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Tag: metal

0 Exes For Eyes Deliver Heavy Introspective New Single “The End Of Summer” ft. Björn Strid of Soilwork; Music Video Premiere via TheCirclePit

  • October 14, 2021
  • by Asher
  • · Exes For Eyes · Music News

NEWS RELEASE

Montreal, QC – October 14, 2021

 

Exes For Eyes Deliver Heavy Introspective New Single “The End Of Summer” ft. Björn Strid of Soilwork

Music Video Premiere via TheCirclePit


L-R – Dave Sheldon – Guitar, James Arsenian – Vocals, Aaron Spink – Drums, Graham Porter – Bass – Photo by Jason Spun

As people across the northern hemisphere brace for winter, Canada’s Exes For Eyes are releasing a new single, the aptly named “The End Of Summer”. This will be the first music released from the band since 2019, and they are eager to get back into the ears of fans. Featuring Björn Strid of Soilwork, the idea behind the single was to question our integrity as a species. “Do we as western humans have the ability to toughen up? Or are we basically just fucked on a biblical scale?” Exes For Eyes continue to explain the track:

“It can be heavy, it can be subdued, it has tension and release, and a few good old-fashioned earworms. Having Björn onboard has only solidified that this is a song with something special. When we sent him the pre-production, he instantly knew this was a song that had substance. “Your best work” he called it. It has the ability to uplift you to euphoria, and the bottom will instantly drop out, leaving you wondering what exactly happened and looking for a repeat play.”

Essentially a metaphor for the amazing quality of life we take for granted, the song explores the notion that without facing true adversity in life, we are becoming soft and approaching the end of that golden era. This single is the first of four, which will make up an internet fourth release, due to the global situation, the band is taking the time to perfect this next offering and give it the revel it deserves when the time is right.

Exes For Eyes has been going for almost ten years, during which they released three albums, toured heavily, and shared the stage with an impressive list of metal titans. They have a level of cohesion that only comes with that much experience.

Melodic, with plenty of low-end grooves, Exes For Eyes is recommended for fans of Lamb of God, Slipknot, Soilwork.

The music video for “The End of Summer” ft. Björn Strid of Soilwork can be seen and heard via its premiere on TheCirclePit YouTube channel.

Digital stream and download at Exesforeyes.com/merch | Spotify

For more info:
ExesForEyes.com
Facebook.com/ExesForEyesBand
Instagram.com/ExesForEyesBand
Twitter.com/ExesForEyesBand
EPK

About:
EXES FOR EYES is a project born of an overwhelming amount of mutual respect and admiration between two men. A respect for one another’s work ethic, musical proficiency, stylistic taste and of course, for each other as people. The concept of blindness, be it willing, involuntary, inherent or otherwise is so foreign and far removed from anything within the realm of experience for these men.

However as the process has begun to create this music, it has become apparent how limited one’s own vision can be when staring at the broad side of limitless potential and ambition. With the musical vision of Dave Sheldon (ex-Annihilator, Man With Target) and the lyrical conception of vocalist and frontman Big James (Endast, Authors) the project is very quickly taking shape into something more than either anticipated. The hope is to see the world of metal in a new light, with EXES FOR EYES.

Discography:
2021 – The End Of Summer (single)
2019 – Of Strength And Sorrow – LP
2014 – Tongues Like Figure Eights – LP
2011 – The Ampler Grid – LP

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0 Rockshots Records – Heavy Metal Opera Signum Draconis Shares Video “Whirlwind of Lovers”; Out Nov 12th – The Divine Comedy: Inferno

  • October 14, 2021
  • by Asher
  • · Music News · Signum Draconis (Rockshots Records)

NEWS RELEASE

Montreal, QC – October 14, 2021

Rockshots Records – Heavy Metal Opera Signum Draconis Shares Video “Whirlwind of Lovers“

Out Nov 12th – The Divine Comedy: Inferno


Rockshots Records will be releasing on November 12th, 2021, Signum Draconis‘ heavy metal opera of Inferno, from The Divine Comedy written by Dante Alighieri.

Featuring 17 songs by the band all sung in English, the double CD album is the first in a triptych of the complete work of Dante’s magnum opus with Purgatory and Paradise to follow, and will also feature duets with selected special guest vocalists, narrations of selected chants, and an orchestral accompaniment by the Bratislava Symphony Orchestra and Choir.

Last month the first single “Gate of Hell (Arrival of Charon)” was shared and today, the band unveils their next track “Whirlwind of Lovers” with a new video in preview to the concept full-length, which can be viewed at https://youtu.be/SC5Z9fPEGyA 



“We arrived at Chant V of Hell, which for many people is the most beautiful chant of the entire Divine Comedy… Hell reserved for lovers. Dante in this chant invites us to reflect on how a false passion can lead to decadence and that it shouldn’t be confused with true love. Enter the scene our guest star the amazing soprano Ms. Ksenia Glonty who plays the character of ‘Francesca’. It is a theme with a somewhat more commercial style, with a tragic/romantic air in which both its intro and its outro suggest or share an almost gothic style, with an interesting first duel between keyboard and guitar in the solo part.“ adds guitarist Oscar Grace.

Single stream links:
Spotify – https://spoti.fi/3FNxxqc

Album Teaser – https://youtu.be/8Pm1JxewMNs

Album pre-order – https://bit.ly/SignumDraconis_CD 

Signum Draconis takes their name from the medieval knights’ Order of the Dragon, and has opted for a classic 80s-influenced metal sound in homage to the rock and metal icons that inspired them to be musicians, and aim to produce a truly musical, timeless and epic recording that will absorb and reward from repeated and dedicated listening.

Guitarist and composer Oscar Grace reflects on the history of the project:

“The story of Signum Draconis can be said to begin in 2010, after two years crossing what felt like a personal hell, I was sitting in my car gazing at the sky when a message came to me as it were, a vision clear as day: ‘Put The Divine Comedy to music!’ At that moment Signum Draconis was born. I returned home immediately and hunted out an old copy of Dante’s masterpiece I had owned for years and began furiously reading. Two full years of study and research followed, reading and re-reading all three books many times and even traveling to Florence to visit the 13th Century poet’s own house, trying to envisage what it would have been like to be him and the world in which he lived his story.”

It took two years to extract the parts that would form the material for the songs, and a further year working with my good friend Frederick Pollock to compose the lyrics, bringing to each song its own meaning whilst maintaining the thread that binds all the songs together, at all times remaining faithful to the source and paying the utmost respect to the poet Dante with regards to the correct register with perfect meter and rhyme in English. 

I believe Dante’s Inferno perfectly suits the musical style of Heavy Metal, but given the epic scale and cultural importance of Dante’s books, I wanted to bring something else to the music, something that lent grandeur and elegance, and to that end, I began to write parts for a symphony orchestra, in an old-fashioned way, with a fountain pen and sheet music and no new technology to guide my hand.”

Overall, this project took four years to compose the music for the band as well as the orchestra and along the way Oscar Grace searched for the companions who would join him on this voyage of grand musical ambitions. The first was Francesco Micieli, the drummer with whom he had already worked on other projects, then Max Morelli to be the voice of the band, and later on, after an arduous search, Oscar Grace found Filippo Martignano for keyboards and Stefano Antonelli on bass.

Once all the compositions were finished the band set about recording in the Domination Studio of San Marino, taking advantage of the experience and professionalism of Simone Mularoni as a sound technician. For the recording of the orchestral parts, Signum Draconis chose to work with the Bratislava Symphony Orchestra, having spoken with the director, David Hernando Rico, who helped them enormously and who showed such enthusiasm for the music and the project overall.

Track Listing:
CD 1:
1. In the Midway of Life’s Journey (5:14)
2. The Mission of Virgil (3:44)
3. Gate of Hell (Arrival of Charon) (5:58)
4. The Borderland (4:48)
5. Whirlwind of Lovers (5:11)
6. Under Eternal Rain (4:50)
7. To the Edge of Stygian Lagoon (4:45)
8. Regnum Dite (2:36)
9. Burning Graves (5:50)
10. Phlegethon (The Bloody River) (6:00)
11. Forest of Suicides (5:48)
12. Firestorm (6:11)

CD 2:
13. On Geryon’s Back (1:10)
14. Ten Moats of Damnation (Interlude: The Ulysses’ Chant) (11:31)
15. In Hands of Titans (5:28)
16. Cocytus (The Ice Terror) (8:28)
17. Lucifer (7:46)

Special guests include:
RENATO CARROZZO as Storyteller
CHIARA MANESE as Beatrice
MARK BOALS as Virgil
BEN JACKSON as Charon
KSENIA GLONTY as Francesca
LUCA PAOLINI as Pluto
ANDREA RANFA as Brunetto Latini
FREDERICK POLLOCK as Ulysses
SIMONE MULARONI as Nimrod ‘The Titan’
OLEG SMIRNOFF as Count Ugolino

Band line up:
Max Morelli (Vocals)
Oscar Grace (Guitars)
Filippo Martignano (Keyboards)
Stefano Antonelli (Bass)
Francesco Micieli (Drums)

More info:
Rockshots.eu
https://www.facebook.com/signumdraconis
https://www.instagram.com/signumdraconis

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—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Niagara Falls’ VARIUS Unveils “Lament of Dissonance” Off Forthcoming “Concordance”

  • October 14, 2021
  • by Asher
  • · Music News · Varius

NEWS RELEASE

Montreal, QC – October 14, 2021

Niagara Falls’ VARIUS Unveils “Lament of Dissonance” Off Forthcoming “Concordance”

Track Premiere via Bravewords

New EP “Concordance” Out November 5th


L-R: Joel Tassillo (Bass) / Joey Scaringi (Vocals) / Vladimir Prokhorov (Drums) / Patrick Forlin (Guitar)
Photo Credit: Britney Goertz

Hailing from Niagara Falls, Canada, Varius brings forth a new EP “Concordance” that aims to challenge genre boundaries, more so than any of their previous releases. The second single “Lament of Dissonance” can now be enjoyed with a visualizer video currently being premiered over at Bravewords HERE.

“Lament of Dissonance” balances between a relatively straightforward groove track and an experimental piece. The song begins with melodic guitars before descending into a crushing groove riff in the verses. The band explains further:

“The track came about in a different way for us, originating from a piano piece that our drummer, Vlad, had written. We worked together to rearrange the melodies and other parts for guitar and bass, adding more details and riffs along the way until the song took on its own identity. It became one of the groovier, more straightforward tracks on the EP, and easily represents the heaviness of this album. We worked together lyrically as well, telling the story of a genius composer cracking under the pressure of expectations from their audience, before channeling their doubt into a masterpiece. To top it off, the end of the song has a certain twist that keeps with the experimental tradition of Varius, and it stands out to us as a special track.”

While the song takes a personal perspective from this individual and describes the burden of living up to the demands of a hungry audience, Varius embraces the stage, aiming for tightness and consistency in our individual parts, as well as our tempo and groove as a band. One area where they really stand out is with frontman, Joey Scaringi, a local FM radio host and talented public speaker, who has a great personality for a frontman with his energetic stage presence. Passion and dedication have provided them opportunities such as sharing the stage with bands like Beyond Creation and Ninjaspy.

The progressive, melodic death metal of Varius is suitable for anyone with an open mind, especially those who enjoy Children of Bodom, Hypocrisy, and Lamb of God.

“Concordance” comes out on November 5, 2021

Watch the EP trailer at the following link: https://youtu.be/z8o8HaRX0Gg


Track Listing:
1. Golden Crown (6:03)
2. Concordance of the Legionfall (4:59)
3. Lament of Dissonance (4:43)
4. Gut Shoveler (5:28)
Digital EP Length: 21:14
Note: Physical CD copies of Concordance will feature a bonus track (previously released digitally – 2019)
5. P.I.S.S. (3:22) (CD Bonus Track)
EP Length (CD version): 24:40

For more info:
Facebook.com/Varius.band
Instagram.com/varius.official
EPK

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“it’s full of dynamic surprises — a song that’s bombastic and brazen, savage and scintillating, mysterious and magnificent — and its name is “Concordance of the Legionfall“.” – No Clean Singing
—

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0 IDIOTEQ EXCLUSIVE STREAMS – BONE TOWER conjure a truly chaotic and crushing debut EP; new monstrous single “Mangled Wounds” streaming!

  • October 13, 2021
  • by Asher
  • · Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – October 13, 2021

 

Atlantic Canada’s Bone Tower Conjure A Truly Chaotic And Crushing Debut EP “We All Will Die One Day”

Streaming Single “Mangled Wounds”

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records


L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Both sonically and lyrically, the debut EP from Bone Tower, “We All Will Die One Day” represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable feelings to the forefront of your mind.

The first single off this succinct record is “Mangled Wounds”, the words in which are totally up for interpretation and expresses a couple of different personal thoughts. According to the band, it was written both literally, outlining repeated trauma; as well as figuratively, about how one might process anxiety and depression. They continue to explain in their own words:

“Opening abruptly with tremorous blast beats and rattling vocals, this tune wastes no time in delivering its taunting message. With a sense of urgency, the cryptic lyrics rest upon escalating guitar licks, as drums rapidly push this anthem to the point of no return. Briefly, you are allowed to catch a quick breath, only to be slingshotted into a barrage of open chugs. The mainline ‘mangled wounds torn open again…’ is chanted back at you, and you are plunged into the second interlude track, ‘Cower Away’.”

The eight tracks on the EP come in at just over nine minutes, but capture a full array of raucous violence. “We All Will Die One Day” is abrasive, pissed off, and fatiguing. If you’re into that kind of thing, you’ll like it.

Bone Tower is a fresh group having started in February of this year, they came together with the sole purpose of creating this record, and have delivered on that with this auditory assault. The band worked collaboratively writing and performing the songs, it was produced, mixed, and mastered by Michael Bowers and the album artwork was done by Jonas Deviller.

For fans of grindcore and death metal, Bone Tower is suitable for fans of Full of Hell, Pig Destroyer, and Cryptopsy.

The single “Mangled Wounds” can be heard via its premiere on IDIOTEQ HERE.

The EP “We All Will Die One Day” will drop on November 5, 2021 via No Funeral Records & Fresh Outbreak Records.

EP pre-order – https://bonetower.bandcamp.com


Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

About:
Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Rockshots Records – VENUS SYNDROME New Music Video “Sun Inside Me”, New Album “Cannibal Star” Due Out October 22, 2021

  • October 8, 2021
  • by Asher
  • · Music News · Venus Syndrome (Rockshots Records)

NEWS RELEASE

Montreal, QC – October 8, 2021


For fans of Dream Theater, Pagan’s Mind, Sons of Apollo, Haken, Symphony X, King’s X

Rockshots Records – VENUS SYNDROME New Music Video “Sun Inside Me”

 New Album “Cannibal Star” Due Out October 22, 2021

Venus Syndrome will be releasing their sophomore album “Cannibal Star” on October 22nd, via Rockshots Records.

In preview to its release, the progressive metal group is sharing their second single “Sun Inside Me” with a new music video, which can be viewed at the following link – https://youtu.be/lfvxNoW15M0 along with Spotify for playlist add – https://spoti.fi/3a00DUx

“This tune is very original for Venus Syndrome with low vocals and a very groovy chorus, the starting riff is very powerful, a space musical break, and a truly inspired guitar solo. It’s a philosophical song and at the same time quite raw which speaks of passionate people…,” adds the band.

Formed originally as a Dream Theater cover band under the moniker MetroTheater, it wasn’t too soon after that drummer Thibaud Pontet (Eternal Flight), guitarist Ayman Mokdad (Alien Encounters), keyboardist Rodolfo Lima Sproesser (Goiana, Tahra, Heretic, Floyd Rose cover Pink Floyd), bassist Florian Guidat and vocalist Emmanuelson (Ellipsis, Rising Steel, Hydroflame) were keen to create something more.

It came under the suggestion of main composer and guitarist Ayman Mokdad to the rest of the band that he had written original material inspired by the concept of the “Venus Syndrome”, in which the Earth undergoes runaway warming and the oceans boil off and is viewed as the greatest threat to humanity’s existence (more info here).

From those lyrical and musical ideals, Venus Syndrome offered up their self-titled debut album during April 2020 all while being an international collaboration between musicians on two sides of the globe. Rodolfo Lima Sproesser is based in Brazilian while the rest of the group is in France.

Carefully crafting power melodies, intricate hard rocking rhythms and soaring vocals inspired by the likes of Russell Allen (Symphony X), Warrel Dane (Nevermore) and Ray Adler (Fates Warning), the band is ready to introduce their next recording and the sophomore full-length “Cannibal Star”.

Recruiting Simone Mularoni (Domination Studio, Ultra-Violence, T/L Rhapsody, Eternal Idol, Eldritch, Elvenking) for mixing and mastering, the new album is a more mature production compared to their self-recorded effort. On “Cannibal Star”, Venus Syndrome showcases eleven tracks for fans to not just enjoy its melodic progressive metal groove, but also go beyond the listening experience and understand the message behind their music.

“Humanity will disappear if each one of us, each individual do not contribute to safeguarding it. Art, and particularly music is a healer and can help us reach the target and build something strong for our kids and their kids hopefully.” says guitarist and composer Ayman Mokdad.

The band decided on the tracks not just on record, but how they would be best performed for a memorable live experience and the importance of its messaging for saving our planet and humanity.

“There’s an amazing live show that goes with these songs, that’s why there is an instrumental ouverture, an instrumental interlude, and an ending part on the song “Contaminate Me” that we can play with the audience for several minutes. They can expect all the energy and power of the universe. We want them to sing our songs long after the show.”

Album pre-save – https://bfan.link/cannibal-star 

First single “Sideral Groove” at the following links:

Lyric Video – https://youtu.be/Jj2gQhSmEcI
Digital pre-save – https://bfan.link/sideral-groove


Track Listing:
1. Ouverture 2040 (2:41)
2. Dark Side of The Sun (4:07)
3. Sideral Groove (5:33)
4. Sun Inside Me (4:53)
5. Golden Mind (4:37)
6. Empire of The End (4:12)
7. Cannibal Star (3:11)
8. Breaking The Black Stars (4:23)
9. Tunnel of Light (3:31)
10. Like A Monster (4:08)
11. Contaminate Me (4:40)
Album Length: 46:01

For more info:
Venus-syndrome.monsite-orange.fr/index.html
Facebook.com/thevenussyndrome

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Experience Metalcore Tinged Lovecraftian Horror With Fathom Farewell’s Single “Nameless City”, Lyric Video Premiere via MetalInsider

  • October 7, 2021
  • by Asher
  • · Fathom Farewell (Blood Blast Distribution) · Music News

NEWS RELEASE

Montreal, QC – October 7, 2021

 

Experience Metalcore Tinged Lovecraftian Horror With Fathom Farewell’s Single “Nameless City”

Lyric Video Premiere via MetalInsider

EP “Kraken” Out October 22nd via Blood Blast Distribution


L-R: Dustin Black (Bass), James Frost (Guitar), Alex Cohen (Vocals), Chantz Mello (Guitar), Casey Albiero (Drums)
Photo Credit – Alex Cohen

The latest release for New England metalcore act Fathom Farewell is the lyric video for the fourth single “Nameless City” off their upcoming EP “Kraken”. The band took their favorite five tracks from a pool of demos that would cohesively work together to come up with the new record and have high expectations for its reception as they explain:

“Well, we’ve had the great fortune to perform the new stuff a few times for a live audience and let’s just say they never went even half this hard for the old material. I’ve never been more confident in any musical release I’ve been a part of in my almost 2 decades playing music. They’re gonna love it as much as we do.”

The single “Nameless City” was entirely inspired by an HP Lovecraft short story of the same name.  This story focuses on a lone explorer traversing the ruins of an ancient city with no name. The farther he dives into the city, the more devious it seems, growing narrower, and damper, and darker until the explorer notices large reptiles emerging from the darkness while the light dies. The story’s imagery and environment description comes alive with heavy breakdowns and intense vocals.

The writing process for Fathom Farewell is very simple and streamlined. Vocalist Alex Cohen writes all lyrics; guitarist Steve Almon wrote the instrumentals for this past EP, presented it to the band and they laid everything down seamlessly. Moving forward, new guitarist James Frost, bassist Dustin Black, guitarist Chantz Mello and drummer Casey Albiero will be contributing instrumentals. In order to alleviate pressure, they stay far ahead of each release in terms of writing. Lyrical inspiration comes from Cohen’s environment, things that concern or inspire him to speak out on certain subjects whether it be mental health or oppression or even just a good ol’ concept track like this single.

Those looking for a new take on metalcore should find Fathom Farewell of interest, especially those with an interest in August Burns Red, Coheed & Cambria, and System of a Down.

The lyric video for “Nameless City” can be heard via its premiere MetalInsider HERE.

“Kraken” will be out on October 22, 2021 via Blood Blast Distribution.

EP digital pre-save – https://backl.ink/148090012

Previous Videos:
Kraken – https://youtu.be/Ah9bk6tLbbQ
Eulogy – https://youtu.be/1EoNvfy0W_0
In Time – https://youtu.be/NdvLXweK2mI


Track Listing:
1. Kraken (3:46)
2. Eulogy (4:21)
3. In Time (2:54)
4. Nameless City (3:48)
5. Save Your Breath (3:06)
EP Length: 17:54

EP Recording Band Line Up:
Alex Cohen – Vocals
Chantz Mello – Guitar
Steve Almon – Guitar
Dustin Black – Bass
Casey Albiero – Drums

Live Band Line Up:
Alex Cohen – Vocals
Chantz Mello – Guitar
James Frost – Guitar
Dustin Black – Bass
Casey Albiero – Drums

For more info:
Fathomfarewell.com
Facebook.com/fathomfarewell
Twitter.com/Fathomfarewell
Instagram.com/fathomfarewell
EPK

About:
Fathom Farewell brings depth to the rock/metal genre beyond the confines of its articulate instrumentation and vocal presence. Addressing topics from humanity and its relationships to the grave consequences human nature causes our world, frontman Alex Cohen demands through his delivery that each listener lend a close ear and a willingness toward self-reflection.  This fiery passion results in a refined rock act with the potential to be the voice of change, but with the live thrill and precision of a modern heavy metal act. In conjunction with exceptional work ethic and persistence, it’s no wonder the band has swiftly made a name for itself throughout New England, having earned the opportunities to support Sevendust’s 20th-anniversary tour, along with area dates with Issues, The Devil Wears Prada, Volumes, I Prevail, Currents, and many more.  The band has also performed four times at the Vans Warped Tour in MA since forming in 2014, three times at New England Metal and Hardcore Festival, and made appearances at Rock and Shock Festival. Following the release of the 2019 “Consume The Earth” EP, the band has accrued over 100k streams across Spotify and Apple Music.  Bolstered by recent additions to the newly completed lineup and with upcoming new material produced by Chris Piquette (Trophy Wives/Riviera), with assistance from Extreme Management Group, Fathom Farewell aims to support this release with vigorous touring and marketing in hopes of carrying awareness of its message to the rest of its home country and eventually to the world, as all of “this planet is our home”.

Now with three EPs under their belt over four years “Consume The Earth” (2019), “Decomposition” (2017), Drowning Limits (2015), the band is ready to present their next EP entitled “Kraken” on October 22nd, 2021 via Blood Blast Distribution.

Discography:
2021 – Kraken (EP)
2019 – Consume The Earth EP)
2017 – Decomposition (EP)
2015 – Drowning Limits (EP)

Shared Stage with:
Sevendust, Devil Wears Prada, Issues, Ice Nine Kills, I Prevail, Tallah, Starset, Crown The Empire, Attila, Silent Planet, The Browning, Betraying the Martyrs, Born of Osiris, Chelsea Grin, Thousand Below, Vanna, iwrestledabearonce, Psychostick, Emmure, The Acacia Strain, Veil of Maya, Make Them Suffer, The Colour Morale, Memphis May Fire, Blessthefall, CKY, Slaves, Volumes, AFI, He Is Legend, Devil You Know, After The Burial, Kublai Khan, Hatebreed

Tour and Festivals:
2014-2018 – Van’s Warped TOUR – Mansfield Ma
2016-2017 – Rock N Shock – Worcester MA
2017-2019 – New England Metal and Hardcore Fest – Worcester MA
2015-2018 – Rambudifest – Providence RI

– 30 –

What the press is saying:

“New England melodic metalcore band Fathom Farewell have been around longer than you think, with a handful of EPs to their name since their 2015 debut EP. The band have supported bands like Sevendust and The Devil Wears Prada in the past, just to name a few, and their upcoming Kraken EP contains some of their best material to date.”- New Fury Media

“The immediate impact and versatile clean to scream ability from vocalist Alex Cohen pushes Fathom Farewell out above the hordes – the man has some serious pipes ready for the challenge, forceful and commanding while confidently holding out key notes during the verses and choruses to make “Six Feet Beneath” and “Wide Awake” instant appealers.” – Dead Rhetoric

“The Boston quartet have emerged from within the melodic metalcore scene but as the six tracks within their latest offering shows, their sound is a far more adventurous and varied blend of metal and melodic rock enterprise.” – The Ringmaster Review

“Holy vocals! Worcester based Fathom Farewell have just released “Consume the Earth”, and it’s blowing our minds…  Palpably driven, passionate, and sharing messages close to their heart, “Consume the Earth” is an impressive invitation to listen to Fathom Farewell.” – Depth Magazine

“Fathom Farewell: One of the fastest rising stars” – Permafrost Today

“Featuring six tracks of high-energy and emotionally-driven modern hard rock/metal, the EP shows why Fathom Farewell are one of the fastest rising stars in the melodic metalcore scene.” – Moshville Times

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Streaming Now! Canada’s EVERY HOUR KILLS (ft. guests from Vildhjarta, Shadow of Intent) Darkest, Heaviest Material Yet On New EP “Vacua”, Full Stream Premiere via TheProgspace

  • October 6, 2021
  • by Asher
  • · Every Hour Kills · Music News

NEWS RELEASE

Montreal, QC – October 6, 2021

For fans of Veil of Maya, Born of Osiris, Periphery, Erra, Spiritbox

Streaming Now! Canada’s Every Hour Kills Presents Their Darkest, Heaviest Material Yet In “Vacua”

Full Stream Premiere via TheProgspace

New EP “Vacua” Out October 8th

EP Guests:
Calle Thomer (Vildhjarta, Humanity’s Last Breath),
Chris Wiseman (Currents, Shadow of Intent)
  

 Calgary’s formidable modern metal act Every Hour Kill’s has been shunning and breaking genre rules throughout their career with each release surpassing the last in musicianship and experimentation. The latest offering “Vacua” due out on October 8th is the biggest departure yet and although not everyone might like it; guitarist and primary songwriter Sacha Laskow wrote what he felt rather than trying to stick to a template of what the band ‘should’ sound like. According to him, fans of progressive music like himself are typically open to a range of sounds, influences, and emotions. He explains the sound change further:

“This record is a culmination of a dark, tumultuous fucked up year in the world and in my personal life, as it was for many people around the world. As lucky as I am to still have work and my basic needs met, the emotional rollercoaster still affected me strongly and I ended up unemployed for a period in 2020, and thus this EP was born. It is both more human in that I collaborated more strongly with new songwriters and Jei on vocals, but also more mechanical as I also wrote with the assistance of AI creation tools, and most of the instrumentation is programmed MIDI. I feel like this is my most honest work as a writer, to express what comes to mind rather than fit into a box or template of what Every Hour Kills ‘should’ sound like. It may alienate some people but so be it!”

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Each of the five tracks on “Vacua” were written for the EP, with no filler and nothing left on the cutting room floor. Track “Intransigent” was co-written with Calle Thomer (Vildhjarta, Humanity’s Last Breath) and tracks “Euclidian” and “Tenebrous” were co-written with Chris Wiseman (Currents, Shadow of Intent). The EP was produced, mixed, and mastered by Laskow along with EP artwork done by Erisis Red.

Recommended for fans of Born of Osiris, Periphery, and Vildhjarta, “Vacua” can be heard in full before it officially releases via its premiere on TheProgSpace HERE.

Track Listing:
1. Palindrome (intro) (2:01)
2. Vacua (3:28)
3. Euclidian (2:57)
4. Tenebrous (3:34)
5. Intransigent (4:08)
EP Length: 16:09

EVERY HOUR KILLS
Sacha Laskow: Guitars & Programming
Jerrod Maxwell-Lyster: Vocals
Jei Doublerice: Vocals
Brent Stutsky: Bass

EP Credits:
Music: Tracks 1, 2 – Sacha Laskow
Music: Track 3, 4 – Sacha Laskow, Chris Wiseman
Music: Track 5 – Sacha Laskow, Calle Thommer
Lyrics and Vocals: Tracks 2, 4 – Jerrod Maxwell-Lyster, Jei Doublerice
Lyrics and Vocals: Tracks 3, 5 – Jei Doublerice

Recorded, Mixed & Mastered: Sacha Laskow – Perfect Filth Studios
Additional Vocal Engineering: Jei Doublerice at Exiled Media & Joe Hoferat J & C Studios
Every Hour Kills uses: Toontrack, Fractal Audio, Neura IDSP, ML Sound Labs, Ownhammer, Bareknuckle Pickups
EP Artwork: Erisis Red
Band Photo: Nicco Van Hamja

For more info:
EveryHourKills.com
Facebook.com/EveryHourKills
YouTube.com/everyhourkills
Instagram.com/alansachalaskow
Twitter.com/everyhourkills
EPK

About:
“Every hour wounds, but the last one kills” – Anonymous

Every Hour Kills is a rotating collective ensemble featuring the core of ex-Divinity / Enditol guitarist and producer Sacha Laskow, bassist Brent Stutsky (ex-Breach of Trust), along with vocalists Jei Doublerice (Despite Exile, Abiogenesis) and Jerrod Maxwell-Lyster (ex-Out of Your Mouth).

Every Hour Kills was built to challenge the idea of what defines a “band”. Rather, the group sees itself as a constantly evolving musical collective; guest vocalists and soloists across the songs bring their own unique artistry and elevate the collective impact of Every Hour Kills’ brand. The lyrics, artwork, visuals, and themes all look toward the future, asking the key postmodern question of how will emerging technology and our humanity progress and co-exist?

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 M-Theory Audio – IMMORTAL GUARDIAN Announces West Coast ‘Brovember Quarantour’ Live Performances

  • October 5, 2021
  • by Asher
  • · Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – October 5, 2021

For fans of  Iron Maiden, Helloween, Symphony X, Kamelot, Marty Friedman, Dragonforce

IMMORTAL GUARDIAN Announces West Coast ‘Brovember Quarantour’ Live Performances

IMMORTAL GUARDIAN is (L-R): Justin Piedimonte (Drums), Joshua Lopez (Bass), Carlos Zema (Vocals), Gabriel Guardian (Guitars/Keyboards)

The extreme progressive/power metal group IMMORTAL GUARDIAN are once again taking the epic sounds of their critically acclaimed concept album “Psychosomatic” to the road, this time embarking on the “Brovember Quaratour.” The band’s week-long trek throughout the west coast begins Friday, November 5th at Pubrock Live in Scottsdale, AZ,  includes an appearance at RuinFest VI Fest in Santa Ana, CA alongside bands as diverse as Internal Bleeding, Mictlantecuhtli and labelmates Voices of Ruin, and concludes the following Friday, November 12th at Toot’s Tavern in San Francisco, CA with more shows to be announced. These live shows will see the band’s expansive sounds accompanied by a visually entrancing laser/light show, along with support from Los Angeles-based Venezuelan-American progressive-metal act Sifting. Full “Brovember Quarantour” dates are below.

Says singer Carlos Zema, “The Guardians of the West felt left out on this last run. That’s why we are excited to bring you the ‘Brovember Quarantour!’ We are bringing our ‘Psychosomatic’ live show to the west coast! New music, new light show, new merch, a whole new epicness. We can’t wait to see you there!”

The tour sees IMMORTAL GUARDIAN once again taking the sounds of “Psychosomatic,” their acclaimed new concept record, on the road following a six-week tour in August and September that dazzled metal fans nationwide. The album has been lauded by Metal Temple for its “melody and power, two things displayed in a smashing way throughout this album” and led Metal Rules to call the group “one of the most interesting bands that have emerged in recent years on the international power metal scene.” Video clips for the title track, “Candlelight,” and “Phobia,” the latter of which featured a guest appearance by Angra guitarist Marcelo Barbosa, have captured the ears of heavy metal fans worldwide, while their videos for “Clocks,” “Lockdown” and “Read Between The Lines” have earned praise from the likes of MetalSucks, Metal Injection and Gear Gods.

After making a splash via their 2018 full-length debut “Age of Revolution” – which featured its own fair share of creative music videos, including the “Armageddon”-meets-telenovela clip for “Stardust” – and through tours with the likes of Marty Friedman, Exmortus and Powerglove, IMMORTAL GUARDIAN gathered in Las Vegas at the beginning of 2020 to record their second album. As the spread of COVID-19 and the subsequent pandemic began to ensue, shutdowns around the world began being enforced, resulting in the band completely scrapping the record that they had been working on and writing and creating a new thematic record about their emotions surrounding current events. The resulting “Psychosomatic” was a truly multi-national record, with guitarist/keyboardist Gabriel Guardian – known for his uncanny ability to play the two instruments simultaneously – remaining in Las Vegas, singer Carlos Zema recording his vocals from his home in Brazil, drummer Justin Piedimonte tracking from Montreal and bassist Joshua Lopez recording from IMMORTAL GUARDIAN‘s native Texas.

“Psychosomatic” is a product of the extraordinary turmoil of 2020 that affected millions of people around the world, as well as the next step in IMMORTAL GUARDIAN’s exhilarating melding of melodic power metal with progressive/shred tendencies. The group is looking forward to bringing their scintillating sounds and dazzling visuals to the road for their west coast fans to experience live.

“Psychosomatic” (Vinyl, CD, Digital) is available at www.smarturl.com/immortalguardian.

IMMORTAL GUARDIAN Tour Dates (with Sifting):
11/05 – Pub Rock Live – Scottsdale, AZ
11/06 – Ruinfest @ Stages – Santa Ana, CA
11/07 – TBA – Las Vegas, NV
11/08 – Metro Music Hall – Salt Lake City, UT
11/10 – El Corazon – Seattle, WA
11/12 – Toot’s Tavern – San Francisco, CA

IMMORTAL GUARDIAN is:
Gabriel Guardian – Guitars/Keyboards
Carlos Zema – Vocals
Justin Piedimonte – Drums
Joshua Lopez – Bass

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

– 30 –

“The musicianship is top-tier and the group’s compositional ability is unheard of for a band this young. [Guitarist} Gabriel Guardian is a new American hero.” – Decibel

“Melody and Power, two things displayed in a smashing way throughout this album. If Immortal Guardian isn’t already on your playlist, I think they should be. 10/10 – Metal-Temple.com

“A mega-catchy prog-power anthem (Read Between The Lines) mixed with a blend of crushing performances that’ll leave you salivating for more.” – Metal Injection

“Psychosomatic, an album that will likely be viewed as one of 2021’s best releases, and a landmark record forImmortal Guardian. ” – Metal Nation

““Psychosomatic” is a super catchy (Prog) Power Metal album” – Metalheads Forever Magazine

“With this album (Psychosomatic) Immortal Guardian should no longer be seen as a promising band. Not only have they shown that they have an enormous compositional quality and an elite technical level, they have also shown that they are a band that faces difficulties and that they have all the will to continue. Making a high-quality second album two years after their dazzling debut tells us about the enormous inner power these musicians have.” – Metal Rules

““QUARAN-TAAAAAYN!” No matter what you think about Immortal Guardian, it’s refreshing to hear a band that plays their style while confronting modern life. Though there’s a lot of big, epic, technical stuff going on on Psychosomatic, it never devolves into a lot of bullshit about chivalry and orcs. As such, they feel poised to be the inheritors of Nevermore’s throne, a gritty power metal band who feel relevant even as they soar. Get this in your brain.” – The Pit

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”, New Album “The Curse” Out October 13, 2021

  • October 1, 2021
  • by Asher
  • · Music News · Snakeblade

NEWS RELEASE

Montreal, QC – October 1, 2021

Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”

New Album “The Curse” Out October 13, 2021

Canada’s Snakeblade has a new single out, and now, death metal fans can take it all in over at Heavy Blog Is Heavy who is premiering “Foul Sorcery of Flame and Shadow” at the following link HERE.

This is the sixth track out of the ten presented on the upcoming album “The Curse” and according to Mike Redston is a full-fledged five-minute roller coaster. He explains more in detail:

“This track is absolute bananas. I consider this to be my most technical song off The Curse with some super fun riffs. Guitar wise it’s got flavours of everything from Archspire to Metallica. And lyrically, it’s a complete homage to Game of Thrones – fans of the show will no doubt be able to spot the reference. It starts full-on with a relentless attack of blast beats and shredding. Then about halfway through you get this complete shift to a half-time neck-snapping section. It’s closed out by a silky smooth acoustic outro to seal the deal.”

“The Curse” is the second album from Snakeblade, following “The Kingdom”, which came out in 2020. It is quite an evolution, growing in both complexity and scale with the addition of a session drummer to handle the kit. Mike Redston formed the solo project in the midst of the pandemic, as a distraction. To deepen the escape, all his lyrics surrounded fantasy concepts from his favorite video games and movies. The name Snakeblade comes from his first character in Dungeons and Dragons which was a bugbear.

For fans of death and black metal both new and old, Snakeblade is recommended for fans of Dimmu Borgir, Death and Skeletonwitch.

The album “The Curse” will be available on October 13, 2021.
Album pre-order – https://snakeblade.bandcamp.com/album/the-curse

Previous single – “The Red Mage’s Seduction” – https://youtu.be/7V06X1AlJqg


Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Epic Symphonic Metal OPERUS (ft. members ex-Annihilator, ex-Vital Remains, Skull Fist, Primalfrost) Release New Music Video “Lost”  

  • October 1, 2021
  • by Asher
  • · Music News · Operus

NEWS RELEASE

Montreal, QC – October 1, 2021

Epic Symphonic Metal OPERUS (ft. members ex-Annihilator, ex-Vital Remains, Skull Fist, Primalfrost) Release New Music Video “Lost”  

New Album Out Now! “Score of Nightmares” via Pride & Joy Music


Operus Line Up (L-R)
Dean Paul Arnold (Guitar), Wojtek Sokolowski (Bass, Backing Vocals), David Michael Moote (Lead Vocals),
Oscar Rangel (Guitar, Backing Vocals, Growls), Robin Howe (Cello, Backing Vocals), JJ Tartaglia (Drums)

Canadian epic symphonic metal band, Operus has a new music video for their single “Lost” off their latest album “Score of Nightmares” released through German label Pride & Joy Music during June 2020.

The vision behind the new video is that of a journey through an inner self-created metaphoric world of being lost along with the feeling of self-doubt and the inevitable anxiety of running out of time. The video’s purpose is to demonstrate that we all need guidance and that although our time here isn’t infinite, what we do with our “sands of time” is the most important.

The visually stunning music video was filmed by Joe Lyko of Dark Moon Productions and features Bunny Noire in the role of the “Lost Girl”, which can be viewed at the following link: https://youtu.be/vaQ_8iub-dw

Operus‘ latest album “Score of Nightmares” follows their 2017 album “Cenotaph” (Darkstar Records) and 2015 debut EP “Opus I” (Boonsdale Records).

Recommended for fans of Nightwish, Opeth, Wintersun, Kamelot, Epica, Symphony X, and Helloween, “Score of Nightmares” can be heard at the following links:

Operus.bandcamp.com
Spotify

Operus‘ world-class performance style is a crossbreed of a metal band with the dramatic performance of theatre that comes together to produce a unique sound and thrilling live show. The band has performed on such events as Wacken Open Air in Germany plus Force Fest and Hell & Heaven in Mexico in addition to opening for power metal heavy hitters Sonata Arctica and supporting the Rhapsody Reunion Tour.

The band features Robin Howe, Oscar Rangel (ex-Annihilator), Dean Paul Arnold (Primalfrost, ex-Vital Remains), JJ Tartaglia (Skull Fist), Wojciech Sokolowski (ex-Eclipse Eternal) and David Michael Moote (leading roles in professional theatrical productions such as Jukebox Hero and Beauty & the Beast).

With members of Operus having vast musical experiences, from extensive studio time to worldwide performances in metal bands, symphonic/chamber orchestras, and the stages of musical theatre, they offer all metalheads and music lovers around the globe a truly memorable experience.


Track Listing:
1. Overture of Madness (1:24)
2. Phantasia (5:32)
3. Lost (5:03)
4. Dance With Fire (5:38)
5. Echoes (feat. Talisa Blackman) (1:40)
6. Where Falcons Fly (4:37)
7. Nightmares (5:31)
8. Book of Shadows (3:51)
9. The Mirror (2:29)
10. Ruin (5:35)
11. La Llorona (7:32)
Album Length: 48:57

For more info:
Prideandjoy.de
Operusmusic.com
Facebook.com/Epic.Operus
Instagram.com/epic.operus
Twitter.com/Epic_Operus

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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