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Tag: Video Premiere via TheCirclePit

0 Summoner’s Circle Conjure Lovecraftian Cosmic Horror With “Apostasy” Off “Chaos Vector”, Video Premiere via TheCirclePit

  • September 21, 2021
  • by Asher
  • · Music News · Summoner's Circle

NEWS RELEASE

Montreal, QC – September 21, 2021

Summoner’s Circle Conjure Lovecraftian Cosmic Horror With “Apostasy” Off “Chaos Vector”

Video Premiere via TheCirclePit

New Album “Chaos Vector” Out Now! via Blood Blast Distribution

L-R: Invictus (Drums), Y’takt (Bass), Hex (Keys), Blind (Lead Vocals), Gog (Lead Guitar), Azra (Guitar)
Photo Credit: Rachel Craig Media/Joshua Winstead Photography

The third single from Knoxville, USA’s Summoner’s Circle is “Apostasy”, which the music video for is out now via The Circle Pit – https://youtu.be/za4n_NQ33ig

“Apostasy” has a misleading, pretty opening that soon gives way to one of the heaviest offerings off the band’s new album “Chaos Vector” released this past August via Blood Blast Distribution. This song contains a lot of prog influences with a crushing verse and chorus and a grand keyboard solo during the bridge.

“Chaos Vector” is a concept album that takes great inspiration from Lovecraftian cosmic horror and the single, lyrically, is about the main character having doubts about his occult works as he is forced to sacrifice a pregnant woman bound to an inverted cross. Thus, opening a portal to another dimension and calling forth a beast from the void that rips itself from the woman’s womb and becomes The King In Yellow. The band continues to explain the song:

““Apostasy” was one of the last songs to come together for the album. It’s an incredibly fun song to play and has possibly the most disturbing lyrical content on the album. This song is about that moment of realizing you’ve gone way too deep into the unknown and the only way out is to become an Apostate. Unfortunately for the character in the story, it is too late, and his human sacrifice gives way to a cosmic horror known as The King in Yellow. We enjoy throwing little bits of real Lovecraftian horror into the story and The King in Yellow is our nod to that.”

The band feels that “Chaos Vector” is the strongest material they’ve written to date, leaving behind much of the early doom origins for a much more mature sound that is uniquely that of Summoner’s Circle. This album is the culmination of ever-growing musicianship, new blood, old blood, staying true to their tastes, and growing with new experiences and goals.

Summoner’s Circle started partly to fill the void in the East Tennessee area in which there were no costumed bands. It was difficult to find members who had proven themselves in other projects and had the drive to succeed. It was not impossible as a lineup was pieced together and they decided on an occult and H.P. Lovecraft theme with a touch of nerdy humor that reflects in their live personas.

Dark, haunting, beautiful, and heavy Summoner’s Circle set out to take the listener on a cosmic horror journey as if they are reading a Lovecraft story with your ears. Their music is recommended for fans of Opeth, Tribulation and Dimmu Borgir.

“Chaos Vector” was released on August 27th via Blood Blast Distribution and available on all major digital platforms at the following link: https://backl.ink/145841454

Previous Videos:
Chaos Vector – https://youtu.be/hTM_g0dubI8
Of Black Horizons – https://youtu.be/ttPffSRrXQ4


Track Listing:
1. The Message (1:02)
2. Of Black Horizons (4:00)
3. Vessel (7:34)
4. The Hierophants (5:17)
5. Apostasy (7:45)
6. Chaos Vector (4:05)
7. Terminus Egress (9:12)
8. Chrysalis (1:35)
9. The Beyond (7:43)
Album Length: 48:17

For more info:
Summonerscircle.com
Facebook.com/summonerscircle
Twitter.com/summoners13
Instagram.com/summonerscircle
EPK

About:
“Let the Summoning Begin…”
Summoner’s Circle is a six-piece theatrical metal band that blends elements of doom, death, black and progressive metal into what they refer to as simply Epic Metal.

For the band, every song in an incantation, every live performance is a Summoning, and everything they do is tied intrinsically to the mythology, or lore, they have created. The lore tells the story of the band’s origins, battles of divine conquest and showcases their creativity and vision, which sets the stage for a very entertaining live performance where bigger is better, and Epic is always the standard.

The Summoners released their first EP, entitled First Summoning, in late 2015. This was followed in 2016 by the single, Become None, and its B-side, Minotaur, both of which are included on their debut full-length release entitled Tome, which was released in June of 2018.

In May of 2019, Tome was repackaged and released as Become None via the Pavement Entertainment label.

In the spring of 2019, Summoner’s Circle joined Children of Bodom, Swallow the Sun and Wolfheart as part of Bodom’s Hexed North American Tour, gaining many new fans and excellent reviews.

In June of 2019, the Six signed a worldwide management deal with Extreme Management Group, Inc. who also manages Suffocation, Cattle Decapitation, Misery Index and many others.

Summoner’s Circle’s second full-length album Chaos Vector is scheduled to be released in 2021 and will be accompanied by a Lovecraft-style cosmic horror short story written by the band. Each song is a chapter in the story.

– 30 –

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ASHER MEDIA RELATIONS

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0 Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”, Video Premiere via TheCirclePit

  • August 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – August 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”

Video Premiere via TheCirclePit

Calgary, Canada’s Every Hour Kills have a new single “Intransigent” off their upcoming EP “Vacua”.

This will be the fourth EP from the band and it shows definitive evolution being five of the heaviest tracks the group has ever written. They have almost done away with clean vocals in favour of deep growling provided by newcomer Jei Doublerice, and downplay the synth bits and cranking the riffs to 11. This new phase fits Every Hour Kills’ motive of being “a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand”. Guitarist Sacha Laskow continues to explain the single:

“This song was co-written with Calle Thommer (Vildjharta, Humanity’s Last Breath), and is probably the heaviest thing I’ve ever written. He helped shape things in a more down-tempo direction, while I added in the synth layers and more melodic aspects, as well as the breakdown based on where his ideas were taking me. Jei came in and absolutely crushed it with one of the most intense vocal performances on the record.”

Chosen to close out the EP, “Intransigent” as the most intense track finalizes this step in Every Hour Kills‘ growth to a heavier version of their former selves. The lyrics encompass the concepts of chaos and infinity and while it still retains the djenty progressive vibes of modern metal, it begins pushing the envelope with a wider range of sounds, influences and emotions.

The dark cinematic juxtaposing angular heaviness with soaring melody of “Intransigent” is recommended for fans of Periphery, Vildhjarta, and Spiritbox

“Intransigent” is available via its premiere on TheCirclePit‘s YouTube channel HERE.

“Vacua” is expected out October 8th, 2021.

First single “Euclidian” can be heard on the following platforms:
YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”, Video Premiere via TheCirclePit

  • June 28, 2021
  • by Asher
  • · Draemora · Music News

NEWS RELEASE

Montreal, QC – June 28, 2021

For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox

Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”

Video Premiere via TheCirclePit

New Album “Death Rectangle” Out Now!

Tour Dates (July/August) w/ Hed PE

Seattle progressive metalcore outfit Draemora is unveiling their latest music video for the track “Victorious” from their new album “Death Rectangle” recently unleashed on June 18th.

The video can be viewed via its premiere on TheCirclePit’s YouTube Channel – https://youtu.be/ty9Z919TfT4

“Victorious” was written right after guitarist Terry Paulson got a new 7 string guitar that was tuned to drop G. Instantly inspired by its sound, he completed the whole song in an evening. Showing it to his bandmates, the final version of “Victorious” was done in just a few days. Debating and anxious to release, the band originally thought of sharing the song as a single during the pandemic, but in the end, Draemora decided that it would be best positioned on their new full length.

“We were going to actually separate it from the album and let it be a song on its own, but at the last minute, we decided it was the perfect way to end the album because it has that great classic formula in there with a twist to the parts that really puts our stamp on it in a great way. We want people to enjoy it live, so we made big choruses and really big recognizable parts.” says the band.

Completely DIY with all the recordings done in Terry Paulson’s home studio including the mixing and mastering, Draemora‘s first full-length “Death Rectangle” has a lot more depth than their previous work, 2020’s debut EP “Awakening”. The band claim that has to do with the growing cohesiveness that comes with being together for over a year at this point. They also mention that this time around they were able to slow down and let everything come together, try out parts in the practice space a lot and make changes based on how they sounded performed to shorten the gap between live and studio performance. They continue to explain:

“Lyrically with Death Rectangle we wanted to make songs that anyone could very easily imprint their own life into. These songs all have deep meaning to us, but we stayed away from using any specific references so that the listener could make it whatever their imagination wants it to be. We think that is the best way to make a song. Musically, this collection of songs is mostly dark and heavy sounding. It wasn’t intentional, but when this was written we were all locked up and lost our jobs, and had to watch the world riot and go nuts so we’re not surprised it sounds that way.” 

What’s next for Draemora is live gigs with tour dates in July and August with Hed PE and another full length hopefully for next year. Exciting and rhythmic, they are recommended for fans of Periphery, Architects and Spiritbox.

The album “Death Rectangle” is now available at the following links:
CD here.
Digital here.

Tour Dates: Draemora w/ Hed PE
July 23 – Backstage Bar & Billiards – Las Vegas NV
July 24 – Liquid Joe’s – Salt Lake City, UT
July 25 – Mesa Theatre – Grand Junction, CO
July 27 – Herman’s Hideaway – Denver, CO
July 28 – The Royal Grove – Lincoln, NE
July 29 – The Back Bar – Janesville, WI
July 30 – The Forge – Joliet, IL
July 31 – Diesel Concert Lounge – Chesterfield, MI
August 1 – Music Factory – Battle Creek, MI
August 3 – Red Flag (prev. Fubar) – St Louis, MO
August 4 – Club 1175 – Kansasville, WI
August 5 – Hobart Art Theatre – Hobart, IN
August 6 – Rockstar Lounge – Ft. Wayne, IN


Track Listing:
1. The Cleansing (6:06)
2. Slaves Until Death (4:44)
3. Death Rectangle (4:19)
4. Requiem (3:23)
5. What You’ve Become (5:00)
6. Gouge Out My Eyes (3:57)
7. Blood Moon (3:34)
8. Screaming Into the Void (3:56)
9. Metacognitive (4:08)
10. Victorious (3:36)
Album Length: 43:18

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

– 30 –

“On this new album, DRAEMORA has truly explored an evolution from their previous release.” -Metal Temple

“Washington state groovedjentcore specialists…” – Metal Bulletin

“Fans of contemporary groove sounds should find something to like in this heaviness in the strings and in the growling, in the energy of it all, and there is also singing, which adds a melodic element to the toughness of their style. Here in Washington state, their name is getting some traction. Maybe the simplicity of the heaviness connects with listeners, perhaps is the core music stylings, too. Listen for yourself, and see.” – Metal Bulletin

“Draemora manages to do something that not a lot of first-time prog bands seem to do: create a simple, exciting album that doesn’t showboat or try to be TOO unique. The sound that ‘Death Rectangle’ has adopted is straight from the metal-core textbook, and it works. The unique spin they have added with the heavier death-metal vocals creates a combination of metalcore and death-metal that works in a wild way. An absolute must listen to on the album is track 2’s ‘Slaves Until Death’, just the intro got me a bit rowdy. The heavy beat and the deeper guitar followed by the guttural vocals just mixes well…” – Midlands Metalheads Radio

“Death Rectangle shows a band that certainly knows how to hit the right notes in the musical-technical field.” – Amped Up

“complete with catchy riffs, strong drums, and an easy-to-learn chorus Death Rectangle is sure to be sung at live shows. The band is really finding its sound with this release; their chemistry is evident and will undoubtedly only get better from here.” – Territorio Rock

“Draemora’s new EP Awakening is a 17 minute melodic death metal piece with more twists and turns than your average M. Night Shyamalan movie. This is a band that doesn’t stick to the tradition melo-death sounds, instead looking to incorporate some clean singing, some progressive sections and some experimental sounds… This is an EP that incorporates many different sounds, but doesn’t have any filler… A very unique debut release from Draemora.” – Metal Injection (Review Awakening EP 2020)

“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag (Review Awakening EP 2020)

“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear Gods (Review Awakening EP 2020)

—

ASHER MEDIA RELATIONS

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0 Canada’s Malice Divine Get Ferocious Next Single w/ “Malicious Divinity”, Video Premiere via TheCirclePit, Self-Titled Album Out February 19, 2021

  • January 27, 2021
  • by Asher
  • · Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 27, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Canada’s Malice Divine Get Ferocious Next Single w/ “Malicious Divinity”

Video Premiere via TheCirclePit

Self-Titled Album Out February 19, 2021


Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Racing out of the gate is Malice Divine’s “Malicious Divinity”, which is the fastest song on their upcoming debut self-titled album due out February 19, 2021.

Assertive and exhilarating, this song has a very dark and exotic vibe to it. At a consistent 216 BPM throughout, “Malicious Divinity” is by far the most ferocious song out of the 9 tracks on the upcoming self-titled debut album. The band comments on the track:

“Despite its speed and intensity, there is still quite a bit of variety to be found within the song which ranges from technical riffing to straight-up black metal tremolo picking, tribal drum grooves to intense blast beats, and guitar solos that ranged from being extremely melodic to blistering fast shred. This song is guaranteed to pack the strongest of punches.”

The album as a whole is 9 tracks of incredibly melodic and empowering blackened death metal. It is also an incredibly dynamic album too, ranging from different speeds and intensities as well as different moods and emotions. You can also find some nylon string classical guitar playing within the album too.

With tinges of black metal and death metal, while abundant with melody, Malice Divine is recommended for fans of Skeletonwitch, Death, and Wintersun.

“Malicious Divinity” can be heard via its premiere on TheCirclePit HERE.

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

First single – “In Time” – YouTube (vocal/guitar playthrough)


Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Ric Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology and spirituality as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

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