Category: Uncategorized

0 EPK – DENIMACHINE – Perfect Illusion (2026) (Grand Hand Records)

October 20, 2026
by Asher
· Denimachine (Grand Hand Records) · EPKs · Uncategorized

EPK – DENIMACHINE – Perfect Illusion (2026) (Grand Hand Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“These four songs are a sonic time capsule of everything we’ve lived through since our debut, and they show exactly how far we’ve evolved as a band. We’ve taken this time to dial in our sound and level up our production, blending heavy grooves with fresh, spacey textures that we can’t wait for everyone to hear.” – Denimachine

For fans of Queens Of The Stone Age, Black Sabbath, Wolfmother, Graveyard, TruckFighters

Band: Denimachine
Album Title: Perfect Illusion
Release Date: Nov 27, 2026
Label: Grand Hand Records (Digital), along with the EP on a Split Vinyl with Riff Ratt.
Genre: Stoner Rock, Psychedelic Rock
Location of Band: Calgary, Alberta, Canada

Denimachineband.com | Facebook.com/denimachine | X.com/DenimachineAF | Youtube.com/@Denimachine-d4f | Instagram.com/denimachine

Denimachine.bandcamp.com | Apple Music | Spotify

Track Listing:
1. Tornado – 4:58
2. Grundy – 3:32
3. Edgelord – 5:33
4. Filthy Lucre – 5:44
Total EP Length: 19:47

EP Recording Credits:
• All songs performed by: Denimachine
• All songs written by: Denimachine
• Produced by: Scott Giffin and Denimachine
• Mixed by: Scott Giffin
• Mastered by: Stuart McKillop – Rain City Recorders
• Album Artwork by: Paul Henrik / Trenton Bullard
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)
Scott Giffin (Synth)

Live Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

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Describe The EP Artwork:

We reached out to our Friend Paul Henrik, a tattoo artist at Radio Block. Since we were releasing the EP on a split with Riff Ratt, we wanted the art and cover to look like there were two independent parts but also be cohesive.

About the EP as a whole (LYRICALLY & MUSICALLY):

These are four very different songs written over a ten-year span, from our oldest (Tornado) to our newest (Grundy). When we write a new song, we usually play it live a few times over the years, making minor tweaks; then, right before getting into the studio, we make a whole bunch of major tweaks, and then after it’s been recorded and pressed, we make a few more tweaks. After that, it’s done. We recorded in the prairies at OCL Studios with Scott Giffin. We recorded something that sounds heavy but groovy and true to our live sound, with some studio fun.

Track by Track (LYRICALLY & MUSICALLY):

Tornado: Written a long time ago about the Blair Witch Project and a tornado that touched down during a music festival that year. It’s the fastest and thrashiest of the four, inspired by horror movies and Dio.

Filthy Lucre: Came next and is about existential financial woes. It’s got a bit of polish but only to enhance the psych and maximize the catchiness of the chorus.

Edgelord: It’s the most laid-back of the four, but ends as one of our heaviest. We wanted to write something with a lot more groove and to experiment with our edginess.

Grundy: Straight-up rock and roll, inspired by the ascent from a particularly bad bout of depression.

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L-R – Brady Side (bass), Trenton Bullard (guitar, vocals), Kevin Ross (drums), Scott Charles (guitar, lead vocals)

Denimachine – Photo Credit – Josh Sandulak

You could say Denimachine sounds like a barbed-wire tumbleweed ripping across the Western Canadian prairie with a trunk full of fuzz pedals and a cooler full of cheap beer. You could say they’re a hard-rock wrecking crew built on thunderous riffs, highways, campfires, and a lifelong devotion to the altar of Black Sabbath.

But closer to the truth, Denimachine is simply four friends who love loud guitars, heavy grooves, and having a damn good time.

Formed in Calgary, Alberta in 2017, Denimachine emerged organically from years of friendship, shared job sites, and countless hours spent performing in notable local acts including Throne of Vengeance, Frankie McQueen, Falcon, and MANcub. After years of touring and chasing different musical paths, guitarist/vocalists Trenton Bullard and Scott Charles, bassist Brady Side, and drummer Kevin Ross came together looking for something new. What began as a one-off project intended to entertain fellow heshers at the legendary vanner gathering Vantopia quickly evolved into a full-fledged band with a cult following of riff enthusiasts across Western Canada.

Taking their name from the famous 1977 Ford Econoline “Denimachine” van created for a Levi’s promotional contest, the band embraced the vehicle’s free-spirited, blue-collar ethos from day one. Much like its namesake, Denimachine was built for the open road.

Their 2018 Demos EP introduced listeners to their riff-heavy approach, while their self-titled 2020 EP cemented the band’s reputation for combining soaring vocal melodies, fuzzy guitar heroics, and undeniable groove. Drawing influence from Queens of the Stone Age, Black Sabbath, Wolfmother, Graveyard, and Truckfighters, Denimachine balances classic hard rock swagger with modern stoner-rock heaviness, creating songs that feel equally at home blasting through festival speakers or from a dusty garage stereo.

Now, after years of writing, refining, and evolving their craft, Denimachine returns with their most ambitious material yet: Perfect Illusion, a four-song EP arriving November 27, 2026.

Produced from years of growth both personally and musically, Perfect Illusion captures a more mature Denimachine without sacrificing the riff-driven energy that first put them on the map. The EP explores broader sonic territory, incorporating more dynamic arrangements, psychedelic textures, and adventurous songwriting while maintaining the band’s trademark head-bobbing heaviness. The collection spans the band’s entire creative journey, featuring some of their oldest material alongside their newest compositions, showcasing just how far the quartet has come since their earliest jam sessions.

Built through Denimachine’s fully collaborative writing process, every track emerged from the band’s chemistry in the rehearsal room, where riffs evolve through experimentation, live performance, and collective refinement. The result is a record that captures the energy of their renowned live show more faithfully than ever before.

From the tornado-force opener “Tornado”, a fan-favorite staple finally committed to tape after years on stage, to the groove-laden swagger of “Grundy,” the shape-shifting journey of “Edgelord,” and the cosmic exploration of “Filthy Lucre,” Perfect Illusion finds Denimachine pushing their sound into exciting new territory while remaining true to their roots.

At its core, Denimachine remains what it has always been: four friends chasing riffs, sharing beers, and creating the soundtrack for good times. Their songs are designed to be played loud, whether you’re winding down around a campfire, cruising a backroad, or losing yourself in the front row.

Fueled by massive hooks, oversized grooves, and the kind of chemistry that only comes from years of friendship, Denimachine continues to prove that sometimes the best rock and roll isn’t reinvented. It’s simply played with conviction, volume, and a little extra sauce.

Perfect Illusion arrives November 27, 2026, digitally via Grand Hand Records, along with the EP on a Split Vinyl with Riff Ratt.

Denimachine Current Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

Discography:
2020 – Denimachine (self-titled EP)
2026 – Perfect Illusion (EP) (Grand Hand Records) released as Solo EP (digitally) and on Split Vinyl with Riff Ratt

Shared Stage with:
Red Fang, Sandrider, Anciients, The Shrine, Castle, Mares Of Thrace, Nightseeker, Riot City, Dopethrone, Hellfire, Screamer, Gone Cosmic, Chron Goblin, Black Thunder, Dead Quiet, Woodhawk

TOURS AND FESTIVALS:
2024 – Cold Bones Fest – Drumheller, AB
2022 – Sled Island – Calgary, AB
2019 – 420 Music & Arts Festival – Calgary, AB
2019 – Sled Island – Calgary, AB
2019 – Woodhawk 2019 Spring Rip – Edmonton, Saskatoon, Invermere, Kelowna
2017 – Big Winter Classic – Calgary AB

Music Placements:
– Without A Pedal – A Bicycle Film About Snowboarding (2026)
– Doomed And Stoned Canada Vol 2 (2021)

0 EPK – Johnny Ray – Free My Soul (single) (2026)

September 22, 2026
by Asher
· EPKs · Johnny Ray · Uncategorized

EPK – Johnny Ray – Free My Soul (single) (2026)

Publicist – Jon Asher – Jon[@]ashermediarelations[.]com

Facebook.com/thejohnnyray | Instagram.com/johnnyrayfl | Youtube.com/@johnnyraythemourning | Tiktok.com/@themourningmusic

Spotify

“Vocalist & multi-instrumentalist Johnny Ray (The Mourning, 3 Headed Snake) has just launched his debut solo single ‘Free My Soul’ and it’s downright fantastic. An instant classic of melodic metal with Ray’s undeniable vocal abilities as the focal point along with crunchy riffs and acrobatic guitar solos rule on this mid-tempo monster. Ray describes the track as a conversation between two parts of the self, the subconscious, exhausted and pleading: “Where the hell were you? I’ve been sounding the alarm this entire time,” and the conscious mind finally waking up and responding, “You’re right. I’m here now. I’ll take it from here.” Heady stuff for sure and you’re going to want to hear it over and over…catch ‘Free My Soul’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

Band: Johnny Ray
Single Title: Free My Soul
Length: 3:46
Release Date: September 22, 2026
Genre: Heavy/melodic metal
Location: Tampa / Hudson, Florida

Single Credits:
Composed by: Shane Madere and Lance Jarreau
Lyrics: Johnny Ray
Produced by: Shane Madere
Creative direction: Johnny Ray
Vocal production/performance: Johnny Ray
Artwork: Tullius Heuer
Photos: Wayne Herrschaft

Johnny Ray is a vocalist, songwriter, and multi-instrumentalist from Florida, best known as the vocalist and keyboardist for progressive metal band The Mourning, as well as the vocalist for 3 Headed Snake, which features two-time Grammy-nominated guitarist Sin Quirin (formerly of Ministry).

His solo project is a more personal outlet, built around heavy, melodic music and lyrics that deal with what goes on inside of us when life starts taking its toll. Fear, survival, identity, self-neglect, and the fight to take control of your own life are recurring themes, but the songs aren’t meant to tell the listener what to feel.
They’re personal, but there’s enough room for people to hear their own story in them.

The first single, “Free My Soul,” deals with the point where simply surviving isn’t enough anymore, and the realization that eventually you have to show up for yourself.

SOLO PROJECT:
Johnny Ray – vocals, lyrics, vocal production, creative direction
Shane Madere – composition, production
Lance Jarreau – composition

DISCOGRAPHY:
2026 – Free My Soul – Single

OTHER BANDS:
The Mourning (vocals, keys)
3 Headed Snake (vocals)

0 Quebec’s NOVA SPEI Returns with a Fierce New Single “Enterré Vivant” and a Revitalized Lineup + Upcoming Album “Trinitas”

September 11, 2026
by Asher
· Music News · Nova Spei (Bam&Co. Heavy) · Uncategorized

NEWS RELEASE

Montreal, QC – September 11, 2026

Quebec’s NOVA SPEI Returns with a Fierce New Single “Enterré Vivant” and a Revitalized Lineup + Upcoming Album “Trinitas”

L-R – Cédrick Charland (Lead Guitarist) | Julien De Carufel (Drums) | Emmanuelle Desbiens-Dubois (Vocal) | Nicolas Dumais-Brouillette (Bass, Vocal) | Dany Soucy (Founder, Rhythm Guitarist)

Photo Credit – Étienne Dionne (Mute Drummer)

Québec modern‑metal powerhouse NOVA SPEI launches a fierce new era with the release of their brand‑new single and video “Enterré Vivant”, a groovy, djent‑driven assault that will be featured on the band’s forthcoming album “Trinitas” due out on November 6, 2026, via Bam&Co-Heavy.

Built around a gripping, Fear‑Factory‑esque guitar groove, “Enterré Vivant” delivers a raw emotional punch, introducing fans to Nova Spei’s revitalized sound and the powerful arrival of vocalist Emmanuelle Desbiens‑Dubois.

“Enterré Vivant” tells the story of someone trapped in a situation they refuse but cannot escape, an emotional metaphor inspired by watching someone close struggle with illness. What began as a personal reflection evolved into a visceral “buried alive” narrative, expressed through pounding rhythms, modern industrial textures, and a vocal performance that transforms the entire structure of the song.

The track was born from a single irresistible guitar riff crafted by Dany Soucy, whose groove set the tone for everything that followed. Lyrics were shaped collaboratively by Emmanuelle, Nicolas, and Dany, blending urgency, fear, and the will to survive. Fans will immediately feel the shift of the band’s rebirth with the introduction of female lead vocals, bringing new intensity and emotional depth to Nova Spei’s sound. The band is confident listeners will embrace this transformation and the renewed energy it brings to their music, marking a powerful new chapter in their evolution.

The single’s artwork by Filip Ivanovic visually captures the suffocating tension at the heart of the song, an image of someone trapped with no escape.

Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects, watch and listen to “Enterré Vivant”.

Music Video – https://www.youtube.com/watch?v=yJB1wzRomFg

Add to your Spotify playlist – https://open.spotify.com/album/5eU0Cs7qNVxeaZHLDZR27i

NOVA SPEI is a Francophone modern metal band from Québec, known for their groovy, djenty, loud, modern, and unmistakable sound. Formed in 2012 by guitarist Dany Soucy (Legion, Dook), the band has evolved through multiple lineups while performing over 100 shows across Québec and Ontario.

Their debut self-titled album (2017) earned strong traction, with singles like “L’homme aux 1000 Sourires” spinning on RadioX 98.1FM, and tracks such as “Ma Muse” blasting through the Bell Centre during Montreal Canadiens games. Their second album “SEQUENTIS” was released in 2021 after pandemic delays, expanding their reach across the province.

In 2026, Nova Spei returns fully recharged with a new lineup that features Dany Soucy (Guitar), Nicolas Dumais (Bass), Julien De Carufel (Drums), Cédrick Charland (Lead Guitar), and Emmanuelle Desbiens‑Dubois (Vocals).

The band is currently preparing their upcoming album “TRINITAS”, a record that embraces a more organic, raw, and less sequenced approach while staying true to the band’s modern metal roots. The album is produced with Francis Perron (Voivod, Martyr), and mastered by world‑renowned engineer Maor Appelbaum (Faith No More, Halford, Yes).

Previous Singles:

Lyric video “Déraciné” – https://www.youtube.com/watch?v=0xn2xKYt0pc

Music video “Renaissance” – https://www.youtube.com/watch?v=FagxvgWJTes

Track Listing:
1. Trinitas – 1:38
2. Renaissance – 2:37
3. M’entends-tu!? – 2:16
4. Déraciné – 4:07
5. Hypnose Collective – 3:23
6. Sentence – 3:39
7. Bourreau – 2:53
8. Résonance – 2:03
9. Enterré Vivant – 3:19
10. Aucun Regret – 4:15
11. Traitre – 3:40
12. Vautours – 3:38
13. Draps Blancs – 2:52
Album Length: 40:27

Album and Live Band Lineup:
Cédrick Charland – Lead Guitarist
Dany Soucy – Founder, Rhythm Guitarist
Emmanuelle Desbiens-Dubois – Vocals
Julien De Carufel – Drum
Nicolas Dumais-Brouillette – Bass, Vocals

For more info:

https://www.novaspei.com/

https://www.facebook.com/NovaSpei

https://www.instagram.com/novaspei

– 30 –

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 France’s HIGHWAY Shares Music Video For Electrifying Anthem “Last Call for Rock’N’Roll”

September 4, 2026
by Asher
· HighWay · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – September 4, 2026

France’s HIGHWAY Shares Music Video For Electrifying Anthem “Last Call for Rock’N’Roll”

L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums

Photo Credit – Mr. Cana Photography

France’s electrifying hard rockers HighWay have raised the stakes and unveiled their latest music video for “Last Call for Rock N Roll,” the explosive title track from their new album released this past April.

Filmed live during their packed release party at the Rockstore in Montpellier, France, the video, shot by Cana Prod (Loudblast, Heart Attack, Akiavel, Les Tambours du Bronx), throws fans straight into the sweat, electricity, and chaos of a HighWay show. It’s raw, loud, unfiltered, and the perfect showcase for the band’s revitalized line‑up and their massive new twin‑guitar attack.

The title track, “Last Call for Rock N Roll,” is a fast, melodic, high‑voltage anthem built for the stage. The lyrics draw a parallel between the love of Rock ’N’ Roll and the love of a woman. Tested live long before recording, the track instantly became a fan favourite and the obvious opener for the album.

Watch and listen to “Last Call for Rock N Roll” – https://www.youtube.com/watch?v=q_UHGQizcHU

After the acoustic detour of “The Journey” (2022), HighWay returned in 2026 louder, bolder, and fully electric with their sixth studio album. Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth), “Last Call for Rock N Roll” delivers 12 brand‑new tracks blending power, melody, emotion, and timeless hard‑rock spirit that explore themes of love, loss, resilience, nostalgia, and self‑determination.

The album also marks a turning point for HIGHWAY with the arrival of two new members, Cerise Pouillard (bass), known from the acclaimed AC/DC tribute Ladies Ballbreaker, and Florian Arnaud (guitar), a powerhouse musician who completes the long‑awaited return of twin guitars. Both contribute backing vocals, elevating the band’s signature harmonies to new heights.

Formed in 1999 by brothers Ben and Romain Chambert after being “thunderstruck” by AC/DC’s Live at Donington, HIGHWAY have spent more than two decades refining their craft. With over 500 shows across Europe, support slots for Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more, and a growing reputation, the band has become a defining force in Europe’s modern classic hard rock revival.

“This is our most personal, emotional, and mature record. We took the time we never had before, and we’re incredibly proud of every detail,” adds guitarist Ben Chambert.

Recommended for fans of AC/DC, Queen, Aerosmith, and Guns N’ Roses, “Last Call for Rock’N’Roll” (released April 24, 2026) is now available via the label Rock City Music, with physical distribution by FTF-Music and digitally from Virgin Music.

CD Digipack and exclusive collector Vinyl at https://highwayshop.sumupstore.com/

Add to your Spotify playlist – https://open.spotify.com/album/1njIM62jUDeg4Td3iGSBHq

Previous Videos:

“D.K/D.C” – https://www.youtube.com/watch?v=8FUFvVMWXQ4

“Hi-Way” – https://www.youtube.com/watch?v=qPYb7fBvNAU

“¡BANG BANG!” – https://www.youtube.com/watch?v=kGpYOR4Xx20

“Mayday” – https://www.youtube.com/watch?v=rx_PkXTqyIA

Track Listing:
1. Last Call (For Rock N’ Roll) – 5:13
2. Hi-Way – 4:40
3. ¡Bang Bang! – 3:47
4. Nineties Action Movie – 5:16
5. Peace Out – 5:44
6. Mayday – 4:25
7. Go! Go! Go! – 5:48
8. Let Me – 4:54
9. D.K/D.C – 3:16
10. Rat Race – 6:00
11. Action – 4:32
12. (Don’t) Look Back – 5:09
Album Length: 58:48

Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

More info: https://linktr.ee/highway_the_band

– 30 –

“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OUR MISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“Last Call for Rock ‘N’ Roll’ sees HighWay delivering a straight-up hard rock record that doesn’t try to hide what it is. Built on big riffs, strong hooks, and a clear focus on melody, the album moves confidently between high-energy tracks and more reflective moments. It keeps a steady focus throughout, balancing its heavier moments with more melodic ones. Things kick off with the title track, a real earworm of a chorus leading the way, while the percussion drives things on without overwhelming the mix. It ends with an impressively sustained vocal note, showing real control and adding a strong finish to the track. ‘iBang Bang!’ stands out as one of the more lighthearted tracks on the album, opening with a distinctly funky groove that sets it apart, though it doesn’t quite leave the same lasting impression as some of the heavier songs. ‘Mayday’ sits at the halfway point of the album, with gentle, melodic guitar plucking and harmonised vocals that give it a more intimate feel. I’m always a sucker for a heartfelt moment, and this doesn’t disappoint. The album quickly regains its energy though with ‘Go! Go! Go!’ and the aptly named ‘Action’. Overall, ‘Last Call For Rock ‘N’ Roll’ is a confident and energetic release for fans of Aerosmith and Airbourne. POWERPOINTS: 9/10 – RHIANNON LANE” – Powerplay Magazine

“Entertaining rock music that’s fun and appeals to a wide range of musical tastes. Party music for fans of everything from Queen to the Beatles!” – MyRevelations

“Rare représentant digne de ce nom de la scène hard rock française, High Way nous revient totalement électrifié après une pause “unplugged” sur The Journey, et ce sixième sent bon la poudre! Fort de l’arrivée de l’excellente bassis- te, Cerise Pouillard, et de Florian Arnaud en second guitariste, Last Call For Rock’N’Roll est aussi explo- sif que fédérateur. Festif et solide, le quintet évolue tout en maîtrise sur des titres entêtants et musclés, distillant malicieusement une folle envie de liberté. >> François Alaouret” – Metallian

“I really love this album; it really does have everything that your rock ‘n’ roll heart desires. Last Call For Rock ‘n’ Roll represents the past, present and future of rock ‘n’ roll. We are all in safe hands with HighWay.” – CGCM Rock Radio

“Across twelve tracks, “Last Call For Rock’n’Roll” ticks all the boxes of the genre and does so with such heart, good humor, and authenticity that it wins you over without reservation. While Highway doesn’t revolutionize 1980s-style hard rock, it simply reminds us why we love it and brings enough personality to remember us that it desires its place in the pantheon of French bands of the genre. That’s already a lot, and we can only hope that this isn’t the last call for this band, which is as talented as it is ending. ” – Music Waves

“With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks, we feel the hard work put in by the musicians. The production really honors it. The 9/10 is easily imposed because this album is extremely enjoyable. Only one thing to hope for, that this is not their last call for rock’n roll, and that they continue to spread the good word in this way!” – Rock Meeting

““Last Call For Rock’ Roll” is the album that made me stop and pay attention to a band I should have discovered long before. For those who have been following them for years, it will probably be confirmation that the band has never been so sharp. For those who arrive now, like me, it is a magnificent gateway to 25 years of history that has suddenly become impossible to ignore. Let it not be the last call. Honest, urgent and without complexes. A great HighWay record!” – World of Metal Mag

“My preferences are « Go Go Go», more than addictive and designed to be covered live by the public, « Let Me», epic as can be and endowed in my opinion with the best solo of the album, as well as the hit « Hi-Way », wickedly groovy and powerful, notably thanks to Sam’s bass. Excellent feedback for Highway, which shows us that even more than 20 years after their debut, the Sétois still have something under their belt. Lovers of rich and varied hard rock, go for it: it’s a safe bet.” Pavillon 666 Webzine

“As they say in wild west saloons soaked in rock, sweat, smoke and beer, with HighWay it plays serious!! With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks we feel the great work put in by the musicians. The production really honors it.” – Vinyl Times

“a lot of catchy material, which I enjoyed listening to and also goes great with the summer temperatures.” – PowerMetal.de

—-

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Northern Irish Pagan Metal Pioneers WAYLANDER Unveils Video “Macha” From New Album “Mac Tíre – Son of the Land” Out Nov 2026

September 3, 2026
by Asher
· Music News · Uncategorized · Waylander (Rockshots Records)

NEWS RELEASE

Montreal, QC – September 3, 2026

Northern Irish Pagan Metal Pioneers WAYLANDER Unveils Video “Macha” From New Album “Mac Tíre – Son of the Land” Out Nov 2026

Northern Irish Pagan Metal pioneers WAYLANDER will release their new album, “Mac Tíre – Son of the Land“, on November 6th, 2026 via Rockshots Records. The band introduces the record with its first single, “Macha”, accompanied by an official music video. For fans of Skyclad, Eluveitie and Korpiklaani.

More than three decades after their formation in Northern Ireland, WAYLANDER return with “Mac Tíre – Son of the Land“, a nine-track album rooted in the landscapes, mythology and cultural heritage of Ireland. The record continues the path the band has followed since the early 1990s, combining extreme metal with traditional Irish instrumentation and Pagan themes.

While “Mac Tíre – Son of the Land” is not a concept album in the same way as its predecessor, “Ériú’s Wheel“, its songs share a strong connection with the land and the stories embedded within it. The title itself reflects this relationship: Mac Tíre, literally “son of the land”, is the Irish term for the wolf, an animal closely connected with Ireland’s natural past.

Musically, the album represents a natural evolution of WAYLANDER’s established sound, retaining the balance between metal aggression and traditional Irish elements that has defined the band throughout its career.

The first single, “Macha”, is dedicated to the ancient Goddess whose connection to WAYLANDER is both mythological and deeply personal. “Macha” is associated with the area the band calls home: both Ard Chieftain O’Hagan’s hometown and the county from which WAYLANDER originates bear her name.

“Macha is the Goddess of the area where we live. My hometown and the county where we’re from are both named after Macha. The time felt right to celebrate her in song, and we believe we have written a song worthy of her,” says Ard Chieftain O’Hagan

For WAYLANDER, mythology is not simply material drawn from a distant past but something that remains present in the landscapes, place names, and traditions surrounding them. “Macha” reflects that relationship while providing the first introduction to the themes running through “Mac Tíre – Son of the Land“.

Listen to “Matcha” here: https://lnk.to/mxjegEpC

Watch the video: https://www.youtube.com/watch?v=aVDRXRnfJ48

Formed in Northern Ireland in 1993, WAYLANDER were among the early bands to combine extreme metal with traditional Irish music and Pagan themes, developing their approach before Folk and Pagan Metal became established movements within the international metal scene. Whistles, Irish bouzouki, bodhrán, and Uilleann pipes remain integral elements of the band’s musical identity.

Pre-order “Mac Tíre – Son of the Land” (release date Nov 6th, 2026):
https://rockshots.eu/products/waylander-mac-tire-son-of-the-land-cd

Track Listing:
1. When The Land Speaks – 4:12
2. Macha – 5:28
3. Ages of Éireann – 5:50
4. Hy Brasil (Isle of Mists) – 5:47
5. Sliabh Gullion – 6:16
6. Our Once Wooded Isle – 6:44
7. Mallachtaí – 4:52
8. Signs and Symbols – 6:22
9. She of the Sorrows – 7:58
Album Length: 51:29

WAYLANDER is:
Ard Chieftain O’Hagan: Vocals
Tor Dennison: Electric Guitars
Connor Murray: Bass Guitar, Backing Vocals
Lee McCartney: Drums and Percussion
Dave Briggs: Whistles, Irish Bouzouki, Bodhran, Uilleann Pipes, Backing Vocals
Saul McMichael: Electric and Acoustic Guitars, Backing Vocals

Guest Musicians
John Ryan: Fiddle, Cello
Lily Maria: Voice of Deirdre
Nicole Quinn: Additional Voicing

For more info:

https://rockshots.eu/

https://www.instagram.com/waylander.official/

https://www.facebook.com/clanwaylander/

About:

Northern Irish Pagan Metal pioneers Waylander have spent more than three decades forging their own path through the worlds of Celtic, Folk and Extreme Metal. Since forming in 1993, the band has become renowned for blending crushing metal aggression with authentic Irish folk instrumentation, mythology and pagan themes, helping shape the foundations of the modern Pagan Metal movement.

With acclaimed releases including “Reawakening Pride Once Lost“, “The Light, the Dark and the Endless Knot“, “Honour Amongst Chaos“, “Kindred Spirits” and the epic concept album “Ériú’s Wheel“, Waylander have earned a loyal international following and shared stages with some of the biggest names in Folk and Pagan Metal.

Now the band returns with their forthcoming album “Mac Tíre – Son of the Land” – a powerful new chapter that captures the spirit of Waylander at its most fierce, atmospheric and authentic. Combining savage riffs, soaring Irish melodies, ancient mythology and cinematic storytelling, the album stands as both a tribute to their roots and a bold evolution of their sound.

After more than 30 years, Waylander continues to fly the banner for Pagan Celtic Metal with the same fire and conviction that started it all.

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0 TRAUMATOMY Unleashes Groove Heavy Slamming Death “Visceral Maceration” From New Album “Ascension Of The Ineffable” Out Oct 2026

September 2, 2026
by Asher
· Music News · Traumatomy (Gore House Productions) · Uncategorized

NEWS RELEASE

Montreal, QC – September 2, 2026

TRAUMATOMY Unleashes Groove Heavy Slamming Death “Visceral Maceration”

New Album “Ascension Of The Ineffable” Out Oct 2026 via Gore House Productions

Traumatomy announces their fourth full‑length album, “Ascension Of The Ineffable,” due out on October 30th, 2026 via Gore House Productions. After two years of work, the upcoming record is their rawest, sharpest, and most brutal offering yet, elevated by the distinctive production of Konstantin Ogarkov, whose approach brought a uniquely savage edge to the album’s sound.

This next offering delivers a faster, rawer, and even more brutal evolution of Traumatomy’s sound while keeping their familiar lyrical themes intact. Each track highlights a different facet of their extremity. “Entropic Obliteration” sets the tone with full-force brutality, “Pervigilium of the Obsolesced Xenolith” pushes speed and blast beats to the limit, and “Endoneural Parasitosis” leans into sickening breakdowns. “Repugnant Coalescence” stands out as the drummer’s most balanced pick, while the title track “Ascension Of The Ineffable” embodies the album’s concept and atmosphere. “Visceral Maceration” brings groove-heavy slam energy, “Autognathic Avulsion” blends grooves, blasts, and atmosphere, and “Xeno‑Homeostasis” closes the record with a perfectly structured finale. The cover art, created by legendary artist Jon Zig, captures the exact atmosphere and cosmic horror the band envisioned. As Traumatomy put it: SLAM IS THE ONLY WAY!

The first single to be unleashed, “Visceral Maceration”, was written specifically for fans of true slamming brutal death metal.

“This may be the most groovy heavy track on the record and shows that we can find a different approach to composing and structuring music,” adds guitarist Constantine.

Listen to “Visceral Maceration” – https://www.youtube.com/watch?v=2r-5H2YkQb8

Formed in 2012 by guitarist and main songwriter Constantine Chevardin (Disfigurement Of Flesh, Nauseating, Morphogenetic Malformation) and Haruka Kamiyama (ex‑Gorevent / Medic Vomiting Pus), Traumatomy quickly became a cult force in the brutal death metal underground. Their 2013 debut “Transcendental Evisceration of Necrogenetic Beasts” established their reputation for slammy, primitive, crushing extremity. Between 2012 and 2018, they released two albums and three EPs before evolving into a full touring band with the addition of bassist Leonid (Cephalic Impurity) and drummer Ivan.

Known for coordinated, intense performances and a relentless commitment to monolithic slam, Traumatomy continues to push their sound into increasingly brutal, higher‑quality territory with every release. Lyrically inspired by H.P. Lovecraft and criminal TV shows, and musically driven by riffs, beer, and cosmic horror.

Recommended for fans of Gorevent, Cerebral Incubation, Disgorge, Epicardiectomy, and Defeated Sanity, “Ascension of the Ineffable” is out on October 30th, 2026, from Gore House Productions.

Album pre-save / CD/ Cassette – https://orcd.co/ascension-of-the-ineffable

Track Listing:
1. Entropic Obliteration (3:34)
2. Pervigilium of the Obsolesced Xenolith (3:26)
3. Endoneural Parasitosis (3:07)
4. Repugnant Coalescence (2:55)
5. Ascension Of The Ineffable (2:54)
6. Visceral Maceration (2:34)
7. Autognathic Avulsion (2:43)
8. Xeno-Homeostasis (3:07)
Album Length: 24:15

More info:

http://gorehouseproductions.com

https://www.facebook.com/traumatomy

https://www.instagram.com/traumatomy.slam

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What the press has said:

“Brutal death metal enthusiasts rejoice!… Get in, make a s**t-ton of noise, wreck some bodies, and get out. That’s the mantra of this EP, and the mindset of Traumatomy, who deliver five of the nastiest and brutalising death metal tracks heard this year. With guitar riffs that are as thick as coagulated blood, bass hooks that rip through flesh as though they’ve emerged from a freshly opened Lament Configuration, drums that sound like a demon is hitting the skulls, ribcages, and stretched skin of its victims, and vocals that gurgle and growl like a creature driven to madness through hunger. This is Traumatomy’s sound, and it is f**king mean. There’s no refresh of the brutal death metal sound here. No suggestion that Traumatomy are about to drop a melodic one out of the blue. No attempt to do anything but deliver brain-crushing heaviness at its best. Which is what Traumatomy do here. Delivering the kind of savage and sickening heaviness that leaves you with a headache, a sore neck, aching limbs, and the strong feeling of having been well and truly violated.” – Games, Brrraaains, A Head-Banging Life

“TRAUMATOMY releases “Triumph Of Enslavement”, an EP that offers slam in its purest form, but which is attractively designed in terms of songwriting and rafinesses here and there, which reveals the many years of experience in this style, especially from guitarist Constantine Chevardin. Fans should be happy with this appetizer. 8/10″ – PowerMetal.de

“Well, this is short and sweet at just over 15 minutes. Triumph of Enslavement is a nice little (tiny?) slab of brutal death metal that opens up with a mid-paced but heavy, crushing intro before swerving in a faster, but no less heavy, death metal onslaught. They do slow down, sometimes almost to a crawl, but the crushing heaviness is omnipresent, clickety drums included (OK, that has nothing to do with heaviness, but you do get the clickety drums). The growls are deep, deeper than I usually like, but they’re a perfect fit for the music here—I wouldn’t see a different style working quite as well. It’s dark, it feels like the weight of the world going through your ears, and sometimes that’s just what you need.” – The Metal Crypt

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0 SECRET RULE Unveils “Edge Of Control” First Single From Eleventh Studio Album + EU Tour Dates w/ Xandria, Seven Spires

September 1, 2026
by Asher
· Music News · Secret Rule (Rockshots Records) · Uncategorized

NEWS RELEASE

Montreal, QC – September 1, 2026

SECRET RULE Unveils “Edge Of Control” First Single From Eleventh Studio Album

+ EU Tour Dates w/ Xandria, Seven Spires

Italian modern metal band Secret Rule opens a new chapter with “Edge of Control”, the first single taken from their upcoming eleventh studio album. Due out today, September 1st, 2026, via Rockshots Records, the single is now available across all major digital platforms.

Built around heavy guitars, hard-hitting rhythmic shifts, and crushing breakdowns, “Edge of Control” combines electronic textures and cinematic layers with the melodic, emotionally charged identity that has shaped Secret Rule’s sound. The result introduces a heavier, sharper and more contemporary direction while remaining unmistakably rooted in the band’s musical character.

At the centre of the track is Angela Di Vincenzo’s emotionally charged vocal performance, moving from tense and volatile verses towards an explosive chorus. Male vocal passages, layered backing vocals and a powerful rhythmic foundation intensify the sense of instability running throughout the song.

Lyrically, “Edge of Control” places the listener inside a mind approaching its breaking point. Rage, doubt, sleeplessness, and inner conflict take the form of a live grenade, a train running off the rails, a wildfire, and a hurricane spinning within its own pain. Rather than observing the loss of control from a distance, the song captures it from within, at the moment when thoughts become impossible to silence, and the hardest enemy to confront is yourself.

The single offers the first glimpse into the musical direction of Secret Rule’s upcoming album, expanding the role of modern breakdowns, electronic elements, cinematic arrangements, and contrasting vocal layers within the band’s established combination of modern metal and powerful melodies.

Andy Menario – Guitars, Composition and Arrangements:

“I wanted the song to feel modern, direct, and unpredictable while still sounding unmistakably like Secret Rule. The arrangement combines heavy riffs and breakdowns with electronic elements and cinematic layers, while the male vocal passages create an additional point of tension within the track. I believe that ‘Edge of Control’ is the song that best represents the direction of this new record.”

Listen to “Edge of Control” – https://lnk.to/4F9zG0

Music Video – https://www.youtube.com/watch?v=aNd_01kKzf0

Further details about Secret Rule’s eleventh studio album & pre-order will be announced soon.

The band will play live on stage from 5th October to 23rd October all around Europe, supporting Xandria and Seven Spires. Here is the complete schedule:

05.10 – Cluj-Napoca, Romania – FORM Space
06.10 – Bucharest, Romania – Quantic Club
08.10 – Sofia, Bulgaria – Pirotska 5 Event Centre
09.10 – Belgrade, Serbia – Zappa Barka
10.10 – Budapest, Hungary – Analog Music Hall
12.10 – Berlin, Germany – Lido
13.10 – Warsaw, Poland – Hydrozagadka
14.10 – Krakow, Poland – Zaścianek
15.10 – Prague, Czech Rep – Distrikt Prague
16.10 – Dresden, Germany – Blauer Salon
18.10 – Cham, Germany – L.A. Live Style Cafe
19.10 – Frankfurt, Germany – Das Bett
20.10 – Pratteln, Switzerland – Z7
21.10 – Stuttgart, Germany – Im Wizemann Club
22.10 – Nuremberg, Germany – Hirsch
23.10 – Hamburg, Germany – Bahnhof Pauli

If you don’t want to miss them live, you can get tickets: https://www.bandsintown.com/a/10541610-secret-rule

SECRET RULE is:
Angela Di Vincenzo: Vocals
Andy Menario: Guitars
Luca Pecchia: Bass Guitar
Diego Divizia: Drums

More info: https://www.rockshots.eu

Secret Rule Links: https://lnk.bio/secret_rule_official

ABOUT SECRET RULE:

Founded in Rome in 2014 by vocalist Angela Di Vincenzo and guitarist, composer, and producer Andy Menario, Secret Rule has developed a distinctive sound that brings together modern metal, powerful melodies, electronic elements, and cinematic arrangements.

Following ten studio albums and an extensive international live career, the band now enters a new phase with their upcoming eleventh studio album. The current line-up features Angela Di Vincenzo on vocals, Andy Menario on guitars and male vocals, Luca Pecchia on bass and backing vocals, and Diego Divizia on drums.

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0 Calgary’s VICTORIA LIES’ New Music Video Is “Weaving Webs” Into A Dark Metalcore Universe + Debut Album “Vendetta” Out Oct 2026

August 25, 2026
by Asher
· Music News · Uncategorized · Victoria Lies

NEWS RELEASE

Montreal, QC – August 25, 2026

Calgary’s VICTORIA LIES’ New Music Video Is “Weaving Webs” Into A Dark Metalcore Universe

+ Debut Concept Album “Vendetta” Out Oct 2026 via Black Cat Records

L-R – Jay Powell (Bass), Chris Koehler (Guitars), Brett Hetherington (Vocals), James Cuncanon (Drums), Rory Fitzsimmons (Guitars)

Photo Credit – Heather Kim

Calgary’s cinematic metalcore force Victoria Lies unleash their second single and music video “Weaving Webs,” following the explosive impact of “Red” and further expanding the dark, narrative‑driven universe leading into their debut full‑length “Vendetta,” due out on October 30th, 2026 via Black Cat Records.

While the album “Vendetta” is built around the mysterious and evolving story of Victoria, “Weaving Webs” steps outside the central narrative to confront real‑world deception and the collapse of long‑standing falsehoods.

“Even though not directly part of the Victoria universe, this one lyrically talks about how we all can see and communicate across the world. We can all see the terrible things that are happening. The same lies that have been told for decades no longer hold any ground, and we can now see who the real villains are. We will not forget,” adds vocalist Brett Hetherington.

Musically, guitarist Rory Fitzsimmons notes that the track began as a stylistic experiment inspired by Attack Attack!, pushing the band’s genre‑bending approach even further:

“I like to utilize ideas from all different styles of music. The intro to the track was a really fun side quest to see if a crazy idea I had would work.”

The band’s first single “Red” introduced listeners to the pivotal moment in the Vendetta storyline, the instant Victoria becomes Victoria. A chaotic, urgent, and emotionally volatile track, “Red” set the tone for the album’s blend of narrative depth and heavy, groove‑driven metalcore.

With “Weaving Webs,” Victoria Lies reveal yet another facet of their sound, one that’s melodic, head‑banging, heavy, genre‑bending, and groovy in equal measure.

Watch and listen to the video for “Weaving Webs” at https://www.youtube.com/watch?v=ZfgVSj0AxRc

Add to your Spotify playlist – https://distrokid.com/hyperfollow/victorialies/weaving-webs-2

Releasing October 30th, 2026, “Vendetta” is a concept‑driven metalcore album built on theatrical storytelling, emotional depth, and genre experimentation. Across its ten tracks, the band explores themes of power, violence, deception, trauma, and transformation, all while pushing their sound into new territory with elements of pop, trap beats, saxophone, and more.

The album was produced by Scott Bennett, with the band’s signature blend of heavy grooves, dynamic melodies, and narrative‑driven lyrics brought to life through meticulous writing and collaborative effort.

Victoria Lies is a Canadian metalcore band known for blending heavy grooves, technical flair, and theatrical storytelling. Formed in 2023, the lineup features vocalist Brett Hetherington, drummer James Cuncanon, guitarists Chris Koehler and Rory Fitzsimmons, and bassist Jay Powell. Their live shows incorporate choreography and the character of Victoria, portrayed by dancer Sadie Rieb, creating an immersive narrative experience.

The band has performed across Alberta, Calgary, Drumheller, Lethbridge, and Edmonton, including at Gatorfest II and Decimate Metalfest.

Recommended for fans of Bad Omens, Atreyu, AFI, Killswitch Engage, and Dayseeker, “Vendetta” will be available on October 30th, 2026, from Black Cat Records on all digital platforms.

Album pre-save – https://distrokid.com/hyperfollow/victorialies/vendetta

Track Listing:
1. Victoria – 1:40
2. We Ignite – 3:25
3. Terra Critical – 4:00
4. Laced With Hate – 6:30
5. Red – 2:44
6. Weaving Webs – 4:18
7. Trial by Fire – 3:33
8. Absurd – 4:21
9. Red Lips, Loaded Gun – 5:52
10. Ravens – 3:41
11. Truth and Sugar – 4:15
Album Length: 44:23

Album and Live Band Line-up:
Jay Powell (Bass)
Brett Hetherington (Vocals)
James Cuncanon (Drums)
Chris Koehler (Guitars)
Rory Fitzsimmons (Guitars)

More info: Victorialies.com | Facebook.com/victorialiesband | Instagram.com/victorialiesband | Tiktok.com/@victoria.lies

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0 Italian Thrashers HELLMETALL Unleash New Video For Title Track “Mgla” From Upcoming Album Sept 2026

August 19, 2026
by Asher
· HELLMETALL (Rockshots Records) · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – August 19, 2026

Italian Thrashers HELLMETALL Unleash New Video For Title Track “Mgla” From Upcoming Album Sept 2026

Italian Thrash/Death Metal band HELLMETALL has released the official video for “Mgła“, the title track of their forthcoming album, due out on September 4th, 2026 via Rockshots Records.

Originally released as a single on January 31st, 2026, “Mgła” introduced the darker direction of the band’s new material. Now, the song takes on a visual dimension through a video created and directed by Chiara Bettiga, translating its sombre atmosphere and historical subject into images. To date, “Mgła” is the only official video made for the record.

Meaning “fog”, “Mgła” draws inspiration from one of the darkest episodes of the First World War on the Italian-Austro-Hungarian front. The song recalls the gas attacks carried out by Austro-Hungarian and German forces against Italian soldiers during the battle near Plezzo, today Bovec in Slovenia.

The subject reflects the wider concept behind “Mgła“, an album built around events connected to the First and Second World Wars, including stories rooted in Val Resia and the surrounding borderlands, as well as memories handed down through generations. This historical dimension is closely tied to HELLMETALL‘s geographical and cultural background and to the band’s use of Resian, the local Slavic language.

Musically, “Mgła” represents the band’s move towards a darker blend of Thrash and Death Metal with elements drawn from Black Metal while retaining melodic references to the traditional music of Val Resia.

The new video brings the album campaign back to where it began with its title track. Since the release of “Mgła“, HELLMETALL has continued to reveal the record through “Gemona Btg. Doesn’t Exist Anymore” on May 18th and “Afrika” on July 3rd. Each track has offered a different perspective on the album and its historical narrative, with the focus now returning to “Mgła” as the full record approaches.

“Mgła” was written by HELLMETALL founder and vocalist Daniele Micelli, recorded, mixed, and mastered by Davide Zago, with drum engineering by Pablo De Biasi and cover artwork by Manuel Scapinello.

Video: https://www.youtube.com/watch?v=HsbC26sjaVA

Listen to “Mgła”: https://lnk.to/plXcDvIU

“Mgła” will be released on September 4th, 2026.

Album Release Party – Trieste Rock Camp – Sept 4, 2026

PRE-ORDER “MGLA“: https://rockshots.eu/products/hellmetall-mgla-cd

Track Listing:
1. Mgla – 5:38
2. Afrika – 3:41
3. Gemona Btg. Doesn’t Exist Anymore – 5:00
4. Vojussa’s Blood – 4:14
5. The Curse Cave-Foibe – 3:03
6. Canin’s Ghost – 6:38
7. Go To Die – 5:25
8. Lest We Forget – 3:50
9. Beograd – 5:16
Album Length: 41:25

HELLMETALL lineup (“Mgla” era / until October 2025):

Daniele Micelli: Vocals
Damiano Biasutto: Guitar
Matteo Cameran: Guitar
Luca Fumagalli: Bass
Gabriele Barbarino: Drums

Current lineup:

Daniele Micelli: Vocals
Damiano Biasutto: Guitar
Matteo Cameran: Guitar
Luca Fumagalli: Bass
Federico Zuin: Drums

More info:

https://www.rockshots.eu

https://www.instagram.com/hellmetall_official/

https://www.facebook.com/HellMetAll.Resia

About:
HELLMETALL is a Thrash/Death Metal band from Resia (Udine), a remote mountain valley located at the crossroads between Italy, Austria, and Slovenia. Since their formation, the band has developed a distinctive artistic identity by combining aggressive extreme metal with the cultural heritage and historical memory of their homeland. Their most recognizable trait is the use of Resian – the ancient Slavic language spoken in Val Resia – as the exclusive language for their lyrics, giving their music a unique and deeply authentic character.

Musically, HELLMETALL blends the violence and speed of Thrash Metal with the heaviness of Death Metal, enriched by dark melodic textures inspired by the blend of traditions of their valley. Originally featuring stronger folk elements and violin arrangements, the band has progressively evolved toward a heavier and darker sonic direction, incorporating stronger Death and Black Metal influences while preserving the melodic sensibility that has always defined their sound.

The lyrical concept behind HELLMETALL is deeply rooted in the history of Val Resia and the surrounding border territories. Their songs recount real events connected to the First and Second World Wars, drawing inspiration from local memories, stories passed down through generations, and the personal experiences of their ancestors. Through their uncompromising musical approach and the evocative power of the Resian language, the band transforms historical trauma and mountain folklore into a raw and visceral extreme metal experience.

HELLMETALL released their debut album “Sa Naso Semjo” in 2015, establishing the foundations of their aggressive and culturally distinctive sound. In early 2026, the band unveiled “Mgła“, the title track from their forthcoming second studio album “Mgla“, scheduled for release on September 4th, 2026. The new material marks a significant evolution in both songwriting and production, presenting a darker, more mature, and focused incarnation of the band.

Alongside an intense live activity throughout Italy, HELLMETALL has increasingly expanded its presence across Eastern Europe. Their 2026 schedule includes an Eastern European tour, an appearance at Austria’s Kaltenbach Open Air festival, and a dedicated Polish mini-tour later in the year, further strengthening the band’s growing reputation within the underground extreme metal scene.

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0 FEN’s Doug Harrison’s Solo Project SLUG COMPARISON Pays Homage To NIRVANA w/ Single “Tongue of the Hollow” From New EP “Cold in Cold out” Out Sept 2026

August 7, 2026
by Asher
· Music News · Slug Comparison · Uncategorized

NEWS RELEASE

Montreal, QC – August 7, 2026

FEN’s Doug Harrison’s Solo Project SLUG COMPARISON Pays Homage To NIRVANA w/ Single “Tongue of the Hollow” From New EP “Cold in Cold out” Out Sept 2026

Doug Harrison – Photo Credit – Peter Wiholm

Canadian songwriter and multi‑instrumentalist Doug Harrison, best known as the vocalist for progressive rock/metal band Fen, returns with a new chapter of his solo project Slug Comparison. The project’s new single, “Tongue of the Hollow,” is the first preview of the upcoming EP “Cold in Cold out, set for release on September 10th, 2026.

“Tongue of the Hollow” began as an unexpected homage to Nirvana’s “Something in the Way.” Harrison noticed the similarity early in the writing process, but chose to embrace it, adding chord changes and letting the influence guide the song’s mood.

“As I was writing this song, I realized early on that the verse riff was way too similar to Nirvana’s “Something in the Way.” I could have abandoned the idea right there, but then I added a few chord changes (I don’t have Kurt’s gift for writing a song with only two chords), so I decided to keep going and let it be an homage. I was huge into Nirvana for a few years, so it made sense that my appreciation was coming out this way. As far as lyrics, I had no idea what “Something in the Way” was about, and that freed me to fumble my way down a different path, while staying true to the vibe of the original,” says Harrison.

Lyrically, the track tells the story of a bedridden apartment dweller nearing death, surrounded by cats who no longer understand why their owner can no longer care for them. His only solace comes at night, when the upstairs neighbour walks the creaking floorboards and sings. The result is a slow‑burning, melancholic piece that leans into Slug Comparison’s signature dark, brooding, introspective, depressingly uplifting sound.

Listen to “Tongue of the Hollow” at the following links:

Spotify – https://open.spotify.com/track/2TOTjDogOn2pbyj5Ki9CD1

Bandcamp – https://slugcomparison.bandcamp.com/track/tongue-of-the-hollow

YouTube – https://www.youtube.com/watch?v=LUziXxuV0uY

Slug Comparison‘s new EP “Cold in Cold Out” is a shift away from the electric, rock‑forward production of his 2025 album “A Battle to the End Fought on the Edge of a Knife.” Instead, “Cold in Cold out” returns to the spacious, layered acoustic textures reminiscent of Fen’s “Trails Out of Gloom.”

“These songs rely more on mood than hooks. The instant gratification isn’t there. They’re slow release,” adds Harrison.

The EP’s six tracks dwell in depressive territory and are best experienced privately, in sequence, and through headphones. Harrison intentionally selected fragments with minimal rock riffage, choosing the moody, unironic, humorless pieces that fit the EP’s emotional landscape.

While Slug Comparison is primarily a solo effort, collaboration for this EP with drummer Randall Stoll (Boulevard, KD Lang, Tom Cochrane) brought the songs to life in the studio, and Sheldon Zaharko added his own touch through mixing.

Overall, the EP blends personal, imagined, and semi‑imagined lyrical narratives, with a heavier emphasis on fictional storytelling than Harrison’s previous work.

Slug Comparison began when Doug Harrison realized he was writing more material than he could bring to Fen during the creation of their 2012 album “Of Losing Interest.” What started as overflow quickly became its own creative outlet, an environment where Harrison could develop songs independently, shaping every instrument and texture without needing to fit them into Fen’s framework.

“I started taking songs further and further on my own. Eventually I realized I couldn’t bring them to the band without dictating what people played. A solo project seemed like a good option,” explains Harrison.

After experiencing long stretches between releases, twelve years between Fen albums and six years between Slug Comparison records, Harrison challenged himself to write and record new material within a single year.

“It was a ton of work. But the experiment suggests I might be able to record all my songs before time runs out for me.” Harrison adds.

With roots that draw from prog, alt, and grunge, Slug Comparison is recommended for fans of Nirvana, Puscifer, Katatonia, Porcupine Tree, The Pineapple Thief, Fen, and Mark Lanegan.

“Cold in Cold Out” marks Harrison’s tenth recording across Fen and Slug Comparison, and his most mood‑driven, acoustic‑layered work in years.

Due out on September 10th, 2026, the EP is available for pre-order at https://slugcomparison.bandcamp.com/album/cold-in-cold-out

Track Listing:
1. Tongue of the Hollow (4:01)
2. To Whom Would You Answer (3:47)
3. Back to the World (4:03)
4. Burden of Life (4:44)
5. Cold in Cold out (5:31)
6. No Healer (4:36)
EP Length: 26:42

EP Recording Credits:
• All songs performed by Slug Comparison
• All songs written by Doug Harrison
• Produced by Doug Harrison
• Mixed by Sheldon Zaharko
• Mastered by Brock McFarlane at CPS Mastering
• Album Artwork by Inkantation
• Member of SOCAN
• Canadian Content (MAPL)

EP Lineup:
Doug Harrison: vocals, guitar, bass, programming, songwriting, production
Randall Stoll: drums

More info:

https://www.instagram.com/slugcomparison

https://www.facebook.com/slugcomparison

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“The album takes us through the self-doubt, denial, and defiance of the artist and is another mini-masterpiece delivered under the Slug Comparison banner. 10/10” –SonicAbuse

“In no way “progressive” in the traditional sense, there is a depth to each composition, and a variation in styles across the album, that rewards careful listening.” –DPRP

“Harrison’s voice tends to have a grungy quality, but it also unfolds in epic, theatrical, or simply beautifully melodic ways.” –Musikreviews (translated from German)

“modern, emotionally rich, and laced with just enough grunge to hit us right in the feels.” –Mandatory Music

“The highlight is a twisted power ballad about having much too much of a good thing (Too Much Love).” –Here Comes the Flood

“progressive and alternative inclinations align with dark rock, punk and other rich hues. It makes for a palette of surprise and unpredictable adventure” –The RingMaster Review

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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