Tag: video

0 “Feel It Too” w/ Canadian Punks THE BLOODY HELL’s New Single / Music Video Off Forthcoming 2025 Album “Blood Code”

February 27, 2025
by Asher
· Music News · The Bloody Hell

NEWS RELEASE

Montreal, QC – February 27, 2025

“Feel It Too” w/ Canadian Punks THE BLOODY HELL’s New Single / Music Video Off Forthcoming 2025 Album “Blood Code”

Halifax, Canada’s The Bloody Hell are back with their first taste of new music since releasing their sophomore album “Nobody Cares” in 2020. Entitled “Feel It Too”, the track is a peek at what’s to come from the Atlantic Canada street punks in 2025. The song’s lyrics were written by vocalist Ian Kean during the deepest darkest recesses of the Covid pandemic and quarantine that came along with that.

“Everyone was sitting around all day, wasting away, sinking deeper and getting more depressed. The only connection to the outside world was through social media, so everyone was posting their opinions and concerns all over the internet. It all seemed so lost and desperate. So that’s what the song is about essentially, how stupid everybody was acting during that time online, and although I would see countless bad takes and shitty opinions, I also felt confused, lost and hopeless. I felt it too. So I wrote this song as a way to make fun of or call out all the stupid things people were saying, but also to admit to myself that it was coming from a place of fear and uncertainty, and that I felt the same way. To say you’re not alone – I feel it too. This is the first single off our upcoming album entitled “Blood Code”, which we are currently in the process of finishing up and hope to release this summer or fall. This eight song album will be a big step forward for the band, we have added a new guitar player and the song writing has gotten much more interesting while still maintaining the simplistic catchiness of the previous two albums.” adds Ian Kean.

Suitable for a variety of fans, The Bloody Hell cites influences ranging from Misfits, Nirvana, and Motorhead, anyone who enjoys a fun and dirty romp with a bull horn of grungy vocals.

Watch and listen to the music video for “Feel It Too” at https://youtu.be/PBVb38qrwKY

Spotify – https://spoti.fi/3XjKoLc

The Bloody Hell is what would happen if George Thorogood sang for the Misfits but all the songs were written by Tom Petty – Super catchy guitar rock songs about hardship and heartache played with intensity and passion, at punk rock speeds.

Since forming in early 2017 The Bloody Hell have gained a local following by tearing up stages with touring acts Propagandhi, DOA , Ripcordz , RayGun Cowboys and Heart Attack Kids as well as local favorites such as The Blackrats, Worst Part, Cluttered, Diner Drugs, Hitman and Orchids Curse.

2018’s self titled debut “The Bloody Hell”, went on to spawn 6 singles and music videos, and earned nominations for “Loud Recording” of the year at the 2018 Nova Scotia Music Awards and “Canadian Independent Music Video” Of The Year 2019 from Dropout Entertainment dot com.

When the global pandemic canceled all of the gigs The Bloody Hell had lined up for 2020 / 2021, it didn’t slow the creative process or forward momentum of the band. The Bloody Hell returned to Fang recording studio in Summer 2020 and Spring of 2021 to record their sophomore album.

In November 2022, “Nobody Cares” was officially released, from which three singles have been released thus far, each accompanied by a unique and thought provoking music video. The video for the second single “When You’re Gone” was recently nominated for “Canadian Independent Music Video” of the Year by Dropout Entertainment dot com. Our second nomination for this award in three years. The video for the single “Out of Our Minds” was also nominated for that award in 2019. The sophomore album has also earned a nomination from Music Nova Scotia for “Loud Recording of the Year” 2023 and has been regarded as a huge step forward for the band, by both fans and critics alike.

In fall 2024, The Bloody Hell hit the studio to work on their new album “Blood Code”, which is slated for release in 2025.

The Bloody Hell is:
Ian Kean – Vocals
James Densley – Lead Guitar
Joe Woods – Bass
Andrew Welsmen – Guitar
Ben Schulman – Drums

For more info: https://linktr.ee/thebloodyhellhfx

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“Punk and horror punk fans should find Nobody Cares of great interest. ” – Metal Talk

“FFO – Catchy Horror Punk – Just when we thought it was safe to go back in the water, Halifax-based quartet The Bloody Hell release their new LP Nobody Cares. The album collects the band’s recent singles, including August’s cover of “Barbra” by The Modernettes, along with some shiny new tracks.” – That’s Good Enough For Me

“Sound wise it’s very accessible, an up-tempo and fun listen that is easy on the ear and compelling to the mind, with influences that the band cite as ranging from Misfits, Nirvana, and Motorhead and it’s filled with catchy hooks and grungy raw-edged vocals, a winning combination in this particular context, it’s very broad spectrum and if you like a horror twist then it could be even more appealing to you. Lyrically the content is interestingly often ambiguous and delivered with clarity of content so you can give them your own interpretation.” – The Punk Globe (Self-Titled 2018)

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0 SVNTH Unveils Its Blackgaze “Perfume” From New Album “Pink Noise Youth” Out April 2025

February 27, 2025
by Asher
· Music News · SVNTH

NEWS RELEASE

Montreal, QC – February 27, 2025

SVNTH Unveils Its Scent of Blackgaze “Perfume” From New Album “Pink Noise Youth” Out April 2025

L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Italian experimental metal outfit SVNTH will be coronating their new album “Pink Noise Youth” on These Hands Melt Records this coming April 2025. Unveiling their first single “Cinnamon Moon” this past January, the quintet in offering its next scent of blackgaze with “Perfume”. The track is carried by catchy and emotional guitar melodies with captivating singing, classic song structure and lyrics about nostalgia and moments that will never come back. It mixes elements of alternative rock and post-metal for a sound reminiscent of Alcest, Nothing and Smashing Pumpkins.

Listen to “Perfume” via its premiere on Bravewords HERE.

“Pink Noise Youth” is SVNTH‘s fourth studio album to follow their 2020 “Spring in Blue”. This new full-length demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works.

“This album is also full of new things, starting from a consistent line-up change of more than half of the band, the introduction of many new instruments such as electric Indian sitar, clean singing, classical and 12 strings guitars and in addition songwriting goes back to a more traditional song in opposition to the more suite-like approach of the previous album. People will surely welcome it with curiosity.” adds the band.

The music of SVNTH has always been aiming to give the listener emotional vibes. This record in particular is conceptually based on exploring late youth emotions and the music is created for reflecting such instability.

Recommended for fans of Deafheaven, Alcest, and Agalloch, “Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH

First single “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs

Spotify – https://spoti.fi/3PWfwMK

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

More info: https://linktr.ee/svnthband

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

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“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)

“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

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0 Canadian Aggro-Metal CHÜZO’s New Video Knocks You Out & Leaves You “Bruised and Broken” Off Latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Produced by Kevin Jardine (Slaves On Dope)

February 13, 2025
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – February 13, 2025

Canadian Aggro-Metal CHÜZO’s New Video Knocks You Out & Leaves You “Bruised and Broken”

New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Canadian aggro-metal troupe CHÜZO has a knock-out music video that is sure to leave you “Bruised and Broken”. The video is in support of the Montreal band’s latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio), and unleashed this past October.

“This track is about being pushed, provoked, and instigated to the point of no return. When in life one encounters certain individuals whose existence is to only make you angry and enraged; to bully you and disrespect you beyond aggravation, and the inevitable result that losing your temper and seeing red does to the individual being provoked and instigated is what this track is about. The utter destruction and devastation that awaits the foolish person who dares to provoke a person who has been pushed to the edge of human insanity; fuck around and find out!” adds the band.

The music video for “Bruised and Broken” can be seen and heard via its premiere on NoCleanSinging HERE.

CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.

“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets.” adds guitarist Cristian S.

CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.

EP Stream links below:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital (Spotify) – https://distrokid.com/hyperfollow/chzo/mtmd

EP Stream – https://youtu.be/jqCdfYwDev4

Music Video – “Brand New Cell” – https://youtu.be/CPvB0BhDxbQ

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.

“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine

“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy

“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise

“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise

“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine

“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine

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0 Texas’ ABOLISHMENT OF FLESH Drops Devastating Music Video for “Disavowed” Off “Resurrecting Misanthropy” EP Out Now!

February 11, 2025
by Asher
· Abolishment of Flesh · Music News

NEWS RELEASE

Montreal, QC – February 11, 2024

Texas’ ABOLISHMENT OF FLESH Drops Devastating Music Video for “Disavowed” Off “Resurrecting Misanthropy” EP Out Now!

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Texas death metal tyrants Abolishment of Flesh are unshackling their new music video for “Disavowed”, the closing track from their 2023 EP “Resurrecting Misanthropy”. The video continues the band’s tradition of creating intense, uncompromising visual experiences that match their sonic brutality. Ramon Cazares (guitars/bass/drums/vocals) explains the track in his own words:

“I wrote this song a couple of years ago. In a way, this could be a continuation of “Hater of Man”. It’s about a person that’s grown old and became misanthropic. This takes place in the future. It’s a reflection of how the world and society have failed this person. They’ve finally given up on everything and just sit and wait for death.”

At just over four minutes, “Disavowed” represents the band’s evolved sound – more structured yet still maintaining the raw, chaotic energy that has defined their music since their early days. There’s a little bit of something for everyone on the EP; Abolishment of Flesh is not just death metal – they throw in some black metal, melody, thrash, groove, and grind. Combined with anti-human themes, they deliver death and destruction.

“Disavowed” embodies the band’s message of anti-human sentiment, delivered with surgical precision and unbridled aggression. It is recommended for fans of Amon Amarth Kataklysm, and Suffocation.

Watch and listen to the video for “Disavowed” via its premiere on NoCleanSinging HERE.

“Resurrecting Misanthropy” is out now at Abolishmentofflesh.bandcamp.com and Spotify.

Music Video – “Hater of Man” – https://youtu.be/KIXiepFhV3g

Lyric Video “Words Defy Truth” – https://youtu.be/vYJ1LwFnx7M

Track Listing:
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)

More info: Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial

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“A brutal sonic assault on the senses, there are moments that sound like they were influenced by the early days of Sepultura with the raw, unpolished quality of the recording itself adding to the charm. If you’re new to Abolishment Of Flesh this is a baptism of fire.” – Metal Noise

“A production to seek out by those who enjoy a polished and presumably technical variety of extreme metal that balance tight and vibrant aggression with more elegant and inviting phases defined by an accessible flow and momentum.” – Viking in the Wilderness

“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)

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0 Rockshots Records – LAY OF THE AUTUMN Explores Struggle and Empowerment w/ New Video “Thrown Away” Off Latest Album “Of Love And Sorrow”

February 6, 2025
by Asher
· Lay of The Autumn (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 6, 2025

LAY OF THE AUTUMN Explores Struggle and Empowerment w/ New Video “Thrown Away”

New Album “Of Love And Sorrow” Out Now! via Rockshots Records

Rockshots Records and Lay Of The Autumn proudly present the official music video for “Thrown Away”, one of the standout tracks from their debut album “Of Love And Sorrow” released on October 25th, 2024.

A striking blend of Symphonic Power Metal, cinematic soundscapes, and electronic elements, “Thrown Away” explores struggle, catharsis, and empowerment themes. The song is driven by intense riffs, soaring melodies, and fast, intricate guitar and keyboard solos, complemented by ERIA’s evocative vocal performance, which captures vulnerability and strength.

Following the success of “Lost In Your Eyes”, this new track from “Of Love And Sorrow”, “Thrown Away” further establishes the band’s ability to craft music that balances melancholy with power, emotion with precision, and melody with intensity. The album, featuring 10 tracks blending Power Metal, Symphonic Metal, Melodic Death Metal, and cinematic influences, was mixed and mastered by Ettore Rigotti (Disarmonia Mundi) at The Metal House Studios, ensuring a rich, polished, and dynamic sound.

Lay Of The Autumn continues to deliver a fresh yet familiar take on the symphonic metal genre, blending grand orchestrations with driving energy. With “Thrown Away” they offer listeners an emotional and powerful journey through their signature sound.

Watch the official music video now and experience the next chapter of “Of Love And Sorrow”!

Music Video – https://youtu.be/ysfru7Ks4oM

Digital Single – https://lnk.to/8lIVcg2a

Digital Album / CD – https://lnk.to/jR59oz

Track Listing:
1 – When It Rains – 2:27
2 – Flowing Tears – 5:52
3 – Lost In Your Eyes – 5:51
4 – After All This Time? Always – 5:44
5 – Thrown Away – 5:53
6 – Undergo Deconstruction – 5:55
7 – Love You To Death – 6:20
8 – Si Sta Come D’Autunno Sugli Alberi Le Foglie – 5:02
9 – Of Love And Sorrow – 5:59
10 – Who Is To Blame – 5:39

Lay Of The Autumn are:

Main Singer: Iryna Eria Boyarkina – ERIA
Growl Singer: Andrea Gambaro
Keyboards/Composition: Davide Scuteri Music
Guitar: Davide Lovecchio
Bass: Cesare Ferrari
Drums: Michele Olmi
Mix and Mastering: Ettore Rigotti at The Metal House
Music Label: Rockshots Records
Moviemaker: Moviedel Productions
Photos: Flarescape
Cover artwork: ProgArt Media – Artwork by Mattias Norén
Jewel Designer: helenaromanova

More info:
Rockshots.eu
https://www.facebook.com/layoftheautumnofficial
https://www.instagram.com/layoftheautumnband

YouTube: eria_singer_official
Instagram: anyri_mysterya
Facebook: / eriaofficial
Telegram: https://t.me/joinchat/rpJiGB9IyBo2YzVi
TikTok: https://vm.tiktok.com/ZM83t243B/

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0 SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

January 31, 2025
by Asher
· Music News · SVNTH

NEWS RELEASE

Montreal, QC – January 31, 2025

SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Italian experimental metal outfit SVNTH has just released their single “Cinnamon Moon” off their forthcoming album “Pink Noise Youth” out on These Hands Melt Records this coming April 2025. “Cinnamon Moon” showcases SVNTH‘s distinctive approach to genre-blending, weaving together elements of blackgaze and post-hardcore to create a deeply personal sonic landscape. The track stands as an emotional open letter, chronicling the complex journey of late youth through a rich tapestry of sound that includes slowdive-inspired ethereal delays, black metal screams, and the unconventional incorporation of the electric Indian sitar. The band shares their thoughts on the single:

“It unveils some of the most interesting features offered on the album in terms of sound and mood. With its captivating mix of blackgaze and post-hardcore, the song is an open letter soaked in fragility and emotional exposure, delivered to a loved one as a memorial of the hampered paths walked together on the road of late youth.”

While their earlier work explored life’s struggles through a childhood lens, “Pink Noise Youth” examines the chaos and emotional instability of early adulthood, giving voice to a generation as unpredictable as its namesake audio phenomenon.

“Pink Noise Youth” demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. It is recommended for fans of Deafheaven, Alcest, and Agalloch.

Single Cover – Cinnamon Moon – Artwork by Tryfar

Listen to “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs

Spotify – https://spoti.fi/3PWfwMK

“Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH

More info: https://linktr.ee/svnthband

About:

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“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

—
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0 Canada’s SWEETBEAST New Music Video Calls Out All The Superficial “Plastic People” Off Debut Album “Illusions” Out Feb 2025

January 31, 2025
by Asher
· Music News · SweetBeast

NEWS RELEASE

Montreal, QC – January 31, 2025

Canada’s SWEETBEAST New Music Video Calls Out All The Superficial “Plastic People”

Debut Album “Illusions” Out Feb 21st, 2025

L-R – Eric Gorzynski – Vocals/Guitar, Alex Graham – Backup Vocals/Bass, Colton Schofield – Drums, John Hermary – Vocals/Guitar

Kelowna, BC, Canada’s SweetBeast has a new music video to share for the track “Plastic People” in the lead-up to their forthcoming debut album “Illusions” out late February 2025. This is the third single the band is revealing off the record to follow songs “Illusion” ft. Space Queen” and “Dream Eater”.

SweetBeast explains “Plastic People”:

“This track critiques the superficiality of modern society, particularly the harmful effects of social media on mental health. With lines like “effects and filters, digital weapons,” the song highlights how the endless stream of digitally altered images fuels feelings of inadequacy, especially in women. This cycle of comparison can lead to doom scrolling, depression, and even suicide, stripping away authenticity and turning people into hollow, “plastic” versions of themselves. By raising awareness of these devastating effects, the song encourages self-reflection and contrasts inner beauty with the hollowness of curated personas.”

Watch and listen to the music video for “Plastic People” at https://youtu.be/by6W1-pNhE8

Spotify – https://spoti.fi/3Q0p0GS

SweetBeast‘s first full-length “Illusions” is a sonic exploration of shifting realities, blending heavy, distorted riffs with introspective lyrics. It invites listeners to journey inward and outward, reflecting the complex relationship between mind, sound, and reality. The record leans heavily on low-tuned guitars, swirling effects, and a tight rhythm section that creates a dense, atmospheric sound. There’s a hypnotic groove throughout, with moments of psychedelic exploration, where riffs evolve into mind-bending progressions. The songs fluctuate between creative riffs and light, airy melodies that offer a contrast, pushing the boundaries of stoner rock.

“We believe our fans will really connect with our debut album. The mix of heavy, low-tuned guitars and melodic, psychedelic riffs captures the essence of our live performances, which our audience already loves. With this album and its singles, we’re aiming to give fans a fully immersive listening experience. We want them to feel transported by the deep, heavy grooves and layered, psychedelic soundscapes as if they’re on a journey through the mind or some otherworldly place. Each track is designed to pull the listener in with dynamic shifts, powerful riffs, and moments of reflection, creating a balance between intensity and space. We hope the singles offer a taste of this experience, sparking curiosity for the full album, which will be best enjoyed as a cohesive journey from start to finish. We’re excited to see how they embrace it.” adds the band.

Recommended for fans of Queens Of The Stone Age, All Them Witches, Kyuss, and Alice In Chains, SweetBeast‘s album “Illusions” is due out on February 21st, 2025 from Humalien Records, and will be available for pre-order at https://sweetbeastrock.bandcamp.com/

First Single – “Dream Eater” – https://youtu.be/ErLKQGlu8Qk

Digital – https://distrokid.com/hyperfollow/sweetbeast/dream-eater

Second Single – Music Video – Illusion ft. Space Queen – https://youtu.be/ApFf3TDSuf0

Digital – https://distrokid.com/hyperfollow/sweetbeast/illusion-feat-space-queen-single

Track Listing:
1. 70/30 – 7:57
2. Thunder – 4:01
3. Dream Eater – 5:29
4. Midnight – 4:38
5. Plastic People – 6:41
6. Illusion ft. Space Queen – 11:26
Album Length – 40:12

More info: SweetBeast.ca | Facebook.com/SweetBeastFuzz | Instagram.com/sweetbeastfuzz | Tiktok.com/@sweetbeastfuzz

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“The record (Illusions) is characterized by heavy grooves, memorable licks, and catchy, heavy, doomy goodness. Any lovers of the groove will definitely be fans of this one.” – Decibel Magazine

“Grungy heavy rock with fuzzy psychedelic twists win the day in ‘Illusions’ (2025), tapping a similar vein to bands like Queens Of The Stone Age, Stone Temple Pilots, All Them Witches, Kyuss, and Alice In Chains. While standing distinctly on their own turf, SweetBeast dishes out addictive grooves and punchy lyrical moments.” – Doomed and Stoned

“How about some brand new heavy-duty stoner rock?! The new single “Dream Eater” from SweetBeast is pretty amazing. “Dream Eater” meanders and bubbles beneath the surface until erupting with a wicked heavy solo and then falls back to its broody state. All in all, it’s a psychedelic journey that you won’t want to miss” – WJOE – Findlay’s Home for Rock & Roll

“SweetBeast creates tunes akin to an acid trip in the 70s — ideal for headbanging and perfect for getting lost in.” – Kelowna Now

“Making their first appearance on stage in Vancouver after making the trek from Kelowna, something I always appreciate. Shows the band believes they have something more people need to hear and are willing to live the road life to spread their sound. With this confidence comes a great live show, exactly what we got last night. Still grooving in the stoner/psych rock vein, SB leaned into the psychedelic direction a little more. Some great damn rock songs in here lead by a great singer armed with a voice that fit the vibe/sound so well. Fuzz heavy guitars shredding away and more than a few great little solos gave this set its flavor. Got some heavy 70’s era psychedelic vibes with all the wonderful squeals and squeaks coming from them. Just beautiful. Far and away though, the sexiest part of this offering were those drums. With the drummer exuding confidence in their ability, they gave us a great set full of wonderful licks and fills. Always in command on each song they were a blast to watch, full of fun grooves to dance to.” – Elder God Productions (Live Review – RED GATE 22/11/03 – Vancouver)

Video Endorsement from Dave Catching (Queens of the Stone Age / Eagles of Death Metal / Rancho De La Luna recording studio): Dave Catching Intro For SweetBeast at Tune It Down Turn It Up 2020

“They have beautiful harmonies and great melodies, I can’t wait to get them down here to make the album they deserve to make and unleash it upon the world..” – Dave Catching

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0 FROGG To Deliver A Sonic “Eclipse” of Bold, Modern Metal w/ Debut Album Coming March 2025

January 30, 2025
by Asher
· FROGG · Music News

Montreal, QC – January 30, 2025

FROGG To Deliver A Sonic “Eclipse” of Bold, Modern Metal w/ Debut Album Coming March 2025

L-R: Will Brown (Drums) | Sky Moon Clark (Vocals & Guitar) | Brett Fairchild (Guitar) | Ethan Emery (Bass)

Frogg, the technical metal sensation from New York, USA, announces they will unveil their debut album “Eclipse” in March 2025. A long time in waiting, this first full-length features ten tracks of heavy, raw, progressive, and avant-garde thinking metal.

Over the last two years, the band has been unraveling singles such as “Double Vision Roll”, “Dandelion”, and “Wake Up” with music videos, all of which will be showcased on the record that was co-produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit).

The singles each exhibited different stylistic strengths, “Wake Up” being more progressive, “Dandelion” and “Double Vision Roll” more in the vein of something between death metal and prog metal. At the end of the day, Frogg is an amalgamation of the music the quartet enjoys, and that’s what the band is and why they sit in between a few key sub-genres.

“A sonic eclipse where every genre collides—progressive, technical, and just enough death to keep your neck sore for weeks.” adds the band’s newest addition bassist Ethan Emery (Survive The Sun & Absurd Condition).

“The people who are already faithful to FROGG will find as much of the stuff that they signed up for as surprises. We don’t operate in one genre all the time,” adds drummer Will Brown.

Lyrically, the record explores Mythology from various places along with tying tales and emotions together. Fans can expect seasonal singles from Frogg going forward as they already have plans for follow-up singles to come real soon after the album’s release.

FROGG’s main ambition is to hit the live circuit with a perfected performance and its brand-new line-up. With performance in mind, FROGG has been relentlessly rehearsing new original material and old, to deliver an authentic live experience.

Committed to technical excellence and progressive innovation, Frogg is recommended for fans of weird and wild, and fans who appreciate bands such as Protest The Hero, Between The Buried And Me, Zenith Passage, Unexpect, and Obscura.

“Eclipse” is due out on March 7, 2025, and is available for pre-order at https://froggofficial.bandcamp.com.

Spotify – https://spoti.fi/4heSdtu

Music Videos:

Double Vision Roll – https://youtu.be/BW1WP2vaxnQ

Dandelion – https://youtu.be/r90cV290Usk

Wake Up – https://youtu.be/RMhtVNE6WYw

Album Artwork – Artists: Yann Kempen & Bertrand LeFebvre

Track Listing:
1. Walpurgisnacht (4:44)
2. Life Zero (4:30)
3. Dandelion (3:50)
4. Eclipse I: Blind Bakunawa (4:20)
5. Eclipse II: Sickened By Silence (4:48)
6. Interspecific Hybrid Species (4:19)
7. Wake Up (6:22)
8. Sun Stealer (4:41)
9. Double Vision Roll (3:29)
10. Omni Trigger (4:07)

Album Recording Credits:
• All songs performed by: FROGG
• All songs written by: FROGG
• Produced by: Jamie King & Sky Moon Clark
• Mixed by: Jamie King
• Mastered by: Jamie King
• Album Artwork by: Yann Kempen & Bertrand LeFebvre

Album Band Line Up:
Sky Moon Clark – Vocals, Guitars
Will Brown – Drums, Percussion, World Instruments
Brett Fairchild – Guitars on tracks 1, 5, 6,10
Nick Thorpe – Bass on tracks 1,4,5,7,8,10
David White – Bass on track 2
Brad Williamson – Bass on track 6
Jack Lynch – Bass on track 3
Emma Rae – Clean vocals & keys

Live Band Line Up:
Sky Moon Clark – Vocals, Guitars
Brett Fairchild – Backup Vocals, Guitars
Ethan Emery – Bass
Will Brown – Drums

For more info: https://linktr.ee/froggband

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“Weirdo avant-garde metal band Frogg have jut shared a video for “Double Vision Roll,” and, boy, is it quirky. If you’re not yet familiar with Frogg, they are all about delivering a weird and wonderful live experience They experiment with different world instruments and songwriting ideas, pushing the boundaries of what’s possible in heavy music, and you can see a little bit of that on display here. The song was produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit). Frogg are recommended for fans of weird and wild, as well as those who appreciate a little technicality in their music.” – Decibel Magazine

“Frogg cover seemingly contradictory bases of portentous tech-death, galloping melodic thrash and hopeful, opne chord djent. It’s smart musical alignment with their theme of something new rising from the ashes of the old.” – Metal Hammer (2020 – A Reptilian Dystopia – EP)

“FROGG is a dangerous force of Technical Metal making themselves known!” – The Circle Pit

“Technical Death rising star” – GhostCult Mag

“The music is impressively performed and written. Crazy technical menageries of Adderall-fueled obsession meshed with emotive melody just spilling out everywhere. It’s a great time, and definitely worth checking out. Definitely a band to be watching in the future.” – No Clean Singing

“The guitar work is beyond phenomenal, and the vocals are just as catchy. They aren’t 100% death metal but are really a blend of modern tech metal and death metal. I’m extremely excited to see if the band is cooking up any live shows to promote the release and am definitely keeping my eyes on this project from here on out. If you want that Decapitated/Arsis/Obscura blend of groove and technicality Frogg is meant for you.” – Technical Music Review (2020 – A Reptilian Dystopia – EP)

“This is an incredible EP, guys. Every one of these songs has made it into heavy rotation, and I am honestly so excited to hear more in the future.” – Metal Trenches (2020 – A Reptilian Dystopia – EP)

“The quality on show here is amazing for a first release and has left us salivating at the prospect of their debut album [9/10]” – Metal Noise (2020 – A Reptilian Dystopia – EP)

“Bursting into life with a colossus bang, it’s a technical monstrosity that greets listeners with Ancient Storm. It’s wild, it’s nasty but it’s built on a foundation of sharp riffs and ferocious groove.” – Games, Brrraaains & A Head-Banging Life (2020 – A Reptilian Dystopia – EP)

“A Reptilian Dystopia” shines with technical sophistication” – Artnoir (2020 – A Reptilian Dystopia – EP)

—
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0 YESTERDAY’S HERO New Video “What I Needed” Off Debut Album “Ways To Hate” Out Now!

January 24, 2025
by Asher
· Music News · Yesterday's Hero

NEWS RELEASE

Montreal, QC – January 25, 2025

YESTERDAY’S HERO New Video “What I Needed” Off Debut Album “Ways To Hate” Out Now!

Ohio alternative metal Yesterday’s Hero has a new music video to offer up to fans for their track “What I Needed” featured on their debut album “Ways To Hate”. It is a hooky distorted riffing song, guitarist Tony Smith wrote it with his son playing the drums. A Rise Against-inspired banger. It’s a song that is medication for the wounds that we’ve all been dealt.

“Waking up to the realization that not everything is as it seems and really accepting that. It’s what a lot of us need to move forward in life. Sometimes in the middle of a struggle, you may not realize it’s “What I Needed”. adds Smith.

Watch and listen to “What I Needed” via its premiere on Ghost Cult Magazine HERE.

Yesterday’s Hero is a good time band. They have more fun out at the shows than they probably should. They are no choir boys and they bring that signature sound with their first full-length “Ways To Hate”. It was purposely recorded in analog to give you a real album experience and not just singles spread out. The tracklisting was designed for each song to complement the next from beginning to end along with feeling the music and its emotions of struggling with a bleeding heart at the end of a tumultuous relationship

A fusion of high-energy grooves with timeless melodies to get your blood pumping and moshing in the pit, Yesterday’s Hero is recommended for fans of Chevelle, Rise Against, Killswitch Engage, Godsmack, and Seether.

Released on November 24, 2023, “Ways To Hate” is available on all digital platforms at https://distrokid.com/hyperfollow/yesterdayshero/ways-to-hate and https://yesterdayshero.bandcamp.com (CD/digital).

Previous Videos:

Ways To Hate – https://youtu.be/TYftddOAhlA

Bounce – https://youtu.be/G0P7nnW8wzU

Track Listing:
1- Killing Me (3:43)
2- What I Needed (4:06)
3- Ways to Hate (3:38)
4- Bounce (4:12)
5- Be (3:46)
6- Road of Doom (5:26)
7- Life’s So Good (3:46)
Album Length: 28:36

Band Lineup Live and Recording
Chris Neller – Vocals
Nathan Fike – Lead Guitar
Tony Smith – Guitar
Bill Mizen – Bass
Byron Ferguson – Live Drums and Recorded Drums on track 2. What I Needed, 3. Ways to Hate, 4. Bounce
Jesse Elkins – Recorded Drums on track 1. Killing Me, 5. Be, 6. Road of Doom, and 7. Life’s So Good

More info: Yesterdaysheroband.com | Facebook.com/YesterdaysHeroBand | Instagram.com/hero_yesterdays

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“This is a great album…. they all sound awesome, being the perfect blend of the early 2000s alt-metal sound and a more modern take, almost bordering on Phil Campbell at times. And, as similar as it all was, I would happily take a lot more of it. Seven tracks just wasn’t enough for me! It sounds great and I think these guys are going to be a big deal soon, if this album is anything to go off!” – Overtone Magazine

“If you’re a real mensch, then you know when it’s your time to bounce, like the boys in Yesterday’s Hero. The hard rockers are happy to unveil their new music video for “Bounce,” off of their new record, Ways To Hate. The seven-track effort was self-released late last month and checks all the boxes of a no-nonsense, riff-rocking good time. There probably isn’t anywhere more rock n’ roll to record a music video than a car shop, which the band selected as the location of this badass new video clip. The primary riff featured in “Bounce” is one of the first the Ohio quartet conceived for this new record. In a sense, the riff dictated the subject matter of the song, with the band feeling that it really “bounced.” Feeding off of this energy, the song came about rather naturally and cohesively.” – V13

“”When it comes to big riffs, ‘Bounce’ by Yesterday’s Hero doesn’t sell the listener short. Its main thrust sounds like a stoner rock band channelling an old Fugazi tune; the muted riff on the verse adds a sharp edge beneath a great vocal, and exploding into a huge chorus, the band are able to convey a timeless post-grunge sound that sounds massive beneath an enthusiastic hook. If that wasn’t enough, a slow heavy breakdown drawing from a blend of groove metal and hardcore influences increases the tension at the track’s end, ensuring these four minutes leave most rock fans more than satisfied.” – Real Gone Rocks

“The song (Killing Me) is a straightforward alt-metal rager for fans of the late-90s/early-2000s nu-metal scene. The video follows a series of drawings to create a dark and mysterious noir-type atmosphere. ” – New Noise Magazine

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0 Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video From New Album “Tempora Mutantur” Out Jan 31st

January 23, 2025
by Asher
· Lunar · Music News

NEWS RELEASE

Montreal, QC – January 23, 2024

Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal visionaries LUNAR shares their new lyric video for “Fall Back Into Old Habits”, delivering a powerful exploration of personal patterns and emotional cycles. As the third preview of their upcoming concept album “Tempora Mutantur”, the track promises to be a visceral examination of human vulnerability, showcasing the band’s unique ability to transform personal struggles into universal musical experiences. Drummer Alex Bosson comments on the single:

“This is, I think, the longest, and maybe the “heaviest” song for Lunar thus far. Mostly features the growl vocals from Brian Lewis (although there is some of Chandler’s beautiful voice on here too). Lots of double basses, and multiple shreddy guitar solos (including one from Wildrun’s Wayne Ingram).”

Lyrically, “Fall Back Into Old Habits” deals with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves. The 11-minute epic represents Lunar‘s commitment to creating music that is therapeutically honest and musically innovative.

“Fall Back Into Old Habits” continues Lunar’s tradition of creating progressive metal that challenges listeners to confront their inner landscapes. It is recommended for fans of Haken, Tool, and Porcupine Tree.

Watch and listen to the video for “Fall Back Into Old Habits” via its premiere on MetalAddicts HERE.

Founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin who passed away in 2018, LUNAR continues in his memory. This fourth full-length “Tempora Mutantur” follows 2023’s “The Illusionist” and features a fresh lineup with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

LUNAR’s “Tempora Mutantur” is due out on January 31, 2025, from Saibot Reigns Records.

Album pre-order – http://lunarbandofficial.bandcamp.com/

Previous Singles

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM

“Spring In My Step – https://youtu.be/mtOhnwOpK_0

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

(Album Artwork by Ed Bosson)

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify

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“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

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