Tag: decibel magazine

0 Streaming Now! Canada’s HYPERIA Combine Menacing Thrash Riffs And Pretty Melodies In “The Serpent’s Cycle”

November 16, 2023
by Asher
· Hyperia · Music News

NEWS RELEASE

Montreal, QC – November 16, 2023

Streaming Now! Canada’s HYPERIA Combine Menacing Thrash Riffs And Pretty Melodies In “The Serpent’s Cycle”

New Album “The Serpent’s Cycle” Out November 17th 2023

L- R – Skyler Mills – Guitar, Colin Ryley – Guitars, Marlee Ryley – Vocals, Aaron Bell – Drums, Jon Power – Bass

Photo Credit – Shimon Photography

Get ready to have your face blown off with the latest thrash attack from Canada’s Hyperia. Their third full-length “The Serpent’s Cycle”, out on November 17th, marks a new era for them boasting some of the most aggressive thrash metal they’ve ever written, complimented with plenty of melodic vocals and guitar work. It consists of everything Hyperia stands for shred, speed, and intricacy and it will definitely catch the attention of musicians and non-musicians alike. Hyperia shares their excitement for the release:

“This is the first album we’ve released that isn’t much of a concept album like our first two. This album deals with different lyrical ideas such as the human condition, philosophy, psychology, partying, and much more. Musically this album is insanely aggressive, technical, and fast. We have some of the fastest songs we’ve ever written on this album and during recording, we were all definitely pushed to, and sometimes past, our limits.”

To Hyperia, “The Serpent’s Cycle” is the pinnacle so far of their creativity and finesse. They’ve taken familiar elements they’ve used before, such as menacing thrash riffs and pretty melodies and by presenting a seamless interaction between each member of the band, their signature sound and furious stage presence is something to be admired.

The eleven-track album is much more polished than its predecessors and continues the same writing process, the majority of the songwriting is done by guitarist Colin Ryley but everyone gives input and transforms the songs into what they are in the end. Ryley also mixed the album, while Mika Jussila mastered it and the album art was done by Caitlin Delaplace.

Wailing vocals, shredding guitars, and fast, heavy drums await in “The Serpent’s Cycle”, which is recommended for fans of Lost Society, Exmortus, and Municipal Waste.

Listen to the full album stream “The Serpent’s Cycle” via its worldwide premiere on Decibel Magazine HERE.

“The Serpent’s Cycle” is due out on November 17, 2023, and is available for pre-order at https://hyperiametal.bandcamp.com.

Music Video – Prophet Of Deceit – https://youtu.be/95555tNTGLI

Music Video – Thrash Metal Machine – https://youtu.be/IzCxT3_eVaY

Music Video – The Serpent’s Cycle – https://youtu.be/K1O364D92Z8

Track Listing:
1. Ego Trip (4:41)
2. Automatic Thrash Machine (4:02)
3. Prophet of Deceit (4:16)
4. Psychosomatic (4:29)
5. The Serpent’s Cycle (5:04)
6. Trapped in Time (3:58)
7. Spirit Bandit (4:04)
8. Eye for an Eye ( 4:47)
9. Binge & Surge (3:44)
10. Deathbringer (5:31)
11. Crazy On You [Heart Cover] (5:03)
Album Length: 49:41

Album Credits:
– All songs performed by: Hyperia
– All songs written by: Colin Ryley, except Trapped in Time co-written with David Kupisz
– All lyrics by: Marlee Ryley
– Mixed by: Colin Ryley
– Mastered by: Mika Jussila
– Member of SOCAN
– Canadian Content MAPL

Hyperia is:
Marlee Ryley – Vocals
Colin Ryley – Guitars
Jon Power – Bass
Ryan Idris – Drums

For more info:
Facebook.com/Hyperiabandofficial
Instagram.com/hyperiametal

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“It’s a real pleasure witnessing the evolution of Hyperia through the years, carving their names in the Canadian scene and becoming one of the driving forces of the current Thrash Metal environment, with The Serpent’s Cycle definitely taking the band to new heights. ” – The Headbanging Moose

“The band sound absolutely blistering with the lead guitar work at a very impressive level while Marlee puts in her best vocal performance to date with unhinged screams and demonic snarls mixed in with some more melodic vocals which remain aggressive and full of that unbeatable thrash attitude. “The Serpent’s Cycle” is a great thrash record which retains its old school sound whilst incorporating a melodic sensibility without diluting the aggression. Definitely the strongest material the band have released to date and a big step up for the band. Another great thrash release in what has been a very strong year for the genre.” – Ever Metal

“A consistent piece of work, that thrashes, bites and grabs your attention with power, hardness and a melodic under current. If you like hard hitting melodic thrash, then ‘ The Serpent’s Cycle ‘ is one to look out for. All through this record there are precise rhythm and lead guitars, hammering drums, the bass rumbling along in all the right places. The musicianship is excellent and Marlee Ryley’s vocals are brutal. The production is clear, the guitars are up front, maybe I would personally like clearer vocals, but maybe hard to have good intonation when screaming and growling. Having listened to this album more than a few times now, it is definitely a grower, these four are tight, the serpents cycle only gets better with every listen .” – The Metal Pit

“devilish energy and almost limitless power, playful skills, the outstanding performance of Fronterin Marlee Ryley, creative, improved songwriting as well as a threatening sound world of aggression and madness!” – Obliveon

“Nothing seems to be able to stop these wild and unbridled Metal maniacs, and I believe that the live campaign to follow is going to be a real butchery.” – MetalNews.fr

““The Serpent’s Cycle” contains plenty to enjoy… if fast and furious is your bag, this is an album that you should spend some time with when it is released.” – Female Fronted Power

“If you prefer your metal loud, dark and just a touch campy (and who doesn’t?), then Calgary-turned-Vancouver rockers Hyperia are planning to deliver with Silhouettes of Horror, the follow-up to 2020’s equally furious and equally fun Insanitorium. First single “Operation Midnight” is an unrelenting barrage of riffage held down by Marlee Ryley’s throat-blistering vocals.” – Exclaim! – One of Exclaim!’s most anticipated albums of 2022

“With their second album Silhouettes Of Horror, Canadian thrashers Hyperia doubled down on the most ferocious elements of their sound to achieve a sound that owed more than a passing nod to Tetonic thrashers Kreator or Destruction. The fact vocalist Marlee Ryley can deliver blackened snarls with as much gusto as trad-metal histrionics helped them stand out from the crowd, firmly establishing Hyperia as promising up-and-comers in the wide world of thrash. RH” – Metal Hammer – The top 10 best thrash metal albums of 2022

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0 ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

January 19, 2023
by Asher
· Asylence · Music News

NEWS RELEASE

Montreal, QC – January 19, 2023

ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

New Album “Endanger Us All” Out Feb 24th

Photo Credit – Paul Raymond

Hailing from Detroit, USA, Asylence brings together a solid group of influences in their take on melodic death metal. The release of the album “Endanger Us All” is nearing this February and in lead up to its unveiling, the quartet is sharing their next single “Eternity, Please” accompanied by a music video. On this track, the band’s black metal influences are more prominent at the beginning before taking a turn into their own sound. With a little bit of experimentation, it is the darkest and brooding track on the record. The band dives into details about the song:

“The lyrics tell a tale of a king who wanders his halls with no question to his reign but still he suffers. Heavy and lonely is the crown, and the years can feel like an eternity alone. We wanted to continue to show off the newer material and this one starts off as heavy as you could ever want. Definitely a blend of old influences and the newer direction we’re taking, this song was a challenge to write but we couldn’t be more proud. This song is the perfect representation of the direction we want to continue for our music.”

Vocalist Ryan Lang explains that he wrote the lyrics to this song coming out of a pretty heavy depression and he feels like it shines through. Misery loves company, sometimes the misery never truly goes away. As for the rest of the album, lyrically it’s mixed because of the timeline in which songs were written, but overall the band feels like it hits the way it was meant to. They try to convey a message to their audience more than they try to shock with vulgarity, and Lang’s message is usually that of self-awareness and the horrors that can occur under the guise of salvation. Musically these songs weave the emotion and intensity of their message.

Their new album “Endanger Us All” is nine tracks long, was produced, mixed, and mastered by guitarist Aaron Lumsden and the artwork was done by Diyaco Paymazd. It is recommended for fans of Devildriver, Amon Amarth, and Arch Enemy.

Watch and listen to the video for “Eternity, Please” via its premiere on Decibel Magazine HERE.

“Endanger Us All” is due out on February 24, 2022.

Previous music videos can be seen on the band’s YouTube here.

Track Listing:
1. A Call To Arms – 0:55
2. Endanger Us All – 3:53
3. The Garden of Disrespect – 3:34
4. Eternity, Please – 3:37
5. In Solidarity, We Die – 3:32
6. Arrows For Christ – 3:25
7. In This Hell – 3:47
8. Soulless – 3:32
9. A War Waging Within – 3:16
Album Length: 29:35

Album and Live Band Lineup:
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

For more info:
https://www.asylence.com
http://www.facebook.com/asylence
http://www.instagram.com/asylence
http://www.twitter.com/asylence
http://www.tiktok.com/@asylence

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

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“There’s some truly fierce deathcore emerging from the Midwest. One of the most promising acts from the region is Asylence. Not only do they lean into the tropes of the genre (Gotta love that quick little bass fill before the vocals kick in!) but their brand new video, ‘Arrows For Christ’ is absolutely killer!” – Metal Injection

“Eulogy of Man features top musicianship and is a heavy, melodic, groove-laden group of songs sure to excite old-school heads as well as forward-thinking fans of modern bands.” – Ghost Cult Magazine

“Michigan metal outfit Asylence have teamed up with Metal Insider to premiere a video for their emotionally-driven new song, “Endanger Us All.” – Metal Insider

“Sometimes there’s nothing wrong with going with a classic formula and hitting it out of the park.” – Dead Rhetoric
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ASHER MEDIA RELATIONS
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0 Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

November 17, 2022
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – November 17, 2022

Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

Photo Credit – Andrea Roberts

Recently wrapping up their North American tour supporting legendary German speed metallers ACCEPT, Narcotic Wasteland founded by guitarist Dallas Toler-Wade is sharing their assaulting new single “Victims of the Algorithm” with a music video premiere on Decibel Magazine HERE.

The track is a crushing speed storm of death thrash, with its visceral vocals, and a demolishing blast beat war to annihilate the mosh pit. The song is the first time drummer/ vocalist Joseph Howard collaborated with Wade.

“I had the music done for an untitled track that I already recorded in the studio, but I didn’t have lyrics written yet, then Joseph showed me lyrics he wrote called Victims of the Algorithm and after I read them, I knew they were the perfect match for this song. To break it down, Victims of the Algorithm is about a lot of things, but for me, after reading Howard’s lyrics, it’s mostly about putting down our phones and breaking free from this ridiculous round of existence we have created for ourselves. Disconnecting from the daily neurotypical absurdities and enjoying life in the moment.” says Wade.

The music video was created by Kenji Tsunami of Tsunami films. Footage for the video was captured at the Thirsty Axe in Ukiah, CA, and at the band’s rehearsal space in San Francisco, CA.

“I think Kenji really captured our live prowess very well!! It has a very gritty punk rock feel to it, and fits the song and its meaning perfectly,” adds Wade.

“Victims of the Algorithm” will be featured on Narcotic Wasteland‘s forthcoming 2023 album via Megaforce Records (release date to be determined). The single was recorded with engineer, and producer Erik Schultek who is no stranger to the band having recorded drums, engineered and produced their self-titled debut album. The band’s 2023 album will be the follow-up to their sophomore full-length 2017’s “Delirium Tremens”.

Stream for “Victims of the Algorithm” available on https://orcd.co/nwvota

Inspired mostly by thrash metal and classic heavy metal, Narcotic Wasteland is becoming more thrash and speed and less death metal and getting better at writing material that is meaningful and powerful. They are recommended for fans of Vader, Death, The Crown, Autopsy, Pestilence, and Nile.

Previous singles:

“Morality and the Wasp” – https://youtu.be/fXThLKTP-xI

“The Best Times Have Passed” – https://youtu.be/U6kB087hGyY

For more info:

https://www.narcoticwasteland.com
http://www.facebook.com/narcoticwasteland
https://www.instagram.com/narcoticwastelandofficial
https://twitter.com/Narco_Wasteland

About:

Narcotic Wasteland started as a side project Dallas Toler-Wade had been working on the past few years when he was not touring or in the writing/studio with metal heavyweights “Nile.”

‘So I just started writing some songs kind of more in the style of things I was playing before my time in Nile. The more we started working on these demos the more we wanted to complete an album and take it to the stage!!! Our observation of what was going on in parts of the town we grew up in and in other parts of the world fueled a new level of angst for me personally.” DTW

– 30 –

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0 Decibel Mag Premiere – Streaming Now! Our Dying World’s New Album “Hymns Of Blinding Darkness”

June 22, 2022
by Asher
· Music News · Our Dying World

NEWS RELEASE

Montreal, QC – June 22, 2022

Streaming Now! Our Dying World’s New Album “Hymns Of Blinding Darkness”

“Hymns Of Blinding Darkness” Due Out June 24th

Photos Credit – Jamie Kaufman

L-R – Austin Mitrofanis (Guitar), Graham Southern (Keyboards and Orchestration), Tom Tierney (Drums), David Ainsworth (Vocals), Raymond Sanchez (Guitar), Nick Laux (Bass)

Hailing from Los Angeles, USA, Our Dying World has been hard at work over the pandemic forging a new path in the metal world. Initially, they were more in the vein of thrashy death and released their debut album in 2019, but now they have embraced the melodic side of things and present their new form to the world through “Hymns of Blinding Darkness”. They explain further:

“It is an exceptional album of melody, personal experience, and the dedication of trying to push ourselves to our furthest limit. Lyrically, it speaks of many walks of life: sorrow, loss, hopelessness, but also empowerment, triumph, and solitude. There’s something for everyone to relate to in the wake of current times and cultural status. Musically, the record is attempting to stand out with its sophisticated arrangements, catchy hooks, and heavy melodies. It feels like a massive step up from where we were with Expedition and we think it’ll present itself as such.”

For the band, music comes from the spirit and when the lyrics happen, they’re usually derived from a personal experience or feeling that is going on in their lives. Musically, symphonic and melodic death metal isn’t the only genre that inspires them, they also give prominent nods to blues through their leads and solos.

Sticklers for details, when it is time for the band to go live they will provide an experience that’s more personal, intimate, and involved for the audience, unleashing a torrent of deep emotion, intense passion, and flowing melodic death metal upon fans.

“Hymns of Blinding Darkness” was produced, mixed, and mastered by Alex Crescioni at Stygian Sound. It is recommended for listeners of Wintersun, Children Of Bodom, and Nightwish

The album “Hymns Of Blinding Darkness” can be heard in full via its premiere on Decibel Magazine HERE.

The full-length officially releases on June 24, 2022.

Album pre-order at https://ourdyingworld.com/music/

Music Video – Veil Of The Reaper – https://youtu.be/QBBlQVNaJoI

Lyric Video – Survivor – https://youtu.be/xZ8zw4lgAGY

Track Listing:
1. Ads Moriendi (1:46)
2. Everything We Know Is Gone (4:42)
3. Under The Hunter’s Blade (7:33)
4. Survivor (7:32)
5. Path Of The Nomad (4:58)
6. Diary Of A War Dog (6:31)
7. Valediction (1:50)
8. Veil Of The Reaper (4:37)
Album Length: 39:32

Album Credits:
– All songs written and performed by Our Dying World
– Produced, Mixed, and Mastered by Alex Crescioni at Stygian Sound
– Album Artwork by Nick Laux
– Album Band Lineup:
David Ainsworth – Vocals
Raymond Sanchez – Guitar
Austin Mitrofanis – Guitar
Graham Southern – Keyboards and Orchestration
Nick Loxx – Bass
Tom Tierney – Drums

For more info:
Facebook.com/ourdyingworld
Instagram.com/ourdyingworld
Twitter.com/ourdyingworld11

About:

Over the last few years, Los Angeles’s Our Dying World has gone through a tremendous evolution of sound from thrashy death metal of their debut EP Expedition to the symphonic and melodic keyboard-oriented stylings of bands like Children Of Bodom, Nightwish, and Dimmu Borgir.

Formed in 2018 by drummer/guitarist Tom Tierney (ex-Whiplash), the group has played shows all over the USA in their short time together, bringing their sound from the fabled Sunset Strip in Hollywood to the New Jersey Metalfest where they opened for Metal Mike of Halford.

One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.

– 30 –

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ASHER MEDIA RELATIONS
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#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Decibel Mag Now Streaming Deformatory’s “Inversion of the Unseen Horizon”

September 9, 2021
by Asher
· Deformatory · Music News

NEWS RELEASE

Montreal, QC – September 9, 2021

Decibel Mag Now Streaming Deformatory’s “Inversion of the Unseen Horizon”

Ottawa’s Deformatory has a new album and it is now streaming in full over on Decibel Magazine HERE.

“Inversion of the Unseen Horizon” is the fifth release from Deformatory, adding to previous works, ”A Prelude Of…” (2011); “In The Wake of Pestilence” (2013); “Malediction” (2016); and “Bilateral Carnage” (Split with Blood of Christ, 2018).

The concept album follows the story of a malevolent interdimensional entities that seek to enslave and consume all light from the universe. Lyrically and musically, Deformatory has gone to great lengths to ensure a brutal, captivating and cohesive work of art. The band shares their take on the overall experience they are trying to convey:

“For us, the artwork and concept of the album were just as important as the music and songwriting. Our hope is that every audio and visual release that is connected to this album helps the listener dive deeper into the totality of our creation.”

Deformatory shares their hopes for the album’s reception:

“We hope it gets received the way we receive it when playing it. We have tons of fun jamming the songs and it automatically causes our heads to bang. It’s a heavy and jam-packed album that has a little bit of everything wrapped in brutal death metal packaging. Our hope is that fans of all extreme metal spectrums will find at least one thing in it to enjoy.”

Deformatory has a high level of chemistry when it comes to writing, on this album, there are some songs that were written in just an hour or two because we were in the pocket and everything flowed the way it should. According to the band, they don’t put a lot of thought into the writing, nor do they concern themselves with the theory behind it. If it sounds good to them and makes them want to demolish the room, then it’s a keeper.

Recommended for fans of Hate Eternal, Cryptopsy, and Morbid Angel, “Inversion of the Unseen Horizon” can be enjoyed on
physical CD and digital download at http://deformatory.bandcamp.com

Previous Videos:
In The Embervoid Where Dead Stars Reign – https://youtu.be/7M5DSSNg3fY
Beyond The Abhorrence – https://youtu.be/Hj9B4QPJ-YI
Impaled Upon The Carrionspire ft. Jon Levasseur (ex-Cryptopsy) – https://youtu.be/03VlbpSDNmU
Summoning The Cosmic Devourer – https://youtu.be/FIdlOiOR1Zs

Track Listing:
Chapter I – INCEPTION: THE CYRU’XILEAN NEXUS
1. Within The Astral Abscess (5:20)
2. Behold, The Apex of Decay (4:36)
3. Enginieering The Wvrmhorde (4:39)

Chapter II – INCURSION: THE PROTOTYPAL ESCHATON
4. Summoning The Cosmic Devourer (7:13)
5. Masticated By An Infinite Shadow (4:30)
6. In The Embervoid Where Dead Stars Reign (3:52)

Chapter III – INVERSION: THE HORIZONTAL REFLECTION
7. Deciphering The Archetype (3:53)
8. Impaled Upon The Carrionspire (5:01) (Classical guitar and solos by Jon Levasseur (ex-Cryptopsy))
9. Beyond The Abhorrence (4:13)
Album Length: 43:21

Album Band Line Up:
Charlie Leduc – Guitars & Vocals
Neil Grandy – Drums

For more info:
http://www.deformatory.ca
http://www.facebook.com/deformatory
http://www.instagram.com/deformatory
EPK

About:
Deformatory is a death metal band from Ottawa, Ontario, Canada. Forming in 2010, they set out to create an extreme sound, fusing together classic influences (Cryptopsy, Morbid Angel, Suffocation, etc.) and their love for modern tech death. The result is a uniquely relentless blend of death metal that can only hail from the Northern hemisphere.

Deformatory independently released their full-length debut, “In The Wake of Pestilence”, in December of 2013. This pummeling 9-track debut has been exceptionally well-received by fans worldwide, and has been cited as being an “outstanding and monstrous debut album. Essential.” (Frank Rini – AllAboutTheRock, ex: Internal Bleeding), and “flawless in every way” (TheBloodShed).

Having shared the stage with bands like Cryptopsy, Napalm Death, Obscura, Beyond Creation, Gorod, Archspire, and Fuck The Facts, Deformatory is more than comfortable delivering their crushing brand of extreme metal to live, screaming, and sweaty audiences.

The band’s sophomore release, “Malediction”, was released worldwide via CDN Records in 2016, with additional singles “Once Upon the Cross” (Deicide cover), and “Myiasis” both in 2018. Since then, DEFORMATORY has been developing their 3rd full-length album entitled “Inversion of the Unseen Horizon”, which they plan to unveil in the Fall of 2021 as an independent release.

– 30 –

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ASHER MEDIA RELATIONS

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jon[@]ashermediarelations[.]com
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0 Before it officially drops this Friday, April 23rd via Plan B Music. Montreal’s WarCall is premiering on Decibel Magazine the full stream of their new EP “Dead End Pt. 1”

April 22, 2021
by Asher
· Music News · Warcall

NEWS RELEASE

Montreal, QC – April 22, 2021

For fans of Motorhead, Metallica, Dissection, Iron Maiden, Slayer

Streaming Now! WarCall’s “Dead End Pt. 1”, Tales Of Struggle And Perseverance

EP Stream Premiere via Decibel Magazine

“Dead End Pt. 1” Out April 23rd via Plan B Music

L-R – Phil – Drums, Gord – Vocals / Bass, Mat – Guitar, JC – Guitar
Photo Credit / Artwork: Timur Khabirov

Canada’s WarCall will be dropping two EPs in 2021, their first, “Dead End Pt. 1” will be released on Friday, April 23rd and before it’s officially out, the band has teamed up with Decibel for its full stream premiere HERE.

Melodic and energetic, this four-track EP has a little something for everyone, with influences ranging from old school thrash and death to classic metal and more.

The creation of this EP was unusual for the band, the music was written collaboratively, but the drummer came up with most of the lyrics. He writes about struggle; “Dead End Pt. 1 and 2″ are not concept releases; they are a collection of 9 tales of struggle and how we can overcome them.

Recorded and mixed in a post-apocalyptic setting, the band has let the events of 2020 influence the process and the mood of both EPs, while still aiming for a timeless production that will age well. WarCall has decided to release the first EP, and the other half will be released later this year. They share their thoughts on the recordings:

“We are really proud to release the first EP. It is our best production yet. In terms of songwriting, musicianship, and recording, it represents a step forward in the evolution of the band. Back to being a 4 piece, we focused on writing and arranging songs that emphasize the possibilities they bring.”

The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020.

With the modern and crisp production, listeners will be able to enjoy the music of the band as a whole, while being able to focus on each musician’s performance. Whether it is the natural and powerful drums, tight bass, precisely recorded guitars, or the over-the-top vocal performance, each of WarCall’s musicians shine throughout the two EPs to let the music be the main focus.

Fast and dramatic, WarCall is recommended for fans of Dissection, Iron Maiden, and Slayer.

“Dead End Pt. 1” will only be released digitally as of April 23, 2021 via Plan B Music on the following platforms: Warcallmetal.bandcamp.com, Spotify, Apple Music.

Music Video – The Chase – https://youtu.be/vsTqL77jAeQ

Track Listing:
1. Reckless (4:19)
2. Death Wish (8:00)
3. 800x (3:42)
4. The Chase (4:41)
EP Length: 20:44

EP and Live Band Line Up:
Gord – Bass and Vocals
Phil – Drums
Mat – Guitars
JC – Guitars

For more info:
Facebook.com/warcallband
Instagram.com/warcallband
EPK

About:
War has always been an intrinsic part of humanity. Whether it is huge wars involving entire countries or the small wars we all fight every day to survive, it is fair to say that war has defined humanity.

One of the definite treatises on war is Sun Tzu’s ‘The Art of War’; a book still in print to this very day. On the use of music in war, Sun Tzu writes: “Gongs and drums, banners and flags, are means whereby the ears and eyes of the host may be focussed on one particular point.”

Now, we have WarCall, who not only use drums, but also bass, guitars, and vocals to achieve the same end with their growing army of fans.

Inspired by Iron Maiden, Metallica, Motorhead, Dissection, and Slayer, guitarist Mathieu Simard describes WarCall’s music as “fast, aggressive, melodic, dramatic!”.

Now, with four well-received albums under their bullet-belt (Invaders (2017), III (2015), Blood, Guts, and Dirt (2013), Demonarchy (2008)), this power-quartet will unleash two new EPs in 2021, “Dead End Pt. 1” on April 23rd with “Dead End Pt. 2 expected to follow in the Fall via their own label Plan B Music.

As a whole, the two EPs are a collection of 9 songs, 9 stories about struggles during 2020 (“Dead End Pt. 1” being 4 tracks). The EPs were recorded and mixed in a post-apocalyptic setting. As with every album, “Dead End Pt. 1” and “Dead End Pt. 2” are technically more advanced in terms of songwriting and production. Of course, Warcall has evolved as musicians from each album, but they believe that their total is greater than the sum of its parts, so they play what feels right for the metal.

The band comments:

“We have let the events of 2020 influence the process and the mood of the two EPs, while still aiming for a timeless production that will age well in time. The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020.”

Live, post covid times, WarCall will truly give it their all with total authenticity. What you hear on their recordings is what you hear on stage. Energetic, powerful, focused, and proficient performances ready to encourage the circle pit.

WarCall has toured Europe (FR, DE, BE, CZE, SP) three times along with multiple tours across Eastern Canada. They have also been opening support for such bands as Destruction, Anvil, Paul Di’Anno, Kalmah, Catamenia, Impaled Nazarene, Arkona, Norther, Anonymus, Slaves on Dope, Martyr, Reanimator, Wolven Ancestry.

WarCall’s new EP “Dead End Pt. 1” is due out April 23rd, 2021 via Plan B Music.

– 30 –

“Big things are happening for Montreal’s WarCall…Motor-Maiden-‘tallica brand of street wise thrash…” – Decibel Mag

“The creativeness they’ve put into their debut far surpasses anything else I have heard from new Canadian bands this year…Inventive, fun, crisp and a great first offering”. – Exclaim!

“WARCALL’s delivery is fresh, powerful, with good drive and melodies and this tight-knit feeling that just gives you this sense of urgency.” – The Metal Observer

“Actually, “very very heavy” doesn’t go far enough. “Bully Bastard” slugs had enough to loosen teeth and leave bruises, and the grooves are damned compulsive, too, so loosen up your neck muscles before diving into this track. But while the song rocks hard enough to shake listeners like rag dolls, the music also channels rage and intensity through the raw grit of the vocals and the grim (but very catchy) vehemence of the riffs.” – No Clean Singing

“Fans of an old school thrash/speed sound will find plenty to enjoy throughout Invaders. 10 tracks of meaty metal that makes you want to dig out the old patch jacket & head-bang until your neck fuses.” – Games, Brrraaains & A Head-Banging Life

“If you enjoy old school thrash, early speedy rock ‘n’ metal MOTÖRHEAD or DARKTHRONE in their thrashy black metal/crusty punk phase then WARCALL will wet your appetite and get you salivating! Dig out your battle vest, your whitewashed denim jeans, and white trainers and bang that head furiously!” – All About The Rock

“It’s fast, it’s heavy, it’s exciting, and it doesn’t try too hard to be something it’s not, while also knowing exactly what it is. That’s a rare trait to have in a band, and it shows their consistency and maturity as songwriters; you can really tell this is not their first album. The ultimate takeaway here is that WARCALL deserve a lot more attention than what they’re currently getting. I hope to see them take things to the next level on their next full-length.” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Decibel Mag Premiere – Streaming Now! Canada’s Fuck The Facts Are Back At It With New Album “Pleine Noirceur”

November 19, 2020
by Asher
· Fuck The Facts · Music News

NEWS RELEASE

Montreal, QC – November 19, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

Streaming Now! Canada’s Fuck The Facts Are Back At It With New Album “Pleine Noirceur”

Album Stream Premiere via Decibel Magazine

New Album “Pleine Noirceur” Out Nov 20th via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

The grindcore smorgasbord of Fuck The Facts have a new album “Pleine Noirceur” coming November 20th and before it officially drops, the band is premiering its full stream via Decibel Magazine HERE.

Experimental and unapologetic, and one of the longest-running bands in the Canadian extreme music scene, they have been destroying stages around the world, from big festivals to dingy basements, since the early 00s.

The first release since 2015, “Pleine Noirceur” dives deep into harsh melodies, different layers, and a variety of different arrangement ideas where each of the members can flaunt their creativity and contribute wholly to the production. Fuck The Facts comment on the album:

“This album is meant to flow as a single piece. With “Desire Will Rot” we feel like we regained some of the dynamics that we lost on “Die Miserable”, and on “Pleine Noirceur” we’ve gone full-on with even more peaks and valleys than I think any record we’ve done in the past. I know it’s not really the trend, but the focus is more on the album than the individual songs themselves.”

“Pleine Noirceur” was recorded and produced entirely at the band’s very own Apartment 2 recording studio. The studio was first started in 2010 when the band recorded their album “Die Miserable” and has since seen many different artists from overall come in to make records.

Fuck The Facts has always put a lot of hard work into being the best possible live band, and it’s something they are constantly looking to improve on. Staying true to their roots and themselves, they are not trying to win people over with flash and fluff.

Recommended for fans of Converge, Cephalic Carnage and The Dillinger, “Pleine Noirceur” will be available on November 20th via the band’s very own label Noise Salvation.

Album Pre-order HERE (Digital, CD, Cassette, Vinyl).

Spotify playlist add HERE.

Videos:
“Ailleurs” – YouTube (Music Video)
“Pleine Noirceur” – YouTube (Music Video)

Track Listing:
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

About:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Cosmic Anguish Abounds As Ancient Thrones Release Concept Album “The Veil”, Premiere Full Stream via Decibel Magazine

November 4, 2020
by Asher
· Ancient Thrones · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – November 4, 2020

For fans of Revocation, Skeletonwitch, The Red Chord, The Black Dahlia Murder, Wolves in the Throne Room

Cosmic Anguish Abounds As Ancient Thrones Release Concept Album “The Veil”

Premiere Album Stream via Decibel Magazine

New Album “The Veil” Out November 6th

L-R: Dylan Wallace (Guitar)| Nick Leslie (Guitar)| Sean Hickey (Drums, Vocals)| Matt LeBlanc (Bass)
Photo Credit – Matt LeBlanc

Canada’s Ancient Thrones have had much lead up to the release of their new album “The Veil” with three singles, now the wait is over and fans around the world can experience the entire melodic, gritty story on the concept album.

Ancient Thrones shares their madness behind the music and their hopes for listeners:

“The record is a concept record so it’s meant to be listened to in its entirety to get the full experience of the story. Even the songs were written and laid out in a way that they seamlessly transition into each other. Almost as if it was just one long piece of music broken up into separate parts as tracks. We want people to headbang and mosh, but we also want to bring people on a journey through this world of purgatory and grief and understand each phase of grief the record represents through the 10 tracks.”

“The Veil” is a 57-minute descent into the afterlife. Ancient Thrones intends to tell a compelling story of grief that people can relate to through a dark and progressive package droning with cosmic anguish where nothing is as it appears both musically and lyrically. Much like the album, the band went through a metamorphosis writing this piece and grew together as musicians, songwriters, and people.

Recommended for fans of Revocation, The Red Chord, and The Black Dahlia Murder, “The Veil” will be officially out as of Friday, October 30^th, 2020 and before it drops, the record can be heard in full on Decibel Magazine HERE.

The album will be available on Bandcamp, Spotify, Apple Music, Amazon.

Track Listing:
1. Transient (1:58)
2. The Sight of Oblivion (6:00)
3. The Millionth Grave (5:53)
4. The Soul to Flesh (6:14)
5. Viduus (The Veil) (9:29)
6. Sentient (2:11)
7. The River of Rain (4:32)
8. Divided/Dissolve (9:12)
9. The Infinite Eyes (9:10)
10. Permanent (2:54)
Album Length: 57:38

More info:
Facebook.com/Ancientthrones
Instagram.com/ancientthrones
EPK

About:

Ancient Thrones, formerly “Abysseral Throne”, is a locally acclaimed blackened metal outfit that rebranded to suit major changes in line-up and songwriting.

Formed in 2011, they quickly went to work to establish themselves among their scene and gained local notoriety eventually allowing them the opportunities to open for renowned metal acts from across the globe.

Sean Hickey (drums/vocals) is the sole original founder of Abysseral remaining, Matt LeBlanc joined in 2015 on bass and improved and refined the sound and operation drastically. Once they lost their original singer and guitar player Jonny Rains, Dylan Wallace joined and took over main songwriting duties. Hickey took over completely on vocals with a black/death metal vocal style, and Nick Leslie joined shortly after on the second guitar. Work began on writing a new album which took about 3 months to write the music for. The new material sparked the name change to Ancient Thrones as an homage to one of Hickey’s favorite bands and inspirations, Wolves in the Throne Room.

In 2013 the band released its debut record and its subsequent follow-up in 2016, “Storming The Black Gate”, which was nominated for an East Coast Music Award. Ancient Thrones have toured throughout Canada, and played at several festivals, sharing the stages with bands such as Silverstein, The Agonist, Black Crown Initiate, and Skull Fist.

2020 sees the release of the concept album “The Veil” showcasing the band’s desire for storytelling and pushing them to new heights musically. The new album explores the journey of a man faced with tragedy, his mortality and ultimately the permanence of our actions told through technical soundscapes and haunting atmosphere.

– 30 –

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing

“a 57-minute descent into purgatory….” – Permafrost Today

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
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0 Decibel Mag Premiere: Canadian Thrash Legends ANONYMUS Descend Into Insanity With Music Video “Bicho Loco”

August 13, 2020
by Asher
· Anonymus · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 13, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Testament, Voivod, Lamb Of God

Canadian Thrash Legends ANONYMUS Descend Into Insanity With Music Video “Bicho Loco”

Premiere Video via Decibel Magazine

First Spanish Album “La Bestia” Out Now! via Bam&co Heavy

Hosting Live Stream Performance September 5th From Quebec City’s L’Anti Bar & Spectacles

L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)
Photo Credit: Dani Rod

Canadian thrash legends Anonymus are have been having a busy summer during these Covid days. Unleashing their latest album “La Bestia” via label Bam&co Heavy this past June along with launching their own IPA beer (La Microbrasserie Le Fermentor), named in honour of their first Spanish release. The band is sharing their next music video “Bicho Loco” translated to “crazy bug” in English. It was directed by Mathieu Charest who previously created their music videos ‘Suffer The Consequences’, and with Mononc Serge ‘Sous-Marin Brun’, ‘L’Age de Biere’, ‘Woodstock en Beauce’. The video also stars well known Quebec actor Martin Dubreuil and follows his character as he descends into insanity from being his own worst enemy.

Watch the video via its premiere on Decibel Magazine along with a Q&A interview with Anonymus‘ Oscar Souto (Vocals and Bass) at the following link HERE.

The band adds about the track:

“A song about a virus, cancer, a disease, something that eats you from inside, that comes and goes without warning. You don’t want that thing in your life, but no matter what, it’s there and you have to live and deal with it. Resonates with what is definitely occurring worldwide as of this moment.”

In additional news, Anonymus will be hosting a live stream performance from L’Anti Bar & Spectacles in Quebec City on September 5th. Full details on watching the virtual concert can be found here.

On June 12th, Anonymus released their latest album “La Bestia” via label Bam&co Heavy. Known for their discography of both French and English releases, “La Bestia” is their first full length that is completely in Spanish. You may be asking why a Spanish album? Well since 3/4 of the band speaks Spanish. Drummer Carlos Araya is Chilean born, and Oscar (Lead Vocals and Bass) and Dan Souto (Guitars and Backing Vocals) are sons of Spanish immigrants it was time to make one.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

With over 2.5 million streams on Spotify, Anonymus is showing no signs of slowing down. Fans of thrash metal standbys such as Slayer and Testament will no doubt be intrigued by this new offering.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK

About:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Decibel Mag Video Premiere: Halifax’s Beer Slaying Stoner Rock HITMAN’s “Curtain Call”; New EP “The Offering: Side 1” Out September 14th

August 30, 2018
by Asher
· Hitman · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 30, 2018

For fans of Clutch, Down, Black Sabbath, Sleep, Pantera, Monster Truck, Metallica

Decibel Mag Video Premiere: Halifax’s Beer Slaying Stoner Rock HITMAN’s “Curtain Call”

New EP “The Offering: Side 1” Out September 14th

L-R – Sylvain Coderre -Drums, Corey Norman – Guitars, Andrew Coutts – Bass, Jordan Rose – Vocals – Photo Credit = Emily Wilkins

From the rocky shores of Halifax, Nova Scotia, Canada, HITMAN have been conjuring up their next EP “The Offering: Side 1” set to be released on September 14th, 2018. This will be the third EP from the whisky infused, stoner groove rock quartet and it is sure to be a hit among a wide range of listeners who are currently fans of Black Sabbath, Pantera and Sleep. Offering a sound that is familiar to the genre, but still refreshing and creative, HITMAN is poised to continue proving why they are one of Canada’s best up and coming acts. The band has been gaining notoriety by playing hundreds of gigs over the years and sharing the stage with the likes of Sum 41, New Found Glory, Silverstein, Metalian, Zaum, Skull Fist, The Agonist, Black Wizard, Diemonds, and Black Moor plus they were once endorsed by Rob Halford of Judas Priest when he wore a Hitman T-shirt onstage during a performance in Halifax in 2015.

Created for fans looking to hear sweet riffs, well thought out melodies and an overall groovy sound, “The Offering: Side 1” has fast songs, slow songs and embraces different lyrical themes throughout.

Their new video for their EP’s opening track “Curtain Call” is one to get you ready to slam a six pack and have a good time.

“We are extremely excited to premiere this music video. It’s our first one and we had a lot of fun filming it. The video is set at our jam spot where we threw a huge kegger. This is more so just a glimpse into our weekend lives. We’re a stoner metal band that enjoys a good party. This new EP is for people who like to hear some groovy riffs. This is literally our musical offering to you.”

Check out “Curtain Call” premiered via Decibel Magazine at the following link: https://www.decibelmagazine.com/2018/08/30/video-premiere-hitmans-curtain-call-drinks-em-all/

EP pre-order available at https://hitmanhalifax.bandcamp.com.

Their first single “Nero” can be heard on the following platforms.

Youtube: https://youtu.be/rMyJB6KnL04
Bandcamp: https://hitmanhalifax.bandcamp.com/track/nero
Soundcloud: https://soundcloud.com/hitmanband/hitman-nero-2018
Spotify: https://tinyurl.com/y9wkwhhc

Track Listing:
1. Curtain Call (2:03)
2. Under the Weight (5:27)
3. Nero (4:42)
4. Enchanted Wizard/ Hail The Outro (5:20)
EP Length: 17:34

Album and Live Line Up:
Jordan Rose – Vocals
Corey Norman – Guitars
Andrew Coutts – Bass
Sylvain Coderre – Drums

For more info:
https://www.facebook.com/Hitmantheband
http://www.twitter.com/hitmanhalifax
EPK – https://wp.me/pciNW-co7

BIO:

Playing an energetic brand of stoner metal guaranteed to get your blood pumping and headbanging, Hitman have been unleashing their unique whiskey rock assault since 2011. Located in Halifax, Nova Scotia, Canada, they have been gaining notoriety by playing hundreds of gigs along with festivals.

Sylvain Coderre (drums) started the project initially and reached out to long time friend Jordan Rose (vocals) to see if he’d be interested in fronting the band, who was followed by Andrew Coutts (bass). A week before their debut tour the band found themselves short on members so Corey Norman (guitars) stepped in, learned the setlist in a week, they hit the road with the solidified lineup.

With musical influences ranging from Black Sabbath to Pantera to Sleep, Hitman coins themselves as high energy, whiskey infused, stoner rock keen on punching out hard rock riffs.

“We’re a stoner band that drinks too much and loves to party. So the roots of sludgy stoner rock are there but the booze fuels some more up-tempo songs. Basically we just want fans to enjoy the music and live shows as much as we enjoy making the tunes and performing.” quips vocalist Jordan Rose.

In 2013, Hitman performed at the inaugural Maritime Metal and Hard Rock Fest in Nova Scotia, Canada and released their debut EP “Whiskey Downfall”. In 2014, they returned to the festival as headliners and dropped the second EP “The Preacher” which was re-released in 2015 with a bonus track. Continuing on this momentum, Hitman won their way to play at Warped Tour 2016 in New York through contest held by Live 105 FM. That year they also returned to headline the Maritime Metal and Hard Rock Fest again.

With 3 EPs under their bullet belts, they continue to conjure a blend of stoner rock that is both familiar and fresh. With new music in the cauldron, “The Offering: Side 1” EP planned for release in 2018 followed by “The Offering: Side 2” in 2019.

– 30 –

“”The Offering Side 1″ is their third ep and quite possibly, their best. While executing the same energy they bring to their live show this recording easily demonstrates why Hitman are among the premier heavy bands coming out of Atlantic Canada right now. From the opening riff of “Curtain Call” to the end of “Enchanted Wizard/Hail The Outro” this EP kicks ass and keeps the energy high without repeating itself. Each song contains a perfect blend of raspy yet melodic vocals, blistering guitars and great songwriting.” – Bill Aresnault – Mettalworx

“So I’ve had the privilege to sit down with the new Hitman EP, and here’s what’s up. The boys hit back full throttle with their trademark take on Heavy Metal, which delves with influences from a couple generations of the genre for a unique sense familiarity; yet sounds fresh and engaging. With a riffing style that could almost be described as Pantera meets Black Sabbath, vocals that ring, to me, as a James Hetfield/Phil Anselmo hybrid; furthermore with a melodic sense that strongly reminds me of Thin Lizzy. On top of that, with a superb production job that captures all these vibes on point that will melt your ear holes. Hitman cover all the bases adding their individual touch along the way bringing their strand of ‘Heavy Fucking Metal’ to the Maritime scene. Looking forward to Pt. II of the EP at a later date!!” – Travis Macleod

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