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Tag: death

0 Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging; New Album “Drain The Sun” Out October 2nd

  • September 11, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

NEWS RELEASE

Montreal, QC – September 11, 2020


Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Premiere “Dimensional Entrapment” via NoCleanSinging

New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Canada’s Skyless Aeons are unveiling their next single “Dimensional Entrapment” via NoCleanSinging HERE.

 

The premise of the single is how humans are bound to the limits of their finitude, and the only things that give us comfort and relief are the things that will eventually destroy us. “Dimensional Entrapment” provides some of the most dissonant material the band has written, with subtle nods to Ulcerate and Portal that grows into a powerful melody.

 

A unique blend of extreme metal styles come forth on the album “Drain the Sun”, which is loosely intended to be a concept album, with a much darker, more focused and tense sound than fans will expect. The title is a metaphor: “the sun” refers to whatever it is that gives us life, light, purpose, structure, or pleasure. In countless forms, humans have a habit of taking something that is good for us and abusing it until it literally destroys us. The band explains this further:

“Even if you’re aware of it happening (and a lot of us are), the machinations of society and the bleak reality of everyday living force us towards the sun in order to cope. Everyone has their sun – that thing that makes life bearable and worth living – and everyone will drain their sun until it cannot provide any more energy, collapses in on us and we are sent hurtling into the abyss. This album is our artistic interpretation of both where we’re at and a terrible warning of what we’re headed towards.”

 

This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.

Album pre-order on Bandcamp.

First Single: “Go Forth and Multiply” here.


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend it.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 The Myopia Condition Intend To Enthrall Metalheads With Debut Album “Event Horizon; Premiere First Single “Separation From Classification” via NoCleanSinging

  • September 10, 2020
  • by Asher
  • · Music News · The Myopia Condition

(contact info below)

NEWS RELEASE

Montreal, QC – September 10, 2020

For fans of Oh Sleeper, Death, Gojira, Beyond Creation, As I Lay Dying

The Myopia Condition Intend To Enthrall Metalheads With Debut Album “Event Horizon”

Premiere First Single “Separation From Classification” via NoCleanSinging

“Event Horizon” Out October 16, 2020


L-R – Craig MacKenzie – Guitar, Josh Gould – Guitar/Vocals, Josiah Dyck – Vocals, Robert Fearey – Bass, Vocals, Greg Glenn – Drums
Photo Credit: Robert Fearey

Canada’s The Myopia Condition is very excited to be releasing their debut album “Event Horizon” on October 16, 2020.

Elegant grooves are mashed together with blast beats and double kicks, along with guitar leads that sing like birds. The album is full of energy from front to back; even the soft bits are heavy. It’s a very real and genuine record both lyrically and musically along with hints of goofy amongst. The Myopia Condition doesn’t take life too seriously, but they pour passion into their music.

“Event Horizon” has great depth to it, with dynamically diverse songs that evoke emotion from listeners. The Myopia Condition further explains the album in their own words:

“This album has something for every metalhead, in my opinion, especially those inclined to listen to overtly heavy metal. Rhythmically the band’s tightness and aggressiveness leave the audience stunned and wanting more.”

The Myopia Condition is an adrenaline-packed live experience as witnessed at local festivals and shows. They are antsy to return to the stage, but in the meantime offer this album while we wait for the world to return to normal.

Today, the band is sharing their first single “Separation From Classification”.

The track talks about finding your own voice instead of following the in-crowd. An anthem for coming as you are and not just sticking to the status quo, it encourages being kind, real, non-judgemental. Starting at a medium pace it builds into thrash and slows down in the middle for some tasteful cleans and jazzy leads. The song continues on with some heavy vocals and harmonized screams, ultimately finishing off with one of the tastier riffs on the album.

Recommended for fans of Oh Sleeper, Death, and Gojira, The Myopia Condition will surprise metalheads with something fresh and new.

“Separation From Classification” can be heard via its premiere on NoCleanSinging HERE.


Track Listing:
1. Event Horizon (1:01)
2. Separation From Classification
3. Brainwashed (3:08)
4. AfterLife (2:57)
5. Walk Me Home (2:45)
6. Song 9000 (3:28)
7. Empty Room (2:50)
8. Rotting Soul (3:05)
9. Fighting Fables (4:26)
Album Length: 23:43

Album Band Line Up:
Josh Gould – Guitars/Vocals
David Luchenski  – Lead Guitars
Rob Fearey – Bass Guitar/Vocals
Josiah Dyck – Lead Vocals
Greg Glenn – Drums

Live Band Line Up:
Josh Gould – Guitars/Vocals
Craig MacKenzie – Guitars
Rob Fearey – Bass Guitar/Vocals
Josiah Dyck – Lead Vocals
Greg Glenn – Drums

For more info:
Facebook.com/The-Myopia-Condition-1394941280540493/
Instagram.com/themyopiacondition.band
EPK

About:

Through a will to create pure rhythmic brilliant chaos, came a manifestation of power and heaviness from the west Canadian prairies.  The Myopia Condition was created.

It started with a melding of minds between Josh Gould (guitars) and Greg Glenn (drums). Immediately they went to work toying with ideas that had been in Josh’s head for some time. They soon brought in Robert Fearey (big guitars) and the chemistry was immediately noticed. On vocals is the gritty powerhouse Josiah Dyck and finishing off the five-piece on guitars is shred-meister Craig Mackenzie.  The vibe between the boys is vastly apparent. They have found a groove to exploit and continue to refine their sound.

Hailing from Sh-Red Deer, Alberta The Myopia Condition has a sound that combines crushing rhythmic grooves, devastating breakdowns, and ballsy in the pocket riffage. Their influences range from Periphery and Meshuggah to Lamb of God and Oh Sleeper.

In 2018 The Myopia Condition made its way to the Canadian Wacken Metal battle finals which goes to show the hard work and passion these boys put into their music and their stage performance.

The boys have made appearances at festivals such as Armstrong Metalfest and Loud As Hell, and continue to hone their Djent-Core sound. Their debut eight-song album “Event Horizon” is being released on October 16, 2020.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Scream & Growl To Los Angeles Death Shred Bloodfeast Ritual’s “Chopped Up And Burned” Karaoke Video

  • September 9, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 9, 2020


For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Scream & Growl To LA Death Shred Bloodfeast Ritual Evil Dead Karaoke Video “Chopped Up And Burned”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal;
we love all of the aspects of death metal as a genre, and we wanted to show that with this EP.
We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video/karaoke edition for their track “Chopped Up And Burned”, which fans can scream and growl along with on YouTube HERE.

The band adds:

“This song was born out of a mutual love for Evil Dead. The lyrics spell out the story of the movie, and we feel the music compliments it nicely.”

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

“”Chunky riffs, technical playing, and vicious raspy barks make up the majority of their sound, but they also display fistfuls of melodic leads that have more of a Trad sensibility to them that helps the band stand out, particularly on the first two tracks.” – The Metal Crypt

“If you like your death metal a little bit more of the shred-tastic sides of things, and are sick of all these ‘old school’ bands, then Bloodfeast Ritual’s debut EP ‘Altars of Sacrifice’ might just be for you. Coming hard on the Arsis/Black Dahlia Murder side of things, these Los Angeles dudes are tearing it up… The mix of shredding brutality and classical guitar work here is a reason that Bloodfeast Ritual have really go something going on on ‘Altars of Sacrifice’. It is a true love letter to the genre in its myriad forms, and Bloodfeast Ritual have the chops to pull off a variety of styles to really uphold the traditions without losing their modern edge. Check it out” – The Killchain Blog

“Gruesome death metal played with loads of energy and skill that will blow you away!” – Zax Records and Reviews

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 NYC’s WINTER NIGHTS Question Death Around You With Music Video “Starved For Energy”, Video Premiere via Decibel Magazine, New Self-Titled Album Out Now!

  • September 1, 2020
  • by Asher
  • · Music News · Winter Nights

(contact info below)

 

NEWS RELEASE

Montreal, QC – September 1, 2020

 

Interview Request at asher[@]ashermediarelations[.]comFor fans of Kalmah, Death, Amon Amarth, Sentenced, Behemoth

NYC’s WINTER NIGHTS Question Death Around You With Music Video “Starved For Energy”

Video Premiere via Decibel Magazine

New Self-Titled Album Out Now!

Efrain Farfan – Back up Vocals and Guitar, Jeremy Farfan – Vocals and Guitar

NYC death metal Winter Nights are unveiling their new music video “Starved For Energy” in support of their self-titled album released this past July.  Heavy, somber, and progressive, the band explains the message behind the song and video:

“In this video, we portray life and death. As things die around us, energy is taken away from this world piece by piece. This song was written about searching for that lost energy when someone or something passes on.”

The video for  “Starved For Energy” can be viewed via its premiere on Decibel Magazine HERE. 

Winter Nights‘ latest full length follows the band’s 2014 widely praised record “An Endless Apocalypse”. Recorded between 2015 and 2018 at Atomic Sound in Brooklyn, New York, this new album is clearly progress for Winter Nights. Showing its maturity, it’s easy to hear the difference between the self-titled album and its predecessor.

Combining dark, foreboding lyrics and melodic interludes breaking up pounding riffs, the primary themes on the album relate to the feeling of being stuck on the idea of death. The lyrics are a sort of metaphor of losing someone and/or taking your own life for one purpose or another. Winter Nights explains the album in their own words, painting a grim picture:

“If you took a deep breath right before free-falling off a cliff in the pouring rain with a glimmer of sunshine trying to come through dark clouds only to fall into a dark hole and wake up crawling all fours on cold soil with snow falling in a dark moonlight forest.”

For fans of Belphegor, Amon Amarth, and Dark Tranquility, Winter Nights‘ self-titled album is available on Bandcamp, Spotify, and all other major digital platforms.

Track Listing:
1. When December Burns (5:47)
2. Starved For Energy (4:09)
3. Withdrawals (4:11)
4. Unmarked Grave (4:52)
5. Day The Sun Died (4:01)
6. Encounters (5:19)
Album Length: 28:21

For more info:
Facebook.com/winternightsnyc
Instagram.com/winternightsnyc
Twitter.com/winternightsnyc
EPK

About:
Winter Nights is a four-piece melodic death metal band emanating from Brooklyn, New York in the winter of 2007. The sound and lyrical themes of their music portray loss, pain, grievance, and darkness.

Guitar driven melodies evoke visceral reactions to the mythic end of the world. They are an integral part of the thriving New York metal scene. As of 2020, their formation consists of dueling guitar brothers Jeremy and Efrain Farfan who also cover vocals, bassist Martin Tune and drummer James Yarusinsky.

The two Farfan brothers came up with the idea for the band after a New Years’ toast and after recruiting a friend they started writing music together and the rest is history. Trading endless amounts of riffs the Farfan brothers devise the majority of the music before presenting it to the rest of the band to be beefed out in the rehearsal studio.

Mainly inspired by nature, places of travel. different scenery. Jeremy gets his ideas from places he’s traveled such as the cliffs of northern Ireland, catacombs of Montreal, nighttime canals of Venice, and the eerie silence of Central Park at night.

Playing with similar bands such as Kalmah, Belphegor, and Insomnium, and on festivals including Maryland Folkfest and Poconos Folkfest, Winter Nights is a mainstay in the New York metal underground. With personal influences rooted primarily in metal, the members of Winter Nights make provocative, despairing, genuine songs. In 2008 they released a self-titled demo EP, followed by another EP “From Darkness Till Dawn” in 2011, and a full length “An Endless Apocalypse” in 2014. 2020 brings a new self-titled album due out July 31st.

– 30 –

“Bone-Crushing Melodic Death Metal” – Permafrost Today

“‘Encounters of the Frozen North’ has a lot of thundering, jolting power along with some killer riffs and a dark, somewhat Eastern-influenced melody that worms its way into your head. The music is capped by jagged, tyrannical vocals that make a powerful impact and by a serpentine solo that underscores the reptilian menace lurking within the song.” – No Clean Singing

“Combining the worlds of detailed, melodic guitar metal with the gruff, mean vocalisation of death and doom, Winter Nights has a lot to offer across the 6 tracks.” – Games, Brrraaains & A Head-Banging Life

“Winter Nights remain at the heart of Brooklyn” – Heavy New York

“Anyone seeking melodic death metal that isn’t afraid of really leaning into the ‘death’ side of things, while still maintaining some epic and somber tones, Winter Nights should be next on your ‘need to check out’ list. Frost-bitten and glorious in just the right percentages. 8/10” – Dead Rhetoric

“the music on this is moody and mid-paced, with a melancholic melodic sensibility mixed in with crunching, heavy riffing that almost reminds me of older Amon Amarth.” – The Metal Crypt

“Fans of old school Amon Amarth and At The Gates will dig this band. Jam out to “When December Burns” now!” – Ghost Cult Mag

“Six songs in this new work; the first shot is ENCOUNTERS, where instrumental parts and blackened vocals prevail.” – HardRockHeavyMetal

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Extreme Metal Music: Thanatopsis Announce New Album “Initiation” Out October 23rd; Streaming Single “Embodiment”

  • August 25, 2020
  • by Asher
  • · Music News · Thanatopsis (Extreme Metal Music)

(contact info below)

NEWS RELEASE

Montreal, QC – August 25, 2020

For fans of Slayer, Kreator, Death

Extreme Metal Music: Thanatopsis Announce New Album “Initiation”; Streaming Single “Embodiment”

“Initiation” Out October 23rd, 2020 via Extreme Metal Music

Extreme Metal Music is proud to announce their latest signing of California’s Thanatopsis for the release of their debut album “Initiation” due out October 23rd to follow their four independently released demos between 1993-1997.

After a hiatus, 3/4 of the band has reunited along with the new addition of drummer Jason Borton (Jungle Rot, Arkaik) to offer their debut full-length, which features past recordings that are given a second life and a chance to be heard by a broader audience along with new unheard material. The album was recorded at Trident Studios with renowned producer Juan Urteaga (Exodus, Testament, Machine Head).

The overall album experience shares eight old school thrash/death metal influenced tracks that are an emotionally twisted ride of violently catchy brutality. With themes that include corruption, occultism, murder, revolt, and loss of faith, Thanatopsis delivers an album that keeps the listener engaged from start to finish, with a sound unlike any other.

The band comments:

“It has been a long time in the making and we are very excited to present to the world the first official full-length Thanatopsis album “Initiation”. This album contains timeless songs that fans, both old and new, will appreciate. Bringing our sound to the masses has been a collective dream of ours for a long time. In a scene that is saturated with bands, we are proud to release something that is unique in character to the metal world at large.”

The album’s first single “Embodiment” is a heavy groove song with the chorus featuring an interesting interplay between the guitar and bass as Thom Hall and David A. Couch utilize counterpoint to create a sonic element designed to put the listener into a state of vertigo.  The lyrics are based on a personal account of vocalist John Bishop, as he searches for faith and comes up empty.

The band adds:

“This is a song that has been demoed a few times in the past, but due to various reasons it has never been done to the band’s satisfaction – until now.  While this song is about the personal experience of vocalist John Bishop, it also has content that many can relate to as it describes a search for a faith that uncovers untruth and ends in despair.”

Listen to “Embodiment” on YouTube, Spotify.

“Initiation” album pre-order CD here, Digital here (instant download of Embodiment).


Track Listing:
1. The Age of Silence (4:26)
2. Embodiment (3:06)
3. Consequence (5:17)
4. Malfated (5:17)
5. Initiation (5:17)
6. Your Demise (5:17)
7. Grim (3:33)
8. Suffer System (4:21)
Album Length: 36:32

Album Credits:
Produced, Mixed, and Mastered by Juan J. Urteaga at Trident Studios, Pacheco, CA, Co-Produced by David A. Couch
Artwork by Matt Cavotta
Layout by Arturo Hernandez
Art Concepts and Direction by David A. Couch
Thanatopsis logo by Brutal Disorder

John Bishop – Vocals
David A. Couch – Guitars
Thom Hall – Bass
Jason Borton – Drums

Additional vocals by Juan J. Urteaga
Drums, Bass, and Vocals recorded at Trident Studios, Pacheco, CA
Guitars recorded at Metal Command Center, Parker, CO

More info:
Extremetalmusic.com
Thechaoticorder.com
Facebook.com/MalfatedOne
Instagram.com/thanatopsis666

– 30-

“This new song definitely has a strong and very tasty old-school flavor.It’s a sinister, high-octane death metal rush right out of the gate, but the song really reaches escape velocity at about the 2:00 mark when guitarist David Couch launches a jaw-dropping guitar solo over a memorable melody. – No Clean Singing (Reviewing the song “Your Demise”)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 24, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 24, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their guitar playthrough video for “Eternally Molested By The One Most Foul”, where fans can witness guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Feel the shred with the guitar playthrough for “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Montreal Thrash HOMICIDE Streaming New Album “Left For Dead”; Premiere Album Stream via MetalInsider

  • August 20, 2020
  • by Asher
  • · Homicide · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 19, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Motorhead, Exodus, Death, Sodom

Montreal Thrash HOMICIDE Streaming New Album “Left For Dead”

Premiere Album Stream via MetalInsider

New Album ‘Left For Dead’ Out Friday, August 21st

L-R – Bryan Donahue – Guitar, Mac – Bass, Scotty – Drums, and at bottom Gab – Vocals / Guitar

 

Montreal’s Homicide has a new album “Left For Dead” that is ready to take the world by storm on August 21st, 2020; the first offering since the band went dark 25 years ago.

What has been coined as “apocalyptic thrash” is coming back for fans and Homicide states it is like the first album, but on steroids. With a considerable amount of experience under their belts, this new album promises to be an instant classic. A no holds barred tour de force. The band shares the premise and musical intricacies behind the single:

“It gets things off to a fine start and is a reminder of just how good the storytelling style of vocalist Gabriel Morency is as he delivers a tale of the wrath of God. Mid-tempo evil chugs keep things going nicely and the riffs pay homage to the Bay Area Thrash scene with a nostalgic tooth gap grin while that whammy bar drop is a nice touch. It’s one of those tracks that cut at a point when it could happily go on for another few minutes and that’s always the hallmark of quality.” 

This is the soundtrack for listeners who are looking to conquer the world. Whether you’re driving, working out, or just looking for something to bang your head to, the fast and furious styling of Homicide is going to hit the spot.

All killer and no filler Homicide is suitable for fans of Venom, Exodus, and Motorhead.

Today, the band premiere the album’s full stream via MetalInsider HERE.

Vocalist/guitarist Gabriel Morency adds:

“The album has a very live feel to it. It was done somewhat live. There was a flatbed that was recorded live for this and then it was layered, but not a lot of layers. It’s funny cause we’re in Metal Works studios in Toronto and you know they have done the Rolling Stones, Christina Aguilera, Alexisonfire, Guns n’ Roses. Use Your Illusion was done there. So you sort of figure obviously, we didn’t have the same producers, but you’re going to go there and it’s going to sound kind of packaged or get that kind of commercial sort of metal sound and to the credit the producer (Wayne Cochrane ) was anti. To be honest, I and Bryan, let’s add another layer and another layer. We wanted to get fancy and he was like keep it raw, keep it raw. We sort of found that balance of solid professional production and raw metal sound. Sometimes less is more. When we came in we had the amps cranked and he was like dear God! You guys have a lot of feedback and noise you don’t need. I and Bryan didn’t realize how much buzzing and humming we had. You start cranking pedals and Marshals there’s a lot of noise being made”

“Left For Dead” Album Teaser Video HERE.

Album Pre-Order HERE.


Track Listing:
1. Shot to Hell (4:43)
2. Point Blank Range (4:15)
3. Left For Dead (4:15)
4. Enemy of The State (5:06)
5. Nightmares of The Apocalypse (2:28)
6. Scorched Earth (3:45)
7. Scourge of God (5:43)
Album Length: 30:18

More info:
Facebook.com/HomicideMontreal
EPK

About:
Formed in Montreal in the extremely vibrant metal/hardcore/crossover music scene of the early

1990’s, Homicide was, at the time, an amalgamation of members from other heavy-hitting bands on the scene who had developed strong followings and solid reputations in their own right. Gab Morency of Corrupted Youth (guitar/vocals) and Bryan Donahue of Damaged (guitar) began writing together after discovering that they had similar heavy influences and interests such as Motorhead, Slayer and Venom.

Morency had been renting a room in an extensive apartment building that also housed the jam space of local heavyweights Lizard. This is where the raucous rhythm section of Greg Mcleary (bass) and Scotty MacCulloch (drums) of Lizard heard the riffs from Morency and Donahue and decided that they had to join in on the heaviness that was transpiring.

After a period of only a few weeks, Homicide had begun recording what would be their first album “Malice and Forethought”. This catapulted them into the scene, where they played alongside and held their own with the likes of Voivod, Death, and Merciful Fate just to name a few. These performances granted Homicide a reputation for one of the best live bands performing on the scene with crowd-pleasers such as “Bring Back the Rope” about lax capital punishment policies and “Death Train” giving a nod to the devastation of terrorism in the poison gassing of a Japanese subway line.

With a sound that can be coined as “Apocalyptic Thrash”, Homicide went underground for many years and it was presumed that the band was no longer. However, 2020 brought the band members together again they recorded a new album “Left For Dead” which compared to the first album will be like going from light beer to moonshine. Homicide is back and fully amped to be bringing fast, aggressive to new and old fans around the world.

Homicide’s “Left For Dead” is due out August 21, 2020.

– 30 –

“They specialize in Old School Crossover Thrash and returning nearly 25 years later with their sophomore album “Left For Dead” they clearly have some unfinished business.” – Metal Noise

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”; Premiere First Single “Go Forth and Multiply” via GhostCultMag; New Album “Drain The Sun” Out October 2nd

  • August 19, 2020
  • by Asher
  • · Music News · Skyless Aeons

(contact info below)

 

NEWS RELEASE

Montreal, QC – August 19, 2020

 

Interview request at asher[@]ashermediarelations[.]com

For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection

Skyless Aeons Present Dissonant Hymns For Global Catastrophe With “Drain The Sun”

Premiere First Single “Go Forth and Multiply” via GhostCultMag

New Album “Drain The Sun” Out October 2nd


L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara

Hailing from London, Canada, Skyless Aeons bring forth a unique blend of extreme metal styles with their first full-length album “Drain The Sun” due out October 2nd, 2020.

Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long, the songs being shaped and directed according to the concept the band created. The band shares the inspiration being the album:

“Our inspiration comes from the faults in the human condition we encounter in our everyday lives: greed, over-consumption, over-population, the failure to recognize our dogmatic beliefs are wrong leading to division. The music serves as a warning call to what will happen if we fail to recognize the error of our ways, some of which we already see happening in civil unrest.”

Compared to the initial release, the new offering maintains the chunky melodic death metal riffing and occasional black metal flourishes of the previous, but also has much more detailed and structured songwriting, much tighter musicianship and higher-quality production values.

The anti-natalist single, “Go Forth and Multiply” is a short, sweet punch to the gut that came together in a fit of inspiration. It speaks of humanity’s relentless desire to multiply and overpopulate, creating a world full of defective minds that never wanted to be born, with nothing better to do than populate the earth further. The song shows up, hits hard, and leaves, and it’s the best sneak preview for some of the musical and lyrical themes that are explored in greater depth on the album.

Dark, focused, and tense, Skyless Aeons is recommended for fans of Opeth, Dark Tranquillity, Death, and Swallow the Sun.

Listen to “Go Forth and Multiply” via its premiere on GhostCultMag HERE.

Album pre-order on Bandcamp.


Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23

More info:
Facebook.com/SkylessAeons
EPK

About:

Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.

Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.

The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.

At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.

2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.

– 30 –

“This debut EP by Skyless Aeons is monstrous. 35-minutes and four sweeping songs worth of intense songs blackened-death: riffs aplenty, interesting transitions, and solos smothered by a lead-heavy old-school sounding production. The vocals are inhuman and loud in the mix fluctuating from mid-to-high range shrieks similar to Anaal Nathrakh to mid-range growls. There are moments of real technical efficiency – think Gorguts and Mithras – along with an atmospheric undertone akin to Ulcerate and Flourishing. I highly recommend.” – Akerblogger

“There’s a rich diversity to Skyless Aeons’ music, even though their material is cohesive and doesn’t feel the need to go into extra clean, girlfriend metal territories to get the point across. The four tracks (all between seven to eleven minutes) are progressive affairs without too much fluff. The guitars of Nicholas Luck alternate between early 90s tremolos, a modern dissonant approach to black metal and a healthy dose of melancholic Nordic melodic death metal and he plays everything well.”  – Metantoine’s Magickal Realm

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Montreal Thrash HOMICIDE Shred Classic Riffs And Solos With Premiere of Next Single “Point Blank Rage” via MetalRules

  • August 13, 2020
  • by Asher
  • · Homicide · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 13, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Motorhead, Exodus, Death, Sodom

Montreal Thrash HOMICIDE Shred Classic Riffs And Solos With Next Single “Point Blank Rage”

Premiere Second Single via Metal-Rules

New Album ‘Left For Dead’ Out August 21st

  
L-R – Bryan Donahue – Guitar, Mac – Bass, Scotty – Drums, and at bottom Gab – Vocals / Guitar

 

Montreal’s Homicide has a new album “Left For Dead” that is ready to take the world by storm on August 21st, 2020; the first offering since the band went dark 25 years ago.

What has been coined as “apocalyptic thrash” is coming back for fans and Homicide states it is like the first album, but on steroids. With a considerable amount of experience under their belts, this new album promises to be an instant classic. A no holds barred tour de force. The band shares the premise and musical intricacies behind the single:

“It gets things off to a fine start and is a reminder of just how good the storytelling style of vocalist Gabriel Morency is as he delivers a tale of the wrath of God. Mid-tempo evil chugs keep things going nicely and the riffs pay homage to the Bay Area Thrash scene with a nostalgic tooth gap grin while that whammy bar drop is a nice touch. It’s one of those tracks that cut at a point when it could happily go on for another few minutes and that’s always the hallmark of quality.” 

This is the soundtrack for listeners who are looking to conquer the world. Whether you’re driving, working out, or just looking for something to bang your head to, the fast and furious styling of Homicide is going to hit the spot.

All killer and no filler Homicide is suitable for fans of Venom, Exodus, and Motorhead.

Today, the band shares their second single off the full length, “Point Blank Rage”. The track is a classic driving song of raw sounding old school riffs and solos.

Guitarist Bryan Donahue comments:

“Who said the solo was dead? They lied. The lyrics might be simple enough, but they’re crowd fodder for chanting and will go down a storm in that regard.”

Listen to “Point Blank Rage via its premiere on Metal-Rules HERE.

The band’s first single “Scourge of God” is available on YouTube (lyric video), Spotify, Apple Music, Google Play HERE.

“Left For Dead” Album Teaser Video HERE.


Track Listing:
1. Shot to Hell (4:43)
2. Point Blank Range (4:15)
3. Left For Dead (4:15)
4. Enemy of The State (5:06)
5. Nightmares of The Apocalypse (2:28)
6. Scorched Earth (3:45)
7. Scourge of God (5:43)
Album Length: 30:18

More info:
Facebook.com/HomicideMontreal
EPK

About:
Formed in Montreal in the extremely vibrant metal/hardcore/crossover music scene of the early

1990’s, Homicide was, at the time, an amalgamation of members from other heavy-hitting bands on the scene who had developed strong followings and solid reputations in their own right. Gab Morency of Corrupted Youth (guitar/vocals) and Bryan Donahue of Damaged (guitar) began writing together after discovering that they had similar heavy influences and interests such as Motorhead, Slayer and Venom.

Morency had been renting a room in an extensive apartment building that also housed the jam space of local heavyweights Lizard. This is where the raucous rhythm section of Greg Mcleary (bass) and Scotty MacCulloch (drums) of Lizard heard the riffs from Morency and Donahue and decided that they had to join in on the heaviness that was transpiring.

After a period of only a few weeks, Homicide had begun recording what would be their first album “Malice and Forethought”. This catapulted them into the scene, where they played alongside and held their own with the likes of Voivod, Death, and Merciful Fate just to name a few. These performances granted Homicide a reputation for one of the best live bands performing on the scene with crowd-pleasers such as “Bring Back the Rope” about lax capital punishment policies and “Death Train” giving a nod to the devastation of terrorism in the poison gassing of a Japanese subway line.

With a sound that can be coined as “Apocalyptic Thrash”, Homicide went underground for many years and it was presumed that the band was no longer. However, 2020 brought the band members together again they recorded a new album “Left For Dead” which compared to the first album will be like going from light beer to moonshine. Homicide is back and fully amped to be bringing fast, aggressive to new and old fans around the world.

Homicide’s “Left For Dead” is due out August 21, 2020.

– 30 –

“They specialize in Old School Crossover Thrash and returning nearly 25 years later with their sophomore album “Left For Dead” they clearly have some unfinished business.” – Metal Noise

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 12, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video for “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Listen and get your headbang karaoke ready with “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

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