Category: Music News

0 Cosmic Black Metal CELL Premiere Album Stream “Ancient Incantations Of Xarbos” via MetalInjection

October 2, 2019
by Asher
· Cell · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – October 2, 2019

For fans of Emperor, Death, Morbid Angel, Immortal, Goatwhore

Cosmic Black Metal CELL Premiere Album Stream “Ancient Incantations Of Xarbos” via MetalInjection

New Album ‘Ancient Incantations Of Xarbos’ Out October 4th

October USA / CAN Tour Dates

Winnipeg, MB cosmic black metal trio CELL are unleashing their new album “Ancient Incantations Of Xarbos” on Friday, October 4th. The full length continues their dramatic and theatrical storytelling in their conceptual science fiction universe to follow their debut 2016 album “The Frozen Moon Of Erebath”. Taking place on a planet called Xarbos, two races collide over different ways of life. The listener can expect to be pummelled with blast beats and speed and put into a hypnotic doomy trance while floating through an atmospheric and cosmic cleans. CELL goes into the details of the story the album follows:

“Each track has its own story in the album that leads to one big ending which is the decimation of the Xarbonite hierarchy. In the story, there are two races of beings on this planet: one race chose to rise with power, tech, money and the lower race is actually the oldest of Xarbos and know the ways of the land and its magic. There are a few side stories within the album that trail off but still, stay within the main story.”

Teaming up with MetalInjection.net, the black metal trio are sharing the full stream of “Ancient Incantations Of Xarbos” before it’s officially out at the following link here.

Album pre-order here.

CELL is currently on the road across the USA and Canada in support of their upcoming album “Ancient Incantations Of Xarbos”. The tour kicked off in Fargo, ND on September 27th and will end in their hometown of Winnipeg, MB on October 19th opening for Immolation.

CELL – ‘Ancient Incantations Of Xarbos’ USA/Canada Tour
10/04/19 – Providence, RI @ Koto PVD
10/05/19 – Charlotte, NC @ Skylark Social Club
10/07/19 – Raleigh, NC @ Slim’s Downtown
10/08/19 – Baltimore, MD @ The Sidebar
10/09/19 – Everett, MD @ Banshee Den
10/10/19 – Brooklyn, NY @ Brooklyn Bazaar
10/11/19 – Montreal, QC @ Piranha Bar
10/12/19 – Quebec City, QC @ La Source de La Martiniere
10/13/19 – Ottawa, ON @ Pour Boy
10/14/19 – Sudbury, ON @ The Asylum
10/19/19 – Winnipeg, MB @ The Goodwill Social Club

Track Listing:
1. The Rise Of Gorthar (2:31)
2. Defiling The Ancient Hierarchy (7:16)
3. All I See Is Them (4:15)
4. The Wailing Sea Of Emptiness (5:59)
5. Ancient Incantations Of Xarbos (1:35)
6. God Of The NetherRealm (8:32)
7. Valley Of Assimilation (5:24)
8. Altering Matter In The Realm Of The Frost King (10:38)
Album Length: 46:12

Album Band Line Up: Hypnos (Drums), Hyperion (Guitar, Vocals), Demios (Bass, Vocals)

Live Band Line Up: Hyperion, Lowell Winters, and Brett Leier

More info:
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Twitter

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Bio:

Cell is a three-piece conceptual black metal band that formed in 2014 reigning from Winnipeg, Canada. They blend elements of old school and modern black metal with hints of death metal, hardcore, thrash, and doom to create reality-altering unrelenting cosmic black metal. Their concept is based on a science fiction comic book idea that Hyperion (guitar/vocals) was working to bring to life, but decided instead to turn into music.

Each song starts with Hyperion taking the reins by writing the song structure, riffs, and lyrics; Deimos (bass/vocals) and Hypnos (drums) adding in their preferences for riffs, lyrics and other such things to alter the songs for the better. There is a lot of cathartic emotion put into each song that connects to each member on a personal level while keeping within the dark sci-fi concept and using metaphors of what we as humans do to this planet and the life on it.

Using these topics, it’s easy for Cell to let everything out on stage every during every performance. They use a lot of art and theatre within the live show including using corpse paint, blood, armor, pro audio lights, and lasers. To see our show is to experience something emotional, aggressive, theatrical and cosmic.

Cell has toured across Canada multiple times and have been featured on several festivals including Black Mourning Light, Loud As Hell Metalfest, Armstrong Metalfest and Manitoba Metalfest sharing the stage with the likes of Skeletonwitch, Goatwhore, DRI, Revocation, and Aggression. They released their debut album ‘The Frozen Moon Of Erebath’ in 2016 and follow it up in 2019 with ‘Ancient Incantations Of Xarbos’.

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ASHER MEDIA RELATIONS
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#.514.581.5780 | asher@ashermediarelations.com
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0 IRON KINGDOM Premiere Full Stream For New Album “On The Hunt” via MetalInsider

October 2, 2019
by Asher
· Iron Kingdom · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – October 2, 2019

For fans of Iron Maiden, Judas Priest, Queensryche, Fates Warning, Riot, Helloween

IRON KINGDOM Premiere Full Stream For New Album “On The Hunt”

The 80s Live Again With The Traditional Styled Canadian Heavy Metal

“On The Hunt” Out October 4, 2019 – Album Pre-Order Available

North American Tour Begins October!

Far Left: Leighton Holmes (Bass) | Centre Left: Chris Osterman (Vocals & Guitar) | Centre Right: Megan Merrick (Guitar) | Far Right: Chris Sonea (Drums)

Photo Credit: Benjamin Somobere

Inspired by legendary pillars of heavy metal such as Iron Maiden, Judas Priest, The Scorpions, and Rush, IRON KINGDOM is well known for their energetic and electrifying stage presence, as well as intricate musical melodies that bring listeners back to a time when the genre was in its prime.

Now they are back with a new album “On the Hunt” due out on October 4, 2019 and before it’s officially out, the Vancouver heavy metallers have teamed up with MetalInsider.net for the exclusive premiere of the release’s full stream at the following link HERE.

The band adds:

“We’re believing fans can expect the new record to be a lot more traditional in style, more accessible with a lot more rocker tunes, lots of catchy melodies and speed metal riffs, shorter songs, more packed with action, as opposed to the previous album with long epic passages. We wanted this record to include lots of great live tunes we can carry in our set for years to come!”

The nine new tracks are fun tunes that translate well into a live setting, which is paramount for IRON KINGDOM who take great pride in their live show. Fans of the classic including Iron Maiden, Judas Priest, Queensryche, and Helloween will revel in IRON KINGDOM who put a modern spin on traditional heavy metal.

“On The Hunt” is available for pre-order via the band’s online store here.

In additional news, the IRON KINGDOM will be be supporting the promotion of “On The Hunt” with a North American tour that will kick off in Vancouver, BC on October 3rd and take the band on a 2-month trek across Canada, the USA and Mexico, ending in Everett, WA on December 1st (dates listed below).

The band comments:

“Our upcoming ‘Road Warriors North American Tour 2019’ marks the beginning of a new era for Iron Kingdom, we’re returning to many of our favourite cities across the continent with a new lineup and a new album! We can’t wait to see our fans and friends and perform ‘On The Hunt’ in a live setting. It’s due time we make our mark across the land once again!”

IRON KINGDOM – ‘Road Warriors – North American Tour 2019’
Oct 3 – Vancouver, BC – Red Room (Album Release Party)
Oct 10 – Port Alberni, BC – Rainbow Room
Oct 11 – Cumberland, BC – The Waverley
Oct 12 – Nanaimo, BC – The Cambie
Oct 13 – Victoria, BC – Copper Owl
Oct 17 – Seattle, WA – The Highline
Oct 18 – Medford, OR – Bamboo Room
Oct 19 – Sacramento, CA – The Boardwalk
Oct 20 – San Francisco, CA – TBA
Oct 21 – Cupertino, CA – X-Bar
Oct 23 – Apple Valley, CA – Hilltop Tavern
Oct 24 – Anaheim, CA – Doll Hut
Oct 25 – San Diego, CA – Tower Bar
Oct 26 – Tijuana, MEX – Mous Tache
Oct 27 – Los Angeles, CA – The Stardust Club
Oct 29 – Albuquerque, NM – The Jam Spot
Oct 30 – Tucson, AZ – House of Bards
Oct 31 – El Paso, TX – B17 Bombers
Nov 1 – San Antonio, TX – Faust Tavern
Nov 2 – Lawton, OK – Railhead Saloon
Nov 3 – Houston, TX – Acadia Bar
Nov 6 – Atlanta, GA – 529
Nov 7 – Raleigh, NC – The Maywood
Nov 8 – Wilmington, DE – Bar XIII
Nov 9 – Charleston, WV – The Empty Glass
Nov 10 – Clifton, NJ – Dingbatz
Nov 12 – Philadelphia, PA – The Tusk
Nov 13 – Queens, NY – Blackthorn 51
Nov 14 – Worcester, MA – Ralph’s Diner
Nov 15 – Rochester, NY – Bug Jar
Nov 16 – Toronto, ON – Hard Luck Bar
Nov 17 – Montreal, QC – Piranha Bar
Nov 18 – Quebec City, QC – Scanner Bistro
Nov 19 – Ottawa, ON – Dominion Tavern
Nov 20 – Windsor, ON – The Back Stage
Nov 21 – Hamtramck, MI – New Dodge Lounge
Nov 22 – Pekin, IL – Twisted Spoke Saloon
Nov 23 – Madison, WI – The Wisco
Nov 24 – Minneapolis, MN – Hexagon Bar
Nov 26 – Keokuk, IA – Joystix Rockade (ShiverFest II)
Nov 27 – Denver, CO – Tennyson Tap
Nov 29 – Salt Lake City, UT – Urban
Nov 30 – Portland, OR – High Water Mark
Dec 1 – Everett, WA – Tony V’s Garage

Track Listing:
1. White Wolf
2. Driftin’ Through Time
3. Sign Of The Gods
4. Keep It Steel
5. Raze And Ruin
6. Road Warriors
7. Invaders
8. Paragon
9. The Dream

Album Artwork by Alan Lathwell

For More Info:
IronKingdom.com
Facebook
Instagram
Youtube

BIO:

Inspired by legendary pillars of heavy metal such as Iron Maiden, Judas Priest, The Scorpions, and Rush, Iron Kingdom is well known for their energetic and electrifying stage presence, as well as intricate musical melodies that bring listeners back to a time when the genre was in its prime.

Formed in Surrey, Canada, in June of 2011, Iron Kingdom’s intent was to fill the gap of bands that are heavy, but not extreme, melodic but not mainstream, technical but approachable. ‘Curse Of The Voodoo Queen’ was released on Dec 14, 2011, and the band took the opportunity to tour western Canada, along with an appearance on the CTV Show, Canada’s Got Talent (viewership of 1 million on that episode). With the debut album finishing its cycle, the group decided it was time to record a new album, and by April 26, 2013, ‘Gates Of Eternity’ was released. Garnering strong reviews and attention from around the world, Iron Kingdom was invited to perform at Germany’s Keep It True XVII festival.

Following this massive milestone, Iron Kingdom set out to pursue as many opportunities as they could spending some serious time on the road through Canada in 2013, Europe in 2014, followed by a tour in the USA with California’s Night Demon. The band had created some major momentum and Iron Kingdom were spreading their moniker far and wide in support of the first two releases.

On July 30, 2015, Iron Kingdom released not one but two more albums, ‘Ride For Glory’, their 3rd full-length album, as well as ‘Unleashed At The Kraken (Live In Seattle)’, an exclusive live E.P. recorded on a previous tour. The band set out on the road again in support of the two new releases. The tour was unfortunately riddled with many trials, including a vehicle accident that almost killed the band members. Life on the road continued, including a massive North American tour in 2016, as well as a tour in Brazil in a supporting slot for former frontman of Iron Maiden, Blaze Bayley.

As of 2019, with a new lineup and a new album ‘On The Hunt’ on its way, Iron Kingdom will once again be ready to take the world by storm and aid in the revival of the mighty and classic sounds of Traditional Heavy Metal.

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“their latest work is the most refined Iron Kingdom album. One word obligatory item for old heavy school freaks.” – Power Metal Warrior (Poland) (Ride For Glory Review 2015)

“This is a tremendous throwback into the (first) golden age of metal.” – Merchants of Air (Belgium) (Ride For Glory Review 2015)

““Gates Of Eternity” could prove to be one of the most important discoveries in 2013 for U.S. Metal lovers.” – Rock Hard Magazine (Germany) (Gates of Eternity Review 2013)

“Sometimes you just want some glorious old school metal that makes you want to batter a dragon to death. Iron Kingdom are said band and from the opening track, At The Gates, I’m sold. When we reach Crowned In Iron we truly reach old school metal at its finest” – Sound the Charge (Scotland) (Gates of Eternity Review 2013)

“I want an Iron Kingdom/Voodoo Queen Baseball Tee so I can blast this album and try to sing along, banging my head and driving to the stadium in my Trans Am to drink cans of Bud in the parking lot before the Iron Kingdom show! I wish it was the 80’s right now.” – Metal Titans (Canada) (Curse of the Voodoo Queen Review 2011)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 NECRONOMICON Premiere New Single ‘The Thousand Masks’ via Zero Tolerance Mag + US Tour Dates w/ Belphegor, Suffocation, Abiotic

October 1, 2019
by Asher
· Music News · Necronomicon

(contact info below)

NEWS RELEASE

Montreal, QC – October 1, 2019

For fans of Blackened Death Metal, Behemoth, Cradle of Filth, Abbath, Immortal, Dimmu Borgir

NECRONOMICON Premiere New Single ‘The Thousand Masks’ via Zero Tolerance Mag

New Album ‘UNUS’ Out October 18, 2019 via Season of Mist

“A Relentless Onslaught US Tour” w/ Belphegor, Suffocation, Abiotic

Canada’s premier blackened death metallers NECRONOMICON are back with “UNUS”, the crushing and cinematic follow up to 2016’s “Advent of the Human God”. With each record NECRONOMICON has created in the span of their 31-year career, the band has steadily evolved in both sound and power; “UNUS” is no exception to this.

The latest single ‘The Thousand Masks’ is ready to be unleashed and can be heard via its exclusive premiere on Zero Tolerance Magazine HERE.

Rob The Witch adds:

“This single is different from the others not only in the tempo, speed and groove, but also it goes directly back to “Pharaoh of Gods ” era and is chapter 3 of the actual song from 1999. It is the first song from our new album ‘UNUS’ that was composed and one of my favourite because of its ambiance and feeling.”

In additional news, NECRONOMICON will be hitting the road for “A Relentless Onslaught US Tour” with Belphegor, Suffocation, and Abiotic. The 26 date tour kicks off on October 24th in Sauget, IL and will end on November 23rd in Reading, PA.

Rob The Witch comments:

“Necronomicon is proud to go on the road with long-time friends Suffocation and of course cult german dark band Belphegor. We shared the stage with both of these bands in the past but only on a 1 off or festivals, so very excited to do all these American dates with them. See you all in October/November US fans.”

NECRONOMICON‘s new album ‘UNUS’ is a searing cacophony of blistering riffs, machine-like drums, and a symphonic ambiance, culminating in a sound that calls to various metal icons such as DIMMU BORGIR, SEPTICFLESH, BEHEMOTH, and DEICIDE. The record combines the furious elements of death metal with the orchestral prowess of black metal, creating the perfect synthesis of both genres. Standout tracks like ‘Paradise Lost’ and ‘Singularis Dominus’ only solidify NECRONOMICON’s ability to continuously produce high-quality metal that’s just as dark and brutal as it is elegant.

“UNUS” is due out October 18th via Season of Mist and can be pre-ordered here.

Previous Singles:
‘Singularis Dominus’ here.
‘Paradise Lost’ here.

“A Relentless Onslaught US Tour” w/ Belphegor, Suffocation, Abiotic
10/24 – Sauget, IL – Pops
10/26 – Dallas, TX- Gas Monkey Bar and Grill
10/27 – San Antonio, TX – Paper Tiger
10/29 – Houston, TX – White Oak Music Hall
10/30 – Austin, TX – Come And Take It Live
10/31 – El Paso, TX – Rockhouse Bar & Grill
11/01 – Mesa, AZ – Club Red
11/02 – San Diego, CA – Brick By Brick
11/03 – Los Angeles, CA – 1720
11/05 – Oakland, CA – Oakland Metro
11/07 – Portland, OR – Bossanova Ballroom
11/08 – Seattle, WA – El Corazon
11/09 – Jerome, ID – Diamondz Event Center *
11/10 – Salt Lake City, UT – Soundwell
11/11 – Denver, CO – Oriental Theater
11/12 – Lincoln, NE – The Royal Grove
11/13 – Kansas City, MO – The Riot Room
11/14 – Minneapolis, MN – Cabooze
11/15 – Joliet, IL – The Forge
11/16 – Detroit, MI – Sanctuary
11/17 – Grand Rapids, MI – Elevation
11/19 – Pittsburgh, PA – Crafthouse
11/20 – Richmond, VA – Canal Club
11/21 – Clifton Park, NY – Upstate Concert Hall
11/22 – Patchogue, NY – Stereo Garden
11/23 – Reading, PA – Reverb
* No Belphegor

Track Listing:
1. From Ashes Into Flesh (04:23)
2. Infinitum Continuum (05:27)
3. Paradise Lost (04:55)
4. The Price of A Soul (01:56)
5. Singularis Dominus (04:50)
6. The Thousand Masks (03:20)
7. Ascending The Throne of Baator (04:54)
8. Fhtagn (01:59)
9. Cursed MMXIX (04:13)
10. Vox Draconis (04:13)
Album Length: 40:10

Recorded at Silver Wings studio, produced by Rob The Witch

Mixed and mastered at Darth Mader music studio by Logan Mader (Machinehead)

Recording line-up:
Rob the Witch: Guitar/vocals/bass
Divider: drums
Special feature: Geirlioz (Dimmu Borgir) on Piano in ”From Ashes Into Flesh”.
Artwork: Dragon caduceus design by Nestor Avalos, layout and artwork by Simon Bossert

For more info:
Season of Mist
Facebook
Instagram
Twitter
Youtube

About:
Inspired by H.P. Lovecraft’s legendary grimoire, NECRONOMICON formed in 1988 by founding guitarist and singer Rob “The Witch” in the deep, northern part of Canadian province Quebec, Fjord of Saguenay. NECRONOMICON have a well-earned reputation for quality by releasing material only when ready and satisfied with the outcome ever since their demo entitled ‘Morbid Ritual’ (1992) firmly established their name within the underground. ‘The Silver Key”EP (1996) led to mainstream recognition on a national level, but their debut album ‘Pharaoh Of Gods” (1999) and the sophomore ‘The Sacred Medicines’ (2003) did even more to establish the band as a household name in Canada.‘Return Of The Witch’ (2010) marked the international break-through for NECRONOMICON, and saw them performing at prestigious festivals such as Inferno (Norway), Ragnarok (Germany), and the Barge To Hell metal cruise among others, while sharing stages with acts such as CRADLE OF FILTH, DIMMU BORGIR, BEHEMOTH, and MORBID ANGEL, to name but a few. Their steady advance around the globe grew considerably in impact by their next full-length “Rise Of The Elder Ones” (2013). By the time the band released ‘Advent Of The Human God’ (2016), they were met with international critical acclaim. Now, with ‘Unus’ out October 18, 2019, the band show that they aren’t slowing down and are ready to deliver another vicious strike! Prepare for the darkness to envelop you. In 2019, NECRONOMICON was presented with a certificate of honor for over 30 years of service via H.S. production/Tommy Tremblay, and the people of Saguenay Lac-St-Jean, making them the second band after VOIVOD to ever receive this honor.

– 30 –

“Best moments of BEHEMOTH and symphonic death à la GODFLESH APOCALYPSE while remaining entirely Necronomicon.” – Bravewords

“Advent of the Human God is a truly diverse album, perfectly balancing plenty of atmosphere with their iconic chugging riffs and pummelling blast beats.” – Exclaim!

“Advent of the Human God boasts both a Behemoth-like epic savage grace and Dimmu-esque orchestral pomp. But it also delivers a more primal ferocity and maintains the thematic air that has become Necronomicon’s forte” – Metal Rules

“”Their sound is akin to an Anti-Christ infant spawned from the blasphemous union of Dimmu Borgir and Behemoth.”” – Metal Underground

“The drums crash like Nordic avalanches on tracks like “Alchemy of the Avatar.” With its blazing jugular seeking guitar riffs and crazed piano breaks over top double kick drum insanity, this last song makes for a perfect ending to a blistering listen.” – Beatroute (AB)

“‘Necronomicon opened the show with a thoroughly impressive display of symphonic death metal… The best way to describe them would be a symphonic version of Winds of Creation-era Decapitated, with perhaps some Vital Remains mixed in. Lots of cool grooves and hair spinning moments!’” – Metal Injection (Live Review)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

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0 Armstrong MetalFest 2020 Launches Early Bird Pre-Sale Tickets

October 1, 2019
by Asher
· Armstrong Metal Fest · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – October 1, 2019

Armstrong MetalFest 2020 Launches Early Bird Pre-Sale Tickets

Watch the official video recap of AMF 2019 here.
(video created by Mayne Brand Productions)

ARMSTRONG METALFEST is headbanging into their 12th year as British Columbia’s largest, loudest and premier event for extreme music in the Okanagan Valley. Planning their 2020 event for July 17th and 18th in Armstrong, BC at the Hassen Arena, ARMSTRONG METALFEST is launching their early bird pre-sale tickets on October 1st for $109 CAD, regular ticket pre-sale price will be set at $145 CAD. At the door price will be $185 CAD. $100 CAD for day pass. Only 100 early bird pre-sale tickets will be made available.

Tickets are only $109 CAD and on sale at the following link: https://armstrongmetalfest.ca/tickets/

All tickets provide general admission and grant access to the festival grounds, camping area and arena from 11:00 AM PST on Friday, July 17, 2020 until 11:59 PM PST on Sunday, July 19, 2020.

For day passes, please check out the FAQ for information and pricing: https://armstrongmetalfest.ca/about/faq/

2020 Early Entry:
Want to grab your favourite camp spot and beat the rush of metalheads? Guests are welcome to arrive Thursday, July 16 after 11:00 AM PST.

2020 Camping and Parking: Camping fee is $25 CAD. You are welcome to sleep in your vehicle, RV or trailer. Traveling in an RV? Make sure to reserve your spot so you’re guaranteed a spot that includes water and power hookups. $75 CAD RV registration fee: https://armstrongmetalfest.ca/contact/rv-reservations/

Online Support: If you are experiencing any technical issues with placing your ticket order, please email AMF at webmaster@wmentertainment.ca and they will respond as soon as possible with a solution.

The 2019 edition of ARMSTRONG METALFEST featured bands from across Canada, USA and Europe with such notable acts as Origin, Nekrogoblikon, WAKE, Within Destruction, Centuries of Decay and Widow’s Peak among the 30 plus bands who performed during the two days of mountain mosh pitting and camping.

For more info:
Armstrongmetalfest.ca
Facebook
Instagram
Twitter

About:

For 11 years running, West Metal Entertainment and Armstrong Metalfest has not only fostered the talent of hundreds of local bands but brought in well-known, international acts to the quiet, little Canadian town of Armstrong, British Columbia.

Each year up to 700 metalheads from Canada and USA descend into the picturesque Okanagan Valley and under the blistering sun they spend 3 days camping, taking in over 30 bands, participating in wrestling events and scavenger hunts and catching up with their metal family.

The festival has seen such renowned headliners as Kataklysm, Cattle Decapitation, Archspire, and Beyond Creation as well as emerging artists from across North America. At the end of the revelry, the festival disappears without a trace, leaving the landscape as pristine as it has always been.

West Metal Entertainment is a non-profit society that not only puts on Armstrong Metal Festival every year in Armstrong, B.C., but gives bands opportunities to play different venues throughout the region including all-ages shows, to encourage musical passion in kids as well as adults.

What the press is saying:

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

“In the past, metalheads had to travel to Germany to experience the rush a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun

“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

2019 Sponsors / Partners:

BC Arts Council

Absolute Underground Mag

A.M.I. Clothing

Asher Media Relations

Askew’s Foods

Broken Neck Radio

Exclaim!

Metal Master Kingdom

Metal Nation Radio

PureGrainAudio

Rancho Vignola

Thrash Wrestling

Voets Coffee
Nor-Val Rentals

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Twitter @AsherMedia | Instagram @AsherMedia

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0 LOUD AS HELL Open Band Submissions For 2020 Line Up

October 1, 2019
by Asher
· Loud As Hell Festival · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – October 1, 2019

LOUD AS HELL Open Band Submissions For 2020 Line Up

Western Canada’s Decibel Breaking Metal Fest

July 31 – Aug 2, 2020 – Drumheller, AB @ Dinosaur Downs Stampede Grounds

Social Media Hashtag #LAH9

Loud As Hell 2019 Line-Up Spotify Playlist here.

The roaring sounds of Western Canada’s decibel breaking festival LOUD AS HELL will be returning for its ninth year of heavy metal and camping in the prairie badlands of Drumheller, Alberta. Being hosted from July 31st – August 2nd, 2020 at the Dinosaur Downs Stampede Grounds, the festival has opened band submissions for their 2020 line-up.

Bands interested in performing on the 2020 line up can submit their application at the following link: https://www.loudashell.com/bands

Band applications will end on November 1st, 2019 at 11:59 pm MT.

Last year’s sold-out 2019 edition featured 40 bands that included Goatwhore, Anciients, Planet Eater, Untimely Demise, BornBroken, Arrival of Autumn, Legacy, VX36 that melted the faces off of metalheads from across Canada.

About:
The 2020 edition will see LOUD AS HELL celebrating its ninth consecutive year presented by Semchuk Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. LAH always work their hardest to deliver the best lineup in the West ready to melt your face off. Featuring bands from across Western Canada and beyond, you won’t want to miss any of it. And don’t forget about their freak shows, burlesque dancers, clinics, vendors and dinosaurs!

More info:
LoudAsHell.com
Facebook.com/LoudAsHellFestival
Twitter: @LoudAsHellFest
Instagram: @LoudAsHellFestival
Social Media Hashtag #LAH9

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Scotland’s ATLAS : EMPIRE New Music Video ‘Our Hands Part The Waves’; Signs To WormHoleDeath Records For Reissue of Debut Album “The Stratosphere Beneath Our Feet”; Canadian Tour This Coming October; UK Tour Dates In November

September 30, 2019
by Asher
· Atlas : Empire · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 30, 2019

For fans of Thrice, Circa Survive, Glassjaw, At The Drive-In

Scotland’s ATLAS : EMPIRE New Music Video ‘Our Hands Part The Waves’

Signs To WormHoleDeath Records For Reissue of Debut Album “The Stratosphere Beneath Our Feet”

Canadian Tour This Coming October

UK Tour Dates In November

L-R – Robert Hasebe (Bassist), Jamie Sturt (Guitar and Vocals), Steven Gillies (Guitar and Vocals)

Glasgow’s Atlas : Empire are proud to announce their debut album “The Stratosphere Beneath Our Feet” released independently during December 2018 will now be reissued via WormHoleDeath Records on October 25th, 2019.

The band adds:

“We’re excited to enter a new chapter of the band in partnership with Carlo & the WHD team. And for those unfamiliar with our latest release, The Stratosphere Beneath Our Feet’ is a concept album that explores what would happen to humanity if we became entirely reliant on technology/automation in every aspect of our lives – and more importantly, what happens when that system fails?”

Weaving their way between the multitudes of different genres that influence them, the trio visits the worlds of heavy progressive rock and expansive ambient shoegaze. To date the band has released 3 EPs, “To The Astronaut…” (2012); “Somnus” (2013) and “For the Satellites” (2015) with “The Stratosphere Beneath Our Feet” as their 2018 debut full length.

In addition to the news of their label signing, the band released a new video for the track ‘Our Hands Part The Waves’, which you can view here.

The video is a continuation of the storyline presented in their previous video for ‘It’s All In The Reflexes’, which you can view here.

The trio will also be returning to Eastern Canada this October with eight gigs spanning across Ontario and Quebec followed by UK dates in November. After a busy summer of writing and European festival dates, the Scottish band is excited to come back to the homeland of their bassist Robert Hasebe and he quotes:

“Touring Canada is by far one of the most enjoyable things for Atlas : Empire. The unique challenges and rewards of touring this part of the world are what make Canadian artists and performers truly great. They are not only so wonderful to work with but also so friendly and exceptional at their craft. Canada produces so many good bands and such talented musicians that we are so fortunate and so grateful to be able to tour here regularly. Also, poutine.”

For fans of Thrice, Circa Survive, Glassjaw, and At The Drive-In, Atlas : Empire can be seen live on the following dates:

Canada
Oct 16 – Hamilton, ON – Doors
Oct 17 – Waterloo, ON – Harmony
Oct 18 – Toronto, ON – Bovine Sex Club
Oct 19 – Barrie, ON – The Foxx Lounge
Oct 20 – Sudbury, ON – Asylum

Oct 23 – Windsor, ON – Green Bean Café
Oct 24 – Guelph, ON – Red Papaya

Oct 25 – Ottawa, ON – Pressed
Oct 26 – Montreal, QC – Brasserie Beaubien

UK
Nov 26 – Leeds – LS6
Nov 27 – London – Off The Cuff
Nov 28 – Birmingham – Subside
Nov 29 – Nottingham – JT Soar
Nov 30 – Luton – Castle Live

For More Info:
AtlasEmpire.co.uk
Facebook
Instagram
Spotify
Bandcamp

BIO:

Atlas : Empire are a progressive alternative rock band, based in Glasgow, UK. Since forming in 2011, Atlas : Empire have enjoyed success both through their recordings and over several tours crossing the UK, the EU and Eastern Canada, including performing at Indieweek in Toronto.

To date the band has released 3 EPs, “To The Astronaut…” (2012); “Somnus” (2013) and “For the Satellites” (2015) with “The Stratosphere Beneath Our Feet”, an ambitious concept album set to be released in 2018.

Weaving their way between the multitudes of different genres that influence them, Atlas : Empire visits the worlds of heavy progressive rock and expansive ambient shoegaze. Exploring topics that centralize around the concept of becoming exponentially more reliant on technology and less “connected” by proxy, and the future of modern society when the system we rely on fails. With a slew of songs written and plans already for a fifth release, A : E are thrilled to be working with the team at WormHoleDeath and to push their own boundaries and expand into new territories.

– 30 –

“Modern Progressive Rock in the vein of Arcane Roots, with nods to the atmospherics of Post-Rock and some of the eccentric timings of Math Rock.” – Prog Magazine

“Glasgow’s Atlas : Empire offer an exciting take on contemporary Prog, marrying Post-Rock expanse with the wilder, heavier sounds of the likes of Black Peaks and At The Drive-In.” – Total Guitar

“Atlas : Empire succeed on the strength of their musicianship, songwriting, and the lasting impact of the songs themselves.” – New Noise

“The Stratosphere Beneath Our Feet is one of those records you’ll argue with your friends about who discovered it first” – Raw Music TV

“Brimming with stunning displays of ethereal melodicism, Atlas : Empire have delivered an assured debut that deserves to be considered alongside the best of British Progressive music.” – Uber Rock

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0 WACKEN METAL BATTLE USA 2020 Battles Return – Band Submissions Open Now!

September 30, 2019
by Asher
· Music News · Wacken Metal Battle USA

(contact info below)

NEWS RELEASE

Montreal, QC – September 30, 2019

WACKEN METAL BATTLE USA 2020 Battles Return – Band Submissions Open Now!

Applications for 2019 will open September 30, 2019 at 6:00 AM PST and end November 30, 2019 at 11:59 PM PST.

Wacken Metal Battle USA 2019 Spotify Playlist here.

For over a decade at the world’s largest outdoor metal festival Wacken Open Air, independent metal bands from around the globe have been performing in front of thousands and competing against one another for one to be crowned champion of the world along with winning multiple prizes. For the fourth year, Wacken Metal Battle USA is returning to America and will be hosting qualifying rounds in select cities across the nation. The national champion of those battles will perform at 31st edition of the festival taking place from July 30th – August 1st, 2020 in Wacken, Germany. The sold-out 2020 Wacken Open Air line-up includes Judas Priest, Mercyful Fate, Amon Amarth, Sodom, Annihilator, Overkill, Venom, Sick of It All, Nervosa, U.D.O., Hypocrisy, Death Angel, Beast In Black, At The Gates and many more. Details here.

Unsigned bands interested in participating for 2020 battles, can apply at the following link beginning September 30 at 6:00 AM PST and ending November 30, 2019 at 11:59 PM PST.

Application link: https://metalbattleusa.com/apply/

About:

Wacken Metal Battle USA is part of an international competition that sees bands from across the country battle each other for the chance of winning their spot among 29 other countries’ champions, and representing the USA in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air, which has been taking place in Wacken, Germany for the last 30 years. The winner of Wacken Metal Battle USA will perform at the 2020 festival taking place from July 30th – August 1st.

2020 battles will be held in Phoenix, AZ, Tucson, AZ, Inland Empire, CA, Los Angeles, CA, Oakland, CA, Sacramento, CA, San Diego, CA, San Francisco, CA, Atlanta, GA, New Orleans, LA, Las Vegas, NV, New York City, NY, Portland, OR, Austin, TX, Fort Worth, TX, San Antonio, TX, Houston, TX, Seattle, WA with more to be announced.

Concert promoters interested in hosting a Wacken battle in their city can apply at this link: https://metalbattleusa.com/promoter-application-for-wacken-metal-usa-battles/

How it works:

Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter where one band will move forward to the American national final (date and city to be determined). The winner of the national final will move on to perform at the 31st edition of Wacken Open Air and compete against the winners of 29 other countries in a final global battle. All bands will be judged during battle rounds by respected local music industry representatives.

Rules: https://metalbattleusa.com/rules/

Last year’s 2019 national final was hosted in Los Angeles, CA and featured Dissentience (Winners, East Coast), Monarch (Winners, West Coast), Nahaya (Winners, Texas), Toxic Ruin (Winners, Chicago), Violence System (Winners, Atlanta) whom were selected from over a hundred bands that participated in battles across the USA.

2019 – WMBU Winner
Monarch (San Diego, CA)
Video – Live at Wacken 2019 here.

2018 – WMBU Winner
VOICES OF RUIN (Anaheim, CA)

2017 – WMBU Winner
CORPSE HOARDER (Philadelphia, PA)
Video – Live at Wacken 2017 here.

For more info:
MetalBattleUSA.com
Facebook.com/MetalBattleUSA
Instagram.com/MetalBattleUSA
Twitter.com/MetalBattleUSA
Wacken Open Air – Wacken.com

Sponsors / Partners:
MetalAssault.com
MetalDevastationRadio.com
MetalMasterKingdom.com
Metal-Rules.com
PureGrainAudio.com
PureRockRadio.net
Dungeon Works Productions
Asher Media Relations
Fatal Illness Management
Come And Take It Productions
Mosh Pit Army
Masquerade Atlanta
Saint Vitus

– 30 –

—

ASHER MEDIA RELATIONS
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0 TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag

September 26, 2019
by Asher
· Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – September 26, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

Photo Credit – Kylee Thompson Photography

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb will unleash their new EP “Volume Two: Mendicium” on September 27th. The EP is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows. Before the EP officially drops, the duo has teamed up with Decibel Magazine for its exclusive full stream HERE.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows “Volume Two: Mendicium” is a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse is erased in an acid-filled bath. Mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks. Pre-order the album HERE.

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
Twitter
EPK

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
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0 Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

September 26, 2019
by Asher
· Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – September 26, 2019

For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs
‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Edmonton’s SLEEPING IN TRAFFIC have been busy writing and recording two EP’s, which while complementary to each other are still dramatically different and allow fans to explore each side of the band’s music as its own entity and to hear each aspect fully fleshed out instead of blended together.

With influences from Between The Buried & Me, Devin Townsend and Tool, the newest album is a split EP that explores that dual nature of the band’s music. One EP “That Which Destroys Us” is dark and aggressive, while the other EP “That Which Saves Us” is upbeat and catchy. The band explains the duality in their vision:

“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

Teaming up with Metal-Rules.com, they are premiering the exclusive full stream of the EPs at the following link HERE.

The EPs will be available on September 27, 2019 and available for pre-order on Bandcamp.

Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38

Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

Show Dates:
October 5 – Edmonton, AB – Wellinton Community Hall (Double EP Release Show)

For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

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0 Canada’s Fuzz Lords CHRON GOBLIN Premiere Album Stream For “Here Before” via Kerrang!

September 25, 2019
by Asher
· Chron Goblin · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 25, 2019

For fans of Red Fang, Kyuss, Orange Goblin, Black Sabbath, The Sword

Canada’s Fuzz Lords CHRON GOBLIN Premiere Album Stream For “Here Before” via Kerrang!

New Album ‘Here Before’ Out Sept 27th via Grand Hand Records

Canadian Tour Dates w/ Black Mastiff

L-R – Devin ‘Darty’ Purdy – Guitar, Richard Hepp – Bass, Josh Sandulak – Vocals, Brett Whittingham – Drums

Photo credit: Mario Montes

Canadian fuzz lords Chron Goblin will be releasing their new album “Here Before” on September 27, 2019 via Grand Hand Records. Teaming up with Kerrang!, the band is premiering the full length’s exclusive stream at the following link HERE.

Rock and sludge combine into a mix are what sets CHRON GOBLIN apart from other bands in the genre and after 10 years, they have perfected crafting their tunes that have been enjoyed around the world. Kerrang! has noted them as one of “The 20 Canadian bands you need to know right now”. CHRON GOBLIN brings an exciting energy that can be felt throughout their new album “Here Before” along with being truly witnessed live. Fans of Red Fang, Kyuss, and Orange Goblin will strongly enjoy!

Guitarist Devin ‘Darty’ Purdy gives insight:

“With any Chron Goblin album, you can expect heavy riffs, soaring vocals, and thunderous drums! What sets this album apart is that it’s a bit more refined and mature – probably as a result of doing this for 10 years! We also experimented quite a bit with our sound on tracks like ‘Ghost’, ‘Slipping Under’, and ‘Giant’ which moved away from our traditional Chron Goblin sound and added in more dynamics and melody. The vocals really stand out on ‘Here Before’ and demonstrate a more melodic sound than previous albums. We feel this album will be enjoyed by our long term fans while giving them a sense of a new sound and direction in addition to the classic ‘full steam onslaught riff attack’.”

Album pre-order is available on Bandcamp here.

In additional news, CHRON GOBLIN will be hitting the road to promote the new album for the “Tourgether At Last” with Grand Hand Records label mates Edmonton’s BLACK MASTIFF. The Canadian tour will be kicking off in Lethbridge, AB on October 10th and head east towards Montreal, QC to then circle back out west to wrap up on October 26th in Red Deer, AB.

Canadian Tour Dates: Chron Goblin + Black Mastiff ‘Tourgether At Last’
October 10 – Lethbridge, AB – Owl Acoustic Lounge
October 11 – Calgary, AB – The Palomino Smokehouse
October 12 – Regina, SK – The German Club
October 13 – Winnipeg, MB – The Handsome Daughter
October 15 – Sudbury, ON – The Asylum
October 16 – Ottawa, ON – House of Targ
October 17 – Montreal, QC – Turbo Haus
October 18 – Toronto, ON – Hard Luck
October 19 – Windsor, ON – Dominion House
October 20 – Hamilton, ON – This Ain’t Hollywood *
October 21 – Sault Ste. Marie, ON – Six Two Oh! *
October 22 – Kenora, ON – Bob’s Burgers *
October 23 – Saskatoon – Black Cat Tavern *
October 25 – Edmonton, AB – Temple
October 26 – Red Deer, AB – The Vat
*= Black Mastiff Only

Track Listing:
1. Aurora (0:22)
2. Oblivion (4:16)
3. Giving In To Fun (3:37)
4. Out Of My Mind (3:49)
5. Ghost (6:04)
6. War (3:51)
7. Giant (4:40)
8. Slipping Under (4:43)
9. Little Too Late (4:46)
10. Waiting (3:53)
11. Afterglow (1:52)
Album Length: 41:57

Line Up:
Josh Sandulak (vocals)
Brett Whittingham (drums)
Richard Hepp (bass)
Devin ‘Darty’ Purdy (guitar)

More info:
ChronGoblin.com
Facebook
Instagram
Twitter

Bio:

From the dusty coulees of Alberta’s Badlands to the jagged peaks of the snow-capped Rockies, the musical entity known as Chron Goblin is a true force of nature. Yet there’s simply no reckoning the immensity of the sound that these hard rockin’ Calgarians are capable of generating once they hit the stage boards. Grind-ing it out in the trenches and pits of venues and festivals across North America and Europe since 2009, the fuzz clad foursome knows no bounds when it comes to laying down the rugged riffage and cranking up the volume on a sweet Southern rock-tinged blues-metal breakdown. Surrender to the smoke show, heed the call of the Chron and inhale the melodious commotion churned up by the Goblins. The botanically-infused gin in your work-a-day tonic, Chron Goblin will obliterate those vexing worries and liberate your immortal soul.

Recorded in July 2018 at Juno Award Winning OCL Studios, ‘Here Before’ is the fourth full-length album from Chron Goblin and will be released and distributed by Grand Hand Records. Produced, recorded and mixed by Josh Rob Gwilliam (Michael Bernard Fitzgerald, Ghosts of Modern Man), Here Before demonstrates a new maturity in songwriting and production for the band. From the propulsive singles of ‘Slipping Under’ and ‘Ghost’; mixed by Mike Fraser (AC/DC, Metallica, Corrosion of Conformity), to the hypnotic riffs of ‘Oblivion’ – Chron Goblin has created an intoxicating collection of rock n’ roll.

(Bio written by Christine Leonard)

– 30 –

“What the band have in spades that sets them apart from the usual weed-worshipping crew is energy, giving even their stonier material enough oomph to keep them from lethargically ripping off Sabbath. “ – Kerrang Magazine

“ Fun, fast, and surprisingly slick” – VICE/ Noisey

“These guys caught my ear right away because in the local market there are precious few bands playing this style of hard Rocking Metal. Sonically this has groove, rock and some sludge written all over it. A certain sense of fun pervades all the tracks, energy creativity and a spirit of rock and roll.” – Metal-Rules.com

“It is no wonder why so many respected bands have took them under their wing. This is a band to keep your eyes firmly locked on” – The Sludgelord

“The band’s love of the riff is highly in evidence, wrapped around a classic rock sensibility that, for once, sits well with the more obvious stoner and desert rock influences upon which the band have historically built their reputation.” – Ghost Cult Magazine

“While too many fuzz bands forget either how to be heavy or how to have fun, Chron Goblin shows a near mastery of these important concepts “ – New Noise Magazine

—

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