Tag: decibel magazine

0 Streaming Now! NIGHTWRAITH’s Progressive MeloDeath Epic Album “Divergence”

September 12, 2024
by Asher
· Music News · Nightwraith

NEWS RELEASE

Montreal, QC – September 12, 2024

Streaming Now! NIGHTWRAITH’s Progressive MeloDeath Epic Album “Divergence”

L-R – Caleb Jose Tardio – Keyboards/Synthesizer, Igor Panasewicz – Guitar, Isidro “Spy” Soto – Drums, Jacob St. Amand – Bass, Benjamin Pitts – Vocals/Guitar

Photo Credit – Josh Massara

NightWraith, the progressive melodic death metal band from Denver, USA presents their latest and new offering “Divergence”. An album featuring eight original tracks and a cover version of Pink Floyd’s “Us and Them”, the full-length has a lot of depth to it and is not a traditional metal record.

Vocalist guitarist Benjamin Explains further:

“We hope people can appreciate the risks we took on this record. We wanted to really kick it up a notch for anyone who already knows our music since they might be expecting that from us. We also don’t want to turn off any potential new listeners, so it was kind of a fine line between what current fans expect from us, and what brand-new listeners are willing to keep an open mind for. There’s really something for everyone on this album, whether it’s 80’s style guitar riffs, blast beats, electric piano, or guttural vocals.”

“Divergence” takes listeners on a sonic journey. There are many layers to it and the band’s idea was for people to hear something new with each listen. The album is intended to lift you up with major melodies, evoke emotion with harmonic minors, and harken overall feelings of nostalgia and hope. ‘Divergence’ often utilizes classic songwriting structures (verse/chorus/bridge/lead). Each instrument is not overly complicated, but when layered on top of each other, the music has a lot of depth. The drums are fast with lots of big rock fills and the choice to use fast double bass and blast beats was meant to give the album a driving, more ‘classic’ metal sound. The keyboards/synthesizer tones are the icing on the cake and are what truly color the album in a nostalgic-sounding way. The melodies that were written to lay on top of the guitars are what give the songs the musical complexity that can be rare within the heavy metal genre. There are also a lot of solos on this album, but none of them are overly ‘shreddy’ and are meant to serve the song, not the player.

The band also stepped up the production on this album by recruiting some talented guest musicians to contribute and added extra rhythmic layers using acoustic guitar and percussive instruments like cowbells and shakers. Then stepped up the production again by involving producer Zack Ohren (Machine Head, Immolation) to mix and master the record, which gave it a top-shelf-sounding production quality.

Listen to the full album stream for “Divergence” via its premiere on Decibel Magazine HERE.

Due out on September 13, 2024, from What’s Left Records, “Divergence” is available for album pre-order at https://nightwraith.bandcamp.com/

Vinyl pre-order – https://whatsleftrecords.bigcartel.com/product/nightwraith-divergence-lp-clear-red-vinyl

Music Video – “Whispers of Dragonflies” – https://youtu.be/6GbvCjvV0Lc

Music Video – “Perpetual Night” – https://youtu.be/bd49beja8YI

Track Listing:
1. Fruitless (5:15)
2. Perpetual Night (5:13) ft. guest Cole Rudy – Pedal Steel Guitar
3. One Flower (5:14) ft. guest Andreas Wild – Baritone Saxophone
4. Whispers of Dragonflies (5:27) ft. guest Kelly Schilling – Concert Flute
5. Invocation (2:19) ft. guest Joey Truscelli – Guitar Solo
6. Fallen Kings and Queens (4:20) ft. guests Dan Phelps & Chuck French – Backup Vocals
7. Nothing Left to Lose (3:24)
8. Divergence (5:20) ft. guests Jeremy Portz & Xander Galvin-Soto – Auxiliary Percussion
9. Us and Them (bonus Pink Floyd cover) (5:18)
Album Length: 42:08

More info: Nightwraithband.com | Facebook.com/nightwraithband | Instagram.com/nightwraithband | Twitter.com/nightwraithband

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“Striking a delicate balance between the baroque stylings of a band like Dimmu Borgir and the more grandiose melodies of Inexorum, Denver’s NightWraith brilliantly capture the majesty of black metal on new single Perpetual Night. Drawing lyrical inspiration from 1927 sci-fi movie Metropolis – clips of which pop up in the music video – the track is a showcase of bald ambition and songwriting craft, playing up to the underground’s most aspirational aspects, hinting at bigger things to come on new album Divergence, out September 13.” – Metal Hammer (Perpetual Night off album Divergence 2024)

“As you’ll quickly discover, in its opening phase it (Whispers of Dragonflies) presents an unusual amalgam of futuristic swirling keyboards and full-throttle blackened ferocity replete with raking chords, hammering drums, and scalding vocals. But it does begin changing, like a musical chameleon. Those changes include a beautifully ringing guitar melody backed by shimmering synths, musing bass tones, and gripping drum fills, and fronted by somber and melancholy singing with a bit of grit in the gears. That phase is a sublime experience, made even more sublime by a guitar solo that sounds like a beguiling prog-rock throwback. The intensity builds again, but without sacrificing the music’s increasingly head-spinning beauty, and that paves the way for the afore-mentioned concert-flute solo, which is flat-out mesmerizing. As also mentioned, the song then loops back to its beginning — hammering, slashing, scalding, and swirling once more, fierce but also glorious. The song is presented with a beautifully filmed video of the band performing the music. Enjoy!” – NoCleanSinging (Whispers of Dragonflies off album Divergence 2024)

“One thing that has done better than nearly all of their musical peers was throwing convention out the window and running it over a few times with their truck. This album stands out as one of the most unusual I’ve ever heard. It masterfully blends the raw intensity of fierce Black Metal with the soothing presence of smooth keyboards and intricate guitar harmonies. The contrast between the harsh vocals and the melodic, atmospheric layers creates a unique listening experience that feels both powerful and unexpectedly harmonious, pushing the boundaries of what music can offer. 10/10” – Metal Temple – Album – Divergence 2024)

“The tracks from the band’s upcoming album, Divergence, which What’s Left Records is releasing on September 13, are a mix of blackened death metal and prog. Caleb Jose Tardio’s (keyboards and synthesizer), Igor Panasewicz (guitar), Isidro “Spy” Soto (drums), Jacob St. Amand (bass) and Benjamin Pitts (vocals and guitar) have been at it since 2016 and call what they do “blackened dad rock.” But NightWraith isn’t your father’s metal.” – Denver’s Westword (Album – Divergence 2024)

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0 Bam & Co. Heavy – INSURRECTION Announces Metal Anthem “The Gathering” Off New Album “Obsolescence” Out Sept 2024

August 22, 2024
by Asher
· Insurrection · Music News

NEWS RELEASE

Montreal, QC – August 22, 2024

Bam & Co. Heavy – INSURRECTION Announces Metal Anthem “The Gathering”

New Album “Obsolescence” Out Sept 2024 via Bam & Co. Heavy

L-R – Jay Cross – Drums, Martin Samson – Bass, Stef Jomphe – Vocals, Mike Birch – Guitar, Antonin Perras-Foisy – Guitar

Photo credit: Lisa Thompson and Darkmoon Studios

Insurrection, the heavy-hitting death metal band from Gatineau, Quebec, Canada, is thrilled to announce the release of their music video for the single “The Gathering”, which is the first glimpse of their upcoming album “Obsolescence”, which is set to be unleashed on September 13, 2024. Known for their intense and energetic performances, Insurrection brings their unique blend of groovy death metal and thrash energy to this powerful new track. The band comments:

“The first time we played this song, we knew we had to play it live in front of people. In fact, we felt so strongly about that, that we started opening our set with this song. It has a massive, heavy beginning, and gradually builds up to a fast, double-bass crescendo, only to drop again to a pummeling conclusion. Lyrically, the song is very dark, and has a ritualistic style to it, although the words themselves are actually telling a story of acceptance.”

The song starts with a slow chugging intro, kind of like “Scourge of Iron” by Cannibal Corpse. As the song goes on, it evolves in speed and intensity and then comes crashing down again at the end with that same chugging into. Insurrection has been making music for the metal community for over 20 years. To them, it felt right to start this album with an ode to the scene that they love, and have been part of for most of their lives.

This song is their ritual, their church, it’s The Gathering. It’s the Metal Experience. It is recommended for fans of Misery Index, Testament, and Nevermore.

Watch and listen to the music video for “The Gathering” via its premiere on Decibel Magazine HERE.

Digital pre-save – https://bfan.link/the-gathering-1

CD and Vinyl album pre-order for “Obsolescence” is available at https://boutique.boiteamusique.ca/en/insurrection/21185-prevente-insurrection-obsolescence.html

First Single – “Bless the Machine” – https://youtu.be/Bbjiw6U1Quo

Show Dates:
Sept 28 – Gatineau, QC – Le Minotaure
Oct 11 – Sainte-Thérèse, Qc – Le Montecristo
Oct 12- St-Jean-sur-Richelieu, QC – La Boite (Festival Communion)
Dec 6 – Drummondville, QC- Pub La Sainte-Paix

Track Listing:
1. Preprogrammed – (1:04)
2. The Gathering – (4:47)
3. Failures of the Flesh – (3:47)
4. Le secret des dieux – (3:33)
5. Némésis – (3:48)
6. Hostile Takeover – (4:14)
7. Obsession – (1:57)
8. Charogne – (4:24)
9. Initiate the End – (4:12)
10. Obsolete – (5:30)
11. Bless the Machine – (4:46)
Album Length: 42:07

More info: Facebook.com/BamAndCoHeavy | Insurrectionmetal.com

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“This new single (Bless the Machine) goes flat-out right from the start, launched by an extended, serrated-edge scream, rapidly thrusting grooves, and a blizzard of mechanistic yet maniacal riffing. Intestinally deep gutturals proclaim their murderous prayer as the music occasionally seems to dismally moan and wail. The drums methodically chop, but while razor-sharp in their execution they also prove to be just as berserk as the fleet-fingered contortions of the fretwork. And yes, the song includes a head-spinning guitar solo that does sound like a refugee from Castlevania. It’s a hell of a wild, adrenaline-fueled gallop, further fueled by doubled voices screaming, but the song also frequently does sound like malicious machines ecstatically stitching steel through blasted flesh and broken bones — and like the piteous agonies of their victims.” – NoCleanSinging

“Insurrection play a groovy type of death metal that’s equal parts Dying Fetus, Decapitated and Lamb of God.” – Metal Sucks

“Head-banging, crushing riffs are the name of the game” – Exclaim!

“It’s immensely obliterating, but the grooves are especially titanic” -No Clean Singing

“Insurrection are masters of dishing out an aural onslaught” – Games, Brains and a Headbanging life

“faultless technically brutal yet catchy and melodic, death metal, infused with some wonderful thrash moments” – Moshville Times UK

“Insurrection hammer you with a full on assault of thumping drums, gnarly riffs and even gnarlier, sometimes bestial, growling vocals.” – Rock n Load Mag

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0 Horror Pain Gore Death Productions – Edmonton’s CULLED Merges Empathy And Sludge Encrusted Grind In Second EP “Psycles”

July 25, 2024
by Asher
· Culled · Music News

NEWS RELEASE

Montreal, QC – July 25, 2024

Edmonton’s CULLED Merges Empathy And Sludge Encrusted Grind In Second EP “Psycles”

New EP “Psycles” Out July 26, 2024 via Horror Pain Gore Death Productions

L-R – Curtis Blair – Drums, Chris Chapman – Bass, Shane Hawco – Vocals, Ben Harbak – Guitar

Photo Credit by Dana Zuk

Edmonton, Canada’s Culled have a second EP coming out, “Psycles”, which takes their politically-charged, sludge-encrusted grind to a new level. The cover art on the five-track EP comprises a collection of all the musical themes of the songs within but is heavily focused on the oppressive nature of authoritarianism and how we are blinded by the cycles that we are doomed to repeat.

Like the cover art, “Psycles” deals with oppression and cycles of addiction: be it drugs, power, or religion. Similar to how their debut release “Thin The Herd, Fail To Learn” leaned heavily on the intellectual teachings of Noam Chomsky, “Psycles” leans on the compassionate thoughts of fellow Canadian Gabor Mate where empathy is a mainstay in surviving our current traumatic political climate. The band explains the album further:

“We are very proud of this release and have poured our collective energies into it. “Psycles” is a departure from our debut release “Thin The Herd, Fail To Learn” and feels like a natural evolution of our music with increased intensity and complexity all while retaining our core philosophy and thematic approach. We have never felt more like a collective unit than we do right now and that’s largely due to the huge efforts and enthusiasm from our new members Chris and Curtis.”

Culled’s ethos resonates throughout their music – Through empathy and understanding we can overcome our collective trauma and oppression. They are recommended for fans of Pig Destroyer, Neurosis, and Suffocation.

Listen to the EP’s full stream premiere of “Psycles” via Decibel Magazine HERE.

Due out on July 26th from Horror Pain Gore Death Productions, “Psycles” is available for album pre-order (CD / Digital/ Bundles) at https://www.horrorpaingoredeath.com and (Cassettes/ Vinyl/ Digital) https://www.culled.ca.

Music Video – “Halo of Flies” – https://youtu.be/vx8ku0sjvHc

Music Video – “Coercion” – https://youtu.be/vRu_Y0JQGC4

Spotify – https://spoti.fi/3Vmr1PJ

Track Listing:
1. Trauma of History (7:22)
2. Psycles (1:45)
3. Coercion (3:14)
4. Halo of Flies (1:54)
5. Excision (Lost Cause) (6:40)
EP Length: 20:57

EP Band Line Up:
Ben Harbak – Guitar
Chris Chapman – Bass
Curtis Blair – Drums
Shane Hawco – Vocals

More info: Culled.ca | Facebook | Instagram.com/culled.ca

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“Political tensions in the world are running high, and Culled want you to know that they’re not down with it. Combining their searing take on the state of the world with a sludgy grind assault, Culled back their statements with tight songwriting and aggressive performance. On their debut album Thin the Herd, Fail to Learn, Culled wrap angular grindcore in thick sludge, spitting out blasts, mosh parts and distinctive vocals that reflect the band’s disgusted mindset.” – Decibel Magazine

“Sludge grind is one of those things that shouldn’t really exist and yet somehow Culled make it work. They sound absolutely colossal on their new track “Contagion,” a nearly nine minute epic that manages to combine everything that makes the band great. The stop/start madness and dynamic interplay of this song speaks to the band’s talent as songwriters. Meanwhile, the guitar tone alone speaks volumes to what this band has come to represent. With punk fringes on some truly punishing tracks, it’s hard not to be fascinated by the morbid horror of the band. The lead single, ‘Contagion,’ is a mesmerizing ode. It comes from their upcoming LP, Thin The Herd, Fail To Learn, due out October 26th on Hibernation Release. It’s hard to balance two genres that seem so diametrically opposed whilst simultaneously sneaking in moments of pure explorations into the sublime. Experimental, genre bending and clearly forward thinking, ‘Contagion’ is a triumph for a rising force.” – Metal Injection

“Edmonton, AB grind outfit Culled push the boundaries of the genre on their debut full-length, Thin the Herd, Fail to Learn. The quartet incorporate slow, sludgy grooves and doom-laden riffs into their discordant grindcore, resulting in a contrast of sounds that is jarring yet complementary… Thin the Herd, Fail to Learn is an impressive debut that showcases a battle of conflicting sounds throughout its 25-minute runtime. What makes it work is Culled’s thoughtful approach to song composition and structure, along with socio-political lyrical content to match the angst-filled emotions that their music emanates.” – Exclaim!

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0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

July 11, 2024
by Asher
· Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com

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“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

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0 Streaming Now – Montreal’s CELL PRESS’ New Album “Cages” Is Merciless, Punishing And Thought Provoking

March 7, 2024
by Asher
· Cell Press · Music News

NEWS RELEASE

Montreal, QC – March 7, 2024

Montreal’s CELL PRESS’ New Album “Cages” Is Merciless, Punishing And Thought Provoking

New Album “Cages” Out March 1st, 2024

Cell Press is a Montreal, Canada-based band that plays a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing, but there are complexities and nuances revealed once the surface noise has been embraced. They now have a full-length album out entitled “Cages” that delivers relentlessly punishing guitars and drums, which they comment on:

“We are trying to offer a full-length album with no filler from start to end and are appealing to our listeners to embrace an almost passe era where bands present collections of songs that are meant to be listened to altogether and that fit and tell a complete story, with each song being individual chapters to that story.”

“Cages” is a collection of songs with different themes and vibes that was written over the span of two years (2021-2022) when the world was changing rapidly as were the personal lives of the band members. Certain peaks and valleys through those years influenced the songs and the songwriting. “Cages” is an angry, gritty unapologetic look at the world through their eyes and expressed through their voices and instrumentation for your ears.

Members of Cell Press have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. “Cages” is recommended for fans of Keelhaul, Burnt By The Sun, and Yautja.

Listen to its full-stream premiere on Decibel Magazine HERE.

“Cages” is due out on March 8, 2024, via The Ghost Is Clear Records (Vinyl), Ancient Temple Recordings (Vinyl), and No List Records (Cassette) at https://linktr.ee/cellpress and http://cellpress.bandcamp.com.

Videos:

Things They Do In France – https://youtu.be/opQ8McgUrQE

Original Uranium Baby – https://youtu.be/gVn_sDY-onY

Track Listing:
1. Adult Baptisms (3:12)
2. Kissed by a Morose on Mont Royal (3:14)
3. Original Uranium Baby (2:48)
4. Dark Side of the North (4:02)
5. JOI to the World (4:01)
6. Disco Naps on the Devil’s Bedpost – (4:08)
7. Blue Royale – (3:31)
8. Recoil (A Collective Behaviour of Violence) – (3:51)
9. Things They Do in France – (4:35)
Album Length: 33:22

More info: Facebook.com/cellpressmtl | Instagram.com/celllpresss | Twitter.com/celllpresss

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What the press has said about Cell Press’ 2020 Self-Titled EP:

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP. I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“a perfect showcase of their unique sound and style and leaves you wanting to hear more from the band. Their total disregard for the limitations of genres and boundaries results in the EP blending noise, grindcore, sludge, punk, groove and dark ambient among other influences. They perfectly blend raw aggression with groove and melody and aren’t afraid to shift gears to play with ambience and noise.” – Cave Dweller Music

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice

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0 THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

January 11, 2024
by Asher
· Music News · The Risen Dread

NEWS RELEASE

Montreal, QC – January 11, 2023

THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

L-R – William Ribeiro (Guitar) | Marco Feltrin (Vocal) | Mat Maher (Bass)

The Risen Dread is a metal band from Dublin, Ireland who have successfully established themselves as one of the country’s most promising metal acts in recent years. With an EP and a full length already under their belts, they are going to be expanding their discography in the new year, which they tease now with the sinister single and music video “Betrayal”. Guitarist William Ribeiro comments on the single:

“Betrayal, even though I had some of those riffs for a while, is the first song we wrote after the drummer left. We wanted to do the opposite of what we did for our last album, we wanted this track to be straight to the point and not only fast, we wanted it to be aggressive and heavy, with headbanging riffs as well as moshpit parts. I think Betrayal summarizes the dread that rises again from within each band member after this 2023 year. Nothing better than talking about a woman locked up by her mother. Can you imagine how she felt?”

“Betrayal” tells the true story of Blanche Monnier, a socialite who was locked in a tiny room by her mother and brother at age 25 for 25 years in a room without light. Musically, it’s a death metal song, pure and simple with heavy and catchy riffs, fast double bass, and blast beats. As far as their new material goes, this track has a bit of everything. Fans can expect a lot more where it came from, and can also look forward to new elements like the inclusion of choir and orchestra.

The Risen Dread is a powerhouse of death metal and groove metal, and they also draw upon a variety of influences from metalcore to black metal to hone their signature sound. They turn these elements into something fast, heavy, memorable, and accessible. Fans of Lamb Of God, Sepultura, and Deicide.

Watch and listen to the music video for “Betrayal” via its worldwide premiere on Decibel Magazine HERE.

More info: Facebook.com/TheRisenDread | Instagram.com/therisendread

-30-

What the press has said:

“Silent Disease The single drives hard as hell with tons of straightforward grooves and meaty riffs, though with a very pertinent message and accompanying music video” – Metal Injection

“There is a lot for any metal fan to get their teeth stuck into with this impressive release and the fact that this is self produced by the band makes ‘Night Hag’ all the more impressive.” – The Razors Edge

“Night Hag is a banger. One with a lot more depth than you might initially think. Memorable music with all the head-banging trappings you could dream of.” – GBHBL

—
ASHER MEDIA RELATIONS
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0 Wacken Metal Battle Canada Champs STRIGAMPIRE Now Streaming Immersive Death Metal Album “All To Dominate”; Produced by Christian Donaldson (Cryptopsy)

December 14, 2023
by Asher
· Music News · Strigampire

NEWS RELEASE

Montreal, QC – December 14, 2023

Wacken Metal Battle Canada Champs STRIGAMPIRE Now Streaming Immersive Death Metal Album “All To Dominate”

New Album “All To Dominate” Out Dec 15th, 2023

Produced by Christian Donaldson (Cryptopsy)

L-R – (Back row) James Foster / Drums – BadGuy P / Bass (Front row) – Steve DC / Vocals – Willy Thousand / Guitars – Johnny Dead / Guitars

Canada’s national Wacken Metal Battle champs Strigampire are proud to be streaming their latest album “All To Dominate”, which they declare is the best production they’ve ever done. The album skillfully blends various musical elements, ranging from black/death metal to heavy metal and rock, offering a rich and diverse sonic experience. Vocalist Steve DC shares his thoughts on the album:

“The album tackles various themes such as personal struggles, global issues like economic inequalities and social injustices. I strive to write introspective lyrics, expressing emotions like sadness, frustration, and anger, but also hope and determination. With this album, we aim to provide an immersive listening experience for our fans. We want to take them on a journey through the various songs on the album, addressing diverse themes and emotions.”

“All To Dominate” contains powerful guitar moments, crazy solos, and impactful rhythms that demonstrate undeniable mastery of the instruments. However, the melodic and melancholic sections serve as a reminder that emotion remains at the core of each composition. This balance between technical expertise and emotional depth creates an intense and emotionally charged musical experience.

Strigampire has an old-school mindset when it comes to the track layout, and considers an album as a complete work that should be listened to from start to finish. “All To Dominate” was recorded, mixed, and mastered by Chris Donaldson (Cryptopsy), and the album artwork was done by Dan “Dotel” Turcotte. It is recommended for fans of Arch Enemy, Children Of Bodom, At The Gates, and Cradle Of Filth.

“All To Dominate” is due out on December 15, 2023, and can be heard in full via its album stream premiere on Decibel Magazine HERE.

Album pre-order (CD/Digital) at https://strigampire.bandcamp.com.

Lyric Video – Liberty – https://youtu.be/ocjvdclKICQ

Music Video – Sold Our Soul – https://youtu.be/6nlZwywZpow

Track Listing
1. Liberty (4:37)
2. Dominate Them All (4:17)
3. Sold Our Soul (5:31)
4. In The Maze of The Lost (4:23)
5. Where I Belong (6:11)
6. Basking In Paradise (5:02)
7. Death Silence (4:49)
8. The Day I’ll Join You (4:24)
9. Brave The Tempest (4:21)
10. TNT (AC/DC cover) (3:32)
Album Length (47:07)

Album and Live Band Line Up:
Steve DC – Vocals
Johnny Dead – Guitars
Willy Thousand – Guitars
BadGuy P. Provencher – Bass
James Foster – Drums

Album Recording Credits:
• All songs performed by: Strigampire
• All songs written by: Johnny Dead & Willy Thousand
• Produced by: Christian Donaldson & Strigampire
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Dan “Dotel” Turcotte

More info: Strigampire.com | Facebook.com/Strigampire | Instagram.com/strigampire

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“Feverishly jittery riffing, a booming low-end pulse, and bestial snarls build anticipation for what’s to come, and what comes is a rushing phalanx of jolting grooves, slashing and searing chords, riotously swirling leads, and scorch-the-earth vocals. The song (Sold Our Soul) hammers the pulse, and there’s abundant devilry in it too, as well as near-sung gang yells, tumbling percussive fills, deliriously exultant soloing that soars to screaming heights — and a break for a beer. But there’s a kind of mystical melodic line that also slithers through the heavy metal exultation until the soloing rockets it high.” – NoCleanSinging

“Huit albums métal à découvrir en décembre…. Strigampire All To Dominate” – Thorium Magazine

“For a band hovering in the darker sides of metal, the songs are surprisingly upbeat. It’s often the vocals that sound the darkest and more extreme—here we have a cross between melodic death growls and black metal screeches. The songs are fast and melodic, and I found it very hard to sit still while listening to them as they all, without exception, just get you going —prepare for intense headbanging, air guitaring, maybe trying to sing along, or at the very least get the foot tapping. My favourite song is “Sold Our Soul”; the beginning always makes me stop whatever I’m doing, and then it’s just headbanging frenzy. The songs have kind of a European power metal energy to them: fast (I’ve said that), heavy, pounding, and very catchy. If they used cleaner vocals, I wouldn’t be surprised if heavy/power metallers who don’t mind harsher, rougher music would get into this, though I would advise the band not to try that—the vocal style is a perfect match for their music. The album ends with a cover of AC/DC’s “T.N.T.”, probably my second favourite (as of this writing) as it is an excellent cover of that classic song. The vocals here are different, a good hybrid of the harsh style and that of Bon Scott’s—definitely interesting, and the band’s rendition of the song is fucking excellent. I think Bon Scott would approve… Fucking good stuff, and no wonder they won that Wacken contest with such quality material. 4.75/5″ – The Metal Crypt

—
ASHER MEDIA RELATIONS
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0 HATRED REIGNS Is Now Streaming Their Death Metal Labour Of Love And Dedication “Awaken The Ancients”

November 30, 2023
by Asher
· Hatred Reigns · Music News

NEWS RELEASE

Montreal, QC – November 30, 2023

HATRED REIGNS Is Now Streaming Their Death Metal Labour Of Love And Dedication “Awaken The Ancients”

New Album “Awaken The Ancients” Out December 1st, 2023

L-R – Jeff Calder – Guitars, Adam Semler – Bass & Vocals, Neil Grandy – Drums, Mitchi Dimitriadis – Vocals

Canada’s Hatred Reigns is a convergence of masterful musicians, each with a rich and storied background in the music industry. They came together in 2015 and released their first EP “Realm I: Affliction” in 2018. They follow it up now with “Awaken The Ancients”, which weaves together the elements of old-school death metal with modern technical intricacies, creating a sonic tapestry that is both captivating and groundbreaking.

The lyrics on this concept album are inspired by the film “What Dreams May Come”, the novels Dante’s “Inferno”, John Milton’s “Paradise Lost” and the mental anguish and exploits that many of us experience but choose life vs succumbing to the ever-looming darkness.

“In a quest for liberation, the damned are ferried across by Charon who must navigate treacherous planes, confronting challenges from demons above and lurking waters below. Their odyssey takes them across the enigmatic river Styx, lured by the ancients towards Necropia, where ultimate judgement awaits. We are unleashing an infernal symphony of brutality and precision! Our music is a testament to the raw power and intricate craftsmanship that defines death metal. Each member has their own barrage of styles and influences which created the unique twist that is Hatred Reigns.” adds the band.

“Awaken The Ancients” is not just an album; it’s a conceptual epic that traverses uncharted realms of sound and emotion. The album’s narrative follows a protagonist grappling with oppressive forces, leading to a summoning of the ancients who rise to liberate the tormented from their prolonged suffering. Plunged into an endless abyss, the tormented emerge upon a desolate shore, surrounded by aimless souls. This is not an adventure for the faint of heart, and should only be attempted by the hardiest of metalheads, those with a penchant for Origin, Carcass, and Behemoth.

Listen to “Awaken The Ancients” via its worldwide album stream premiere on Decibel Magazine HERE.

“Awaken The Ancients” was recorded, mixed, and mastered by Hatred Reigns vocalist Mitchi Dimitriadis, with album art designed by Pedro “Lordigan” Sena. The album is available on December 1st, 2023, at the following links:

Digital – https://distrokid.com/hyperfollow/hatredreigns/awaken-the-ancients

Bandcamp – https://hatredreigns.bandcamp.com

Music Video – “Awaken The Ancients” – https://youtu.be/e6UZwj9YumA

Track Listing:
1. Awaken The Ancients (5:20)
2. Pain Leads To Nothingness (3:16)
3. To Depths Unknown (2:40)
4. Obsolarium (2:36)
5. Ushered By Charon (5:23)
6. Planes Divide (3:47)
7. Absentia (4:58)
8. Departing Acheron (3:43)
Album Length: 31:20

Album and Live Lineup:
Mitchi Dimitriadis – Vocals
Jeff Calder – Guitars
Neil Grandy – Drums
Adam Semler – Bass & Vocals

More info: Facebook.com/hatredreignsband | Instagram.com/hatredreigns | Youtube.com/@hatredreigns1027

-30-

“Hatred Reigns’ Awaken the Ancients is Brutality in Sound and Theme… For those of you who can’t get enough of their brutal technical death metal thematically based on What Dreams May Come, Dante’s Inferno, Milton’s Paradise Lost, and love wallowing in the murky anguish of life’s darkness, take an audio gander at the stream of the album.” – Decibel Magazine

“this is a slab of high density, very technical death metal that fans will love” – Real Gone Rocks

“Hatred Reigns play to their strengths on this album opener (Awaken The Ancients), delivering speed and fury, but impressive agility as well as aggression. They unleash madness in the viciously sizzling and skittering riffage and ruthlessness in the bone-smashing hammer blows that segment the frenzies, and the monstrous guttural growls expel the words in barks that are almost as fast as the backing instrumentation. But the band also switch things up, slowing the tempo and injecting weirdly swirling arpeggios and then hitting the accelerator to bring forth an even more demented and delirious escapade, this time fronted by crazed screams and screeches as well as gritty growls, and propelled to further heights of lunacy by a fret-melter of a solo and bursts of maniacal drum battery. When the band decelerate again, the chords elevate it into an otherworldly realm, both menacing and haunting, and the band also layer in a little bass solo, a few humongous bass drops, and a hulking, lurching stomp. But of course they go back into the fast lane for one last burst of high-adrenaline barbarity as the song surges to the end.” – No Clean Singing

“‘Departing Archeon’, grabs me where I didn’t expect (You can see the video for this at the bottom of this page). This time the vocal and lyrics are instantly engaging… accessible and menacing ‘Welcome… We’ve been waiting for You…’ which somehow made me smile from ear to ear. And just wait for that main riff – it’s f**king perfection. Simple, brutal and so utterly worthy of a headbang. Looking over the release notes they compare their release to ‘Origin’, Suffocation, and Hideous Divinity, but I’m getting vibes of classic Thrash and Death Metal. Think early Sepultura, Gorefest and Carcass, especially with that DIY ethos those thrown in too. It enables them to keep their influences close to their heart and do exactly what they want to. Overall, it took me a few listens to the album to appreciate how good it is. It’s a complex album that doesn’t hide behind overly technical playing … it knows how to keep the riffs simple, crunchy and heavy… Incredible stuff.” – Music Trespass

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0 Streaming Now! Canada’s HYPERIA Combine Menacing Thrash Riffs And Pretty Melodies In “The Serpent’s Cycle”

November 16, 2023
by Asher
· Hyperia · Music News

NEWS RELEASE

Montreal, QC – November 16, 2023

Streaming Now! Canada’s HYPERIA Combine Menacing Thrash Riffs And Pretty Melodies In “The Serpent’s Cycle”

New Album “The Serpent’s Cycle” Out November 17th 2023

L- R – Skyler Mills – Guitar, Colin Ryley – Guitars, Marlee Ryley – Vocals, Aaron Bell – Drums, Jon Power – Bass

Photo Credit – Shimon Photography

Get ready to have your face blown off with the latest thrash attack from Canada’s Hyperia. Their third full-length “The Serpent’s Cycle”, out on November 17th, marks a new era for them boasting some of the most aggressive thrash metal they’ve ever written, complimented with plenty of melodic vocals and guitar work. It consists of everything Hyperia stands for shred, speed, and intricacy and it will definitely catch the attention of musicians and non-musicians alike. Hyperia shares their excitement for the release:

“This is the first album we’ve released that isn’t much of a concept album like our first two. This album deals with different lyrical ideas such as the human condition, philosophy, psychology, partying, and much more. Musically this album is insanely aggressive, technical, and fast. We have some of the fastest songs we’ve ever written on this album and during recording, we were all definitely pushed to, and sometimes past, our limits.”

To Hyperia, “The Serpent’s Cycle” is the pinnacle so far of their creativity and finesse. They’ve taken familiar elements they’ve used before, such as menacing thrash riffs and pretty melodies and by presenting a seamless interaction between each member of the band, their signature sound and furious stage presence is something to be admired.

The eleven-track album is much more polished than its predecessors and continues the same writing process, the majority of the songwriting is done by guitarist Colin Ryley but everyone gives input and transforms the songs into what they are in the end. Ryley also mixed the album, while Mika Jussila mastered it and the album art was done by Caitlin Delaplace.

Wailing vocals, shredding guitars, and fast, heavy drums await in “The Serpent’s Cycle”, which is recommended for fans of Lost Society, Exmortus, and Municipal Waste.

Listen to the full album stream “The Serpent’s Cycle” via its worldwide premiere on Decibel Magazine HERE.

“The Serpent’s Cycle” is due out on November 17, 2023, and is available for pre-order at https://hyperiametal.bandcamp.com.

Music Video – Prophet Of Deceit – https://youtu.be/95555tNTGLI

Music Video – Thrash Metal Machine – https://youtu.be/IzCxT3_eVaY

Music Video – The Serpent’s Cycle – https://youtu.be/K1O364D92Z8

Track Listing:
1. Ego Trip (4:41)
2. Automatic Thrash Machine (4:02)
3. Prophet of Deceit (4:16)
4. Psychosomatic (4:29)
5. The Serpent’s Cycle (5:04)
6. Trapped in Time (3:58)
7. Spirit Bandit (4:04)
8. Eye for an Eye ( 4:47)
9. Binge & Surge (3:44)
10. Deathbringer (5:31)
11. Crazy On You [Heart Cover] (5:03)
Album Length: 49:41

Album Credits:
– All songs performed by: Hyperia
– All songs written by: Colin Ryley, except Trapped in Time co-written with David Kupisz
– All lyrics by: Marlee Ryley
– Mixed by: Colin Ryley
– Mastered by: Mika Jussila
– Member of SOCAN
– Canadian Content MAPL

Hyperia is:
Marlee Ryley – Vocals
Colin Ryley – Guitars
Jon Power – Bass
Ryan Idris – Drums

For more info:
Facebook.com/Hyperiabandofficial
Instagram.com/hyperiametal

– 30 –

“It’s a real pleasure witnessing the evolution of Hyperia through the years, carving their names in the Canadian scene and becoming one of the driving forces of the current Thrash Metal environment, with The Serpent’s Cycle definitely taking the band to new heights. ” – The Headbanging Moose

“The band sound absolutely blistering with the lead guitar work at a very impressive level while Marlee puts in her best vocal performance to date with unhinged screams and demonic snarls mixed in with some more melodic vocals which remain aggressive and full of that unbeatable thrash attitude. “The Serpent’s Cycle” is a great thrash record which retains its old school sound whilst incorporating a melodic sensibility without diluting the aggression. Definitely the strongest material the band have released to date and a big step up for the band. Another great thrash release in what has been a very strong year for the genre.” – Ever Metal

“A consistent piece of work, that thrashes, bites and grabs your attention with power, hardness and a melodic under current. If you like hard hitting melodic thrash, then ‘ The Serpent’s Cycle ‘ is one to look out for. All through this record there are precise rhythm and lead guitars, hammering drums, the bass rumbling along in all the right places. The musicianship is excellent and Marlee Ryley’s vocals are brutal. The production is clear, the guitars are up front, maybe I would personally like clearer vocals, but maybe hard to have good intonation when screaming and growling. Having listened to this album more than a few times now, it is definitely a grower, these four are tight, the serpents cycle only gets better with every listen .” – The Metal Pit

“devilish energy and almost limitless power, playful skills, the outstanding performance of Fronterin Marlee Ryley, creative, improved songwriting as well as a threatening sound world of aggression and madness!” – Obliveon

“Nothing seems to be able to stop these wild and unbridled Metal maniacs, and I believe that the live campaign to follow is going to be a real butchery.” – MetalNews.fr

““The Serpent’s Cycle” contains plenty to enjoy… if fast and furious is your bag, this is an album that you should spend some time with when it is released.” – Female Fronted Power

“If you prefer your metal loud, dark and just a touch campy (and who doesn’t?), then Calgary-turned-Vancouver rockers Hyperia are planning to deliver with Silhouettes of Horror, the follow-up to 2020’s equally furious and equally fun Insanitorium. First single “Operation Midnight” is an unrelenting barrage of riffage held down by Marlee Ryley’s throat-blistering vocals.” – Exclaim! – One of Exclaim!’s most anticipated albums of 2022

“With their second album Silhouettes Of Horror, Canadian thrashers Hyperia doubled down on the most ferocious elements of their sound to achieve a sound that owed more than a passing nod to Tetonic thrashers Kreator or Destruction. The fact vocalist Marlee Ryley can deliver blackened snarls with as much gusto as trad-metal histrionics helped them stand out from the crowd, firmly establishing Hyperia as promising up-and-comers in the wide world of thrash. RH” – Metal Hammer – The top 10 best thrash metal albums of 2022

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0 ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

January 19, 2023
by Asher
· Asylence · Music News

NEWS RELEASE

Montreal, QC – January 19, 2023

ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

New Album “Endanger Us All” Out Feb 24th

Photo Credit – Paul Raymond

Hailing from Detroit, USA, Asylence brings together a solid group of influences in their take on melodic death metal. The release of the album “Endanger Us All” is nearing this February and in lead up to its unveiling, the quartet is sharing their next single “Eternity, Please” accompanied by a music video. On this track, the band’s black metal influences are more prominent at the beginning before taking a turn into their own sound. With a little bit of experimentation, it is the darkest and brooding track on the record. The band dives into details about the song:

“The lyrics tell a tale of a king who wanders his halls with no question to his reign but still he suffers. Heavy and lonely is the crown, and the years can feel like an eternity alone. We wanted to continue to show off the newer material and this one starts off as heavy as you could ever want. Definitely a blend of old influences and the newer direction we’re taking, this song was a challenge to write but we couldn’t be more proud. This song is the perfect representation of the direction we want to continue for our music.”

Vocalist Ryan Lang explains that he wrote the lyrics to this song coming out of a pretty heavy depression and he feels like it shines through. Misery loves company, sometimes the misery never truly goes away. As for the rest of the album, lyrically it’s mixed because of the timeline in which songs were written, but overall the band feels like it hits the way it was meant to. They try to convey a message to their audience more than they try to shock with vulgarity, and Lang’s message is usually that of self-awareness and the horrors that can occur under the guise of salvation. Musically these songs weave the emotion and intensity of their message.

Their new album “Endanger Us All” is nine tracks long, was produced, mixed, and mastered by guitarist Aaron Lumsden and the artwork was done by Diyaco Paymazd. It is recommended for fans of Devildriver, Amon Amarth, and Arch Enemy.

Watch and listen to the video for “Eternity, Please” via its premiere on Decibel Magazine HERE.

“Endanger Us All” is due out on February 24, 2022.

Previous music videos can be seen on the band’s YouTube here.

Track Listing:
1. A Call To Arms – 0:55
2. Endanger Us All – 3:53
3. The Garden of Disrespect – 3:34
4. Eternity, Please – 3:37
5. In Solidarity, We Die – 3:32
6. Arrows For Christ – 3:25
7. In This Hell – 3:47
8. Soulless – 3:32
9. A War Waging Within – 3:16
Album Length: 29:35

Album and Live Band Lineup:
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

For more info:
https://www.asylence.com
http://www.facebook.com/asylence
http://www.instagram.com/asylence
http://www.twitter.com/asylence
http://www.tiktok.com/@asylence

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

– 30 –

“There’s some truly fierce deathcore emerging from the Midwest. One of the most promising acts from the region is Asylence. Not only do they lean into the tropes of the genre (Gotta love that quick little bass fill before the vocals kick in!) but their brand new video, ‘Arrows For Christ’ is absolutely killer!” – Metal Injection

“Eulogy of Man features top musicianship and is a heavy, melodic, groove-laden group of songs sure to excite old-school heads as well as forward-thinking fans of modern bands.” – Ghost Cult Magazine

“Michigan metal outfit Asylence have teamed up with Metal Insider to premiere a video for their emotionally-driven new song, “Endanger Us All.” – Metal Insider

“Sometimes there’s nothing wrong with going with a classic formula and hitting it out of the park.” – Dead Rhetoric
—
ASHER MEDIA RELATIONS
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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