New Absolute Underground Magazine is out!
w/ Live Review – Armstrong MetalFest – AMF by Broken Neck Radio
Interviews w/ Doll, Vortex, KRATORNAS, Shores Of Null, HOG MEETS FROG, Wacken Metal Battle Canada 2025 Champions Killotine, OPHIOLATRY, Z-Cocoon and more!
Get your copy – https://absoluteunderground.tv/absolute-underground-magazine-issue-125/
EPK – Unpunished – Echoes of History (2025)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
“We hope our new EP album will get us noticed on the local and national metal scene. We want to demonstrate that we approach music with a professional and focused mindset. We want to get listeners’ attention with a unique blend of past and modern metalcore, sprinkled with melodeath and deathcore accents. We also hope we can showcase our technical and musical abilities.
Echoes of History marks an evolution in our sound. More technicality, more brutality, but a lasting place for melodic choruses and guitar solos. Each band member grew as a writer and composer, elevating the overall quality. The first single, As water fills my lungs, deals with themes of anxiety, disease, and the fear of death. It’s a last cry for help from someone who is losing the battle against his own demons.” – Unpunished
For fans of As I Lay Dying, The Black Dahlia Murder, Trivium, Parkway Drive, Bleed From Within
Band: Unpunished
EP Title: Echoes of History
Release Date: September 5, 2025
Label: Self-Release
Facebook.com/Unpunishedband | Instagram.com/unpunished_band | Youtube.com/@unpunishedmusic9106
“Le groupe de metalcore qui contient des sonorités de deathcore et death metal, Unpunished, a dévoilé une couleur plus agressive avec son nouvel extrait ¨Burn The Traitors¨, titre qui est collaboré au niveau vocal par Alex Leblanc de Fracturus (Ancien Mass Murder Messiah / Neuraxis).” – Grizzly Media
“It’s all this musical baggage that Alex Leblanc (Fracturus, ex-Mass Murder Messiah, ex-Neuraxis) brings to this new song UNPUNISHED. As a collaborator, of course, but he allows us to give another dimension to their sound which leans more towards melodic death this time. The intensity of the song growl from Jean-Christophe Magnan takes up much more space and gives new weapons to UNPUNISHED. At times we feel like we have a mix between Amon Amarth, Soilwork and Killswitch Engage. To discover!” – Metal Universe (2023 – Burn the Traitors – single)
“Unpunished comes to us with an EP that will please fans of metalcore from the good years combined with the more modern melodic side. The vocal playing between clear and « growl » is effective, especially on the title track « Shadows And Dust ». The guitar riffs are eye-catching and that’s one of the things that introduced me to metalcore in the mid-2000s, and we’re well served with this EP. They knew how to bring their personal touch to their influences, and that is what makes « Shadows And Dust» so effective.” – Metal Universe (2022 – Shadows and Dust EP)
[Download EP Cover | Download EP Lyrics]
Band: Unpunished
EP Title: Echoes of History
Release Date: September 5, 2025
Label: Self-Release
Track Listing:
1. As Water Fills My Lungs – 4:49
2. Plague of Our Race – 4:39
3. Shattered in Dissaray – 5:06
4. Echoes of History – 4:52
5. Burn the Traitors – 4:38
EP Length: 24:06
Recording Credits:
• All songs performed by: Unpunished
• All songs written by: Unpunished
• Produced, mixed, and mastered by: Justin Lefebvre
• Album Artwork by: I And I Art
• Member of SOCAN
• Canadian Content (MAPL)
EP Recording and Live Line Up:
Jean-Christophe Magnan (vocals)
Justin Lefebvre (drums)
Alex Brochu-Meloche (bass, backing vocals)
Pierre-Luc Defoy (guitar, backing vocals)
Dean Pavicic (guitar)
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About EP Artwork:
The artwork for Echoes of History was inspired by the Ouroboros, an Egyptian symbol that represents the eternal cycle of time, but with an almost empty hourglass in the middle, signifying that humanity keeps repeating the same mistakes, never learns from the past, but now, time is running out and our world is about to end. The artwork serves as a final warning that humanity is doomed if it continues on this self-destructing path.
About the album as a whole (LYRICALLY & MUSICALLY):
A journey through many different emotions, a journey through struggles and battles. From the internal battles we all fight within ourselves, to the battles we fight openly in society.
Track by Track (LYRICALLY & MUSICALLY):
1. As Water Fills My Lungs
Musically, this track revolves around a very melodic chorus that carries a lot of emotions. The verses put emphasis on fast guitars and drums that carry a feeling of anger. The bridge section offers a moment of rest as an emotionally charged guitar solo and highly melodic vocals take the lead. A breakdown then brings the emotional culmination of the song, followed by one last chorus and a pummeling end part. Lyrically, the song is a journey through anger and despair. The realization of betrayal, the panic that follows, and the despair of a life ruined by those you trusted the most.
2. Plague of Our Race
This song is one of the heaviest songs we’ve ever written. Largely influenced by death metal and deathcore, it’s a song fueled by rage, disgust, and despair as it illustrates the never-ending failure of humankind to learn from history and always allowing dictators to emerge and spread chaos and death. Pummeling drums, furious riffs, a blistering guitar solo, and ferocious vocals make Plague of our race an intense ride through hell.
3. Shattered in Dissaray
Slower and darker, Shattered in disarray is the story of someone realizing he ruined his life and failed his loved ones. Will he end his life? Is there still hope to fix what’s broken? It invites the listeners to reflect on their own failures and how they could have done better. Musically, it’s focused on a very melodic chorus riff and 3 different guitar solo sections that carry the conflicting emotions of the lyrics.
4. Echoes of History
The most metalcore and melodeath influenced song of the EP, Echoes of History is a fast-paced, angry, and relentless song about the countless genocides committed through time as a ruling society seeks to annihilate another from history. Amid all the chaos, a spark of hope remains, highlighted in the bridge section, through a slow-paced riff and emotional solo. The rest of the song is musically challenging with fast riffs, drums, and vocals that give no rest to the listeners.
5. Burn the Traitors
Musically Burn the Traitors is our most brutal song ever. It’s much more melodic death metal than metalcore, as there are no clean vocals. It’s written as a relentless track with little place to breathe. The chorus is melodic and catchy, but without the use of clean lyrics. The solo is the slowest section of the song, as a way to catch our breath before the breakdown and final stretch of intensity. Lyrically, the theme is centered around vengeance, inflicting pain on those who betrayed, abused, and inflicted pain on their people. Remastered from its initial 2023 release, Burn the Traitors ends the EP with ferocity and leaves no one indifferent.
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Fun Facts – Story Angles
1. As water fills my lungs is our first single since 2023. We played it live a few times already, but we never had time to properly finish the recording. We also wanted to have our 2nd EP ready to release this song as the first single, but it took us much longer than anticipated to finish writing the EP.
2. Justin Lefebvre (drummer) is the producer on this new EP. He spent countless hours developing his production skills to the point that he was the obvious choice for us to have our drummer handle the production duties. Since Unpunished is a band of perfectionists, we spent a lot of time with Justin to develop our sound, set the guitar and bass tones, and perfect each part so we were all happy with the end result.
3. Fun fact: all the demos that are brought in by the band members usually have a silly name to make fun of J-C’s age, as he is older than everyone else by a decade. This song was a rare exception of not having a name like ‘’JC’s hip replacement surgery, ‘’JC’s Cialis overdose, ‘’JC’s last colored pubic hair, etc. The first title of this song was ‘’NYYEEEAAA’’, or else known as Arnold Schwarzenegger’s famous scream. Dean initially added a clip of this famous Arnold scream at the beginning of the demo. https://www.youtube.com/watch?v=7BdaywIhVeI
L-R – Justin Lefebvre (Drums), Pierre-Luc Defoy (Guitar, Back Vocals), Jean-Christophe Magnan (Vocals), Alex Brochu-Meloche (Bass, Back Vocals), Dean Pavicic (Guitar)
Photo Credit – Julien Bouffard
“Echoes of History took us over two years to write, and each of us faced major personal challenges during that time. Sorting through dozens of demos was tough; we all have different musical tastes, which makes it hard to agree, but also gives us our unique sound,” adds the band.
Rather than follow a formula, Unpunished built each song with its own emotional journey, combining the brutality of modern death metal with the melody and groove of classic metalcore. The EP was also produced by drummer Justin Lefebvre. From its guitar tones to vocal layering, every detail reflects hours of obsession and refinement, reflecting the band’s obsession with perfection.
NEWS RELEASE
Montreal, QC – June 25, 2025
Out Now! JAWFANE’s Debut EP “Me And All My Demons” Is A Testament To DIY Spirit And Emotional Honesty
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L-R – Cory Pack (guitar), Jesse Marquez (keyboard), Austin Heipp (vocals), AJ Chacon (drums), Chase Shumann (bass)
Photo Credit – Megan Rose // Instagram @mrosedesigner
After years of dedication to their craft, USA’s metalcore outfit Jawfane has officially released their debut EP “Me and All My Demons” via Exitus Stratagem Records. The six-track collection represents the culmination of the band’s journey from DIY beginnings to a refined musical force that defies easy categorization. The band shares their excitement for the release:
“We are absolutely beyond words for how excited we are to bring our first collection of songs into the world with and through Exitus Stratagem Records. It has been an absolute privilege working with Gordon, Jason, and the team to bring “Me And All My Demons” to life. This record is a personal journey for Jawfane. Sonically, we brought the hammer, lyrically we brought a bigger hammer, and we intend to beat out a place in the world for us and our brand of Metal-core.”
“Me and All My Demons” is a deeply personal record, drawing from the lived experiences of each band member. They anticipate that it will be received with an open mind to metal and what it can be when you are angry, but also determined to find the beautiful things in this life.
The EP showcases Jawfane‘s unique collaborative process, where traditional roles are often subverted: guitarists writing bass parts, bassists writing guitar parts, instrumental sections evolving into vocal melodies. This fluid approach to composition results in music that feels both technically impressive and emotionally authentic.
Though the band acknowledges their sound has elements of post-hardcore, metal-core, and even mathcore, they prefer to let the music speak for itself, promising that they will continue to evolve and change as they grow and no matter what genre they end up in, they’d like to think it will always sound like them.
“Me and All My Demons” aims to create a genuine connection with listeners. It is recommended for fans of King 810, Wage War, and The Ghost Inside.
Listen to the EP on all digital platforms – https://hypeddit.com/jawfane/meandallmydemons
Music Video – “Time Hunts Us All” – https://youtu.be/yZMBwY7eRfo
Music Video – “Cataclysm (Nightmare)” – https://youtu.be/HNBtGIHT7f0
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Track Listing:
1. Damaged Goods – 3:48
2. Cataclysm (Nightmare) – 2:42
3. Me and All My Demons – 3:46
4. Friends and Enemies – 3:20
5. Time Hunts Us All – 4:01
EP Length: 17:39
More info:
Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic
Facebook.com/Jawfane | Instagram.com/jawfane
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“What a privilege to listen to an EP that is flawless and filled with brilliance. Jawfane is the real deal. See them live and experience the captivating performance of the songs.” – Project Metal Music
“If you like what you hear from rising Metalcore act Jawfane with their new single “Time Hunts Us All” then we can warn you that their debut EP “Me and All My Demons” is pencilled in for a 26th June via Exitus Stratagem Records grand unveiling. A five track affair that fulfils a mission statement to create music that offers “a boisterous, chaotic and clarifying genuine catharsis“, the band claim it was built on the foundation of crafting through an organic and democratic process.” – Metal Noise
“Raw, cathartic expressions” – Flight of Pegasus
“It is that raw and cathartic expression that really does make this EP stand out as Jawfane pour so much passion into delivering a heavy sound that combines the best of hardcore’s stomp and metalcore’s anthemic ways. Yet, if that wasn’t enough to make this a notable EP, Jawfane add in some cinematic vibes. The end result is an EP genuinely worth shouting about…. Jawfane have arrived and with this EP, left one hell of an impression.” – Games, Brrrains & A Head-Banging Life
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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EPK – Eternal Drak – The Warrior Order (2025)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
“This EP serves as a heartfelt homage to our journey, a way to honor the memories we’ve created and express our immense gratitude to the fans who have stood by us through the years. By revisiting and reimagining these older tracks, we aim to rekindle the connection with our long-time listeners while simultaneously inviting new fans to discover and embrace our unique sound. “The Warrior Order” aims to bridge the gap between old-school metal and modern sounds, blending the raw, nostalgic vibes of classic metal with the refined production and innovation of contemporary music. By doing so, the album seeks to evoke powerful memories and untold stories from the past while offering a renewed, enriched auditory experience that resonates with both long-time metal enthusiasts and newer audiences. We hope to strike a balance that not only honors the genre’s roots but also pushes its boundaries forward.” – Eternal Drak
Band: Eternal Drak
EP Title: The Warrior Order
Release Date: July 17, 2025
Label: FirstWave Canada
EternalDrak.com | Facebook.com/EternalDrak | Instagram.com/eternaldrak | Youtube.com/@eternaldrak1684
“A fine collection from the masters of ancient evil” – Metal Noise (The Warrior Order – 2025)
“There’s evil intent at the start of next song “Eternal Drak” something I’d expect as it’s named after the band. Again, the trio are delving into themes of dark forces and mythical battles, but they have upped the intensity on this one as it sounds more powerful. It’s hard not to imagine a town or castle besieged by dragon’s fire and the hellish earth that awaits any survivors.” – The Razor’s Edge (The Warrior Order – 2025)
“another great sounding recording from Eternal Drak and if you are a fan of blackened thrash metal, you should check out this ep. RECOMMENDED TRACKS INCLUDE “Oda A La Luna” and “La Nueva Orden”. 8 out of 10.” – Bringer of Death Zine (The Warrior Order – 2025)
“„Eternal Drak“ is a small grab bag. Here they use different tempos that fit into the fast, rhythmic sound. With an extremely thrashy and vocally aggressive sound, you always have to be prepared for changing rhythms and moods. An extremely brutal melody blows with us „La nueva Order“ counter. At the end of the „EP“ they take a Metallica song from the album „Master of Puppets“ before. „Leper Messiah“ rewound in a radical version. Just as the album title says: they implement the warrior code musically.” – Hellfire Magazin (The Warrior Order – 2025)
“The Warrior Order is a real surprise and shows a completely new face of ETERNAL DRAK,” – PowerMetal.de (The Warrior Order – 2025)
““Oda A La Luna” sees a powerful drum at the beginning, before the rhythm settles in this dark ode. The lyrical theme is one of rebellion and ritual, and you can feel the intensity with each slap on the snare. The middle section has a sudden tempo change, with a riff that will get your head moving and the intensity follows through.” – The Razor’s Edge (The Warrior Order – 2025)
“This is a pretty good EP that’s got plenty of thrashy riffs, grooves and black metal harmonies and tremolos, give this a spin. ” – Drako’s Metal Reviews (The Warrior Order – 2025)
“”Drak Metal” is an excellent album, a deserving addition to any metalhead’s collection. With a few specific focuses here and there, the combination of Black and Thrash and Groove metals is done with near perfect balance, so there should be a wide appeal. ” – Metal Temple (2024 – Imprisoned Souls)
“the album comes with a sharp and grim expression set to an appropriately dark mood and mode, and in terms of mood and atmosphere this album did remind me ever so slightly of Celtic Frost, even if the music itself is rather different. That being said, I would imagine that quite a few thrash metal fans that also enjoy a little bit extreme metal as well as a band like aforementioned Celtic Frost would feel right at home with the landscapes explored on this production.” – The Viking in the Wilderness (2024 – Imprisoned Souls)
“‘Drak Metal’ is actually very enjoyable… it has a supreme raw quality to it which gives the album a sense honest integrity that just means that the listener cannot get enough of it, that passion is infectious and is more than enough to say, more of the same guys… more of the same.” – Metal Digest (2021 – Drak Metal)
[Download EP Cover | Download EP Lyrics]
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About The Album Artwork:
The album represents a complete revitalization of the band’s debut, breathing new life into its legacy with four tracks meticulously re-recorded from scratch. This bold step not only enhances the sonic quality but also redefines the essence of the original work for contemporary audiences. The iconic cover art, an integral part of the album’s identity, has also undergone a transformation. The 2002 design has been entirely digitalized, showcasing a masterful depiction of Lucifer commanding his troops into battle. This striking visual not only complements the album’s themes of struggle and supernatural horror but also serves as a symbol of the band’s unyielding evolution and creative ambition.
About the album as a whole (LYRICALLY & MUSICALLY):
This album bridges two distinct eras in the journey of Eternal Drak: the energetic creativity of the 1990s and the refined artistry of the present day. It represents a homage to the band’s origins, where young minds passionately crafted what is now revered as old-school metal. These early works have been revisited and revitalized, bringing their raw spirit into the modern soundscape with enhanced production quality that respects the authenticity of the era while ensuring it resonates with contemporary audiences. Through meticulously re-recording the four original tracks, Eternal Drak breathes new life into their debut, preserving the integrity of black thrash metal while making it accessible to a new generation of listeners. To complement this effort, the album includes a cover of one of the most iconic and influential bands in metal history, serving as both a tribute and a testament to the enduring inspiration these legends have provided. This project encapsulates the band’s unwavering dedication to their craft, blending nostalgia with innovation to create a sound that is timeless yet refreshingly current.
Track By Track:
1. Oda A La Luna
“Oda a la Luna” is a dark ode. The song narrates the exile of celestial beings who, through magic and sacrifice, were banished to a neutral dimension. It delves into themes of paganism, immortality, and the essence of evil inherited by humanity. The lyrics weave a tale of rebellion, ritual, and the eternal connection to the moon as a symbol of power and transcendence. It’s a powerful anthem that combines the relentless energy of black metal with haunting imagery of supernatural struggle and legacy.
2. Contra Viento
“Contra Viento” is a fierce and evocative. The song explores themes of rebellion against religious oppression, the fall of institutions, and the dark forces that reign over humanity. Through chilling imagery of witches, druids, and cursed thrones, the lyrics paint a world consumed by shadows and cruelty. The track’s relentless energy and visceral narrative reflect a mythical struggle against conformity, highlighting the destructive yet liberating power of chaos and darkness. This song includes a lot of orchestral instrumentation and clean vocals.
3. Eternal Drak
“Eternal Drak” is a powerful thrash black metal song. delves into themes of eternal life, dark forces, and mythical battles. The lyrics narrate a cosmic struggle where beings like witches and spirits unite under the power of “ReficuL,” a malevolent entity seeking dominion. The song conjures vivid imagery of blood-soaked rituals, fallen orders, and the eternal flame of life purified from evil. With relentless energy and haunting narratives, “Eternal Drak” captures a tale of chaos and dominance, echoing the raw and unyielding essence of the genre itself.
4. La Nueva Orden
“La Nueva Orden” explores themes of transformation, power, and the rejection of traditional deities. The lyrics depict a narrative where warriors rise against supernatural forces, embracing a new era of enlightenment and dominance. Through vivid imagery, the song portrays a world where individuals transcend ancestral beliefs, mastering both the elements and their own mental strength to create a harmonious existence devoid of divine intervention. The battle against oppressive forces, symbolized by “HavoheJ,” showcases an unrelenting quest for freedom and control over destiny. With its fusion of mysticism and rebellion, the song captures the essence of bridging science and magic, pushing boundaries, and challenging the constraints imposed by ancient traditions. “La Nueva Orden” stands as a compelling declaration of evolution and resistance. Musically, the song moves in a fairly flamenco harmony and in the middle, an interlude of acoustic guitars gives it depth.
5. Leper Messiah
This is a powerful reimagining of Metallica’s legendary song, crafted to honor the iconic energy of the original while seamlessly incorporating the intense and unique style of Eternal Drak. With vocals adapted to resonate with the band’s distinctive sound, this cover transforms the classic track into an electrifying experience that fans of Metallica and Eternal Drak alike will find unforgettable. A bold experiment worth every listen.
Eternal Drak’s current lineup – Left, Andres Martinez “Drakar” (Vocal/Guitar) – Center, Patrick Auger “PPO”(Drum) – Right, Mike Amyot (Guitar)
Photo credit: Caroline Juneau
Eternal Drak is a band based in Quebec, Canada, but originally formed in Latin America during the 1990s. Thrash Black Metal has always defined their core sound, though it has evolved over time with various influences enriching their musical style. Thematically, their lyrics delve into darkness, both human and inhuman, expressed diversely across their seven official releases. They are currently signed with the Canadian label FirstWave.
In 1997, the Martínez brothers—Drakar and Warhammer—laid the foundation for Eternal Drak at the ages of 17 and 15, respectively. The following year, rhythm guitarist Oscar Layton (Reijav) joined the band.
In the early 2000s, Eternal Drak achieved recognition by winning the City TV network award for Best Metal Video with their song “Eternal Drak.”
Their first EP, *La Resurrección de la Orden Guerrera*, was released in 2002, followed by their first full-length album, *Eternal Drak*, which was recorded in 2005 but officially released in 2012.
In 2007, the band disbanded temporarily.
In 2020, the band regrouped in Quebec, Canada, with Drakar, Warmessiah, and Reijav joining forces to create the album *The Past is Gone, A New One is Coming*. This album was dedicated to the memory of Eduardo Martínez (Warhammer), the band’s co-founder, eternal drummer, and beloved friend.
In 2021, the band released their third full-length album, *Drak Metal*, featuring 12 original tracks and one cover. That same year, the lineup was restructured with the addition of drummer Juan Francisco Avella. They also signed a contract with the Italian label Wormhole Death for the physical release of *Drak Metal*.
In 2022, Eternal Drak released their fourth studio album, *Shadow Storm*, accompanied by the music video *Hide Your Madness*, filmed on Orleans Island in Quebec, Canada.
In 2023, the band released their second EP, *Interdimensional War of Satan*, which includes five tracks.
In 2024, they released their fifth full-length album, *Imprisoned Souls*, featuring 10 tracks. The lineup was further strengthened with the addition of Mike Amyot (lead guitar) and Patrick Auger (drums).
In 2025, the band will release *The Warrior Order*, a complete reimagining of their 2022 debut EP “La Resurreccion De La Orden Guerrera”. This newly recorded EP pays respectful homage to their origins while presenting a modernized sound.
Today, Eternal Drak continues to thrive, staying true to its name by delivering powerful riffs, thunderous drums, and commanding vocals. With more metal, melody, and harmony than ever before, the band remains as dynamic and determined as ever.
NEWS RELEASE
Montreal, QC – June 12, 2025
Canadian Death Metal HARVESTED Announces New Album “Dysthymia” With Devastating Music Video “Harvested”
“Dysthymia” Out August 1st, 2025
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Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass
Photographer Credit: Kristen Semler
Canadian death metal quartet Harvested is proud to announce their new album “Dysthymia”, set for release on August 1st, 2025. The nine-track record showcases the band’s evolution from their 2022 demo debut, delivering a devastating blend of technical death metal, brutal death metal, and old-school stylings. The album announcement comes alongside a music video for the record’s opening track, “Harvested”, offering fans their first glimpse into the dark psychological landscape that defines “Dysthymia”. The band comments on the track:
“The single represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience. This was the first song we worked on for this album and played live, which set the bar for the remaining material. We realized that we were onto something special, and the sheer brute force of the track compelled us to make our current music video.”
‘Harvested’ maintains the brutality from the demo but shifts toward exploring the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.
Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal.
Recommended for fans of Cannibal Corpse, Suffocation, and Dying Fetus, Harvested has crafted an album that is both technically proficient and devastatingly brutal.
Watch and listen to the first single and music video “Harvested” via its premiere on Decibel Magazine HERE.
Spotify pre-save – https://distrokid.com/hyperfollow/harvested1/dysthymia
Album pre-order (out August 1st) – https://harvested.bandcamp.com
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Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55
Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions
Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums
Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums
More info: Facebook.com/harvested666 | Instagram.com/harvestedband
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Press from 2022 Self-Titled EP:
MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks
#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)
#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)
“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism
“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague
“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic
“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise
“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog
“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis
“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix
“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)
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NEWS RELEASE
Montreal, QC – June 5, 2025
NIGHT’S EDGE Unveils Sinister Crushing Single “Smite” Off New Album “The World That Never Was” Out Aug 2025
+ East Coast USA Tour Dates (VA/MD/PA/NY)
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Set to release their fourth full-length “The World That Never Was” this coming August 21st, 2025, Baltimore, MD’s NIGHT’S EDGE is unveiling their third single “Smite” accompanied by a lyric video in preview to the record. A sinister mid-tempo crusher, “Smite” is as headbangable as it is danceable. With unpredictable changes, Latin Choirs, and soaring synths, “Smite” is an invitation to the Night’s Edge cult.
“”This is one of our heaviest songs and will be a staple of the live show for years to come. We wrote it intending to make a heavy song that satisfies both the headbangers and the dancers in the crowd. When coming up with a BPM, Brian was inspired by songs like Slipknot’s Custer, which is as heavy and aggressive as it is danceable. Our plan worked, playing this song live leads to all-out brawls in the pit while people do the Macarena on the sidelines; it’s a good time,” adds Brian Haran (Vocals, Bass, Keys, Programming)
Watch and listen to the lyric video for “Smite” via its premiere on Metal Insider HERE.
Spotify pre-save – https://hypeddit.com/nightsedge/smite-prerelease
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Their fourth full-length, “The World That Never Was,” is a statement of songcraft and lyricism. The album flows and progresses clearly as it explores the concept of self-identity and the loss thereof. Moments of melancholy, anger, wonder, and plenty of crushing riffs elicit the stank face. Each single shows a different side of the album.
“‘The World That Never Was’ is packed with different elements of rock and metal combined with the distinct Night’s Edge sound. Fans of alternative metal, symphonic metal, and even pop punk will have something to enjoy from this album,” says Haran.
Since their inception in 2018, the band has gone through a few changes in lineup and sound, and has progressed significantly from their debut in 2019. Falling under the umbrella of Alternative Metal, Night’s Edge‘s sound is hard to pin down. Incorporating influences from gothic metal, progressive rock, and nu metal, the band’s music is equal parts heavy and poppy, soaked in synthesizers and drama. Lyrics breach topics including isolation, dissociation, and the romantic, approaching themes common to the human experience from a cerebral angle that complements the band’s emotionally evocative music.
“The World That Never Was” follows releases Strangers – LP (2023), Night’s Edge – EP (2022), The Darkest Side of Dreams – LP (2020), and Shades of Dusk – LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.
Album pre-order (out Aug 21st) – https://nightsedge.bandcamp.com
Music Video – If You Loved Me – https://youtu.be/0Fj6gIMd6dA
YouTube Stream – Someone To Stay – https://youtu.be/fg-P90AQvrA
Spotify – https://spoti.fi/3H6cUe1
Upcoming Show Dates:
06/07 – Granny’s – Winchester, VA
06/28 – Cafe 611 – Frederick, MD
07/11 – Union Vapes – Scranton, PA
07/12 – Psychic Garden – Rochester, NY
07/18 – The Depot – Baltimore, MD
07/19 – Century – Philadelphia, PA
08/23 – Roachfest – Hollywood, MD
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Track Listing:
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32
Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums
More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band
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NEWS RELEASE
Montreal, QC – May 26, 2025
Rockshots Records – Out Now! Italian Folk Metal AEXYLIUM’s New Album “Myth of Mankind” + Music Video “Hexe”
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Italian folk metal band Aexylium proudly returns with their third studio album, “Myth of Mankind,” out now via Rockshots Records. With this new chapter, the band takes a decisive step forward in style and substance, offering their most mature and focused work.
Formed in 2014, Aexylium has always stood out for its ability to merge the raw intensity of modern metal with the warm, evocative tones of traditional instruments, building a sound that is both powerful and atmospheric. With “Myth of Mankind,” the band pushes that blend even further, refining every aspect of their songwriting and production while exploring deeper, more introspective themes. The album moves away from the more mythological narratives of the past, instead embracing abstract reflections on the human condition, identity, and the complexity of existence in the modern world.
Musically, “Myth of Mankind” is an intense yet melodic journey, built on technical guitar work, immersive orchestration, and the interplay between aggression and elegance. The album also marks a turning point in the band’s lineup, introducing vocalist Sam Biganzoli, whose expressive and multifaceted vocal range brings new emotional depth and narrative strength. Alongside him, drummer Alberto Mezzanotte (ex-Frozen Crown, Nekomata, Apple Sauce) and guitarist Luca Perrone (founder of Apple Sauce) contributed to a renewed creative energy that flows through every track on the record.
To celebrate the album’s release, Aexylium has also unveiled the official music video for the track “Hexe”, available now on YouTube here: https://youtu.be/AAx3n bFgl8I
“Hexe” perfectly represents the spirit of the album—a high-impact, rhythm-driven song that combines rich melodic lines with a powerful vocal performance from Sam Biganzoli delivering intensity and momentum without ever losing the folk essence that defines the band’s DNA. Visually and sonically, the video amplifies the track’s energy and emotion, offering a powerful introduction to the album’s vision.
With previous albums “Tales from This Land” (2018) and “The Fifth Season” (2021), Aexylium laid the groundwork for their identity within the folk metal genre. But with “Myth of Mankind”, they go further, crafting a sound that is not only rooted in tradition but shaped by modern sensibilities, progressive elements, and a cinematic scope. The result is an album that speaks both to long-time genre fans and to those seeking a richer, more evolved take on folk metal.
Aexylium’s music draws inspiration from acts like Eluveitie, Korpiklaani, Amorphis, Folkstone, Alestorm, and Mago de Oz, yet remains unmistakably their own. With “Myth of Mankind”, the band reaffirms its place as one of Italy’s most promising names in the scene, ready to leave a mark far beyond national borders.
The album was recorded by Davide Tavecchia at Twilight Studio and features stunning artwork created by the renowned artist Gustavo Sazes (Arch Enemy, Machine Head, Amaranthe).
ALBUM ORDER (Release Date May 23, 2025): https://lnk.to/koGz58
LISTEN to the previous single and album title track “Myth Of Mankind”: lnk.to/XApTSY
Aexylium will present “Myth of Mankind” live on stage at the following dates:
May 31st – Centrale Rock Pub (Erba – CO) – Release Party
June 8th – Strigarium Festival (BG)
More shows to be announced soon!
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Track Listing:
1 – Fontes et Omnia
2 – The Queen
3 – Hexe
4 – Into Oblivion
5 – In Sorrow
6 – Myth of Mankind
7 – Eclissi
8 – Wild Hunt
9 – Surrender
10 – Northern Lights
11 – Eternity
BAND LINEUP
SAM BIGANZOLI – Vocals
ARIANNA BELLINASO – Vocals
FABIO BUZZAGO – Guitar
LUCA PERRONE – Guitar
GABRIELE CACOCCIOLA – Bass
ALBERTO MEZZANOTTE – Drums
FEDERICO BONOLDI – Violin
LEANDRO PESSINA – Flute
STEFANO COLOMBO – Keyboards
ALBUM CREDITS:
Main Music Composer: Fabio Buzzago
Lyrics: Fabio Buzzago, Gabriele Cacocciola, Samuele Biganzoli
Orchestrations: Fabio Buzzago, Stefano Colombo
Production: Davide Tavecchia, Buzzago Fabio, Stefano Colombo, Alberto Bernasconi
Recording, Mixing, Mastering: Davide Tavecchia (Twilight Studio)
Graphics: Gustavo Sazes
ABOUT:
Aexylium was formed in 2014 in Italy, merging the distinctive sound of traditional instruments with the modern intensity of metal.
The band has performed at many renowned European festivals including Dong Open Air, Tanzt!, Mead & Greed, Montelago Celtic Festival, Malpaga Folk & Metal, Druidia, and more. During these events, Aexylium shared the stage with several notable bands such as Blind Guardian, Elvenking, Wind Rose, Týr, Vision Divine, Furor Gallico, Temperance, and others.
Their debut album, ‘Tales From This Land’ (2018), was released through Underground Symphony Records. It was recorded at Twilight Studio by Davide Tavecchia and mastered by Simone Mularoni (Elvenking, DGM, Secret Sphere, etc).
In 2021, Aexylium signed a deal with Rockshots Records for their second album, ‘The Fifth Season’. The album was recorded at Twilight Studio with the artwork designed by Jan Yrlund of Darkgrove Design (Testament, Manowar, Korpiklaani). To date, the band has released six music videos as singles.
Compared to the last studio album, the band has welcomed Alberto Mezzanotte (drums), Luca Perrone (Guitar) and the frontman Sam Biganzoli into its lineup.
Aexylium’s partners include Solar Guitars, Footblaster, Liuteria Cocopelli, and Firebird Strumenti Musicali.
AexyliumLine Up:
Sam Biganzoli: vocals
Arianna Bellinaso: vocals
Gabriele Cacocciola: bass
Federico Bonoldi: violin
Alberto Mezzanotte: drums
Fabio Buzzago: guitars
Luca Perrone: guitars
Leandro Pessina: flute
Stefano Colombo: keyboards
More info:
https://www.rockshots.eu
FOLLOW:
https://www.instagram.com/aexylium_official
https://www.facebook.com/aexylium
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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NEWS RELEASE
Montreal, QC – May 1, 2025
STYGIAN FAIR Unveils New Single “Abide Your Master”
First Glimpse Into Upcoming Album “The Hidden Realm” Out July 2025
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Swedish metal outfit Stygian Fair return with a brand-new single titled “Abide Your Master”, now available on all digital platforms. The track offers a first taste of their forthcoming full-length album, “The Hidden Realm” slated for release via Rockshots Records.
With a strong discography that includes “Panta Rei” (2018), “Nadir” (2020), “Equilibrium” (2021) and the critically acclaimed “Aradia” (2023), Stygian Fair continue to carve out their own path, defying trends and embracing pure, emotionally resonant metal.
“Abide Your Master” takes on the dangers of blind obedience — of abandoning your conscience to follow a demagogue without question. Heavy, urgent and unflinching, it asks what happens when we stop thinking for ourselves… and start worshipping the very force that’s leading us over the edge.
While details about “The Hidden Realm” remain under wraps, the album sees Stygian Fair pushing further than ever before — more direct, more melodic, and more accessible without losing the edge that defines them. They’ve sharpened both their sound and their message; the songs hit faster, dig deeper, and speak louder.
Lyrically, “The Hidden Realm” explores everything from political collapse and mass delusion to natural disaster, ancient mysteries, and inner reckoning. It’s a record about the worlds we ignore, the truths we tend to bury, and the consequences of silence.
For fans of Tad Morose, Memento Mori, and those who long for metal with both weight and heart, “Abide Your Master” is a compelling invitation into the world of Stygian Fair—a world where music is crafted with intention, passion, and no compromises.
We’re opening a door. Welcome inside.
LISTEN: “Abide Your Master”: https://lnk.to/AC8CVo
VIDEO: https://youtu.be/SUY3nlK2_os
“The Hidden Realm” will be released on July 11th, 2025, via Rockshots Records.
ALBUM PRE-ORDER: https://rockshots.eu/PVKFrT2QFCWg6AF
Track Listing:
1. The Hidden Realm
2. Abide Your Master
3. Into The Well
4. Peel The Layers Off
5. What You’re Fighting For
6. All Of Us
7. Dawn
8. Meteor
9. Anthem Of The Lost
10. Rise From The Shadows
11. Ferwor Of Fools
All songs written by Andreas Stoltz, Emil Holmqvist, Per-Olov Jonsson and Anders Hedman.
Produced by Stygian Fair, recorded at Ballerina Studios in Umeå.
Mixed by Marcus Jidell and mastered by CJ Grimmark.
STYGIAN FAIR Line Up:
Andreas Stoltz: Vocals, Guitar
Emil Holmqvist: Guitar
Anders Hedman: Bass
P-O Jonsson: Drums
Rockshots.eu
FOLLOW:
Stygian Fair on Instagram
Stygian Fair on Facebook
Stygian Fair on Spotify
ABOUT:
Stygian Fair is a band from a small town called Umeå in the north of Sweden. The band has existed for about nine years now and it all started when both P-O Jonsson and Emil Holmqvist decided to leave a band called ” Crave” to lay the foundations for Stygian Fair. Erik Andersson joined on bass and Andreas Stoltz on lead vocals and guitar. This first incarnation of the band never made a big mark recording or gig-wise… due to life’s crooked path.
In the autumn of 2016, Erik left the band, and a few weeks later, so did Andreas as well. Soon thereafter, the band gathered new momentum by welcoming Anders Hedman as the new powerhouse bass player. After a couple of auditions, Pontus Åkerlund became the new singer, and with this setting, the band recorded and launched an EP named “Into the Coven”. The band began playing live frequently at different local venues. At the end of August 2018, the band entered the studio again, and in October of the same year, came the debut “Panta Rei”. In January 202,0 came the sophomore album “Nadir” and in April 2021, “Equilibrium”.
In September 2021, Pontus Åkerlund decided to leave the band. A few weeks’ search for a new vocalist led to the return of Andreas Stoltz as lead vocalist and guitar player, after his years in Binary Creed and Hollow. In late 2022, Stygian Fair entered the studio once again to record ten new powerful songs with Stygian Fair’s trademark strong melodies. It is titled Aradia after the witch daughter of Diana, the goddess of the hunt and the moon.
Now it’s time for a new chapter with a new album due in 2025 with Rockshots Records.
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ASHER MEDIA RELATIONS
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NEWS RELEASE
Montreal, QC – April 2, 2025
FROGG Display Technical Metal Wizardry In New Animated Video “Interspecific Hybrid Species”
Debut Album “Eclipse” Out Now!
Co-Produced by Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit)
L-R: Will Brown (Drums) | Sky Moon Clark (Vocals & Guitar) | Brett Fairchild (Guitar) | Ethan Emery (Bass)
Unelashing their technical modern metal marvel, the debut album “Eclipse” this past March, New York’s FROGG is exhibiting their new animated music video “Interspecific Hybrid Species” in support of the record, co-produced by guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit).
Full of proggy goodness, the track has a strong message about climate change coming for us all.
“Interspecific Hybrid Species is an intensely proggy, mind-bending epic that weaves intricate chaos with relentless precision, delivering a whirlwind of technical wizardry and amphibious fury,” adds the band.
Watch and listen to the music video “Interspecific Hybrid Species” via its premiere on HeavyBlogIsHeavy HERE.
Frogg‘s first full-length features ten tracks of heavy, raw, progressive, death, and avant-garde thinking metal. Fans who have been following Frogg since their conception will find exactly what they signed up for, along with lots of fun surprises. The band doesn’t operate in one genre all the time, and “Eclipse” is set to wonder.
“A sonic eclipse where every genre collides—progressive, technical, and just enough death to keep your neck sore for weeks,” adds bassist Ethan Emery.
Lyrically, the record explores Mythology from various places, along with tying tales and emotions together. Fans can expect seasonal singles from Frogg going forward as they already have plans for follow-up singles to come real soon after the album’s release.
FROGG’s main ambition is to hit the live circuit with a perfected performance and its brand-new line-up. With performance in mind, FROGG has been relentlessly rehearsing new original material and old, to deliver an authentic live experience.
Committed to technical excellence and progressive innovation, Frogg is recommended for fans of weird and wild and fans who appreciate bands such as Protest the Hero, Between the Buried and Me, Zenith Passage, Unexpect, and Obscura.
“Eclipse” was released on March 7, 2025, and is available at https://froggofficial.bandcamp.com.
Spotify – https://spoti.fi/4heSdtu
Music Videos:
Double Vision Roll – https://youtu.be/BW1WP2vaxnQ
Dandelion – https://youtu.be/r90cV290Usk
Wake Up – https://youtu.be/RMhtVNE6WYw
Album Artwork – Artists: Yann Kempen & Bertrand LeFebvre
Track Listing:
1. Walpurgisnacht (4:44)
2. Life Zero (4:30)
3. Dandelion (3:50)
4. Eclipse I: Blind Bakunawa (4:20)
5. Eclipse II: Sickened By Silence (4:48)
6. Interspecific Hybrid Species (4:19)
7. Wake Up (6:22)
8. Sun Stealer (4:41)
9. Double Vision Roll (3:29)
10. Omni Trigger (4:07)
Album Recording Credits:
• All songs performed by: FROGG
• All songs written by: FROGG
• Produced by: Jamie King & Sky Moon Clark
• Mixed by: Jamie King
• Mastered by: Jamie King
• Album Artwork by: Yann Kempen & Bertrand LeFebvre
Album Band Line Up:
Sky Moon Clark – Vocals, Guitars
Will Brown – Drums, Percussion, World Instruments
Brett Fairchild – Guitars on tracks 1, 5, 6,10
Nick Thorpe – Bass on tracks 1,4,5,7,8,10
David White – Bass on track 2
Brad Williamson – Bass on track 6
Jack Lynch – Bass on track 3
Emma Rae – Clean vocals & keys
Live Band Line Up:
Sky Moon Clark – Vocals, Guitars
Brett Fairchild – Backup Vocals, Guitars
Ethan Emery – Bass
Will Brown – Drums
For more info: https://linktr.ee/froggband
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“Weirdo avant-garde metal band Frogg have jut shared a video for “Double Vision Roll,” and, boy, is it quirky. If you’re not yet familiar with Frogg, they are all about delivering a weird and wonderful live experience They experiment with different world instruments and songwriting ideas, pushing the boundaries of what’s possible in heavy music, and you can see a little bit of that on display here. The song was produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit). Frogg are recommended for fans of weird and wild, as well as those who appreciate a little technicality in their music.” – Decibel Magazine (2025 – Eclipse)
“After a few years of one-off singles and an EP this stellar prog project is finally gifting us with a full record. This includes some wild guitar work, breakneck shifts in tone, and is just a great time overall. This is recommended if you like BtBaM, Last Chance To Reason, etc.” – Metal Injection (2025 – Eclipse)
“The band is immensely talented, and their musicianship registers off the charts… This is an album that every Metalhead should hear, for the technical brilliance alone. 8/10” – Metal-Temple (2025 – Eclipse)
“Their musical style is a kaleidoscope of genres, with a real melting pot of influences… there is no denying that there is a lot of talent on show here. There is obviously a desire to produce something unusual and it will be interesting to see where they go from here. 8/10” – The Prog Space (2025 – Eclipse)
“Its extreme dedication to complex construction will pose an issue to the unprepared—digesting this kind of technicality-positioned music is never effortless. The volume of riffage, the speed of every rollicking bar, the force of every abundant fill present loaded and crooked in smile, though the shorter-form execution lowers the threshold for repeated exposure. In a rose-colored vision of what progressive death metal can be, Frogg finds a freedom in fanciful melody, brief poppy breaks, and unrestrained (but not all encompassing) musical showmanship. And if a debut can unwrap as fresh as Eclipse does, Frogg may very well find the world entrapped in their sticky wiles. 3.5/5” – Angry Metal Guy (2025 – Eclipse)
“It’s no secret that amphibians aren’t doing so hot as a class; Frogg‘s eclectic tech is a welcome consolation prize amidst this eroding diversity. The confident creativity of these NY-based herpetologists recalls The Odious at their most unhinged—a morass of influences ranging from electronica to deathcore that sticks to my neurons like flies to a tongue. Whether channeling the brutal (“Dandelion,” despite the name, is fairly dissonant) or the ethereal (“Wake Up”‘s clean vocals and synths), Eclipse hops between genres like we breathe. Evolution willing, they’ll continue carving out a niche for themselves in the crowded tech death ecosystem.” – Roldy – Toilet ov Hell (2025 – Eclipse)
“I know it’s still relatively early in the year, but this is the best thing I’ve heard this year. The way they managed to make a progressive melodic and damn near technical death metal amalgamation sound this great is truly something. This is an easy 10/10 and will be in constant rotation for some time to come. As always don’t forget to stream and buy the music if you like it!” – Technical Music Review (2025 – Eclipse)
“Frogg have the instrumental chops to find a dominant place in this style of music.” – Heavy Music HQ (2025 – Eclipse)
“Battered Over The Head… Playfully: Not much more I can say, other than to repeat that this is music which challenges the listener. The band play out of their skins, absolutely dazzling us with off-the-charts playing. Anyone who loves heavy music which is progressive will love this album (no should about it). What does help is that Frogg adds little touches of playfulness as well as extra or surprising musical instruments to keep the whole thing entertaining. I said in the review of the EP that it showed “great promise”. And that “promise” has in my view been met on this album. Once again they battered me over the head in the most fun way musically. I can only imagine the fun of seeing them do this stuff live. A must-have for fans of extreme progressive music.” – CGCM Radio / Podcast (2025 – Eclipse)
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NEWS RELEASE
Montreal, QC – March 28, 2025
SHORES OF NULL Shares New Live In Munich Video “Quiescent”
New Live Album “Beauty Over Europe” Out May 2025
+ Launch CD Pre-Order / Digital Pre-Save
+ EU Tour Dates
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Italian melancholic dark metal band Shores Of Null are proud to announce the release of their first live album, “Beauty Over Europe”, set to drop on May 9th, 2025 via Sulphur Music / Masked Dead Records.
The live album features 10 tracks recorded during their monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, the Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.
The live recordings, captured in the cities of Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.
“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.
Reflecting on the experience, vocalist Davide Straccione shared:
“Our 2023 European tour with Swallow The Sun, Draconian, and Avatarium was one of the most beautiful and intense experiences of my life. Night after night, we poured everything we had into our performances, connecting deeply with audiences across 18 countries. This live album is our way of preserving and sharing that beauty, not only as a gift to those who joined us in the crowd but also for those who couldn’t be there to witness it.”
A live version of their song “Quiescent”, recorded in Munich, is now available on all major streaming platforms and YouTube, accompanied by an exclusive video featuring live and behind-the-scenes footage from the tour.
YouTube – https://youtu.be/DOk616SWofA
Spotify – https://spoti.fi/3DXvwf2
Physical Pre-order: https://maskeddeadrecords.com/product/shores-of-null-beauty-over-europe/
Digital Pre-order: https://shoresofnull.bandcamp.com/album/beauty-over-europe
Spotify Pre-save: https://spoti.fi/4iLDYNJ
Shores of Null has also announced a series of upcoming tour dates, featuring a mix of festival appearances and indoor shows across Italy, Germany, Austria, and the UK (dates listed below).
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Setlist:
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)
Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios
Band:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums
Shores of Null 2025 Tour Dates:
30.04 – DE Saalfeld – Klubhaus (w/ Décembre Noir, Praise The Plague)
01.05 – DE Dresden – HD (w/ Décembre Noir)
02.05 – DE Berlin – Walpurgisnacht (w/ And Oceans, Heretoir, Décembre Noir)
03.05 – AT Innsbruck – Abyss Bar
11.05 – IT Verona – Isola Rock (w/ Dark Lunacy)
15.06 – IT Lignano Sabbiadoro – Arena Alpe Adria (w/ In Flames, Lacuna Coil)
28.08 – UK London – The Black Heart (w/ The Crawling)
29.08 – UK Leeds – The Fenton (w/ The Crawling)
30.08 – UK Plymouth – One For Sorrow festival (w/ The Crawling and more)
31.08 – UK Bristol – The Gryphon (w/ The Crawling)
For more info: Spikerot.com | Shoresofnull.com
About:
Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.
The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).
Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal among others, further solidifying their status as one of the rising forces in the metal scene.
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Metal Hammer writers’ top metal albums of 2023 – Edwin McFee – #20 – Shores of Null – The Loss of Beauty
“With The Loss Of Beauty, SHORES OF NULL have produced their second world class record in a row.” – Distorted Sound Mag (9/10)
“The deep, dark, poetic brilliance behind The Loss Of Beauty is undeniable, and Shores Of Null’s doomy melancholic style is especially ideal for those considering themselves fans of Swallow The Sun, Draconian and Saturnus.” – Metal Storm (8,5/10)
“The Loss of Beauty is a morose and often magnificent listen.” – Metal Hammer UK (8/10)
“The Loss of Beauty is an engaging, exquisite, and moving slice of melodic doom that further cements Shores of Null’s esteemed position in the scene.” – Dead Rhetoric (9/10)
“The Loss of Beauty is an incredibly strong and versatile album, on which themes known from genres such as post black metal or post punk are presented in a diverse and varied manner.” – BetreutesProggen (13/15)
“Once again, Shores of Null continue to impress with yet another slab of high-quality doom/death that seems the quintet on an upwards trajectory.” – Angry Metal Guy (4/5)
“With lyrics like “my loneliness will guide me” and “isolation will set us free,” classic doom drumming, and impressive vocals, Shores of Null announce their intent to deliver the best doom album of 2023.” – Noizze UK (9/10)
“Un grato disco de casi una hora de música, donde la melancolía no es predominante, sino lo melódico, y eso es cae a la perfección.” – Metallerium (9.2/10)
“A savourer, en s’aimant. A savourer, l’esprit ouvert aux beautés que l’on croit – ou que l’on relègue au rang d’- insignifiantes et qui sont le sel du monde qui nous entoure. A savourer, tout simplement..” – Soil Chronicles (9/10)
“Shores of Null haben für mich mit The Loss of Beauty einen heißen Anwärter auf mein Album des Jahres veröffentlicht, das ich jedem Fan von melancholischem Metal mit Doom, Gothic, Melodic Death und Black Metal Einflüssen nur wärmstens empfehlen kann! Von mir gibts für dieses Meisterwerk die Höchstnote!.” – Sound Magnet (10/10)
“If “Beyond the Shores (On Death and Dying)” granted them the status of Masters of the Genre, with “The Loss of Beauty” we cannot help but acknowledge their unquestionable talent for creating stunning beauty that goes under your skin, both with music and words.” – Tuonela Magazine
“It is an album with many faces, a true chameleon, that shows the best of heavy, doom, dark, gothic, death, and a pinch of black metal. The musicians of this band are playing at the very highest level and it is unprecedented what this band is capable of.” – Zware Metalen (94/100)
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