Tag: decibel magazine

0 Exitus Stratagem Records – AITTALA Unveils Video For Title Track From Second EP of 2025 “Ill-Gotten Gains” + Welcome New Bassist Dane Taylor

November 20, 2025
by Asher
· Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – November 20, 2025

AITTALA Unveils Video For Title Track From Second EP of 2025 “Ill-Gotten Gains”

Welcome New Bassist Dane Taylor

EP Out Nov 21st via Exitus Stratagem Records

AITTALA Lineup – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Dane Taylor (Bass)

Metal visionaries AITTALA (pronounced EYE-tah-la) are returning with their second EP of 2025 via Exitus Stratagem Records, “Ill-Gotten Gains,”. Before it officially drops on November 21st, the band is unveiling the official video for the crushing title track, along with introducing their newest member, bassist Dane Taylor, marking a bold new chapter in the band’s evolution.

Check out the video premiere on Decibel Magazine HERE.

True to their reputation for defying genre boundaries, AITTALA weave together threads of traditional heavy metal, doom, groove, and progressive elements to create a cohesive yet unpredictable sonic journey. Lyrically, “Ill-Gotten Gains” explores the darker corners of human ambition, chaos created for personal gain, the inevitable consequences, and the fragile hope of redemption.

The EP opens with “Isolation,” a doomy, heavy piece that confronts the fallout of past decisions, setting a dark and reflective tone. The title track, “Ill-Gotten Gains,” follows with a riff-driven intensity that shifts into a crushing interlude, lyrically exploring the exploitation of chaos for personal benefit. “Blacklisted” brings groove and sludge to the forefront, exposing manipulators and serving as a counterpoint to the themes of the earlier songs. The mood softens with “Ever After,” a modern metal ballad that wrestles with internal conflict and the elusive promise of redemption. Closing the EP, “Ashes” channels classic heavy metal energy, telling the story of someone in over their head, dragging others down in their descent.

The EP’s artwork resurrects AITTALA’s infamous mascot Frank, a cartoon pig head in a pentagram, first conceived in 2014 for the album “Effigy”. This updated interpretation of Frank embodies the record’s central theme: the shady figure who thrives in chaos, ready to deliver “ill-gotten gains” for the right price. It’s a fitting visual for a release steeped in stories of exploitation, downfall, and the elusive search for redemption.

With the addition of bassist Dane Taylor, AITTALA’s lineup now features founding member Eric Aittala (guitars/vocals) and drummer Gary “Zeus” Smith (THE FIFTH, ex-MR BLACKWELL). Taylor’s arrival injects fresh energy into the band’s dynamic, reinforcing their commitment to pushing boundaries while staying true to their unique sound.

Formed in 1991 in the Netherlands, AITTALA quickly became a fixture of the Dutch metal scene, sharing stages with The Gathering and Sadist before disbanding in 1993. Resurrected in 2008, the band has since released six full-length albums and multiple EPs, each showcasing growth while retaining their distinctive voice. With “Ill-Gotten Gains,” AITTALA continues their journey of evolution, proving once again that their sound is impossible to confine to a single genre.

EP pre-save (out Nov 21) via Exitus Stratagem Records – https://hypeddit.com/aittala/illgottengains

Music Video – “Isolation” – https://youtu.be/V5Y_azlkGLg

Track Listing:
1. Isolation – 4:22
2. Ill Gotten Gains – 4:20
3. Black Listed – 3:35
4. Ever After – 4:29
5. Ashes – 3:50
EP Length: 20:37

For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic

– 30 –

“Six full-lengths, two EPs, strong and steady since 2008. Dang. What keeps North Carolina trio AITTALA going? Sheer compulsion for music making is my guess. There’s nothing like the experience of the real thing, despite the obscene ease and seductive sophistication of AI fakery. To hear and feel heavy music live from their minds and voices and hands of real human beings just like you – well, there’s just nothing like it. Bands with stubborn longevity like Aittala serve as an inspiration to the scene. Pick up an instrument, get to jamming, let your voice be heard. If this is your first encounter with the band, perhaps “Isolation” is as good an introduction as any. Mysterious strumming, powerful emphatic chords, and wall-shaking disruption clears the path for soulful, soaring guitar soloing and somber Gothic intonations.” – Doomed & Stoned (2025)

“Bookended by “Machines (Prologue)” and “Machines (Epilogue)”, the album’s structure feels like a full-circle journey. One that captures the essence of the band’s evolution. The blend of storytelling and heavy music makes it clear why these tracks were worth bringing back. With Machines, Aittala doesn’t just revisit the past. They make it hit harder than ever.” – Amplify The Noise (2025 – Machines EP)

“Captivatingly versatile, genre-connecting with plenty of attitude. An intensely powerful and emotionally captivating Electric Doom/Heavy/Power HouseTrip that is excellent at combining expansive melodies and atmospheric melancholic heavy touch. 8/10” – FFM-Rock (2025 – Machines EP)

“A pure blast of good tunes flying around for life. A retro llike cover artwork, it matches it all. The atmosphere and the old tunes still ringing after so many years like it was yesterday. A very good album to own with pleasure. Aittala is here to stay, get your dose of good tunes 100/100.” – The Metal Mag (2025 – Machines EP)

“Eric Aittala is obviously nostalgic on ‘Machines’. But that in no way means that the sound is frozen in the past. On the contrary, the production is modern and powerful. The individual songs are thus transferred to the here and now. A good album, even if the band is ‘only’ a duo.” – Metalheads Forever Magazine (2025 – Machines EP)

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0 DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky; New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

November 13, 2025
by Asher
· Devolver · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Photo Credit – Heidi Robertson

Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album “Non Compos Mentis.” Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.

“We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.

“Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.

Watch the video for “Wraiths” via its premiere on Decibel Magazine HERE.

Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.

Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.

“This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.

The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.

Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”

Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

“Non Compos Mentis” (released Aug 22nd) is available at the following links:

Bandcamp – https://devolvermusic.bandcamp.com/

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ

Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4

Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab

-30-

“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric

“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ

“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de

“Mixed and mastered by Mark Lewis (Fallujah, Whitechapel, DevilDriver, Deicide, Havok, Entheos, etc.), this new Devolver album is armed to face the critics. Composed of nine well-crafted tracks (all between three and four minutes long) and effective, Non Compos Mentis is soaked to the brim with Swedish melodeath influences.” – Metallian Magazine (France)

“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord

“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing

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0 Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

June 12, 2025
by Asher
· Harvested · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 12, 2025

Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

“Dysthymia” Out August 1st, 2025

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Canadian death metal quartet Harvested is proud to announce their new album “Dysthymia”, set for release on August 1st, 2025. The nine-track record showcases the band’s evolution from their 2022 demo debut, delivering a devastating blend of technical death metal, brutal death metal, and old-school stylings. The album announcement comes alongside a music video for the record’s opening track, “Harvested”, offering fans their first glimpse into the dark psychological landscape that defines “Dysthymia”. The band comments on the track:

“The single represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience. This was the first song we worked on for this album and played live, which set the bar for the remaining material. We realized that we were onto something special, and the sheer brute force of the track compelled us to make our current music video.”

‘Harvested’ maintains the brutality from the demo but shifts toward exploring the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.

Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal.

Recommended for fans of Cannibal Corpse, Suffocation, and Dying Fetus, Harvested has crafted an album that is both technically proficient and devastatingly brutal.

Watch and listen to the first single and music video “Harvested” via its premiere on Decibel Magazine HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/harvested1/dysthymia

Album pre-order (out August 1st) – https://harvested.bandcamp.com

Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband

– 30 –

Press from 2022 Self-Titled EP:

MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

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0 Exitus Stratagem Records – Streaming Now! AUTUMN LIES BURIED New EP “Mob Mentality” + Kick-Off HELLHOWLER TOUR w/ Casket Robbery

June 5, 2025
by Asher
· Autumn Lies Buried (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – June 5, 2025

Streaming Now! AUTUMN LIES BURIED New EP “Mob Mentality” via Exitus Stratagem Records

+ THE HELLHOWLER TOUR (NC/GA/FL/TN/IN) w/ Casket Robbery, My Own Will

L-R – Perry Jones – Guitar, Cole Hill – Drums, Kaelin Wilkins – Vocals, Cane Potter – Guitar, Marcus Nettles – Bass

Photographer Credit – Cody Petty

Extreme metal outfit Autumn Lies Buried is proud to announce the release of their highly anticipated “Mob Mentality” EP, available worldwide starting June 6th, 2025. The release coincides with the first date of the Hell Howler Tour, where the band will share stages with Casket Robbery across the United States. The EP delivers the band’s signature blend of extreme metal styles with a powerful social message. The band comments:

“Mob Mentality is a reiteration of what we were talking about in previous songs like Inhuman Skin. The common people have been trained to think they are powerless to change their course in life. They think that the hands of the powerful will hold them down generation after generation, and that’s “Just the way it is. Well, we are preaching sin with Mob Mentality, and by sin, we mean Strength In Numbers. We cannot be held down if we band together against the grifters, charlatans, oppressors, and connivers. Burn it all.”

‘The EP is a call to arms against injustice. Fuel for the fire that cleanses,’ the band continues. All members contributed to the writing process, with each individual taking responsibility for fine-tuning and lyrics, followed by collaborative adjustments. This democratic approach to songwriting reflects the band’s commitment to their message of collective action and solidarity.

Autumn Lies Buried delivers an anti-fascist message with their music while still maintaining a fun and jovial environment for all present at their live shows. Fans can expect breakneck energy with a positive message, if not a bit violent sometimes. The band just wants to have fun and wants the same for everyone there. The Hell Howler Tour runs from June 6th to June 15th, giving fans across the United States the opportunity to experience Autumn Lies Buried’s notoriously energetic live performances. They are recommended for fans of Tech N9ne, The Acacia Strain, and Twisted Insane.

Listen to the full stream premiere for “Mob Mentality” on Decibel Magazine HERE.

EP pre-save (out June 6th) via Exitus Stratagem Records – https://hypeddit.com/autumnliesburied/mobmentality

Music Video – “Debt Silence” – https://youtu.be/pe7P2jiNHKg

Track Listing:
1. Strappado – 3:13
2. Blood Money – 3:02
3. Guillotine – 3:05
4. Told Off Witta Sawed Off – 2:52
5. Debt Of Silence – 2:58
EP Length: 15:30

Hellhowler Tour – Casket Robbery, Autumn Lies Buried, My Own Will

#Autumn Lies Buried Not Appearing | + My Own will Not Appearing

5/29 – West Chicago, IL – WC Social Club #
5/30 – Hamtramck, MI – Sanctuary #
5/31 – Battle Creek, MI – The Music Factory #
6/1 – Cleveland, OH – The Foundry #
6/3 – Pittsburgh, PA – The Smiling Moose #
6/4 – Clifton, NJ – Dingbatz #
6/5 – Salisbury, MD – Lurking Class Skate Shop #
6/6 – Gastonia, NC – The Rooster +
6/7 – Wilmington, NC – The Eagles Dare +
6/8 – Duluth, GA – Sweetwater Bar +
6/10 – Winter Park, FL – Conduit +
6/11 – Miami, FL – Bar Nancy +
6/12 – Tampa, FL – The Orpheum +
6/13 – Pensacola, FL – Handlebar +
6/14 – Clarksville, TN – The Revel House +
6/15 – Hobart, IN – Hobart Art Theatre +

More info: Facebook.com/autumnliesburied | Instagram.com/autumn.lies.buried

-30-

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0 Exitus Stratagem Records – Blackened Doom TIGGUO COBAUC Unleashes New Music Video “Ascended Deliverance” ft. Guest Vocals Chelsea Marrow (Voraath, Visitant)

May 29, 2025
by Asher
· Music News · Tigguo Cobauc (Exitus Stratagem Records)

NEWS RELEASE

Montreal, QC – May 29, 2025

Blackened Doom TIGGUO COBAUC Unleashes New Music Video “Ascended Deliverance” ft. Guest Vocals Chelsea Marrow (Voraath, Visitant)

L-R – Luca Martello – Guitars, Craig Phillips – Vocals, Antoine Mouquod – Drums

UK-blackened doom trio Tigguo Cobauc are unleashing their latest music video “Ascended Deliverance” featuring guest vocals from Chelsea Marrow (Voraath, Visitant). The song itself is a reworked version of the album track from 2024’s “Fountains of Anguish,” released via Exitus Stratagem Records.

With a focus on always giving the listener the most intense and emotional experience, no more so than on the live stage. Tigguo Cobauc is the soundtrack to your darkest desires, as they explain the concept of the song and video:

“The track opens with the haunting pulse of a heartbeat, accompanied by the creeping distortion of industrial noise, drawing the listener into a space of tension and unease. As the first notes of the story unfold, the listener is already submerged in a melodic nightmare—a dreamscape that’s as surreal as it is sinister. The narrative follows a man, lost in his disillusionment with the world, burdened by the weight of life’s cruelty and suffering. Desperate for answers, he becomes obsessed with confronting God directly, seeking retribution for the pain he’s endured. When the conventional means of prayer, the church, and the promises of faith offer no solace, he grows increasingly frustrated and turns to darker paths.

His search leads him to a witch, a figure said to possess the ability to commune with angels, beings who might offer the answers he seeks. The witch, aware of the risks, warns him that the power to speak with such celestial beings is not to be taken lightly; without proper guidance, the consequences could be catastrophic. But driven by desperation and a growing sense of arrogance, the man dismisses the warning. He murders the witch in cold blood, seizing the book of forbidden spells she possessed. With reckless abandon, he chants the incantation, his voice trembling with anticipation and fear.

In that moment, an angel appears—not a being of divine grace, but one of wrath and inevitability. The angel, sensing the man’s hubris and defiance, consumes him entirely. The track climaxes with a surge of chaos and intensity as the angel’s judgment is carried out. The heartbeat, which has been a steady rhythm throughout, begins to slow, fading as the man succumbs to his fate.

The track closes with the silence that follows his death—a chilling, final echo that serves as both a literal and metaphorical end. This tale, woven into the fabric of the music, is a cautionary one—a stark reminder of the dangers of unchecked ambition and the folly of trying to command forces beyond one’s understanding. It is a warning against acting without caution, against chasing something that may not be meant for you. And, above all, it underscores the truth that sometimes, when you wish for something too fervently, you may just get it—and the consequences may be far worse than you ever imagined.”

The music video for “Ascended Deliverance” can be seen and heard via its premiere on Decibel Magazine HERE.

Digital – https://hypeddit.com/tigguocobauc/ascendeddeliverance

Single Band Line Up:
Luca Martello – Guitars
Antoine Mouquod – Drums
Wayne Turton – Bass, Synth, Keyboards
Craig Phillips – Vocals
*guest vocalists – Chelsea Marrow (Voraath, Visitant)

Forged by ancient magic deep in the sandstone depths of Nottingham, UK, Tigguo Cobauc‘s spellbinding guitar riffs over primal rhythm are the sound of your darkest desires. The band’s birth into the constellations has been steeped in the murky depths of Death/Doom, cloaked in a sludgy resonance. They have evolved from these beginnings, transcending into realms infused with black metal’s ethereal atmospheres, where shadows and intensity intertwine.

Their sophomore record, “Fountains of Anguish,” is an amalgamation of classic black metal, reinterpreted with a modern sensibility, and infused with doomy elements that evoke a sense of atmospheric weight. Tigguo Cobauc has seamlessly integrated keyboards into their compositions, adding depth and texture to enhance the listening experience. Through this unique blend, they aspire to infuse their music with a distinctive touch of originality, creating a soundscape that resonates with the genre’s traditions and contemporary influences.

Recommended for fans of Celtic Frost, Bathory, and Venom, “Fountains of Anguish” is available at the following links:

Album order (CD) at https://www.exsrmusic.com/store/p/pre-sale-tigguo-cobauc-fountains-of-anguish-lp-cd

Digital – https://hypeddit.com/tigguocobauc/fountainsofanguish

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic

Tigguocobauc.mystrikingly.com | Instagram.com/tigguocobauc | Facebook.com/tigguocobaucband | Tiktok.com/@tigguocobauc

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“this was a fantastic album, and it brought Doom to a whole new level for me, because the band was bold, and unafraid to explore uncharted territory, while keeping their roots strong. 8/10” – Metal-Temple

“IIn the waning days of 2024 comes quite a surprise…one of the best doom albums of the year from an unknown band who clearly know what they are doing. This record is full of crushing riffs, dark melodies and an otherworldly atmosphere. In every way this is an absorbing listen.n the waning days of 2024 comes quite a surprise…one of the best doom albums of the year from an unknown band who clearly know what they are doing…. Definitely track this one down!” – Wormwood Chronicles

“Unlike many of their contemporaries, Tigguo Cobauc let the slimy guitars carry the mix rather than hide under the keyboards. ‘The Darkest Emperor’ starts like an agonising piece of death-doom before it uses the influence of Bathory to accelerate into a higher gear. You’ll hear the early Celtic Frost records in this song, but the keyboards belong in the straight-to-video horror film market of the 1980s. Each elongated ripped-windpipe vocal feels like the testimony of a man who knows his fate is to be hung, drawn and quartered. The rhythms in ‘Inner Disaster’ change tempo as easily as snow turns to slush…. Often, extreme metal bands go through the motions of screaming in pain, but Tiggou Cobauc mean it. They love to menace the listener like the early legends of underground metal. And they embrace the dramatic rather than shy away from it…. Most artists want to deliver the perfect steak, but Tigguo Cobauc would like you to gorge on the gristle and enjoy the fat dribbling on your chin. Their song structures appear to be easy to grasp, but they’re more complex on second listen. 8/10” – Scream Blast Repeat

“A production to seek out by those who enjoy extreme metal explored with a bit of an off kilter intent and an atmospheric laden orientation.” – Viking in the Wilderness

“If I had to name Tigguo Cobauc’s musical style, it would be doomizing black heavy metal.
You won’t regret the time spent listening to their music!” – Margoth PDF Webzine

“refreshing and provides a listening experience designed to be consumed in one sitting. Trust me, if you love Blackened Sludge and Doom, there’ll be more than one sitting for you listening to this work of art…. the production is impressive, hitting the sweet spot of providing sharpness and clarity whilst retaining a subtle touch of grit and rawness that the genre demands and avoiding being overly polished.” – Ever-Metal

“an album of the year contender.” – Black Metal Archives

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0 Streaming Now! SVNTH Unleashes Unconventional Metal Versatility with New Album “Pink Noise Youth” + EU Tour Dates

April 17, 2025
by Asher
· Music News · SVNTH

NEWS RELEASE

Montreal, QC – April 17, 2025

Streaming Now! SVNTH Unleashes Unconventional Metal Versatility with New Album “Pink Noise Youth”

New Album “Pink Noise Youth” Out April 18th, 2025, via These Hands Melt Records

+ EU Tour Dates

L-R – Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Jacopo Fagiolo – Guitars, Valerio Primo – Samples, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Meshing styles like post-metal, gothic/doom, punk, post-hardcore/screamo, post-rock, shoegaze, black/death metal, and alternative rock, Italian experimental metal outfit SVNTH‘s fourth studio album, “Pink Noise Youth,” is ready for its coronation on April 18th, 2025, via These Hands Melt Records.

Before it officially unleashes digitally and physically (CD / Vinyl), SVNTH has teamed up with Decibel Magazine for the album’s full-stream premiere, which can be heard HERE.

The band comments on the release of “Pink Noise Youth”:

“If the previous record Spring in Blue was about facing life’s struggles from a childhood perspective, Pink Noise Youth is based on exploring awareness as an adult in late youth, trying to give a voice to a generation emotionally unstable and chaotic as pink noise. It is the second part of the band’s own “trilogy of colors”. Musically, we intended to stay outside of genres and labels where elements of hardcore, metal, shoegaze, post-rock, and unconventional instrumentation such as electric indian sitar, classical, and 12-string guitars are blended in the same pot. People will surely welcome it with curiosity.”

Vocalist and bassist Rodolfo Ciuffo adds:

“Lyrically, most of the inspiration comes from personal life events, relationships, and conversations with people and reflections about existential topics; in several cases, it also comes from movies and books.”

Following SVNTH‘s 2020 “Spring in Blue”, “Pink Noise Youth” demonstrates the band’s continued evolution, deliberately transcending genre boundaries. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. The music from SVNTH has always aimed to give the listener emotional vibes. This record, in particular, is conceptually based on exploring late youth emotions, and the music created reflects such instability.

Recommended for fans of Deafheaven, Alcest, and Agalloch, “Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH

Music Video – “Narrow, Narrow” – https://youtu.be/RgApgtkh0CE

Music Video – “Perfume” – https://youtu.be/0uFkBHfOWbA

Lyric Video – “Cinnamon Moon” – https://youtu.be/0hpPr0mFxQs

The musical versatility of SVNTH’s sound can be witnessed live in April and May with tour dates in Italy, Germany, the Netherlands, Belgium, the UK, and Switzerland (dates listed below).

SVNTH – Pink Noise Youth EU Tour:
April 17 – Bologna, Italy – Alchemica
April 18 – Milan, Italy – Legend Club
April 19 – Rome, Italy – Traffic Live
May 7 – Pfaffenhofen am der lim, Germany – Stockerhof
May 8 – Bamberg, Germany – UpYours
May 9 – Cologne, Germany – Valhalla
May 10 – Delft, Netherlands – OJV de Koornbeurs
May 11 – Ypres, Belgium – Art Vort’n Vis
May 12 – London, UK – Moor Beer Co
May 14 – Zurich, Switzerland – Ebrietas

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

More info: https://linktr.ee/svnthband

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

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“Do you dig blackgaze, in the vein of Deafheaven and Alcest? What about post-hardcore? What about a mixture of the two?! Well my dears, you’re in a bit of luck, because the Italian experimental band Svnth just released their new single “Cinnamon Moon.” Give it a lil listen” – Metal Sucks

“This is not music that settles into one feeling; it is an album that lives in the tension between them, where grief fuels rebellion, where pain and resilience are inseparable, and where every song feels like a battle between destruction and redemption. In the end, it does not leave the listener broken, but neither does it offer false comfort. It does not promise that everything will be okay, but it does promise that the struggle is worth something. It is an album that carries both the weight of sorrow and the fire of defiance, the burden of grief and the light of something that refuses to die. 9/10″ – Metal-Temple (2025 – Pink Noise Youth)

“SVNTH‘s penchant for stylistic amalgamation and intra-song change is revealed again in “Narrow, Narrow“. In its opening phase a lilting guitar gently and mysteriously rings, gilded in reverb, eventually paired with a gritty and growling bass chewing gravel way down below. It’s an entrancing but still somewhat menacing overture, but you can begin to feel the intensity and turmoil build as that phase evolves and the music in the upper reaches begins to swarm and sear and the drums start hammering. And then, with the briefest pause, the band shift, and charge. As the rhythm section surges, the guitars still brilliantly ring but pulsate like hot blood in the veins, and the vocals are even more scorching. The bassist seizes attention here, but so do the vocals as they change to mid-ranging singing with a gloomy cast. Yet the fiery race resumes, fierce but also stricken, and then accelerates even more. The guitars writhe and wail; the somber but soulful singing returns; the bass fervently throbs; the screams join in; keyboards ring as if yearning; and the music builds to a distressing finale. Considered in the context of the new album’s conceptual theme, it channels (at least to this writer) senses of wistfulness and remembrance, but also of loss and grief, and a kind of rage over the unfairness of losing something or someone that can’t be recovered, and can’t be explained as anything that makes sense.” – No Clean Singing

“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

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0 Streaming Now! VORTEX Cruises Through Cosmic Horror w/ Orchestral Blackened Death EP “Alien Realms” + Eastern Canada Tour w/ France’s XAON (QC/NB/ON)

April 10, 2025
by Asher
· Music News · Vortex

NEWS RELEASE

Montreal, QC – April 10, 2025

Streaming Now! VORTEX Cruises Through Cosmic Horror w/ Orchestral Blackened Death EP “Alien Realms”

+ Eastern Canada Tour w/ France’s XAON (QC/NB/ON)

L-R – Simon Desjardins (Bass), Mathieu Duguay (Guitars, Orchestrations), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Olivier Harrisson (Drums)
Photo Credit – Giuseppe Calvinisti

Rimouski, Quebec’s Vortex, has their highly anticipated concept EP, “Alien Realms,” being unleashed on April 11th, and before it officially drops, they have teamed up with Decibel Magazine for its full stream premiere HERE.

“Alien Realms” is a four-track journey through cosmic horror and discovery that showcases the band at their most refined, combining massive orchestral elements with soaring epic melodies and relentless, aggressive riffing. Keeping with the style present in the previous two records, this orchestral blackened death tells a wicked tale of humanity venturing into space in search of intelligent life. The band comments on the record:

“This is a Blackened Death EP that blends massive orchestral elements, soaring epic melodies, and relentless, aggressive riffing. On this new EP, we doubled down on what worked best in our previous album, ‘The Future Remains in Oblivion.’ If you’re into massive orchestras and melodies blended with aggressive riffs and Blackened Death vocals, then ‘Alien Realms’ is for you.”

The EP features a carefully crafted sequence of tracks: “When Humans Defy the Void”, “Haunting the Abyss”, “Ripping The Threads Of Reality”, and “Where Wonders Dwell”. Each song serves as a chapter in the band’s exploration of humanity’s search for intelligent life among the stars.

The band approached this EP with a clear vision; the music and lyrics work together to build intensity and emotion as the story unfolds. It represents the next evolution in Vortex‘s sound, building upon the foundation laid by their previous releases while pushing into new territorial extremes. The EP seamlessly blends the band’s technical death metal roots with expanded orchestral elements and black metal influences, creating their most ambitious and fully realized work to date. It is recommended for fans of Fleshgod Apocalypse, Dimmu Borgir, and Cradle of Filth.

Fans in Eastern Canada will also have a chance to see Vortex live. They will be touring with France’s XAON in April (dates listed below) and then Europe in the fall.

Music Video “Haunting the Abyss” (directed by Chris Kells (The Agonist)) – https://youtu.be/bxIiP9VVWSQ

Due out on April 11, 2025, “Alien Realms” is available for pre-order at https://vortexband.bandcamp.com

Track Listing:
1. When Humans Defy the Void – 5:03
2. Haunting the Abyss – 5:26
3. Ripping the threads of Reality – 4:10
4. Where Wonders Dwell – 3:00
EP Length: 17:40

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, NB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **

* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

Vortex is:
Simon Desjardins (Bass)
Mathieu Duguay (Guitars, Orchestrations)
Alexandre Labrie (Vocals)
Dany Lévesque (Guitars)
Olivier Harrisson (Drums)

For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband

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“There is not one weak song on the EP. The songs are well crafted and mastered by hugely talented musicians. For me the perfect 10. Can’t wait to see the songs performed live.” – Project Metal Music

“When Humans Defy The Void is, like its creators Vortex, unique, and unlike anything else you have ever heard. It is everything you think it would be, but cranked up to eleven and with more twists and turns than a Raymond Chandler novel, and if this is just a taster of what Alien Realms has to offer, then I can’t wait to be abducted on April 11th.” – Black Metal Archive

“No need to fuck around with this one folks; I loved Alien Realms from the first intense beats of “When Humans Defy the Void” to the fading notes of the haunting “Where Wonders Dwell”. Vortex’sAlien Realms pulls you in with its unpredictable symphonic blackened melodic death metal that blends elements of bands like Mechina, Fleshgod Apocalypse and Behemoth with the likes of Dimmu Borgir, Graveworm and Hermh. Needless to say, this is a DENSE little EP full of some unique metal.” – The Poser’s Graveyard

Canadian College Radio Charts – August 2023 – top 20 loud – #14 Vortex (earshot)

“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag

“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs

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0 Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

November 14, 2024
by Asher
· CHUZO · Music News

NEWS RELEASE

Montreal, QC – November 14, 2024

Streaming Now! Montreal’s CHÜZO Take Over The World w/ Aggro-Metal and New EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal, Canada’s CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)”. The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their ‘Aggro Metal’, a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

EP pre-order/digital per-save is available at the following links:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd

Lyric Video – Brand New Cell – https://youtu.be/61YlVuG3gsI

EP Artwork by Draught https://www.instagram.com/draught___/

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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0 Streaming Now! NIGHTWRAITH’s Progressive MeloDeath Epic Album “Divergence”

September 12, 2024
by Asher
· Music News · Nightwraith

NEWS RELEASE

Montreal, QC – September 12, 2024

Streaming Now! NIGHTWRAITH’s Progressive MeloDeath Epic Album “Divergence”

L-R – Caleb Jose Tardio – Keyboards/Synthesizer, Igor Panasewicz – Guitar, Isidro “Spy” Soto – Drums, Jacob St. Amand – Bass, Benjamin Pitts – Vocals/Guitar

Photo Credit – Josh Massara

NightWraith, the progressive melodic death metal band from Denver, USA presents their latest and new offering “Divergence”. An album featuring eight original tracks and a cover version of Pink Floyd’s “Us and Them”, the full-length has a lot of depth to it and is not a traditional metal record.

Vocalist guitarist Benjamin Explains further:

“We hope people can appreciate the risks we took on this record. We wanted to really kick it up a notch for anyone who already knows our music since they might be expecting that from us. We also don’t want to turn off any potential new listeners, so it was kind of a fine line between what current fans expect from us, and what brand-new listeners are willing to keep an open mind for. There’s really something for everyone on this album, whether it’s 80’s style guitar riffs, blast beats, electric piano, or guttural vocals.”

“Divergence” takes listeners on a sonic journey. There are many layers to it and the band’s idea was for people to hear something new with each listen. The album is intended to lift you up with major melodies, evoke emotion with harmonic minors, and harken overall feelings of nostalgia and hope. ‘Divergence’ often utilizes classic songwriting structures (verse/chorus/bridge/lead). Each instrument is not overly complicated, but when layered on top of each other, the music has a lot of depth. The drums are fast with lots of big rock fills and the choice to use fast double bass and blast beats was meant to give the album a driving, more ‘classic’ metal sound. The keyboards/synthesizer tones are the icing on the cake and are what truly color the album in a nostalgic-sounding way. The melodies that were written to lay on top of the guitars are what give the songs the musical complexity that can be rare within the heavy metal genre. There are also a lot of solos on this album, but none of them are overly ‘shreddy’ and are meant to serve the song, not the player.

The band also stepped up the production on this album by recruiting some talented guest musicians to contribute and added extra rhythmic layers using acoustic guitar and percussive instruments like cowbells and shakers. Then stepped up the production again by involving producer Zack Ohren (Machine Head, Immolation) to mix and master the record, which gave it a top-shelf-sounding production quality.

Listen to the full album stream for “Divergence” via its premiere on Decibel Magazine HERE.

Due out on September 13, 2024, from What’s Left Records, “Divergence” is available for album pre-order at https://nightwraith.bandcamp.com/

Vinyl pre-order – https://whatsleftrecords.bigcartel.com/product/nightwraith-divergence-lp-clear-red-vinyl

Music Video – “Whispers of Dragonflies” – https://youtu.be/6GbvCjvV0Lc

Music Video – “Perpetual Night” – https://youtu.be/bd49beja8YI

Track Listing:
1. Fruitless (5:15)
2. Perpetual Night (5:13) ft. guest Cole Rudy – Pedal Steel Guitar
3. One Flower (5:14) ft. guest Andreas Wild – Baritone Saxophone
4. Whispers of Dragonflies (5:27) ft. guest Kelly Schilling – Concert Flute
5. Invocation (2:19) ft. guest Joey Truscelli – Guitar Solo
6. Fallen Kings and Queens (4:20) ft. guests Dan Phelps & Chuck French – Backup Vocals
7. Nothing Left to Lose (3:24)
8. Divergence (5:20) ft. guests Jeremy Portz & Xander Galvin-Soto – Auxiliary Percussion
9. Us and Them (bonus Pink Floyd cover) (5:18)
Album Length: 42:08

More info: Nightwraithband.com | Facebook.com/nightwraithband | Instagram.com/nightwraithband | Twitter.com/nightwraithband

-30-

“Striking a delicate balance between the baroque stylings of a band like Dimmu Borgir and the more grandiose melodies of Inexorum, Denver’s NightWraith brilliantly capture the majesty of black metal on new single Perpetual Night. Drawing lyrical inspiration from 1927 sci-fi movie Metropolis – clips of which pop up in the music video – the track is a showcase of bald ambition and songwriting craft, playing up to the underground’s most aspirational aspects, hinting at bigger things to come on new album Divergence, out September 13.” – Metal Hammer (Perpetual Night off album Divergence 2024)

“As you’ll quickly discover, in its opening phase it (Whispers of Dragonflies) presents an unusual amalgam of futuristic swirling keyboards and full-throttle blackened ferocity replete with raking chords, hammering drums, and scalding vocals. But it does begin changing, like a musical chameleon. Those changes include a beautifully ringing guitar melody backed by shimmering synths, musing bass tones, and gripping drum fills, and fronted by somber and melancholy singing with a bit of grit in the gears. That phase is a sublime experience, made even more sublime by a guitar solo that sounds like a beguiling prog-rock throwback. The intensity builds again, but without sacrificing the music’s increasingly head-spinning beauty, and that paves the way for the afore-mentioned concert-flute solo, which is flat-out mesmerizing. As also mentioned, the song then loops back to its beginning — hammering, slashing, scalding, and swirling once more, fierce but also glorious. The song is presented with a beautifully filmed video of the band performing the music. Enjoy!” – NoCleanSinging (Whispers of Dragonflies off album Divergence 2024)

“One thing that has done better than nearly all of their musical peers was throwing convention out the window and running it over a few times with their truck. This album stands out as one of the most unusual I’ve ever heard. It masterfully blends the raw intensity of fierce Black Metal with the soothing presence of smooth keyboards and intricate guitar harmonies. The contrast between the harsh vocals and the melodic, atmospheric layers creates a unique listening experience that feels both powerful and unexpectedly harmonious, pushing the boundaries of what music can offer. 10/10” – Metal Temple – Album – Divergence 2024)

“The tracks from the band’s upcoming album, Divergence, which What’s Left Records is releasing on September 13, are a mix of blackened death metal and prog. Caleb Jose Tardio’s (keyboards and synthesizer), Igor Panasewicz (guitar), Isidro “Spy” Soto (drums), Jacob St. Amand (bass) and Benjamin Pitts (vocals and guitar) have been at it since 2016 and call what they do “blackened dad rock.” But NightWraith isn’t your father’s metal.” – Denver’s Westword (Album – Divergence 2024)

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0 Bam & Co. Heavy – INSURRECTION Announces Metal Anthem “The Gathering” Off New Album “Obsolescence” Out Sept 2024

August 22, 2024
by Asher
· Insurrection · Music News

NEWS RELEASE

Montreal, QC – August 22, 2024

Bam & Co. Heavy – INSURRECTION Announces Metal Anthem “The Gathering”

New Album “Obsolescence” Out Sept 2024 via Bam & Co. Heavy

L-R – Jay Cross – Drums, Martin Samson – Bass, Stef Jomphe – Vocals, Mike Birch – Guitar, Antonin Perras-Foisy – Guitar

Photo credit: Lisa Thompson and Darkmoon Studios

Insurrection, the heavy-hitting death metal band from Gatineau, Quebec, Canada, is thrilled to announce the release of their music video for the single “The Gathering”, which is the first glimpse of their upcoming album “Obsolescence”, which is set to be unleashed on September 13, 2024. Known for their intense and energetic performances, Insurrection brings their unique blend of groovy death metal and thrash energy to this powerful new track. The band comments:

“The first time we played this song, we knew we had to play it live in front of people. In fact, we felt so strongly about that, that we started opening our set with this song. It has a massive, heavy beginning, and gradually builds up to a fast, double-bass crescendo, only to drop again to a pummeling conclusion. Lyrically, the song is very dark, and has a ritualistic style to it, although the words themselves are actually telling a story of acceptance.”

The song starts with a slow chugging intro, kind of like “Scourge of Iron” by Cannibal Corpse. As the song goes on, it evolves in speed and intensity and then comes crashing down again at the end with that same chugging into. Insurrection has been making music for the metal community for over 20 years. To them, it felt right to start this album with an ode to the scene that they love, and have been part of for most of their lives.

This song is their ritual, their church, it’s The Gathering. It’s the Metal Experience. It is recommended for fans of Misery Index, Testament, and Nevermore.

Watch and listen to the music video for “The Gathering” via its premiere on Decibel Magazine HERE.

Digital pre-save – https://bfan.link/the-gathering-1

CD and Vinyl album pre-order for “Obsolescence” is available at https://boutique.boiteamusique.ca/en/insurrection/21185-prevente-insurrection-obsolescence.html

First Single – “Bless the Machine” – https://youtu.be/Bbjiw6U1Quo

Show Dates:
Sept 28 – Gatineau, QC – Le Minotaure
Oct 11 – Sainte-Thérèse, Qc – Le Montecristo
Oct 12- St-Jean-sur-Richelieu, QC – La Boite (Festival Communion)
Dec 6 – Drummondville, QC- Pub La Sainte-Paix

Track Listing:
1. Preprogrammed – (1:04)
2. The Gathering – (4:47)
3. Failures of the Flesh – (3:47)
4. Le secret des dieux – (3:33)
5. Némésis – (3:48)
6. Hostile Takeover – (4:14)
7. Obsession – (1:57)
8. Charogne – (4:24)
9. Initiate the End – (4:12)
10. Obsolete – (5:30)
11. Bless the Machine – (4:46)
Album Length: 42:07

More info: Facebook.com/BamAndCoHeavy | Insurrectionmetal.com

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“This new single (Bless the Machine) goes flat-out right from the start, launched by an extended, serrated-edge scream, rapidly thrusting grooves, and a blizzard of mechanistic yet maniacal riffing. Intestinally deep gutturals proclaim their murderous prayer as the music occasionally seems to dismally moan and wail. The drums methodically chop, but while razor-sharp in their execution they also prove to be just as berserk as the fleet-fingered contortions of the fretwork. And yes, the song includes a head-spinning guitar solo that does sound like a refugee from Castlevania. It’s a hell of a wild, adrenaline-fueled gallop, further fueled by doubled voices screaming, but the song also frequently does sound like malicious machines ecstatically stitching steel through blasted flesh and broken bones — and like the piteous agonies of their victims.” – NoCleanSinging

“Insurrection play a groovy type of death metal that’s equal parts Dying Fetus, Decapitated and Lamb of God.” – Metal Sucks

“Head-banging, crushing riffs are the name of the game” – Exclaim!

“It’s immensely obliterating, but the grooves are especially titanic” -No Clean Singing

“Insurrection are masters of dishing out an aural onslaught” – Games, Brains and a Headbanging life

“faultless technically brutal yet catchy and melodic, death metal, infused with some wonderful thrash moments” – Moshville Times UK

“Insurrection hammer you with a full on assault of thumping drums, gnarly riffs and even gnarlier, sometimes bestial, growling vocals.” – Rock n Load Mag

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