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Tag: news

0 NoCleanSinging Presents New Single “Avarice” Off Féleth’s Upcoming Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

  • September 9, 2022
  • by Asher
  • · Feleth · Music News

NEWS RELEASE

Montreal, QC – September 9, 2022

 

NCS Presents New Single “Avarice” Off Féleth’s Upcoming Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Norway’s Féleth has a rockin’ new album coming out this year, and they are premiering their second single “Avarice”. They released their first single “Majesty” recently and considering it is the first track on the album and “Avarice” is the last, they stand as the pillars keeping eight crushing tracks between them. Through their technical metal blended with melodic death metal, they try to invoke a feeling of calculated brutalism, mixed with some grim undertones. The singles they’re releasing are first and foremost an appetizer for what’s to come.

“Avarice” was written by just jamming, which one can easily hear in certain parts where the instruments are chaotic, yet totally in line with each other. A somewhat basic song structure, but with highly aggressive riffs and big atmospheric leads. At the end, they transposed the chorus down half a step turning the song into borderline black metal out of nowhere. Lyrically, we are witnessing the king-like figure from “Majesty”, declaring war on everything and itself. The hook is written in the first person from the view of the general greed and hate that lies in the hearts of men, but grimmer. A song focused more on vocal delivery than epic poetry. Féleth explains the song further:

“When it came to choosing our second single it was a bit more of a hassle. Eventually, it came down to “Avarice”. True to tradition, we wrote one song as a band. Meaning we made it together at a rehearsal. It has a different vibe than most other songs we have. Having shared small bits and pieces with some of our close friends who are also fans, we expect people to be genuinely positively surprised when they hear our evolution from the more old-school approach to melodic death metal. While still holding onto our ‘’sound’’, we’ve gone a bit more technical and focused on better song structures with bigger hooks, taking inspiration from bands such as Shadow of Intent.”

Féleth was formed off remnants from a thrash metal band, which brought in Espen Dagenborg for more extreme vocals. They wanted to go deeper into the more extreme and technical aspects of metal and thus have made it their own.

Féleth’s brand of Northern Norwegian technical death rock is recommended for fans of Shadow of Intent, Archspire, and Fit For An Autopsy.

“Avarice” can be heard via its premiere on NoCleanSinging HERE.

The album “Divine Blight” comes out on November 11, 2022.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

​

Track Listing:​
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:​
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:​
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:​
​Facebook.com/FelethBand
​
​Instagram.com/felethband​

– 30 -​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 TheProgSpace Premiering SEVENTH STATION’s Music Video For “The Heart of a Nation (Nadia)”; New Album “Heal the Unhealed” Out November 7th

  • September 9, 2022
  • by Asher
  • · Music News · Seventh Station

NEWS RELEASE

Montreal, QC – September 9, 2022

​

TheProgSpace Premiering SEVENTH STATION’s Music Video For “The Heart of a Nation (Nadia)”

New Album “Heal the Unhealed” Out November 7th

Seventh Station is a progressive metal band based in Slovenia, who are excited to announce their second album “Heal the Unhealed”. The record is an international effort – rehearsed and recorded through five different studios on three continents ranging from the United States, Slovenia, and Turkey. A new level of musicality and artistic expression blends magnificent sweeps, heavy riffs, and intricate melodies together, creating an eclectic proggy frame for personal topics. The second single is “The Heart of a Nation (Nadia)”.

In the album, guitarist Dmitri Alperovich wanted to bring his personal point of view on his roots as a Soviet Union child. Spending his childhood in the Soviet Union, then his youth in Israel, and finally having moved to Slovenia, he went through a lot of different circumstances and the processes of adaptation for each – also resulting in anxiety and panic attacks after all these significant paradigm shifts. “Heal The Unhealed” is a personal reflection on these experiences and the psychological states they brought, voiced through different characters, including the primary actors of the conditions in the Soviet Union. He continues to explain:

“While the album started to take shape as the lyrical content and the general concepts were formed, this song became the first part of the Soviet Union / Stalin trilogy, which later became the main topic of the album. The song describes the poisonous relationship between the former Soviet Union leader, Joseph Stalin, and his second wife Nadezhda Sergeyevna Alliluyeva (Nadia). The official video was shot in Jerusalem, featuring contemporary dance choreography, put together by choreographer Maya Popova and the co-creator Anatoly Shenfeld.”

Having studied classical music and being an avid fan of many other music genres, Alperovich’s idea of Seventh Station emerged from applying the knowledge and techniques from classical music in to progressive metal, creating a platform for him to express his ideas. The result is daring, colourful, and artistic. Seventh Station is recommended for fans of Dream Theater, Symphony X, and Opeth.

The music video for “The Heart of a Nation (Nadia)” can be seen and heard via its premiere on TheProgSpace HERE.

The full album “Heal the Unhealed” comes out on November 7, 2022.

Album pre-order is available at http://www.seventh-station.com.

Previous Music Video / First Single – All Hail the Moustache – https://youtu.be/-upgWRhKqz0

​

Track Listing:​
1. Unspoken Thoughts (07:37)
2. Seven Digits (07:36)
3. The Heart of a Nation (Nadia) (12:27)
4. The Ruthless Koba (05:19)
5. All Hail the Moustache (12:04)
6. A Final Bow (13:41)
Album Length: 58:47

Album Recording and Live Band Line Up:​
– Dmitri Alperovich – Guitar
– Eren Basbug – Keyboards
– Davidavi Dolev – Vocals
– Jure Lopatic – Bass
– Grega Plamberger – Drums and Percussion

For more info:​
​Facebook.com/SeventhStation​
​Instagram.com/seventhstationofficial​

About: Seventh Station is a progressive metal band based in Slovenia, led by Israeli Guitarist Dmitri Alperovich and Turkish Keyboardist Eren Başbuğ. Constructing their sound by fusing progressive metal with contemporary classical music, the band’s new album Healed the Unhealed is their second full-length record, released independently. Featuring an international lineup, Davidavi “Vidi” Dolev (Vocals), Jure Lopatic (Bass), and Grega Plamberger (Drums). On their new record, Seventh Station adds to their “on the edge” performances and compositions more blood, more sweat, and more tears.
​
Formed between the Academy of Music & Dance in Jerusalem and Berklee College of Music in Boston, Seventh Station released its debut album Between Life and Dreams in 2016. After relocating to Europe and a few line-up changes, Alperovich and Başbuğ knew no borders in the search for uncompromising compositions and musical executors, progressive and challenging. After several tours between the Middle East and post-Yugoslavia, the band gathered together on recording ‘Heal the Unhealed’. Inspired by the Second World War and the Soviet Union, the album is an hour-long reflection in the eyes of Alperovich, who was born in Minsk, Belarus, moved to Israel and eventually found his way to Slovenia. Featuring surrealistic epos, harnessing the band’s skillful abilities in order to express Kafkaesque situations, Heal the Unhealed examines resemblances between dictatorships and the personality disorders of an artist.
​
Seventh Station is now gearing up for their upcoming record Heal the Unhealed released on November 7th, 2022, along with a supporting tour through Europe and the Middle East, to be announced later this Fall.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Boston’s PISTACIA Channel The Emo Days Of Old With New Metalcore Track “It Was The Cat”; New EP “Edgy” Out October 2022

  • September 9, 2022
  • by Asher
  • · Music News · Pistacia

NEWS RELEASE

Montreal, QC – September 9, 2022

 

Boston’s PISTACIA Channel The Emo Days Of Old With New Metalcore Track “It Was The Cat”

New EP “Edgy” Out October 2022

Boston’s Pistacia is bringing forth a new brand of metalcore with their debut EP “Edgy”. Through personal and poignant lyrics they confront relatable issues set to emotional and powerful music. So far, they have released a handful of singles, and the next one up is “It Was The Cat”, focusing on self-harm. Making music for people who are scared and voiceless is their passion and they are not afraid to get specific about what happens in the mind of the mentally ill. On this single, they offer hope and understanding and a flashback to the days when people used the explanation that “the cat did it” in reference to marks on their arms. The band explains the creation of the single:

“The single began almost accidentally; Ben and Théo were in Florida on tour with their former band, exhausted from the road and performance, and aching to write some new music that would reflect the artistic changes they’d undergone as a result. Ben cracked away at that which he does best: writing filthy hardcore riffs and Théo took initiative to make as poppy a chorus arrangement as possible. Years later, the track was revived and Vic worked her magic, pouring her anguish and rage into finely tuned stanzas that packed punch. They entered a Berklee rehearsal room with sketches, with the makings of a metal banger, and left with the instantiation of their ardor”.

Pistacia formed when vocalist Vic Gregg desired to be on stage instead of behind the merch booth. Fueled by passion and a desire to realize her high school dreams, she learned how to scream and put the lineup together with her classmates. They started as a Pierce the Veil ensemble but later began writing originals. To date, they have released five singles, and are gearing up to release their EP in the fall. They promise that each of the tracks on it are full-fledged bangers that will provoke and challenge the listener.

“It Was The Cat” is heavy in both lyrics and music and boasts sick breakdowns and the most 2007 chorus since MySpace reigned the internet. It’s catchy and will have you dancing regardless of the dark imagery. It is recommended for fans of Pierce the Veil, Slipknot, and Bring Me the Horizon.

The music video for “It Was The Cat” can be seen and heard via TheCirclePit – https://youtu.be/alpM9aI0BjQ

​

“Edgy” is out on October 21, 2022.

Tour Dates:
October 20 – Sovereign – Brooklyn, NY
Oct 22 – Starlite – Southbridge, MA
Oct 25 –  Diversity Consignment – Jamaica Plain, MA.
Oct 26 – Millhill Basement – Trenton, MA
Nov 12 – Providence, RI – The Alchemy

Track Listing​
1. It Was the Cat – 4:00
2. N. Hale – 4:00
3. Fake a Smile – 4:00
EP Length: 12:00

EP Band Line Up:​
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass

Live Band Line Up:​
Vic Gregg – Vocals
Theo Chaouat – Guitar
Ben Sonsire-Cummings – Guitar
Ron Bernhaut – Bass
Thomson Estabrook – Drums

For more info:​
​http://pistaciaofficial.com​
​https://www.facebook.com/Pistacia-104625968817408​
​https://www.instagram.com/pistaciaofficial​
​https://twitter.com/pistaciaband​
​

About: In late 2019, Vic Gregg founded Gen-Z, an emo-throwback metalcore outfit. Members Ron Bernhaut, Theo Chaouat, Ben Sonsire-Cummings, and Thomson Estabrook complete the aesthetic onslaught that comprises Pistacia’s live show—in the scene’s dearth of energetic performance, the band found their niche, bringing blistering riffs to tight compact venues with pure animus and palpable vitriol. They have a nostalgia-borne affinity for all things emo and maintain a reckless proclivity for gothic imagery and provocative allure. With a marriage between heavy breakdowns, catchy choruses, and pathos-driven lyrics, Pistacia is that edgy, rebellious act you’ve been craving.
​
Shared stage with:
The HU, Mudfuck, Quarantined, Reapercussion, Survive the Sun, Proxies, Spite
​
Discography:
It Was the Cat – 2022 – EP
Hematophagous – 2021 (single)
Loaded Gun – 2021 (single)
Melatonin – 2021 (single)

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

​

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0 Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”; New Album “Mythos” Out Sept 30th

  • September 9, 2022
  • by Asher
  • · Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – September 9, 2022

 

Vancouver’s HUNTING GIANTS Ponder Domination And Avarice In “Too Big To Kill”

New Album “Mythos” Out Sept 30th

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

“Mythos” is the second release from Canada’s Hunting Giants following their 2018 EP “Skyward Eyes”. They have upped the ante with this new record, offering bigger riffs, wilder stories, and more layers to entangle listeners. The primary themes in their next single “Too Big To Kill” are domination and avarice, as told through the eyes of a hunter.

The track immediately starts with a riff that brings to mind the thrill of the hunt which is encapsulated by the lyrical repetition of ‘Row’ as our anti-hero cuts through the waves, hot on the trail of his next quarry. As the instruments are hushed, the lyrics speak from the perspective of a man who desires only domination and finds satisfaction in ending the lives of those he hunts. The band continues:

“One of the major singles on the Mythos album, Too Big To Kill is a non-stop adventure with the highs and lows of the raging rapids. This unending momentum builds throughout the song revealing how remorseless yet effective he is at killing until we arrive at the bridge, where the tables are turned and he finds himself fleeing from the beast which he sought to trap. This song is an exploration of those who love violence and the inevitable bloody end which they attract towards themselves.”

For Hunting Giants, their lyrics come from within. They can be inspired by pieces of literature, emotion derived from lived experiences, or ideas which take root within the mind and must be expressed through song. They encapsulate emotion while being entertaining and thought-provoking, giving the lister yet another layer to focus on amidst the riffs and melodies.

“Mythos” is a unique album expressed with a great diversity of energetic auditory textures. Each song hits hard with novel approaches and fresh ideas that will induce a comforting nostalgia in modern rock fans looking for something new and awesome.

Energetic, theatrical, and groovy, Hunting Giants is recommended for fans of Audioslave, Muse, and Tool.

The lyric video “Too Big To Kill” can be seen and heard via its premiere on AllAboutTheRock HERE.

The album “Mythos” is out on September 30, 2022.

CD pre-order – https://huntinggiants.com/product-category/pre-orders/​

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Music Video “Ancient Text” – https://youtu.be/NkEQ6m8bzx4

​

Music Video – “Ritual” – https://youtu.be/FIXK6sHK1eQ

​

Track Listing:​
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:​
​HuntingGiants.com​
​Facebook.com/huntinggiantsband​
​Instagram.com/huntinggiantsband​
​Twitter.com/huntinggiants​

About:​
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.
​
This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.
​
Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP
​
Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

0 Delve Into The Expansiveness Of The Universe With The Spacey Single “Home” From Colorado’s OBSIDIAN SKIES; Mixed and Mastered by Tom MacLean (ex-Haken)

  • September 8, 2022
  • by Asher
  • · Music News · Obsidian Skies

NEWS RELEASE

Montreal, QC – September 8, 2022

Delve Into The Expansiveness Of The Universe With The Spacey Single “Home” From Colorado’s OBSIDIAN SKIES

Debut EP “Saturnian” Out October 2022

Mixed and Mastered by Tom MacLean (ex-Haken, Athemon, Brutta)

​

While based in Colorado, USA, Obsidian Skies creates music in the sci-fi realm, transporting listeners to grandiose worlds set to epic progressive melodic death metal. The duo of Logan Dougherty (guitars/piano/orchestration) and Tim Watervoort (guitars/basses/vocals) use their backgrounds in physics, astrophysics, composition, and linguistics to elevate the themes, structure, and performance of their music. After working steadily over the past couple of years, they are thrilled to announce their spacey debut EP “Saturnian” (mixed and mastered by Tom MacLean (ex-Haken, Athemon, Brutta)) and the first single “Home”.

“Home” is less of a story, but more of one man’s lament for his former home and the exploration of his emotions. He goes through cycles of culture shock and a longing for a world that is no more. Eventually, he comes to terms with his situation and sees the potential in his new home. Starting with an acoustic guitar, “Home” is lighter than the other tracks on the EP, much of this song feels like one that could be sung around a campfire, thinking of days gone by. When the distorted guitars enter, they serve more to provide foundation than a true featured part to keep with the aesthetic. Harsh vocals are present in this song, but to a much smaller degree than the other two. Harmonically, this song features jazzy major 7th chords to give it a warmer feel. The band comments on the track:

“When we first came up with the concept of this song, we knew we wanted a more intimate, acoustic piece, but we were honestly afraid that it would not turn out at all how we envisioned. When we began writing it, we had two disjointed riffs that we knew we wanted in the song but no real way of transitioning between them. Since the song is so vocally driven, it was difficult to get a grasp of what it would sound like before it was recorded. Hearing the first playthrough of it after recording (but before mixing) was a sigh of relief for both of us as we had actually managed to pull it together. This song definitely “fell into place” more than the other two did.”

The EP follows the story of humankind abandoning Earth for Saturn’s moon Titan. The emotional and physical struggles of leaving our home planet are explored through both the music and the lyrics. Obsidian Skies hopes to take the listener through this journey in a concept album, but they believe the songs are capable of standing on their own as well.

Recommended for fans of anything sci-fi, especially those who enjoy the music of Amon Amarth, Insomnium, and Opeth, the single “Home” can be heard via its premiere in MetalInsider HERE.​

The EP “Saturnian” is being released on October 14, 2022.

Pre-order – https://obsidian-skies.bandcamp.com​

Track Listing:​
1. Celestial Age – 6:58
2. Rebirth in the Stars – 11:19
3. Home – 5:52
EP Length: 24:10

EP Recording Credits:​
• All songs performed by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• All songs written by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• All Lyrics written by: Tim Watervoort
• Produced by: Obsidian Skies (Logan Dougherty and Tim Watervoort)
• Mixed by: Tom MacLean
• Mastered by: Tom MacLean

EP Band Line Up:​
Logan Dougherty – Guitars, Piano, Orchestration
Tim Watervoort – Guitars, Basses, Vocals

For more info:​
​https://www.facebook.com/Obsidian-Skies-109138908535805​
​https://www.instagram.com/obsidianskiesband​

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Multi-Instrumentalist MATT MILLER Unleashes Shred Finesse Video “The Obscurantist”; New Album “Monument of Velocity” Out Now!

  • September 7, 2022
  • by Asher
  • · Matt Miller · Music News

NEWS RELEASE

Montreal, QC – September 7, 2022

 

Multi-Instrumentalist MATT MILLER Unleashes Shred Finesse Video “The Obscurantist”

New Album “Monument of Velocity” Out Now!

Matt Miller – Photo Credit – Tony Reviere

Akademia-Award-winning producer, engineer, and songwriter Matt Miller side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope. Through his solo project, he has released four cover albums and three original albums the most recent of which is “Monument of Velocity”, which came out this past July. Miller is now presenting a music video for the track “The Obscurantist”, which is an intricate story full of suspense, twists, and turns. He comments on the album:

“With Monument of Velocity, I set out to push my creative limits by not relying on any preconceived notions and let each song unfold as its own entity. Which in turn actually created a stronger continuity between the tracks. By writing the majority of the album without a guitar in hand I was able to think outside the box and come up with more interesting melodies and more dynamic rhythms. This process allowed me to achieve a greater level of melodicism and generate a stronger emotional response.”

Miller started his solo project during the Covid lockdown as he wanted to release all the music he had written and wasn’t being played in the projects he was currently in. With “Monument of Velocity” he knew he wanted to make another instrumental album but also wanted to create something that pushed musical limits and was still fun to listen to. Along with the most recent release he has released a cover album this year and plans on releasing a tech death album with his new project Chasm of Discord and a re-recording of my first instrumental EP “MMXVII”.

A wide variety of influences can be heard throughout Matt Miller’s music, and it is recommended for fans of Necrophagist, Obscura, and Dragon Force.

The video for “The Obscurantist” can be seen and heard at https://youtu.be/5PJQpqLZSz4

​

“Monument of Velocity” was released on July 19, 2022 via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and available on Spotify, Bandcamp, Apple Music.

Track Listing​
1. The Fissure (1:01)
2. Abominable Sands (3:13)
3. The Obscurantist (3:18)
4. Monument of Velocity (4:32)
5. Coral Sword (3:27)
6. Sacred Geometry (3:32)
7. Acheron (3:15)
8. Human Race Against Time (3:38)
Album Length: 25:59

For more info:​
​https://mattmillerhhakmusi.wixsite.com/mattm​
​https://www.facebook.com/profile.php?id=100052177364686​
​https://www.instagram.com/mattmiller630​

EPK – https://wp.me/pciNW-itE​

Booking – Extreme Management Group
Mark Kloeppel – emg.markkloeppel[@]gmail[.]com

About:
Akademia-Award-winning producer, engineer, and songwriter MATT MILLER side-steps these industry achievements to embark on something deeply introspective and personal; a transcendent, reactionary and vile personage embodying soaring progressive melodies and captivating crushing rhythms which engulf the listener in black clouds of desperation and shimmering hope.
​
Drawing upon the gut-wrenching timed-precision of European death metal stalwarts NECROPHAGIST and SPAWN OF POSSESSION, MATT MILLER progressively blends this approach with deep synthetic and symphonic atmospheres like that of DEVIN TOWNSEND, often arriving at surprisingly emotive and heart-clenching metallic passages like that of RIVERS OF NIHIL.
​
Calling upon other single-member death metal projects such as PUTRID PILE or INSIDIOUS DECREPANCY, the live performance can best be described as a reclaiming and repainting of the earth by a relentlessly sweeping and deranged berzerker appealing to the vast minions of the extreme music. The combination of elements within MATT MILLER distills the traditions of the international metal realm, the progressive atmospheres of modernity, and reactions to a vile world into a single unrelenting persona of despair and vengeance.
​
MATT MILLER’s first self-produced instrumental EP came in 2017, drawing on influences from classic metal bands such as MEGADETH and IRON MAIDEN to shredders like YNGWIE MALMSTEEN and PAUL GILBERT, while combining a technical death metal approach to create a maximum intensity music with a frenetic and frantic feel and ferocious atmosphere. Since then, and a few releases into this brief career, MATT MILLER boasts 12,000 consistent monthly listeners on Spotify before hitting the international touring circuit. This was garnered from his 2017 EP, the 2021 self-released ‘Decrepit Shed’ LP, the ‘Reekomposer/Decomposer’ covers double LP, as well as the ‘8E’s’ 1980’s themed covers LP.
​
In 2022 Matt released the formidable original instrumental LP Monument of Velocity on Blood Blast Distribution. Matt also toured supporting Rings of Saturn on the CYBER SHRED TOUR 2022. 29 shows encompassing the continental United States. Matt has released the cover LP Only What the Light Allows through Blood Blast Distribution as well.
​
Matt Miller hails from the rain soaked northern Oregon Coast; influenced by the natural foreboding environment. Moving into the present, MATT MILLER has joined up with Extreme Management Group to spread a singularly relentless auditory mind-bend.

– 30 –

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Italian Proggers EVEN FLOW To Release New EP “Mediterraneo” October 2022 + Music Video “Ocean Lies”

  • September 1, 2022
  • by Asher
  • · Even Flow · Music News

NEWS RELEASE

Montreal, QC – September 1, 2022

Italian Proggers EVEN FLOW To Release New EP “Mediterraneo” October 2022 + Music Video “Ocean Lies”

Photo Credit – Claudia Chiodi

Italian proggers EVEN FLOW announce they will be releasing their latest EP “Mediterraneo” this coming October 2022. The EP follows their three EPs “Dream Weaver” (2008), “Mother” (2019), and “Flower Paths” (2013), and two albums “Life Has Just Begun” (2017) and “Ancient Memories (2011).

“Mediterreano” sees the band approaching the record with progressive metal in the rhythm with vocal lines oriented towards power metal with AOR eighties influences. Lyrically, the EP speaks of love, hope, sadness, and joy for the future. Guitarist Pietro Paolo Lunesu explains the record in further detail:

“The five songs that make up Mediterraneo are gloriously uplifting anthems that draw you from your world of cares and worries into an exhilarating musical realm of dreams. The songs are concise and finely honed, yet seem to contain an ever-expanding universe to explore within their duration. For example, the title track, ‘Mediterraneo’, is perhaps the EPs crowning glory, building through multiple layers, each more captivating than the last, but in truth every note from the first bombastic chords that usher in opener ‘Ocean Lies’ to the final spiraling guitar solo of ‘Mediterraneo’ is sheer melodic, progressive metal perfection.”

The EP was immaculately mixed and mastered by Michele Guaitoli (Visions Of Atlantis, Temperance) with spectacular artwork by Mickael Briot of Mythrid Art (Nightmare).

“Mediterraneo” also features Even Flow‘s new lineup with vocalist Marco Pastorino (Fallen Sanctuary, Temperance) and bassist Luca Negro (Temperance) joining the Lunesu brothers Pietro Paolo (guitar) and Giorgio (drums).

The band has released their music video for the EP’s opening track “Ocean Lies”, which was the first song written for the record.

“I thought of opening the EP ”Mediterraneo” with Ocean Lies because I considered it the most powerful, but at the same time with a great musical balance characterized by a softer part and a part a bit Latin in the guitar solo section. Lyrically, the song represents at times, the desolation of the world, but at the same time thinking optimistically for the future.” adds Pietro.

The music video for “Ocean Lies” can be seen and heard at https://youtu.be/CL7p2lvkM58

​

Over the years, since making their debut in 2008 with their EP “Dream Weaver”, Even Flow has done multiple tours across Europe and has supported bands such as Serious Black, Firewind, Eluveitie, Iron Savior, Katatonia, Orphaned Land, Katatonia, Pain Of Salvation among many more.

Due out on October 3rd, “Mediterraneo” is the next majestic level of achievement for Even Flow and is recommended for fans of Dream Theater, Fates Warning, Stratovarius, Angra, and Queensryche.

EP pre-order is available at https://linktr.ee/bandevenflow​

Track Listing:​
1. Ocean Lies (5:12)
2. Ray of Light (4:50)
3. Leaves (2:54)
4. Revelation Day (3:00)
5. Mediterraneo (7:32)
EP Length: 23:30

Even Flow is:
Marco Pastorino: Vocals and Choirs
Pietro Paolo Lunesu: All Electric and Acoustic guitars
Giorgio Lunesu: Drums and Percussion
Luca Negro: Bass

For more info:​
​http://www.bandevenflow.com​
​https://www.facebook.com/bandevenflow​
​https://www.instagram.com/evenflowofficial​

EPK – https://wp.me/pciNW-isk​

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Montreal’s ETERNAL CLOSURE Presents Lyric Video For “Dimensions Apart” Off “At The Centre Of It All” – Produced by Chris Donaldson (Cryptopsy)

  • August 31, 2022
  • by Asher
  • · Eternal Closure · Music News

NEWS RELEASE

Montreal, QC – August 31, 2022

​

Montreal’s ETERNAL CLOSURE Presents Lyric Video “Dimensions Apart”

New Album “At the Center of It All – Chapter I” Out Sept 2022 – Produced by Chris Donaldson (Cryptopsy)

Photo Credit – Sébastien-Charles Boitel
L-R : Marine Lacarrière (guitar), Phil Lemelin (guitar), Olivier Boitel (guitar, back vocals), Katrine Castonguay (main vocals), Philippe Boitel (drums), Jonathan Lauzon (bass, back vocals)

Montreal’s Eternal Closure have a new album coming out in September and the third single they have ready for fans is “Dimensions Apart” in the form of a lyric video. Since their conception ten years ago, they have been constantly evolving – what started as a metalcore cover band has become a proggy, djenty powerhouse with deep gutturals, piercing cleans, and three guitarists that pummel the listener from all sides. The single is the first time the band utilizes 7-string guitars, lending to extra thickness and variety. Main songwriter and guitarist Olivier Boitel details the track:

“This one was mainly written by bassist Jonathan Lauzon, but had a bit of a different structure initially. It’s more-or-less the sequel to a song from our album “Screaming In Silence” called “Wake Up Dead”. It was also mixed with ideas he had for other songs that were never used. It’s a pretty straightforward banger, with me showcasing my grittier singing. I wrote and recorded the drums which was a lot of fun. Lyrically, it’s about the disconnect between generations that was created in part by technology.”

When it comes to Eternal Closure’s lyrics, Boitel speaks from the heart; they come from a personal place and are rarely about a fictionalized character. Compared to their other albums, there is less storytelling on “At The Centre Of It All – Chapter I”, it is all about how Boitel thinks and feels about different subjects. Presented in two parts, it’s not quite a concept album, but many lyrics and musical ideas are re-used throughout.

With the new addition of vocalist Katrine Castonguay, Eternal Closure is confident they will stand out, with a meaner sound that offers a satisfying listening experience for a wide range of metalheads not just those into core. They boast no filler, just six solid, headbanging tracks. They are recommended listening for fans of Currents, Trivium, and Periphery.

“Dimensions Apart” can be seen and heard via its premiere on NewFuryMedia HERE.

The full album “At The Centre Of It All – Chapter I” comes out on September 23, 2022.

​Eternalclosure.bandcamp.com | Apple Music | Spotify​

Music Video – “Practice What You Preach” – https://youtu.be/8EWWNvWy4aE

​

Vocal Playthrough – “Exiled” – https://youtu.be/PbN8cDDK_r8

​

Track Listing:​
1. Conflict I (4:48)
2. Practice What You Preach (5:34)
3. Exiled (3:54)
4. Dimensions Apart (3:55)
5. From One Side to Another (4:43)
6. Moonrider (4:32)
Album Length: 27:28

Album and Live Band Line Up:​
Katrine Castonguay – Vocals
Olivier Boitel – Guitar, Back Vocals
Jonathan Lauzon – Bass, Back vocals
Philippe Boitel – Drums
Marine Lacarrière – Guitar
Phil Lemelin – Guitar

Discography:​
2022 – At the Center of It All – Chapter I
2020: Color of our Fears Rediscovered – Deluxe Edition
2019: Color of our Fears – LP
2016: Screaming in Silence -LP
2014: Ad Primum – EP

For more info:​
​https://www.eternalclosure.com​
​https://www.facebook.com/EternalClosure​
​https://www.instagram.com/eternalclosure​

About:

Eternal Closure is a six-piece, female-fronted metal band from Montreal, Quebec. They stand out from the heavy local scene with their unique blend of aggressive riffs, versatile vocals, and epic melodies. They draw inspiration from various sub-genres such as metalcore, progressive metal, and djent. Their hard work and dedication is only matched by their excessive love for cats.
​
The group formed by guitarist and singer Olivier Boitel, bassist Jonathan Lauzon, and drummer Philippe Boitel, was recently joined by vocalist Katrine Castonguay as well as guitarists Marine Lacarrière and Phil Lemelin, to evolve into its ultimate form.
​
The band has created their most ambitious record to date, “At the Center of It All”. The album will be split into two chapters, the first of which will be released in the fall of 2022. The song “Practice What You Preach” will be released as a single a few months prior.
​
The album was recorded, mixed, and mastered by Cryptopsy’s guitarist and sound engineer Christian Donaldson (Shadow of Intent, Beyond Creation, Despised Icon, The Agonist).
​
Over the past decade, the band explored what makes them unique. Their songs “I Won’t Fall” and “Defying Gravity” have become a staple in Montreal’s metal scene. They have opened for renowned bands like The Agonist, Ice Nine Kills, Beyond Creation, Obey the Brave, and Red Handed Denial.​
​​
Eternal Closure is ready to make its breakthrough in the global metal community and is eager to work relentlessly to reach as many cat-loving metalheads out there as possible!

– 30 –

“Ultra tight with raw energy that’s absolutely blinding, Color of our Fears crushes skulls.” – The Sounds Won’t Stop

“Eternal Closure have created an excellent piece of music that is hard, melodious, brutal and complex.” – KOBZR Magazine

“[Eternal Closure] have reminded me to want to throw my fists into the air just for the hell of it today.” – Drop the Spotlight

“Having 3 guitarists forces us to come up with more complex arrangements, which is awesome.” – Rock Monster Romania

“I feel like our sound is something that is slightly different than what everyone else is doing here.” – Ever Metal

“[People] should expect to hear modern Metalcore that also blends many different influences. There’s some prog, thrash, death, etc… We don’t really confine ourselves to one thing.” – Devils Gate Music

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 The Heat is On! Romania’s DIRTY SHIRT New Music Video “HOT FOR SUMMER” Off New Album “Get Your Dose Now!”

  • August 31, 2022
  • by Asher
  • · Dirty Shirt · Music News

NEWS RELEASE

Montreal, QC – August 31, 2022

 

The Heat is On! Romania’s DIRTY SHIRT New Music Video “HOT FOR SUMMER” Off New Album “Get Your Dose Now!”

Top L to R: Vlad Toca (drums), Pal Novelli (bass), Dan Petean (guitars), Cristian Balanean (guitars)
Bottom L to R: Cosmin Nechita (violin), Robert Rusz (vocals), Dan Rini Craciun (vocals), Mihai Tivadar (keyboards, guitars)
Photo Credit – Vladut Ciprian

After an intense summer, with many major European Festivals (Hellfest, Pol’and’Rock, Reload), Romania’s Dirty Shirt are offering up a sizzling new music video “Hot for Summer” – https://youtu.be/opWRDfHWV6Q

​

The video was produced by Vlad Bornuz (Dirty Shirt – Dope-a-Min, E-an-na – Toropeala), and the song was composed by Mihai Tivadar, with lyrics by Mathieu “Boots” di Pilla & Mihai Tivadar, along with audio production by Adrian “Bila” Uritescu (Low5Bass Studio, Deva).

“Hot for Summer is probably the craziest song of the album, a very short song that changes the ambiance constantly. After a very soft and cliché intro, we enter the first chorus in English, kind of a Eurovision style of music with some 80s influences. Then it changes completely, with a Balkan part, followed by a very aggressive metal drop. After that, we go back to the chorus, but this time in Italian to reinforce the Eurovision feeling. Moving along to a marching section, which develops into a Tango part, sang in Italian, that resumes the Balkan melodic line. The song ends in symmetry, recalling the soft intro. Thematically, the song criticizes the mainstream music industry, with how boring these pop summer hits can sound, and with a generally very simplistic and repetitive recipe, which revolves around a financial objective.” adds vocalist Mihai Tivadar.

Dirty Shirt‘s sixth album “Get Your Dose Now!” is a shorter nine-track album, with a little more than 30 minutes, but Dirty Shirt maintains that the listening experience will be very intense, as they combine many influences, and the songs change constantly with complex orchestrations. It was produced by Mihai Tivadar, mixed and mastered by Adrian Bila Uritescu and the album artwork was done by Lia Cucuianu.

Dirty Shirt brings a truly unique live experience, huge energy, huge emotions, and fun, with a scaling lineup based on the performance, which adds a lot of authenticity and a great live sound. The band will continue their European tour in support of “Get Your Dose Now!” with shows in Romania, France, Belgium, and Poland (dates to be announced soon).

Recommended for anyone looking for something interesting and lively, Dirty Shirt is for fans of Twelve Foot Ninja, Dubioza Kolektiv, and Eluveitie.

The album “Get Your Dose Now!” is available on all digital platforms at https://smarturl.it/getyourdose​

Music Video – “Dope-A-Min” – https://youtu.be/2933ZXOPHH0

​

Track Listing:​
1. New Boy in Town (2:46)
2. Pretty Faces (4:06)
3. Dope-A-Min (3:05)
4. What’s Going On (2:35)
5. Hot for Summer (3:04)
6. New Conspiracy (2:41)
7. Cand s-o-mpartit norocu’ (Part 1) (4:07)
8. Cand s-o-mpartit norocu’ (Part 2) (3:39)
9. Geamparalele (4:31)
Total Length: 30:34

Bonus Tracks – Pandemic Special – EP:
1. Resonate (Metal Version) (3:37)
2. Away (Orchestral Version) (3:46)
3. Don’t Care (25 Years Later) (9:06)
4. Latcho Drom (Live Studio Session feat. Caliu) (1:47)

For more info:​
​Dirty-Shirt.com​
​Facebook.com/DirtyShirtRomania​
​Twitter.com/dirtyshirtband​
​Instagram.com/dirtyshirtband​
​Tiktok.com/@dirtyshirtband​

About:

Dirty Shirt is a top Romanian crossover folkcore metal band, winner of second place at the international final of Wacken Metal Battle 2014 and of several awards at Metalhead Awards and Maximum Rock Awards. The band’s unique style derives from mixing the heavy sound of modern rock/metal with the festive ambiance of East-European traditional music, the eclecticism of world music (country, reggae, and tribal rhythms), the electro sound of industrial music, the energy of hardcore, and the groove of funk. It’s not surprising to find great appreciation for Dirty Shirt albums in hundreds of reviews all over the world, including in well-respected magazines such as Metal Hammer (DE, HU), Rock Hard – (DE, FR, SLK), Metalsucks – USA, Hard Rock Mag – FR, Terrorizer – UK, etc.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Thrashers TRISKELYON Signs w/ Moribund Records For New Album “Downfall” Out Oct 2022

  • August 29, 2022
  • by Asher
  • · Music News · Triskelyon

NEWS RELEASE

Montreal, QC – August 29, 2022

​

Canadian Thrashers TRISKELYON Signs w/ Moribund Records For New Album “Downfall” Out October 2022

Canadian melodic power thrashers Triskelyon announces the release of their debut album “Downfall” for October 28th, 2022 via Washington state-based extreme metal label Moribund Records.

Founded by Geoff Waye, guitarist for Artach and Category VI, Triskelyon was conceived in late 2021 as a studio-only project. By January 2022, the band featuring contributions from vocalists Pete Healey and Marlee Ryley (Hyperia), along with drum programming by Raul Marques (Burning Torment) made their introduction to the metal world with a 3-track self-titled EP.

Composed and written mostly by Geoff Waye, with drum programming provided by Raul Marques, “Downfall” sees the band’s next evolution as their first full length and it utilizes a myriad of both male and female guest vocalists from Oberon, Hyperia, Catagory VI and Incidium. “Downfall” has a range and depth of sound unique in today’s modern thrash metal scene, setting the band ahead and apart from the hordes of young new acts. Triskelyon also features guest bass appearances from members of Afterforever and Category VI, making Triskelyon a veritable super group of the Canadian metal scene.
​
Depicting a nature taking over post-apocalyptic view on our ever-screwed-up world, Triskelyon keeps with 80’s thrash tradition employing world-ending yet self-empowering socially conscious lyrical themes. From straight-up 80’s thrashers like “Odyssey (Blessed by Steel)”, to the power metal laced “Find A Way”, and more anthemic thrash tracks such as “Hunger” and “Willful Ignorance”, “Downfall” is sure to satiate even the most discriminating old-school and modern thrash metal fan alike! The album even features a unique and thrashing rendition of the Billy Idol song “Nobody’s Business”.

Album was mixed/mastered by Michael Small with the post-apocalyptic cover art by IvaanMR11.

With “Downfall”, Triskelyon deliver an amazing headbanging album that harkens back to the old-school days of such luminaries as Forbidden, Agent Steel, Sentinel Beast, Détente, Overkill, and Testament.

Pre-orders for Triskelyon‘s debut album “Downfall” are available at the following links:

CD – www.moribundcult.com/product/DEAD297.html​

Digital – https://triskelyon.bandcamp.com/album/downfall​

Track Listing:​
1. Hunger (3:01))
2. Find a Way (4:05))
3. Odyssey (Blessed By Steel) (3:34))
4. Willful Ignorance (4:14))
5. A Time of War (4:03))
6. Balance of Terror (4:22))
7. Apex Predator (4:12))
8. Indifference (4:37))
9. Nobody’s Business (Billy Idol cover) (3:54))

Album Credits:​
Tracks 1-3 are originally from self-titled demo/EP, the new versions have all been re-recorded bass and have been remixed and remastered.
All songs and lyrics written by Geoff Waye.
All guitars by Geoff Waye.
All drum programming by Raul Marques.
Additional guests:
Dwayne Pike – Bass (tracks 1, 2, 3, 5, 6, 8, 9)
Pete Healey – Vocals (tracks 1, 2, 5, 9)
Marlee Ryley – Vocals (tracks 3, 7)
Amanda Jackman – Vocals (tracks 4, 6)
Des Mason – Vocals (track 4)
Keith Jackman – Bass (track 7)
Darrin Pope – Bass (track 4)
Ellim – Vocals ( track 8 )

​For more info:​
​Triskelyon.bandcamp.com​
​Facebook.com/Triskelyonmetal​

– 30 –

“The three songs have the rage, heaviness and some rawness you expect from thrash, but also the melody and speed you’ll find in the more aggressive and harsher forms of power metal (no flowery stuff here, people). Pete’s vocals definitely are more of the aggressive heavy/power metal variety while Marlee shakes the hell out of the speakers with a more aggressive and harsher, yet high-pitched style.” – The Metal Crypt​
​
​“This is the kind of band that really plays that pure, raw, seething thrash metal that I love.” – Wings of Death​
​
​“Classic heavy thrash, catchy quick stuff with big screamy vox! Great stuff!” – WORT 89.9FM – Mosh Pit Radio – Madison, WI​
​
​“The EP thunders around the listener’s ears with a massive, powerful sound and gripping guitar riffs, but is also arranged with great attention to detail. Geoff Waye also acts as lead guitarist in the melodic as well as brute playing with pinpoint accuracy… Thrash fans who expect more than just head banging should remember the name TRISKELYON.” – PowerMetal.de​
​
​“What does Melodic Thrash sound like? Well in the eyes (and ears) of Geoff Waye it sounds like Thrash with influences of Traditional Metal, so you have plenty of heavy chugging Thrash riffs, separated by Traditional Metal bridges and big choruses. Opening cut “Hunger” sounds like a classic Anthrax cut from the “Spreading The Disease” era, with Iron Maiden influences all over it and Pete Healey’s higher pitched vocals only enhancing that nostalgic feel.” – Metal Noise

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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