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Tag: Spiritbox

0 Quebec’s NOVA SPEI Returns with a Fierce New Single “Enterré Vivant” and a Revitalized Lineup + Upcoming Album “Trinitas”

  • September 11, 2026
  • by Asher
  • · Music News · Nova Spei (Bam&Co. Heavy) · Uncategorized

NEWS RELEASE

Montreal, QC – September 11, 2026

Quebec’s NOVA SPEI Returns with a Fierce New Single “Enterré Vivant” and a Revitalized Lineup + Upcoming Album “Trinitas”

L-R – Cédrick Charland (Lead Guitarist) | Julien De Carufel (Drums) | Emmanuelle Desbiens-Dubois (Vocal) | Nicolas Dumais-Brouillette (Bass, Vocal) | Dany Soucy (Founder, Rhythm Guitarist)

Photo Credit – Étienne Dionne (Mute Drummer)

Québec modern‑metal powerhouse NOVA SPEI launches a fierce new era with the release of their brand‑new single and video “Enterré Vivant”, a groovy, djent‑driven assault that will be featured on the band’s forthcoming album “Trinitas” due out on November 6, 2026, via Bam&Co-Heavy.​
​
Built around a gripping, Fear‑Factory‑esque guitar groove, “Enterré Vivant” delivers a raw emotional punch, introducing fans to Nova Spei’s revitalized sound and the powerful arrival of vocalist Emmanuelle Desbiens‑Dubois.
​
​“Enterré Vivant” tells the story of someone trapped in a situation they refuse but cannot escape, an emotional metaphor inspired by watching someone close struggle with illness. What began as a personal reflection evolved into a visceral “buried alive” narrative, expressed through pounding rhythms, modern industrial textures, and a vocal performance that transforms the entire structure of the song.
​
The track was born from a single irresistible guitar riff crafted by Dany Soucy, whose groove set the tone for everything that followed. Lyrics were shaped collaboratively by Emmanuelle, Nicolas, and Dany, blending urgency, fear, and the will to survive. Fans will immediately feel the shift of the band’s rebirth with the introduction of female lead vocals, bringing new intensity and emotional depth to Nova Spei’s sound. The band is confident listeners will embrace this transformation and the renewed energy it brings to their music, marking a powerful new chapter in their evolution.
​
The single’s artwork by Filip Ivanovic visually captures the suffocating tension at the heart of the song, an image of someone trapped with no escape.

Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects, watch and listen to “Enterré Vivant”.

Music Video – https://www.youtube.com/watch?v=yJB1wzRomFg

​Add to your Spotify playlist – https://open.spotify.com/album/5eU0Cs7qNVxeaZHLDZR27i

​

NOVA SPEI is a Francophone modern metal band from Québec, known for their groovy, djenty, loud, modern, and unmistakable sound. Formed in 2012 by guitarist Dany Soucy (Legion, Dook), the band has evolved through multiple lineups while performing over 100 shows across Québec and Ontario.
​
Their debut self-titled album (2017) earned strong traction, with singles like “L’homme aux 1000 Sourires” spinning on RadioX 98.1FM, and tracks such as “Ma Muse” blasting through the Bell Centre during Montreal Canadiens games. Their second album “SEQUENTIS” was released in 2021 after pandemic delays, expanding their reach across the province.
​
In 2026, Nova Spei returns fully recharged with a new lineup that features Dany Soucy (Guitar), Nicolas Dumais (Bass), Julien De Carufel (Drums), Cédrick Charland (Lead Guitar), and Emmanuelle Desbiens‑Dubois (Vocals).
​
The band is currently preparing their upcoming album “TRINITAS”, a record that embraces a more organic, raw, and less sequenced approach while staying true to the band’s modern metal roots. The album is produced with Francis Perron (Voivod, Martyr), and mastered by world‑renowned engineer Maor Appelbaum (Faith No More, Halford, Yes).

Previous Singles:

Lyric video “Déraciné” – https://www.youtube.com/watch?v=0xn2xKYt0pc

​Music video “Renaissance” – https://www.youtube.com/watch?v=FagxvgWJTes

​

Track Listing:​
1. Trinitas – 1:38
2. Renaissance – 2:37
3. M’entends-tu!? – 2:16
4. Déraciné – 4:07
5. Hypnose Collective – 3:23
6. Sentence – 3:39
7. Bourreau – 2:53
8. Résonance – 2:03
9. Enterré Vivant – 3:19
10. Aucun Regret – 4:15
11. Traitre – 3:40
12. Vautours – 3:38
13. Draps Blancs – 2:52
Album Length: 40:27

Album and Live Band Lineup:​
Cédrick Charland – Lead Guitarist
Dany Soucy – Founder, Rhythm Guitarist
Emmanuelle Desbiens-Dubois – Vocals
Julien De Carufel – Drum
Nicolas Dumais-Brouillette – Bass, Vocals

For more info:

​https://www.novaspei.com/​

​https://www.facebook.com/NovaSpei​

​https://www.instagram.com/novaspei​

– 30 –

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

—

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Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Calgary’s GODFALL’s New Single “Default” Confronts Modern Burnout and Your Life On Autopilot!

  • August 19, 2026
  • by Asher
  • · Godfall · Music News

NEWS RELEASE

Montreal, QC – August 19, 2026

Calgary’s GODFALL’s New Single “Default” Confronts Modern Burnout and Your Life On Autopilot!

Calgary’s genre‑defying five‑piece Godfall return with their most introspective and hard‑hitting release, the single “Default”. A track that captures the suffocating repetition of living life on autopilot, the endless cycle of tasks, obligations, and burnout that leaves no room for surprise, growth, or self‑reflection. The band describes the song as a wake‑up call: a reminder that life is happening now, not after the to‑do list is finished.
​
As with all Godfall releases, “Default” was shaped through full‑band collaboration. Guitarist Omer Khan sparked the foundation of the track, bringing the initial riff and vibe that guided the vocal direction. Vocalists Karina Khristova and Abel Boban crafted lyrics that complement the music’s tension, choosing words, syllables, and melodies that highlight the emotional peaks of the instrumentation.
​
The band’s writing process remains fluid and democratic as their ideas are refined, reworked, and sometimes cut entirely if they don’t serve the song. This commitment to quality over quantity continues to define Godfall’s evolution.
​
Every member of Godfall comes from a different country and speaks a different first language, creating a melting pot of influences that shape their unique sound. Their music blends heaviness, melody, emotional storytelling, and raw grit, a mix fans often compare to Bad Omens and Evanescence, though the band prefers to let their own identity lead the way.
​
​“Default” marks another step in Godfall’s ongoing refinement of their sonic identity, shifting between phases of anger, melancholy, and soaring melody while staying true to the heart‑first approach that defines their catalog.

“I think Default will be a pleasant surprise since we are constantly refining our sound and working on our songwriting skills. I think ultimately we want our fans to have a Godfall song for any kind of day: a day when you’re annoyed, sad, happy, motivated – you name it. We want them to be able to sing along and headbang at the same time,” says Karina Khristova (Clean Vocals).

Recommended for fans of Spiritbox, Evanescence, Bring Me the Horizon, Bad Omens, and Linkin Park, listen to “Default” at the following links:

Lyric Video – https://www.youtube.com/watch?v=pWSqYEDvjb0

​Add to your Spotify playlist – https://open.spotify.com/track/23PvFFwfFYQWtyugbsDXua

​

More info: https://linktr.ee/godfallband​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Quebec’s NOVA SPEI Confronts Cultural Uprooting of First Nations w/ New Single “Déraciné” From Forthcoming Album “Trinitas”

  • April 24, 2026
  • by Asher
  • · Music News · Nova Spei (Bam&Co. Heavy)

NEWS RELEASE

Montreal, QC – April 24, 2026

Quebec’s NOVA SPEI Confronts Cultural Uprooting of First Nations w/ New Single “Déraciné” From Forthcoming Album “Trinitas”

Welcome New Vocalist Desbiens‑Dubois and Guitarist Cédrick Charland To Lineup

L-R – Nova Spei Current Line Up | Dany Soucy (Founder, Rhythm Guitarist) | Cédrick Charland (Lead Guitarist) | Emmanuelle Desbiens-Dubois (Vocal) | Julien De Carufel (Drums) | Nicolas Dumais-Brouillette (Bass, Vocal)

Photo Credit – Joe Weller (Joe Lacerte)

Quebec modern‑metal force Nova Spei continue their bold new chapter with the release of “Déraciné,” the second single from their forthcoming 2026 album “TRINITAS,” arriving this Fall 2026. Following the explosive reception of their previous single “Renaissance,” which introduced new vocalist Emmanuelle Desbiens‑Dubois, “Déraciné” pushes the band’s evolution even further, musically, emotionally, and thematically.

“Déraciné” confronts the painful legacy of First Nations communities, specifically the uprooting of culture, identity, and values through state‑driven abuses. For Desbiens‑Dubois, whose own family heritage is tied to First Nations, the subject matter is deeply personal.
​
​“The subject was important to Emmanuelle, given her background. It’s a topic that is still often silenced by governments, and she wanted to denounce it,” the band explains.
​
Lyrically, the track stands as one of Nova Spei’s most direct and socially conscious works to date. Musically, it blends the band’s signature djent‑infused modern metal with a newly embraced rawness, an intentional shift for the upcoming album.
​
After years of crafting their sound in their own studio, Nova Spei entered a professional recording environment for the first time in their career. Working with producer Francis Perron (Voivod, Martyr), the band discovered a more organic, unfiltered approach that reshaped the entire direction of “TRINITAS.”​
​
​“We started imagining the next album with a modern approach like Sequentis, but Francis showed us how it could sound more raw and alive. When we heard his first rough mix, everything changed.”​
​
The single was mastered by world‑renowned engineer Maor Appelbaum (Faith No More, Halford, Yes), a collaboration the band still describes with disbelief and excitement.
​
The single’s artwork, created by Filip Ivanovic, visually represents the band’s rebirth and the obstacles that shaped this new era. It mirrors the themes of identity, struggle, and renewal that run through “Déraciné” and the upcoming album.

Nova Spei was founded in 2012 by guitarist Dany Soucy (Dook, Legion), and the band has spent over a decade carving its place in Quebec’s metal landscape. With more than 100 shows across Quebec and Ontario, radio rotation on major stations, and music featured during Montreal Canadiens games, the band has built a reputation for intensity both on and off stage.
​
The 2025 arrival of Desbiens‑Dubois (vocals) and Cédrick Charland (lead guitar) marked a turning point, one that their forthcoming album “TRINITAS” fully embraces.
​​
“Fans will feel the rebirth of the band. The feminine vocal shift brings intensity, emotion, and a new perspective. This album is more organic, more passionate, and more honest than anything we’ve done,”
 says Soucy.
​
​“TRINITAS” will represent the third era of Nova Spei, an album built on rebirth, unity, and the rediscovery of the band’s core identity. Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects.

Watch and listen to the lyric video for “Déraciné” at https://www.youtube.com/watch?v=0xn2xKYt0pc

​Add yo your Spotify playlist – https://open.spotify.com/track/5Qr13FuLfLMT4LNHm3rNAs​

Music video for first single “Renaissance” at https://www.youtube.com/watch?v=FagxvgWJTes

​

For more info:

​https://www.novaspei.com/​

​https://www.facebook.com/NovaSpei​

​https://www.instagram.com/novaspei​
​

About:

Since their debut in 2017, launched as the opening act for Anonymus on a Quebec tour, Nova Spei has steadily grown into one of the province’s most distinctive francophone metal acts. Their songs have been featured on RadioX 98.1FM and even blasted through the Bell Centre during Montreal Canadiens games.
​
Their second album, Sequentis, released in 2021 after pandemic delays, expanded their reach and solidified their reputation for high‑energy, modern metal with a francophone edge.
​
Now, with TRINITAS on the horizon in 2026, Nova Spei is ready to reclaim the stage with renewed purpose.
​
Known for their dynamic, high‑intensity performances, Nova Spei prides itself on delivering maximum energy with no downtime between songs. Fans can expect the upcoming tour cycle to reflect the same spirit of rebirth that fuels “Renaissance.”

– 30 –

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 STELLVRIS Unleashes Ferocious Single “Silence After Violence” from Upcoming EP “Shatter and Bloom” Out Nov 2025

  • September 19, 2025
  • by Asher
  • · Music News · Stellvris

NEWS RELEASE

Montreal, QC – September 19, 2025​

STELLVRIS Unleashes Ferocious Single “Silence After Violence”

New EP “Shatter and Bloom” Out Nov 7th, 2025

L-R – Libor Hřebík (Bass), Andreas Polášek (Guitar), Nicol Hofman (Vocals), Hanz Polášek (Drums)

Photo Credit – Julia Ramm

European (Prague, CZ) modern metal band Stellvris has dropped their latest single, “Silence After Violence,” a searing anthem from their upcoming EP “Shatter and Bloom,” set to release on November 7. Produced by Christoph Wieczorek (Annisokay, Caskets) at Sawdust Recordings, the track delivers a visceral punch, confronting the rising aggression in society and channeling it into a cathartic, high-voltage experience.
​​
“We see violence and frustration creeping into younger generations, and it’s terrifying. This song is a wake-up call — a cry for awareness and action,” 
says vocalist Nicol Hofman.
​
Founded in 2019, Stellvris has built a reputation for turning pain into power. Their music speaks directly to those battling anxiety, toxic relationships, bullying, and the weight of everyday struggles. With past releases “Upside Down” (2022) and “Persistence” (2023), the band carved out a sound that’s crushingly heavy yet hauntingly melodic, winning fans across Europe and the UK.
​
But Stellvris is more than just a band; they’re an experience. Known for electrifying live shows that include circle pits, walls of death, and stage dives, they’ve shared stages with Megadeth, Jinjer, The Ghost Inside, and more, and have lit up festivals like Summer Breeze, Brutal Assault, and Basinfirefest.
​
​“Silence After Violence” is the fourth single from “Shatter and Bloom,” a five-track EP that explores destruction, rebirth, and the emotional chaos of modern life. Each song is rooted in real stories, from the scars of toxic relationships to the emptiness of digital escapism, and crafted to empower listeners who need it most.
​
​“Our lyrics come from personal experiences and stories our fans share with us. We want people to feel seen, heard, and stronger after listening,” Hofman explains.
​
Musically, Stellvris blends metalcore, nu-metal, pop, and electronic elements into a sound that’s as catchy as it is brutal, drawing in even non-metal listeners with melodic choruses and bone-crushing breakdowns. During the recording of the EP, the band even captured a viral studio moment when their guitarist used phone vibrations to create a unique sound, leading to the now-infamous “WAKE UP MOTHERF***ER” breakdown.
​
With “Shatter and Bloom,” Stellvris continues to push boundaries, both musically and emotionally. The EP closes with a metal reimagining of Nicki Minaj’s “Starships,” proving that even amidst heavy themes, there’s room for joy, release, and celebration.
​
​“It’s never just about the sound. It’s about creating a safe space where pain turns into resilience, and where the silence after violence is shattered by music,” says Hofman.

Recommended for fans of Jinjer, Spiritbox, Holy Wars, Arch Enemy, and I Prevail, listen to “Silence After Violence” at the following links:

Visualizer – https://youtu.be/zJK1Ch9WbuA

​

Add to your Spotify playlist – https://open.spotify.com/track/2cnmO3deE3ZCcgfH3gCHZx​

Previous Videos:

Starhips (Nicki Minaj) – https://youtu.be/NB60FdC6B1Q

​Monster – https://youtu.be/JsamTLqtLAs

​

Track Listing:​
1. Shatter and Bloom – 3:18
2. Silence After Violence – 3:14
3. Monster – 4:16
4. Time’s Up – 3:32
5. Starships (Nicki Minaj Cover)
EP Length: 18:27
​
​EP Credits:
​
• All songs performed by: STELLVRIS
• All songs written by: STELLVRIS
• Produced by: Christoph Wieczorek of Sawdust Recordings
• Mixed by: Christoph Wieczorek of Sawdust Recordings
• Mastered by: Christoph Wieczorek of Sawdust Recordings
• EP Artwork by: František Jelen
​
​Band Line Up:
​
Nicol Hofman (vocalist)
Libor Hřebík (bassist)
Andreas Polášek (guitarist)
Hanz Polášek (drummer)

More info: https://linktr.ee/stellvris.band​

-30-

“Ready-made for fans of Spiritbox and Holy Wars, STELLVRIS’ latest takes on the theme of a toxic relationship, whether romantic, platonic or professional, and urges the listener to push back and escape. As for the video, it captures the band in action, with vocalist Nicol adopting distinct personas, including a red-cast demonic one.” – Revolver Magazine​

“Stellvris work best because they are able to balance the more melodic aspects of modern metal with a scorching amount of heaviness. There’s an overall adrenaline injection and flow to Persistence that makes it incredibly digestible, with the need to listen to it over again to get that same rush once it finishes. What’s great is that the aggression sticks around on repeated listens, without giving you a case of diminishing returns. Expect big things from this act in their near future for sure, but Persistence already establishes them as a modern metal force to be reckoned with.” – Dead Rhetoric (2023 – Persistence)

“The latest single “Scorpio” was a perfect song to sum up STELLVRIS’s musical identity as a band. The energetic riff and beats with Nicol switching between clean vocals and harsh vocals and even harsher vocals have been a common denominator for almost every song by STELLVRIS. “Scorpio”, however, took that electrifying awesomeness and multiplied it by a thousand! The song is three minutes of pure energy that even my conservative grandmother would headbang to (going to test this theory next family dinner). It’s a song that would be perfect when performed live! Of course, the song was released with a music video that matches the quality of the audio with visual Metal brilliance.” – FemMetal (2023 – Single – Scorpio)

—
ASHER MEDIA RELATIONS
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0 Streaming Now! Canada’s EVERY HOUR KILLS (ft. guests from Vildhjarta, Shadow of Intent) Darkest, Heaviest Material Yet On New EP “Vacua”, Full Stream Premiere via TheProgspace

  • October 6, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – October 6, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Streaming Now! Canada’s Every Hour Kills Presents Their Darkest, Heaviest Material Yet In “Vacua”

Full Stream Premiere via TheProgspace

New EP “Vacua” Out October 8th

EP Guests:
Calle Thomer (Vildhjarta, Humanity’s Last Breath),
Chris Wiseman (Currents, Shadow of Intent)
  

 Calgary’s formidable modern metal act Every Hour Kill’s has been shunning and breaking genre rules throughout their career with each release surpassing the last in musicianship and experimentation. The latest offering “Vacua” due out on October 8th is the biggest departure yet and although not everyone might like it; guitarist and primary songwriter Sacha Laskow wrote what he felt rather than trying to stick to a template of what the band ‘should’ sound like. According to him, fans of progressive music like himself are typically open to a range of sounds, influences, and emotions. He explains the sound change further:

“This record is a culmination of a dark, tumultuous fucked up year in the world and in my personal life, as it was for many people around the world. As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Each of the five tracks on “Vacua” were written for the EP, with no filler and nothing left on the cutting room floor. Track “Intransigent” was co-written with Calle Thomer (Vildhjarta, Humanity’s Last Breath) and tracks “Euclidian” and “Tenebrous” were co-written with Chris Wiseman (Currents, Shadow of Intent). The EP was produced, mixed, and mastered by Laskow along with EP artwork done by Erisis Red.

Recommended for fans of Born of Osiris, Periphery, and Vildhjarta, “Vacua” can be heard in full before it officially releases via its premiere on TheProgSpace HERE.

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

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Jon Asher – Music Publicist
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0 Every Hour Kills’ “Vacua” Is a Harsh Reflection On A Year Of Chaos And Turmoil, Track Premiere via NewFuryMedia

  • September 3, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – September 3, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills’ “Vacua” Is a Harsh Reflection On A Year Of Chaos And Turmoil

Track Premiere via NewFuryMedia

New EP “Vacua” Out October 8th

  

Calgary’s Every Hour Kills is a musical experiment that challenges what defines a band. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The latest from them is the upcoming EP “Vacua” and the next single is the title track.

“Vacua” was the first song written for the EP and features low-tuned riffs and nihilistic vocals. These vocals are provided by newcomer to the group – Jei Doublerice who brings more force into the trademark sound.  The band explains further:

“This single sets things off in a new, heavier direction. Different tuning, different time signatures and chord progressions, and different vibes overall led to seeking out a new vocalist which would eventually enlist Jei. Clean vocals just didn’t seem to fit, although Jerrod does make an appearance in the chorus, the vocals are very processed and robotic vs. the melodic singing we’d been known for previously.”

This EP is the fourth from Every Hour Kills following “Every Hour Kills” (2015); “Fragile Machine” (2018); and “Re:awaken” (2020). It was produced, mixed and mastered by guitarist Alan Sacha Laskow and the album art was done by Erisis Red.

Modern and dark, Every Hour Kills keeps the melody and progressive riffs but mirrors the past year with a generous dose of heavy. This honest display of emotions is recommended for fans of Veil of Maya, Born of Osiris, and Periphery.

The visualizer for “Vacua” can be heard via its premiere on NewFuryMedia HERE.

“Vacua” is expected out October 8th, 2021.

Previous singles:
“Euclidian” – https://youtu.be/pD7ZRyeu0P4
“Intransigent” – https://youtu.be/cVtwPW_2-HA
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”, Video Premiere via TheCirclePit

  • August 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – August 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”

Video Premiere via TheCirclePit

Calgary, Canada’s Every Hour Kills have a new single “Intransigent” off their upcoming EP “Vacua”.

This will be the fourth EP from the band and it shows definitive evolution being five of the heaviest tracks the group has ever written. They have almost done away with clean vocals in favour of deep growling provided by newcomer Jei Doublerice, and downplay the synth bits and cranking the riffs to 11. This new phase fits Every Hour Kills’ motive of being “a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand”. Guitarist Sacha Laskow continues to explain the single:

“This song was co-written with Calle Thommer (Vildjharta, Humanity’s Last Breath), and is probably the heaviest thing I’ve ever written. He helped shape things in a more down-tempo direction, while I added in the synth layers and more melodic aspects, as well as the breakdown based on where his ideas were taking me. Jei came in and absolutely crushed it with one of the most intense vocal performances on the record.”

Chosen to close out the EP, “Intransigent” as the most intense track finalizes this step in Every Hour Kills‘ growth to a heavier version of their former selves. The lyrics encompass the concepts of chaos and infinity and while it still retains the djenty progressive vibes of modern metal, it begins pushing the envelope with a wider range of sounds, influences and emotions.

The dark cinematic juxtaposing angular heaviness with soaring melody of “Intransigent” is recommended for fans of Periphery, Vildhjarta, and Spiritbox

“Intransigent” is available via its premiere on TheCirclePit‘s YouTube channel HERE.

“Vacua” is expected out October 8th, 2021.

First single “Euclidian” can be heard on the following platforms:
YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”, Video Premiere via TheCirclePit

  • June 28, 2021
  • by Asher
  • · Draemora · Music News

NEWS RELEASE

Montreal, QC – June 28, 2021

For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox

Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”

Video Premiere via TheCirclePit

New Album “Death Rectangle” Out Now!

Tour Dates (July/August) w/ Hed PE

Seattle progressive metalcore outfit Draemora is unveiling their latest music video for the track “Victorious” from their new album “Death Rectangle” recently unleashed on June 18th.

The video can be viewed via its premiere on TheCirclePit’s YouTube Channel – https://youtu.be/ty9Z919TfT4

“Victorious” was written right after guitarist Terry Paulson got a new 7 string guitar that was tuned to drop G. Instantly inspired by its sound, he completed the whole song in an evening. Showing it to his bandmates, the final version of “Victorious” was done in just a few days. Debating and anxious to release, the band originally thought of sharing the song as a single during the pandemic, but in the end, Draemora decided that it would be best positioned on their new full length.

“We were going to actually separate it from the album and let it be a song on its own, but at the last minute, we decided it was the perfect way to end the album because it has that great classic formula in there with a twist to the parts that really puts our stamp on it in a great way. We want people to enjoy it live, so we made big choruses and really big recognizable parts.” says the band.

Completely DIY with all the recordings done in Terry Paulson’s home studio including the mixing and mastering, Draemora‘s first full-length “Death Rectangle” has a lot more depth than their previous work, 2020’s debut EP “Awakening”. The band claim that has to do with the growing cohesiveness that comes with being together for over a year at this point. They also mention that this time around they were able to slow down and let everything come together, try out parts in the practice space a lot and make changes based on how they sounded performed to shorten the gap between live and studio performance. They continue to explain:

“Lyrically with Death Rectangle we wanted to make songs that anyone could very easily imprint their own life into. These songs all have deep meaning to us, but we stayed away from using any specific references so that the listener could make it whatever their imagination wants it to be. We think that is the best way to make a song. Musically, this collection of songs is mostly dark and heavy sounding. It wasn’t intentional, but when this was written we were all locked up and lost our jobs, and had to watch the world riot and go nuts so we’re not surprised it sounds that way.” 

What’s next for Draemora is live gigs with tour dates in July and August with Hed PE and another full length hopefully for next year. Exciting and rhythmic, they are recommended for fans of Periphery, Architects and Spiritbox.

The album “Death Rectangle” is now available at the following links:
CD here.
Digital here.

Tour Dates: Draemora w/ Hed PE
July 23 – Backstage Bar & Billiards – Las Vegas NV
July 24 – Liquid Joe’s – Salt Lake City, UT
July 25 – Mesa Theatre – Grand Junction, CO
July 27 – Herman’s Hideaway – Denver, CO
July 28 – The Royal Grove – Lincoln, NE
July 29 – The Back Bar – Janesville, WI
July 30 – The Forge – Joliet, IL
July 31 – Diesel Concert Lounge – Chesterfield, MI
August 1 – Music Factory – Battle Creek, MI
August 3 – Red Flag (prev. Fubar) – St Louis, MO
August 4 – Club 1175 – Kansasville, WI
August 5 – Hobart Art Theatre – Hobart, IN
August 6 – Rockstar Lounge – Ft. Wayne, IN


Track Listing:
1. The Cleansing (6:06)
2. Slaves Until Death (4:44)
3. Death Rectangle (4:19)
4. Requiem (3:23)
5. What You’ve Become (5:00)
6. Gouge Out My Eyes (3:57)
7. Blood Moon (3:34)
8. Screaming Into the Void (3:56)
9. Metacognitive (4:08)
10. Victorious (3:36)
Album Length: 43:18

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

– 30 –

“On this new album, DRAEMORA has truly explored an evolution from their previous release.” -Metal Temple

“Washington state groovedjentcore specialists…” – Metal Bulletin

“Fans of contemporary groove sounds should find something to like in this heaviness in the strings and in the growling, in the energy of it all, and there is also singing, which adds a melodic element to the toughness of their style. Here in Washington state, their name is getting some traction. Maybe the simplicity of the heaviness connects with listeners, perhaps is the core music stylings, too. Listen for yourself, and see.” – Metal Bulletin

“Draemora manages to do something that not a lot of first-time prog bands seem to do: create a simple, exciting album that doesn’t showboat or try to be TOO unique. The sound that ‘Death Rectangle’ has adopted is straight from the metal-core textbook, and it works. The unique spin they have added with the heavier death-metal vocals creates a combination of metalcore and death-metal that works in a wild way. An absolute must listen to on the album is track 2’s ‘Slaves Until Death’, just the intro got me a bit rowdy. The heavy beat and the deeper guitar followed by the guttural vocals just mixes well…” – Midlands Metalheads Radio

“Death Rectangle shows a band that certainly knows how to hit the right notes in the musical-technical field.” – Amped Up

“complete with catchy riffs, strong drums, and an easy-to-learn chorus Death Rectangle is sure to be sung at live shows. The band is really finding its sound with this release; their chemistry is evident and will undoubtedly only get better from here.” – Territorio Rock

“Draemora’s new EP Awakening is a 17 minute melodic death metal piece with more twists and turns than your average M. Night Shyamalan movie. This is a band that doesn’t stick to the tradition melo-death sounds, instead looking to incorporate some clean singing, some progressive sections and some experimental sounds… This is an EP that incorporates many different sounds, but doesn’t have any filler… A very unique debut release from Draemora.” – Metal Injection (Review Awakening EP 2020)

“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag (Review Awakening EP 2020)

“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear Gods (Review Awakening EP 2020)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Draemora Are Now Streaming First Full Length, Melodic And Catchy “Death Rectangle” via MetalInsider

  • June 17, 2021
  • by Asher
  • · Draemora · Music News

NEWS RELEASE

Montreal, QC – June 17, 2021

For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox

Draemora Are Now Streaming First Full Length, Melodic And Catchy “Death Rectangle”

Album Stream Premiere via MetalInsider

New Album “Death Rectangle” Out June 18th

Tour Dates (July/August) w/ Hed PE

Draemora, from Seattle, USA has already been catching ears with their debut EP “Awakening” released in 2020 and are following it up this year with a full-length “Death Rectangle”. Another offering that was written and recorded when the world was upside down, Draemora made use of their time to focus on going in a different direction.

“Death Rectangle” has a lot more depth than the previous work, the band claims that has to do with the growing cohesiveness that comes with being together for over a year at this point. They also mention that this time around they were able to slow down and let everything come together, try out parts in the practice space a lot and make changes based on how they sounded performed to shorten the gap between live and studio performance. They continue to explain:

“With the upcoming release of “Death Rectangle”, we are super excited to see how it is received! A lot of work has been put into it and we truly believe that the efforts will be recognized in the music. As we’ve continued working together, the songwriting quality has greatly improved and we feel this will be a great chance for everyone to see what the next chapter of Draemora has in store for them!”

This album is completely DIY with all the recordings done in Terry Jenkins’ home studio including the mixing and mastering. The band cites that two major influences for this album are Lamb of God’s “Ashes of the Wake” and Whitechapel’s last release “The Valley”.

What’s next for Draemora is live gigs with tour dates in July and August with Hed PE and another full length hopefully for next year. Exciting and rhythmic, they are recommended for fans of Periphery, Architects and Spiritbox.

The album “Death Rectangle” is now streaming via its premiere on MetalInsider HERE.

The full album “Death Rectangle” comes out on June 18, 2021.
CD pre-order here.
Digital pre-save here.

Tour Dates: Draemora w/ Hed PE
July 23 – Backstage Bar & Billiards – Las Vegas NV
July 24 – Liquid Joe’s – Salt Lake City, UT
July 25 – Mesa Theatre – Grand Junction, CO
July 27 – Herman’s Hideaway – Denver, CO
July 28 – The Royal Grove – Lincoln, NE
July 29 – The Back Bar – Janesville, WI
July 30 – The Forge – Joliet, IL
July 31 – Diesel Concert Lounge – Chesterfield, MI
August 1 – Music Factory – Battle Creek, MI
August 3 – Red Flag (prev. Fubar) – St Louis, MO
August 4 – Club 1175 – Kansasville, WI
August 5 – Hobart Art Theatre – Hobart, IN
August 6 – Rockstar Lounge – Ft. Wayne, IN


Track Listing:
1. The Cleansing (6:06)
2. Slaves Until Death (4:44)
3. Death Rectangle (4:19)
4. Requiem (3:23)
5. What You’ve Become (5:00)
6. Gouge Out My Eyes (3:57)
7. Blood Moon (3:34)
8. Screaming Into the Void (3:56)
9. Metacognitive (4:08)
10. Victorious (3:36)
Album Length: 43:18

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

– 30 –

“On this new album, DRAEMORA has truly explored an evolution from their previous release.” -Metal Temple

“Washington state groovedjentcore specialists…” – Metal Bulletin

“Fans of contemporary groove sounds should find something to like in this heaviness in the strings and in the growling, in the energy of it all, and there is also singing, which adds a melodic element to the toughness of their style. Here in Washington state, their name is getting some traction. Maybe the simplicity of the heaviness connects with listeners, perhaps is the core music stylings, too. Listen for yourself, and see.” – Metal Bulletin

“Death Rectangle shows a band that certainly knows how to hit the right notes in the musical-technical field.” – Amped Up

“complete with catchy riffs, strong drums, and an easy-to-learn chorus Death Rectangle is sure to be sung at live shows. The band is really finding its sound with this release; their chemistry is evident and will undoubtedly only get better from here.” – Territorio Rock

“Draemora’s new EP Awakening is a 17 minute melodic death metal piece with more twists and turns than your average M. Night Shyamalan movie. This is a band that doesn’t stick to the tradition melo-death sounds, instead looking to incorporate some clean singing, some progressive sections and some experimental sounds… This is an EP that incorporates many different sounds, but doesn’t have any filler… A very unique debut release from Draemora.” – Metal Injection (Review Awakening EP 2020)

“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag (Review Awakening EP 2020)

“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear Gods (Review Awakening EP 2020)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

  • June 4, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – June 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Juxtapose Angular Heaviness With Soaring Melody On “Euclidian”

Every Hour Kills, from Calgary, Canada, has a reputation for putting out solid, immersive EPs and creatively artistic music videos. Their latest work “Vacua” is expanding on their trademark sound, albeit it’s a twisted, heavier version than what fans have got used to over the years. This new release will see a new vocalist in the form of Jei Doublerice (Abiogenesis, Despite Exile, Sensory Amusia) and with his inclusion; EHK does away with a lot of the melody and clean vocals, swapping them for brutal breakdowns and turbulent vocals. The initial glimpse into this new form is through the single “Euclidian”.

The single was co-written with Chris Wiseman (Currents, Shadow of Intent) and is an introduction to the new style with Doublerice. His riffing style complements Sacha Laskow’s perfectly and what came out was an amalgamation of this technical riffing with whacky synths/time signatures/cinematic breakdown. Doublerice came in over top with his signature intense style to wrap everything up. This is the shortest song on the EP and gets in and gets out with no filler.

Acknowledging that this new EP might not be for everyone, founder, guitarist, and producer Sacha Laskow, shares that this work is the result of a “dark, tumultuous fucked up year” for him personally, along with many other people. He explains further:

“As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

“Vacua” will be the fourth studio release from the band, following “Every Hour Kills” (2015), “Fragile Machine” (2018) and “Re:awaken” (2020). The djenty scorecore is recommended for fans of Veil of Maya, Born of Osiris, and Periphery

The single “Euclidian” is out now as of June 4th and can be heard on the following platforms:

YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

EP “Vacua” will be released later this year.

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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