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Category: Music News

0 Rockshots Records – NASTYVILLE New Music Video “Power To The People” For First Single Off New Album “Rebirth” Out June 2025

  • April 15, 2025
  • by Asher
  • · Music News · Nastyville (Rockshots Records)

NEWS RELEASE

Montreal, QC – April 15, 2025

NASTYVILLE New Music Video “Power To The People”

New Album “Rebirth” Out June 2025

Rockshots Records is proud to announce the release of “Power To The People”, the brand-new single from Italian hard rock band Nastyville, available on all digital platforms starting today, April 15th, 2025. The track is the first taste of the band’s highly anticipated fourth studio album, “Rebirth,” set for release on June 6th, 2025.

The album was recorded at Ivorytears Music Works Recording Studio (Somma Lombardo, VA), produced by the band, and mixed and engineered by Alessandro Del Vecchio (Hardline, Vanden Plas, Revolution Saints). “Rebirth” marks a new beginning for Nastyville, a powerful and deeply personal record shaped by real-life stories and the band’s evolution both musically and personally.

“Power To The People” is a hard-hitting anthem built on gritty riffs, thunderous grooves, and a rallying cry for unity and rebellion. With its energetic hooks and no-frills attitude, the song delivers the raw power of a band that’s back in full force.

Formed in 2012, Nastyville has made its mark in the rock scene with a style rooted in street and glam rock, infused with a modern edge. Through the years, they’ve shared stages with Skid Row, Crashdïet, Enuff Z’Nuff, Steel Panther, The Dead Daisies, and more. After lineup changes and three previous albums, the band is now ready to unleash a bold new chapter!

For fans of: Skid Row, Crashdïet, Hardcore Superstar, Steel Panther, The Dead Daisies.

LISTEN: https://lnk.to/DpVRF2​
​VIDEO: https://youtu.be/XqHNf5_ZqHU

​

Single Cover – Nastyville – Power To The People

Pre-orders are now available at the following link: https://rockshots.eu/products/nastyville-rebirth​

Album Cover – Nastyville – Rebirth

TRACK LISTING:​
1. The Journey Of Rebirth
2. Power To The People
3. Run Wild, Rev High!
4. Rocking Through The Night
5. Unstoppable (Sia Cover)
6. We Give It All
7. Miss You
8. Yellow Schoolbus
9. Stay Out, Stay Out
10. Sex O’ Clock
11. Rock’n’Roll Experience
​
​NASTYVILLE Line Up:​
Marco Luraschi (Mark Lee): Vocals
David Visin (Dave Wild): Guitars
Christian De Gaudenzi (Dega): Guitars
Carlo Giordano (The Horv): Bass
Christian Tabita (Chris Tabeat): Drums
​
​CREDITS: Produced by NASTYVILLE
Recorded at IVORYTEARS MUSIC WORKS RECORDING STUDIO, SOMMA LOMBARDO (VA)
Mixed and Engineered by Alessandro Del Vecchio

More info: https://www.rockshots.eu | https://www.instagram.com/nastyvilleofficial | https://www.facebook.com/nastyvilleofficial​

ABOUT:​
Nastyville is an Italian hard rock band formed in 2012 by drummer Danny Boy and guitarist David “Dave Wild,” with the aim of refreshing the rock genre. The first studio album, “Viva Hell-A” (released in 2015), features old-fashioned guitar riffs and the flavor of the best street/glam rock with Lex on vocals, Kruska on bass guitar, and Manuel on guitar. After Lex and Kruska left, the band continued its journey with Marco “Mark Lee” on vocals and Fabian Anderchen on bass guitar, releasing in 2017 their second studio album, “Glam Caramel”. This album, marked by heavier sounds, gave the band the opportunity to open the Italian tour dates for Skid Row, Crashdïet, Enuff Z’Nuff, Adam Bomb, John Corabi, Simon Wright, and many others. “Songs of Threesome”, released in 2022, was their third studio album and featured a new lineup with Christian “Dega” on guitar and Paul “Cannibal” (ex-Thee S.T.P.) on bass guitar.
​
In 2023, founding member and drummer Danny Boy and bassist Paul left the band and were soon replaced by Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar. After the release of the two singles “Red Black…Or Green?” and “Livin’ in A Mess”, the band with its new lineup consisting of Marco “Mark Lee” on vocals, David “Dave Wild” on guitar, Christian “Dega” on guitar, Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar, worked tirelessly on new studio material. The year 2024 was a very good year when the band played many dates across Italy and abroad. The opening act for Steel Panther in Milan (Alcatraz) deserves special mention. The band spent the last months of the year working on a brand-new album, entering the studio in December to start recording their fourth studio album under the supervision of producer, singer, and songwriter Alessandro Del Vecchio.

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​

—
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0 Rockshots Records – HELLFOX Unveils First Single/ Video “Seaweed Braids” Off New Album “The Spectrum of Human Gravity” Out June 2025

  • April 11, 2025
  • by Asher
  • · Hellfox (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – April 11, 2025

HELLFOX Unveils First Single/ Video “Seaweed Braids”

New Album “The Spectrum of Human Gravity” Out June 2025 via Rockshots Records

Rockshots Records proudly announces the first single and official video from HELLFOX, an all-female band that blends melodic death and alternative metal with a sharp emotional edge. Titled “Seaweed Braids“, the song anticipates their upcoming album “The Spectrum of Human Gravity”, a bold and emotional journey set for release next June. 6th 2025.
​
Merging the power of melodic death metal with the versatility of alternative metal, HELLFOX stands out as a rare all-female force in the extreme metal scene. Drawing inspiration from bands like Amorphis, In Flames, and Dark Tranquillity, the band deliberately steers away from symphonic tropes, instead crafting a sound based on heavy riffs, acid and distorted synths, and dual female vocals — one melodic, one growled — to shape a modern and visceral sonic identity.

“Seaweed Braids“ is a melancholic and introspective track that opens the emotional arc of the new album. As the band explains, the song evokes the image of a fragile creature submerged in deep waters — a metaphor for a soul lost in pain and memory. Lyrically, the track reflects on the irreversible moment when we realize what we’ve lost and can only sing a lullaby to the waves.

The upcoming album, “The Spectrum of Human Gravity,” explores human emotions without judgment or analysis, focusing instead on acceptance and the weight each feeling carries depending on personal wounds and life experience. The lyrics touch on heavy yet universal themes — from loneliness and suicide to mental health and identity — always through metaphor and imagery, allowing each listener to find personal meaning in the music.

The band’s name reflects their dual nature: introspective yet fierce, fluid yet grounded. Each member brings a distinct musical background, united by the desire to break boundaries and tell stories that resonate with the rawest corners of the human experience.
​
​LISTEN: http://lnk.to/VWMn1P​
​VIDEO: https://youtu.be/IVGYAixzUOU

​
​
​Due out June 6th, 2025, album pre-orders are now available at the following link: https://bit.ly/3EsNGWd​

To celebrate the release of “The Spectrum of Human Gravity”, HELLFOX will hit the stage with a series of live shows. The first two dates have already been announced, with many more on the way. Stay tuned for a full tour schedule soon to be revealed!
​
​07/07/2025 with Broken By The Scream at the Legend Club, Milan, Italy
​18/07/2025 with Genus Ordinis Dei at Have A Drink On Me Day 5 Fest, Brembate di Sopra (Bg) Italy

TRACK LISTING:​
1. Nautilus – Seaweed Braids
2. Empty
3. Water On The Ceiling
4. Pareidolia
5. Atlas
6. Six Times Lighter
7. The Centipede
8. The Warrior, The Child, The Healer
9. Voices
​
​Hellfox Line Up:​
Greta Hammonia Antico: vocals
Priscilla Poe Foresti: bass and vocals
Gloria Naflekt Kaps: guitars
Federica Fedi Piscopo: drums
​
​CREDITS:​
Recorded at Eden Studio by Alessio Lucatti
Mixed and Mastered by Domination Studio by Simone Mularoni.
Cover art by Eva Marabotti.

ABOUT:

HELLFOX is an ALL FEMALE alternative metal (alt-metal) band with melodic death tendencies. Despite the four completely different musical backgrounds, we share a common inspiration to Amorphis, In Flames, Dark Tranquillity as far as composition is concerned, while for the choice of sounds it was our intention to move away from the Symphonic, recognizably feminine scenario to include acid and distorted synths so that we could create modern atmospheres that more closely met our tastes and better married the pop timbre of the melodic vocals. The dualism of HELLFOX is not meant to be understood on a conflicting level, it is instead the result of different voices within the human soul, different faces if you will, that mingle and generate the person itself, in its entirety, that although they seem to struggle, they coexist and create harmony and balance. We don’t use masks to conform to a mass, nor do we want to stand out at all costs, we just want to be ourselves in a society where normality is only a surface, the abyss instead is made up of so many facets of personality, both for the group and especially for the individual human being. Ours is a message within everyone’s reach, in which one can recognize oneself: that little voice in the head that either draws you in or drives you away… Because for us, nothing is normal, nothing is different.

More info: https://www.rockshots.eu | https://www.instagram.com/hellfoxofficial | https://www.facebook.com/HellfoxOfficial​

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​

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0 Rockshots Records – DYING AWKWARD ANGEL Release New Single “Music Kills”

  • April 11, 2025
  • by Asher
  • · Dying Awkward Angel · Music News

NEWS RELEASE

Montreal, QC – April 11, 2025

DYING AWKWARD ANGEL Release New Single “Music Kills”

Italian melodic death metal act Dying Awkward Angel unleash their brand-new single “Music Kills”, a powerful mid-tempo composition that highlights the band’s continued evolution while remaining firmly rooted in the legacy of Scandinavian death metal.

Characterized by a raw and uncompromising sound, “Music Kills” draws inspiration from the early ‘90s Swedish scene—specifically, bands such as Dismember and Entombed—and channels the iconic HM-2 guitar tone into a modern, groove-driven framework. The result is a track that is both punishing and memorable, blending brutal riffs, visceral vocals, and an ominous atmosphere.

Lyrically, the song delves into the ambivalent nature of music itself, exploring its potential to both uplift and consume. This thematic depth adds an introspective dimension to the band’s sonic aggression, further establishing their unique voice within the international melodic death metal landscape.

Following their critically praised 2018 full-length “Absence of Light”, “Music Kills” marks a significant step forward for Dying Awkward Angel. While known for their fast-paced and relentless songwriting, the band now embraces a darker, more deliberate approach—one that prioritizes atmosphere and weight without sacrificing intensity.

The release of “Music Kills” also marks the beginning of an exciting new chapter. In the coming weeks, the band will unveil further details surrounding their upcoming full-length album, which promises to expand on the themes and sonic direction explored in this latest track.

For fans of Dismember, Entombed, At The Gates, and all those drawn to the raw edge of melodic death metal, “Music Kills” stands as a compelling statement of intent.

Listen to “Music Kills”:

Digital (Spotify) – ​http://lnk.to/qtFgi5​

YouTube – ​https://youtu.be/1JtD-Fhte_w

Formed in 1998, Dying Awkward Angel draws inspiration from the ’90s extreme metal scene of Gothenburg, the UK, and the USA, with influences from bands like In Flames, At the Gates, Carcass, Slayer, Death, Pantera, and Metallica. The band’s early releases, “Dying Awkward Angel” and “Ghost at the Spine,” received excellent critical acclaim. After some line-up changes, the band stabilized in 2013 and recorded the full-length album “Waiting for Punishment”.
​
In 2015, the EP “Madness Rising” showcased a more mature and modern songwriting mixing old-school brutality with melodic incursions. In 2017, with the addition of Michele Spallieri (Kenos) as the vocalist, the band released the album “Absence Of Light” in 2018 (Extreme Metal Music / Rockshots Records), distributed across Europe, the USA, and Japan. Over the years, the band has shared the stage with renowned names such as Impaled Nazarene, **enos, Decapitated, Necronomicon, Forgotten Tomb, and many others.

Line-up:​
Michele Spallieri: Vocals
Demuro Edoardo: Guitars,
Lorenzo Asselli: Guitars
Luca Pellegrino: Drums
Davide Onida: Bass Guitar

More info: https://www.rockshots.eu | http://www.dyingawkwardangel.com | https://www.instagram.com/dyingawkwardangel_official/​

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​

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0 Canada’s WOODHAWK Reveals First Single “Strangers Ever After” From New Album “Love Finds A Way” Out June 2025

  • April 11, 2025
  • by Asher
  • · Music News · Woodhawk

NEWS RELEASE

Montreal, QC – April 11, 2025

WOODHAWK Reveals First Single “Strangers Ever After” From New Album “Love Finds A Way” Out June 2025

L to R: Kevin Nelson (Drums), Turner Midzain (Vocals/ Guitar), Mike Badmington (Bass/ Vocals)

Portrait by Mark Kowalchuk

Canadian stoner rock powerhouse Woodhawk returns with the announcement of their highly anticipated third studio album, “Love Finds A Way,” set for release on June 6, 2025, via Grand Hand Records. The Calgary trio of Turner Midzain (guitar/vocals), Mike Badmington (bass), and Kevin Nelson (drums) are also dropping the record’s first single, “Strangers Ever After,” toda,y giving fans their first taste of new Woodhawk material since 2019’s acclaimed “Violent Nature”. The band comments on the new single:

“This was the first song we wrote for this album. And I think we reworked it more than any song. It started out with a completely different feel and timing than what we ended up with. It was way darker. But we kept coming back to it and really loved the result. Strangers Ever After is a kind of demise of a relationship. The farewell to someone that maybe…you were better off never knowing. This is dark and honest.”

“Love Finds A Way” marks an evolution in the band’s creative journey. Their earlier work was very much influenced by bands like The Sword and Black Sabbath, with lyrics about wizards and goblins, but they’ve worked hard on bringing more emotion to their writing. The nine-track album promises to deliver the dynamic range fans have come to expect from Woodhawk, featuring what Midzain describes as ‘some really riff-rocking songs, but also a lot of hardship and honesty’.

“Strangers Ever After” showcases the band’s signature blend of classic hard rock sensibilities and modern stoner metal influences, delivering the infectious grooves and memorable hooks that have earned Woodhawk a devoted following since their formation in 2014. They are recommended for fans of The Sword, Red Fang, and Thin Lizzy.

Listen to “Strangers Ever After”:

YouTube – https://youtu.be/zCYCia-rPFo

​

Spotify – https://spoti.fi/4jmbEkW​

Album pre-order: https://woodhawk.bandcamp.com​

Track Listing
1. Grave Shaker – 4:41
2. Strangers Ever After – 4:24
3. Truth Be Told – 7:21
4. White Crosses – 6:10
5. The Unholy Hand – 5:21
6. No Place For Hate – 5:18
7. Love Finds a Way – 6:16
8. Relapser – 4:52
9. Killing Time – 8:37

Woodhawk is:
Turner Midzain – Guitar & Vocals
Mike Badmington – Bass & Vocals
Kevin Nelson – Drums

More info:​
https://www.woodhawk.ca
​https://www.instagram.com/woodhawkriffs​
​https://www.facebook.com/woodhawkriffs​

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“Their brand of this style sounds far more refreshing and has a modern rock ‘n roll kind of aura to go along, slightly ringing in signs of alternative influence. The end result is as if Black Sabbath and Thin Lizzy had a child born in the age of Chevelle. With that said, this is immaculate. ” – Indy Metal Vault (Violent Nature – 2019)​
​
​“this is really the kind of rock that fans of classic U.K. metal in the ’70s will be instantly taken with. Sounds really good turned-up really loud, which is always a good test.” – Vancouver Sun (Violent Nature – 2019)​
​
​“Violent Nature kicks off with the slithering riffs of “Snake in the Grass,” which comes crawling up slowly before striking with a venomous fuzz-riffy attack, and a soaring, fist-raising chorus. “Weightless Light” gets my head nodding right away with a solid stoner rock riff, while giving off a pretty decent Monster Truck vibe in the chorus – I can see why they made it the pre-release single.” – Hellbound (Violent Nature – 2019)​
​
​“This is what music is about. When you put yourself out there, you connect with others on a deeper level and that’s always a win.” – The Music Below (Violent Nature – 2019)​
​
​“Violent Nature surpasses their debut and then some; the Rocky Mountain trio have harnessed the best of the past, given it a fresh coat of paint, made me smile and just enjoy rock and roll in its purest form…” – The Sleeping Shaman (Violent Nature – 2019)​
​
​“going by the lead single “Weightless Light” it seems like whatever they’re making the songs about, Woodhawk still bring the same sense of songcraft to their material, which is always good to know.” – The Obelisk (Violent Nature – 2019)

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0 Streaming Now! VORTEX Cruises Through Cosmic Horror w/ Orchestral Blackened Death EP “Alien Realms” + Eastern Canada Tour w/ France’s XAON (QC/NB/ON)

  • April 10, 2025
  • by Asher
  • · Music News · Vortex

NEWS RELEASE

Montreal, QC – April 10, 2025

Streaming Now! VORTEX Cruises Through Cosmic Horror w/ Orchestral Blackened Death EP “Alien Realms”

+ Eastern Canada Tour w/ France’s XAON (QC/NB/ON)

L-R – Simon Desjardins (Bass), Mathieu Duguay (Guitars, Orchestrations), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Olivier Harrisson (Drums)
Photo Credit – Giuseppe Calvinisti

Rimouski, Quebec’s Vortex, has their highly anticipated concept EP, “Alien Realms,” being unleashed on April 11th, and before it officially drops, they have teamed up with Decibel Magazine for its full stream premiere HERE.

“Alien Realms” is a four-track journey through cosmic horror and discovery that showcases the band at their most refined, combining massive orchestral elements with soaring epic melodies and relentless, aggressive riffing. Keeping with the style present in the previous two records, this orchestral blackened death tells a wicked tale of humanity venturing into space in search of intelligent life. The band comments on the record:

“This is a Blackened Death EP that blends massive orchestral elements, soaring epic melodies, and relentless, aggressive riffing. On this new EP, we doubled down on what worked best in our previous album, ‘The Future Remains in Oblivion.’ If you’re into massive orchestras and melodies blended with aggressive riffs and Blackened Death vocals, then ‘Alien Realms’ is for you.”

The EP features a carefully crafted sequence of tracks: “When Humans Defy the Void”, “Haunting the Abyss”, “Ripping The Threads Of Reality”, and “Where Wonders Dwell”. Each song serves as a chapter in the band’s exploration of humanity’s search for intelligent life among the stars.

The band approached this EP with a clear vision; the music and lyrics work together to build intensity and emotion as the story unfolds. It represents the next evolution in Vortex‘s sound, building upon the foundation laid by their previous releases while pushing into new territorial extremes. The EP seamlessly blends the band’s technical death metal roots with expanded orchestral elements and black metal influences, creating their most ambitious and fully realized work to date. It is recommended for fans of Fleshgod Apocalypse, Dimmu Borgir, and Cradle of Filth.

Fans in Eastern Canada will also have a chance to see Vortex live. They will be touring with France’s XAON in April (dates listed below) and then Europe in the fall.

Music Video “Haunting the Abyss” (directed by Chris Kells (The Agonist)) – https://youtu.be/bxIiP9VVWSQ

​

Due out on April 11, 2025, “Alien Realms” is available for pre-order at https://vortexband.bandcamp.com​

Track Listing:​​
1. When Humans Defy the Void – 5:03
2. Haunting the Abyss – 5:26
3. Ripping the threads of Reality – 4:10
4. Where Wonders Dwell – 3:00
EP Length: 17:40

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)​
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, NB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **
​
* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

Vortex is:
Simon Desjardins (Bass)
Mathieu Duguay (Guitars, Orchestrations)
Alexandre Labrie (Vocals)
Dany Lévesque (Guitars)
Olivier Harrisson (Drums)

For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband​

​
– 30 –

“There is not one weak song on the EP. The songs are well crafted and mastered by hugely talented musicians. For me the perfect 10. Can’t wait to see the songs performed live.” – Project Metal Music
​
“When Humans Defy The Void is, like its creators Vortex, unique, and unlike anything else you have ever heard. It is everything you think it would be, but cranked up to eleven and with more twists and turns than a Raymond Chandler novel, and if this is just a taster of what Alien Realms has to offer, then I can’t wait to be abducted on April 11th.” – Black Metal Archive
​
“No need to fuck around with this one folks; I loved Alien Realms from the first intense beats of “When Humans Defy the Void” to the fading notes of the haunting “Where Wonders Dwell”. Vortex’sAlien Realms pulls you in with its unpredictable symphonic blackened melodic death metal that blends elements of bands like Mechina, Fleshgod Apocalypse and Behemoth with the likes of Dimmu Borgir, Graveworm and Hermh. Needless to say, this is a DENSE little EP full of some unique metal.” – The Poser’s Graveyard

Canadian College Radio Charts – August 2023 – top 20 loud – #14 Vortex (earshot)

“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag

“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs​
​
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0 Exitus Stratagem Records – AUTUMN LIES BURIED Unleashes New Video “Debt Of Silence” Off EP “Mob Mentality” Out June 2025 + HELLHOWLER TOUR w/ Casket Robbery

  • April 10, 2025
  • by Asher
  • · Autumn Lies Buried (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – April 10, 2025

AUTUMN LIES BURIED Unleashes New Video / Single “Debt Of Silence”

New EP “Mob Mentality” Out June 2025 via Exitus Stratagem Records

+ THE HELLHOWLER TOUR (NC/GA/FL/TN/IN) w/ Casket Robbery, My Own Will, Nicolas Cage Fighter

L-R – Perry Jones – Guitar, Cole Hill – Drums, Kaelin Wilkins – Vocals, Cane Potter – Guitar, Marcus Nettles – Bass

Photographer Credit – Cody Petty

Extreme metal outfit Autumn Lies Buried is unleashing its blistering new single “Debt of Silence,” accompanied by a music video. The track serves as the first glimpse into the band’s upcoming EP “Mob Mentality,” scheduled for release on June 6th, 2025, via Exitus Stratagem Records. “Debt of Silence” delivers the band’s signature combination of breakneck energy, socially conscious lyrics, and unrelenting heaviness that fans have come to expect. Vocalist Kaelin Wilkins comments:

“Given the current political climate of the US, I felt it necessary to write about silencing a lot of them. I felt like America just needs a hard reset, and it starts by not giving these fascists in free-world clothing the clout they have. They owe us a debt of silence. A ritual dismemberment of corrupt leadership. Cutting of the tongue is symbolic as well as literal.”

Autumn Lies Buried continues to evolve their sound, which draws from a diverse palette of influences including slam, mathcore, hardcore, hip hop, and deathcore. The result is what the band describes as “a beating with a cinder block’ that creates a cathartic experience for listeners.”

This release marks the beginning of an exciting summer for Autumn Lies Buried, with another single planned for May and the full EP release coinciding with the kickoff of their Hell Howler Tour alongside Casket Robbery, My Own Will and Australia’s Nicolas Cage Fighter on June 6th. They are recommended for fans of Whitechapel, Suicide Silence, and Tech n9ne.

Watch and listen to “Debt of Silence” via its music video premiere on The Circle Pit – https://youtu.be/pe7P2jiNHKg

Digital Single pre-save – https://hypeddit.com/autumnliesburied/debtofsilence

EP pre-save – https://hypeddit.com/autumnliesburied/mobmentality​

Hellhowler Tour – Casket Robbery, Autumn Lies Buried, My Own Will, Nicolas Cage Fighter

#Autumn Lies Buried Not Appearing | + My Own will Not Appearing

5/29 – West Chicago, IL – WC Social Club #
5/30 – Hamtramck, MI – Sanctuary #
5/31 – Battle Creek, MI – The Music Factory #
6/1 – Cleveland, OH – The Foundry #
6/3 – Pittsburgh, PA – The Smiling Moose #
6/4 – Clifton, NJ – Dingbatz #
6/5 – Salisbury, MD – Lurking Class Skate Shop #
6/6 – Gastonia, NC – The Rooster +
6/7 – Wilmington, NC – The Eagles Dare +
6/8 – Duluth, GA – Sweetwater Bar +
6/10 – Winter Park, FL – Conduit +
6/11 – Miami, FL – Bar Nancy +
6/12 – Tampa, FL – The Orpheum +
6/13 – Pensacola, FL – Handlebar +
6/14 – Clarksville, TN – The Revel House +
6/15 – Hobart, IN – Hobart Art Theatre +
​

More info: Facebook.com/autumnliesburied | Instagram.com/autumn.lies.buried​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 RED CAIN Drops New Single “FWAB” (Fire, Water, Air, Blood) Ahead of Hyperspace Metal Fest Performance!

  • April 9, 2025
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC – April 9, 2025

RED CAIN Drops New Single “FWAB” (Fire, Water, Air, Blood) Ahead of Hyperspace Metal Fest Performance!

L-R: Samuel Ridout, Evgeniy Zayarny, Taylor Gibson, Oman Tribuzy
​
Photo Credit: Red Cain​
​

Set to perform at this year’s Hyperspace Metal Festival in Vancouver, BC on April 10th, power prog storytellers RED CAIN are unveiling their new single “FWAB” (Fire Water, Air, Blood). With its heavy balalaika breakdown, downtuned heavy riffs, and soaring harmonized choruses among atmospheric industrial synth backing, “FWAB” hits hard and never lets go – a primeval ritual chant in front of cold stone, on a frozen steppe, among howling winds.

The band explains the story of the track in further detail:

“In the frozen Eastern European steppes, there stood a fell ancient god. Every ill word fed him, and every ill deed made him more potent. For millennia, he grew strong through kingship over mortal ill will, suffering, and pride, until his nourishment took a new form, unable to feed or strengthen. Without nourishment, the god was powerless, and without power, he slept. After millennia, fed full by ill words and ill deeds, searching for an awakening, the god demands the symbols of his power: Fire, Water, Air, Blood. Join the ritual sacrament of Chernobog. With this new release, the Slavic pagan ritual to call forth the “Black God” takes flight, asking the listener what they would be willing to change their fate.”

Listen to “FWAB” (Fire Water, Air, Blood):

YouTube – https://youtu.be/3PcRrHlSU_I​

Spotify – https://spoti.fi/42fdexS

​

Red Cain will be performing on night one of this year’s Hyperspace Metal Festival in Vancouver, BC, on April 10th at The Cobalt alongside Glyph, Tower Hill, Serpent Rider, and Crüzer. Full details on the Hyperspace Metal Festival being held from April 10th to 12th can be found at https://www.facebook.com/HyperspaceMetalFestival​

Red Cain, from Calgary, Canada, is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I”, “Kindred: Act II,” and “NÄE’BLISS”. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitar
Oman Costa – Guitar
Taylor Gibson – Drums

For more info: Redcain.ca | Facebook.com/redcainofficial | Instagram.com/redcainarmy

– 30 –

“NAE’ BLISS is a fine example of world-class Metal. With every album they grow in statue and status they can stand shoulder to shoulder with the titans of the genre.” – Metal-Rules (2023 – NÄE’BLISS)​
​
​“Red Cain continue their evolutionary path with NÄ̈E’BLISS, taking us all on a fantastic and metallic journey that will surely help them carve their name even deeper into the metal scene worldwide.” – The Headbanging Moose (2023 – NÄE’BLISS)

“they come up with elements of melodeath, symphonic-, prog- and powermetal, melted together by the expressive vocal performance of singer Evgeniy Zayarny, who convinces with his full tone and an impressive range… “Näe’bliss” is well written, varied and dynamic, telling the stories about a common “good” against an “evil” antagonist in a great way.” – The Prog Space (2023 – NÄE’BLISS)​
​​
“What a masterpiece! In my last review, I gave my first 10/10 and called it my album of the year. That place has already been overtaken.” – Musipedia of Metal (2023 – NÄE’BLISS)

“Canadians Red Cain took on the mammoth task of turning Robert Jordan’s works of the Wheel of Time series into an album… Needless to say the Power Prog band delivers an ambitious album filled with twists and turns that will keep you on your toes!” – Belgian Jasper (2023 – NÄE’BLISS)​
​
​“Red Cain has made by far the best Wheel Of Time-related piece of art that I’ve seen or heard since before November 18, 2021. Sour grapes aside, this is some energetic power metal worthy of the source material.” – Metal Utopia (2023 – NÄE’BLISS)​
​
​“Red Cain combine with clean singing and growling vocals on opener “Fisher King.” Much of Nae Bliss has a fresh modern sound (“Blight” and the gothic “The Great Hunt”) and some modern groove (“Sightblinder”)… The modern metal here reminds me of Iced Earth and Nevermore which has some excellent clean vocals. ” – Transcending the Mundane (2023 – NÄE’BLISS)​
​​
“this is an album to explore if you tend to enjoy a more theatrical and bombastic variety of progressive metal.” – Progressor (2023 – NÄE’BLISS)

“If you’re into the symphonic side of metal, then this is a must have album.” – Smorg Magazine (2023 – NÄE’BLISS)

“As such Red Cain uses Näe’bliss to showcase the slickest noodling and power grooving of their career… Red Cain hasn’t yet made an album for the ages in this modern expression of classic prog/power exuberance, but each record thus far has swung for the fences and landed in good graces—stop sitting around and spin some Red Cain!” – Angry Metal Guy (2023 – NÄE’BLISS)​
​
​“you’ll still feel the mighty pull of Power Metal all over the record. But the progressive parts now start to encroach on soundscapes bands like Haken or Caligula’s Horse3) usually usurp. And that leaves us with an uncannily savvy power prog mix with an unholy urge for unusual extreme metal undercurrents on full display. And that led – yet again – to overheated turntables over at the RMR office tower. Red Cain are back and in full swing yet again, feisty as ever. And as well they should be. So, where’s that bookshop? Robert Jordan’s fantasy lore’s beckoning us.” – Rock Music Raider (2023 – NÄE’BLISS)​
​
​“With Näe’bliss, Red Cain has created their own progressive metal epic fantasy that is fuelled with blast beats, howling guitars, wailing vocals, and rumbling bass. The intricate lyrics tell their own tales and have captured the essence of the adversaries and nemesis of the story. Perhaps for me, storyline aside, is the wonderful vocal dynamic between Evgeniy Zayarny and Kalie Yan and how they play off each other in a beautiful tit for tat of clean versus harsh and singing versus operatic as if they were the protagonist and antagonist. Let the chaos reign supreme, crank Näe’bliss to 11.” – Amplify The Noise (2023 – NÄE’BLISS)​
​
​““Fisher King,” is a monstrous opening, a song that tempts the deliverance and brings the power of brilliance and chaos of the whirlwind…. “Fires of Heaven,” is bombastic, powerful, enchanting and downright haunting. A song that smashes through everything.” – The Median Man (2023 – NÄE’BLISS)​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Rockshots Records – LAY OF THE AUTUMN New Video “Lost In Your Eyes” Off Latest Album “Of Love And Sorrow”

  • April 9, 2025
  • by Asher
  • · Lay of The Autumn (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – April 9, 2025

LAY OF THE AUTUMN New Video “Lost In Your Eyes”

New Album “Of Love And Sorrow” Out Now! via Rockshots Records

Rockshots Records and Lay Of The Autumn proudly present the official music video for “Lost In Your Eyes,” one of the most successful songs from the band’s debut album, Of Love And Sorrow, which was released on October 25th, 2024.
​
​“Lost In Your Eyes” combines orchestral and symphonic power metal elements to create an energetic yet emotional sound. Fast solos, dynamic arrangements, and ERIA’s expressive vocals bring the song to life and capture the feeling of being completely lost in someone’s gaze.

The video visually amplifies the emotional weight of the track with evocative imagery that mirrors the wonder, vulnerability, and intensity expressed in the music. With their distinctive aesthetic, Lay Of The Autumn offers a powerful visual counterpart to one of their most resonant songs.

Following the release of other standout tracks such as “Thrown Away”, this new video confirms the band’s strength in pairing emotional storytelling with grandiose metal arrangements. Their debut album, Of Love And Sorrow, features 10 tracks blending Power Metal, Symphonic Metal, Melodic Death Metal, and cinematic influences mixed and mastered by Ettore Rigotti (Disarmonia Mundi) at The Metal House Studios, ensuring a rich, powerful, and polished sound.

With “Lost In Your Eyes”, Lay Of The Autumn continue to explore the emotional core of their music creating a journey that resonates deeply with fans of Nightwish, Sonata Arctica and Stratovarius.

Watch the official video now and experience one of the most moving tracks from “Of Love And Sorrow”!
​
​LISTEN: http://lnk.to/8qpvcB​

VIDEO: https://youtu.be/2mht-__lttc​

Digital Album / CD – https://lnk.to/jR59oz

​

Track Listing:​
1 – When It Rains – 2:27
2 – Flowing Tears – 5:52
3 – Lost In Your Eyes – 5:51
4 – After All This Time? Always – 5:44
5 – Thrown Away – 5:53
6 – Undergo Deconstruction – 5:55
7 – Love You To Death – 6:20
8 – Si Sta Come D’Autunno Sugli Alberi Le Foglie – 5:02
9 – Of Love And Sorrow – 5:59
10 – Who Is To Blame – 5:39
​
​Lay Of The Autumn are:

Main Singer: Iryna Eria Boyarkina – ERIA​
Growl Singer: Andrea Gambaro​
Keyboards/Composition: Davide Scuteri Music​
Guitar: Davide Lovecchio​
Bass: Cesare Ferrari​
Drums: Michele Olmi​
Mix and Mastering: Ettore Rigotti at The Metal House​
Music Label: Rockshots Records​
Moviemaker: Moviedel Productions​
Photos: Flarescape​
Cover artwork: ProgArt Media – Artwork by Mattias Norén​
Jewel Designer: helenaromanova​

More info: ​
​Rockshots.eu​
​https://www.facebook.com/layoftheautumnofficial​
​https://www.instagram.com/layoftheautumnband​
​
​YouTube: eria_singer_official ​
​Instagram: anyri_mysterya
​Facebook: / eriaofficial ​
​Telegram: https://t.me/joinchat/rpJiGB9IyBo2YzVi​
​TikTok: https://vm.tiktok.com/ZM83t243B/​

-30-

​

—
ASHER MEDIA RELATIONS
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0 Brutal Death OPHIOLATRY Signs To WormHoleDeath Records For New Album “Serpent’s Verdict” Out June 2025

  • April 9, 2025
  • by Asher
  • · Music News · Ophiolatry

NEWS RELEASE

Montreal, QC – April 9, 2025​

Brutal Death OPHIOLATRY Signs To WormHoleDeath Records For New Album “Serpent’s Verdict” Out June 2025

L-R – Diego Santiago (Bass), Jaime Veron (Lead Vocals), Jhorge “Dog” Duarte (Drums), Fred Barros (Guitar)

Photography: Kevin Eisenlord, Anderson Hildebrando

Brazilian brutal death metal veterans Ophiolatry have officially signed with WormHoleDeath Records and announced the release of their highly anticipated new album “Serpent’s Verdict”, set to drop on June 6, 2025. The band has also released a teaser for the album, giving fans their first glimpse into what promises to be a devastating release in extreme metal. They comment on the brutality:

“The album delves into themes of spiritual revenge, indigenous resistance, and the clash between ancient traditions and imposed beliefs. Inspired by real events in the Amazon, mythology, and existential suffering, the lyrics paint vivid scenes of war, punishment, and transcendence through pain. Each song tells a story, whether it be about warriors resurrected for revenge, the wrath of serpent gods, or the fall of oppressive ideologies. The words are raw, intense, and unrelenting, reflecting the chaotic brutality of the music itself.”

This signing marks a significant milestone for Ophiolatry, whose last full-length album “Transmutation” was released in 2008 through Forces of Satan Records/Regain Records. After a period of careful composition and development, the band returns with renewed purpose and vision, channeling the raw energy that established them as pioneers of South American extreme metal while evolving their distinctive sound. The album represents a departure from the relentless technicality of “Transmutation” while preserving the band’s signature brutality and expanding their sonic palette.

The album functions as a sonic ritual—a brutal, immersive descent into cycles of destruction, revenge, and rebirth. Each track serves as a chapter in this narrative, combining aggressive riffs, guttural vocals, and tribal rhythms inspired by ancient warrior traditions. It is recommended for fans of Morbid Angel, Death, and Deicide.

Teaser – https://youtu.be/md11q5o044c

​

Album pre-save – https://orcd.co/serpentsverdict​

Track Listing:​
1 – Jesus Complex – 3:48
2 – Revenge – 4:21
3 – Generation Curse – 3:09
4 – Death Tour – 3:35
5 – Serpent’s Spits – 4:31
6 – Atheris – 1:32
7 – Apophis – 5:01
8 – Midia Bible – 3:34
9 – Manipulations Guilt – 4:03
10 – Heaven Jails – 3:26
11 – Narcissistic Victim Syndrome – 4:06
12 – Human Factory – 3:18
13 – Ecdysis – 2:34
Album Length: 47:03

Album Recording Credits:​
All songs performed and composed by Ophiolatry.
Mastering: Dan Swanö – http://www.unisound.se
Artwork: LouLou – http://www.louloufineart.com
Pre-Production: Steve Rumpli & Ophiolatry
Production, Recording & Mixing: Diego Santiago
Studio: Satori Estudio
Photography: Kevin Eisenlord, Anderson Hildebrando
Graphic Layout: Beto Mustafa

Album Band Line Up:​
Jaime Veron – Lead Vocals
Diego Santiago – Bass
George “Dog” Duarte – Drums
Fred Barros – Guitars

More info: Ophiolatry.com.br | Facebook.com/profile.php?id=100063556233508 | Instagram.com/ophiolatry​

-30-

“According to Merriam-Webster, “ophiolatry” means “the worship of or attribution of divine or sacred nature to snakes.” You can certainly feel the snakes of death metal surround you as you listen to “Abyss of Alienation” from Brazil’s Ophiolatry, featuring hypnotic riffs, brutal vocals, and crushing rhythms reminiscent of Hate Eternal, Nile and Steve Tucker-era Morbid Angel. The song is a re-recording of a track from the band’s 2008 album, Transmutation.” – Decibel Magazine (2023 Single – Abyss of Alienation)

“Hailing from Brazil comes Ophiolatry, a three-piece powerhouse of a brutal death metal band whose bread-and-butter sound comprises blistering drumming and technical guitar lines set against a suffocating and claustrophobic sonic backdrop.” TheMetalForge​
​
​“Ophiolatry will reward the open-minded metal head with an inflection of national culture, post-modernism and, of course, stunningly brutal death metal.” – Sputink Music​
​
​“…Relentless blastbeats and truly brutal guitar work that have the ability to pummel the listener into a fine powder.” – Scene Point Blank​
​
​“[…] similar technical versatile approach on Death Metal as defined by KRISIUN but where the latter still have a disappointing song writing quality OPHIOLATRY have more feel, more structure and variation.” – Voices from the Dark Side​
​
​“[…] you’ve got yourself another nice brutal death metal band, comparable with (older work of) for example the Brazilian bands Krisiun, Mental Horror and Nephasth, as well as North American’s Monstrosity and Vital Remains – who came up in my mind because of the guitar virtuosity.” – Metal Rage​
​
​“A Lendária banda de Brutal Death Metal Ophiolatry está de volta as atividades.” – Brazil Legion Nekrounderground

—
ASHER MEDIA RELATIONS
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0 REALITY GREY Commemorate Metal Icon’s Birthday – Children of Bodom’s Alexi Laiho – With Cover Of “Hate Crew Deathroll”

  • April 8, 2025
  • by Asher
  • · Music News · Reality Grey

NEWS RELEASE

Montreal, QC – April 8, 2025

REALITY GREY Commemorate Metal Icon’s Birthday – Children of Bodom’s Alexi Laiho – With Cover Of “Hate Crew Deathroll”

Italian melodic death metal powerhouse Reality Grey has announced the upcoming release of their cover of Children of Bodom‘s iconic track “Hate Crew Deathroll”, scheduled to drop on April 8th, the birthday of the late Alexi Laiho. Children of Bodom was one of the most influential bands for Reality Grey, especially during their early days, and this cover is nothing short of a tribute. While they’ve developed their style over the years, they think fans will appreciate their return to a classic ‘old school/mid-2000s’ sound, which they still love. They comment on the cover:

“This is our tribute to Alexi Laiho and Children of Bodom. “Hate Crew Deathroll” was a pivotal moment in our lives as musicians, as we had just started out as a band in 2003. We kept the song close to the original, which is something we usually won’t do; we like to add our own spin and mix things around. I think we succeeded in keeping the “fuck you” attitude of the original song.”

Hailing from South Italy and formed in 2004, Reality Grey has established themselves as a formidable force in the Italian metal scene. The five-piece band is known for its distinctive blend of melody and brutality, combining complex yet catchy songwriting with fearsome death growls, clean vocals, razor-sharp guitar riffs, and fusion-oriented solos. They are recommended for fans of Children of Bodom, Meshuggah, and Soilwork..

Listen to Reality Grey‘s cover of Children of Bodom’s “Hate Crew Deathroll” at https://youtu.be/Wcdi8Hq_aOI

Spotify – https://spoti.fi/4jiicRn​

More info: https://linktr.ee/realitygrey​

-30-

“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection (Beneath This Crown 2021)

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine (Beneath This Crown 2021)

“Reality Grey give off a viciousness and expertise hard to find in other bands. The instrumental expertise of each component is absolute, slighting touching tech-death side of acts like The Faceless but remaining ‘catchy’ in their complexity” – Metal Hammer (Beneath This Crown 2021)

“It’s complete and total aural devastation with some seriously chunky moments, so it lives right up to what you’d expect a song called “The Void” to do.” – Metal Injection (Beneath This Crown 2021)

“Reality Grey will serve the world of metal excellently both as an all round, no nonsense, metal act and as a brigde band for younger fans of heavy music” – Metalunderground.at (Beneath This Crown 2021)

—
ASHER MEDIA RELATIONS
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