Tag: Periphery

0 Prog Guitarist Marko Bojkovic Shares An Empowering Message “From Within” Off New Album “Powercore” Out Jan 2025

January 9, 2025
by Asher
· Marko Bojkovic · Music News

NEWS RELEASE

Montreal, QC – January 9, 2025

Prog Guitarist Marko Bojkovic Shares An Empowering Message “From Within”

New Album “Powercore” Out Jan 2025

Set to unleash his latest and eighth studio album “Powercore” toward the end of January 2025, prog guitarist Marko Bojkovic has one more treat for fans with the last single to reveal before the full-length officially drops from Forerunner Recordings.

Entitled “From Within” featuring guest vocals from Gabe Vermund, the track is an empowering composition of progressive, power, and metalcore. Bojkovic states:

“We all have a power within us, and we already have that power! We didn’t get it from training or experience; we just have it! All you have to do to realize you have it is to believe in yourself! This song also has the best guitar solo that I’ve written by far because it’s the perfect showcase for my current style!”

Listen to the single at the following links:

Youtube – https://youtu.be/xPVxzN5K9Lg

Digital – https://distrokid.com/hyperfollow/markobojkovic/from-within-feat-gabe-vermund

Previous Singles “What We Accomplished” ft. Chris Thomas and “Find Your Flame” ft. Johnny Ray (The Mourning), Gabe Vermund, and Chris Thomas (a cover of the song from the video game Sonic Frontier can be heard at the following links:

“Find Your Flame” – https://youtu.be/7ASxCQiOaMU

“What We Accomplished” – https://youtu.be/PGJLE2tzeaE

Spotify

Inspired by his youthful years of playing Sonic Adventure on his Sega Dreamcast and being wondered but its luring soundtrack, Marko Bojkovic over the years has been exploring instrumental guitar sounds, and will be presenting his eighth studio album “Powercore” on January 24th, 2025 on Forerunner Recordings.

Packing the most punch with perfectly combined progressive metal, power metal, metalcore, and djent along with influences from jazz fusion to classical music, Bojkovic‘s new album “Powercore” (named after his own dubbed genre of metal called Progressive PowerCore) is meant to send positive messages such as being able to accomplish anything you set your mind to and believing in yourself. Musically, the album’s guitar solos are among the best he’s ever written. As a small content creator on YouTube and Patreon, Bojkovic has become known on the internet for his economy-picking prowess, which he showcases to excellent use on the songs featured in this full-length. In addition to the guitar work, Bojkovic played all the bass lines on “Powercore” along with recruiting guest vocals from Chris Thomas (growling vocals, clean vocals) and Gabe Vermund (clean vocals).

“This album is me finally channeling my personality in my music! Its predecessor ‘Venom’ represented how I felt at a certain point in my life, and those familiar with that record may be caught a bit off guard given the drastic change in my style, but PowerCore represents how I feel in general! It is meant to be accessible to metal fans and non-metal fans alike. This album is a reflection of how I stay positive in difficult situations, but also has moments of self-reflection, or as Eckhart Tolle calls it “presence.” A lot of metal songs seem to be about sadness and negativity, and while those songs are very cool and heartfelt, metal songs can be positive and inspire the listener to go out and achieve a set goal!” adds Bojkovic.

Recommended for fans of Trivium, Avenged Sevenfold, Periphery, Dream Theater, and Firewind, Marko Bojkovic‘s new album “Powercore” is available for pre-save at the following link – https://distrokid.com/hyperfollow/markobojkovic/powercore

Fans interested in Bojkovic’s Patreon Page to get exclusive content about his guitar playing and techniques, please subscribe at https://www.patreon.com/MarkoBojkovic

Track Listing:
1. Anesthesia (No Easy Way Out) – 3:58
2. From Within – 5:29
3. Sacrifice For Sanity – 3:50
4. What We Accomplished ft. Chris Thomas – 3:17
5. Find Your Flame ft. Johnny Ray (The Mourning) – 4:00
6. Thrown – 5:41
7. To Reminisce – 4:54
Album Length: 31:11

More info: Facebook.com/markobojkovicmusic | Instagram.com/markobojkovicshredsguitar

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“You can do stuff on lead guitar that no one else can do, such as your economy picking.” – Patrick Finster – Producer

“Venom is a very heavy album and I absolutely loved the guitar work. The self-titled track really showcased the heavy riffs and helped set the course for the rest of the album. ‘Maximum Carnage’ also had nice guitar work as well. Hard, heavy, and head bang worthy riffs…. In all I highly recommend this album for fans of bands like Trivium and Meshuggah. With Marko’s guitar work plus the vocals, it’s definitely worth a listen for anyone that enjoys heavy metal, with some screaming vocals.” – Music Crowns

Florida metal guitarist Marko Bojkovic has released his latest album, Venom. Musically, the album is a mixture of progressive metal, death metal, power metal, and thrash metal, with a hint of influence from anime and video game OSTs… Marko’s music is perfect for fans of Trivium, Meshuggah, Allegeaon, Obscura, Dream Theater, Firewind, Sabaton, Powerwolf, Iron Maiden, Kiko Loureiro/Angra, and Leprous.” – Punkerton Records

“I’ve had the pleasure of knowing Marko and mentoring his playing for over 2 years now and can easily see he’s one of the most capable, hardest working and fastest learning guitarists I’ve ever come across!” – Bradley Hall, guitar Youtuber

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0 Canada’s PHAETON’s Now Streaming Instrumental Prog Space Adventure “Between Two Worlds”

April 20, 2023
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – April 20, 2023

Canada’s PHAETON’s Now Streaming Instrumental Prog Space Adventure “Between Two Worlds”

L-R – Colin Righton – Drums & Percussion, Daniel Airth – Lead & Rhythm Guitars, Kevin Thiessen – Lead & Rhythm Guitars, Keyboards, Ferdy Belland – Electric & Fretless Bass
Photo by Julian Bueckert

Get ready to soar through the cosmos with Canada’s Phaeton and their second expansive album “Between Two Worlds”. They anticipate taking their listeners through space and time and feel a complete visceral release that can only be found through progressive metal. They consider this full-length to be a major step up for them and have focused on being sharp and clever to grab people’s ears with melody lines of the twin guitars instead of vocals. They continue to share their excitement for the release:

“We pushed ourselves as musicians, we pushed ourselves as instrumentalists, and we pushed ourselves as a unit to create something that had to at least be on par with the first album – and we surpassed all our expectations. We’re hoping that fans of prog-metal find something enjoyable in these tunes and will urge them into repeat listening, and we hope all the twists and turns and corners and swerves we’ve woven together will surprise and delight. And with us re-energized for live performance, we aim to convince the world that you can say so much…without saying a word.”

There is certainly no ‘sophomore slump’ happening with “Between Two Worlds”, which will accompany listeners on an emotional journey – the classic goal of all instrumental progressive metal. This release is just a taste of what’s to come from Phaeton, who has more material being written.

Phaeton emerged virtually fully formed from the start. As soon as they realized they were onto something explosive and exciting, they followed the blazing comet to the final impact, splitting the hardened crust of progressive metal complacency and bursting forth the white-hot magma of fresh reinvention. “Between Two Worlds” is recommended for fans of Opeth, Gojira, and Meshuggah.

“Between Two Worlds” can be heard in full via its full-stream album premiere on TheProgSpace HERE.

“Between Two Worlds” is due out April 21st, 2023, and available for pre-order at Phaetonband.bandcamp.com

Band playthrough – “Monsoon” – https://youtu.be/-sRzrejyHuA

Track Listing:
1. Predestination – 4:57
2. Oceans of Time – 6:44
3. Terra Australis – 4:42
4. Monsoon – 6:06
5. Refraction – 4:48
6. Geomorphic – 4:51
7. Magma Chamber – 6:09
8. Between Two Worlds – 9:21
Album Length: 47:40

For more info: Facebook.com/Phaetonband | Instagram.com/phaetonband | Twitter.com/phaetonband

About: PHAETON was formed in Kimberley, BC in March 2017 by Kevin Thiessen (lead & rhythm guitar), Daniel Airth (lead & rhythm guitar), Colin Righton (drums & percussion), and Ferdy Belland (electric & fretless bass). Combining technically ferocious compositions of modern metal with the ambitious song-arrangement mindset of classic prog-rock, PHAETON (named for the theoretical proto-planet which collided with Ancient Earth during the Primordial Era) stands alone in the wilderness of British Columbia with their unique approach to instrumental prog-metal.

Phaeton is:
Kevin Thiessen – Lead & Rhythm Guitars, Keyboards
Daniel Airth – Lead & Rhythm Guitars
Ferdy Belland – Electric & Fretless Bass
Colin Righton – Drums & Percussion

Discography
2018 – Self Titled – LP
2023 – Between Two Worlds – LP

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“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun)

“The sound on all seven tracks is huge and if there was a “best sounding hammer-ons” award then March of the Synthetics could be a contender.” – Stuart Derdeyn (The Vancouver Sun)

“An epic Progressive Metal listening experience.” – Trevor Hatter (BeatRoute Magazine)

“This badass band makes a devastating impact with their high velocity musical assault.” – Time Lord (Progarchy)

“A sparkling, sizzling debut from PHAETON, taking us on a futuristic musical journey, with deep roots in the ancient past.” – Stephen Conrad (Progressive Rock Fanatics)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Saudi One Man Prog DUSK Shares First Single “Lethal Perspectives” ft. Aaron Harris (Solemn Vision) Off First Full-Length “Spectrums” Out February 2023

January 6, 2023
by Asher
· DUSK · Music News

NEWS RELEASE

Montreal, QC – January 6, 2022

Saudi One Man Prog DUSK Shares First Single “Lethal Perspectives” ft. Aaron Harris (Solemn Vision)

New Album “Spectrums” Out February 2023

Saudi Arabia’s one-man prog metal unit DUSK (from the mind of Meshari Sangora) is unveiling the first single “Lethal Perspectives” ft. Aaron Harris (Solemn Vision) from the upcoming full-length entitled “Spectrums”. The album follows two previously unleashed EPs “To Where I Belong” (2021) and “Ascension” (2020) along with multiple stand-alone singles that were used to introduce the project’s music to the world in 2020.

The album’s first single talks about someone who suffers from Megalomania and is a message to remind them that they are not a god. DUSK goes into further detail about how the track came to be.

“I got to know Aaron Harris, the vocalist for Solemn Vision from my friend Gigi Arabia of Heavy Arabia. She pitched Aaron to me when we were looking for a vocalist for Lethal Perspective, and as soon as I heard Aaron’s vocals I knew he was a perfect fit for the album. He’s got a raw scream that can really get you hyped! and with what I had in mind for songs on the album, I knew that he be the right fit and he sure did deliver vocally and lyrically 100 percent!”

The single can be heard at https://youtu.be/rcOw6G0VgKE

Digital (Spotify, Bandcamp, Apple Music) – https://distrokid.com/hyperfollow/dusk14/lethal-perspectives-feat-aron-harris

For “Spectrums”, DUSK recruited various many guests such as Saudi musicians Khalid C (Entropia) and Abdulrahman Elghazali (who was a featured guest on EP ‘To Where I Belong”) along with international artists such as Aaron Harris of the New York death metal based band Solemn Vision and the great Jaani Peuhu, previously known as a member of Swallow The Sun and his current band Ianai. The album features 12 tracks and is a multi-lingual expression with various songs sung by its contributors in English, German, Finnish, and Arabic.

DUSK comments on the forthcoming album:

“As a musician and one of the pioneers in the local Saudi Scene, I wanted to bring more creativity to the game and make this project an inspiration standpoint to the new upcoming bands and musicians who look up to me both locally and internationally, so right then and there, I decided to make this album into two different themes, something that will speak to every music lover out there, from the heavy and raw guitar tones to the Synth-ish spacy sounds that ease the listener to a very dynamic and emotional ride.”

Once a college DJ in UAE, that time in his life lead to his rediscovery of all forms of metal and was just the beginning of creating his own music as a self-taught musician and producer. DUSK created the new album to be listened to as Side A and Side B. The first half of the album (Side A) is aggressively sounding, and more guitar-focused and has a build-up of more hostility to each track while the listener moves forward. The second half (Side B) aims for a new sound from DUSK infusing more of the electric/EDM-ish sound where it’s more focused and digitized sounding and widely more appealing to the non-metal listener, all while keeping the same aggression level building up with each track.

“I wanted to bring more to the table and make this album a possible gateway to new audiences and perhaps fans from both sides, the metal heads & the non-metal listeners. I think all people who enjoy music will be interested in it, with all that has been added and all the different genres mixed in. What I’m trying to do with this record is to make everyone experience their own feelings and their own journey, the topics for this project are big and very stretched, some of the topics deal with real issues like betrayal and disposition, Love, Hate, and Hope.” adds DUSK

Recommended for fans of Currents, Born of Osiris, Novelists, and Deftones, along with everything under the vein of progressive metal, metalcore, and djent, “Spectrums” will be released on all digital platforms including vinyl on February 17th, 2023.

The album was fully written & recorded at Dusk’s studio with the mixing and mastering done by Tom Haberland of Crushing Waves Studio. Album artwork created by Giannis Nakos from Remedy Studios.

Album pre-order – https://dusk94.bandcamp.com/

Track Listing:
1. The World We Used To Know ft. Abzy & Khalid C – 5:42
2. Digging Deeper ft. Alex Hamilton – 4:05
3. Breath In, Breath Out ft. Adnan – 4:20
4. Hatred ft. Alex Hamilton – 3:12
5. Lethal Perspectives ft. Aron Harris – 3:02
6. Agnes Of Rome ft. Abzy – 5:00
7. Burning In My Mind ft. Moe Steiger – 3:31
8. Karma Will Find You ft. Moe Steiger – 4:19
9. Someone To Trust ft. Jon Thomas – 3:38
10. Only You ft. Jaani Peuhu – 5:39
11. Celestials ft. Iman Ahmed & Abudlrahman Elghazali – 4:37
12. Absence Of Full (Album Outro) – 2:18
Album Length: 50:00

For more info:
Facebook.com/Officialdusk94
Instagram.com/official__dusk
Twitter.com/Official__Dusk

About Album Guests: Abzy, Khalid C, Alex Hamilton, Adnan, Aaron Harris, Moe Steiger, Jon Thomas, Jaani Peuhu, Iman Ahmed, Abdulrahman Elghazali

1- ABZY is a Self-taught singer-songwriter who started in 2007 Located In Kuwait city. Band (WAZIN), SOLO Project (SARAI)

2 – Khalid C is an electric guitar player located in Riyadh, Saudi Arabia, and is one of the founders of the band Entropia along with his new rock solo project Astrofrog.

3 – Adnan Mryhi is a singer and a Twitch streamer located In Dubai, UAE, Adnan also helped and still helping to build the Metal Scene in the UAE since 2006. Solo Project (Unmuted)

4- Alex Hamilton is a Canadian musician who operates Nova Nine Productions and offers session musician services, mixing/ mastering, and recording. His band is Wazmo.

5- Aaron Harris also known as AceSirBell is the vocalist for the band Solemn Vision and the band telochvovin666 and the founder of Visionary Booking, a booking company focused on helping out-of-town bands break into NYC, and build lasting connections through different scenes.

6- Jaani Peuhu is a Finnish musician, producer and songwriter. Jaani has worked with artists like Before the Dawn, Swallow The Sun, To/Die/For, Thunderstone, Wiidakko and Anna Eriksson. More info – https://en.wikipedia.org/wiki/Jaani_Peuhu

7-Iman Ahmed is an Arab/British singer and bass player who is the founder of Unicorn Squad – a global music community for unsigned artists and bands within the rock/ metal/alternative scene.

8-Abdulrahman Elghazali is an electric guitar player located in Riyadh, Suadi Arabia, previously featured on the “To Where I Belong EP” and a guitar player for the local thrash metal band Dune.

9-Moe Steiger is a session vocalist located in Germany. Editing and mixing engineer.

10- Jon Thomas is a singer, songwriter, guitarist, and session musician based in Canada.

11. Jonathan Hammond has solo projects Dark Horse and Thrifted Souls.

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Streaming Now! Canada’s EVERY HOUR KILLS (ft. guests from Vildhjarta, Shadow of Intent) Darkest, Heaviest Material Yet On New EP “Vacua”, Full Stream Premiere via TheProgspace

October 6, 2021
by Asher
· Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – October 6, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Streaming Now! Canada’s Every Hour Kills Presents Their Darkest, Heaviest Material Yet In “Vacua”

Full Stream Premiere via TheProgspace

New EP “Vacua” Out October 8th

EP Guests:
Calle Thomer (Vildhjarta, Humanity’s Last Breath),
Chris Wiseman (Currents, Shadow of Intent)

Calgary’s formidable modern metal act Every Hour Kill’s has been shunning and breaking genre rules throughout their career with each release surpassing the last in musicianship and experimentation. The latest offering “Vacua” due out on October 8th is the biggest departure yet and although not everyone might like it; guitarist and primary songwriter Sacha Laskow wrote what he felt rather than trying to stick to a template of what the band ‘should’ sound like. According to him, fans of progressive music like himself are typically open to a range of sounds, influences, and emotions. He explains the sound change further:

“This record is a culmination of a dark, tumultuous fucked up year in the world and in my personal life, as it was for many people around the world. As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Each of the five tracks on “Vacua” were written for the EP, with no filler and nothing left on the cutting room floor. Track “Intransigent” was co-written with Calle Thomer (Vildhjarta, Humanity’s Last Breath) and tracks “Euclidian” and “Tenebrous” were co-written with Chris Wiseman (Currents, Shadow of Intent). The EP was produced, mixed, and mastered by Laskow along with EP artwork done by Erisis Red.

Recommended for fans of Born of Osiris, Periphery, and Vildhjarta, “Vacua” can be heard in full before it officially releases via its premiere on TheProgSpace HERE.

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Every Hour Kills’ “Vacua” Is a Harsh Reflection On A Year Of Chaos And Turmoil, Track Premiere via NewFuryMedia

September 3, 2021
by Asher
· Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – September 3, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills’ “Vacua” Is a Harsh Reflection On A Year Of Chaos And Turmoil

Track Premiere via NewFuryMedia

New EP “Vacua” Out October 8th

Calgary’s Every Hour Kills is a musical experiment that challenges what defines a band. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The latest from them is the upcoming EP “Vacua” and the next single is the title track.

“Vacua” was the first song written for the EP and features low-tuned riffs and nihilistic vocals. These vocals are provided by newcomer to the group – Jei Doublerice who brings more force into the trademark sound. The band explains further:

“This single sets things off in a new, heavier direction. Different tuning, different time signatures and chord progressions, and different vibes overall led to seeking out a new vocalist which would eventually enlist Jei. Clean vocals just didn’t seem to fit, although Jerrod does make an appearance in the chorus, the vocals are very processed and robotic vs. the melodic singing we’d been known for previously.”

This EP is the fourth from Every Hour Kills following “Every Hour Kills” (2015); “Fragile Machine” (2018); and “Re:awaken” (2020). It was produced, mixed and mastered by guitarist Alan Sacha Laskow and the album art was done by Erisis Red.

Modern and dark, Every Hour Kills keeps the melody and progressive riffs but mirrors the past year with a generous dose of heavy. This honest display of emotions is recommended for fans of Veil of Maya, Born of Osiris, and Periphery.

The visualizer for “Vacua” can be heard via its premiere on NewFuryMedia HERE.

“Vacua” is expected out October 8th, 2021.

Previous singles:
“Euclidian” – https://youtu.be/pD7ZRyeu0P4
“Intransigent” – https://youtu.be/cVtwPW_2-HA
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”, Video Premiere via TheCirclePit

August 4, 2021
by Asher
· Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – August 4, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Every Hour Kills Present Their Heaviest And Most Aggressive Track To Date The Immense “Intransigent”

Video Premiere via TheCirclePit

Calgary, Canada’s Every Hour Kills have a new single “Intransigent” off their upcoming EP “Vacua”.

This will be the fourth EP from the band and it shows definitive evolution being five of the heaviest tracks the group has ever written. They have almost done away with clean vocals in favour of deep growling provided by newcomer Jei Doublerice, and downplay the synth bits and cranking the riffs to 11. This new phase fits Every Hour Kills’ motive of being “a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand”. Guitarist Sacha Laskow continues to explain the single:

“This song was co-written with Calle Thommer (Vildjharta, Humanity’s Last Breath), and is probably the heaviest thing I’ve ever written. He helped shape things in a more down-tempo direction, while I added in the synth layers and more melodic aspects, as well as the breakdown based on where his ideas were taking me. Jei came in and absolutely crushed it with one of the most intense vocal performances on the record.”

Chosen to close out the EP, “Intransigent” as the most intense track finalizes this step in Every Hour Kills‘ growth to a heavier version of their former selves. The lyrics encompass the concepts of chaos and infinity and while it still retains the djenty progressive vibes of modern metal, it begins pushing the envelope with a wider range of sounds, influences and emotions.

The dark cinematic juxtaposing angular heaviness with soaring melody of “Intransigent” is recommended for fans of Periphery, Vildhjarta, and Spiritbox

“Intransigent” is available via its premiere on TheCirclePit‘s YouTube channel HERE.

“Vacua” is expected out October 8th, 2021.

First single “Euclidian” can be heard on the following platforms:
YouTube – https://youtu.be/pD7ZRyeu0P4
Spotify, Apple Music, Bandcamp – https://everyhourkills.com/ig/

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”, Video Premiere via TheCirclePit

June 28, 2021
by Asher
· Draemora · Music News

NEWS RELEASE

Montreal, QC – June 28, 2021

For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox

Draemora Unveil Their “Victorious” Music Video For New Album “Death Rectangle”

Video Premiere via TheCirclePit

New Album “Death Rectangle” Out Now!

Tour Dates (July/August) w/ Hed PE

Seattle progressive metalcore outfit Draemora is unveiling their latest music video for the track “Victorious” from their new album “Death Rectangle” recently unleashed on June 18th.

The video can be viewed via its premiere on TheCirclePit’s YouTube Channel – https://youtu.be/ty9Z919TfT4

“Victorious” was written right after guitarist Terry Paulson got a new 7 string guitar that was tuned to drop G. Instantly inspired by its sound, he completed the whole song in an evening. Showing it to his bandmates, the final version of “Victorious” was done in just a few days. Debating and anxious to release, the band originally thought of sharing the song as a single during the pandemic, but in the end, Draemora decided that it would be best positioned on their new full length.

“We were going to actually separate it from the album and let it be a song on its own, but at the last minute, we decided it was the perfect way to end the album because it has that great classic formula in there with a twist to the parts that really puts our stamp on it in a great way. We want people to enjoy it live, so we made big choruses and really big recognizable parts.” says the band.

Completely DIY with all the recordings done in Terry Paulson’s home studio including the mixing and mastering, Draemora‘s first full-length “Death Rectangle” has a lot more depth than their previous work, 2020’s debut EP “Awakening”. The band claim that has to do with the growing cohesiveness that comes with being together for over a year at this point. They also mention that this time around they were able to slow down and let everything come together, try out parts in the practice space a lot and make changes based on how they sounded performed to shorten the gap between live and studio performance. They continue to explain:

“Lyrically with Death Rectangle we wanted to make songs that anyone could very easily imprint their own life into. These songs all have deep meaning to us, but we stayed away from using any specific references so that the listener could make it whatever their imagination wants it to be. We think that is the best way to make a song. Musically, this collection of songs is mostly dark and heavy sounding. It wasn’t intentional, but when this was written we were all locked up and lost our jobs, and had to watch the world riot and go nuts so we’re not surprised it sounds that way.”

What’s next for Draemora is live gigs with tour dates in July and August with Hed PE and another full length hopefully for next year. Exciting and rhythmic, they are recommended for fans of Periphery, Architects and Spiritbox.

The album “Death Rectangle” is now available at the following links:
CD here.
Digital here.

Tour Dates: Draemora w/ Hed PE
July 23 – Backstage Bar & Billiards – Las Vegas NV
July 24 – Liquid Joe’s – Salt Lake City, UT
July 25 – Mesa Theatre – Grand Junction, CO
July 27 – Herman’s Hideaway – Denver, CO
July 28 – The Royal Grove – Lincoln, NE
July 29 – The Back Bar – Janesville, WI
July 30 – The Forge – Joliet, IL
July 31 – Diesel Concert Lounge – Chesterfield, MI
August 1 – Music Factory – Battle Creek, MI
August 3 – Red Flag (prev. Fubar) – St Louis, MO
August 4 – Club 1175 – Kansasville, WI
August 5 – Hobart Art Theatre – Hobart, IN
August 6 – Rockstar Lounge – Ft. Wayne, IN

Track Listing:
1. The Cleansing (6:06)
2. Slaves Until Death (4:44)
3. Death Rectangle (4:19)
4. Requiem (3:23)
5. What You’ve Become (5:00)
6. Gouge Out My Eyes (3:57)
7. Blood Moon (3:34)
8. Screaming Into the Void (3:56)
9. Metacognitive (4:08)
10. Victorious (3:36)
Album Length: 43:18

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

– 30 –

“On this new album, DRAEMORA has truly explored an evolution from their previous release.” -Metal Temple

“Washington state groovedjentcore specialists…” – Metal Bulletin

“Fans of contemporary groove sounds should find something to like in this heaviness in the strings and in the growling, in the energy of it all, and there is also singing, which adds a melodic element to the toughness of their style. Here in Washington state, their name is getting some traction. Maybe the simplicity of the heaviness connects with listeners, perhaps is the core music stylings, too. Listen for yourself, and see.” – Metal Bulletin

“Draemora manages to do something that not a lot of first-time prog bands seem to do: create a simple, exciting album that doesn’t showboat or try to be TOO unique. The sound that ‘Death Rectangle’ has adopted is straight from the metal-core textbook, and it works. The unique spin they have added with the heavier death-metal vocals creates a combination of metalcore and death-metal that works in a wild way. An absolute must listen to on the album is track 2’s ‘Slaves Until Death’, just the intro got me a bit rowdy. The heavy beat and the deeper guitar followed by the guttural vocals just mixes well…” – Midlands Metalheads Radio

“Death Rectangle shows a band that certainly knows how to hit the right notes in the musical-technical field.” – Amped Up

“complete with catchy riffs, strong drums, and an easy-to-learn chorus Death Rectangle is sure to be sung at live shows. The band is really finding its sound with this release; their chemistry is evident and will undoubtedly only get better from here.” – Territorio Rock

“Draemora’s new EP Awakening is a 17 minute melodic death metal piece with more twists and turns than your average M. Night Shyamalan movie. This is a band that doesn’t stick to the tradition melo-death sounds, instead looking to incorporate some clean singing, some progressive sections and some experimental sounds… This is an EP that incorporates many different sounds, but doesn’t have any filler… A very unique debut release from Draemora.” – Metal Injection (Review Awakening EP 2020)

“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag (Review Awakening EP 2020)

“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear Gods (Review Awakening EP 2020)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Out Now! Canadian Prog Metallers MAITREYA’s New Album “Hyper Reels”

June 25, 2021
by Asher
· Maitreya · Music News

NEWS RELEASE

Montreal, QC – June 25, 2021

For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Out Now! Canadian Prog Metallers MAITREYA’s New Album “Hyper Reels”

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)
Photo Credit – Jon Butler

Canadian progressive metalcore outfit Maitreya’s new album “Hyper Reels” is now out as of June 25th. Since January of this year, the band has been sharing singles with music videos to promote the sophomore full length and today they are excited to reveal its full stream and download on Bandcamp, Spotify and Apple Music at the following link: https://distrokid.com/hyperfollow/maitreya1/hyper-reels

Boasting a higher degree of musical complexity, filthy breakdowns and a wider range on the vocals ebbing from melodic cleans into sustained growls set to a whirlwind of complicated riffs. The record is a heavily layered listening experience, a cacophony of styles, merging together to create an intense wall of sound that forces you to pay attention to all the subliminal notes and tempo changes.

The band comments:

“Hyper Reels is an honest expression and discovery of what Maitreya is all about. We lived with these songs for years, honing them on stage and in the studio. This album details our evolution as a band, remaining true to our metalcore roots and highlighting a trajectory not confined to any particular subgenre. In the process of making this album, we put everything under the microscope and as a result, every element is more refined and matured. Our intention with this record was to craft songs with strong conceptual meanings paired with a musical complexity that remains catchy. We are very proud of this album, and are excited to keep writing, recording, and performing music as long as we are able!”

“Hyper Reels” is recommended for fans of The Contortionist, Between the Buried and Me, and Protest the Hero.

Previous Music Videos:
Pilgrim https://youtu.be/DHIXyR9nguc
Summit https://youtu.be/yvacOheiE3Y
Catalyst – https://youtu.be/sLOVpNchls8
Bloom – https://youtu.be/fx3r4NAo3_Q

Track Listing:
1. Catalyst (7:23)
2. Departed (6:04)
3. Radical (5:31)
4. Summit (4:31)
5. Invaders (6:18)
6. Bloom (4:26)
7. Pilgrim (4:44)
8. Flesh Engine (4:31)
9. Hyper Reels (0:57)
10. Iswara (4:27)
Album Length: 48:56

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

For more info:
Maitreyametal.com
Facebook/MaitreyaMetal
Instagram.com/maitreyametal
MaitreyaMetal.bandcamp.com
EPK

– 30 –

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Heavy metallers Maitreya recognize the value of dreams with their new single and music video for “Bloom,” a rifftastic blast of progressive metal.” – V13

“What’s on the menu here is a wide range of flavours. There’s something to suit the taste of any serious metal fan. This relatively new band has some good ideas and knows how to execute them. Despite the current restrictions, these guys have plenty of time to bring the Maitreya brand to the fore.” – The Prog Space

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Draemora Are Now Streaming First Full Length, Melodic And Catchy “Death Rectangle” via MetalInsider

June 17, 2021
by Asher
· Draemora · Music News

NEWS RELEASE

Montreal, QC – June 17, 2021

For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox

Draemora Are Now Streaming First Full Length, Melodic And Catchy “Death Rectangle”

Album Stream Premiere via MetalInsider

New Album “Death Rectangle” Out June 18th

Tour Dates (July/August) w/ Hed PE

Draemora, from Seattle, USA has already been catching ears with their debut EP “Awakening” released in 2020 and are following it up this year with a full-length “Death Rectangle”. Another offering that was written and recorded when the world was upside down, Draemora made use of their time to focus on going in a different direction.

“Death Rectangle” has a lot more depth than the previous work, the band claims that has to do with the growing cohesiveness that comes with being together for over a year at this point. They also mention that this time around they were able to slow down and let everything come together, try out parts in the practice space a lot and make changes based on how they sounded performed to shorten the gap between live and studio performance. They continue to explain:

“With the upcoming release of “Death Rectangle”, we are super excited to see how it is received! A lot of work has been put into it and we truly believe that the efforts will be recognized in the music. As we’ve continued working together, the songwriting quality has greatly improved and we feel this will be a great chance for everyone to see what the next chapter of Draemora has in store for them!”

This album is completely DIY with all the recordings done in Terry Jenkins’ home studio including the mixing and mastering. The band cites that two major influences for this album are Lamb of God’s “Ashes of the Wake” and Whitechapel’s last release “The Valley”.

What’s next for Draemora is live gigs with tour dates in July and August with Hed PE and another full length hopefully for next year. Exciting and rhythmic, they are recommended for fans of Periphery, Architects and Spiritbox.

The album “Death Rectangle” is now streaming via its premiere on MetalInsider HERE.

The full album “Death Rectangle” comes out on June 18, 2021.
CD pre-order here.
Digital pre-save here.

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

– 30 –

“On this new album, DRAEMORA has truly explored an evolution from their previous release.” -Metal Temple

“Washington state groovedjentcore specialists…” – Metal Bulletin

“Death Rectangle shows a band that certainly knows how to hit the right notes in the musical-technical field.” – Amped Up

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Prog Metallers MAITREYA’s New Music Video “Bloom” Off Upcoming Album “Hyper Reels” Out June 25th, Music Video Premiere via V13.net

June 7, 2021
by Asher
· Maitreya · Music News

NEWS RELEASE

Montreal, QC – June 7, 2021

For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Canadian Prog Metallers MAITREYA’s New Music Video “Bloom” Off Upcoming Album “Hyper Reels”

Music Video Premiere via V13.net

New Album “Hyper Reels” Out June 25, 2021

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)
Photo Credit – Jon Butler

Canadian progressive metalcore outfit Maitreya will be unveiling their new album “Hyper Reels” on June 25th. The sophomore full length boasts a higher degree of musical complexity, filthy breakdowns and a wider range on the vocals ebbing from melodic cleans into sustained growls set to a whirlwind of complicated riffs. The record is a heavily layered listening experience, a cacophony of styles, merging together to create an intense wall of sound that forces you to pay attention to all the subliminal notes and tempo changes.

Since January of this year, the band has been revealing videos and singles in lead-up of the album’s release.

Today, the band presents their final single “Bloom” and its music video before “Hyper Reels” officially makes its full audio entrance into the progressive metal moshpit.

Similar to previously revealed singles that were inspired by well-known TV shows and movies, “Bloom” came to life after the band viewed the experimental adult animated film “Waking Life”.

“Bloom takes inspiration from the concept of lucid dreaming and the cryptic messages from the subconscious mind experienced in the dream state. Dreams are something we all share, whether it’s a pleasant walk through a garden with a long-lost friend, a surreal inversion of mundane life, or a horrific run-in with an unknowable evil, we all have them at some time. As universal as dreams themselves is the wish to control these experiences. Bloom explores this idea, through the eyes of a dreamer who finds themselves tormented until they gain control.” adds the band.

The music video visually emulates the inspiration taken from “Waking Life” and can be experienced via its premiere on V13.net HERE.

Spotify here.

“Hyper Reels” is out on June 25, 2021 and is recommended for fans of The Contortionist, Between the Buried and Me, and Protest the Hero.

Album pre-save here.

Previous Music Videos:
“Pilgrim” https://youtu.be/DHIXyR9nguc
“Summit” https://youtu.be/yvacOheiE3Y
“Catalyst” – https://youtu.be/sLOVpNchls8

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

For more info:
Maitreyametal.com
Facebook/MaitreyaMetal
Instagram.com/maitreyametal
MaitreyaMetal.bandcamp.com
EPK

– 30 –

“Ambitious and aggressive, Canada’s Maitreya break boundaries from the beginning with Departed. Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon change direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” – Jace Media

“Their musical abilities were astounding, and I believe they could have been each individually the most technically capable with their instruments of those performing that night.” – Metal Master Kingdom

“Lead-heavy, yet at the same time musically complex, Maitreya’s music is sonic baptism, taking the listener from the fire pits to the icy peaks. The band’s self-titled album weaves an intricate melodic narrative, where both headbanging metal-heavy riffs and reflective vocal lines co-exist in the vortex of sonic alchemy, presented to the listener in its raw, unfiltered elemental form.” – Dentata Music

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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