Category: Uncategorized

0 EPK – Slug Comparison – Cold in Cold Out (2026)

August 2, 2026
by Asher
· EPKs · Slug Comparison · Uncategorized

EPK – Slug Comparison – Cold in Cold Out (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“My last album was all electric, with upfront rock production. Cold in Cold out is a step away from that, towards the vibe of my previous work, which is a bit more spacious and brings in steel string and nylon string guitars. It’s a bit like Fen’s Trails out of Gloom, and these six new songs dwell in a similarly depressive territory to that album, if not more so. I can’t say what brought the gloom back into the music, but I’m glad it’s back. I’m more comfortable there.” – Doug Harrison – Slug Comparison

For Fans of Nirvana, Katatonia, Porcupine Tree, The Pineapple Thief, Fen

Instagram.com/slugcomparison | Facebook.com/slugcomparison

Slugcomparison.bandcamp.com | Spotify | Apple Music

“The album takes us through the self-doubt, denial, and defiance of the artist and is another mini-masterpiece delivered under the Slug Comparison banner. 10/10” –SonicAbuse

“In no way “progressive” in the traditional sense, there is a depth to each composition, and a variation in styles across the album, that rewards careful listening.” –DPRP

“Harrison’s voice tends to have a grungy quality, but it also unfolds in epic, theatrical, or simply beautifully melodic ways.” –Musikreviews (translated from German)

“modern, emotionally rich, and laced with just enough grunge to hit us right in the feels.” –Mandatory Music

“The highlight is a twisted power ballad about having much too much of a good thing (Too Much Love).” –Here Comes the Flood

“progressive and alternative inclinations align with dark rock, punk and other rich hues. It makes for a palette of surprise and unpredictable adventure” –The RingMaster Review

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews

#30 of The Rickter Scale’s Top 100 albums of 2014

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse

#5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog

“Songs that are all of the highest caliber” -Power of Metal

“a true gem of prog rock” -Living Music Blog

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) -Sea of Tranquility

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal

Band: Slug Comparison
EP Title: Cold in Cold out
Release Date: September 10, 2026
Label: Self-Release
Distribution: online
Genre: Alternative gloom
Location of Band: Victoria, British Columbia, Canada

Track Listing:
1. Tongue of the Hollow (4:01)
2. To Whom Would You Answer (3:47)
3. Back to the World (4:03)
4. Burden of Life (4:44)
5. Cold in Cold out (5:31)
6. No Healer (4:36)
EP Length: 26:42

EP Recording Credits:
• All songs performed by Slug Comparison
• All songs written by Doug Harrison
• Produced by Doug Harrison
• Mixed by Sheldon Zaharko
• Mastered by Brock McFarlane at CPS Mastering
• Album Artwork by Inkantation
• Member of SOCAN
• Canadian Content (MAPL)

EP Lineup:
Doug Harrison: vocals, guitar, bass, programming, songwriting, production
Randall Stoll: drums

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About The EP Artwork:

The artwork is based on the title track, “Cold in Cold out,” which offers the metaphor of a string for a person’s life, a linear but winding path from birth to death. Once the drawing was done, I realized the snake-like thing coming out of the cave could also be a literal interpretation of the song title “Tongue of the Hollow.” That was a nice surprise.

Track by Track (LYRICALLY & MUSICALLY):

1. Tongue of the Hollow
As I was writing this song, I realized early on that the verse riff was way too similar to Nirvana’s “Something in the Way.” I could have abandoned the idea right there, but then I added a few chord changes (I lack Kurt’s gift for writing a song with only two chords), so I decided to keep going and let it be an homage. I was huge into Nirvana for a few years, so it made sense that my appreciation was coming out this way. As far as lyrics, I had no idea what “Something in the Way” was about, and that freed me to fumble my way down a different path.

“Tongue of the Hollow” is about a bedridden apartment dweller who is nearing death and lives with a lot of cats. They don’t understand why their owner is just lying there, unable to care for them, and they wonder where their next meal will come from. The dying man’s solace, as he waits for the end, comes in the evenings when the upstairs neighbour paces the creaky floor and sings.

2. To Whom Would You Answer
The turnaround from idea to master recording for this song set a personal record for me. About 18 months. It was born out of one of those semi-traumatic encounters where for the next few days you can’t think about anything else, you run over and over in your mind what happened, what people said, what you should’ve said, what you shouldn’t have said. The whole thing spirals. It keeps you from sleeping, and when you finally do sleep, it’s right there when you wake. It was after two days of this that I sat down with my guitar and started playing the main riff to the song for the very first time. My mind cleared.

3. Back to the World
This song is about running into an old friend who took a dark turn. Seeing them, you feel guilty for not having tried to keep in touch while they faced their demons. You realize their strength, and you realize they used to add something to your life that was essential for making you whole, something that’s been gnawed away in their absence. Being with them gives you hope that you’ll face your own demons down, smaller in stature, but growing each day, each year, that you don’t deal with them.

4. Burden of Life
n/a

5. Cold in Cold out
I was sick of the kitchen-sink realism that pervaded my last album. I wanted to write something that was removed from the everyday, something grander in scope, and also desolate. “Cold in Cold out” is about the lonely trial of human existence: the physical pain, the exhaustion, the fleeting moments of wonder, and the recurring question—how long will this go on for?

6. No Healer
This song is about someone who has reached the end of their journey. Fevered and facing death, all they can do is lie under the jungle canopy and wait, at the mercy of whatever powers now guide their existence.

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BAND STORY ANGLES / FUN FACTS:
1. Between Slug Comparison and Fen (6 albums), this is Doug Harrison’s tenth recording.

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Doug Harrison – Photo Credit – Peter Wiholm

Slug Comparison is the solo project of Canadian artist Doug Harrison, vocalist for progressive rock/metal band Fen. While Fen explores complex and sometimes aggressive musical territories, Slug Comparison offers a more introspective landscape, allowing Harrison to delve into songs that expand upon textural and melodic elements within Fen’s work.

Launched in 2014 with the release of the single “Bringer of Doom,” Slug Comparison quickly established its own identity. The self-titled debut album, released later that same year, further solidified this direction, revealing a sound characterized by atmospheric depth, intricate arrangements, and earnest vocal delivery. The Ringmaster Reviews said the album “simply engulfs the imagination and emotions.” This debut was followed up by the 2019 album, When You Were Living Here, released by Dutch label Rock Company. When reviewing the album, Something for the Weekend? praised Harrison’s “amazing voice and his ability to communicate a deep sense of meaning and emotion in his music.”

After a six-year hiatus, Slug Comparison returned in 2025 with the energetic A Battle to the End Fought on the Edge of a Knife, described by Mandatory Music as “modern, emotionally rich, an album with just enough grunge to hit us right in the feels.”

The upcoming EP, Cold in Cold out, due out on September 10, 2026, drops the energy to a dirge-like pace, opening with an acoustic song inspired by Nirvana’s “Something in the Way.”

Discography:
2026 – Cold in Cold out – EP
2025 – A Battle to the End Fought on the Edge of a Knife – album
2019 – When You Were Living Here – album
2014 – Self-titled – album

0 EPK – Ombra – Night Terror (Hysteria Entertainment) (2026)

August 2, 2026
by Asher
· EPKs · Ombra · Uncategorized

EPK – Ombra – Night Terror (Hysteria Entertainment) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We wrote this EP as a reflection of our own experiences, feelings, and emotions throughout the last few years. The world has gone through so much change, turmoil, and war; this EP is our commentary on some of the major events of the last decade. Our objective is to encourage others to explore their own minds, make their own opinions, and live true to themselves. This EP reflects our thoughts and observations. We encourage all individuals to express themselves freely through art, speech, and any medium they see fit.” – Ombra

For fans of Power Trip, High On Fire, Motorhead, Mastodon, Testament

Ombra.band | Facebook.com/people/OMBRA/61582909783052/ | Instagram.com/@abandcalledombra | Youtube.com/@ombraband

Spotify | Apple Music

“OMBRA emerges in ‘Hysteria’ as a force that transforms social chaos into high-impact art. Advancing with the brutality of thrash metal and the structure of hard rock, the track shapes a sound that feels like both a siren and a sentence at the same time. Sharp and relentless, the riffs dialogue with drums that tear through the silence, while the vocals echo indignation and lucidity, a manifesto in the form of distortion. The band builds tension with precision: there is weight, but also clarity; fury, but control.” – Roadie Metal

“Delivering high-quality extreme metal that blends elements of thrash metal with other influences full of raw aggressiveness, a cinematic atmosphere with no soft edges, like a punch to the gut!” – Metal Junkbox

“From the moment we hear the sound of sirens, gunshots, and helicopters flying overhead, we know we’re going to encounter a strong track both in sound and lyrics, because the soundscape they create from the very first seconds already feels dense… the drums and guitar move between agility and the creation of a track full of suspense and tension.” – Poppunkers

‘STITCHES’, the new single from the Canadian trio OMBRA, arrives like an open cut: direct, intense, and impossible to ignore. The song crosses the border between hard rock and thrash metal with aggressiveness, transforming psychological tension into dense and precise sound.” – Roadie Music

“OMBRA is an incredible discovery! A band that shows us metal is more alive than ever… it is the perfect soundtrack to start a mosh and let out all our anger. It maintains brutal riffs worthy of any Metallica fan, an imposing guttural voice… it is 100% recommended!” – End Sessions

“I really felt it wasn’t a song made to sound pretty. It’s dark, heavy, and direct… The story it tells ,a woman who keeps reconstructing herself to fit in, hit me hard… It’s not a song that accompanies you in the background; it’s one that confronts you. It ends and leaves you with that knot in your chest.” – Rockola Indie

“Stitches’ hits hard with a dark and visceral vision of the oversexualization of women and the price of chasing perfection… It is raw, uncomfortable, and impossible to ignore.” – Poppunkers

“Stitches’ explores the limits between obsession, beauty, and self-destruction. The track dives into the mind of someone who seeks perfection at any cost… Musically, it combines aggressiveness and atmosphere, with a fast, dense, and confrontational sound… a sharp and suffocating sonority that amplifies the emotional tension. ‘Stitches’ transforms psychological horror into sonic impact.” – Metal Never Die

“The band delivers one of their darkest and most intense compositions to date. The last single before the release of the EP Night Terror, the track dives deeply into themes such as dependency, paranoia, and the destructive consequences of escaping reality. Combining dense and melodic passages with explosions of weight and aggressiveness, creating a sound experience that is as engaging as it is disturbing.” – Metal Junkbox

‘Blue Dream’ delivers suffocating, volatile metal with heavy riffs depicting psychological terror, chemical dependency, and mental collapse in a dense, cinematic sound.” – Whiplash

Band: Ombra
Album Title: Night Terror
Release Date: September 14, 2026
Label: HYSTERIA ENTERTAINMENT INC.
Distribution: TOO LOST
Genre: METAL
Location of Band: MONTREAL, QC, CANADA

Track Listing:
1. HYSTERIA (4:15)
2. STITCHES (4:43)
3. BLUE DREAM (3:46)
4. NIGHT TERROR (5:44)
5. SO IT GOES (3:06)

EP Credits:
• All songs performed by: GIUSEPPE CRINITI, MARCO SISTI, NICO-ANGELO SISTI, SASHA DA COSTA
• All songs written by: GIUSEPPE CRINITI, MARCO SISTI, NICO-ANGELO SISTI
• Produced by: GIUSEPPE CRINITI
• Mixed by: JORDAN BARRILARO and JF-DAGENAIS
• Mastered by: JORDAN BARRILARO
• Album Artwork by: OMBRA
• Are you a Member of SOCAN or ASCAP: BOTH YES
• Is the music Canadian Content (MAPL): YES

Album and Live Band Line Up:
GIUSEPPE CRINITI – VOCALS/LEAD GUITAR
MARCO SISTI – RHYTHM GUITAR/BASS
NICO-ANGELO SISTI – DRUMS

========================================================

About The Album Artwork:

The album’s artwork reflects phobias and fears of individuals, and how the smallest details can turn dreams into night terrors

About the album as a whole (LYRICALLY & MUSICALLY):

The album as a whole is intended to be listened to from track 1 through track 5, taking the listener on an experience of a range of emotions and feelings, with the climax being the intense fear of a NIGHT TERROR.

Track by Track (LYRICALLY & MUSICALLY):

1. HYSTERIA: A powerful introduction to the album, which fuses raw aggression, cinematic atmosphere, and unapologetic honesty. HYSTERIA is a reflection on the harsh realities of the modern world, discussing government control and media influence on the general population.

2. STITCHES: A haunting exploration of obsession, beauty, and the price of transformation. The track digs into the psychological spiral of chasing perfection, where flesh becomes a canvas, pain becomes currency, and identity fractures under the knife.

3. BLUE DREAM: A suffocating descent into chemical escapism and psychological collapse. The track drags listeners through a world where fleeting highs mutate into permanent hauntings and paranoia. The line between dependency and possession disappears completely. BLUE DREAM captures the feeling of losing control in slow motion. The song spirals through vivid imagery of abandoned homes, waking nightmares, and unseen forces lurking beneath intoxication, transforming substance abuse into something almost supernatural.

4. NIGHT TERROR: Is a play on Murphy’s Law: everything that can go bad will go bad. A metaphor for any force that seizes the mind, strips control, and refuses to release its grip. A visceral depiction of night terrors (and the mental freefall that can accompany them). The song tracks the progression of an episode that feels both physical and existential. The refrain turns the terror into a forced spectacle; the sufferer is both a victim and captive audience of their own mind. It does not offer resolution or comfort; the terror simply owns the speaker by the end.

5. SO IT GOES: An instrumental piece that takes the listener on a journey through the reflection. Concluding the intense feelings of a NIGHT TERROR where the final message is a reminder that no matter the experiences, good or bad, keep going, bury the hatchet, make peace and live… so it goes.

========================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. G and Marco walked away from their hard-rock/prog project NRTH in late 2020 specifically to write heavier music. Nico (Marco’s cousin and former Hidden Pride drummer) joined them. They all grew up together in Lachine, went to the same schools, and were already family friends — making the formation feel inevitable rather than calculated. This is the cleanest “local Montreal thrash origin” story.

2. A true front-to-back conceptual EP about fear and loss of control

Night Terror is deliberately sequenced as one continuous experience. It moves from societal panic and media/government control (Hysteria), through obsessive self-destruction (Stitches) and chemical freefall (Blue Dream), into pure mental seizure (Night Terror), before resolving in the instrumental reflection So It Goes. The band wants listeners to hear the full arc, not just singles.

3. The lyrics come straight from lived experience and observation of the last decade’s turmoil. Themes include media manipulation, the price of chasing perfection, chemical escapism turning into possession, and the feeling of being trapped inside your own mind. The EP’s stated goal is to push people to think for themselves and express freely, not just headbang.

4. Night Terror treats the title track (and the EP as a whole) as a pure expression of Murphy’s Law applied to the psyche: everything that can go wrong inside your head will go wrong, and it won’t let go. It’s less about external horror and more about being both the victim and the captive audience of your own mind.

5. Marco and Nico are first cousins.

6. G and Marco have grown up together since they were toddlers; their families came to Canada from Italy together and have been best friends their entire lives.

7. JF-Dagenais of Kataklysm did the first mix of HYSTERIA

========================================================

OMBRA is a Montreal‑based metal trio forged from lifelong friendship, shared roots, and a mutual drive to create heavier, more honest music. Formed by Giuseppe “G” Criniti (vocals/guitar), Marco Sisti (guitar/bass), and Nico‑Angelo Sisti (drums), the band grew naturally out of years spent growing up together in Lachine—attending the same schools, sharing family ties, and eventually breaking away from their previous projects to carve out a new identity. In late 2020, G and Marco departed their hard‑rock/progressive group NRTH to pursue a heavier direction, while Nico, an acclaimed drummer in the local scene and Marco’s cousin, had just left Hidden Pride. Their histories made OMBRA feel less like a new band and more like an inevitable reunion.

OMBRA’s sound is loud, energetic, groovy, exciting, and fun, blending old‑school thrash, sludge, groove metal, and touches of psychedelic rock into a modern, high‑impact style. Influences such as Power Trip, High On Fire, Motörhead, Mastodon, Testament, and Rammstein shape their sonic backbone, while the band’s emotional honesty and rhythmic focus give their music a distinct personality. Every track begins with the heartbeat, the rhythm section, before evolving through long jam sessions, layered melodies, and sprawling solos that eventually crystallize into fully formed songs.

Lyrically, OMBRA draws from real‑world experiences, observations, and the emotional turbulence of the last decade. Their upcoming EP, Night Terror, is a conceptual front‑to‑back experience designed to be heard in sequence. Written between 2021 and 2026, the record reflects the band’s collective response to global turmoil, personal challenges, and the psychological weight of modern life. Each track explores a different facet of fear, control, obsession, escapism, and mental collapse, culminating in the EP’s namesake, a visceral depiction of a night terror and the loss of control that accompanies it.

The album’s artwork mirrors these themes, visualizing phobias, subconscious fears, and the small details that can turn dreams into nightmares. Musically, the EP moves from raw aggression and cinematic tension to suffocating introspection and finally toward reflection, ending with the instrumental So It Goes, a reminder to keep moving forward despite chaos.

OMBRA’s live performances are high‑energy, communal, and cathartic. The band promises that audiences will mosh, dance, and have a great time, experiencing both the physical impact of their riffs and the emotional weight behind their themes. Their sound continues to evolve with their moods—some days aggressive and loud, other days mellow and introspective, but always unapologetically honest.

With strong international reception to their first singles and a fully realized conceptual EP on the horizon, OMBRA stands poised to become one of Montreal’s most compelling modern metal acts. Their mission is simple: encourage listeners to explore their own minds, think freely, and express themselves without compromise.

Discography:
2026 – NIGHT TERROR – EP

0 Reminder – GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Kick-Off Western Canada “This Is The Way 2026 Tour” + Loud As Hell Open Air Fest

July 30, 2026
by Asher
· GraveMass · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – July 30, 2026

Reminder – GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Kick-Off Western Canada “This Is The Way 2026 Tour”

Performing at Loud As Hell Open Air Festival 2026 w/ Fallujah, Allegaeon, Summoning the Lich, Crimson Shadows, Edge of Paradise, and more!

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

Fresh off the release of their debut album “This Is The Way,” West Coast extreme‑metal force Gravemass kicks off a run of Western Canadian tour dates for summer 2026. The trek, appropriately titled “This Is The Way Tour 2026,” will see the band unleash their ferocious live assault across British Columbia and Alberta from July 31st to August 8th and includes a performance at this year’s Loud As Hell Open Air Festival with Fallujah, Allegaeon, Summong The Lich, Crimson Shadows, Edge of Paradise and more (dates listed below).

The tour follows the eruption of “This Is The Way,” a debut forged from decades of West Coast metal lineage. Featuring members of Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers, Gravemass is the convergence of long‑standing forces within Vancouver’s extreme‑music underground.

Guitarist Mayan Hate, who wrote the album’s music in an intense two‑month burst, describes the project as a natural evolution among lifelong friends.

“We’re all West Coast metal heads who’ve known each other for decades. I wrote the music between breaks in other projects and showed it to Lorde Heathen. He immediately wanted in. From there, we recruited the rest of the band, guys we’ve all known forever.”

Vocalist Lorde Heathen also adds.

“Brutal, angry, fast, dark, and evil, this album delivers exactly that: an unrelenting barrage of sinister riffing, death‑metal vocal ferocity, and rhythmic devastation. It draws from the chaos of the modern world. All the lyrics come from the shit‑hole world order that exists right now.”

While “This Is The Way” was written by Mayan Hate with lyrics by Lorde Heathen, the band confirms that album two is already underway and will be a fully collaborative effort.

Known for channeling the ferocity of their influences, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, Gravemass promises a live show that is nothing short of a full‑scale assault.

“The live show is where we bring it all together. We want to bring this experience to the masses,” says Lorde Heathen.

With “This Is The Way” unleashed March 6, 2026, via End Game Records Inc., Gravemass now turns its focus to the stage, marking the beginning of a new chapter in West Coast extreme metal. More music, more brutality, and a deeper collaborative evolution lie ahead.

Add to your Spotify Playlist – https://open.spotify.com/album/0ROzZyUacjjY7dC6xOwtg5

Bandcamp – https://gravemass.bandcamp.com/

Videos:

This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs

Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

Gravemass – Western Canada – This Is The Way Tour 2026
July 31 – Bridgeview Theater – Kamloops, BC
Aug 1 – Loud As Hell Open Air Festival – Drumheller, AB
Aug 4 – The Owl – Lethbridge, AB
Aug 5 – The Royal – Nelson, BC
Aug 6 – The Globe – Nanaimo, BC
Aug 7 – The Lucky Bar – Victoria, BC
Aug 8 – Green Auto – Vancouver, BC

Track Listing:
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line-up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

More info:

https://endgamerecords.com/

http://www.gravemass.com/

https://www.facebook.com/people/Grave-Mass/61556695854887/

https://www.instagram.com/gravemass1/

-30-

“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

“Well now, isn’t this one hell of a supergroup? Love the term or loathe it, here it really does count, especially as far as the Canadian metal scene goes. Gravemass are here, and with them comes a vitriolic death metal release that takes elements of the genre’s old-school ferocity and blends it with modern groove and energy. A release that clocks in at just under thirty minutes, ensuring it doesn’t overstay its welcome. Though there’s no short-changing here as we have ten tracks and across them a cacophony of violent, snarling, hyperactive blasts of heaviness that will thrill all those who love extreme metal. I’m one of them and Gravemass really do it for me. I think this is a beast of a record and found myself compelled to head-bang almost all the way through it.” – Games, Brrraaains & A Head-Banging Life

“Originally from Vancouver and including former members of Zimmers Hole, 3 Inches Of Blood, Revocation, and Punch Drunk, Gravemass has only one goal: to offer solid, effective, and slightly crazy death metal. The codes are known, but their interpretation is puzzling, largely due to structures that are more punk than metal and unusual sounds (among other things in the rhythms). And with only ten tracks, totaling twenty-nine minutes, Gravemass leaves little time to understand what is happening. 4/5” – Metallian

“This Is the Way is a flawless debut. It manages to feel nostalgic for the golden era of death metal while sounding fresh, mean, and modern. If you crave music that is “brutal, angry, fast, dark, and evil,” this is your new obsession. Essential Tracks: Slaves to Pain, Horned King, Fallen. 10/10″ – Broken Neck Radio

“Festering, ferocious, and fierce, This Is the Way is nothing short of extreme zealotry — a masterclass in chaos with a sinister edge. It snaps the synapses of the sacred and dives headfirst into the devil within the divine. If you love death, black, and speed metal, then This Is the Way is absolutely for you. As a matter of fact, I now have my own Gravemass name — Fucking Legend. Perfectly apt, if you ask me. This Is the Way by Gravemass is intense and exceptionally powerful. Don’t sleep on this album — word is the second album already has three songs ready to go, with a more collaborative approach already in motion. With their debut now unleashed via End Game Records, Gravemass mark the beginning of a new chapter in West Coast extreme metal — and if this is just the beginning, we’re in for one hell of a ride. The world is going to hell in a fucking handbasket, and Gravemass aren’t afraid to tell you exactly how it is. This Is the Way is the Luciferian aural bible. The end of all that is sacred. The Necronomicon of blackened death metal.” – Crannk

“Honestly, this is half an hour of brutal excellence. From the insane riffing to the thunderous, relentless drumming to the brutal screams, it’s all so good. It almost has a pretty hardcore energy to it too, none of the tracks overstaying their welcome, being balls-to-the-wall and straight to the point! And every song flows pretty excellently; every track being as good as the last! And, for a debut album and a band that seemingly haven’t been around all too long, this is amazing stuff! They should be a lot bigger than they are already, and hopefully this album pushes them to new heights! From the opener to ‘Harvest of Souls’ to the bands namesake track, there are definitely highlights. Though, as I said before, there isn’t a bad track throughout! And it still has an air of epicness throughout that made me even more hooked. They have a VERY bright future ahead of them, and if you are at all into a more death-leaning metal sound, I cannot recommend this enough. It gets an incredibly solid 8.5/10 from us!” – Overtone Magazine

“For me Gravemass made a statement with this album. They are here to stay. They are damn good and delivered a jaw dropping album. This is extreme metal that will blow you away. This album was made for a mosh pit. I give the album the perfect 10.” – Project Metal Music

“A rain shower becomes a thunder storm as the intensity increases dramatically with title track “This Is The Way“, the gang chanted “1, 2, 3, 4!” something that will go down well in the live arena. Soaked in blasphemous rhetoric that bleeds Black Metal inspirations, the band bring the hammer down with enough force to split more than a few skulls. The rhythmic battery feels like a blunt force trauma as the band refuse to re-invent the wheel, instead opting for something of depraved atmospheres that is both dark and insanely good fun. ” – Metal Noise

“The opening notes of “This Is the Way” don’t just set a mood: they trigger a pure survival instinct. As soon as the “1, 2, 3, 4!” gang-chant explodes on the title track, the rest of the world instantly fades away. This isn’t an album you just listen to; it’s an adrenaline surge that hits you full force, and every second of the carnage is a total blast…. If you live for the dark, fast, and visceral, imagine a heavy encounter between Slayer and Morbid Angel in a dark alley, this record is your new obsession for 2026. Get ready, because their appearance at the Loud As Hell festival this summer is already looking like a total field of ruins.” – Papy Jeff Metal

“Basically, I can easily enjoy a record like “This Is The Way” from the first to the last second” – PowerMetal.de

“the album impresses with its energy, solid songwriting and powerful production. For fans of dark, aggressive extreme metal, this album is definitely worth it. Conclusion: »This Is The Way« of GRAVEMASS is a strong album that will delight fans of blackened death metal and deathcore alike.” – MetalUnderground.at

“The production on this one packs a punch but still feels human, which is needed with songwriting like that that just feels sinister in all of the right ways. Gravemass is the kind of band that you spin to forget your troubles, as it just sucks you in for all 10 tracks and almost 30 minutes of length, then you will instantly start it over. We need something like that now more than ever.” – Heavy Debriefings

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

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0 REMINDER at WACKEN OPEN AIR – JULY 29th – METAL BATTLE CANADA 2026 Champions BORNBROKEN

July 27, 2026
by Asher
· Music News · Uncategorized · Wacken Metal Battle Canada

NEWS RELEASE

Montreal, QC – July 27, 2026

REMINDER at WACKEN OPEN AIR – JULY 29th – METAL BATTLE CANADA 2026 Champions BORNBROKEN

WACKEN METAL BATTLE CANADA 2026 champions BornBroken will be performing on the Headbangers Stage at Wacken Open Air on July 29th.

Stage: Headbangers Stage
Day: Wednesday, July 29th
Time: 12:15pm- 12:35pm (CEST) GMT+2

Their latest album “Am I Invisible” is available on vinyl and digitally at the following links:

Music Video – Am I Invisible – https://www.youtube.com/watch?v=j3JXTHX0svI

Bandcamp – https://bornbroken.bandcamp.com

Vinyl – https://loudtrax.com/bornbroken-am-i-invisible-vinyl-74535

Digital Album – https://ffm.to/785376b4ad1c4c7e8b394d6c59d215c6

YouTube Album Stream – https://youtube.com/playlist?list=OLAK5uy_n1g45sHdHIUNYMf350HdQSyBOHi3GgZ5I

More info – https://linktr.ee/bornbroken

About Winning Wacken Metal Battle Canada:

Following intense regional clashes, four bands, BORNBROKEN (Montreal, QC), ASHES OF YGGDRASIL (Lloydminster, AB/SK), EMPALEMENT (Victoria, BC) and GRAVEARTH (Oshawa, ON) rose above the rest to earn their place at the national final on May 9th in Montreal, QC, taking over Piranha Bar (680 Ste‑Catherine Ouest). There, they all unleashed their might before a crowd of die‑hard metal fans and a judging panel of industry veterans, including Luc Laine (CFLX 95.5 FM – Alerte Metallique), Pierre Beaubien (CIBL 101.5 FM – Décibel Métal), Andrew Wieler (CJLO 1690 AM – Metal Director), Kaje Annihilatrix (Promoter, Freelance Metal Writer, Asher Media), Dany Soucy (Nova Spei, Bam&Co‑Heavy Label, Trois‑Rivières Metalfest), and Patrick Loisel (Augury).

Only one band could claim the crown, and BornBroken emerged victorious as Canada’s 2026 national champion, earning the honour of representing the nation at the 35th anniversary of Wacken Open Air and competing in the international Wacken Metal Battle, where bands from over 30 countries collide in a global showdown.

WMBC organizer JJ Tartaglia comments:

“Congrats to BornBroken; they are sure to tear it up at Wacken this summer and do Canada proud!”

BornBroken‘s guitarist and vocalist, Mike Decker, comments on their crowning:

“Winning the Canadian Wacken Metal Battle still hasn’t fully sunk in. We’ve spent years grinding through clubs, hauling gear through snowstorms, playing to half-empty rooms, and fighting for every inch as a band, so this means more to us than we can really put into words. To now represent Canada at Wacken Open Air is something we will never take for granted.

This win belongs to everyone who’s supported BornBroken over the years. Our families, our friends, the promoters who gave us chances, the people who bought merch when we were struggling to keep moving, and every single person who ever stood in front of the stage and gave us their energy. You carried us here as much as we carried ourselves.

We also want to give respect to every band that was part of this year’s battle. The level of talent, passion, and heart we saw was incredible. We may be the band getting on the plane, but we honestly feel like we’re carrying a piece of every one of those bands with us onto that stage in Germany. In our eyes, everyone who stepped into this battle and gave it everything they had is a winner.

We’re proud, we’re grateful, and we’re ready to give Wacken everything we’ve got…”

======

WMBC 2026 National Final Playlist: https://open.spotify.com/playlist/1Yizi851LwbShAduRaqHf3

About Metal Battle:

The Wacken Metal Battle is an international metal music contest that culminates at the famous Wacken Open Air festival. It features the top bands from each nation, showcasing fresh and young metal music directly from the underground. The contest is open to unsigned metal bands and has become a significant platform for breaking through the local circuit. The 2026 edition of Wacken Metal Battle Canada is currently underway. The winner will have the opportunity to perform at Wacken Open Air, one of the world’s largest metal festivals, attracting tens of thousands of metal fans from around the globe. For more information and updates, you can visit the official Wacken Metal Battle website – https://www.metal-battle.com/

About Wacken Open Air:
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

More info:

https://www.facebook.com/WMBCanada.official

https://www.instagram.com/wmbcanada.official/

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0 Victoria’s Story Comes Alive! VICTORIA LIES Unveils First Single “Red” From Debut Concept Record “Vendetta” Out October 2026

July 21, 2026
by Asher
· Music News · Uncategorized · Victoria Lies

NEWS RELEASE

Montreal, QC – July 21, 2026

Victoria’s Story Comes Alive! VICTORIA LIES Unveils First Single “Red” From Debut Concept Record “Vendetta” Out October 2026

L-R – Jay Powell (Bass), Brett Hetherington (vocals), James Cuncanon (Drums), Chris Koehler (Guitars), Rory Fitzsimmons (Guitars)

Photo Credit – Heather Kim

Calgary, Canada metalcore storytellers Victoria Lies have announced the first single from their long‑awaited forthcoming debut full‑length, “Vendetta.” The track, “Red,” arrives today alongside a cinematic music video that plunges listeners directly into the dark, lore‑rich universe the band has spent years constructing.

“Red” marks the moment where the album’s central character, Victoria, transforms emotionally, psychologically, and violently. The song’s explosive contrast between chaotic verses and a soaring, cathartic chorus mirrors the character’s unraveling and rebirth, and it stands as one of the band’s most visceral, immediate compositions.

“The defining moment when Victoria becomes Victoria… heavy, disorienting, and urgent,” adds vocalist Brett Hetherington.

The video for “Red” brings Victoria’s world to life with the band’s signature theatricality. Their dancer and on‑stage embodiment of Victoria, Sadie Rieb, appears throughout, adding movement, narrative weight, and emotional intensity to the visual storytelling.

A memorable moment from the recording sessions made its way into the energy of the performance. During vocal tracking, the studio was overtaken by the Euro football finals. Producer Scott Bennett hauled in a TV, guitarist Rory Fitzsimmons spent 90 minutes yelling at the screen, and the chaos fueled Brett’s most ferocious screams.

“All this yelling really helped Brett get in the mindset for laying down his screams on one of our angriest songs,” adds the band.

The single and music video for “Red” are available at the following links:

Music Video – https://www.youtube.com/watch?v=ebDxJlrmjGQ

Digital Single – https://distrokid.com/hyperfollow/victorialies/red

“Vendetta” is a 10‑track concept album that blends melodic metalcore, groove metal, and genre‑bending experimentation. The band describes it as a “constantly evolving universe” filled with narrative twists, emotional depth, and unexpected musical turns, from trap beats to saxophone lines.

The album explores themes of power abuse, violence against women, personal grief, societal collapse, and moral ambiguity, all woven through the story of Victoria, a character who appears in choreography, prose, and live performance.

“We wanted to give listeners a journey. Not just ten heavy songs, something with twists, turns, and storytelling,” says bassist Jay Powell.

“When you hear it, you know you’re in Victoria’s universe,” adds Fitzsimmons.

Formed in 2023, Victoria Lies is a Canadian metalcore band known for blending heavy grooves with theatrical storytelling. Their lineup includes vocalist Brett Hetherington, drummer James Cuncannon, guitarists Chris Koehler and Rory Fitzsimmons, and bassist Jay Powell. The band has previously released singles “Trial By Fire,” “…Ready for it?” and “Zerotonin,” earning thousands of streams and building anticipation for their debut album.

They’ve performed across Alberta, including Calgary, Drumheller, Lethbridge, and Edmonton, and appeared at Gatorfest II and Decimate Metalfest.

Recommended for fans of Bad Omens, Atreyu, AFI, and Killswitch Engage, “Vendetta” is due out on October 30th, 2026 via Black Cat Records.

Album pre-save – https://distrokid.com/hyperfollow/victorialies/vendetta

Track Listing:
1. Victoria – 1:40
2. We Ignite – 3:25
3. Terra Critical – 4:00
4. Laced With Hate – 6:30
5. Red – 2:44
6. Weaving Webs – 4:18
7. Trial by Fire – 3:33
8. Absurd – 4:21
9. Red Lips, Loaded Gun – 5:52
10. Ravens – 3:41
11. Truth and Sugar – 4:15
Album Length: 44:23

Album and Live Band Line-up:
Jay Powell (Bass)
Brett Hetherington (Vocals)
James Cuncanon (Drums)
Chris Koehler (Guitars)
Rory Fitzsimmons (Guitars)

More info: Victorialies.com | Facebook.com/victorialiesband | Instagram.com/victorialiesband | Tiktok.com/@victoria.lies

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0 Streaming Now! Montreal Tech-Death VOLUBILIS’ Debut Sci-Fi Concept Album “Theasterion”

July 9, 2026
by Asher
· Music News · Uncategorized · Volubilis

NEWS RELEASE

Montreal, QC – July 9, 2026

Streaming Now! Montreal Tech-Death VOLUBILIS’ Debut Sci-Fi Concept Album “Theasterion”

L-R – Shawn Hillman (Fretless bass) | Miguel Marcheterre-Pina (Guitar) | André Dubien (Vocals)

Photo Credit – Jade Weeles & Miguel Marcheterre-Pina

Montréal’s rising technical death metal force Volubilis will unveil its debut album, “Theasterion,” on July 10th, 2026. Before it officially drops, they have teamed up with Decibel Magazine to give listeners their first full immersion into the band’s ambitious sci‑fi concept record.

Listen to “Theasterion” in full via Decibel Magazine HERE.

Formed in 2020 by Afro‑Canadian multi‑instrumentalist and visual storyteller Miguel Marcheterre‑Pina, Volubilis has rapidly evolved from a pandemic‑era one‑man project into one of Canada’s most promising new progressive and technical death metal acts. Joined by André Dubien (vocals), Jacob Collins (drums), Alexis Rioux (guitar), and Shawn Hillman (fretless bass), the Montréal‑based quintet has built a reputation for colossal blast beats, intricate fretwork, monstrous vocals, and world‑class technical precision, all woven into a meticulously crafted narrative universe.

“Theasterion” marks the band’s first full‑length release and represents a major milestone not only for Volubilis, but for the growing visibility of Afro‑Canadian and BIPOC artists within extreme metal. The album blends high‑velocity musicianship with conceptual worldbuilding, telling a sweeping sci‑fi epic of human survival, political upheaval, and cosmic catastrophe.

“We believe this album will resonate strongly with listeners, both as a reflection of Québec’s rich technical death metal scene and as part of the broader Canadian and international metal community. Theasterion is intended to leave a legacy, one that inspires creatives to pursue their dreams through determination and hard work,” says Miguel.

Across six tracks, “Theasterion” follows humanity’s desperate attempt to survive after discovering a prophecy foretelling the supernova of the nearest star, Unukhalai. The narrative explores political division, mass exodus, alien landscapes, and the mysterious Homo Cumulus, an anthropoid species evolved beyond human comprehension. Each song serves as a chapter in the unfolding drama, with sequencing designed for uninterrupted, immersive listening.

Beyond music, “Theasterion” is part of a larger creative universe. Miguel, also an illustrator and writer, will expand the lore through a forthcoming comic book project developed during his upcoming residency at Casa na Ilha in Brazil.

Recommended for fans of Beyond Creation, Vale of Pnath, and Obscura to Ne Obliviscaris, “Theasterion” is available on all digital platforms on July 10, 2026.

Album pre-order / pre-save available at the following links:

Digital pre-save – https://distrokid.com/hyperfollow/volubilis1/theasterion

Bandcamp – https://volubilisband.bandcamp.com/album/theasterion

Lyric Video – Le Flamboiement Stellaire – https://www.youtube.com/watch?v=n_DXs3fYcgw

Track Listing:
1. Le Flamboiement Stellaire (5:16)
2. Theasterion (6:30)
3. Homo Cumulus (5:48)
4. Ashes & Embers (4:50)
5. The Prism (4:01)
6. Unukhalai Supernova (6:24)
Total Album Length: 33min

Album Band Line-up:
Miguel Marcheterre-Pina – Rhythm, lead and acoustic guitars, composition, concept art, lyrics.
Shawn Hilman – Fretless Bass, Contrabass
André Dubien – Vocals, lyrics on songs 03 & 06.
Jacob Collins – Drums
Alexis Rioux – Guest solos on songs 01, 02, and 03.
Michelle Gao: Violin, viola on song 06

Live Band Line-up:
Miguel Marcheterre-Pina – Guitar, backing vocals
Shawn Hilman – Fretless Bass
André Dubien – Vocals
Jacob Collins – Drums
Alexis Rioux – Guitar

More info:

https://bio.site/volubilis

https://www.facebook.com/profile.php?id=100093419962099

https://www.instagram.com/volubilisband/

About: Volubilis is a Montréal‑based technical death metal band founded in 2020 by multi‑instrumentalist Miguel Marcheterre‑Pina, originally conceived as a pandemic‑era solo project. It soon expanded into a full lineup featuring André Dubien, Jacob Collins, Alexis Rioux, and Shawn Hillman, quickly establishing itself as one of Canada’s most promising new extreme‑metal acts. After releasing their first single, “Ashes & Embers” in 2025, the band now returns with their ambitious conceptual debut album, “Theasterion.” Defined by colossal blast beats, monstrous vocals, and sweeping harmonies, their sound delivers a fresh and immersive take on progressive and technical metal. Rooted in a self‑created sci‑fi universe and driven by world‑class musicianship, Volubilis push extreme metal into bold new artistic territory.

Volubilis has received support from FACTOR and Concordia University’s FASA.

– 30 –

“Volubilis is a solid techdeath band, and Miguel is one creative dude. The album cover, depicting the sacred Prism, was hand-drawn by the guy, and the concept and lyricism came directly from his brain. I love sci-fi more than the next guy, and I appreciate a solid concept record… all readers should surely spin it for the story.” – Metal Temple

“Canada and Tech Death go together like France and wine. Please meet Volubilis, the newest star on the Canadian Tech Death firmament. Their second single ‘Le Flamboiement Stellaire’ has got everything Candian Tech Death needs: blistering guitar leads, fretless bass, blast beats and, of course, a cosmic/sci-fi story. And it even has French lyrics, how cool is that? So keep your eyes peeled for the release of their debut album “Theasterion” on July 10th if you’re digging this Stellar Blaze!” – The Prog Space

“Whether the story connects with a listener or not, Volubilis give it there all to give legitimacy to the concept. Violin, viola and contrabass add gravitas to the excellent “Unukhalai Supernova,” which is also felt with the acoustic guitars during the finish to “Homo Cumulus.” The band pulls from all corners, from the flashy rage of Necrophagist to the orchestral waves of Fleshgod Apocalypse, for Theasterion.” – Heavy Music Headquarters

“With just 6 songs and a runtime a bit over 30 minutes, this album flies by. There is plenty of variety, melody, and speed, keeping things interesting throughout. The clean vocals tease was almost a surprise, and I would have loved for it to be more prominent in the mix, as well as utilized a bit more frequently. Overall, this is an impressive debut, and I look forward to seeing more from Volubilis, which hopefully includes a live experience in the near future. You should check this one out!” – My Metal of the Day

“Canadian technical death metal is frequently held in high regard. For whatever reason, those cool Canadians often manage to sound distinct from the bulk of the competition and craft excellent songs with real passion. Volubilis is another relatively new technical death metal band that makes a strong impression with *Theasterion*. Fans of lightning-fast riffing, screaming solos, an octopus-like drummer who seemingly has more limbs than the average musician, and a bassist who explores every inch of the fretboard will find plenty to enjoy here.” – Musika
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0 Canadian Prog Metal Newcomers CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Unveils Second Video / Single of 2026 “All For You”

June 23, 2026
by Asher
· Candor Zealot · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 23, 2026

Canadian Prog Metal Newcomers CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Unveils Second Video / Single of 2026 “All For You”

L-R – Alberto Campuzano (Bass Guitar, Vocals) | Dino Soares (Drums) | Nate Silva (Lead Vocals, Guitar) | Chris Gagnon (Guitar, Vocals)

Photo Credit: Ryan Stacey

Progressive metal upstarts Candor Zealot continue their ambitious 2026 singles campaign with the release of their second track, “All For You”.

A sharp contrast to their politically charged debut single “Lie For Country”, the new track dives into deeply personal territory. “All For You” channels raw emotional fallout, catharsis, and the process of reclaiming one’s power after surviving emotional manipulation or abuse. Musically, it blends angst‑driven modern rock with the band’s signature progressive edge, balancing accessibility with technical bite.

“‘All For You’ is the second single for us, showcasing a more radio‑friendly side of the band, and channeling more angst‑ridden inspiration this time around. It’s for everyone who has experienced emotional or other forms of abuse in a previous relationship and is making peace with it,” says Nate Silva, Candor Zealot

Drawing influence from Linkin Park and Bring Me The Horizon, the track’s soaring chorus and heavy mid‑section nod to Gojira and Dream Theater, a fusion that positions “All For You” as one of the band’s most musically ambitious offerings.

Watch and listen to the music video for “All For You” – https://www.youtube.com/watch?v=c390iJYn6GA

Spotify – https://distrokid.com/hyperfollow/candorzealot/all-for-you

Bandcamp – https://candorzealot.bandcamp.com/track/all-for-you

Rather than releasing a traditional album, Candor Zealot is unveiling six singles throughout 2026, each spotlighting a different facet of their melodic, progressive, and socially aware sound. The band aims to build momentum one track at a time, embracing modern listening habits while maintaining the depth and musicianship of classic prog and metal.

Formed in Ottawa by vocalist/guitarist Nate Silva, Candor Zealot emerged from the dissolution of his previous project, The Slyde, whose members won Wacken Metal Battle Canada 2019 and performed at Wacken Open Air. After years of pandemic delays, academic pursuits, and a brief detour into alternative rock, Silva returned to his progressive roots, reuniting with drummer Dino Soares and bassist Alberto Campuzano, formerly of Annihilator, who also performs with Toronto’s Metallica tribute act Sandman, and recruiting Ottawa multi‑band guitarist Chris Gagnon.

Candoz Zealot‘s influences span Rush, Billy Talent, Megadeth, Dream Theater, Coheed & Cambria, European metal, pop‑punk, video‑game music, J‑rock, and even K‑pop.

For more info:

https://candorzealot.com/

https://www.facebook.com/candorzealot/

https://www.instagram.com/candorzealot

https://www.tiktok.com/@candorzealot

Fun Facts – Story Angles:

1. The band name “Candor Zealot” was chosen because we wanted to convey the general intentions of our storytelling within the band name: “to be uncompromising in the pursuit of honesty and openness.”

2. Frontman Nate Silva and drummer Dino Soares have been playing music together since they were 14 years old.

3. Nate Silva, Dino Soares, and Alberto Campuzano were former members of the Toronto-based prog metal band THE SLYDE, who won the 2019 Wacken Metal Battle Canada competition and performed at Wacken Open Air in Germany.

4. Guitarist Chris Gagnon currently plays in 8 tribute bands.

5. Nate Silva wrote a thesis paper for his Master’s degree on chiptune artists who incorporate guitar playing into their music.

– 30 –

“In nearly 20 years of working in Rock Radio & Covering Music, I have never heard a band burst onto the scene with such an electric debut track. Candor Zealot is one of Canada’s next great bands” – Patrick Walford – idobi Howl Curator, host of Rock The Walls (2026 – Lie For Country – single)

“Ladies and Gentlemen, allow me to introduce you to Candor Zealot. This new band has just dropped their debut single ‘Lie For Country’ and it’s a monster. Fast and furious progressive metal with deep hooks and a familiar voice with NATE SILVA on lead vocals, ‘Lie For Country’ is a hell of a beginning as the band states plans to release six singles in 2026. Well, bring ’em on fellas cause we’re all about it. Catch Candor Zealot on your Home for the Best New Rock… W-J-O-EEEE – WJOE – Findlay’s Home for Rock & Roll (2026 – Lie For Country – single)
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0 Streaming Now! Canadian Prog Death CONFLUX COLLECTIVE’s New Album “In the Wake of Saturn” (ft. members of ex-Augury, ex‑Decrepit Birth, Derelict, Gross Misconduct, Continuum and more!)

June 18, 2026
by Asher
· Uncategorized

NEWS RELEASE

Montreal, QC – June 18, 2026

Streaming Now! Canadian Prog Death CONFLUX COLLECTIVE’s New Album “In the Wake of Saturn”

(ft. members of ex-Augury, ex‑Decrepit Birth, Derelict, Gross Misconduct, Continuum and more!)

L-R – Max Lussier, Jesse Brint, Mallika Sundaramurthy, Tommy McKinnon, Eric Burnet, Jeffrey Mott

PHOTOGRAPHER CREDITS: Joe Diaz, Derek Carr of Visionsinpixels, Mat Barbeau, Tania Hébert

After years of dormancy, reinvention, and sheer determination, Conflux Collective unleashes its long‑anticipated debut full‑length album, “In the Wake of Saturn”, available digitally and on CD and Vinyl on June 19th, 2026.

And before it officially releases, check out its full stream premiere on BraveWords HERE.

Born from a chance reunion between drummer Tommy McKinnon (Derelict, Akurion, ex‑Neuraxis, ex‑Augury) and guitarist Chase Fraser (Continuum, ex‑Decrepit Birth, ex‑Animosity) after a King Diamond show in Montreal, Conflux Collective has always been something different, a project built on spontaneity, collaboration, and the collision of extreme voices.

What began as an unexpected jam session years ago has now evolved into a fully realized underground force.

“In the Wake of Saturn” is the culmination of a long creative journey marked by setbacks, reinvention, and unwavering resolve. After the project fell dormant, McKinnon resurrected it from the ground up, writing new material, reconstructing old tracks, recording all bass parts by ear, and crafting lyrics drawn from deeply personal experiences.

To bring the album to life, he assembled a powerhouse lineup of vocalists whose performances define the record’s emotional and sonic assault: Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator, ex‑Abnormality), Jeffrey Mott (The Monster Factory, Growlers Choir), Eric Burnet (Derelict, Samskaras), Max (Derelict), who also contributes a blistering guitar solo. Each vocalist adds a distinct identity, turning the album into a multi‑dimensional narrative rather than a traditional death‑metal record.

Across its eight tracks, “In the Wake of Saturn” channels the raw ferocity of ’90s death metal through the precision and ambition of modern technical death metal, forging a sound McKinnon defines as “progressive, brutal, technical, melodic, uncompromising.” The album moves through themes of loss, fear, survival, and rebirth, unfolding as a transformative listening experience where each song feels like a chapter in a larger narrative. Shifting vocal perspectives, intricate drum work, and a balance of atonal violence and melodic clarity guide the listener through its evolving landscape. As vocalist Jesse Brint put it, “…it’s a journey.”

That journey begins with the ferocious opener “The Antidote”, a blast of brutal energy featuring some of McKinnon’s most demanding drum performances and a searing vocal delivery from Eric Burnet. From there, the album descends into the doom‑leaning weight of “Devouring Light”, a groove‑driven, darkly atmospheric piece crowned by one of Fraser’s most expressive solos. “Reincarnation” follows as a technical, emotionally charged centerpiece that mirrors the rebirth of the project itself. The title track, “In the Wake of Saturn”, delivers the album’s fastest and most direct assault, embodying the transformative force at the heart of the record. Finally, the journey closes with “Desperate Post‑Humanist”, the album’s most layered composition, an expansive and unsettling dialogue between man and machine that ends the record with haunting finality.

Mixed by Jeanne Comateuse, the album stands as a testament to perseverance and artistic integrity. Despite setbacks, lineup changes, and years of uncertainty, “In the Wake of Saturn” exists because the collective refused to let the vision die.

“This album is a journey through pain, fear, defeat, survival and finally rebirth… a true underground monster, made for those who appreciate and seek the unusual,” adds McKinnon.

Recommended for fans of Cryptopsy, Necrophagist, Decrepit Birth, Augury, and Beyond Creation, “In the Wake of Saturn” will be available at the following links:

Album pre-save – https://confluxcollective.bandcamp.com/

Vinyl and CD pre-order – https://elasticstage.com/confluxcollective

Merch / Apparel available – https://confluxco-shop.fourthwall.com/

Lyric Video – Reincarnation – https://www.youtube.com/watch?v=Nce0-kz3nTk

Lyric Video – Devouring Light – https://www.youtube.com/watch?v=skYaLYoVjX8

Track Listing:
1. The Antidote – 3:02
2. Devoid of True Form – 2:39
3. Ethereal Executioner – 4:45
4. Devouring Light – 4:59
5. Blood from a Rock 4:18
6. Reincarnation – 3:20
7. In the Wake of Saturn – 2:29
8. Desperate Post-Humanist – 5:18
Album Length: 30:53

Album Band Line-up:
Guitar: Chase Fraser (Continuum)
Vocals: Eric Burnet (Derelict), Max Lussier (Derelict), Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator), Jeff Mott (Hollow, Monster Factory)
Additional guitar, bass, and drums: Tommy McKinnon
Track 1,2, 3, 6. Music: Chase Fraser. Lyrics: Tommy McKinnon
Track 4. Music: Chase Fraser. Lyrics: Jesse Brint
Track 5, 7. Music & Lyrics: Tommy McKinnon
Track 8. Music: Tommy McKinnon. Lyrics: Eric Burnet

More info:

https://www.facebook.com/confluxcollective

https://www.instagram.com/confluxco/

About: Formed in Montreal after a chance post‑show encounter, The Conflux Collective is a progressive technical death‑metal project built on collaboration, experimentation, and emotional depth. Featuring contributions from some of the genre’s most distinctive vocalists, the band blends the ferocity of old‑school death metal with the precision and ambition of modern tech‑death. In the Wake of Saturn marks their first full‑length album.

Album Recording Credits:
• All songs performed by: Conflux Collective
• All songs written by: Conflux Collective
• Produced by: Tommy McKinnon
• Mixed by: Jeanne Comateuse at Magma Art & Sound
• Mastered by: Jeanne Comateuse at Magma Art & Sound
• Album Artwork by: Filip Ivanovic
• Member of SOCAN

Affiliated links:

Mix engineer: https://magma-sound.com

Derelict: https://derelictmetal.bandcamp.com

Akurion: https://akurion-ca.bandcamp.com/album…

Emasculator: https://www.instagram.com/emasculator_bdm

Mallika: https://www.instagram.com/mallika_sun

Gross Misconduct: https://grossmisconduct.bandcamp.com

The Monster Factory: https://www.themonster-factory.com/en

Coma Cluster Void: https://comaclustervoid.com

– 30 –

“The song’s (Devouring Light) opening moments create tension and are viscerally frightening. They combine wrenching howls, swaths of eerily ringing guitar, immense groaning bass tones, and methodically bludgeoning beats. As the growled words (also frightening) cut loose, the tension doesn’t really break but the music morphs. The dissonant notes miserably writhe and dart away in strange angles; the drums variably clatter and slug in ways that both exacerbate the music’s feeling of dementia and create a vivid rhythmic counterpoint to the increasingly hallucinatory effect of the fretwork. A shrill and swirling guitar solo rises up, creating its own kind of ecstatic counterpoint to the music’s chilling manifestations of confusion and despair. Yet those very same melodic motifs that make the music so unsettling also turn out to be hooks: as they surface and re-surface, strangely ringing and warping, they dig in — as the bass-and-drum performances continue landing body blows while creating their own mystifying attractions. Although this song, unlike the album’s first single, isn’t a high-speed cavalcade of technically eye-popping adventurousness, it’s still a technically impressive exercise, one that deploys the musician’s technical skills to create chilling hallucinatory effects.” – No Clean Singing

“Centered around guitarist Chase Fraser (Continuum, ex‑Decrepit Birth, ex‑Animosity) and drummer Tommy McKinnon (Derelict, Akurion, ex‑Neuraxis, ex‑Augury) and featuring guest appearance contributions from members of Gross Misconduct, Emasculator, Samskaras, Hollow and Monster Factory, the Conflux Collective is a true collective that puts ’90s lensed, technical death metal in its creative crosshairs.” – Decibel Magazine – Track Premiere: Getting Cosmic with The Conflux Collective’s “In the Wake of Saturn”
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0 GANNONDORF Crowned WACKEN METAL BATTLE USA 2026 Champions! Set To Play WACKEN OPEN AIR!

June 17, 2026
by Asher
· Music News · Uncategorized · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – June 17, 2026

GANNONDORF Crowned WACKEN METAL BATTLE USA 2026 Champions! Set To Play WACKEN OPEN AIR!

Photo Credit – C.Huerta.Photos

One band has conquered them all! Wacken Metal Battle USA proudly crowns San Diego’s GANNONDORF as the 2026 champions. The band now seizes a coveted slot at Wacken Open Air, one of the world’s most iconic and influential metal festivals, and will advance to the international Wacken Metal Battle, where rising bands from across the globe unleash their headbanging, mosh‑ready power before a massive sea of metalheads gathered from every corner of the world.

The Wacken Metal Battle USA 2026 National Final brought together the top six bands from across the country after months of battles in cities nationwide. Representing the fiercest underground metal the United States has to offer, the final contenders were FATE DEFINED (Spokane, WA), NEMESIS (Houston, TX), GANNONDORF (San Diego, CA), RAMTHA (St. Petersburg, FL), THE VICTORIOUS DEAD (New York, NY), and THROUGH THE OCULUS (Apple Valley, CA).

After taking the stage on June 13th at Brick By Brick in San Diego, CA, before a crowd of metal‑hungry fans and a panel of industry judges including Rod Kukla (Silver Lining Music), Martin Koller (Prophecy Productions / SPKR Media), and Kelly McLauchlin (Pessimist), only one band could claim the title of WMBU 2026 Champion. GANNONDORF delivered with unrelenting fury, winning over both judges and fans to seize the crown.

WMBU organizer Eric Dow comments:

“Once again, we had a successful battle. 41 shows with over 200 bands competing. The National Final was full of talent, energy, and an overall sense of pride in our underground US bands. Thank you to all the judges, venues, media partners, promoters, bands, and, of course, the fans for making this thing happen every year. Special shout-out to Salman, Jon Asher, and Dean Guitars. Best of luck to Gannondorf at Wacken and best of luck to the rest of the bands as they move forward with their careers.”

Judges Rob Kukla, Kelly McLauchlin, and Martin Koller add:

“My fourth time judging the USA final, and I can honestly say the quality of the finalists was the best ever. Good luck to the winner, Gannondorf, in their final metal battle at the legendary Wacken Open Air.” – Rod Kukla

“What an amazing night… all the bands brought great energy, and were extremely talented – the best from all over the country – and it was fierce competition… some of the most brilliant performances I’ve seen. I know the judges agree that it was a very, very close battle, and it literally came down to fractions of a point to determine the winner. Congratulations to Gannondorf, and we wish them all the best as they represent the USA this year at Wacken!” – Kelly McLauchlin

“Congratulations to Gannondorf, the winner of the Wacken Metal Battle National Final! The final was a tight race; there were 4 bands just one point apart. Let’s push thumbs and hope Gannondorf will also rule at the Wacken Festival in Germany” – Martin Koller

Listen to all the USA national final bands on the WMBU 2026 Final Spotify Playlist – https://open.spotify.com/playlist/14751T41YocZkJCVUJWcjL?si=HGcF4x2xRXKHWR8PEaXy5w

The 2026 WMBU champion will receive the following:
– A slot at the 2026 Wacken Open Air Festival.
– Full professional backline provided.
– $1,000 USD towards flights to Germany.
– VIP camping at the festival.

Previous WMBU national winners: Mourning High (2025 – Southern California / Arizona), Cascade Effect (2024 – San Diego), Fadrait (2023 – San Diego), Mythraeum (2022 – San Diego), Monarch (2019 – San Diego), Voices of Ruin (2018 – Anaheim), and Corpse Hoarder (2017 – Philadelphia).

For the last seven years of battles (2017-2019, 2022, 2023, 2024, 2025), Wacken Metal Battle USA has hosted battles across the country to send one independent metal band to perform at the world’s largest metal festival, Wacken Open Air in Wacken, Germany. 2019 saw the festival celebrate its 30th anniversary, but due to COVID, the 2020 and 2021 editions were both canceled. As the metal community regains its strength, Wacken Open Air 2026 will be the 35th edition of the festival and will be held from July 29th to August 1st. The 2026 event is already sold out with a line-up that includes Def Leppard, Lamb Of God, In Flames, Powerwolf, Emperor, Sepultura, and Running Wild, among others. Details here.

Wacken Metal Battle USA is part of an international competition that sees bands from across the country battle each other for the chance to win their spot among over 55 other countries’ champions and represent the USA in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air. The battles have been hosted at the festival for over a decade and allow independent bands to showcase their talents to an international audience, along with the chance to win multiple prizes.

How it works:
Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter, where one band will move forward to the American national final (date and city to be determined). The winner of the national final will advance to perform at Wacken Open Air 2026 and compete against the winners of international bands from around the globe in a major international battle. All bands will be judged during battle rounds by respected local music industry representatives.

About the bands:

GANNONDORF (San Diego, CA) (2026 WMBU Champion) – https://www.facebook.com/Gannondorfmetaloffical

Gannondorf is an avant‑garde black metal project from the San Diego/Escondido, California area, originally formed in 2008. The band began as a fusion of black metal and video‑game‑inspired themes, later evolving through a period under the name Gravespell before returning to their original identity in 2020. Their music blends experimental, gothic, and extreme‑metal elements, drawing on dark, apocalyptic, and fantastical themes. Gannondorf’s most notable release is The Nightmare Institution (2024), an eight‑track, hour‑long album praised for its technical guitar work, atmospheric horror‑driven aesthetics, and genre‑blending approach. The project remains active and independent, continuing to expand its sound while maintaining a cult following within the California extreme‑metal underground.

FATE DEFINED (Spokane, WA) – https://fatedefined.com/about-us-epk

Fate Defined is a heavy metal powerhouse from Spokane, Washington, formed in late 2020. Blending modern aggression with old‑school thrash, they aim to define the Pacific Northwest metal sound. Their debut EP, World in Flames, dropped in May 2024, fueling a run of headlining shows, festivals, their first music video, and a tour that included the historic Knitting Factory. The band kicked off 2025 with multiple sold‑out shows, including a support slot for (Hed) P.E. The quintet continues to hit stages while writing their next record.

NEMESIS (Houston, TX) – https://www.nemesisriffs.com/

NEMESIS began as the brainchild of guitarist Nick Broussard, who started writing music soon after picking up the instrument at 13. Through high school collaborations and the unexpected isolation of COVID, Nick wrote an entire album and shaped the band’s identity before lineup changes stalled their early momentum. After reconnecting with drummer Alex and teaming up with Reagan and Ezra, the revived lineup recorded and released their debut album False Reality in summer 2023. The band quickly hit the stage, opening for major acts like Fueled by Fire, Metal Church, Armored Saint, EYEHATEGOD, Goatwhore, and Accept while performing across Texas, Louisiana, and Oklahoma. Now finishing their second album, NEMESIS enters the 2026 Wacken Metal Battle as the reigning Texas State Champion, heading to San Diego to compete for the national title.

RAMTHA (St. Petersburg, FL) – https://linktr.ee/ramthabandfl

Ramtha is an extreme‑metal band from St. Petersburg/Tampa, Florida, known for fusing death metal, thrash, grind, and hardcore into a high‑intensity hybrid sound. Active since 2022, the band has carved out a distinct identity within Florida’s extreme‑metal scene. They’ve released two EPs, Void Tyrant (2023) and Through Eyes of Death (2024), and are currently developing a third EP slated for 2026. Ramtha has earned a reputation for explosive live performances, frequently hitting Tampa’s Brass Mug and sharing stages with major acts such as Exhorder, Crypta, Worm, Gruesome, Artillery, Killing Addiction, Bandit, Gillian Carter, Dayglo Abortions, and Hong Kong Fck You. With momentum continuing to build, the band remains a rising force in the underground.

THE VICTORIOUS DEAD (New York, NY) – https://linktr.ee/hailtvd

Founded in 2023 by guitarist Jonathan Theriault, The Victorious Dead is on a mission to unleash crushing and melodic metal upon the world. Joined by drummer Jude Austin and bassist Andrew Klabin, the band released their debut EP Life of Death in June of 2024. The Sound The crushing impact of The Victorious Dead’s sound is not at all compromised by their catchy hooks and breathtaking moments. With influences such as Iron Maiden, Amon Amarth, Mastodon, and Enslaved, both musicality and demolishing riffage take top priority.

THROUGH THE OCULUS (Apple Valley, CA) – https://www.facebook.com/profile.php?id=61572792274421

Through the Oculus is a female‑fronted metal band from Apple Valley, California, formed in 2017. The group blends powerful vocals, melodic guitar work, thunderous bass, and driving drums into a modern heavy‑metal sound that quickly sets them apart in the Southern California scene. Within a short time, they began performing at iconic venues including The Viper Room, Whisky a Go Go, and Adelanto Stadium, building momentum through high‑energy live shows. Their self‑titled debut album showcased a dynamic mix of hard‑rock and metal influences, earning attention for its blend of personal lyrical themes and fictional narratives of quests, revenge, sacrifice, and destruction. The band continues to write new material and perform actively, solidifying their reputation as one of the region’s rising heavy‑music acts.

More info:
Metal-Battle.com
MetalBattleUSA.com
Facebook.com/metalbattleusa.official
X.com/MetalBattleUSA
Instagram.com/wmbusa.official

– 30 –

Sponsors / Partners:
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V13.net
GhostCultMag.com
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Brick By Brick
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Last Light Presents
East Coast Metal Mayhem
Dean Guitars
Asher Media Relations

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0 LITTLE KING Updates July West Coast Tour Dates in Support of New Album “Lente Viviente”

June 2, 2026
by Asher
· Little King · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – June 2, 2026

LITTLE KING Updates July West Coast Tour Dates in Support of New Album “Lente Viviente”

L-R – Tony Bojorquez (Drums), David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals)

Arizona’s Little King, the dynamic, melodic, progressive, heavy‑rock trio helmed by songwriter‑guitarist Ryan Rosoff, will hit the road this July for a string of West Coast U.S. dates in support of their latest album, “Lente Viviente,” released in September 2025. This run marks the band’s second major tour cycle since completing the record, following their early‑year shows across New Mexico, Texas, Arizona, and even a surprise pop‑up performance in Mexico. (Their full tour diary is available at https://littlekingtunes.com/2026/03/little-king-march-2026-tour-diary-power-shortages-ibuprofen-and-gratitude/.)

In addition to the tour, Little King will reveal a brand‑new single later this summer titled “Opus Perficit,” the first new music to follow “Lente Viviente” and a preview of the band’s next creative chapter.

Rosoff calls Lente Viviente “BY FAR our biggest release,” and the upcoming dates promise to bring that momentum to the West Coast.

“Lente Viviente” represents a major creative leap for the long-running project. With new members Tony Bojorquez (drums) and Dave Hamilton (bass), plus a fresh studio environment, Little King crafted what Rosoff describes as their most accomplished work to date, musically, lyrically, and emotionally.

The album’s title, Spanish for “Living Lens”, is a nod to Rosoff’s video memoir company, LivingLens Memoirs, and sets the thematic tone. Across its tightly constructed “micro-epics,” the record explores memory, identity, perception, and the shifting filters through which we understand ourselves and others.

Fans can expect a listening experience Rosoff likens to “a short, mind-blowing journey…like Musical DMT.”

The album’s lyrics move across a wide emotional and social landscape, touching on themes of childhood and enduring friendship (“Catch and Release,” “Dawn Villa”), immigration and identity (“Who’s Illegal?”), aging and addiction (“Pass Through Filters”), and the balance between strength and vulnerability (“Kindness for Weakness”).

Musically, the record blends progressive rock, hard rock, and melodic hooks with the band’s trademark precision and dynamic push-and-pull. Each track is densely arranged yet concise, with most songs clocking in under four minutes.

Little King’s live reputation is built on meticulous preparation, tight musicianship, and explosive energy. Ryan, Tony, and Dave bring decades of combined experience to the stage, delivering performances that are both technically sharp and emotionally charged.

Fans can expect high‑level musicianship, dynamic setlists, and a live show that’s both polished and unpredictable, what Rosoff describes as “meticulous, rehearsed, and RAGING with push and pull energy…PROS with experience.”

The band will perform across key West Coast cities, bringing “Lente Viviente” to life on stage for the first time.

Little King – West Coast USA Tour 2026
July 10 – Ruidoso, NM – Downshift Brewery Riverside
July 12 – Tucson, AZ – Brick Box Brewery w/ The Crown Syndicate and Zold
July 14 – Tempe, AZ – Yucca Tap Room
July 15 – Anaheim, CA – The World Famous Doll Hut
July 17 – San Diego, CA – Tower Bar w/ Stretcher
July 18 – West Hollywood, CA – The Viper Room
July 19 – Pacifica, CA – Winters Tavern w/ The Wandering Jews and Melting Elephants
July 23 – Bisbee, AZ – Gene’s Place
July 25 – El Paso, TX – Lowbrow Palace

With influences ranging from Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and Night Verses, Little King’s music resonates with fans of both classic and modern rock. Their new album “Lente Viviente” (released Sept 26th, 2025) is available on digital platforms.

Add to your Spotify playlist – https://open.spotify.com/album/3a3zhTxNkC6u9xaD5gytJe

Music Video – Who’s Illegal? – https://www.youtube.com/watch?v=cTh1THFdij4

Lyric Video – Dawn Villa – https://www.youtube.com/watch?v=Ksxlb2ekYIM

Lyric Video – Catch and Release – https://www.youtube.com/watch?v=Hgt9U547jbw

Studio Video – Keyboard Soldier – https://www.youtube.com/watch?v=VhDSUpl6PW8

Track Listing:
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: https://littlekingtunes.com/

-30-

“Overall, this band showcased a sophisticated sense of melodies that were not overly complicated, but easy to assimilate as well. Not being familiar with them, I am surprised to learn of their longevity, and you wouldn’t know this was their eight album, because the drive and fire in them is very much alive in their music. 8/10” – Metal Temple

“Little King maintain high intensity from start to finish, achieving a rare balance between complexity and immediacy. Each track has its own identity and emotional range, and the musicianship and production are consistently top-tier. According to Rocky, Lente Viviente is essential listening for prog and heavy-rock fans who miss the spirit of Saga, Rush, and King’s X.” – Metalized

“Seven songs, clocking in at just over twenty-five minutes Little King pack a powerful and melodic cocktail of prog, rock and alternative. If Rush jammed with REM and King’s X it would sound a little like this. Impressive.” – Get Ready To Rock!

“Little King hasn’t just released an album; they’ve crafted an immersive, emotional journey that rewards every listen.” – Jace Media Music

“Long-running Progressive Rock outfit Little King is unveiling “Dawn Villa,” the second single from their highly anticipated eighth studio album, Lente Viviente! A sonic time capsule wrapped in staccato riffs and melodic crescendos, “Dawn Villa” is a heartfelt tribute to frontman Ryan Rosoff’s formative years in Mercer Island, Washington. The track comes from their eighth album Lente Viviente, which is available for pre-order/digital pre-save now at the links below, and releases September 26th, 2025. If you grew up obsessed with the classic seventies prog rock greats like Rush, King Crimson, and Pink Floyd, with a modern flare for drama such as Muse or Neal Morse, Little King deserves your attention! ” – Ghost Cult Magazine

“The album reflects a stylistic maturity that has strengthened over time and a layering of ideas that have, on this occasion, found a stable place. The project’s artistic perspective rests on very solid technical foundations and a strong will to celebrate the traditional principles of classic rock, while also flirting with progressive elements and ultimately making the most of a decidedly pronounced melodic inclination. An absolutely original point of view that has given rise to an elegant and refined sound, capable of effectively combining electric jolts and delicate harmonies in the spirit of a truly contagious passion.” – Rock Hard Italy

“Over nearly three decades, Little King has evolved from the El Paso roots of “Transmountain” to the intricate, personal soundscapes of “Lente Viviente,” blending complex arrangements, strong melodies, and lyrical depth.” – Progressive Rock Journal

“Lente Viviente is as striking as it is arousing and easy to suggest a must for all rock appetites. LITTLE KING seem to know how to feed every instinct and want with their eclectic enterprise and at the same time spring something strikingly new, the proof all there in Lente Viviente.” – The Ringmaster Review

“Tucson progressive rockers’ Little King are gearing up for the release of their 8th studio album, ‘Lente Viviente’ on Sept. 26th and have also just dropped their first single from the album, ‘Catch and Release’. This band truly pushes boundaries and yet makes modern prog rock very accessible. That is a difficult feat and a challenge many bands can’t overcome. But these fellas make it sound very simple, even though the music is quite complex. Similar to YES in that every instrument, including the vocals, all seem to be doing their own thing…but somehow it all works beautifully, and that is what good prog is about. Listen up for Little King on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“”Lente Viviente” is a great release, very short of course, but still atmospheric and moving. Overriding the higher-faster-further mentality in such a playful way deserves respect, and the men deserve it again with their eighth appearance overall.8/10″ – PowerMetal.de

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