Tag: metal

0 SHORES OF NULL Announces UK Tour Dates + Headlining “One For Sorrow Festival” + New Live Album “Beauty Over Europe” Out Now!

August 26, 2025
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – August 26, 2025

SHORES OF NULL Announces UK Tour Dates + Headlining “One For Sorrow Festival” + New Live Album “Beauty Over Europe” Out Now!

After playing extensively all over Europe in support of their acclaimed album “The Loss Of Beauty” and their recent live album, “Beauty Over Europe”, Italian melancholic dark metal outfit Shores Of Null is thrilled to announce a string of four UK performances. The tour includes a headlining appearance at Plymouth’s One For Sorrow Festival. Joining them on this UK leg will be Lisburn’s own The Crawling. (dates listed below)

“We always enjoy returning to the UK. In our 12-year career, we have been back here several times and have always found people ready to welcome us. The very first time we played in London was even before we had our debut album out, at Doom Over London in 2013. This time we are returning as headliners for our own tour with The Crawling, and we are looking forward to seeing many familiar faces and meeting new ones,” adds vocalist Davide Straccione.

“The Loss of Beauty UK Tour” w/ Shores of Null, The Crawling:
Aug 28 – The Black Heart – London, UK
Aug 29 – The Fenton – Leeds, UK
Aug 30 – One For Sorrow Festival – Plymouth, UK
Aug 31 – The Gryphon – Bristol, UK

“Shores Of Null Capture Tour Magic In Beauty Over Europe… Beauty Over Europe is a great listen. Heavy, emotive, engaging, and well-delivered, Shores Of Null fans will love it.” – Metal Talk

Shores of Null‘s first live album, “Beauty Over Europe,” was released on May 9th, 2025, via Sulphur Music / Masked Dead Records. The live album features 10 tracks recorded during the monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, the Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Reflecting on the experience, vocalist Davide Straccione and guitarist Gabriele Giacarri share their thoughts:

“This tour was an incredible journey, the longest in our career, and a true milestone for Shores Of Null. As the promotional tour for The Loss Of Beauty, our latest and most acclaimed album to date, it was an honor to bring these songs to life across 35 shows in 18 countries. Sharing the stage with monumental bands like Swallow The Sun and Draconian—huge inspirations for our music—was unforgettable. Despite the melancholy of their sound, they’re some of the most fun and genuine people we’ve met, and by the end of this epic journey, we were proud to call them friends.

We owe special thanks to our incredible crew—Petri, Matti, Mikko, and Tero—who ensured everything ran seamlessly and made this experience unforgettable. To pay homage to this extraordinary chapter, we decided to produce a live album. Recorded during key moments of the tour, it captures the essence of these unforgettable performances and is dedicated to all the people who supported us live and shared these magical moments with us.” – Gabriele Giaccari

Davide Straccione adds:

“Our 2023 European tour with Swallow The Sun, Draconian, and Avatarium was one of the most beautiful and intense experiences of my life. Night after night, we poured everything we had into our performances, connecting deeply with audiences across 18 countries. It was a journey that marked a pivotal moment in our career as a band as well, and one we’ll carry with us forever. This live album is our way of preserving and sharing that beauty, not only as a gift to those who joined us in the crowd, but also for those who couldn’t be there to witness it.”

Recommended for fans of Swallow The Sun, Borknagar, and Paradise Lost, “Beauty Over Europe” is available at the following links:

Physical CD: https://maskeddeadrecords.com/product/shores-of-null-beauty-over-europe/

Digital: https://shoresofnull.bandcamp.com/album/beauty-over-europe

Spotify: https://open.spotify.com/artist/76lKNyW77arKg42qdDO9Sm

Live Video – “Quiescent” – https://youtu.be/DOk616SWofA

Live Video – “The Last Flower” – https://youtu.be/w-Hq69KG2RM

Live Video – “A Nature in Disguise” – https://youtu.be/Yye8s-6w1rg

Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)

Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios

Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info: Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic and majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal, among others, further solidifying their status as one of the rising forces in the metal scene.

– 30 –

“Shores Of Null Capture Tour Magic In Beauty Over Europe… Beauty Over Europe is a great listen. Heavy, emotive, engaging and well-delivered, Shores Of Null fans will love it.” – Metal Talk

Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)

“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)

“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)

“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)

“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)

“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)

“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)

“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)

“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)

“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine

“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)

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0 Rockshots Records – Out Now! DYING AWKWARD ANGEL’s New Album “The Missing Frame” Explores the Edge Between Reality and Nightmare

August 22, 2025
by Asher
· Dying Awkward Angel · Music News

NEWS RELEASE

Montreal, QC – Aug 22, 2025

Out Now! DYING AWKWARD ANGEL’s New Album “The Missing Frame” Explores the Edge Between Reality and Nightmare

New Album “The Missing Frame” Out August 22nd, 2025 via Rockshots Records

Italian melodic death metallers Dying Awkward Angel return today, August 22nd, 2025, with their most intense and uncompromising work to date, the new full-length album “The Missing Frame“, released via Rockshots Records.

Formed in 1998 in the underground metal scene of Turin by guitarist and main composer Edoardo Demuro, the band forged its style drawing from the Gothenburg melodeath wave (In Flames, At The Gates, Dark Tranquillity) and the aggression of American thrash and death metal, adding its own unmistakable Italian touch. Over the years, they have shared the stage with Decapitated, Impaled Nazarene, Necronomicon, Forgotten Tomb, Node, and many more, building a solid reputation for their visceral and high-energy live shows.

“The Missing Frame” follows the critically acclaimed “Absence Of Light” (2018) and was anticipated by the singles “Music Kills” and “9.99”. Written during a period of renewed creative focus, the album is faster, heavier, and more deliberate, the result of what the band calls “a brutal and honest cooperation between us all.”

Lyrically, the record delves into themes of duality, good and evil, instinct and control, reality and illusion, often drawing from deeply personal experiences, stories, and nightmares of the band members. Tracks like “9.99” question the value of human life, while “Music Kills” explores the double-edged power of music itself.

Musically, the album delivers the cold precision of Swedish melodic death metal combined with the raw energy of American metal, all with a modern and direct production approach. “Don’t expect what you expect. Expect what you don’t,” the band warns.

Recorded at Bottleneck Studios in Turin and produced by the band, “The Missing Frame” is an album that stays true to the band’s roots while pushing their boundaries further than ever before.

Coinciding with the album’s release, the band unveils their newest music video for the track “The Inner Paradox”, a haunting allegory of deep depression. It portrays a layered prison that might almost seem bearable, if not for the grim reality that the world beyond its walls is even more harrowing.

For fans of: At The Gates, Carcass, Dark Tranquillity

LISTEN “The Inner Paradox” at: https://lnk.to/z9xAx8
WATCH THE VIDEO here: https://youtu.be/XPoiysCBU2M

ORDER “The Missing Frame” here: https://rockshots.eu/TheMissingFrameCD

Add to your Spotify Playlist – https://open.spotify.com/album/5SpG2i3qgkqlAIZnbP1pWJ

In additional news, Dying Awkward Angel will have the honor of performing at Rock Inn Somma, a special event where the band will present their brand-new album live on its release day!

Track Listing:
1. The Ecstasy of God (Instrumental)
2. Black Waves
3. The Fallen
4. Music Kills
5. 9.99
6. Raptus
7. YOU MUST DIE!
8. Blinded
9. Skin and Bones
10. The Inner Paradox
11. Out of Mind (R’lyeh)
12. A Promise
13. The Missing Frame (Instrumental)

Line-up:
Michele Spallieri: Vocals
Demuro Edoardo: Guitars,
Lorenzo Asselli: Guitars
Luca Pellegrino: Drums
Davide Onida: Bass Guitar

More info: https://www.rockshots.eu | http://www.dyingawkwardangel.com | https://www.instagram.com/dyingawkwardangel_official/

ABOUT:

Dying Awkward Angel is an Italian melodic death metal band formed in 1998 by guitarist Edoardo Demuro and drummer Ivan Longo. Influenced by the ferocity and melody of the ‘90s extreme metal scene—drawing from the Gothenburg sound as well as UK and US death and thrash metal—the band quickly developed a distinctive style that blends raw aggression, dark atmospheres, and introspective lyricism.

After two well-received demos (Dying Awkward Angel, 200,2, and Ghost at the Spine, 2004), the band released their first full-length “Waiting for Punishment” in 2013, followed by the EP “Madness Rising” (2015), showcasing a more mature and dynamic approach to songwriting. In 2018, Dying Awkward Angel released “Absence of Light” through Rockshots Records / Extreme Metal Music, gaining praise from international press and expanding their reach across Europe, the USA, and Japan.

Having shared the stage with acts like Decapitated, Impaled Nazarene, Necronomicon, Forgotten Tomb, Keno,s and Node, the band is known for delivering uncompromising live performances and intense musicality.

In 2024 and 2025, the singles “The Magical World of the Dead“, “Music Kills“, and “9.99” marked the band’s powerful return, leading up to the release of their new album “The Missing Frame“, due out on August 22nd, 2025, via Rockshots Records. This new chapter reflects a more focused and violent sonic identity—one that remains faithful to the Swedish melodeath tradition while embracing a darker, more deliberate production.

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0 Out Now! Canada’s DEVOLVER Unveils New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

August 22, 2025
by Asher
· Devolver · Music News

NEWS RELEASE

Montreal, QC – August 22, 2025

Out Now! Canada’s DEVOLVER Unveils New Album “Non Compos Mentis”

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Grande Prairie, Canada’s rising metal outfit Devolver, returns with a vengeance, announcing the release of their sophomore album, “Non Compos Mentis”, out August 22nd, 2025. Produced by genre heavyweight Mark Lewis, whose credits include Whitechapel, Trivium, and DevilDriver, the album marks a seismic evolution in Devolver’s sound, melding Gothenburg-style melodic death metal with the raw intensity of early 2000s metalcore.

Formed in 2015 by guitarist Devin Babcock as a creative outlet for material that didn’t fit his previous band, Devolver has grown into a five-piece force of nature. With members also active in the local project Dog Poison, the band’s roots run deep in the underground scene.

“Non Compos Mentis” is more than an album; it’s a visceral listening experience. The album features a refined tracklist culled from over 20 demos, each song built collaboratively from riffs and skeletons crafted by guitarists Devin Babcock and Jayde Penner, resulting in a relentless, emotionally charged journey that’s both technically precise and soulfully raw.

The album’s haunting title track, “Non Compos Mentis”, draws from a chilling true story: the 1805 murder of Amos Babcock’s sister in a religious frenzy, an ancestor of Devin Babcock. The artwork was created by legendary metal illustrator Travis Smith (Opeth, Avenged Sevenfold, Soilwork), depicting Amos bloodied in the snow, surrounded by the ghostly eyes of his nine children. It’s a visual as disturbing as the story it tells, and a testament to the band’s commitment to storytelling through music and art.

The band comments on the album’s release:

“We think Non Compos Mentis will be embraced by fans of our first album; it’s a huge evolution of our sound. Our first album was a passion project for Devin, but this record is what the five of us sound like collaborating as a unit. The razor-sharp production from Mark Lewis helped us push this thing over the edge, into something we think people will grab onto. We want to give people the feeling we felt when we first heard our favourite bands, and the albums that made us fall in love with music.”

With each track on the album as a chapter in a larger emotional and sonic narrative, Devolver‘s “Non Compos Mentis” represents a bold leap forward and is recommended for fans of Swedish melodic death metal and classic metalcore. Think the melodic brutality of In Flames and Dark Tranquillity, fused with the punch of Killswitch Engage and As I Lay Dying.

“Non Compos Mentis” is available at the following links:

Album order (out Aug 22nd) – https://devolvermusic.bandcamp.com/

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ

Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab

-30-

“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric

“Devolver uses melodies, intensity, and a variety of vocalists to hook you, reeling you from song to song making this such a welcoming and comfortable listen. I don’t mean they’re “easy listening,” there heavy as f***, I mean there’s always something different, you’ll never get bored while diving into this debut.” – Vulture Hound

“If After The Burial and The Ghost Inside had a lovechild, it would be Devolver. These guys blew me away with how professional, well written, and how well structured they’ve presented themselves with their SelfTitled record. Each song has its own personality, while still maintaining a signature sound. The breakdowns are simple, yet effective in each song. There is dynamic tension and then well-needed release throughout the record, and it’s downright masterful. This album is captivating, and I recommend anyone that is a fan of metal to check this out.” – Bucketlist Music Reviews

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0 Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

August 21, 2025
by Asher
· Kratornas · Music News

NEWS RELEASE

Montreal, QC – August 21, 2025

Streaming Now! Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

Mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation)

“God of the Tribes”, the highly anticipated new full-length from Kratornas, will be available worldwide through Grathila Records as of this Friday, August 22nd. Before its official release, the full stream album premiere can be checked out on Decibel Magazine HERE.

This landmark release represents the most significant evolution yet for the pioneering one-man extreme metal project, originally founded in the Philippines and now residing in Saskatoon, Canada.

Breaking from the hyper-fast brutality that defined earlier Kratornas releases, “God of the Tribes”, mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation), showcases a more methodical approach, focusing on atmosphere, tension, and ritualistic elements. The album introduces previously unexplored instrumentation, including 7-string guitars for L/R channels and 6-string fretless bass, moving away from blast beats and heavily distorted guitars toward a more nuanced sonic palette. Kratornas comments:

“This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had firsthand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms, but wrote my own, taking that foundation and fusing it with Kratornas. This album is the most natural and honest album I’ve ever done.”

The lyrics on “God of the Tribes” draw from the apocalyptic themes that have defined Kratornas since 1999, when the project shifted from its early Satanic themes to ‘doomsday predictions’. The album incorporates ritualistic chants throughout, with the creator noting that ‘the words are a bit ‘dangerous’ to chant along’.

Recommended for fans of Marduk, Beherit, Archgoat, Blasphemy, and Dark Funeral, Kratornas‘ “God of the Tribes” is available for album pre-order (CD) (Out Aug 22nd) – https://kratornas.bandcamp.com/album/god-of-the-tribes-gcd-2025

Lyric Video – Evil and Plunder – https://youtu.be/6cIDMbs-rA4

Lyric Video – Ravaged by Hurakaan – https://youtu.be/WcQVU7bvLx8

Album Artwork (non-explicit) – Kratornas – God of the Tribes

Track Listing:
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

For more info: https://www.facebook.com/officialkratornas

– 30 –

“I think it’s a good thing that it is a bit darker for music this intense and with so much “action” in the upper midrange – Dan Swano (on mastering God of the Tribes)

“The new music IS unquestionably different from what you might expect based on the last album, though if you caught the album’s first single “Ravaged by Hurakaan” you already know that, and you’ll get a further idea from the lyric video for another album track we’re premiering today, “Evil and Plunder“, which is the album’s shortest song… Now, to the music, which is surreal. In line with the raging words, the vocals are blistering in their incendiary screaming intensity, but what goes on around them is dazzling and also a bit bewildering. There are indeed no blast-beats, but the sharp clatter of the snare and crash of the cymbals are still attention-seizing, in part because the timing and nature of the outbursts is unpredictable. The fretwork is also unpredictable. Above bubbling bass upheavals the shrill guitars play off of each other. They vividly swirl and glitter, spiral and dive, squirm and spasm, dart about and blaze. Other strange sounds speckle the song with their own odd textures. The experience is exuberantly demented and exhilarating to hear, like a bizarre but still mesmerizing sonic hallucination and rightly described in a forthcoming press release as a “3-minute descent into ritualistic chaos and psychological warfare.” – No Clean Singing

“With the upcoming release of God of the Tribes, extreme metal entity Kratornas returns from the abyss with a devastating new record that leans into ritualism, atmosphere, and unapologetic chaos. For over two decades, Kratornas has operated as a one-man war machine, who has consistently rejected conformity, trends, and convention.” – Crannk

“My take on the album: It is unique and unconventional. The album is brilliantly performed and crafted. If you looking for something different with cutting edge performance this album is for you. The longer songs in the album is pure magic.” – Project Metal Music

“It’s this progressive sense of composition that separates “God of the Tribes” from many of its peers in the extreme metal scene. Even in its most chaotic moments, there’s a weird sense of direction, a dark, strange logic that guides the madness. Of course, this is not easy listening. It’s demanding, violent and uncompromising. But for those willing to give it time, attention and an open mind, “God of the Tribes” delivers the essence of underground black metal. It’s not about catchy hooks or accessible melodies—it’s about raw spirit, musical extremity and vision. And Zamora has plenty of all three. Active since 1995, Kratornas has always lurked in the shadows of the black metal underground, but this album has the potential to push the project into a more prominent position—not through trend-chasing, but by sheer force of artistic will. “God of the Tribes” is a a declaration that Kratornas is still here, still raging, and still deadly serious. Black metal fans, take note—this is an album that deserves your ears. 8/10” – Myths of Rock

“The music was energetic, and hyper… Call this album unique, that’s for sure, and If you can deal with chaos and dissonance, this album is for you.” – Metal Temple

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0 Exitus Stratagem Records – Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium” + Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

August 21, 2025
by Asher
· Music News · Visitant

NEWS RELEASE

Montreal, QC – August 21, 2025

Album Download HERE (for media use only)

Streaming Now! VISITANT’s Visceral Debut Album ”Rubidium”

+ Michigan Metal Fest + “In the Wake of Flame Tour” (FL/GA/TN/SC/NC) w/ IATT

Debut Album “Rubidium” Out Aug 2025 via Exitus Stratagem Records

The wait is over. Blackened death metal collective Visitant unleashes their highly anticipated debut album “Rubidium” via Exitus Stratagem Records, delivering seven tracks of ritualistic, unrelenting music that weaves ethereal elements into haunting soundscapes. The album represents what the band calls ‘shadow work’, a visceral exploration of the bleakest parts of being human.

“Rubidium” showcases the full collaborative power of Visitant‘s seasoned lineup across 32 minutes of immersive music. Taylor Tidwell (Unaligned) serves as the primary architect of the band’s crushing riffs, while Anthony Lusk-Simone’s (Abiotic, Lattermath) orchestral passages and thunderous drumming build the cinematic worlds that define each composition. Kilian Duarte’s (Abiotic, Scale the Summit) monstrous bass work drives the album’s forward momentum, even contributing a guitar solo on “Envies Lament”. Chelsea Marrow’s (Voraath, Video Games: DOOM ETERNAL, Senua’s Saga: Hellblade II) commanding vocals tie everything together, transforming personal experiences into ghost stories that channel the essence of restless, vengeful spirits. Thomas Weidick, on guitar, recently joined their live lineup this past June.

The album explores themes of grief, loss, betrayal, vengeance, time lost, and regret through seven carefully constructed tracks that showcase Visitant‘s ability to transcend genre boundaries.

The band shares their thoughts on the record:

Tony: “Imagine Dimmu and UADA being smashed together like action figures during recess.”

Kilian: “This record, I think, threads the needle, blending a lot of different genres. But yes, imagine a bunch of metal bands as action figures in the best Super Smash bros type of way.”

Taylor: “While the genre-bending is ever-present, the release as a whole works cohesively, every part making up a piece of the puzzle.”

Chelsea: “I really do think it’s genre-bending as well. I didn’t actively approach it with that in mind, but I went for what I felt each part needed or made me feel. It was a freeing experience. I was hoping we could create something that was impactful. I think we did that. After you listen to the album from beginning to end, you feel like you were just on the biggest journey. It evokes all sorts of feels. Like damn.. I feel like I was audibly hit by a big ol’ bus. In a good way… if there was a good way!”

The album was produced and mixed by Anthony Lusk-Simone and mastered by Jason Fisher, with striking artwork created by Chelsea Marrow in collaboration with Maxwell Aston for layout and logo design. Every element of “Rubidium” has been crafted to create what the band describes as ‘epic, moving, bleak, beautiful, and uncompromising’ music.

For fans of Gojira, Opeth, Naglfar, and Between the Buried and Me, ‘Rubidium’ offers a visceral experience that promises to resonate for years to come. Visitant celebrates the album release with their live debut at Michigan Metal Fest, bringing their haunting world to audiences with an intense live experience that matches the cinematic scope of their recorded work.

Watch and listen to the album full stream premiere on Decibel Magazine HERE.

Visitant‘s “Rubidium” is available for album pre-order (out Aug 22nd) via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium

Music Videos:

Briars – https://youtu.be/XMr5E2DGX2E

Fodder – https://youtu.be/UCfxSpoPf60

Starless – https://youtu.be/quktaBXaeVM

Other Dates:
Aug 23 – Michigan Metal Fest – Leila Arboretum – Battle Creek, MI w/ Dying Fetus, Within Ruins, Ov Sulfur, The Convalescence

“On The Wake of Flame Tour” – IATT, VISITANT:
Oct 3 – Pensacola, FL – Pacific Kava
Oct 4 – Jensen Beach, FL – Dark Riff Records
Oct 5 – Duluth, GA – Sweetwater
Oct 7 – Nashville, TN – Cobra
Oct 8 – Piedmont, SC – Tribbles
Oct 9 – Raleigh, NC – Chapel Of Bones
Oct 10 – Knoxville, TN – The Pilot Light
Oct 11 – Jackson, TN – TN Metal Devastation Fest (Visitant only)

Track Listing:
1. Unworldly – 4:48
2. Briars – 5:20
3. Starless – 5:07
4. Rubidium – 5:24
5. Fodder – 4:37
6. Envies Lament – 4:56
7. Moon Bathe – 2:38
Album Length: 32:50

Album Band Line Up:
Chelsea Marrow Vocals
Kilian Duarte Bass
Taylor Tidwell Guitars
Anthony Lusk-Simone Drums / Orchestration

Live Band Line Up:
Chelsea Marrow – Vocals
Taylor Tidwell – Guitar & Backing Vocals
Kilian Duarte or Anthony Wheeler – Bass
Charles Webber or Anthony Lusk-Simone – Drums
Thomas Weidick – Guitar

For more info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

– 30 –

“Visitant is here to utterly wreck your morning thanks to their brand new single “Fodder”, the first offering from their upcoming album Rubidium due out on August 23 via Exitus Stratagem Records. Visitant is vocalist Chelsea Marrow (Voraath, The Monster Factory, Doom Eternal, Hellblade 2, etc.), guitarist Taylor Tidwell, drummer Anthony Lusk-Simone (Abiotic, Lattermath & ex-Pathogenic), and bassist Kilian Duarte (Abiotic, Lattermath, Felix Martin & Scale The Summit). So a real powerhouse of a band that brings some savage energy to the metal world.” – Metal Injection

“Visitant introduce the song (Starless) with subdued classical strings and rippling piano keys which together create a sorrowful but entrancing mood. The gentle nature of that overture makes the sudden crash that follows it even more startling — a sudden attack of slashing and sizzling fretwork, gargantuan bass-moans, neck-cracking beats, savage roars, and scorching screams. The song continues to bring in classically influenced piano melodies coupled with vividly dancing guitars, creating an almost diabolical kind of elegance, but the song also ignites a blackened firestorm of blasting drums, delirious fretwork, and sweeping symphonics. The notes vibrantly dart and blaze as the rhythm section thunder, and the music both elevates to heights of daunting, haughty grandeur and sweeps like wildfire. The torrid and tormented vocals seem to hold nothing back, howling and screaming out on the bleeding edge of intensity, and as if the song couldn’t get any more extravagant, the band make room for a head-spinning guitar solo at the end, in the midst of lots of other equally head-spinning fretwork and rhythm-section spectacles.” – No Clean Singing

““Fodder“, presents different warps and wefts in its weave. Also presented through a video (this time we get to see the band perform), it was inspired by a very dark dream in which Chelsea attempted to bring a murdered friend back to life and lost her own life in the process, leaving the friend trapped in a hellish limbo, bound to a body over which their control had been lost to dark spirits. To be sure, this song is also musically extravagant. It features a lot of borderline deranged and technically demanding high-speed maneuvers (a tour de force that would make lots of tech-death bands jealous) but it’s also hallucinatory, and unhinged in many other respects. It further demonstrates that Chelsea Marrow can really sing, as well as howl like a wolf and scream like a goblin. It’s a highly theatrical experience, but also instrumentally kaleidoscopic and viscerally frightening, and the singing makes the song stand out as much as every other demented and dazzling aspect of it.” – No Clean Singing

“Emerging from the shadowy fringes of the metal scene, blackened death metal outfit Visitant has unleashed their riveting debut single, “Fodder.” Released as a precursor to their eagerly anticipated first full-length album, “Rubidium,” the track invites listeners into a deeply atmospheric yet punishing sonic landscape.” – See Rock Live Magazine

“Uniting seasoned musicians from the Extreme Metal underground scene with members known for their previous works in Abiotic, Scale the Summit, Unaligned and Voraath, Blackened Death Metal quartet Visitant have spent the better part of three years crafting a debut album. The promise is of something dark, beautiful, visceral and compelling with single “Fodder” an almost ritualistic journey that weaves ethereal elements into an unrelentingly aggressive soundscape. Turning personal experiences into ghost stories for the half an hour of power that is “Rubidium” caught the attention of Exitus Stratagem Records who will distribute the affair on 29th August.” – Metal Noise

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0 Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album “Melancholia” Out Sept 2025

August 20, 2025
by Asher
· Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – August 20, 2025

Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album Out Sept 2025

+ Launch Vinyl Pre-Order

Ancient Thrones Current Line Up

Top L-R: Dylan Wallace (Guitar) | Nick Leslie (Guitar)

Bottom L-R: Matt LeBlanc (Bass) | Sean Hickey (Drums & Vocals)

Photo Credit – Matt Leblanc

Set to unleash their sophomore album “Melancholia” on September 19, 2025, to follow their 2020 breakout debut “The Veil”, Halifax, Canada’s progressive death metal titans Ancient Thrones are sharing their second single and title track, accompanied by a new music video.

At 260 beats per minute, Ancient Thrones introduce the protagonist of their concept record, his condition, and how he describes feeling out of place, plunging listeners headfirst into his psyche.

“With unrelenting intensity from the opening second, the title track Melancholia is simply a demonstration of what we set out to do with this album. Not one instrument stands out more than the other on this track, as it storms through a plethora of chaotic riffs, rapid blast beats, and lightning-quick vocals at 260 beats per minute, before reaching a breaking point where we flip the script to welcome change both musically and lyrically. If you like to invite some emotion to go with your extreme metal, then this is the song for you,” adds bassist Matt LeBlanc.

Watch and listen to the music video for “Melancholia” via Slam Worldwide at https://youtu.be/_LvSTJ78kd8

Formed in 2011 and reborn in 2018 with the arrival of guitarist and composer Dylan Wallace, Ancient Thrones carved out a new identity rooted in fast, extreme, progressive, cinematic, and existential soundscapes. With “Melancholia”, the band introduces a 42-minute descent into existential exhaustion, delivering an unapologetic extreme metal concept album that fuses blistering speed, cinematic storytelling, and emotional brutality.

From the chaotic opener “A Moon Fused Key” to the doom-laden closer “Vacant,” the band exposes raw intensity and jagged vulnerability. The narrative follows a colorblind protagonist navigating hallucinogenic visions in search of meaning, an unsettling journey through idealism, dread, and transformation. After five years of creation, Ancient Thrones proudly bring to light this new chapter, inviting listeners to embrace the chaos and feel something truly unnatural.

“For this album, a big focus for us was on the production. We meticulously, painstakingly spent several hours dialing every tone, note, layer, vocal, etc. We were fortunate to have time and a slower world on our side during production. Everything on this album was thought out and brought to life in a fully fleshed-out way. It took us 5 years to make this album, with 1 of those years used just levelling up our musicianship and techniques in order to play the material. We’re faster, more technical, and have a singular focus to make sure this album was beating you down from head to toe,” says Leblanc.

Drawing from the raw ferocity of black metal, the brutal edge of 2000s death metal, and the precision of modern tech death, “Melancholia” is a must-listen for fans of Archspire, The Red Chord, Deafheaven, and The Faceless.

Album pre-order (Vinyl, Digital) (out Sept 19th, 2025) – https://ancientthrones.bandcamp.com

Lyric Video – “A Moon Fused Key” https://youtu.be/IfDBNhlJ0sI

Track Listing:
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones

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“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

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0 A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II : Soaring” Ahead of New Album Out Aug 21st

August 20, 2025
by Asher
· Music News · Night's Edge

NEWS RELEASE

Montreal, QC – August 20, 2025

A Metal Odyssey of Self and Survival – NIGHT’S EDGE Unveils New Video “Shapes in Grey Space II: Soaring” Ahead of New Album “The World That Never Was” Out Aug 21st

With their fourth full-length album, “The World That Never Was,” set to drop on August 21st, 2025, Baltimore-based trio NIGHT’S EDGE is unveiling one last visual offering ahead of release day. In collaboration with Ghost Cult Magazine, the band premieres the music video for “Shapes in Grey Space II: Soaring”, the second installment in a three-part suite that closes the album. The two-and-a-half-minute ballad of symphonic alternative metal track unfolds a Twilight Zone-inspired narrative, exploring themes of isolation and the transformative journey of self-discovery it can spark.

“Soaring is a hardcore banger in ¾, as fancy as it is intense. The sudden pauses and shifts in direction of the music catch you off guard, while the vocals make you feel like you are ascending into the chorus, with mixed feelings of freedom while remaining tethered to reality. The words reflect our inner turmoil of free will versus the outside forces that control us. When writing Soaring, Damian constantly referred to the movie “Chronicle,” a found-footage thriller about teenagers who get superpowers. Not sure how that connects, that is for you to figure out!” adds Brian Haran – Vocals, Bass, Keys, Programming.

Watch and listen to “Shapes in Grey Space II: Soaring” via Ghost Cult Magazine HERE.

Since forming in 2018, Night’s Edge has undergone several lineup shifts and sonic evolutions, making notable strides since their 2019 debut. Rooted in the Alternative Metal realm yet defying easy classification, their sound blends gothic metal, progressive rock, and nu-metal influences into a heady mix of heaviness and pop sensibility, wrapped in layers of synths and theatrical flair. Their upcoming album, “The World That Never Was,” delves into themes of lost identity and the voids we fall into—obsession, rage, and uncertainty. In its closing arc, the album tells a parable: the protagonist wakes in a world where humanity has vanished and is forced to confront their reflection in the silence… or so it appears.

“We are immensely proud of this album. The World That Never Was has the strongest songwriting that Night’s Edge has ever brought forward, and these powerful songs elevate the three of us as musicians and as a band. It has presented challenges to all of us, as Performers and as writers, and has resulted in a genuine expression of music that is uniquely us. The album flows dramatically from piece to piece, with each song offering something different and contributing a different part from which the whole is built. No two songs sound the same, but every second of the album is unmistakably Night’s Edge. The recording and production process challenged all of us but allowed us to become even more intimate with each song. The lyrical themes that wrap through the album have become hooks in each of our brains, and we feel like each of us left a part of ourselves in this record. The World That Never Was is dense but digestible, complex but immediate, grim but beautiful. It is an album of contrasts, an album of ambition, and Night’s Edge’s most definitive musical statement,” says Haran

“The World That Never Was” follows releases Strangers – LP (2023), Night’s Edge – EP (2022), The Darkest Side of Dreams – LP (2020), and Shades of Dusk – LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.

Album pre-order (out Aug 21st) – https://nightsedge.bandcamp.com

Spotify – https://open.spotify.com/artist/5YEhprmAqIyaGmzH1qQInZ

Night Drive Visualizer – Love Fiction – https://youtu.be/MoRXlrnX6aQ

Music Video – If You Loved Me – https://youtu.be/0Fj6gIMd6dA

YouTube Stream – Someone To Stay – https://youtu.be/fg-P90AQvrA

Lyric Video – Smite – https://youtu.be/pMg-S0fn-Nk

Upcoming Show Dates:
Aug 23 – Roachfest – Hollywood, MD
Sept 12 – Zen West – Baltimore, MD – ALBUM RELEASE PARTY
Sept 20 – Asbury Park Brewery – Asbury Park, NJ
Oct 10 – The Depot – Baltimore, MD

Track Listing:
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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““Smite” offers a taste of the band’s ever-evolving sound, merging gothic, progressive, and nu metal influences.” – Metal Insider

“You’re going for a ride today with the premiere of the music video for “Love Fiction,” the latest single from Night’s Edge. A cool visual accompaniment, the premise of the video, a sped-up night drive of the city and the freeway, complements the song’s intensity well. The single is from the band’s latest record, The World That Never Was. Featuring eleven new tracks, the album is set to be released on August 21st. “Love Fiction” is an introduction to this era of Night’s Edge, their third full-length since first emerging in 2018. The song is a profound reflection on depression and mental health. It romanticizes depression, likening it to a partner who is always there for someone as if the condition itself has become a security blanket.” – V13

“Night’s Edge is a dynamic three-piece pushing the boundaries of alternative metal with a sound that straddles gothic melodrama, modern heaviness, and synth-drenched theatrics…. a collection of tracks that fuse headbanging weight with danceable grooves, rich atmospherics, and introspective lyricism. With influences ranging from HIM, System of a Down, Deftones, to Coheed and Cambria, Night’s Edge has carved a uniquely immersive and cinematic sound that evokes both the personal and the fantastical.” – Crannk

“The best part was how they fused a heavy sense of emotion in the music. You can hear it, and feel it, and they don’t hold back.” – Metal Temple

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0 Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution + Quebec Tour Dates + New EP “Echoes of History” Out Sept 2025

August 19, 2025
by Asher
· Music News · Unpunished

NEWS RELEASE

Montreal, QC – August 19, 2025

Quebec’s UNPUNISHED’s New Video “Shattered in Disarray” Marks Their Fierce Evolution

Sophomore EP “Echoes of History” Out Sept 2025

Quebec Tour Dates (Quebec City, Trois-Rivieres, Montreal)

L-R – Pierre-Luc Defoy (Guitar, Back Vocals), Jean-Christophe Magnan (Vocals), Alex Brochu-Meloche (Bass, Back Vocals), Justin Lefebvre (Drums), Dean Pavicic (Guitar)

Photo Credit – Julien Bouffard

Quebec City’s rising metalcore force Unpunished returns with a gripping new single and music video, “Shattered in Disarray,” premiering exclusively on TheCirclepit. This marks the band’s third single in support of their upcoming sophomore EP, “Echoes of History,” set for release on September 5th, 2025.

Slower, darker, and emotionally raw, “Shattered in Disarray” dives deep into the psyche of someone confronting the wreckage of their own life. The song explores themes of regret, failure, and the haunting question: Is redemption still possible, or is it too late? With a melodic chorus riff and three distinct guitar solo sections, the track captures the emotional turbulence of its lyrics, inviting listeners to reflect on their own missteps and the hope of healing.

“It’s a song about realizing you’ve failed the ones you love. It’s about facing the consequences and wondering if there’s still a way out,” adds the band.

Watch and listen to “Shattered in Disarray” via TheCirclePit at https://youtu.be/Yr5pD6tPuas

Spotify – https://open.spotify.com/artist/2V8YKy50wVSJ6e5B9SPwrx

Written over two years during a period of personal upheaval for each band member, “Echoes of History”, produced by drummer Justin Lefebvre, is a testament to Unpunished’s resilience and creative evolution. The five-track EP showcases a diverse sonic palette, blending 2000s metalcore roots with melodic death metal riffs, deathcore breakdowns, and melodic choruses. Each track delivers a unique blend of emotion and musical identity, making the record a deeply immersive experience. Lyrically, the band explores human flaws, mental health, and social injustice, crafting songs that are both personal and powerful.

“We wanted each song to have its own flavor. No formulas, no repetition, just raw emotion and musical diversity,” says the band.

Drawing inspiration from metal giants like As I Lay Dying, Parkway Drive, Trivium, and The Black Dahlia Murder, Unpunished blends melodic, intense, aggressive, and diverse elements into a sound that’s unmistakably their own.

Pre-order “Echoes of History” (out Sept 5th) at https://unpunished.bandcamp.com.

Previous Singles:

Lyric Video – “Burn the Traitors” ft. Alex Leblanc (ex-Fracturus, ex-Neuraxis, ex-Mass Murder Messiah) – https://youtu.be/uJO4s8QDxng

“As Water Fills My Lungs” – https://youtu.be/HvyJu1Mo3uk

In additional news, Unpunished will be performing a series of show dates in the province of Quebec, listed below. Fans can anticipate a tight, high-energy live performance, with a dynamic setlist that mirrors the EP’s emotional and musical range.

Unpunished – Echoes of History EP Launch Tour w/ Concessions, Deadwood, In Disarray, Observants, Terror Symphony:

Sept 20 – Quebec City, QC – L’Anti Bar – info

Sept 27 – Trois Rivieres, QC – Taverne Royale – info

Oct 10 – Montreal, QC – Piranha Bar – info

Track Listing:
1. As Water Fills My Lungs – 4:49
2. Plague of Our Race – 4:39
3. Shattered in Disarray – 5:06
4. Echoes of History – 4:52
5. Burn the Traitors ft. Alex Leblanc – 4:38
EP Length: 24:06

Recording Credits:
• All songs performed by: Unpunished
• All songs written by: Unpunished
• Produced, mixed, and mastered by: Justin Lefebvre
• Album Artwork by: I And I Art
• Member of SOCAN
• Canadian Content (MAPL)

EP Recording and Live Line Up:
Jean-Christophe Magnan (vocals)
Justin Lefebvre (drums)
Alex Brochu-Meloche (bass, back vocals)
Pierre-Luc Defoy (guitar, backing vocals)
Dean Pavicic (guitar)

More info: Facebook.com/Unpunishedband | Instagram.com/unpunished_band

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“UNPUNISHED Ignites Metalcore Scene with New Single “Burn the Traitors”… “Burn the Traitors” showcases guest vocalist Alex Leblanc, enhancing the track with his formidable experience. UNPUNISHED describes this single as their most brutal offering yet, leaning heavily into melodic death metal territory, devoid of clean vocals. The relentless intensity is punctuated by a captivating, melodic chorus and a strategically paced guitar solo, offering listeners a brief respite before plunging into the explosive climax.” – See Rock Live

“Le groupe de metalcore qui contient des sonorités de deathcore et death metal, Unpunished, a dévoilé une couleur plus agressive avec son nouvel extrait ¨Burn The Traitors¨, titre qui est collaboré au niveau vocal par Alex Leblanc de Fracturus (Ancien Mass Murder Messiah / Neuraxis).” – Grizzly Media

“It’s all this musical baggage that Alex Leblanc (Fracturus, ex-Mass Murder Messiah, ex-Neuraxis) brings to this new song UNPUNISHED. As a collaborator, of course, but he allows us to give another dimension to their sound which leans more towards melodic death this time. The intensity of the song growl from Jean-Christophe Magnan takes up much more space and gives new weapons to UNPUNISHED. At times we feel like we have a mix between Amon Amarth, Soilwork and Killswitch Engage. To discover!” – Metal Universe (2023 – Burn the Traitors – single)

“Unpunished comes to us with an EP that will please fans of metalcore from the good years combined with the more modern melodic side. The vocal playing between clear and « growl » is effective, especially on the title track « Shadows And Dust ». The guitar riffs are eye-catching and that’s one of the things that introduced me to metalcore in the mid-2000s, and we’re well served with this EP. They knew how to bring their personal touch to their influences, and that is what makes « Shadows And Dust» so effective.” – Metal Universe (2022 – Shadows and Dust EP)

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0 Vancouver Veteran Punks KILL MATILDA Reunite For Benefit Show For Goldie – Aug 15th @ The Waldorf

July 28, 2025
by Asher
· Music News

NEWS RELEASE

Montreal, QC – July 28, 2025

Vancouver Veteran Punks KILL MATILDA Reunite For Benefit Show For Goldie – Aug 15th @ The Waldorf

Vancouver veteran punk band Kill Matilda is reuniting after 10 years for one special night to help friends and their young daughter named Goldie, in raising funds to help with costs for her rare, undiagnosed genetic disorder.

Watch this reel the family put together – https://www.facebook.com/reel/733528915896470

“HI EVERYONE! Long time no see …. Hope y’all have been hanging in there! We are pleased to announce that for ONE NIGHT ONLY, Dusty, Dave, and Marcus (plus Lina from Dusty Pines on bass!) will reanimate the band from the grave for a good cause! Our pal Jeff has a daughter named Goldie with complex medical needs, and their family needs support from our community. Get yer tix at The Invisible Orange, buy merch (all KM merch will be on sale by donation with proceeds going to Goldie’s family), and rock out with us and the other excellent bands.” – Dusty Chipura, Kill Matilda.

The benefit show is being held on August 15th at The Waldorf (1489 E Hastings St) and will be supported by the one-time 10-year reunion of Kill Matilda (https://killmatilda.bandcamp.com) with Lina the Machina on bass. The benefit lineup also features Kill Matilda‘s singer, Dusty Chipura’s current band, Dusty Pines (https://www.facebook.com/dustypinesvancouver), along with local support from Vultures at Dawn (https://www.facebook.com/VulturesAtDawn) and The Judys (https://www.facebook.com/thejudysgotabigmouth).

Tickets Link – https://orangetickets.ca/detalles_evento.php?id_evento=1989

Event info – https://www.facebook.com/events/2544554485887540/

About Kill Matilda:

Kill Matilda is a female-fronted punk/rock/metal band formed in 2008 in Vancouver, British Columbia. Led by the fierce and charismatic Dusty Chipura, the group is known for its explosive live performances, horror punk aesthetics, and unapologetic DIY spirit. Their sound fuses punk rock, metal, and garage thrash, often wrapped in zombie apocalypse themes.

The band gained early attention with their single She’s A Killer, which aired on MuchLoud, and went on to release several records, including Zombie Apocalypse (2011), #PUNK#ZOMBIE#ROCKNROLL (2014), and Songs of Survival (2015), produced by GGGarth Richardson. Kill Matilda toured extensively across Canada, the U.S., and Mexico, playing over 180 shows and sharing stages with acts like Guttermouth, Die Mannequin, and Powerman 5000.

Despite personal challenges—including health issues and lineup changes—the band remained resilient and continued to perform until going on hiatus in 2015. Dusty Chipura is also a published writer and advocate, adding depth to the band’s punk ethos and cultural impact

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0 NYC’s CHAKA Unleashes Ferocious Music Video “It’s Not Human” Ahead of First Full-Length Album “Amplifying the Past”

July 9, 2025
by Asher
· CHAKA · Music News

NEWS RELEASE

Montreal, QC – July 9, 2025

NYC’s CHAKA Unleashes Ferocious Music Video “It’s Not Human” Ahead of First Full-Length Album “Amplifying the Past”

NYC heavy trio CHAKA has dropped their thunderous new single “It’s Not Human”, a primal assault of groove and aggression that marks the first release from their upcoming debut full-length album, “Amplifying the Past”, due out later this year.

Formed as a studio project and now evolved into a live sonic force, CHAKA has deep roots in Queens’ metal and hardcore scene. Founding bassist and vocalist Mark Sokoll, a veteran of bands like Darkside NYC and Terminal Confusion, is joined by longtime friends Mike C. (ex-White Trash) on drums and Frank P. (Lost Cause) on guitar. The band also collaborates remotely with Ireland-based guitarist Ty Canon, a childhood friend whose riffs continue to shape their recordings.

Lyrically, “It’s Not Human” presents a sonic excavation. The song delves into the real-life discovery of a Neanderthal tooth, a pivotal moment in tracing the human genome.

“It’s about evolution, science, and ancient ancestry,” says Sokoll. “We’ve always drawn inspiration from human origins, military history, and authors like Arthur C. Clarke and Carl Sagan.”

Musically, the track is a relentless juggernaut—starting abruptly, rushing forward with thrash intensity, then shifting to a dreamy tone before returning to a pummeling close.

The single’s artwork visually echoes this evolutionary theme, featuring crossed primitive weapons behind a grotesque DNA helix, flanked by dueling skulls—one ancient, one modern.

Listen to “It’s Not Human” now on all major streaming platforms.

Music Video – https://youtu.be/mAHodHd773o

Spotify – https://bit.ly/46AwqtL

Set for release later this year, “Amplifying the Past” represents CHAKA‘s most dynamic and collaborative work to date.

“This record expands on our earlier sound but lets the songs breathe more. We want listeners to feel like they’ve been on a cathartic, headbanging ride,” adds Sokoll.

The band’s style is best described in five words: Primal. Loud. Heavy. Aggressive. Groovy. Drawing on influences like Black Sabbath, Carnivore, Motorhead, and Celtic Frost, CHAKA delivers raw, no-frills metal with a scientific twist.

On stage, CHAKA amplifies their sound even further. Fans can expect not just volume, but presence.

“We’re a loud trio—maybe even louder than four or five-piece bands. We’re all in our 50s, but we don’t hold back.”

Despite geographical distance—band members live in New York, New Jersey, and Ireland—CHAKA thrives on modern file-sharing and old-school chemistry as the trio has known each other for over 40 years. That connection fuels their sound.

More singles and videos will follow as the band finalizes the LP. CHAKA also promises future EPs and extended releases, all staying true to their mission: creating music that’s as thoughtful as it’s heavy.

More Info: Chakametalband.com | Facebook.com/NEANDERTHALTALES | Instagram.com/chakametalband | X.com/ChakaMetalBand

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“CHAKA unleashes the primal force of the past with a single “It’s Not Human.”… Hardly any other underground thrash formation from New York has fought for its place in the metal underground as uncompromisingly as CHAKA. Since the rough debut EP „Neanderthal Tales“ (2019) the quartet plows constantly through the clubs of Queens, Brooklyn and Long Island. Creative Motor is bassist and singer Mark Sokoll, flanked by guitar heavy workers Frank Principe, Drum Berserker Mike Caldarella and studio all-rounders Ty Canon from Ireland. Their trademark: guitars like volcanic rock, drums like thunderous avalanches and a bass that makes every heater vibrate.” – Blattturbo

“If “Musth” and “Mister Brink” are any indication, ‘Amplifying the Past’ will not only stand alongside the genre’s greats — it may very well cast a shadow over them. It’s a work born of memory but aimed at the future, one boot planted in the blood-soaked soil of history, the other crashing down with glorious defiance. CHAKA isn’t just amplifying the past — they’re weaponizing it! – Jam Sphere

Neanderthal Tales EP Reviews 2020:

“To my understanding, this is a side project of Darkside (NYC) bassist Mark Sokoll , and it is quite the shock to the system. While elements of Doom and Hardcore rear their heads throughout this rather short 4 song EP, the main strain showing glaring prominance is the sludgy, speaker fraying, super amped metal that raises the eyebrows & the adreneline for sure.” – Guillotine Zine

“The sludgy bass sounds of “Flak” give it a dirty raw sound that combines the sounds of Motorhead with Crowbar and Cro-Mags to create a blood-and-thunder affair, with Sokoll playing the Cave Man throughout and it is beer-drinking good fun. The uptempo drive of the track keeps the fires burning and the sonics are less primitive than meet the eye (ear)… A couple of neat tempo shifts move from a slower Doom-laden sound to a raw, Hardcore-Punk one with a fuzzy bass sound that is abrasive enough to be on a Black Metal album.” – Metal Noise

“I read the lyrics to the songs before I actually listened to the music, and was astonished at just how well-written the content was on that end… Mark Sokoll’s lyrics are witty, thoughtful, and clever… CHAKA has several strong components going for them beyond the theme. Mark Sokoll’s vocal performance is passionate and vibrant…The bass-heavy tones are refreshing for the genre. CHAKA rinsed away my skepticism and misgivings. Neanderthal Tales is more than anything else, proof that originality can still be found in the foundational Metal genres.” – Contaminated Tones

“Ladies and gentlemen the year is 2020 and with the new year comes the birth of the latest rock sub-genre…. CAVE METAL! Mark Sokoll… bassist of Darkside NYC (as well as the highly-underrated Terminal Confusion from way back in the day) is the main brain behind this four0song, ten minute debut which has its share of backstories… “Flak” leads off (check out the video) with a fuzzy bass and some straight outta da cave styled vocals. With so many styles of metal out there to be had cave metal is not that bad of a self-description to be honest with you. What I like about “Neanderthal Tales”is that these songs mix shit up… there is no singular pattern that they stick to. Just for that this EP gets some bonus points.” – In Effect Hardcore Magazine

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