to cleanse the spirit of the toxicity. We hope the fans hear the pain, pleasure, and passion that went into the writing of these songs. I think they’ll connect with these songs more than prior albums because they are more personal. Overall, we’re very pleased with how the album turned out. It’s definitely the best Aittala album yet and we look forward to building on it in the future!”

The album has eleven tracks, each defying the limits of genre rules. There is the thrash-inspired track “Cannibals” that confronts the tightening grip of governmental monitoring and control. The sludgy “Big Brother” – is about the devolution/zombification of the human race due to technology. The smoky stoner infused “Never Forget” talks about dealing with a toxic person along with many more.

For Aittala, only enough songs are written for an album, so they don’t have the problem of having to select certain songs over others. During the songwriting process, only the best songs get past the idea stage, then they are developed and refined until the song is complete. As far as how much more music fans can expect, there are no plans to stop writing and releasing new material.

An eclectic mix of metal, “Live to Regret” is recommended for fans of Baroness, Crowbar, and Katatonia.

Listen to the album in full via its premiere on Doom And Stoned HERE.

“Live to Regret” will be available on November 7, 2022, via Exitus Stratagem Records and was produced by Eric Aittala and John E. Wooten IV, who also mixed the record along with mastering by Dave Harris at Studio B Mastering. Album artwork by Mariano Pugliese.

Album pre-order: https://hypeddit.com/aittala/livetoregret​

Music Video – Collateral Damage – https://youtu.be/Foh__WSHD4o​​

​

Lyric Video – Live to Regret – https://youtu.be/i-f-XCrJEy0

​

Track Listing:​
1. Live to Regret – 2:49
2. Collateral Damage – 3:22
3. War of Attrition – 3:18
4. Saint – 3:35
5. Cannibals – 3:56
6. Betrayed – 3:26
7. Big Brother – 4:45
8. Dancing with Disaster – 3:35
9. Never Forget – 3:36
10. Well Enough Alone – 5:03
11. Juliet (2022) – 5:24
Album Length: 42:56

For more info:​
​https://www.exsrmusic.com​
​http://www.aittala.com​
​https://www.facebook.com/aittalamusic​
​https://www.instagram.com/aittalamusic​

About: The music of AITTALA (pronounced ‘EYE-tah-la’) crosses many metal genres; it’s hard to put it into just one category. The sound infuses elements of classic heavy metal, doom, progressive, power, thrash, and hard rock with lyrics drawing inspiration from the darker side of the human condition. The AITTALA sound has been cited for being unique which is no easy feat in the metal genre.

The first version of AITTALA was formed in 1991 while Eric Aittala was living in Holland. With fellow American Tim on vocals and Dutch bandmates Ed (drums) and Jon (bass), the band became a staple of the Dutch metal scene.

With the release of the 3-song EP ‘Selling Heaven’ in summer of 1993, AITTALA opened for such bands as THE GATHERING and SADIST. Unfortunately, as the demo started to create a buzz in the underground European metal scene, Eric had to return to the US and disbanded AITTALA.

Over the next decade or so, Eric played in numerous bands (TRIBE, MAGNETHEAD, DWELL) and lost focus on AITTALA.

Near the end of the 00’s, Eric decided it was time to refocus his efforts on the AITTALA brand. From 2009 to 2016, AITTALA released 4 full-length albums: ‘Bed of Thorns’ (2009), ‘Haunt Your Flesh’ (2011), ‘Effigy’ (2014) and ‘American Nightmare’ (2016). Each album showcasing a natural progression of song writing and lyrical content but retaining the core AITTALA sound and evolving it.

In 2019, AITTALA signed with Curtain Call Records and released the band’s fifth full-length album ‘False Pretenses’. It was ten brand new songs that not only continued the song writing evolution of heavier but catchy songs, but also sonically. AITTALA used an entirely different approach for the recording, mixing and mastering to create the best AITTALA album to date.

The current lineup of AITTALA consists of Gary ‘Zeus’ Smith (THE FIFTH, ex-MR BLACKWELL) on drums and Ali Lugo (ex-AGE OF DESPAIR) on bass.

They continue to write, record and tour to bring AITTALA to the masses with plans in 2022 to unleash their sixth studio album entitled “Live To Regret” to be released by label Exitus Stratagem Records.

– 30 –

“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown

“The band’s sound is difficult to pigeonhole because they incorporate a variety of styles. The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters

“I would describe them as an eclectic Doom Metal band, although their sound is a bit tough to define. That’s ultimately a good thing though, and I enjoy the refreshment of something different. My only major complaint is that on some songs, the vocals and lyrics are so drawn out that they become a little boring and you end up waiting a bit for something cool to happen. The good news is something cool usually does end up happening” – Metal-Temple

“In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – The Metal Channel​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canadian Doom ITUS Share Playthroughs Guitar and Drums For New Single “Sturgeon”

  • August 22, 2022
  • by Asher
  • · ITUS · Music News

NEWS RELEASE

Montreal, QC – August 22, 2022

 

Canadian Doom ITUS Share Playthroughs Guitar and Drums For New Single “Sturgeon”

Toronto-based death/doom/sludge band ITUS unleashed their latest single and horror story music video “Sturgeon” earlier this summer. It’s been the first taster of new music since the band’s debut EP “Primordial” was released in 2020.

Today, they share with fans their recent playthrough videos for both guitar and drums to check out.

Watch guitarist Brandon Lucking shred the sludgy doom alongside guest guitar solos by Dexter Forbes of Apogean – https://youtu.be/zegVPb2DmPE

​

and drummer Vincent Anastasi show you the sludge flow at https://youtu.be/Df1p3TDIEfs

​

Both videos were filmed and edited by Wavelens Media.

“Sturgeon” is the heaviest music that ITUS has written to date. This new offering is very heavy, shocking, but also catchy and widely accessible to all music fans. The dramatic, horror-themed video will also catch the eye of viewers along with its guest appearance from Canadian rocker KO as the “bait dude” character. The band explains the video and song in further detail:

“We wrote Sturgeon in a few sessions using a hook Brandon previously came up with. It just flowed organically from Brandon. Eerily, almost all the lyrics and vocal phrasing flowed seemingly from Reinier during the same writing sessions. The lyrics comment on apocalyptic guilt, with satanic ritualism juxtaposed with Christianity. We named our single Sturgeon because we knew we wanted to develop and shoot a music video that involved Brandon’s cottage, which is built on an inlet out of Sturgeon Bay, Ontario. Sturgeon are also huge prehistoric bottom-feeding fish with armoured skin, which is metal.”

For ITUS, “Sturgeon” is a fun bridge between their roots in death metal and where they plan to take their new music. They hope fans will enjoy the slightly more sludgy, heavier direction that is exemplified on the single. They place a great focus on hooks and have become more focused. They intended to get back to the stage in June, and those who get to see them live will be inundated with an energetic, atmospheric abrasive heavy metal experience. They aim to mystify and shock people with their performances.

The atmosphere in “Sturgeon” is creepy and ominous, and the band also incorporates a more modern-sounding metal mix while still maintaining that quintessential doom/sludge sound that fans will recognize. They are recommended listening for fans of Crowbar, Conan, and Windhand.

The music video for “Sturgeon”, which was partially directed by Apogean guitarist Dexter Forbes who also adds a guest guitar solo on the track, can be viewed at https://youtu.be/F0DBTMS8BfI​

Video Credits:​
Cinematography by Dexter Forbes and John Esposo
Editing by John Esposo
Directed and written by Reinier Vandenbosch

Single Stream – Itusofficialdoom.bandcamp.com, Spotify​

Single Recording Band Line Up:​
Vince Anastasi – Drums
Brandon Lucking – Guitar and Bass
Reinier Vandenbosch – Vocals
Dexter Forbes – Guest Guitar Solo

Live Band Line Up:​
Vince Anastasi – Drums
Brandon Lucking – Guitar
Brandon Aitchison – Bass/backing vocals
Reinier Vandenbosch – Vocals

For more info:​
​https://www.facebook.com/ITUSDOOM​
​http://www.instagram.com/ITUSDOOM​

​

About:

ITUS was born in 2018 when Brandon Lucking (guitars) and Reinier Vandenbosch (vocals) began writing Doom Metal together. Fans of Conan, Pallbearer, Crowbar, Windhand, Electric Wizard, and Black Sabbath will find themselves tripping out on ITUS’ soundscape of horrors ‘PRIMORDIAL’, their debut EP. ITUS blends grueling sludge and epic doom with stoner rock and death metal. Crushing yet jammy heavy metal passages, infused within a psychedelic, horror atmosphere established their EP as ITUS’ first brutal yet eclectic outing.

The EP launched on Friday the 13th of March 2020. Covid seemed to strike right then with lockdowns, but given time to build, ITUS then recruited Vince Anastasi on drums, and the three boys started building in new directions both musically and professionally. ITUS has lined up gigs for 2022 and will be performing a slew of new singles alongside the music from their first EP. New music videos produced by the band are also coming this year in 2022. Keep your eyes and ears peeled and ready to catch some ITUS.

Discography:
2011 – Sturgeon (single)
2020 – Primordial – EP

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 ITUS Presents Video For “Sturgeon”, A Canadian Doom Metal Horror Story

  • June 29, 2022
  • by Asher
  • · ITUS · Music News

NEWS RELEASE

Montreal, QC – June 29, 2022

 

ITUS Presents Video For “Sturgeon”, A Canadian Doom Metal Horror Story

ITUS is a Toronto-based death/doom/sludge band that came together in 2018. They released their debut EP “Primordial” in 2020 and after a period of incubating new material they are ready to hit the scene with force. They have been sitting on some singles since December and now is the time for them to release the first, “Sturgeon” – the heaviest music they have written to date. They set out to make this new offering very heavy, shocking, but also catchy and widely accessible to all music fans. The dramatic, horror-themed video will also catch the eye of viewers along with its guest appearance from Canadian rocker KO as the “bait dude” character. The band explains the video and song in further detail:

“We wrote Sturgeon in a few sessions using a hook Brandon previously came up with. It just flowed organically from Brandon. Eerily, almost all the lyrics and vocal phrasing flowed seemingly from Reinier during the same writing sessions. The lyrics comment on apocalyptic guilt, with satanic ritualism juxtaposed with Christianity. We named our single Sturgeon because we knew we wanted to develop and shoot a music video that involved Brandon’s cottage, which is built on an inlet out of Sturgeon Bay, Ontario. Sturgeon are also huge prehistoric bottom-feeding fish with armoured skin, which is metal.”

For ITUS, “Sturgeon” is a fun bridge between their roots in death metal and where they plan to take their new music. They hope fans will enjoy the slightly more sludgy, heavier direction that is exemplified on the single. They place a great focus on hooks and have become more focused. They intended to get back to the stage in June, and those who get to see them live will be inundated with an energetic, atmospheric abrasive heavy metal experience. They aim to mystify and shock people with their performances.

The atmosphere in “Sturgeon” is creepy and ominous, and the band also incorporates a more modern-sounding metal mix while still maintaining that quintessential doom/sludge sound that fans will recognize. They are recommended listening for fans of Crowbar, Conan, and Windhand.

The music video for “Sturgeon”, which was partially directed by Apogean guitarist Dexter Forbes who also adds a guest guitar solo on the track, can be viewed via its premiere on TheCirclePit – https://youtu.be/F0DBTMS8BfI​

​

​Video Credits:​
Cinematography by Dexter Forbes and John Esposo
Editing by John Esposo
Directed and written by Reinier Vandenbosch

Single Stream – Itusofficialdoom.bandcamp.com, Spotify​

Single Recording Band Line Up:​
Vince Anastasi – Drums
Brandon Lucking – Guitar and Bass
Reinier Vandenbosch – Vocals
Dexter Forbes – Guest Guitar Solo

Live Band Line Up:​
Vince Anastasi – Drums
Brandon Lucking – Guitar
Brandon Aitchison – Bass/backing vocals
Reinier Vandenbosch – Vocals

For more info:​
​https://www.facebook.com/ITUSDOOM​
​http://www.instagram.com/ITUSDOOM​

​About:

ITUS was born in 2018 when Brandon Lucking (guitars) and Reinier Vandenbosch (vocals) began writing Doom Metal together. Fans of Conan, Pallbearer, Crowbar, Windhand, Electric Wizard, and Black Sabbath will find themselves tripping out on ITUS’ soundscape of horrors ‘PRIMORDIAL’, their debut EP. ITUS blends grueling sludge and epic doom with stoner rock and death metal. Crushing yet jammy heavy metal passages, infused within a psychedelic, horror atmosphere established their EP as ITUS’ first brutal yet eclectic outing.

The EP launched on Friday the 13th of March 2020. Covid seemed to strike right then with lockdowns, but given time to build, ITUS then recruited Vince Anastasi on drums, and the three boys started building in new directions both musically and professionally. ITUS has lined up gigs for 2022 and will be performing a slew of new singles alongside the music from their first EP. New music videos produced by the band are also coming this year in 2022. Keep your eyes and ears peeled and ready to catch some ITUS.

Discography:
2011 – Sturgeon (single)
2020 – Primordial – EP

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”, Song Premiere via NoCleanSinging, New Album “Ascendant Blasphemy” Out Feb 26th, 2021

  • February 4, 2021
  • by Asher
  • · Music News · PlagueWeaver

NEWS RELEASE

Montreal, QC – February 4, 2021

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”

Song Premiere via NoCleanSinging

New Album “Ascendant Blasphemy” Out Feb 26th, 2021

The second single from the Canadian band Plague Weaver is “Deicidal Usurper” off their upcoming full length “Ascendant Blasphemy” expected in February 2021.

“Ascendant Blasphemy” is the third recording in the band’s catalog, following EPs from 2019 and 2020. This upcoming release contains eight powerful tracks providing a consistent source of non-stop headbanging, classic grim tracks, and other diverse, ambitious tracks. This album aims to invigorate and distress the listener. Plague Weaver explains the single in their own words:

“Deicidal Usurper grabs the listener right out of the gate, reminding them of the earlier tracks. This song has another ambient bridge section, which hangs on just long enough to thrust the listener back into the main riff for the next verse-chorus. The solo in this song is tasteful and proud, with ambient screams feeding the atmosphere behind it. The outro is a bit of a victory-verse feel, winding down into a harpsichord section which introduces the final track.”

The overarching theme of the album is about infernal forces usurping heaven. There are canonical references from many different sources, but all of it swirls together into something that Plague Weaver makes their own. It is important to state that they write all of this from a non-theistic, philosophical/illustrative perspective.

Plague Weaver was created in December 2018. The original idea was to create music in the vein of old school black metal. Recommended for fans of Rotting Christ, (old) Samael, and Varathron.

“Deicidal Usurper” can be heard via its premiere on NoCleanSinging HERE.

The entirety of “Ascendant Blasphemy” will be revealed on February 26, 2021.

Album pre-order via PlagueWeaver.bandcamp.com.

First single – “Nothing Is Sacred” – YouTube (lyric video)
Spotify


Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

More Info:
Facebook.com/plagueweaver
Instagram.com/plagueweaverband
Twitter.com/plagueweaver
EPK

About:

Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.

Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.

“Ascendant Blasphemy” is due out February 2021.

– 30 –

“Plague Weaver’s new single, “Nothing Is Sacred”, comes from the band’s upcoming release Ascendant Blasphemy. If there is any better song to help capture the feeling that everyone around the world has had through 2020, this is it. “Nothing Is Sacred” is a slow burn of death-doom, slow, grudging instrumentals entwined with harsh, raw black metal growls.” – Metal Injection

“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing (2020 Review –  Through The Sulfur Eyes)

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple (2020 Review –  Through The Sulfur Eyes)

“Through The Sulphur Eyes takes the best from Death, Black and Post Black and uses that metallic cocktail shaker from hell to greatest effect. The outcome is a fiery Extreme Metal piece that made us go for seconds a few times in a row. A true, blazing hot slab of alloy that will please the sturdiest of metalheads.” – Rock Music Raider (2020 Review –  Through The Sulfur Eyes)

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles (2020 Review –  Through The Sulfur Eyes)

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