Tag: video

0 Out Now! Canada’s DEVOLVER Unveils New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

August 22, 2025
by Asher
· Devolver · Music News

NEWS RELEASE

Montreal, QC – August 22, 2025

Out Now! Canada’s DEVOLVER Unveils New Album “Non Compos Mentis”

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Grande Prairie, Canada’s rising metal outfit Devolver, returns with a vengeance, announcing the release of their sophomore album, “Non Compos Mentis”, out August 22nd, 2025. Produced by genre heavyweight Mark Lewis, whose credits include Whitechapel, Trivium, and DevilDriver, the album marks a seismic evolution in Devolver’s sound, melding Gothenburg-style melodic death metal with the raw intensity of early 2000s metalcore.

Formed in 2015 by guitarist Devin Babcock as a creative outlet for material that didn’t fit his previous band, Devolver has grown into a five-piece force of nature. With members also active in the local project Dog Poison, the band’s roots run deep in the underground scene.

“Non Compos Mentis” is more than an album; it’s a visceral listening experience. The album features a refined tracklist culled from over 20 demos, each song built collaboratively from riffs and skeletons crafted by guitarists Devin Babcock and Jayde Penner, resulting in a relentless, emotionally charged journey that’s both technically precise and soulfully raw.

The album’s haunting title track, “Non Compos Mentis”, draws from a chilling true story: the 1805 murder of Amos Babcock’s sister in a religious frenzy, an ancestor of Devin Babcock. The artwork was created by legendary metal illustrator Travis Smith (Opeth, Avenged Sevenfold, Soilwork), depicting Amos bloodied in the snow, surrounded by the ghostly eyes of his nine children. It’s a visual as disturbing as the story it tells, and a testament to the band’s commitment to storytelling through music and art.

The band comments on the album’s release:

“We think Non Compos Mentis will be embraced by fans of our first album; it’s a huge evolution of our sound. Our first album was a passion project for Devin, but this record is what the five of us sound like collaborating as a unit. The razor-sharp production from Mark Lewis helped us push this thing over the edge, into something we think people will grab onto. We want to give people the feeling we felt when we first heard our favourite bands, and the albums that made us fall in love with music.”

With each track on the album as a chapter in a larger emotional and sonic narrative, Devolver‘s “Non Compos Mentis” represents a bold leap forward and is recommended for fans of Swedish melodic death metal and classic metalcore. Think the melodic brutality of In Flames and Dark Tranquillity, fused with the punch of Killswitch Engage and As I Lay Dying.

“Non Compos Mentis” is available at the following links:

Album order (out Aug 22nd) – https://devolvermusic.bandcamp.com/

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ

Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab

-30-

“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric

“Devolver uses melodies, intensity, and a variety of vocalists to hook you, reeling you from song to song making this such a welcoming and comfortable listen. I don’t mean they’re “easy listening,” there heavy as f***, I mean there’s always something different, you’ll never get bored while diving into this debut.” – Vulture Hound

“If After The Burial and The Ghost Inside had a lovechild, it would be Devolver. These guys blew me away with how professional, well written, and how well structured they’ve presented themselves with their SelfTitled record. Each song has its own personality, while still maintaining a signature sound. The breakdowns are simple, yet effective in each song. There is dynamic tension and then well-needed release throughout the record, and it’s downright masterful. This album is captivating, and I recommend anyone that is a fan of metal to check this out.” – Bucketlist Music Reviews

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0 Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

August 21, 2025
by Asher
· Kratornas · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

Mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation)

“God of the Tribes”, the highly anticipated new full-length from Kratornas, will be available worldwide through Grathila Records as of this Friday, August 22nd. Before its official release, the full stream album premiere can be checked out on Decibel Magazine HERE.

This landmark release represents the most significant evolution yet for the pioneering one-man extreme metal project, originally founded in the Philippines and now residing in Saskatoon, Canada.

Breaking from the hyper-fast brutality that defined earlier Kratornas releases, “God of the Tribes”, mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation), showcases a more methodical approach, focusing on atmosphere, tension, and ritualistic elements. The album introduces previously unexplored instrumentation, including 7-string guitars for L/R channels and 6-string fretless bass, moving away from blast beats and heavily distorted guitars toward a more nuanced sonic palette. Kratornas comments:

“This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had firsthand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms, but wrote my own, taking that foundation and fusing it with Kratornas. This album is the most natural and honest album I’ve ever done.”

The lyrics on “God of the Tribes” draw from the apocalyptic themes that have defined Kratornas since 1999, when the project shifted from its early Satanic themes to ‘doomsday predictions’. The album incorporates ritualistic chants throughout, with the creator noting that ‘the words are a bit ‘dangerous’ to chant along’.

Recommended for fans of Marduk, Beherit, Archgoat, Blasphemy, and Dark Funeral, Kratornas‘ “God of the Tribes” is available for album pre-order (CD) (Out Aug 22nd) – https://kratornas.bandcamp.com/album/god-of-the-tribes-gcd-2025

Lyric Video – Evil and Plunder – https://youtu.be/6cIDMbs-rA4

Lyric Video – Ravaged by Hurakaan – https://youtu.be/WcQVU7bvLx8

Album Artwork (non-explicit) – Kratornas – God of the Tribes

Track Listing:
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

For more info: https://www.facebook.com/officialkratornas

– 30 –

“I think it’s a good thing that it is a bit darker for music this intense and with so much “action” in the upper midrange – Dan Swano (on mastering God of the Tribes)

“The new music IS unquestionably different from what you might expect based on the last album, though if you caught the album’s first single “Ravaged by Hurakaan” you already know that, and you’ll get a further idea from the lyric video for another album track we’re premiering today, “Evil and Plunder“, which is the album’s shortest song… Now, to the music, which is surreal. In line with the raging words, the vocals are blistering in their incendiary screaming intensity, but what goes on around them is dazzling and also a bit bewildering. There are indeed no blast-beats, but the sharp clatter of the snare and crash of the cymbals are still attention-seizing, in part because the timing and nature of the outbursts is unpredictable. The fretwork is also unpredictable. Above bubbling bass upheavals the shrill guitars play off of each other. They vividly swirl and glitter, spiral and dive, squirm and spasm, dart about and blaze. Other strange sounds speckle the song with their own odd textures. The experience is exuberantly demented and exhilarating to hear, like a bizarre but still mesmerizing sonic hallucination and rightly described in a forthcoming press release as a “3-minute descent into ritualistic chaos and psychological warfare.” – No Clean Singing

“With the upcoming release of God of the Tribes, extreme metal entity Kratornas returns from the abyss with a devastating new record that leans into ritualism, atmosphere, and unapologetic chaos. For over two decades, Kratornas has operated as a one-man war machine, who has consistently rejected conformity, trends, and convention.” – Crannk

“My take on the album: It is unique and unconventional. The album is brilliantly performed and crafted. If you looking for something different with cutting edge performance this album is for you. The longer songs in the album is pure magic.” – Project Metal Music

“It’s this progressive sense of composition that separates “God of the Tribes” from many of its peers in the extreme metal scene. Even in its most chaotic moments, there’s a weird sense of direction, a dark, strange logic that guides the madness. Of course, this is not easy listening. It’s demanding, violent and uncompromising. But for those willing to give it time, attention and an open mind, “God of the Tribes” delivers the essence of underground black metal. It’s not about catchy hooks or accessible melodies—it’s about raw spirit, musical extremity and vision. And Zamora has plenty of all three. Active since 1995, Kratornas has always lurked in the shadows of the black metal underground, but this album has the potential to push the project into a more prominent position—not through trend-chasing, but by sheer force of artistic will. “God of the Tribes” is a a declaration that Kratornas is still here, still raging, and still deadly serious. Black metal fans, take note—this is an album that deserves your ears. 8/10” – Myths of Rock

“The music was energetic, and hyper… Call this album unique, that’s for sure, and If you can deal with chaos and dissonance, this album is for you.” – Metal Temple

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0 Exitus Stratagem Records – Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium” + Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

August 21, 2025
by Asher
· Music News · Visitant

NEWS RELEASE

Montreal, QC – August 21, 2025

Album Download HERE (for media use only)

Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium”

+ Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

Debut Album “Rubidium” Out Aug 2025 via Exitus Stratagem Records

The wait is over. Blackened death metal collective Visitant unleashes their highly anticipated debut album “Rubidium” via Exitus Stratagem Records, delivering seven tracks of ritualistic, unrelenting music that weaves ethereal elements into haunting soundscapes. The album represents what the band calls ‘shadow work’, a visceral exploration of the bleakest parts of being human.

“Rubidium” showcases the full collaborative power of Visitant‘s seasoned lineup across 32 minutes of immersive music. Taylor Tidwell (Unaligned) serves as the primary architect of the band’s crushing riffs, while Anthony Lusk-Simone’s (Abiotic, Lattermath) orchestral passages and thunderous drumming build the cinematic worlds that define each composition. Kilian Duarte’s (Abiotic, Scale the Summit) monstrous bass work drives the album’s forward momentum, even contributing a guitar solo on “Envies Lament”. Chelsea Marrow’s (Voraath, Video Games: DOOM ETERNAL, Senua’s Saga: Hellblade II) commanding vocals tie everything together, transforming personal experiences into ghost stories that channel the essence of restless, vengeful spirits. Thomas Weidick, on guitar, recently joined their live lineup this past June.

The album explores themes of grief, loss, betrayal, vengeance, time lost, and regret through seven carefully constructed tracks that showcase Visitant‘s ability to transcend genre boundaries.

The band shares their thoughts on the record:

Tony: “Imagine Dimmu and UADA being smashed together like action figures during recess.”

Kilian: “This record, I think, threads the needle, blending a lot of different genres. But yes, imagine a bunch of metal bands as action figures in the best Super Smash bros type of way.”

Taylor: “While the genre-bending is ever-present, the release as a whole works cohesively, every part making up a piece of the puzzle.”

Chelsea: “I really do think it’s genre-bending as well. I didn’t actively approach it with that in mind, but I went for what I felt each part needed or made me feel. It was a freeing experience. I was hoping we could create something that was impactful. I think we did that. After you listen to the album from beginning to end, you feel like you were just on the biggest journey. It evokes all sorts of feels. Like damn.. I feel like I was audibly hit by a big ol’ bus. In a good way… if there was a good way!”

The album was produced and mixed by Anthony Lusk-Simone and mastered by Jason Fisher, with striking artwork created by Chelsea Marrow in collaboration with Maxwell Aston for layout and logo design. Every element of “Rubidium” has been crafted to create what the band describes as ‘epic, moving, bleak, beautiful, and uncompromising’ music.

For fans of Gojira, Opeth, Naglfar, and Between the Buried and Me, ‘Rubidium’ offers a visceral experience that promises to resonate for years to come. Visitant celebrates the album release with their live debut at Michigan Metal Fest, bringing their haunting world to audiences with an intense live experience that matches the cinematic scope of their recorded work.

Watch and listen to the album full stream premiere on Decibel Magazine HERE.

Visitant‘s “Rubidium” is available for album pre-order (out Aug 22nd) via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium

Music Videos:

Briars – https://youtu.be/XMr5E2DGX2E

Fodder – https://youtu.be/UCfxSpoPf60

Starless – https://youtu.be/quktaBXaeVM

Other Dates:
Aug 23 – Michigan Metal Fest – Leila Arboretum – Battle Creek, MI w/ Dying Fetus, Within Ruins, Ov Sulfur, The Convalescence

“On The Wake of Flame Tour” – IATT, VISITANT:
Oct 3 – Pensacola, FL – Pacific Kava
Oct 4 – Jensen Beach, FL – Dark Riff Records
Oct 5 – Duluth, GA – Sweetwater
Oct 7 – Nashville, TN – Cobra
Oct 8 – Piedmont, SC – Tribbles
Oct 9 – Raleigh, NC – Chapel Of Bones
Oct 10 – Knoxville, TN – The Pilot Light
Oct 11 – Jackson, TN – TN Metal Devastation Fest (Visitant only)

Track Listing:
1. Unworldly – 4:48
2. Briars – 5:20
3. Starless – 5:07
4. Rubidium – 5:24
5. Fodder – 4:37
6. Envies Lament – 4:56
7. Moon Bathe – 2:38
Album Length: 32:50

Album Band Line Up:
Chelsea Marrow Vocals
Kilian Duarte Bass
Taylor Tidwell Guitars
Anthony Lusk-Simone Drums / Orchestration

Live Band Line Up:
Chelsea Marrow – Vocals
Taylor Tidwell – Guitar & Backing Vocals
Kilian Duarte or Anthony Wheeler – Bass
Charles Webber or Anthony Lusk-Simone – Drums
Thomas Weidick – Guitar

For more info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

– 30 –

“Visitant is here to utterly wreck your morning thanks to their brand new single “Fodder”, the first offering from their upcoming album Rubidium due out on August 23 via Exitus Stratagem Records. Visitant is vocalist Chelsea Marrow (Voraath, The Monster Factory, Doom Eternal, Hellblade 2, etc.), guitarist Taylor Tidwell, drummer Anthony Lusk-Simone (Abiotic, Lattermath & ex-Pathogenic), and bassist Kilian Duarte (Abiotic, Lattermath, Felix Martin & Scale The Summit). So a real powerhouse of a band that brings some savage energy to the metal world.” – Metal Injection

“Visitant introduce the song (Starless) with subdued classical strings and rippling piano keys which together create a sorrowful but entrancing mood. The gentle nature of that overture makes the sudden crash that follows it even more startling — a sudden attack of slashing and sizzling fretwork, gargantuan bass-moans, neck-cracking beats, savage roars, and scorching screams. The song continues to bring in classically influenced piano melodies coupled with vividly dancing guitars, creating an almost diabolical kind of elegance, but the song also ignites a blackened firestorm of blasting drums, delirious fretwork, and sweeping symphonics. The notes vibrantly dart and blaze as the rhythm section thunder, and the music both elevates to heights of daunting, haughty grandeur and sweeps like wildfire. The torrid and tormented vocals seem to hold nothing back, howling and screaming out on the bleeding edge of intensity, and as if the song couldn’t get any more extravagant, the band make room for a head-spinning guitar solo at the end, in the midst of lots of other equally head-spinning fretwork and rhythm-section spectacles.” – No Clean Singing

““Fodder“, presents different warps and wefts in its weave. Also presented through a video (this time we get to see the band perform), it was inspired by a very dark dream in which Chelsea attempted to bring a murdered friend back to life and lost her own life in the process, leaving the friend trapped in a hellish limbo, bound to a body over which their control had been lost to dark spirits. To be sure, this song is also musically extravagant. It features a lot of borderline deranged and technically demanding high-speed maneuvers (a tour de force that would make lots of tech-death bands jealous) but it’s also hallucinatory, and unhinged in many other respects. It further demonstrates that Chelsea Marrow can really sing, as well as howl like a wolf and scream like a goblin. It’s a highly theatrical experience, but also instrumentally kaleidoscopic and viscerally frightening, and the singing makes the song stand out as much as every other demented and dazzling aspect of it.” – No Clean Singing

“Emerging from the shadowy fringes of the metal scene, blackened death metal outfit Visitant has unleashed their riveting debut single, “Fodder.” Released as a precursor to their eagerly anticipated first full-length album, “Rubidium,” the track invites listeners into a deeply atmospheric yet punishing sonic landscape.” – See Rock Live Magazine

“Uniting seasoned musicians from the Extreme Metal underground scene with members known for their previous works in Abiotic, Scale the Summit, Unaligned and Voraath, Blackened Death Metal quartet Visitant have spent the better part of three years crafting a debut album. The promise is of something dark, beautiful, visceral and compelling with single “Fodder” an almost ritualistic journey that weaves ethereal elements into an unrelentingly aggressive soundscape. Turning personal experiences into ghost stories for the half an hour of power that is “Rubidium” caught the attention of Exitus Stratagem Records who will distribute the affair on 29th August.” – Metal Noise

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0 Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album “Melancholia” Out Sept 2025

August 20, 2025
by Asher
· Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – August 20, 2025

Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album Out Sept 2025

+ Launch Vinyl Pre-Order

Ancient Thrones Current Line Up

Top L-R: Dylan Wallace (Guitar) | Nick Leslie (Guitar)

Bottom L-R: Matt LeBlanc (Bass) | Sean Hickey (Drums & Vocals)

Photo Credit – Matt Leblanc

Set to unleash their sophomore album “Melancholia” on September 19, 2025, to follow their 2020 breakout debut “The Veil”, Halifax, Canada’s progressive death metal titans Ancient Thrones are sharing their second single and title track, accompanied by a new music video.

At 260 beats per minute, Ancient Thrones introduce the protagonist of their concept record, his condition, and how he describes feeling out of place, plunging listeners headfirst into his psyche.

“With unrelenting intensity from the opening second, the title track Melancholia is simply a demonstration of what we set out to do with this album. Not one instrument stands out more than the other on this track, as it storms through a plethora of chaotic riffs, rapid blast beats, and lightning-quick vocals at 260 beats per minute, before reaching a breaking point where we flip the script to welcome change both musically and lyrically. If you like to invite some emotion to go with your extreme metal, then this is the song for you,” adds bassist Matt LeBlanc.

Watch and listen to the music video for “Melancholia” via Slam Worldwide at https://youtu.be/_LvSTJ78kd8

Formed in 2011 and reborn in 2018 with the arrival of guitarist and composer Dylan Wallace, Ancient Thrones carved out a new identity rooted in fast, extreme, progressive, cinematic, and existential soundscapes. With “Melancholia”, the band introduces a 42-minute descent into existential exhaustion, delivering an unapologetic extreme metal concept album that fuses blistering speed, cinematic storytelling, and emotional brutality.

From the chaotic opener “A Moon Fused Key” to the doom-laden closer “Vacant,” the band exposes raw intensity and jagged vulnerability. The narrative follows a colorblind protagonist navigating hallucinogenic visions in search of meaning, an unsettling journey through idealism, dread, and transformation. After five years of creation, Ancient Thrones proudly bring to light this new chapter, inviting listeners to embrace the chaos and feel something truly unnatural.

“For this album, a big focus for us was on the production. We meticulously, painstakingly spent several hours dialing every tone, note, layer, vocal, etc. We were fortunate to have time and a slower world on our side during production. Everything on this album was thought out and brought to life in a fully fleshed-out way. It took us 5 years to make this album, with 1 of those years used just levelling up our musicianship and techniques in order to play the material. We’re faster, more technical, and have a singular focus to make sure this album was beating you down from head to toe,” says Leblanc.

Drawing from the raw ferocity of black metal, the brutal edge of 2000s death metal, and the precision of modern tech death, “Melancholia” is a must-listen for fans of Archspire, The Red Chord, Deafheaven, and The Faceless.

Album pre-order (Vinyl, Digital) (out Sept 19th, 2025) – https://ancientthrones.bandcamp.com

Lyric Video – “A Moon Fused Key” https://youtu.be/IfDBNhlJ0sI

Track Listing:
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones

-30-

“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

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0 A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II : Soaring” Ahead of New Album Out Aug 21st

August 20, 2025
by Asher
· Music News · Night's Edge

NEWS RELEASE

Montreal, QC – August 20, 2025

A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II: Soaring” Ahead of New Album “The World That Never Was” Out Aug 21st

With their fourth full-length album, “The World That Never Was,” set to drop on August 21st, 2025, Baltimore-based trio NIGHT’S EDGE is unveiling one last visual offering ahead of release day. In collaboration with Ghost Cult Magazine, the band premieres the music video for “Shapes in Grey Space II: Soaring”, the second installment in a three-part suite that closes the album. The two-and-a-half-minute ballad of symphonic alternative metal track unfolds a Twilight Zone-inspired narrative, exploring themes of isolation and the transformative journey of self-discovery it can spark.

“Soaring is a hardcore banger in ¾, as fancy as it is intense. The sudden pauses and shifts in direction of the music catch you off guard, while the vocals make you feel like you are ascending into the chorus, with mixed feelings of freedom while remaining tethered to reality. The words reflect our inner turmoil of free will versus the outside forces that control us. When writing Soaring, Damian constantly referred to the movie “Chronicle,” a found-footage thriller about teenagers who get superpowers. Not sure how that connects, that is for you to figure out!” adds Brian Haran – Vocals, Bass, Keys, Programming.

Watch and listen to “Shapes in Grey Space II: Soaring” via Ghost Cult Magazine HERE.

Since forming in 2018, Night’s Edge has undergone several lineup shifts and sonic evolutions, making notable strides since their 2019 debut. Rooted in the Alternative Metal realm yet defying easy classification, their sound blends gothic metal, progressive rock, and nu-metal influences into a heady mix of heaviness and pop sensibility, wrapped in layers of synths and theatrical flair. Their upcoming album, “The World That Never Was,” delves into themes of lost identity and the voids we fall into—obsession, rage, and uncertainty. In its closing arc, the album tells a parable: the protagonist wakes in a world where humanity has vanished and is forced to confront their reflection in the silence… or so it appears.

“We are immensely proud of this album. The World That Never Was has the strongest songwriting that Night’s Edge has ever brought forward, and these powerful songs elevate the three of us as musicians and as a band. It has presented challenges to all of us, as Performers and as writers, and has resulted in a genuine expression of music that is uniquely us. The album flows dramatically from piece to piece, with each song offering something different and contributing a different part from which the whole is built. No two songs sound the same, but every second of the album is unmistakably Night’s Edge. The recording and production process challenged all of us but allowed us to become even more intimate with each song. The lyrical themes that wrap through the album have become hooks in each of our brains, and we feel like each of us left a part of ourselves in this record. The World That Never Was is dense but digestible, complex but immediate, grim but beautiful. It is an album of contrasts, an album of ambition, and Night’s Edge’s most definitive musical statement,” says Haran

“The World That Never Was” follows releases Strangers – LP (2023), Night’s Edge – EP (2022), The Darkest Side of Dreams – LP (2020), and Shades of Dusk – LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.

Album pre-order (out Aug 21st) – https://nightsedge.bandcamp.com

Spotify – https://open.spotify.com/artist/5YEhprmAqIyaGmzH1qQInZ

Night Drive Visualizer – Love Fiction – https://youtu.be/MoRXlrnX6aQ

Music Video – If You Loved Me – https://youtu.be/0Fj6gIMd6dA

YouTube Stream – Someone To Stay – https://youtu.be/fg-P90AQvrA

Lyric Video – Smite – https://youtu.be/pMg-S0fn-Nk

Upcoming Show Dates:
Aug 23 – Roachfest – Hollywood, MD
Sept 12 – Zen West – Baltimore, MD – ALBUM RELEASE PARTY
Sept 20 – Asbury Park Brewery – Asbury Park, NJ
Oct 10 – The Depot – Baltimore, MD

Track Listing:
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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““Smite” offers a taste of the band’s ever-evolving sound, merging gothic, progressive, and nu metal influences.” – Metal Insider

“You’re going for a ride today with the premiere of the music video for “Love Fiction,” the latest single from Night’s Edge. A cool visual accompaniment, the premise of the video, a sped-up night drive of the city and the freeway, complements the song’s intensity well. The single is from the band’s latest record, The World That Never Was. Featuring eleven new tracks, the album is set to be released on August 21st. “Love Fiction” is an introduction to this era of Night’s Edge, their third full-length since first emerging in 2018. The song is a profound reflection on depression and mental health. It romanticizes depression, likening it to a partner who is always there for someone as if the condition itself has become a security blanket.” – V13

“Night’s Edge is a dynamic three-piece pushing the boundaries of alternative metal with a sound that straddles gothic melodrama, modern heaviness, and synth-drenched theatrics…. a collection of tracks that fuse headbanging weight with danceable grooves, rich atmospherics, and introspective lyricism. With influences ranging from HIM, System of a Down, Deftones, to Coheed and Cambria, Night’s Edge has carved a uniquely immersive and cinematic sound that evokes both the personal and the fantastical.” – Crannk

“The best part was how they fused a heavy sense of emotion in the music. You can hear it, and feel it, and they don’t hold back.” – Metal Temple

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0 Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution + Quebec Tour Dates + New EP “Echoes of History” Out Sept 2025

August 19, 2025
by Asher
· Music News · Unpunished

NEWS RELEASE

Montreal, QC – August 19, 2025

Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution

Sophomore EP “Echoes of History” Out Sept 2025

Quebec Tour Dates (Quebec City, Trois-Rivieres, Montreal)

L-R – Pierre-Luc Defoy (Guitar, Back Vocals), Jean-Christophe Magnan (Vocals), Alex Brochu-Meloche (Bass, Back Vocals), Justin Lefebvre (Drums), Dean Pavicic (Guitar)

Photo Credit – Julien Bouffard

Quebec City’s rising metalcore force Unpunished returns with a gripping new single and music video, “Shattered in Disarray,” premiering exclusively on TheCirclepit. This marks the band’s third single in support of their upcoming sophomore EP, “Echoes of History,” set for release on September 5th, 2025.

Slower, darker, and emotionally raw, “Shattered in Disarray” dives deep into the psyche of someone confronting the wreckage of their own life. The song explores themes of regret, failure, and the haunting question: Is redemption still possible, or is it too late? With a melodic chorus riff and three distinct guitar solo sections, the track captures the emotional turbulence of its lyrics, inviting listeners to reflect on their own missteps and the hope of healing.

“It’s a song about realizing you’ve failed the ones you love. It’s about facing the consequences and wondering if there’s still a way out,” adds the band.

Watch and listen to “Shattered in Disarray” via TheCirclePit at https://youtu.be/Yr5pD6tPuas

Spotify – https://open.spotify.com/artist/2V8YKy50wVSJ6e5B9SPwrx

Written over two years during a period of personal upheaval for each band member, “Echoes of History”, produced by drummer Justin Lefebvre, is a testament to Unpunished’s resilience and creative evolution. The five-track EP showcases a diverse sonic palette, blending 2000s metalcore roots with melodic death metal riffs, deathcore breakdowns, and melodic choruses. Each track delivers a unique blend of emotion and musical identity, making the record a deeply immersive experience. Lyrically, the band explores human flaws, mental health, and social injustice, crafting songs that are both personal and powerful.

“We wanted each song to have its own flavor. No formulas, no repetition, just raw emotion and musical diversity,” says the band.

Drawing inspiration from metal giants like As I Lay Dying, Parkway Drive, Trivium, and The Black Dahlia Murder, Unpunished blends melodic, intense, aggressive, and diverse elements into a sound that’s unmistakably their own.

Pre-order “Echoes of History” (out Sept 5th) at https://unpunished.bandcamp.com.

Previous Singles:

Lyric Video – “Burn the Traitors” ft. Alex Leblanc (ex-Fracturus, ex-Neuraxis, ex-Mass Murder Messiah) – https://youtu.be/uJO4s8QDxng

“As Water Fills My Lungs” – https://youtu.be/HvyJu1Mo3uk

In additional news, Unpunished will be performing a series of show dates in the province of Quebec, listed below. Fans can anticipate a tight, high-energy live performance, with a dynamic setlist that mirrors the EP’s emotional and musical range.

Unpunished – Echoes of History EP Launch Tour w/ Concessions, Deadwood, In Disarray, Observants, Terror Symphony:

Sept 20 – Quebec City, QC – L’Anti Bar – info

Sept 27 – Trois Rivieres, QC – Taverne Royale – info

Oct 10 – Montreal, QC – Piranha Bar – info

Track Listing:
1. As Water Fills My Lungs – 4:49
2. Plague of Our Race – 4:39
3. Shattered in Disarray – 5:06
4. Echoes of History – 4:52
5. Burn the Traitors ft. Alex Leblanc – 4:38
EP Length: 24:06

Recording Credits:
• All songs performed by: Unpunished
• All songs written by: Unpunished
• Produced, mixed, and mastered by: Justin Lefebvre
• Album Artwork by: I And I Art
• Member of SOCAN
• Canadian Content (MAPL)

EP Recording and Live Line Up:
Jean-Christophe Magnan (vocals)
Justin Lefebvre (drums)
Alex Brochu-Meloche (bass, back vocals)
Pierre-Luc Defoy (guitar, backing vocals)
Dean Pavicic (guitar)

More info: Facebook.com/Unpunishedband | Instagram.com/unpunished_band

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“UNPUNISHED Ignites Metalcore Scene with New Single “Burn the Traitors”… “Burn the Traitors” showcases guest vocalist Alex Leblanc, enhancing the track with his formidable experience. UNPUNISHED describes this single as their most brutal offering yet, leaning heavily into melodic death metal territory, devoid of clean vocals. The relentless intensity is punctuated by a captivating, melodic chorus and a strategically paced guitar solo, offering listeners a brief respite before plunging into the explosive climax.” – See Rock Live

“Le groupe de metalcore qui contient des sonorités de deathcore et death metal, Unpunished, a dévoilé une couleur plus agressive avec son nouvel extrait ¨Burn The Traitors¨, titre qui est collaboré au niveau vocal par Alex Leblanc de Fracturus (Ancien Mass Murder Messiah / Neuraxis).” – Grizzly Media

“It’s all this musical baggage that Alex Leblanc (Fracturus, ex-Mass Murder Messiah, ex-Neuraxis) brings to this new song UNPUNISHED. As a collaborator, of course, but he allows us to give another dimension to their sound which leans more towards melodic death this time. The intensity of the song growl from Jean-Christophe Magnan takes up much more space and gives new weapons to UNPUNISHED. At times we feel like we have a mix between Amon Amarth, Soilwork and Killswitch Engage. To discover!” – Metal Universe (2023 – Burn the Traitors – single)

“Unpunished comes to us with an EP that will please fans of metalcore from the good years combined with the more modern melodic side. The vocal playing between clear and « growl » is effective, especially on the title track « Shadows And Dust ». The guitar riffs are eye-catching and that’s one of the things that introduced me to metalcore in the mid-2000s, and we’re well served with this EP. They knew how to bring their personal touch to their influences, and that is what makes « Shadows And Dust» so effective.” – Metal Universe (2022 – Shadows and Dust EP)

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0 FAMOUS STRANGERS’ New Video “L.S.C.” Explores Beauty and Danger, Intimacy and Destruction + Festival Dates (Armstrong MetalFest, Loud As Hell Open Air)

June 26, 2025
by Asher
· Famous Strangers · Music News

NEWS RELEASE

Montreal, QC – June 26, 2025

Canada’s FAMOUS STRANGERS’ New Video “L.S.C.” Explores Beauty and Danger, Intimacy and Destruction

+ Festival Dates – Armstrong MetalFest (July 11- 12), Loud As Hell Open Air (Aug 1-3)

L-R – Jeff Kittlitz (Guitar, Vocals) | Braden Sustrik (Bass) | Brian “Beej” Jolly (Drums) | Amanda Keirnan (Lead Vocals, Lyrics)

Edmonton, Canada’s Famous Strangers, unravels their new music video for their latest single “L.S.C.” as they gear up for perfmances at this year’s festival appearances at Armstrong Metal Fest (Armstrong, BC – July 11-12) and Loud As Hell Open Air (Drumheller, AB – Aug 1-3) along with upcoming tour dates to be announced.

As one of the first songs that all four of them in Famous Strangers wrote together from start to finish, the track is raw and intense. It represents exactly where they are as a band right now: fearless in their songwriting and unafraid to blend melody with brutality.

“L.S.C. is meant to take you on a ride. It starts soft, like it is letting you in slowly, and then it flips the switch. The heaviness hits out of nowhere. It grabs you, shakes you, and then drags you through the rest of the track without letting go. It eases you in, then completely takes over, and by the time it is done, it feels like it has drained the life out of you in the best way,” adds guitarist Jeff Kittilitz.

Lyrically, the song is told from the perspective of a female figure who is part human and part spider. It is inspired by the mating behavior of black widows, where attraction, intimacy, and destruction all collide. At its core, it is about obsession, power, and survival. It speaks to the emotional weight of wanting something that was never meant to be yours, and the strength it takes to pull yourself back from that edge.

“What we hope is that this song opens people up a little, even if it’s not what they usually listen to. There’s so much music out there that people miss out on because they’re stuck in one genre or one mindset. We’re trying to break through that and just write what feels real, no matter what it sounds like. We are about being fearless in our songwriting. Put everything on the table, be yourself, and don’t hold back. That’s the energy they’re trying to give people when they press play,” says Kittilitz.

Famous Strangers has had a healthy and steady evolution. Since their earlier singles in 2024, Famous Strangers have started to lock in with each other creatively and naturally found a sound that they can all stand behind. It flows and feels more cohesive, and everyone in the band feeds off each other in a way that keeps pushing the songs to a new level.

Watch and listen to the music video for “L.S.C.” via its premiere on Decibel Magazine HERE.

Spotify – https://spoti.fi/4kNbe7F

Previous Singles:

Music Video – I’ll See You In The Stars” – https://youtu.be/OtdfaMp4Hec

George – https://youtu.be/fz85ChqELO4

Deepstar – https://youtu.be/00jujvck9sM

More info:

Famousstrangersband.com

Facebook.com/profile.php?id=61559110131774

Instagram.com/famousstrangersband

Tiktok.com/@famousstrangersband

About: Since their formation in 2023, Famous Strangers‘ signature blend of haunting melodies, powerful vocals, and immersive soundscapes has captivated listeners. The band brings together accomplished musicians whose past experiences in various musical projects have shaped their collective sound. Their diverse influences converge in a unique sonic experience characterized by atmospheric instrumentals and a dynamic vocal approach that seamlessly shifts between melodic and aggressive. They are recommended for fans of Halestorm, Judas Priest, Dio, and Arch Enemy.

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“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

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0 NIGHT’S EDGE Unveils Sinister Crushing Single “Smite” Off New Album “The World That Never Was” Out Aug 2025 + East Coast USA Tour Dates (VA/MD/PA/NY)

June 5, 2025
by Asher
· Music News · Night's Edge · Uncategorized

NEWS RELEASE

Montreal, QC – June 5, 2025

NIGHT’S EDGE Unveils Sinister Crushing Single “Smite” Off New Album “The World That Never Was” Out Aug 2025

+ East Coast USA Tour Dates (VA/MD/PA/NY)

Set to release their fourth full-length “The World That Never Was” this coming August 21st, 2025, Baltimore, MD’s NIGHT’S EDGE is unveiling their third single “Smite” accompanied by a lyric video in preview to the record. A sinister mid-tempo crusher, “Smite” is as headbangable as it is danceable. With unpredictable changes, Latin Choirs, and soaring synths, “Smite” is an invitation to the Night’s Edge cult.

“”This is one of our heaviest songs and will be a staple of the live show for years to come. We wrote it intending to make a heavy song that satisfies both the headbangers and the dancers in the crowd. When coming up with a BPM, Brian was inspired by songs like Slipknot’s Custer, which is as heavy and aggressive as it is danceable. Our plan worked, playing this song live leads to all-out brawls in the pit while people do the Macarena on the sidelines; it’s a good time,” adds Brian Haran (Vocals, Bass, Keys, Programming)

Watch and listen to the lyric video for “Smite” via its premiere on Metal Insider HERE.

Spotify pre-save – https://hypeddit.com/nightsedge/smite-prerelease

Their fourth full-length, “The World That Never Was,” is a statement of songcraft and lyricism. The album flows and progresses clearly as it explores the concept of self-identity and the loss thereof. Moments of melancholy, anger, wonder, and plenty of crushing riffs elicit the stank face. Each single shows a different side of the album.

“‘The World That Never Was’ is packed with different elements of rock and metal combined with the distinct Night’s Edge sound. Fans of alternative metal, symphonic metal, and even pop punk will have something to enjoy from this album,” says Haran.

Since their inception in 2018, the band has gone through a few changes in lineup and sound, and has progressed significantly from their debut in 2019. Falling under the umbrella of Alternative Metal, Night’s Edge‘s sound is hard to pin down. Incorporating influences from gothic metal, progressive rock, and nu metal, the band’s music is equal parts heavy and poppy, soaked in synthesizers and drama. Lyrics breach topics including isolation, dissociation, and the romantic, approaching themes common to the human experience from a cerebral angle that complements the band’s emotionally evocative music.

Album pre-order (out Aug 21st) – https://nightsedge.bandcamp.com

Music Video – If You Loved Me – https://youtu.be/0Fj6gIMd6dA

YouTube Stream – Someone To Stay – https://youtu.be/fg-P90AQvrA

Spotify – https://spoti.fi/3H6cUe1

Upcoming Show Dates:
06/07 – Granny’s – Winchester, VA
06/28 – Cafe 611 – Frederick, MD
07/11 – Union Vapes – Scranton, PA
07/12 – Psychic Garden – Rochester, NY
07/18 – The Depot – Baltimore, MD
07/19 – Century – Philadelphia, PA
08/23 – Roachfest – Hollywood, MD

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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0 Rockshots Records – NASTYVILLE New Music Video “Rockin’ Through The Night” Off New Album “Rebirth” Out June 2025

May 20, 2025
by Asher
· Music News · Nastyville (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 20, 2025

NASTYVILLE New Music Video “Rockin’ Through The Night”

New Album “Rebirth” Out June 2025

Following the release of “Power To The People“, Italian hard rockers Nastyville return with their brand-new single “Rocking Through The Night”, available now on all digital platforms. The track is the second single from the band’s upcoming full-length album “Rebirth“, due out on June 6th, 2025, via Rockshots Records.

Described by the band as “the essence of our will to move forward, to leave the past behind and redefine our sound”, “Rocking Through The Night” is a hard rock statement loaded with attitude, fire, and the desire to break free. Massive old-school riffs meet a cutting-edge rhythm section and a soaring vocal performance, capturing the raw power of a band that’s found its voice again.

The track, along with the entire “Rebirth” album, was recorded at Ivorytears Music Works Recording Studio (Somma Lombardo, VA), produced by the band and mixed and engineered by Alessandro Del Vecchio (Hardline, Vanden Plas, Revolution Saints, Giant).

To accompany the release, Nastyville has also unveiled the official music video for “Rocking Through The Night”, available now at:

LISTEN: https://lnk.to/OLUlqP
VIDEO: https://youtu.be/Cd-fZ_OSuyk

Formed in 2012, Nastyville has built its name on gritty, no-frills rock rooted in glam and street metal, enriched by years of touring and sharing stages with acts like Skid Row, Crashdïet, Steel Panther, and The Dead Daisies. “Rebirth” marks not just a return but a redefinition, pushing the band toward a more powerful, personal, and evolved sound.

For fans of: Skid Row, Crashdïet, Hardcore Superstar, Steel Panther, The Dead Daisies.

Pre-orders are now available at the following link: https://rockshots.eu/products/nastyville-rebirth

First Single – “Power To The People”

LISTEN: https://lnk.to/DpVRF2
VIDEO: https://youtu.be/XqHNf5_ZqHU

TRACK LISTING:
1. The Journey Of Rebirth
2. Power To The People
3. Run Wild, Rev High!
4. Rocking Through The Night
5. Unstoppable (Sia Cover)
6. We Give It All
7. Miss You
8. Yellow Schoolbus
9. Stay Out, Stay Out
10. Sex O’ Clock
11. Rock’n’Roll Experience

NASTYVILLE Line Up:
Marco Luraschi (Mark Lee): Vocals
David Visin (Dave Wild): Guitars
Christian De Gaudenzi (Dega): Guitars
Carlo Giordano (The Horv): Bass
Christian Tabita (Chris Tabeat): Drums

CREDITS: Produced by NASTYVILLE
Recorded at IVORYTEARS MUSIC WORKS RECORDING STUDIO, SOMMA LOMBARDO (VA)
Mixed and Engineered by Alessandro Del Vecchio

More info: https://www.rockshots.eu | https://www.instagram.com/nastyvilleofficial | https://www.facebook.com/nastyvilleofficial

ABOUT:
Nastyville is an Italian hard rock band formed in 2012 by drummer Danny Boy and guitarist David “Dave Wild,” with the aim of refreshing the rock genre. The first studio album, “Viva Hell-A” (released in 2015), features old-fashioned guitar riffs and the flavor of the best street/glam rock with Lex on vocals, Kruska on bass guitar, and Manuel on guitar. After Lex and Kruska left, the band continued its journey with Marco “Mark Lee” on vocals and Fabian Anderchen on bass guitar, releasing in 2017 their second studio album, “Glam Caramel”. This album, marked by heavier sounds, gave the band the opportunity to open the Italian tour dates for Skid Row, Crashdïet, Enuff Z’Nuff, Adam Bomb, John Corabi, Simon Wright, and many others. “Songs of Threesome”, released in 2022, was their third studio album and featured a new lineup with Christian “Dega” on guitar and Paul “Cannibal” (ex-Thee S.T.P.) on bass guitar.

In 2023, founding member and drummer Danny Boy and bassist Paul left the band and were soon replaced by Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar. After the release of the two singles “Red Black…Or Green?” and “Livin’ in A Mess”, the band with its new lineup consisting of Marco “Mark Lee” on vocals, David “Dave Wild” on guitar, Christian “Dega” on guitar, Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar, worked tirelessly on new studio material. The year 2024 was a very good year when the band played many dates across Italy and abroad. The opening act for Steel Panther in Milan (Alcatraz) deserves special mention. The band spent the last months of the year working on a brand-new album, entering the studio in December to start recording their fourth studio album under the supervision of producer, singer, and songwriter Alessandro Del Vecchio.

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0 Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error” Off New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now!

March 14, 2025
by Asher
· Music News · PHEAR

NEWS RELEASE

Montreal, QC – March 14, 2025

Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error”

New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now!

Live Lineup – PHEAR – Alex Zubair – Guitar, Pat Rogers – Guitar, Chris Boshis – Bass Guitar / Backing Vocals, Andrew Suarez – Drums, Patrick Mulock – Vocals

Canadian power thrashers PHEAR have a new lyric video to reign in the “New World Error”. The track is off their second full-length album “Save Our Souls”, which was unleashed this past February from Golden Robot Records.

“New World Error” is a musical and lyrical statement on all the terrible atrocities going on in the world today.

“Humans are sometimes the plague of humanity.” adds the band.

Watch and listen to “New World Error” via its premiere on MetalAddcist HERE.

Produced, mixed, and mastered by Jon Howard (Threat Signal), Phear‘s sophomore album “Save Our Souls” can be best described as their heaviest offering to date and follows the award-winning album “Instanitarium” (2019), and the critically acclaimed EP “The Curse Lives On” (2020).

Extremely passionate, and driven, along with their arena-caliber sound, PHEAR is always thinking of new ways to entertain its fans, and “Save Our Souls” is no exception. Mostly written during the dark times of COVID-19, the record has taken four years to complete. Led by Patrick Mulock and producer Jon Howard in the studio, each musician was pushed hard to get the best out of each of them and they delivered.

“We had a lot of time to craft these songs. We didn’t have any time restraints. We would go into the studio and do three songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could. There are NO FILLERS here. Seven String guitars have played a big part in this. Our sound has grown. The bass guitar on this album is HUGE! The drumming from Mike Harshaw was also very aggressive. If you were to ask me now… This is the heaviest Phear has ever been… for now lol!” adds Mulock.

A listening experience of thrash, prog, and classic metal elements, PHEAR offers a strong balance from infectious choruses to melodic and growling vocals for true heavy metal nostalgia. Their two previous singles, the album’s title track and “Snake” are sure to make fans throw up their hail horns and headbang with a sore neck. Plus the band offers up their cover version of Nevermore‘s “Narcosynthesis”.

PHEAR features Patrick Mulock (Lead Vocals) (Eidolon, Rampage), Pat Rogers (Lead & Rhythm Guitars) (Profaner- 2016 Wacken Metal Battle Canada Champions), Alex Zubair (Lead & Rhythm Guitars) (Burn to Black, Nadar Sadek, Iomair, Nephelium), Andrew Suarez (Drums) (Fatality, The Slyde – 2023 Wacken Metal Battle Canada Champions) and Chris Boshis (Bass) (Conflicted).

Throughout their existence, PHEAR has had the honour of opening for German metal legend UDO DIRSCHNEIFER, THE DEAD DAISIES, and STRYPER, along with performing on a pre-show for icons and heroes IRON MAIDEN in 2019 in Toronto at Budweiser Stage.

Recommended for fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (prog elements), and Metallica, PHEAR‘s latest album “Save Our Souls”, released on February 13th, 2025, is available from Golden Robot Records at the following link (Spotify, Apple Music, Amazon) – https://orcd.co/save-our-souls

Music Video – Snake – https://youtu.be/zfXS3gVttIQ

Music Video – Save Our Souls – https://youtu.be/IqiOxTc6MMY

Track Listing
1. Aftershock (5:11)
2. Save Our Souls (6:39)
3. Snake (5:26)
4. Narcosynthesis* (5:29) (*Nevermore Cover)
5. New World Error (5:11)
6. Lease on Life (7:02)
7. Bleed (7:57)
8. On Thin Ice (8:20)
9. Delusions (Live) 6:45)
Album Length: 58:03

Album Credits:
All songs performed by: Phear
All songs written by: Phear
*excluding “Narcosynthesis” Written by Nevermore
Produced by: Jon Howard and Phear
Mixed by: Jon Howard and Phear
Mastered by: Jon Howard (Woodward Avenue Studios)
Album Artwork for “Save Our Souls”: Drake Mefestta

Recording Band Line Up:
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitars, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Mike Harshaw – Drums

Live Band Line Up
Patrick Mulock – Lead Vocals
Chris Boshis – Bass Guitar, Backing Vocals
Alex Zubair – Lead Guitar, Rhythm Guitar
Pat Rogers – Lead Guitar, Rhythm Guitar
Andrew Suarez – Drums

More info:
https://phearofficial.com
https://www.facebook.com/phearband
https://www.instagram.com/spreadthephear

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“This album has a lot of (gillend) guitar playing, an excellent rhythm section and good vocals. Nice use has been made of the distribution over the headset. Due to the verse-chorus structure, some parts are somewhat predictable. Yet it is quite well put together vocally and instrumentally. The choruses in particular stick pleasantly in your head.” – Maxazine.nl

“Thrashy power metal, just a really cool sound from the get go…. and a cover of Nevermore’s Narcosynthesis to give you a little idea of their vibe.” – MoshPit Radio 89.9 FM – Madison, WI

“Part HM, part Power, with a sprinkling of Metalcore, Prog and Thrash, this is stoopid infectious” – Cult Metal Flix

““The Curse Lives On is a testimonial to what power / thrash metal can do to your soul, deep, dark and loud. just crank it up and feel the Phear.” – Bravewords (2020 – The Curse Lives On)

“PHEAR have so much potential and really reminded of bands like NEVERMORE, EIDOLON and late eighties FATES WARNING. You have a top notch singer and a great backing band, they have a lot of potential that’s for sure. A band to look out for in 2020!” – Metal Temple (2020 – The Curse Lives On)

“With the sonic power of IRON MAIDEN, blended with the classic style of JUDAS PRIEST, PHEAR bring to life their monster live shows to the ears of fans across the globe.” – KNAC (2020 – The Curse Lives On)

“The live songs were recorded in Toronto and this recording shows that the band seems to be able to deliver a live show like any good seasoned band. There are good interactions with the crowd, just enough to show a frontman able to get them going without being overbearing and breaking the flow of the show. One can’t help but smile when he goes, “Scream for me Toronto!” in very Bruce Dickinson fashion. I wish I head heard the originals but suffice it to say that their songwriting style is very much influenced by Maiden, though much closer to their post-reunion output that any of the classic ’80s stuff. Bottom line, this is over an hour of cool material kind of anonymized by a nondescript name. Worth checking out if you’re into newer Maiden. This is a band that might go places if they play their cards right. 4/5″ – The Metal Crypt (2020 – The Curse Lives On)

“If you are looking for some great classic sounding metal with fantastic vocals, amazing guitar work, give Phear a listen by checking out both Insanitarium and The Curse Lives On, both available now and catch them live when you get the chance. I guarantee you’ll love it all.” – Metal Master Kingdom

“Mixing the components of the NWOBHM era, blending them and sculpting them around their sound, making this offering by the Canadan-quintet a must in the air-guitar collection.” Metal Temple (2019 – Insanitarium)

“Mississauga-based Phear packs quite a punch on its debut full-length release, Insanitarium, The band’s brand of power/thrash metal is a perfect blend of melody and ferocity.” – Bravewords (2019 – Insanitarium)

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ASHER MEDIA RELATIONS
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