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0 Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

  • June 12, 2025
  • by Asher
  • · Harvested · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 12, 2025

Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”

“Dysthymia” Out August 1st, 2025

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Canadian death metal quartet Harvested is proud to announce their new album “Dysthymia”, set for release on August 1st, 2025. The nine-track record showcases the band’s evolution from their 2022 demo debut, delivering a devastating blend of technical death metal, brutal death metal, and old-school stylings. The album announcement comes alongside a music video for the record’s opening track, “Harvested”, offering fans their first glimpse into the dark psychological landscape that defines “Dysthymia”. The band comments on the track:

“The single represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience. This was the first song we worked on for this album and played live, which set the bar for the remaining material. We realized that we were onto something special, and the sheer brute force of the track compelled us to make our current music video.”

‘Harvested’ maintains the brutality from the demo but shifts toward exploring the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.

Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal.

Recommended for fans of Cannibal Corpse, Suffocation, and Dying Fetus, Harvested has crafted an album that is both technically proficient and devastatingly brutal.

Watch and listen to the first single and music video “Harvested” via its premiere on Decibel Magazine HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album pre-order (out August 1st) – https://harvested.bandcamp.com​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

– 30 –

Press from 2022 Self-Titled EP:

​MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

—
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0 NIGHT’S EDGE Unveils Sinister Crushing Single “Smite” Off New Album “The World That Never Was” Out Aug 2025 + East Coast USA Tour Dates (VA/MD/PA/NY)

  • June 5, 2025
  • by Asher
  • · Music News · Night's Edge · Uncategorized

NEWS RELEASE

Montreal, QC – June 5, 2025

NIGHT’S EDGE Unveils Sinister Crushing Single “Smite” Off New Album “The World That Never Was” Out Aug 2025

+ East Coast USA Tour Dates (VA/MD/PA/NY)

Set to release their fourth full-length “The World That Never Was” this coming August 21st, 2025, Baltimore, MD’s NIGHT’S EDGE is unveiling their third single “Smite” accompanied by a lyric video in preview to the record. A sinister mid-tempo crusher, “Smite” is as headbangable as it is danceable. With unpredictable changes, Latin Choirs, and soaring synths, “Smite” is an invitation to the Night’s Edge cult.

“”This is one of our heaviest songs and will be a staple of the live show for years to come. We wrote it intending to make a heavy song that satisfies both the headbangers and the dancers in the crowd. When coming up with a BPM, Brian was inspired by songs like Slipknot’s Custer, which is as heavy and aggressive as it is danceable. Our plan worked, playing this song live leads to all-out brawls in the pit while people do the Macarena on the sidelines; it’s a good time,” adds Brian Haran (Vocals, Bass, Keys, Programming)

Watch and listen to the lyric video for “Smite” via its premiere on Metal Insider HERE.

Spotify pre-save – https://hypeddit.com/nightsedge/smite-prerelease ​

Their fourth full-length, “The World That Never Was,” is a statement of songcraft and lyricism. The album flows and progresses clearly as it explores the concept of self-identity and the loss thereof. Moments of melancholy, anger, wonder, and plenty of crushing riffs elicit the stank face. Each single shows a different side of the album.

“‘The World That Never Was’ is packed with different elements of rock and metal combined with the distinct Night’s Edge sound. Fans of alternative metal, symphonic metal, and even pop punk will have something to enjoy from this album,” says Haran.

Since their inception in 2018, the band has gone through a few changes in lineup and sound, and has progressed significantly from their debut in 2019. Falling under the umbrella of Alternative Metal, Night’s Edge‘s sound is hard to pin down. Incorporating influences from gothic metal, progressive rock, and nu metal, the band’s music is equal parts heavy and poppy, soaked in synthesizers and drama. Lyrics breach topics including isolation, dissociation, and the romantic, approaching themes common to the human experience from a cerebral angle that complements the band’s emotionally evocative music.

“The World That Never Was” follows releases Strangers – LP (2023), Night’s Edge – EP (2022), The Darkest Side of Dreams – LP (2020), and Shades of Dusk – LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.

Album pre-order (out Aug 21st) – https://nightsedge.bandcamp.com

Music Video – If You Loved Me – https://youtu.be/0Fj6gIMd6dA​

YouTube Stream – Someone To Stay – https://youtu.be/fg-P90AQvrA​

Spotify – https://spoti.fi/3H6cUe1​

Upcoming Show Dates:​
06/07 – Granny’s – Winchester, VA
06/28 – Cafe 611 – Frederick, MD
07/11 – Union Vapes – Scranton, PA
07/12 – Psychic Garden – Rochester, NY
07/18 – The Depot – Baltimore, MD
07/19 – Century – Philadelphia, PA
08/23 – Roachfest – Hollywood, MD

Album Artwork by Eden Wormwood

Track Listing:​
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32

Recording and Live Line Up:​
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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​

—
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0 Rockshots Records – Out Now! Italian Folk Metal AEXYLIUM’s New Album “Myth of Mankind” + Music Video “Hexe”

  • May 26, 2025
  • by Asher
  • · Uncategorized

NEWS RELEASE

Montreal, QC – May 26, 2025

Rockshots Records – Out Now! Italian Folk Metal AEXYLIUM’s New Album “Myth of Mankind” + Music Video “Hexe”

Italian folk metal band Aexylium proudly returns with their third studio album, “Myth of Mankind,” out now via Rockshots Records. With this new chapter, the band takes a decisive step forward in style and substance, offering their most mature and focused work.

Formed in 2014, Aexylium has always stood out for its ability to merge the raw intensity of modern metal with the warm, evocative tones of traditional instruments, building a sound that is both powerful and atmospheric. With “Myth of Mankind,” the band pushes that blend even further, refining every aspect of their songwriting and production while exploring deeper, more introspective themes. The album moves away from the more mythological narratives of the past, instead embracing abstract reflections on the human condition, identity, and the complexity of existence in the modern world.

Musically, “Myth of Mankind” is an intense yet melodic journey, built on technical guitar work, immersive orchestration, and the interplay between aggression and elegance. The album also marks a turning point in the band’s lineup, introducing vocalist Sam Biganzoli, whose expressive and multifaceted vocal range brings new emotional depth and narrative strength. Alongside him, drummer Alberto Mezzanotte (ex-Frozen Crown, Nekomata, Apple Sauce) and guitarist Luca Perrone (founder of Apple Sauce) contributed to a renewed creative energy that flows through every track on the record.

To celebrate the album’s release, Aexylium has also unveiled the official music video for the track “Hexe”, available now on YouTube here: https://youtu.be/AAx3n bFgl8I

​“Hexe” perfectly represents the spirit of the album—a high-impact, rhythm-driven song that combines rich melodic lines with a powerful vocal performance from Sam Biganzoli delivering intensity and momentum without ever losing the folk essence that defines the band’s DNA. Visually and sonically, the video amplifies the track’s energy and emotion, offering a powerful introduction to the album’s vision.

With previous albums “Tales from This Land” (2018) and “The Fifth Season” (2021), Aexylium laid the groundwork for their identity within the folk metal genre. But with “Myth of Mankind”, they go further, crafting a sound that is not only rooted in tradition but shaped by modern sensibilities, progressive elements, and a cinematic scope. The result is an album that speaks both to long-time genre fans and to those seeking a richer, more evolved take on folk metal.

Aexylium’s music draws inspiration from acts like Eluveitie, Korpiklaani, Amorphis, Folkstone, Alestorm, and Mago de Oz, yet remains unmistakably their own. With “Myth of Mankind”, the band reaffirms its place as one of Italy’s most promising names in the scene, ready to leave a mark far beyond national borders.
​
The album was recorded by Davide Tavecchia at Twilight Studio and features stunning artwork created by the renowned artist Gustavo Sazes (Arch Enemy, Machine Head, Amaranthe).

ALBUM ORDER (Release Date May 23, 2025): https://lnk.to/koGz58​

LISTEN to the previous single and album title track “Myth Of Mankind”: lnk.to/XApTSY​

Aexylium will present “Myth of Mankind” live on stage at the following dates:

May 31st – Centrale Rock Pub (Erba – CO) – Release Party​
​June 8th – Strigarium Festival (BG)

More shows to be announced soon!

Track Listing:​
1 – Fontes et Omnia
2 – The Queen
3 – Hexe
4 – Into Oblivion
5 – In Sorrow
6 – Myth of Mankind
7 – Eclissi
8 – Wild Hunt
9 – Surrender
10 – Northern Lights
11 – Eternity
​
​BAND LINEUP​
SAM BIGANZOLI – Vocals
ARIANNA BELLINASO – Vocals
FABIO BUZZAGO – Guitar
LUCA PERRONE – Guitar
GABRIELE CACOCCIOLA – Bass
ALBERTO MEZZANOTTE – Drums
FEDERICO BONOLDI – Violin
LEANDRO PESSINA – Flute
STEFANO COLOMBO – Keyboards
​
​ALBUM CREDITS:​
Main Music Composer: Fabio Buzzago
Lyrics: Fabio Buzzago, Gabriele Cacocciola, Samuele Biganzoli
Orchestrations: Fabio Buzzago, Stefano Colombo
Production: Davide Tavecchia, Buzzago Fabio, Stefano Colombo, Alberto Bernasconi
Recording, Mixing, Mastering: Davide Tavecchia (Twilight Studio)
Graphics: Gustavo Sazes

ABOUT:

Aexylium was formed in 2014 in Italy, merging the distinctive sound of traditional instruments with the modern intensity of metal.

The band has performed at many renowned European festivals including Dong Open Air, Tanzt!, Mead & Greed, Montelago Celtic Festival, Malpaga Folk & Metal, Druidia, and more. During these events, Aexylium shared the stage with several notable bands such as Blind Guardian, Elvenking, Wind Rose, Týr, Vision Divine, Furor Gallico, Temperance, and others.

Their debut album, ‘Tales From This Land’ (2018), was released through Underground Symphony Records. It was recorded at Twilight Studio by Davide Tavecchia and mastered by Simone Mularoni (Elvenking, DGM, Secret Sphere, etc).

In 2021, Aexylium signed a deal with Rockshots Records for their second album, ‘The Fifth Season’. The album was recorded at Twilight Studio with the artwork designed by Jan Yrlund of Darkgrove Design (Testament, Manowar, Korpiklaani). To date, the band has released six music videos as singles.

Compared to the last studio album, the band has welcomed Alberto Mezzanotte (drums), Luca Perrone (Guitar) and the frontman Sam Biganzoli into its lineup.

Aexylium’s partners include Solar Guitars, Footblaster, Liuteria Cocopelli, and Firebird Strumenti Musicali.

AexyliumLine Up:​
​Sam Biganzoli: vocals
​Arianna Bellinaso: vocals
​Gabriele Cacocciola: bass
​Federico Bonoldi: violin
​Alberto Mezzanotte: drums
​Fabio Buzzago: guitars
​Luca Perrone: guitars
​Leandro Pessina: flute
​Stefano Colombo: keyboards

More info: ​
​https://www.rockshots.eu​
​
​FOLLOW:​
​https://www.instagram.com/aexylium_official​
​https://www.facebook.com/aexylium​
​

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​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Rockshots Records – STYGIAN FAIR Unveils New Single “Abide Your Master” – First Glimpse Into Upcoming Album “The Hidden Realm” Out July 2025

  • May 2, 2025
  • by Asher
  • · Music News · Stygian Fair (Rockshots Records) · Uncategorized

NEWS RELEASE

Montreal, QC – May 1, 2025

STYGIAN FAIR Unveils New Single “Abide Your Master”

First Glimpse Into Upcoming Album “The Hidden Realm” Out July 2025

Swedish metal outfit Stygian Fair return with a brand-new single titled “Abide Your Master”, now available on all digital platforms. The track offers a first taste of their forthcoming full-length album, “The Hidden Realm” slated for release via Rockshots Records.

With a strong discography that includes “Panta Rei” (2018), “Nadir” (2020), “Equilibrium” (2021) and the critically acclaimed “Aradia” (2023), Stygian Fair continue to carve out their own path, defying trends and embracing pure, emotionally resonant metal.
​
“Abide Your Master” takes on the dangers of blind obedience — of abandoning your conscience to follow a demagogue without question. Heavy, urgent and unflinching, it asks what happens when we stop thinking for ourselves… and start worshipping the very force that’s leading us over the edge.

While details about “The Hidden Realm” remain under wraps, the album sees Stygian Fair pushing further than ever before — more direct, more melodic, and more accessible without losing the edge that defines them. They’ve sharpened both their sound and their message; the songs hit faster, dig deeper, and speak louder.
​
Lyrically, “The Hidden Realm” explores everything from political collapse and mass delusion to natural disaster, ancient mysteries, and inner reckoning. It’s a record about the worlds we ignore, the truths we tend to bury, and the consequences of silence.

For fans of Tad Morose, Memento Mori, and those who long for metal with both weight and heart, “Abide Your Master” is a compelling invitation into the world of Stygian Fair—a world where music is crafted with intention, passion, and no compromises.
​
We’re opening a door. Welcome inside.

LISTEN: “Abide Your Master”: https://lnk.to/AC8CVo​

VIDEO: https://youtu.be/SUY3nlK2_os

​
​
“The Hidden Realm” will be released on July 11th, 2025, via Rockshots Records.
​
​ALBUM PRE-ORDER: https://rockshots.eu/PVKFrT2QFCWg6AF​

Track Listing:
1. The Hidden Realm
2. Abide Your Master
3. Into The Well
4. Peel The Layers Off
5. What You’re Fighting For
6. All Of Us
7. Dawn
8. Meteor
9. Anthem Of The Lost
10. Rise From The Shadows
11. Ferwor Of Fools

All songs written by Andreas Stoltz, Emil Holmqvist, Per-Olov Jonsson and Anders Hedman.
Produced by Stygian Fair, recorded at Ballerina Studios in Umeå.
Mixed by Marcus Jidell and mastered by CJ Grimmark.

STYGIAN FAIR Line Up:​
​
​Andreas Stoltz: Vocals, Guitar
​Emil Holmqvist: Guitar
​Anders Hedman: Bass
​P-O Jonsson: Drums

​Roc​kshots.eu​
​
​FOLLOW:​
​Stygian Fair on Instagram​
​Stygian Fair on Facebook​
​Stygian Fair on Spotify​

ABOUT:​
Stygian Fair is a band from a small town called Umeå in the north of Sweden. The band has existed for about nine years now and it all started when both P-O Jonsson and Emil Holmqvist decided to leave a band called ” Crave” to lay the foundations for Stygian Fair. Erik Andersson joined on bass and Andreas Stoltz on lead vocals and guitar. This first incarnation of the band never made a big mark recording or gig-wise… due to life’s crooked path.

In the autumn of 2016, Erik left the band, and a few weeks later, so did Andreas as well. Soon thereafter, the band gathered new momentum by welcoming Anders Hedman as the new powerhouse bass player. After a couple of auditions, Pontus Åkerlund became the new singer, and with this setting, the band recorded and launched an EP named “Into the Coven”. The band began playing live frequently at different local venues. At the end of August 2018, the band entered the studio again, and in October of the same year, came the debut “Panta Rei”. In January 202,0 came the sophomore album “Nadir” and in April 2021, “Equilibrium”.

In September 2021, Pontus Åkerlund decided to leave the band. A few weeks’ search for a new vocalist led to the return of Andreas Stoltz as lead vocalist and guitar player, after his years in Binary Creed and Hollow. In late 2022, Stygian Fair entered the studio once again to record ten new powerful songs with Stygian Fair’s trademark strong melodies. It is titled Aradia after the witch daughter of Diana, the goddess of the hunt and the moon.​
​
Now it’s time for a new chapter with a new album due in 2025 with Rockshots Records.

-30-

​
​
—
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0 FROGG Display Technical Metal Wizardy In New Animated Video “Interspecific Hybrid Species” Off Debut Album “Eclipse” (Co-Produced by Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit))

  • April 2, 2025
  • by Asher
  • · FROGG · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – April 2, 2025

FROGG Display Technical Metal Wizardry In New Animated Video “Interspecific Hybrid Species”

Debut Album “Eclipse” Out Now!

Co-Produced by Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit)

L-R: Will Brown (Drums) | Sky Moon Clark (Vocals & Guitar) | Brett Fairchild (Guitar) | Ethan Emery (Bass)

Unelashing their technical modern metal marvel, the debut album “Eclipse” this past March, New York’s FROGG is exhibiting their new animated music video “Interspecific Hybrid Species” in support of the record, co-produced by guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit).

Full of proggy goodness, the track has a strong message about climate change coming for us all.

“Interspecific Hybrid Species is an intensely proggy, mind-bending epic that weaves intricate chaos with relentless precision, delivering a whirlwind of technical wizardry and amphibious fury,” adds the band.

Watch and listen to the music video “Interspecific Hybrid Species” via its premiere on HeavyBlogIsHeavy HERE.

Frogg‘s first full-length features ten tracks of heavy, raw, progressive, death, and avant-garde thinking metal. Fans who have been following Frogg since their conception will find exactly what they signed up for, along with lots of fun surprises. The band doesn’t operate in one genre all the time, and “Eclipse” is set to wonder.

“A sonic eclipse where every genre collides—progressive, technical, and just enough death to keep your neck sore for weeks,” adds bassist Ethan Emery.

Lyrically, the record explores Mythology from various places, along with tying tales and emotions together. Fans can expect seasonal singles from Frogg going forward as they already have plans for follow-up singles to come real soon after the album’s release.

FROGG’s main ambition is to hit the live circuit with a perfected performance and its brand-new line-up. With performance in mind, FROGG has been relentlessly rehearsing new original material and old, to deliver an authentic live experience.

Committed to technical excellence and progressive innovation, Frogg is recommended for fans of weird and wild and fans who appreciate bands such as Protest the Hero, Between the Buried and Me, Zenith Passage, Unexpect, and Obscura.

“Eclipse” was released on March 7, 2025, and is available at ​https://froggofficial.bandcamp.com​.

Spotify – ​https://spoti.fi/4heSdtu​

Music Videos:

Double Vision Roll – ​https://youtu.be/BW1WP2vaxnQ​

Dandelion – ​https://youtu.be/r90cV290Usk​

Wake Up – ​https://youtu.be/RMhtVNE6WYw​

Album Artwork – Artists: Yann Kempen & Bertrand LeFebvre

Track Listing:​
1. Walpurgisnacht (4:44)
2. Life Zero (4:30)
3. Dandelion (3:50)
4. Eclipse I: Blind Bakunawa (4:20)
5. Eclipse II: Sickened By Silence (4:48)
6. Interspecific Hybrid Species (4:19)
7. Wake Up (6:22)
8. Sun Stealer (4:41)
9. Double Vision Roll (3:29)
10. Omni Trigger (4:07)
​
​Album Recording Credits:​
• All songs performed by: FROGG
• All songs written by: FROGG
• Produced by: Jamie King & Sky Moon Clark
• Mixed by: Jamie King
• Mastered by: Jamie King
• Album Artwork by: Yann Kempen & Bertrand LeFebvre
​
​Album Band Line Up:​
Sky Moon Clark – Vocals, Guitars
Will Brown – Drums, Percussion, World Instruments
Brett Fairchild – Guitars on tracks 1, 5, 6,10
Nick Thorpe – Bass on tracks 1,4,5,7,8,10
David White – Bass on track 2
Brad Williamson – Bass on track 6
Jack Lynch – Bass on track 3
Emma Rae – Clean vocals & keys
​
​Live Band Line Up:​
Sky Moon Clark – Vocals, Guitars
Brett Fairchild – Backup Vocals, Guitars
Ethan Emery – Bass
Will Brown – Drums

For more info: https://linktr.ee/froggband

-30-

“Weirdo avant-garde metal band Frogg have jut shared a video for “Double Vision Roll,” and, boy, is it quirky. If you’re not yet familiar with Frogg, they are all about delivering a weird and wonderful live experience They experiment with different world instruments and songwriting ideas, pushing the boundaries of what’s possible in heavy music, and you can see a little bit of that on display here. The song was produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit). Frogg are recommended for fans of weird and wild, as well as those who appreciate a little technicality in their music.” – Decibel Magazine (2025 – Eclipse)

“After a few years of one-off singles and an EP this stellar prog project is finally gifting us with a full record. This includes some wild guitar work, breakneck shifts in tone, and is just a great time overall. This is recommended if you like BtBaM, Last Chance To Reason, etc.” – Metal Injection (2025 – Eclipse)

“The band is immensely talented, and their musicianship registers off the charts… This is an album that every Metalhead should hear, for the technical brilliance alone. 8/10” – Metal-Temple (2025 – Eclipse)

“Their musical style is a kaleidoscope of genres, with a real melting pot of influences… there is no denying that there is a lot of talent on show here. There is obviously a desire to produce something unusual and it will be interesting to see where they go from here. 8/10” – The Prog Space (2025 – Eclipse)

“Its extreme dedication to complex construction will pose an issue to the unprepared—digesting this kind of technicality-positioned music is never effortless. The volume of riffage, the speed of every rollicking bar, the force of every abundant fill present loaded and crooked in smile, though the shorter-form execution lowers the threshold for repeated exposure. In a rose-colored vision of what progressive death metal can be, Frogg finds a freedom in fanciful melody, brief poppy breaks, and unrestrained (but not all encompassing) musical showmanship. And if a debut can unwrap as fresh as Eclipse does, Frogg may very well find the world entrapped in their sticky wiles. 3.5/5” – Angry Metal Guy (2025 – Eclipse)

“It’s no secret that amphibians aren’t doing so hot as a class; Frogg‘s eclectic tech is a welcome consolation prize amidst this eroding diversity. The confident creativity of these NY-based herpetologists recalls The Odious at their most unhinged—a morass of influences ranging from electronica to deathcore that sticks to my neurons like flies to a tongue. Whether channeling the brutal (“Dandelion,” despite the name, is fairly dissonant) or the ethereal (“Wake Up”‘s clean vocals and synths), Eclipse hops between genres like we breathe. Evolution willing, they’ll continue carving out a niche for themselves in the crowded tech death ecosystem.” – Roldy – Toilet ov Hell (2025 – Eclipse)

“I know it’s still relatively early in the year, but this is the best thing I’ve heard this year. The way they managed to make a progressive melodic and damn near technical death metal amalgamation sound this great is truly something. This is an easy 10/10 and will be in constant rotation for some time to come. As always don’t forget to stream and buy the music if you like it!” – Technical Music Review (2025 – Eclipse)

“Frogg have the instrumental chops to find a dominant place in this style of music.” – Heavy Music HQ (2025 – Eclipse)

“Battered Over The Head… Playfully: Not much more I can say, other than to repeat that this is music which challenges the listener. The band play out of their skins, absolutely dazzling us with off-the-charts playing. Anyone who loves heavy music which is progressive will love this album (no should about it). What does help is that Frogg adds little touches of playfulness as well as extra or surprising musical instruments to keep the whole thing entertaining. I said in the review of the EP that it showed “great promise”. And that “promise” has in my view been met on this album. Once again they battered me over the head in the most fun way musically. I can only imagine the fun of seeing them do this stuff live. A must-have for fans of extreme progressive music.” – CGCM Radio / Podcast (2025 – Eclipse)

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0 SHORES OF NULL Shares New Live In Munich Video “Quiescent” Off New Live Album “Beauty Over Europe” Out May 2025 + Launch Pre-Order + EU Tour Dates

  • March 28, 2025
  • by Asher
  • · Music News · Shores of Null (Spikerot Records) · Uncategorized

NEWS RELEASE

Montreal, QC – March 28, 2025

SHORES OF NULL Shares New Live In Munich Video “Quiescent”

New Live Album “Beauty Over Europe” Out May 2025

+ Launch CD Pre-Order / Digital Pre-Save

+ EU Tour Dates

Italian melancholic dark metal band Shores Of Null are proud to announce the release of their first live album, “Beauty Over Europe”, set to drop on May 9th, 2025 via Sulphur Music / Masked Dead Records.

The live album features 10 tracks recorded during their monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, the Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in the cities of Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Reflecting on the experience, vocalist Davide Straccione shared:

“Our 2023 European tour with Swallow The Sun, Draconian, and Avatarium was one of the most beautiful and intense experiences of my life. Night after night, we poured everything we had into our performances, connecting deeply with audiences across 18 countries. This live album is our way of preserving and sharing that beauty, not only as a gift to those who joined us in the crowd but also for those who couldn’t be there to witness it.”

A live version of their song “Quiescent”, recorded in Munich, is now available on all major streaming platforms and YouTube, accompanied by an exclusive video featuring live and behind-the-scenes footage from the tour.

YouTube – https://youtu.be/DOk616SWofA

Spotify – https://spoti.fi/3DXvwf2

Physical Pre-order: ​https://maskeddeadrecords.com/product/shores-of-null-beauty-over-europe/
​​
​
Digital Pre-order: ​https://shoresofnull.bandcamp.com/album/beauty-over-europe

Spotify Pre-save: ​https://spoti.fi/4iLDYNJ​

Shores of Null has also announced a series of upcoming tour dates, featuring a mix of festival appearances and indoor shows across Italy, Germany, Austria, and the UK (dates listed below).

Setlist:​
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)
​
Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios
​
​Band:​
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

​

Shores of Null 2025 Tour Dates:
​
30.04 – DE Saalfeld – Klubhaus (w/ Décembre Noir, Praise The Plague)
01.05 – DE Dresden – HD (w/ Décembre Noir)
02.05 – DE Berlin – Walpurgisnacht (w/ And Oceans, Heretoir, Décembre Noir)
03.05 – AT Innsbruck – Abyss Bar
11.05 – IT Verona – Isola Rock (w/ Dark Lunacy)
15.06 – IT Lignano Sabbiadoro – Arena Alpe Adria (w/ In Flames, Lacuna Coil)
28.08 – UK London – The Black Heart (w/ The Crawling)
29.08 – UK Leeds – The Fenton (w/ The Crawling)
30.08 – UK Plymouth – One For Sorrow festival (w/ The Crawling and more)
31.08 – UK Bristol – The Gryphon (w/ The Crawling)

For more info: Spikerot.com | Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal among others, further solidifying their status as one of the rising forces in the metal scene.

– 30 –

Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty

“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)

“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)

“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)

“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)

“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)

“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)

“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)

“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)

“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)

“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)

“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine

“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)

​
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0 Canada’s CHÜZO Unchain Menacing New Video “Brutalator” From EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

  • March 25, 2025
  • by Asher
  • · CHUZO · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – March 25, 2025

Canada’s CHÜZO Unchain Menacing New Video “Brutalator”

New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Canadian aggro-metal CHÜZO is unshackling their menacing new video for the track “Brutalator” from their latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” released this past October and produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio).

The song is about the “Brutalor”, a character that comes to each town or village to reclaim social justice to anyone who has been mistreated by greedy and evil parts of humanity.

Guitarist Cristian S explains further:

“The Brutalator” is the opening track of our latest EP, “M.T.M.D.” (Maximum Threshold, Minimum Decay). This song was a collaboration between Carlos G., Mischa M., and I, Cristian S., the leader and founder of CHÜZO, after spending about a year experimenting with its structure. The arrangement was developed by Carlos and me, but it lacked lyrics for quite some time because I struggled to find the right phrasing and inspiration. After rehearsing the song for a while and having a profound discussion with Mischa about anti-heroes and other tracks in Metal, such as “The Wizard” by Black Sabbath or “Edgecrusher” by Fear Factory, Mischa crafted the lyrics that would become the final version for “Brutalator.” Her lyrics tell the story of an anti-hero betrayed by life and loved ones, discarded and mistreated—a constant victim of societal injustices. Bound by honor and revenge, he trains himself and returns to fulfill the wishes of the unfairly treated, the exploited, and the oppressed of an unjust society, seeking vengeance and enforcing his version of justice against those who instigate injustices against the weak and abused. Her lyrics perfectly complement the song structure, giving birth to our best track. She also created the intro, a beautiful piano arrangement that sets the tone for the song.

Watch and listen to “Brutalator” via its premiere on IDIOTEQ HERE. 

CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.

“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets,” adds guitarist Cristian S.

CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all the bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.

EP Stream links are below:

Bandcamp – https://chuzomtl.bandcamp.com​

Digital (Spotify) – https://distrokid.com/hyperfollow/chzo/mtmd​

Music Video – “Brand New Cell” – https://youtu.be/CPvB0BhDxbQ

Music Video – “Bruised and Broken” – https://youtu.be/0mVkPAsgN3k​

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band​

-30-

Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.

“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine

““Bruised and Broken” is definitely a rager. Mischa and Christian belt out the words in a tandem of furious screams and monstrous roars. Behind them, the song discharges high-speed percussive obliteration and punk beats, a violent churn of high-grit riffage, and bowel-loosening bass-quakes. The band also work in mean-eyed slashing chugs, a brutalizing breakdown that seems to get more thuggish but no less head-hooking as the seconds pass, an explosion of boiling and battering grindcore mayhem, and another hardcore beatdown that’s probably a sure-fire mosh trigger in a live show — with Mischa‘s screaming voice still coming for your throat with no-holds-barred intensity. Just this one song proves that for Chüzo the label “Aggro Metal” isn’t false advertising. It’s a gut-slugging, bone-smashing, vocally blistering, and viciously eviscerating outburst, and it also proves to be a pretty addictive piece of rage-fueled catharsis too. Speaking of live shows, the video gives a good sense of what the band’s live sets are about, and a good sense of how much fun they had beating the shit out of things in that rage cage.” – No Clean Singing

“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy
​
“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise
​
“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise
​
“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine
​
​
​
​“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine

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0 DOUBLE EXPERIENCE Nominated for Ottawa Capital Music Award for Album of the Year “Undefeated” + Ontario Tour Dates + Toronto Comicon

  • March 5, 2025
  • by Asher
  • · Double Experience · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – March 5, 2025

DOUBLE EXPERIENCE Nominated for Ottawa Capital Music Award for Album of the Year “Undefeated”

+ Ontario Tour Dates

Double Experience (L-R – Ian Nichols – Vocals and Bass, Brock Tinsley – Guitar) – Photo by Curtis Perry

In 2020, the Ottawa rock duo Double Experience took everything they knew about music – thousands of international concerts, presenting at industry conferences, and writing songs inspired by video games and film – and channeled their process into a series of livestreams. The result? A crowdfunded album – consisting largely of spontaneous suggestions from Twitch users – called “Undefeated” released in May 2024 via their indie label Colfax Music Ltd.. Nearly a year after its release, Double Experience’s modern rock opus is now nominated for a 2025 Ottawa Capital Music Award for Album of the Year.

“WE’RE NOMINATED: “Undefeated” is up for “Album of the Year”. This is a huge honour, especially considering the nature in which this album was created via our Twitch channel.” adds the band.

Double Experience are nominated alongside the following artists listed below. More info on 2025 nominees can be found at at https://ottawamic.com/cma​

Album of the Year | Album de l’année *Public vote | Vote du public​
Show Love – Kellylee Evans
Undefeated – Double Experience
To Be Clear – Mia Kelly
Love & Patience – Country Club Pool Boy
Hugging the Cactus – Twin Flames

The Capital Music Awards will be held on May 22nd, 2025 at Southham Hall at the National Arts Centre (1 Elgin Street) in Ottawa, ON. Details at https://ottawamic.com/​

By taking influence from Coheed and Cambria, Weezer and Palaye Royale, Double Experience bounce between sounds in a quest to compose music as diverse as an arcade gallery. In doing so, Double Experience have bonded with a passionate global fan-base with their undeniable live prowess amounting to nearly 1000 concerts across 18 countries, opening for all manner of acts, from Badflower to Danko Jones, from JJ Wilde to Galactic Empire.

By day, mild-mannered band members Ian Nichols (vocals, bass) and Brock Tinsley (guitar) deliver band-oriented workshops and panels at conferences, conventions and festivals (IndieWeek, MAGFest, Ottawa ComicCon), teaching up-and-coming creatives how to take control of their own destiny in a similar way as the duo’s musical alter-ego. The band have cowritten songs with Jayson DeZuzio (Imagine Dragons) and in 2016, their Destiny-themed anthem “The Glimmer Shot” caught the attention of the game’s developers at Bungie.

Their fourth studio album “Undefeated” (released May 2024 via Colfax Music Ltd.) was inspired by the fans for the fans all through live streaming on Twitch and has all things nerdy and is all about perseverance.

“Ever since writing songs on Twitch, our fans have a day-one connection with the music. No matter how weird or strange the goal might seem, our band is living proof that you can really make a breakthrough if you celebrate what makes you weird or strange, not shy away from it.” comments Double Experience.

“Undefeated” is available on all digital platforms – https://linktr.ee/2xxp​

Music Video – Undefeated – https://youtu.be/8dF3EiwrUjc

​

Music Video – Goddess – https://youtu.be/j44PWhiFQPA

​

Music Video – Bill Murray – https://youtu.be/eSPvH0bDPMU

​

In additional news, Double Experience are a never stopping tour de force and will be hitting the road for dates in March across Southern Ontario (dates listed below).

Tour Dates:​
March 12 – St. Catharines, ON – Warehouse
March 13 – Hamilton, ON – Mills Hardware
March 14 – Tillsonburg, ON – Paddy’s Underground Gastropub
March 15 – Toronto, ON – Toronto Comicon (Theatre 3 at 1:15 PM for a live songwriting workshop / performance)
March 18 – Toronto, ON – Rivoli

Track Listing:​
1. Undefeated (3:36)
2. Goddess (3:43)
3. Figured You Out (3:23)
4. Dancing on the Moon (2:58)
5. Bill Murray (3:02)
6. Stranger (2:48)
7. This is War (3:04)
8. Alter Ego (3:18)
9. Drive Away (3:06)
10. Top of the World (3:04)
​
​Album Credits:​
Music and Lyrics by Double Experience
Steve Foley – additional engineering, instrumentation
Al Jacob – production, mixing, engineering Ian Nichols – vocals, bass
El Stich – artwork Brock Tinsley – guitar Matt Tuttle – mastering
Member of SOCAN
MAPL – Canadian Content

More info:​
​https://www.2xExperience.com​
​https://www.facebook.com/DoubleExperience​
​https://www.youtube.com/DoubleExperience​
​https://www.instagram.com/DoubleExperience​
​https://www.twitch.tv/DoubleExperience​

Discography:​
2024 – Undefeated – (LP)
2020 – Alignments – (LP)
2017 – Rock (Geology) – (EP)
2016 – Unsaved Progress – (LP)
2014 – 721835 – (LP)

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​

0 California Prog LUNAR Reflects On Painful Memories In “A Summer To Forget” Lyric Video Off New Album “Tempora Mutantur”

  • March 4, 2025
  • by Asher
  • · Lunar · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – March 4, 2025

California Prog LUNAR Reflects On Painful Memories In “A Summer To Forget” Lyric Video Off New Album “Tempora Mutantur”

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Following the recent release of their emotionally charged concept album “Tempora Mutantur” this past January, Sacramento, USA’s progressive metal collective Lunar unveils their lyric video for “A Summer To Forget”. The final visual installment in the album’s narrative arc promises to be a poignant exploration of memory, loss, and the transformative power of musical storytelling, continuing the band’s unique approach to progressive metal as a form of emotional expression. They comment on the track:

“The album starts off with a song that sounds a bit upbeat musically (heavy with the horns) despite a fairly dark lyrical theme: dealing with memories, how we sometimes forget what we wish we wouldn’t and cling on to what we wish we could forget.”

The track represents a powerful entry point into the album’s complex exploration of temporal experiences and personal transformation. “A Summer To Forget” embodies the band’s commitment to creating music that transcends traditional genre limitations, offering listeners a nuanced journey through personal pain and potential healing.

Continued and driven by drummer and primary songwriter Alex Bosson (Helion Prime, Planeswalker) after the passing of co-band founder Ryan Erwin in 2018, “Tempora Mutantur” is the result of a deeply personal and introspective creative process. The video continues the band’s tradition of transforming personal struggles into universal musical experiences, inviting listeners to find their own emotional resonance within the intricate layers of sound and metaphorical storytelling. Fans of Tool, Porcupine Tree and Ayreon should be among the first to check out this track.

Watch and listen to the lyric video for “A Summer To Forget” via its premiere on Prog-Sphere HERE. ​

Lunar‘s fresh lineup features guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist), and Sam Vallen (Caligula’s Horse).

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

LUNAR‘s “Tempora Mutantur” was released on January 31, 2025 and is available from Saibot Reigns Records.

Album order – http://lunarbandofficial.bandcamp.com/

Spotify – https://spoti.fi/3ESMviX​

Previous Videos:

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE​

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM​

“Spring In My Step – https://youtu.be/mtOhnwOpK_0​

“Fall Back Into Old Habits” – https://youtu.be/J4jTMq-XaTY​

(Album Artwork by Ed Bosson)

Track Listing:​
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:​
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:​
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:​
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl​

– 30 –

“If you like your progressive metal equal parts weird and rocking then look no further than the latest from Lunar. There’s a little bit of an Opeth vibe sometimes, but like recent Opeth, Lunar have a love for the classics. Tempora Mutantur is a fun one and an early favorite of mine in this new-ish year.” – Metal Injection (2025 -Tempora Mutantur)​
​
​“An album of Progressive Metal with forays into the more technical Death with interesting interweaving of clean and harsh vocal parts, between cantatoed virtuoso instrumental sections. The band confirms the good things heard previously, offering 8 incisive and technical tracks that enhance the compositional and performing technique of the lineup and guests. A recommended listen for lovers of the most Extreme sounds of Progressive Metal with references to bands like Opeth, to start this 2025 at its best.” – Progressive Rock Journal (2025 -Tempora Mutantur)​
​
​“Tempora Mutantur is an impressive concept album – especially when you have in mind that several of the musicians have worked independently and never met… It will be interesting to see what it can develop into when the band finally meet each other for their first live performance in 2025.” – HeavyMetal.dk (2025 -Tempora Mutantur)​
​
​“Their technical ability is right up there with a lot of Progressive musicians” – Metal Temple (2025 -Tempora Mutantur)​
​
​“Progressive music has taken on a form of its own in the metal world over the years. At this point, there are only a few common elements that are present. With Lunar, every album remains progressive, yet is entirely different from each other, and Tempora Mutantur is no exception. One thing you can expect is that it is going to be good, no, great. Tempora Mutantur is Lunar’s fourth album and will be released on January 31st, 2025.” – Metal Nation (2025 -Tempora Mutantur)​
​
​“On each listen I get more out of it and as you can probably tell I think it is excellent. I appreciate that the band have made sure not to attempt to repeat the last album but to try new ideas and give listeners something fresh, new and exciting. The playing is excellent, the use of vocalists works very well and the themes are explored nicely… Considering how amazing “The Illusionist” was says how strong a follow up this album is. Anyone into bands like Dream Theater, Opeth, Haken, Ayreon or Tool should find a lot to enjoy here. This is thoughtful, intelligent, progressive music with words to match and I thoroughly recommend it.” – CGCM Rock Radio (2025 -Tempora Mutantur)​
​
​“New release from progressive collective Lunar drops tomorrow (Jan. 31st)! The new album “Tempora Mutantur” is a dense forest of progressive rock stylings that prog fans can sink their teeth into, the album cut “Weakening Winter Touch” is a favorite from the album that we have been eagerly anticipating adding and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll (2025 -Tempora Mutantur)

“As Lunar get further into their career, they are becoming more agitated, as evident by how assertive the music is on their fourth album, Tempora Mutantur. Their use of two vocalists, one for the melodic content and the other for the growls, is more defined on this record, as they have more of an even partnership than before when the harsh vocals were less prevalent… Though originally conceived as an EP revolving around the four seasons, Tempora Mutantur was expanded with a vaster vision. It happens that this vision has the group at their heaviest, a spot from which they show great confidence. 4/5” – Heavy Music Headquarters (2025 -Tempora Mutantur)​
​
​“Tempora Mutantur is filled with riffs and varied musical styles. They cover everything from clean, beautiful sections to challenging technical sections to prog death metal. Repeated listens are necessary to not only appreciate all that the band is doing on the album, but to learn how to appreciate some of the more challenging passages as well. If you enjoy progressive metal/death metal, I would recommend you give Tempora Mutantur a shot. It may not be everyone’s cup of tea, but if you give it a chance, it is actually a very enjoyable album that will stand the test of time.” – Metal Epidemic (2025 -Tempora Mutantur)​
​
​“Marking their fourth full-length album, I’m happy to conclude that Lunar continues to produce music that very consistently delivers in quality. On Tempora Mutantur, they’ve honed their stylistic influences on a few ideas while treading on looser territory with their songwriting approach. Lunar has brought us a bevy of solid riffs to indulge in with a studio that, I hope in this economy, didn’t cost the band as much as they sound like they do. As time passes and the seasons continue to change I hope Lunar is still in the game for another four releases.” – The Progressive Subway (2025 -Tempora Mutantur)​
​
​“Every Lunar album is a cause for celebration and Tempora Mutantur is another incredible offering from a band becoming a progressive metal powerhouse…. Any fan of progressive metal or extreme metal will yet again find themselves loving what Lunar do, a jukebox of prog metal which kept me loving it throughout. 9/10” – Musipedia of Metal (2025 -Tempora Mutantur)​
​
​“This quality is so high, and the variation as well.” – Melodic.net (2025 -Tempora Mutantur)​
​
​“Album dealing with the effects of time on our body, musically symbolized by this melodic alternation and heavy discharge. On OPETH, HAKEN, TOOL for a varied extreme music that is fun, moving, bestial and takes you to the guts. A sound closer to a VOIVOD than a DREAM THEATER, with Chandler playing on Brian’s growl to give this conglomerate of extreme music, like our personal double facet. A must for extreme fans, a musical danger for the progs of the 70s.” – Profil Prog (2025 -Tempora Mutantur)​
​
​“a fantastic display of Prog for the heaviest of fans to those who just appreciate masterclass musicianship. If you want a tribute to Prog, give this one a listen.” – Heavy Debriefings (2025 -Tempora Mutantur)​
​
​“An album to seek out by those who enjoy a more contemporary oriented variety of progressive metal that comes with 70s progressive rock inspired passages and interludes as a bit of a recurring feature.” – Progressor (2025 – Tempora Mutantur)​
​
​“LUNAR have sure hit on a way to keep you engaged, waiting for the next tonal shift and surprising instrumental variety. Not a flawless album, but a real interesting one.” – Wormwood Chronicles (2025 – Tempora Mutantur)​
​
​
—
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0 EPK – Vortex – Alien Realms (2025)

  • February 25, 2025
  • by Asher
  • · EPKs · Uncategorized · Vortex

EPK – Vortex – Alien Realms (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Septicflesh, Shadow of Intent, Fleshgod Apocalypse, Dimmu Borgir, Cradle of Filth

“On this new EP, we doubled down on what worked best in our previous album, the Future Remains in Oblivion. If you’re into massive orchestras and melodies blended with aggressive riffs and Blackened Death vocals, then Alien Realms is for you.” – Vortex

Album Title: Alien Realms
Release Date: April 11, 2025
Label: Self-Release

Vortex.band | Facebook.com/vortex.band.ca | Instagram.com/vortex.band.ca | X.com/vortexband | Youtube.com/@VortexBand

Vortexband.bandcamp.com | Spotify | Apple Music

Linktree – https://linktr.ee/vortexband

“There is not one weak song on the EP. The songs are well crafted and mastered by hugely talented musicians. For me the perfect 10. Can’t wait to see the songs performed live.” – Project Metal Music

“When Humans Defy The Void is, like its creators Vortex, unique, and unlike anything else you have ever heard. It is everything you think it would be, but cranked up to eleven and with more twists and turns than a Raymond Chandler novel, and if this is just a taster of what Alien Realms has to offer, then I can’t wait to be abducted on April 11th.” – Black Metal Archive

“No need to fuck around with this one folks; I loved Alien Realms from the first intense beats of “When Humans Defy the Void” to the fading notes of the haunting “Where Wonders Dwell”. Vortex’s Alien Realms pulls you in with its unpredictable symphonic blackened melodic death metal that blends elements of bands like Mechina, Fleshgod Apocalypse and Behemoth with the likes of Dimmu Borgir, Graveworm and Hermh. Needless to say, this is a DENSE little EP full of some unique metal.” – The Poser’s Graveyard

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)​
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, MB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **
​
* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

[Download EP Cover | Download EP Lyrics]

Album Title: Alien Realms
Release Date: April 11, 2025
Label: Self-Release

Track Listing:​
1. When Humans Defy the Void – 5:03
2. Haunting the Abyss – 5:26
3. Ripping the threads of Reality – 4:10
4. Where Wonders Dwell – 3:00
EP Length: 17:40

EP Credits:
All songs performed by VORTEX
Except ‘Where Wonders Dwell’ by Vortex featuring Giorgia on vocals
All songs written by VORTEX
Produced by Pierre Luc Demers and Dany Lévesque
Engineered, mixed, and mastered by Pierre Luc Demers (Studio Ondechoc)
Artistic consultant: Marc-Antoine Desjardins
Album artwork by Rudi Gorging Suicide
MAPL – Canadian Content

=======================================================

About the EP Artwork:
The concept behind Alien Realms revolves around humanity venturing into space in search of intelligent life. However, they don’t find exactly what they anticipated, and this sense of unexpected discovery is reflected in the artwork.

About the EP:
Alien Realms is a Blackened Death EP that blends massive orchestral elements, soaring epic melodies, and relentless, aggressive riffing.

Track By Track explanation:

1. When Humans Defy The Void

This song is a melodic assault, blending thrash-driven verses, hyper-melodic choruses, and an epic finale, all immersed in grand, sweeping orchestrations. Bold and daring, humans leave Earth in search of intelligent extraterrestrial life. This track is divided into three distinct sections: the thrashy, aggressive verses; the ultra-melodic choruses; and the glorious, epic ending.

2. Haunting the Abyss
‘We traversed the void – Conquered the unknown – But found emptiness – In worlds, we’ve been shown’

This song begins with a melancholic black metal section before transitioning into a verse that I’d describe as a modern death metal take on the main riff of Metal Church by the band of the same name. For this EP, we focused on writing memorable, epic choruses, and this one is a perfect example of that.

3. Ripping the Threads of Reality
We ultimately discover that other intelligent life forms do exist, but they are not where or what we expected. Aliens emerge from other realms that challenge our understanding of physics and consciousness.

Musically, this track is the most blackened death piece of the EP. It’s what I imagine Behemoth or Belphegor would sound like if they had lots of orchestral elements.

4. Where Wonders Dwell
We wanted to close Alien Realms with an epic orchestral track, and this is the result. Once it was complete, we thought it would be even better with female vocals, so we wrote the lyrics and invited Giorgia to sing on it. The song is a departure from our usual style, reflecting the dawn of a new era for mankind.

==================================================
Fun Facts – Story Angles:

1. You must watch the music video for ‘Haunting the Abyss’. There are a couple of scenes where band members are naked on a frozen lake in the snow…. We had to shoot those images bare-naked in January at -10C.

2. One time a girl stripped while moshing in front of the stage, some guy had to take her out of the venue on his shoulders to stop her.

3. None of us fits the ‘regular’ death metal band member stereotype. Many of us have children and we all have jobs most people wouldn’t think were for a death metal musician. We count two business directors, a wind farm manager, a construction project manager, and a music composer in our ranks. Two of the band members are schooled musicians.

4. We have played about 250 shows together until now.

5. We live in a remote area and often drive for 6, 8, 10, and even sometimes more to play a single live show, we are road warriors!!!

6. We are serious and professional, but occasionally some of us really like to party when the show is over. I would have great stories to tell but I’m not sure I should talk about that here…

L-R – Simon Desjardins (Bass), Mathieu Duguay (Guitars, Orchestrations), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Olivier Harrisson (Drums)
Photo Credit – Giuseppe Calvinisti

Vortex is a symphonic Death Metal band from Rimouski, Quebec, Canada, and is comprised of seasoned musicians with an abundance of studio and live experience. Their masterful lyric writing is equally matched with their prowess in devising riffs, and orchestrations.

Vortex music is filled with heavy riffing and melodies, technical vocals, and epic soloing. They will transport the listener into a new world and are recommended for fans of Lorna Shore, Shadow of Intent, Dimmu Borgir, and Cradle of Filth.

In June 2023 Vortex released its third epic concept album set to aggressive and beautiful orchestral melodic death metal with hints of black metal. Each song in “The Future Remains In Oblivion” is one chapter in their well-written sci-fi tale and there is a build-up in intensity and emotion that goes along with the storyline and the lyrics as you traverse the album.

VORTEX is gearing up to release a music video and a new 5-song EP entitled ‘’Alien Realms’’ in April 2025. The band will hit the road alongside the talented band XAON, they will be supporting each other on a tour across Canada in April 2025 and Europe in November 2025.

Vortex is:
Simon Desjardins (Bass)
Mathieu Duguay (Guitars, Orchestrations)
Alexandre Labrie (Vocals)
Dany Lévesque (Guitars)
Olivier Harrisson (Drums)

Discography:
2025 – Alien Realms – EP (Self-Release)
2023 –  The Future Remains In Oblivion (Self-Release)
2018 – Lighthouse, PRC Music
2016 – The Asylum, PRC Music

Shared Stage with: Aeternam, Beyond Creation, Martyr, Beneath The Massacre, Strigampire, Obscura, Khalma, Anonymus, BARF, Vesperia, Obey the Brave, DBC, Get the Shot, Mutank, E-Force, Boundaries, Insurrection, Feel like Home, The Flaying, Spirit of Rebellion, Reanimator, Fracturus, Burning the Oppressor, Chemicide, Replicant, Valfreya, Sanguine Glacialis, Flesh Shrine, Death Note silence, Obscur Mantra, Blinded by Faith.

Tours and Festivals:
2024 – Strigampire/Vortex tour (Quebec/Ontario)
2023 – Symphonic Assault tour with Aeternam (Eastern Canada)
2019 – PRC Metal Bash tour (Quebec and The Maritimes)
2018 – Chemicide tour (Quebec)
2017 – E-Force tour – Eric Forest ex-Voivod (Eastern Canada)
2017 – Reanimator tour (Quebec)

=============================================

Canadian College Radio Charts – August 2023 – top 20 loud – #14 Vortex (earshot)
“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag
“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs

“After hearing their new material live November 2022, I was really looking forward to hearing the sequel and it may be darker than ever.” – Thorium Mag

“a band that takes great pride in weaving together cinematic stories set to orchestral melodic death metal. Canada’s very own Vortex is prepared to whisk you away to a bleak world that is recovering from a devastating cataclysm in the latest album, The Future Remains In Oblivion.” – Canadian Beats

“The Future Remains In Oblivion est un disque coloré, aux mélodies chaleureuses et aux superbes guitares.
“The Future Remains In Oblivion is a colorful record, with warm melodies and superb guitars.” – Music Waves

“The breakdowns are huge in places. There are big moments where the influences pour through, but are blended with giant choral arrangements and symphonics. It’s absolutely like something out of a Lord of the Rings movie. I love the melodies, the harmonics, and the guitar solos. This is absolutely an album which ought to be part of your listening rotation this month. I was genuinely impressed with quite a bit of the entire album. I think that when you look at this album, the absolute banger of the title tack is 100% worth several spins with the blackened guitar riffs and tremendous choral arrangements.” – Metal Epidemic

“The songs you’ll find on this upcoming release are aggressive, but Vortex also has a strong melodic approach and lots of orchestrations combined with guttural, black metal vocals and diverse guitar playing that alternates between howling snippets and beautiful, emotional riffs. Recommended for fans of Shadow of Intent, Septicflesh, and Dimmu Borgir.”  – RTMB Music

“Melodic death, a bit technical and prog” – Mosh Pit Radio WORT 89.9FM (Madison, WI)

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