Category: Music News

0 Romanian Folkcore DIRTY SHIRT Shares Full Live Set at Pol’and’Rock Festival 2025 + Announce “Dirtylicious Decade Tour”

February 3, 2026
by Asher
· Dirty Shirt · Music News

NEWS RELEASE

Montreal, QC – February 3, 2026

Romanian Folkcore DIRTY SHIRT Shares Full Live Set at Pol’and’Rock Festival 2025

+ Announce “Dirtylicious Decade Tour”

Dirty Short at Pol’and’Rock2025 – Photo Credit – Kasper Kędzierski

Dirty Shirt has released the full video of their explosive 2025 performance at Pol’and’Rock Festival, one of Europe’s largest and most iconic open‑air music events.

The 2025 edition marked a major milestone for the Romanian folk‑metal collective: their third Pol’and’Rock appearance, placing them alongside Dubioza Kolektiv as the only non‑Polish acts to have played the festival three times.

Dirty Shirt’s history with Pol’and’Rock is deeply intertwined with the festival’s spirit of community, charity, and musical diversity. In 2021, the band made their Pol’and’Rock debut during the special pandemic‑restricted edition, performing for a reduced audience of 20,000. In 2022, Dirty Shirt returned triumphantly after winning the Golden Spinning Top (Złoty Bączek), the public‑voted contest that determines which artist opens the next edition of the festival. Past winners include major international names such as Clawfinger, Papa Roach, Sabaton, Anthrax, Bring Me The Horizon, Avatar, Amon Amarth, and others. And their third and most recent appearance in 2025 came as part of EERA, the Eastern European Rock Alliance, an EU‑funded cultural collaboration. Dirty Shirt was one of the flagship bands of the project, making their return to Pol’and’Rock both symbolic and artistically meaningful.

Despite the excitement, the road to the 2025 stage was anything but easy. The band had traveled more than 16 hours from Romania to northern Poland the day before the show, arriving late at night. Show day began at 4:30 a.m. for a 6 a.m. soundcheck, with the hotel located over an hour from the festival grounds. By the time Dirty Shirt stepped on stage, it was well past midnight.

“Beyond the fatigue, playing at Pol’and’Rock always feels like coming alive again. The Polish audience, one of the most intense, passionate crowds we have ever played for, gives the energy back a hundredfold and reminds you why you do this in the first place,” shares the band.

Often described as “the biggest open‑air festival in Europe,” Pol’and’Rock is a free, charity‑driven event organized as a thank‑you to the volunteers and supporters of WOSP, The Great Orchestra of Christmas Charity. WOSP’s annual Grand Finale raises funds for hospitals across Poland, more than $52 million USD in the most recent edition, and the festival stands as a cultural celebration of that nationwide effort.

Beyond music, Pol’and’Rock hosts workshops, conferences, and a wide range of artistic and educational activities, making it one of Europe’s most unique cultural gatherings.

Dirty Shirt is once again eligible for the Golden Spinning Top contest, and fans who want to support the band’s return to Pol’and’Rock in 2026 can vote online (email confirmation required): https://polandrockfestival.pl/o-festiwalu/zloty-baczek

The complete live set of their landmark third appearance at Pol’and’Rock 2025 is now available to watch online at https://www.youtube.com/watch?v=v67KzzE6ivk

Over their 30 years, Dirty Shirt has become one of Eastern Europe’s most original and successful rock/metal bands, known for their explosive fusion of modern heavy music with the vibrant energy of Eastern European traditional sounds. Formed in the mid‑90s as a wedding band, the group has kept its core lineup intact for three decades, evolving into a major international act with a distinctive, genre‑blending identity. Their music draws from metal, hardcore, industrial, funk, world music, and authentic regional folk influences, enhanced by the use of traditional acoustic instruments both in the studio and on stage.

The band gained international attention after winning second place at the Wacken Metal Battle 2014 world final, followed by performances at major European festivals including Hellfest, Wacken Open Air, Pol’and’Rock, Electric Castle, Rockstadt Extreme Fest, Reload Festival, Dong Open Air, and many more. With more than 1000 shows across 17 countries, Dirty Shirt has shared stages with artists such as Megadeth, Godsmack, Gogol Bordello, Skindred, and Orphaned Land.

Their albums have earned widespread critical acclaim, featured in leading publications such as Metal Hammer, Rock Hard, Metalsucks, Angry Metal Guy, Hard Rock Mag, and Metalized. Known for their high‑energy, danceable live performances and cross‑genre appeal, Dirty Shirt continues to expand its international presence while redefining what modern Eastern European metal can sound like.

Recommended for anyone looking for something interesting and lively, Dirty Shirt is for fans of Skindred, Bloodywood, Alestorm, and The Hu.

Music video – FOMO (Fear of Missing Out) – https://www.youtube.com/watch?v=tyloBE8YbqY

Add to your Spotify playlist – https://open.spotify.com/artist/7lnoKzE5unKzShIzkjlTX7

DIRTY SHIRT Dirtylicious Decade Tour
Ticket Info – https://www.ambilet.ro/dirtyshirt/
30.01.2026 – Quantic – Bucuresti
31.01.2026 – Rockstadt – Brasov
12.02.2026 – Lokal – Oradea
13.02.2026 – Form Space – Cluj Napoca
14.02.2026 – Republic Hub – Tg Mures
06.03.2026 – Art Rock Cafe – Suceava
07.03.2026 – Urbana – Iasi
08.03.2026 – Beraria Valhalla – Bacau
20.03.2026 – Teatrul National – Ploiesti
21.03.2026 – Music For Autism – Constanta
17.04.2026 – Oldies Pub – Sibiu
19.04.2026 – The Station – Petrosani
08.05.2026 – Log Out – Baia Mare
09.05.2026 – Soho Music Hall – Bistrita
22.05.2026 – Terasa Flex – Arad
23.05.2026 – In Spatele Casei – Timisoara

For more info: https://linktr.ee/dirtyshirtband

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“Long time readers will know by now that I am partial to the weirder side of heavy music. Dirty Shirt certainly has my attention this week. They’re like a mix of 6:33, Russkaja, and Turisas. This is bombastic, fun metal with Romanian folk mixed in. ” – Metal Injection

“Dirty Shirt, Your New Favorite Transylvanian Folk-Core Band ” – Metal Sucks

“DIRTY SHIRT only sound like DIRTY SHIRT.” – Metal Temple

“Is it catchy? Yes. Is it fun? Yes. Is it utterly mental? Yes. Highly recommended” – Metal Observer

” “…you’ve never heard anything quite like this before”” – Sonic Abuse

“This album is buoyant, blistering and bolshy; you certainly want to get your dose now!” 8/10 – Powerplay Magazine (2022 – Get Your Dose Now!)

“”Whoa! ‘Get Your Dose Now!’ is definitely not your average metal album. It’s simply something that you won’t hear anywhere else. Dirty Shirt is the real deal with extraordinarily talented musicians and a uniqueness that sets them apart from the crowd. If you’re in the market for some new music, this band offers something for everyone, from hardcore metal and thrash to tribal and traditional. It’s like your grandmother’s goulash recipe, a little of this and a little of that, with the end result being magical and inimitable.” – Uber Rock (2022 – Get Your Dose Now!)

“Dirty Shirt did a good job again and ‘Get Your Dose Now!’ is a very nice album to listen to and it deserves a listen.” – Folk-Metal.nl (2022 – Get Your Dose Now!)

“with DIRTY SHIRT you have joy in life and fun in music. They ignite a light in the currently dark world. A good mood is guaranteed. So get your dose today, now, get vaccinated against sadness and depression. before it’s too late. – Saitenkult (2022 – Get Your Dose Now!)

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0 HYPERSPACE METALFEST (Vancouver, BC) Announces Full 2026 Lineup w/ SANCTUARY, EDGE OF PARADISE, ATAVISTIA, VOIDCHASER, OWLBEAR, ARTIFICIAL LANGUAGE, and more!

February 2, 2026
by Asher
· Hyperspace Metal Festival · Music News

NEWS RELEASE

Montreal, QC – February 2, 2026

HYPERSPACE METALFEST (Vancouver, BC) Announces Full 2026 Lineup

w/ SANCTUARY, EDGE OF PARADISE, ATAVISTIA, VOIDCHASER, OWLBEAR, ARTIFICIAL LANGUAGE, and more!

Vancouver – April 16-17 (The Cobalt), April 18 (Rickshaw Theatre)

Vancouver, B.C.’s leading melodic and power metal festival, HYPERSPACE METAL FEST, is gearing up for its 7th edition after another year packed with unforgettable, high‑energy performances. Taking place at The Cobalt on April 16 and 17, and at the Rickshaw Theatre on April 18, the festival has unveiled its full lineup of 2026 performers, which includes SANCTUARY, EDGE OF PARADISE, ATAVISTIA, VOIDCHASER, OWLBEAR, ARTIFICIAL LANGUAGE, and more.

“The full lineup for Hyperspace Metal Festival VII is here! Sanctuary will be performing a Canadian exclusive performance of Into The Mirror Black in its entirety! Atavistia will be headlining night 1, which will have a heavy emphasis on melodic death metal. Night two headliner Edge of Paradise will cap off a night of epic symphonic and melodic power metal! After this year, the festival will be going on indefinite hiatus, so if you’ve been wanting to make it to Hyperspace, this could be your last chance. Let’s rage together at the Rickshaw and the Cobalt one last time!” adds festival organizer Joey Hockin of Journeyman Productions.

Hyperspace Metal Festival VII – April 16th – 18th.
One-day passes and three-day passes are available at http://hyperspace-vii.eventbrite.ca/

Facebook Event – https://www.facebook.com/events/858534116963447

HMF 2026 Lineup Spotify Playlist – https://open.spotify.com/playlist/29rcYoWLyYXPFyN7OKdPDB?si=7Kke2MVVSyS6v_Lxe5-KSg

HYPERSPACE METAL FESTIVAL VII

Day One – April 16
Atavistia
Inpathos
Hyperstrike
Ravensun
Kayas

Day Two – April 17
Edge of Paradise
The Scepter
Lycanthro
Ophelia Falling
Valley of Despair

Day Three – April 18
Sanctuary – Performing Into The Mirror Black in its entirety
Owlbear – Canadian Debut
Artificial Language – Canadian Debut
Voidchaser
Witchkiller

About The Bands:

This year’s HMF headliner, Sanctuary, will make their exclusive Canadian appearance unforgettable by performing their acclaimed 1990 album Into the Mirror Black in full.

Formed in Seattle in 1985, Sanctuary quickly became a major force in the city’s metal scene, driven by the soaring vocals of the late Warrel Dane. Their debut, Refuge Denied (1988), produced by Dave Mustaine (Megadeth), put them on the global metal map, followed by the darker and more refined Into the Mirror Black in 1990. The rise of grunge paused the band’s momentum, leading members to form Nevermore, but Sanctuary reunited in 2011 and returned to major festival stages worldwide.

They released The Year the Sun Died in 2014 and the archival collection Inception in 2017. After Dane’s passing later that year, the band continued with Joseph Michael on vocals, earning strong support from fans. Today’s lineup features Michael, original members Lenny Rutledge and Dave Budbill, plus bassist George Hernandez, with a second guitarist joining them live.

Sanctuary will perform special sets of Refuge Denied and Into the Mirror Black at select 2026 festivals and is currently working on a new album, Transmutation. The band is ready to bring fresh music and a powerful new show back to Europe and beyond. See you on the road!

https://www.sanctuaryofficial.com/

Video – Future Tense – https://www.youtube.com/watch?v=v5NCBaPE3k0

====

Headlining the night two of HMF, Los Angeles’ Edge of Paradise arrives fresh off extensive North American touring with Delain, Xandria, and Japan’s Lovebites. Hyperspace Metal Fest in Vancouver is one of several major headline appearances for the band this year, alongside Fire It Up Festival in California and Rock in Rautheim in Germany, with more dates on the way.

The band recently released a striking new video for “Martyr (Monster)” from last year’s hit album Prophecy, expanding their immersive sci‑fi universe and showcasing new keyboardist Alex Nasla in his first performance with the group. The video’s second act reimagines the track as an instrumental, further deepening the album’s sonic world.

Known for their cinematic fusion of heavy riffs, soaring vocals, electronic textures, and vivid storytelling, Edge of Paradise, fronted by vocalist and visual artist Margarita Monet, has toured more than 30 countries and released acclaimed albums including Universe, The Unknown, Hologram, and now Prophecy (Napalm Records, 2025). Widely praised as their most ambitious work yet, Prophecy introduces 8‑string guitars and explores the looming “Singularity,” balancing futuristic themes with Monet’s emotional lyricism and artwork.

The band’s expanding creative universe also includes a graphic novel series that enriches the albums’ narratives. Lead single “Death Note” has quickly become a fan favorite, accompanied by a visually rich, cinematic video directed by Monet. With their bold artistic vision, relentless touring, and multi‑dimensional storytelling, Edge of Paradise continues to push modern rock forward—inviting fans into a world where music, art, and imagination collide.

https://www.edgeofparadiseband.com/

Video – Martyr (Monster) – https://www.youtube.com/watch?v=GtHYeuZpXbA

====

Headlining the first night of HMF, Atavistia (HMF Alumni) is a Canadian symphonic melodic death metal band that blends aggressive riffs, cinematic orchestrations, and melancholic atmospheres. The band has built a strong international following, particularly across Europe, through consistent releases and extensive touring alongside established acts. Known for their powerful live performances and polished production, Atavistia continues to push their sound forward while remaining rooted in melodic death metal.

https://linktr.ee/atavistia

Video – Eternal Oceans (Reforged) – https://www.youtube.com/watch?v=vthxzis6lzs

====

Voidchaser, a progressive metal band from Montreal and Stockholm, has rapidly gained international attention since 2023, earning praise from major outlets across the Americas and Europe. Their 2024 concept album Solace surpassed 250,000 streams and charted globally, followed by the 2025 EP Trust, which features high‑profile collaborations. In 2025, the band launched their debut international tour, performing at ProgPower Europe, the inaugural ProgStorm Festival, and sharing stages with Threshold, Kingcrow, Vulkan, Nospūn, and more.

https://www.voidchaser.net/

Video – Time (feat. Universe Effects) – https://www.youtube.com/watch?v=nnxaEiAmBv4

====

Owlbear, forced to cancel their 2025 HMF appearance, is now set on taking the stage in 2026. Formed in 2020 by North American metal veterans Katheryn Scary, Jeff Taft, and Leona Hayward, the band quickly evolved from a remote project into a full live act following the success of their 2023 debut Chaos to the Realm and their 2024 performance at Chicago’s sold‑out Legions of Metal festival. Drawing on classic heavy and speed metal with lyrics inspired by beloved games and fantasy worlds, Owlbear continues to build momentum with their acclaimed sophomore album, Feather & Claw

https://www.facebook.com/OwlbearMetal

Lyric Video – Hawkriders Of The Waste – https://www.youtube.com/watch?v=1AXFZ3ZmF5o

====

Artificial Language is a progressive rock/metal band from Fresno, California, known for blending technical precision with a cinematic, emotionally driven sound. Since 2017, they’ve built a reputation for intricate songwriting and immersive arrangements that bridge the intensity of metal with the expansiveness of modern prog. Their evolution continues through ambitious studio work and striking visual storytelling, including their standout “Skinwalker” music video.

https://www.artificiallanguagemusic.com/

Video – Skinwalker – https://www.youtube.com/watch?v=nyHudUCLQIM

====

Ophelia Falling, a Vancouver‑based symphonic metal band and HMF alumni, blends soaring vocals with driving power metal, orchestra, and choir, gaining early momentum after Chelsea Rose joined in 2015 and their explosive 2018 debut. With the lineup solidified by bassist Sylvain Maltais and drummer Chris Pallot, the band’s rise included their Savage Love EP, soundtrack placements, and performances at Wacken Battle Canada and Decimate 2.0. Their 2020 debut album, Destroyed in Delight, continues to receive global radio play, and the band is now writing new material as they prepare for their return to the stage.

https://www.opheliafalling.com/

Music Video – Destroyed in Delight – https://www.youtube.com/watch?v=ksRUe2mCS5I

====

The Scepter is an Ottawa heavy metal band known for blending classic metal power with a sharp modern edge. Formed by seasoned musicians united by their love of traditional metal, the group has built a reputation for high‑energy performances and commanding, riff‑driven songwriting. With new music underway and momentum growing, The Scepter stands poised as one of Ottawa’s strongest emerging voices in the next wave of heavy metal.

https://www.facebook.com/thesceptermetal

Stream – Protector of the Skies – https://www.youtube.com/watch?v=gA0xp6VoWEY

====

Inpathos is a melodic death metal band from Bellingham, WA, blending Scandinavian‑inspired riffs with rhythms influenced by the founding Boulos brothers’ Lebanese heritage to create a distinct and dynamic sound. They have released an EP and three LPs, including 2025’s Apparitions, and have performed alongside acts like Be’lakor, Anciients, and Nekrogoblikon at sold‑out Pacific Northwest venues. The current lineup features Patrick Bradford, Alex Mattison, Brendan Brendible, and brothers Adonis and Nabil Reed‑Boulos.

https://www.inpathosofficial.com/

Music Video – Radiance – https://www.youtube.com/watch?v=aokQVIH35EU

====

Lycanthro, an Ottawa‑based power metal force and HMF alumni, blends power, thrash, and traditional metal into a bold, cinematic sound inspired by classic horror, mythology, and genre legends like Savatage and W.A.S.P. Their acclaimed 2021 full‑length Mark of the Wolf showcased dynamic storytelling and helped propel them onto stages such as Power Metal Quest Fest and Legions of Metal. Now signed to Psychomanteum Records, the pack is hard at work on their anticipated second album, proving the howl never dies and the hunt never ends.

https://lycanthrometal.com/

Video – Far Beyond The Walls – https://www.youtube.com/watch?v=g5ImX4EEwjk

====

Witchkiller emerged from Ottawa’s early‑’80s metal underground as one of Canada’s standout heavy metal forces, gaining a cult following with their powerful blend of classic metal and NWOBHM‑inspired intensity. Their 1984 EP Day of the Saxons became a defining release of the era, and after disbanding in 1985, the group reignited in 2012, introducing their legacy to a new generation. Today, Witchkiller remains a celebrated name in traditional metal, their influence continuing to resonate through collectors, die‑hard fans, and the genre’s modern revival.

https://www.facebook.com/profile.php?id=100064302991214

“Day of the Saxons” LIVE Headbangers Open Air 2025 – https://www.youtube.com/watch?v=zcVtxUuhRmk

====

Valley of Despair is an independent metal band from Edmonton blending modern rock, power metal, and thrash, earning national attention when their 2024 debut EP Burn At The Stake hit #1 on college radio and charted on the Earshot National Loud Chart. They toured Western Canada in 2025 with festival stops in Armstrong and Yellowknife and are now preparing their full‑length debut for release in 2026. The band features Cheryl Leia, TJ Buggins, Joel Croft, and Preston Lehoux.

https://valleyofdespair.ca/

Video – Burn At The Stake – https://www.youtube.com/watch?v=vJcccWhNpUs

====

Born of “The Blade,” Seattle, WA, Hyperstrike brings action, danger, and excitement back to heavy metal. Feat. members of Xoth, Ghost Ship Octavius. Chop Daddy on Nasty Slap Bass, Brain Lord on Explosive Pipes, Siberian Claw on Ripping Guitar, and Goblin Hammer on epic drums.

https://www.facebook.com/hyperstrikeband

Video – Leaving You Again – https://www.youtube.com/watch?v=vuLjvIJyz8w

====

Ravensun is a Vancouver Island-based melodic death metal band. Themes of war and brutality are the main focus of the lyrical content. Blending soaring vocals, driving riffs, and atmospheric soundscapes into a style that bridges modern metal and classic influences. Known for their dynamic live performances and emotionally charged songwriting, the band has quickly become a standout presence in the BC metal scene. With new music in development and a growing regional following, Ravensun continues to expand its sound and carve out its place in Western Canada’s heavy music landscape.

https://www.facebook.com/ravensunmetal

Live at Armstrong MetalFest 2024 – https://www.youtube.com/watch?v=qxPgSDlXgCs

====

Replacing the originally announced Thorsguard, who unfortunately canceled, Vancouver melodic death metal band Kayas has been asked to join the lineup. Known for blending melodic intensity with modern aggression, creating a sound that bridges classic influences and contemporary edge. Their dynamic live performances and tightly crafted songwriting have quickly earned them a growing presence in the West Coast metal scene. With new music underway and momentum building, Kayas continues to carve out their identity as one of Vancouver’s most promising rising acts.

https://linktr.ee/kayasofficial

Music Video – Reflections in the Water – https://www.youtube.com/watch?v=y1VQ07Pej40

====

To follow updates for Hyperspace Metal Festival 2026, please visit the following links:
Facebook.com/HyperspaceMetalFestival
Instagram.com/HyperspaceMetalFestival

Festival Press Materials Dropbox HERE.

Over the six editions of Hyperspace Metal Festival, bands from all over the world have come to play power, prog, melodic death, and speed metal on the Canadian West Coast. The festival has presented lineups that have included performances by Týr, Flotsam and Jetsam, Skelator, Enforcer, Psyhostick, Trollfest, Aether Realm, Exmortus, Striker, Riot City, Into Eternity, Witherfall, Lunar, Planeswalker, Iron Kingdom, Helion Prime, Crimson Shadows, West of Hell, Judicator, Odinfist, Tanagra, Scythia, Greyhawk, The Order of Chaos, Red Cain, and many more.

– 30 –

“It’s Western Canada’s premier melodic and power metal festival with a lineup of local, national, and international acts ranging from Sweden’s Enforcer and Toronto’s Crimson Shadows to local faves Crüzer. All told, 15 acts will turn amps to 11 and bring the noize to headbanging fans.” – Stuart Derdyn, Vancouver Sun (2025)

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0 Vancouver Progressive Melo‑Death Newcomers CAERRIAN Debut Their Viking Epic “Fathomless Ruin”

January 30, 2026
by Asher
· Caerrian · Music News

NEWS RELEASE

Montreal, QC – January 30, 2026

Vancouver Progressive Melo‑Death Newcomers CAERRIAN Debut Their Viking Epic “Fathomless Ruin”

L-R – Ken Rothe – Guitar, Tyler Parsons – Vocals, Justin Marcil – Bass, Justin Gordon – Guitar, Aaron Graham – Drums

Vancouver progressive melodic death metal band Caerrian has unleashed their debut single, “Fathomless Ruin”, a fiercely dynamic track that stands as a definitive introduction to the band’s evolving sound. Sweeping, cinematic, and steeped in Viking‑inspired atmosphere, the single offers the first glimpse into Caerrian’s forthcoming EP, slated for release in spring 2026.

“We wanted to launch this project, and ‘Fathomless Ruin’ was the obvious pick,” adds lead guitarist and primary songwriter Ken Rothe.

“Fathomless Ruin” began as a forgotten riff idea nearly eight years ago, resurrected when Caerrian emerged from the ashes of their previous project, Warrborn. As Rothe’s playing evolved, the song transformed, with new transitions, new moods, and a new narrative direction.

Originally imagined with a “Top Gun–style” aerial theme, the track ultimately became a dark maritime saga: a Viking fleet crossing the sea to pillage, only to be annihilated by the kraken. One lone survivor washes ashore, stripped of glory and left only with the burden of the tale.

“It’s a song with a moral. Set out to rape, pillage, and kill, face your demise, and if you live, expect to be alone with no one, no glory, only sorrow,” says Rothe.

Musically, the track mirrors this arc, uplifting and epic, then dark and evil, then triumphant again. The single artwork reflects this duality, merging “death from above” imagery with oceanic devastation to echo the song’s themes of hubris and consequence.

Recommended for fans of Lamb of God, Dissection, Iron Maiden, Megadeth, and Opeth, listen to “Fathomless Ruin” at the following links:

Add to your Spotify playlist – https://open.spotify.com/track/0PjQSykqxWdlAZufqXQv1I

YouTube – https://www.youtube.com/watch?v=VlAxEbX_sZI

Caerrian formed after the dissolution of Warrborn, the long-running project that previously featured Rothe and guitarist Justin Gordon. As Rothe’s playing advanced during the pandemic and new members joined, the band’s sound shifted so dramatically that a complete rebirth became inevitable.

“We had a few songs that were OK, but lacked the technical aspects I loved. With the new sound, new members, and new direction, renaming the band was the best solution,” explains Rothe.

Today, Caerrian’s lineup includes Ken Rothe (Guitar), Justin Gordon (Guitar), Justin Marcil (Bass), Tyler Parsons (Vocals), and Aaron Graham (Drums) (Drumeo instructor, UBC Doctorate in Percussion).

Their sound, summed up in five words: heavy, melodic, progressive, familiar, catchy, draws influence from Lamb of God, Iron Maiden, Opeth, Megadeth, and Dream Theater. The band blends technical riffs, massive tones, progressive structures, and melodic solos that serve the song rather than simply shred for spectacle.

Caerrian’s songwriting process is meticulous and collaborative. Riffs are brought into the DAW or rehearsal space, expanded upon, rearranged, and refined until the structure reveals itself. Whispered placeholder vocals guide the eventual lyrical layout, which Rothe and Gordon finalize before handing them to their vocalist.

Lyrics explore themes of power struggles, manipulation, societal fractures, government overreach, and the psychological toll of modern life, often wrapped in metaphorical narratives like Viking sagas or icy mountain ascents. Early on, the band collaborated with Chris Dyck (formerly of Anciients), who helped shape their thematic approach.

Caerrian’s upcoming EP, recorded at Rain City Recorders with Matt Roach, promises a powerful blend of crushing guitar tones, progressive arrangements, melodic and mood‑driven solos, and atmospheric passages reminiscent of Opeth, all wrapped in themes of control, defeat, manipulation, and awakening. On stage, the band strives to mirror that same precision and intensity, delivering big, articulate guitar tones, tight harmonies, technical passages to captivate the musicians in the crowd, and heavy, chug‑ready riffs for the headbangers. Above all, Caerrian’s mission is to make people feel something, emotionally, physically, and intellectually.

Show Dates:
Jan 31 – Green Auto – Vancouver, BC – info – ‘To My Bones’ – Fundraiser Show For The Jonny Bones Vinyl Compilation Album
Feb 21 – Chillhouse Studio – Chilliwack, BC – w/ Torrefy, Yegg, Cryptic Enslavement – info

More Info: https://linktr.ee/caerrian

-30-

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0 Edmonton’s FAMOUS STRANGERS Ignite The Universe With New Video “Deepstar” + Show Date w/ DANKO JONES

January 28, 2026
by Asher
· Famous Strangers · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – January 28, 2026

Edmonton’s FAMOUS STRANGERS Ignite The Universe With New Video “Deepstar”

+ Show Date w/ DANKO JONES – Feb 6th at Sherwood Park Festival Place

L-R – Jeff Kittlitz (Guitar, Vocals), Braden Sustrik (Bass, Vocals), Amanda Kiernan (Vocals), Brian Jolly aka “Beej” Beejerson (Drums)

Edmonton, Canada’s alt‑metal visionaries Famous Strangers, have unveiled the long‑anticipated music video for “Deepstar,” their debut 2024 single and the first song the band ever released. After two years in the vault, the cinematic visual finally arrives in 2026, marking a major milestone in the band’s evolving creative journey.

Originally released in September 2024, “Deepstar”, mixed by Juno‑winner Phil Anderson (Econoline Crush, Garth Prince, Van Halst) and mastered by world‑renowned engineer Maor Appelbaum (Faith No More, Dokken, Dream Theater, Limp Bizkit), introduced listeners to Famous Strangers’ signature blend of atmospheric storytelling, haunting melodies, and emotional intensity. The new long‑form video brings the track’s cosmic narrative fully to life.

Vocalist Amanda Kiernan describes the origins of the song as deeply personal and unexpectedly cosmic:

“I started writing this song literally just describing my friend Mileena, how she makes me feel, and how her presence feels in the room. It all came together so perfectly when I added all the space and healing. The world needs a hero, and I put those two together… it just happened, flooding the paper like some epic extraterrestrial being. What’s even better is that she agreed to be Deepstar and be in our video. We are honored and blessed to have her.”

Guitarist Jeff Kittlitz recalls how naturally the music itself formed:

“Deep Star came together quickly and organically. While exploring presets on my new Fractal FM9, I landed on a tone that instantly brought to mind classic Deep Purple and Black Sabbath, and the main riff came together almost immediately. Once I brought it to Beej, the song fell into place fast and gave Amanda plenty of space to write. It was one of the first songs the four of us created together. During recording, the ending evolved in the studio, and we loved it so much we kept it. It was one of those moments that proves the magic that happens when everyone’s locked in. At its core, it’s a straight‑up rock song.”

Kittlitz adds:

“Deep Star is coming. This was the very first song we ever released, and the video has been two years in the making. We’re fired up that it’s finally unleashed. A dark cosmic tale of a woman from space sent to save our doomed souls. Massive thanks to Brad Thompson, Mileena Kombat, and Shade Nightclub for helping summon this beast.”

“Deepstar” represents the earliest spark of what would become Famous Strangers, a band that formed almost by accident, yet grew into something powerful and intentional. Since their formation in 2023, the group has released four singles, each expanding their sonic universe: (Deepstar 2024), (George 2024), (I’ll See You In The Stars 2025), and (L.S.C. 2025).

These tracks have positioned Famous Strangers as one of Canada’s most intriguing emerging heavy acts. The band has performed at Armstrong MetalFest, Loud As Hell Open Air Festival, and shared stages with Revocation, Danko Jones, Three Inches of Blood, Riot City, and more. Their dark aesthetic, emotional depth, and cinematic approach to songwriting continue to draw attention across the metal and hard‑rock landscape.

With the release of the “Deepstar” video, Famous Strangers close the loop on their earliest chapter while stepping boldly into their next. Their upcoming 2026 full‑length album promises to expand their universe even further, darker, deeper, and more immersive than ever.

For fans of Halestorm, Nothing More, Sevendust, Butcher Babies, and Bad Omens, watch the “Deepstar” video via Space Untravel’s YouTube channel – https://www.youtube.com/watch?v=nXBDka5r1UQ

Add “Deepstar” to your Spotify playlist – https://open.spotify.com/track/70ubKz5KnptZEvLHi5KpbY

In additional news, Famous Strangers have been chosen as local support for Danko Jones‘ show date in Sherwood Park, AB, a suburb of Edmonton, on February 6th at Sherwood Park Festival Place. For more info, please visit https://festivalplace.ca/events/danko-jones-2/

Previous Singles:

Music Video- L.S.C. – https://www.youtube.com/watch?v=EXowgk7zopA

Music Video – I’ll See You In The Stars – https://www.youtube.com/watch?v=OtdfaMp4Hec

Lyric Video – George – https://www.youtube.com/watch?v=fz85ChqELO4

More info:

Famousstrangersband.com

Facebook.com/profile.php?id=61559110131774

Instagram.com/famousstrangersband

Tiktok.com/@famousstrangersband

About: Formed through a collision of ideas, personalities, and musical histories, Famous Strangers craft a sound that is as moody and mysterious as it is intense. Their music blends atmospheric textures with melodic and aggressive vocals, creating a sonic world that feels both intimate and otherworldly.

Each member brings years of experience from previous projects, shaping a band that thrives on creativity, experimentation, and emotional honesty. Their music is recorded and mixed almost entirely in‑house by guitarist Jeff Kittlitz, keeping their sound raw, authentic, and fully under their artistic control.

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“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

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0 Vancouver’s ETERNIOS Summons the Northern Frost with New Single “Requiem for the North”

January 27, 2026
by Asher
· Eternios · Music News

NEWS RELEASE

Montreal, QC – January 27, 2026

Vancouver’s ETERNIOS Summons the Northern Frost with New Single “Requiem for the North”

Sophomore Album Coming In 2026

Rising Blackened Symphonic Death Metal force Eternios return with their monumental new single “Requiem of the North,” the title track from their highly anticipated sophomore album due out in late 2026. The single marks the next evolution of the project originally founded by multi‑instrumentalist and composer Colin Ryley (Hyperia, Bayonet Dismemberment), who launched Eternios as a studio‑only creative outlet before expanding it into a full live band.

Following the acclaimed 2025 debut “Mysterium,” praised for its fusion of aggressive black metal and sweeping orchestral arrangements, Eternios now sharpen their vision with a colder, more expansive sound rooted deeply in the landscapes that inspired it.

“Requiem for the North” is both a musical and emotional centerpiece for the upcoming album.

“This single and the album in general are my love letter to the northern wilderness of Canada. I’ve spent countless hours roaming the forests and mountains of Western Canada. That cold, melancholic silence you feel surrounded by snow and frost is something I wanted to channel directly into the music,” says Colin.

The track erupts with blast beats, tremolo‑picked harmonies, and sweeping orchestral layers before shifting into a massive, melodic chorus. A neo‑classical C‑section and a soaring dual‑guitar outro push the composition into cinematic territory, blending extreme aggression with haunting beauty.

Colin describes Eternios’ sonic identity in five words: Melodic, Aggressive, Melancholic, Intricate, Fast.

“Requiem for the North” embodies all of these traits while offering a polished and expanded version of the sound established on Mysterium. With the transition toward live performance, vocalist Marlee Ryley (Hyperia) now fronts the band, allowing Colin to focus fully on guitar and orchestrations.

“I’m very proud of how the single turned out. I think it’s a great representation of what’s coming on the full‑length. I hope fans of extreme black metal and extreme melodic metal both find something to connect with,” adds Colin.

The single’s artwork, created by renowned artist Mike Hrubovcak (Visual Darkness), is a chilling preview of the full album’s visual world.

“It’s very winter‑heavy. Icy blues, whites, and music notation swirling out of a polar blizzard. Mike’s work with Imperial Crystalline Entombment is some of my favourite black metal artwork ever, so collaborating with him was incredible,” says Colin.

Eternios remains a deeply personal project at its core. Colin explains further.

“All the songs were written by me, usually locked away for hours piecing together structures and symphonic arrangements until I’m satisfied. The music almost always comes first. The lyrics are shaped by the imagery the music creates.”

While the debut album was entirely written, performed, and produced by Colin Ryley, the new era of Eternios will see more collaboration as the full lineup solidifies. “Requiem for the North,” the album, will feature nine original tracks and one cover, delivering a sweeping journey through frostbitten atmospheres, melodic aggression, and symphonic grandeur. The album is expected in Spring 2026, with more singles to follow.

“This album contains all the darkness, harmony, and aggression that define Eternios. The songs have been flowing naturally, and I expect many more albums to come,” adds Colin.

Listen to “Requiem for the North” via its lyric video at https://www.youtube.com/watch?v=YqVA0cWHoc8

Add to your Spotify Playlist – https://open.spotify.com/track/75l7QruoJEWZbGRP7hv3ZJ

More info:

https://www.facebook.com/eterniosmetal

https://www.instagram.com/eterniosmetal

About: Eternios is a Blackened Symphonic Death Metal band from Vancouver, BC. Formed by Colin Ryley, the project blends the ferocity of Nordic‑inspired black/death metal with sweeping classical orchestration. Their debut album, Mysterium (2025), established the band’s signature sound, earning praise for its ambitious arrangements and atmospheric intensity. With Requiem for the North, Eternios expands its scope both musically and as a live entity, delivering a colder, more immersive chapter in its evolving journey.

Fun Facts About Eternios:

– Eternios began as a studio‑only project created by guitarist/composer Colin Ryley, inspired by his lifelong love of Scandinavian melodic black/death metal.

– Colin Ryley performed every instrument and vocal on the debut album, handling all production, mixing, and mastering himself.

– Colin and vocalist Marlee Ryley are married and have toured extensively across Canada and Europe with their melodic thrash band Hyperia.

– The name “Eternios” is derived from “Eternity,” reflecting the project’s early themes of evolution and metaphysical mystery.

– Originally never intended to be a live band, Eternios began assembling a full lineup during the recording of the second album due to growing interest and demand.

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0 YESTERDAY’S HERO Explores Isolation and Inner Turmoil in New Video “Road of Doom”

January 27, 2026
by Asher
· Music News · Yesterday's Hero

NEWS RELEASE

Montreal, QC – January 27, 2026

YESTERDAY’S HERO Explores Isolation and Inner Turmoil in New Video “Road of Doom”

Hard‑hitting alt‑metal band Yesterday’s Hero has released the long‑awaited music video for “Road of Doom,” a fan‑favorite track from their 2023 debut album “Ways to Hate.”

Dark, atmospheric, and emotionally heavy, “Road of Doom” captures the feeling of isolation and internal struggle that shaped much of the band’s early writing.

“Darkness comes to mind. Words like sketchy, alone, and lost bring out the colors of this song. It’s like taking a trip only to find emptiness when you arrive,” says guitarist Tony Smith.

The track itself was never planned; it erupted unexpectedly during a rehearsal and quickly became an anthem for the personal battles the band members were facing at the time. The video, shot three years ago and brought to life by director/editor Jarod Hewett, was nearly shelved indefinitely. Now, its release serves as a symbolic closing of the band’s debut era.

“This video felt like something we might never actually get to share. Now that it’s finally seeing daylight, it marks the final chapter of our Ways to Hate era. As we close that door, we’re deep into finishing our sophomore album, set for release this fall. The first single is on track to drop in late February, and we can’t wait to show you what’s next,” adds Smith.

With the “Road of Doom” video closing the book on their debut era, Yesterday’s Hero is now focused on their second full‑length album. Five tracks are already prepared for recording, and the band promises a heavier, more mature evolution of their sound, still rooted in groove, hooks, and raw emotion.

The first single from the upcoming album is expected in late February, with the full release planned for fall.

The video for “Road of Doom” can be heard and seen via its premiere on V13.net HERE.

Hailing from the bogs of the Black Swamp in Northwest Ohio, Yesterday’s Hero blends hard rock, alt‑metal, groove, and grit into a sound that hits with both emotional weight and mosh‑pit energy. Their music is fueled by heartbreak, addiction, and the raw honesty that comes from small‑town struggle.

Their debut album, “Ways to Hate,” was intentionally recorded with an analog mindset, no backing tracks, no digital polish, just raw tube‑amp energy. The album plays like a continuous emotional journey, each track flowing into the next as it follows the unraveling of a turbulent relationship.

Yesterday’s Hero is recommended for fans of Chevelle, Rise Against, Killswitch Engage, Godsmack, and Seether.

Released on November 24, 2023, “Ways To Hate” is available on all digital platforms at https://distrokid.com/hyperfollow/yesterdayshero/ways-to-hate and https://yesterdayshero.bandcamp.com (CD/digital).

Previous Videos:

Bounce – https://www.youtube.com/watch?v=G0P7nnW8wzU

What I Needed – https://www.youtube.com/watch?v=GRiqls47dDs

Life’s So Good – https://www.youtube.com/watch?v=UdtbpNH7LGM

Track Listing:
1- Killing Me (3:43)
2- What I Needed (4:06)
3- Ways to Hate (3:38)
4- Bounce (4:12)
5- Be (3:46)
6- Road of Doom (5:26)
7- Life’s So Good (3:46)
Album Length: 28:36

Band Lineup Recording
Chris Neller – Vocals
Nathan Fike – Lead Guitar
Tony Smith – Guitar
Bill Mizen – Bass
Byron Ferguson – Live Drums and Recorded Drums on track 2. What I Needed, 3. Ways to Hate, 4. Bounce
Jesse Elkins – Recorded Drums on track 1. Killing Me, 5. Be, 6. Road of Doom, and 7. Life’s So Good

Band Lineup Live:
Chris Neller – Vocals
Nathan Fike – Lead Guitar
Tony Smith – Guitar
Bill Mizen – Bass
Marshall Messer – Drums

More info:

https://www.facebook.com/YesterdaysHeroBand

https://www.instagram.com/hero_yesterdays

About: Yesterday’s Hero delivers a high‑energy fusion of hard rock and alt‑metal straight from Northwest Ohio. Their sound is raw, riff‑driven, and unapologetically analog, channels influences from Chevelle, Rise Against, Killswitch Engage, Breaking Benjamin, and Godsmack. Their debut album Ways to Hate (2023) is a front‑to‑back emotional journey built for adrenaline, catharsis, and a packed mosh pit.

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“This is a great album…. they all sound awesome, being the perfect blend of the early 2000s alt-metal sound and a more modern take, almost bordering on Phil Campbell at times. And, as similar as it all was, I would happily take a lot more of it. Seven tracks just wasn’t enough for me! It sounds great and I think these guys are going to be a big deal soon, if this album is anything to go off!” – Overtone Magazine

“If you’re a real mensch, then you know when it’s your time to bounce, like the boys in Yesterday’s Hero. The hard rockers are happy to unveil their new music video for “Bounce,” off of their new record, Ways To Hate. The seven-track effort was self-released late last month and checks all the boxes of a no-nonsense, riff-rocking good time. There probably isn’t anywhere more rock n’ roll to record a music video than a car shop, which the band selected as the location of this badass new video clip. The primary riff featured in “Bounce” is one of the first the Ohio quartet conceived for this new record. In a sense, the riff dictated the subject matter of the song, with the band feeling that it really “bounced.” Feeding off of this energy, the song came about rather naturally and cohesively.” – V13

“”When it comes to big riffs, ‘Bounce’ by Yesterday’s Hero doesn’t sell the listener short. Its main thrust sounds like a stoner rock band channelling an old Fugazi tune; the muted riff on the verse adds a sharp edge beneath a great vocal, and exploding into a huge chorus, the band are able to convey a timeless post-grunge sound that sounds massive beneath an enthusiastic hook. If that wasn’t enough, a slow heavy breakdown drawing from a blend of groove metal and hardcore influences increases the tension at the track’s end, ensuring these four minutes leave most rock fans more than satisfied.” – Real Gone Rocks

“The song (Killing Me) is a straightforward alt-metal rager for fans of the late-90s/early-2000s nu-metal scene. The video follows a series of drawings to create a dark and mysterious noir-type atmosphere. ” – New Noise Magazine

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0 Fort McMurray’s SUPERMODEL TAXIDERMY Tapped As Local Support for ANTHRAX and EXODUS + Added Punk Canada Compilation Volume 5

January 26, 2026
by Asher
· Music News · Supermodel Taxidermy

NEWS RELEASE

Montreal, QC – January 26, 2026

Fort McMurray’s SUPERMODEL TAXIDERMY Tapped As Local Support for ANTHRAX and EXODUS

+ Added Punk Canada Compilation Volume 5

L-R – Reilly Williams – Drums, Shawn Maynard – Guitar & Lead Vox, Mike Cheney – Bass & Vox

Fort McMurray, Canada’s hottest punk thrash commodity, Supermodel Taxidermy has been tapped as local support for legends ANTHRAX and EXODUS’ performance in the Alberta North on February 22nd at MacDonald Island.

This one has been a long time coming for the fanboy trio who have looked up to both bands as influences. Frontman Shawn Maynard comments:

“Ripping up the stage with Gary Holt, Scott Ian, and their crew is definitely unlocking a childhood dream of mine. On February 22nd, you’d best be wearing some shorts because we’re going to bring the heat.”

Event info and tickets can be found at https://www.macdonaldisland.ca/special-events/after-hours-featuring-anthrax-with-special-guest-exodus

Unleashing their second album, “At What Cost,” in May 2024, the band has torn through the Western Canadian scene like a wrecking ball, quickly becoming one of the region’s essential live acts. Released through Punishment 18 Records, “At What Cost” ignited a surge in their following with its explosive mix of razor‑sharp riffs, commanding vocals, and relentless energy that keeps listeners hungry for more.

Across ten tracks packed into just under thirty minutes, the record, produced by Rob Lawless and mixed/mastered by Terry Paholek, captures the band’s dedication to crafting a fierce, high‑impact listening experience. This collision of thrash metal and hardcore punk is a natural fit for fans of Iron Reagan, Dayglo Abortions, and Slayer.

Music Video – Lipstick – https://www.youtube.com/watch?v=tXN5iZKqg5o

Music Video – Blood Painted Dash – https://www.youtube.com/watch?v=sWeS7452bUI

“At What Cost” is available digitally, on CD, and Orange Splatter Vinyl (in honour of the hockey team, the Edmonton Oilers) at https://supermodeltaxidermy.bandcamp.com/album/at-what-cost

Add to your Spotify Playlist – https://open.spotify.com/album/4F96Mi3MTPDaA0LKw63G9f

Supermodel Taxidermy is currently halfway through writing their third album. And fans can expect to see the first single released later this year in a new music video. The band will also be supporting a Canadian tour with its full release. In the meantime, you can expect to see their name pop up at a few Canadian Festivals this summer.

In other exciting news, the band is set to appear on Punk Canada Compilation Volume 5, which drops on vinyl this June. The release features sixteen Canadian punk bands putting their own spin on sixteen classic Canadian punk tracks from the 20th century. Supermodel Taxidermy chose to cover Vancouver’s Lummox, a project founded by Murray Acton of Dayglo Abortions.

As the band put it, “We even got Murray to hop on the track for a solo, so you know it’s not going to disappoint.”

Pre-orders can be submitted at supermodeltaxidermy[@]gmail[.]com

Supermodel Taxidermy is:
Shawn Maynard – Guitar & Vocals
Michael Cheney – Bass & Back Up Vocals
Reilly Williams – Drums

For more info: https://www.facebook.com/supermodelmodeltaxidermy | https://www.instagram.com/supermodeltaxidermy

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#41 on Loudwire weekly wire: TOP 50 Best New Rock & Metal Songs for the single Blood Painted Dash (2022)

“it’s fun and catchy, it’s crazy fast and just makes you want to throw yourself into walls.” – The Metal Crypt

“At What Cost is one richly impressive and increasingly addictive release. It looks like SUPERMODEL TAXIDERMY is coming for the world and the cost? Sheer pleasure!” – The Ringmaster Review

“blends skate punk with elements of thrash into a lethal concoction that slaps you in the face as it runs by. The atmosphere they create is explosive; a mix of punk rock energy with thrash level instrumentals. Their sound is reminiscent of Bad Brains or Minor Threat, but with a harsher bite. The amount of authentic punk energy Supermodel Taxidermy crammed into this record is almost unbelievable, and when combined with the instrumental elements of thrash, its tone is almost deadly. Energetic and emphatic, the band’s raw mix of chaotic energies serves them well on this record. There is no real lull in energy at any point within this record, proving that if Supermodel Taxidermy can do anything, it’s bring in the heat.” – Heavy Music Headquarters

“Punk rock and thrash when combined can elevate the energy to that youthful exuberance that is hard to resist. Supermodel Taxidermy lean into their love of those styles on At What Cost, creating an enthusiastic platter that channels its messages in short, solid songs that will get the hordes moving. Could be the best skater soundtrack to bust out those rad, death defying moves for 2024.” – DeadRhetoric

“Songs like “Exorcist for Beer”, “Blood Painted Dash”, and “Lipstick” run the hardcore punk/thrash metal gamut, from party anthems to horror tales, to the band’s metal-fueled love for scene chicks. SUPERMODEL TAXIDERMY’s “At What Cost?” drips Gen-X punk and metal sensibilities. If that’s your bag, go get it. You won’t be disappointed.” – Wormwood Chronicles

“An album that leaves its mark and will make you follow them into the future.” – True Metal

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0 France’s HighWay Unleash High‑Voltage Video “¡BANG BANG!” from Upcoming Album “Last Call for Rock’N’Roll” Out April 2026

January 23, 2026
by Asher
· HighWay · Music News

NEWS RELEASE

Montreal, QC – January 23, 2026

France’s HighWay Unleash High‑Voltage Video “¡BANG BANG!”

New Album “Last Call for Rock’N’Roll” Out April 2026

L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums

Photo Credit – Mr. Cana Photography

French hard rock torchbearers HighWay fire off another electrifying shot with the release of their brand‑new single “¡BANG BANG!”, accompanied by a music video. The track is the second preview of their highly anticipated sixth studio album, “Last Call for Rock’N’Roll,” due out in April 2026.

Written in a single burst of inspiration, “¡BANG BANG!” channels the sleazy swagger and irresistible groove that made their 2022 hit “Like a Rockstar” a fan favorite. Built around a gritty, infectious riff and explosive vocal hooks, the song captures HighWay at their most confident, playful, and unapologetically rock’n’roll.

“I wanted an electric successor to Like a Rockstar. The riff came first, then the words BANG BANG popped into my mind. I wrote the whole thing in a day. It was so easy and so good—one of my favorites on the album!” says Ben Chambert – Lead Guitar, Backing Vocals.

Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth), the track delivers the band’s signature blend of power, melody, and attitude, elevated by rich vocal arrangements and a groove built to shake arenas.

The accompanying music video, shot with the band’s trademark humor and high‑energy spirit, captures the fun, wild chemistry that has defined HighWay for more than two decades.

Lyrically, “¡BANG BANG!” dives into the tug‑of‑war between fantasy and reality, desire and consequence, dreams and doubt. With tongue‑in‑cheek cynicism, the song mirrors the pressures and frustrations of modern life, wrapped in a sound that demands you crank the volume and move.

Fans of Aerosmith, Def Leppard, and 80s arena rock will feel right at home as “¡BANG BANG!” continues to showcase the band’s revitalized lineup, now featuring, Cerise Pouillard (bass), formerly of the acclaimed AC/DC tribute Ladies Ballbreaker, Florian Arnaud (guitar), a standout talent who brings twin‑guitar firepower back to HighWay’s live sound. Both musicians contribute backing vocals on the album, helping craft the massive, multi‑layered harmonies that have become a defining element of the band’s new sonic identity.

Watch and listen to “¡BANG BANG!” at https://www.youtube.com/watch?v=kGpYOR4Xx20

Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR

After the acoustic detour of The Journey (2022), HighWay returns fully electrified with “Last Call for Rock’N’Roll,” a 12‑track album that blends high‑voltage riffs, emotional depth, and the band’s unmistakable melodic flair. Crafted over four months at Tower Studio, the album is described by the band as their most personal, mature, and powerful work to date, a true “rallying cry for a drifting world.”

With over 500 shows across Europe, six albums, and a reputation as part of the new wave of European classic hard rock, HighWay have shared stages with Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more.

Influenced by AC/DC, Queen, Aerosmith, Guns N’ Roses, and The Beatles, the band delivers a vibrant, heartfelt brand of hard rock that unites generations of fans. HighWay is ready to turn the volume up. Don’t miss the Last Call.

Due out on April 24, 2026, “Last Call for Rock’N’Roll” is available for album pre-order at https://highwayshop.sumupstore.com/

First Single – “Hi-Way”

Music Video – https://www.youtube.com/watch?v=qPYb7fBvNAU

Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR

Track Listing:
1. LAST CALL (FOR ROCK N’ ROLL) – 5:13
2. HI-WAY – 4:40
3. ¡BANG BANG! – 3:47
4. NINETIES ACTION MOVIE – 5:16
5. PEACE OUT – 5:44
6. MAYDAY – 4:25
7. GO! GO! GO! – 5:48
8. LET ME – 4:54
9. D.K/D.C – 3:16
10. RAT RACE – 6:00
11. ACTION – 4:32
12. (DON’T) LOOK BACK – 5:09
Album Length: 58:48

Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

More info: https://linktr.ee/highway_the_band

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“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OURMISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“The Journey” proves to be an album of great richness confirming HighWay’s talent.” – Music Waves (2022 – The Journey)

“We let ourselves be lulled by the ever-present groove. The American spirit allows this album, as exemplified by ” Motel in Alabama,” on which Benjamin Folch excels, accompanied by discreet backing vocalists. Here, we navigate through emotion, skill, and warmth. Surprises abound, some truly astonishing. We’re swept away to a Spanish-infused fiesta with ” In the Circus of Madness ,” a genuine gem of exquisite delicacy. Musically, we find club-like and sometimes intimate atmospheres, with light touches of violin and piano (” Have A Beer “), and captivating choirs ( “Freedom “). The finale, “The Journey,” is practically a rock opera. There’s no need to list them all here, as the title “The Journey” says it all. HIGHWAY has what it takes to hold their own against many internationally established bands, and I hope they receive the recognition they deserve. Well done!” Among The Living (2022 – The Journey)

“What 80’s lover will resist this totally festive spirit, which mixes ambition (Become Someone), love of music(I Like It, United States Of Rock’N’Roll), or sex (Mr King Size, Highway O Love) ? All the clichés of the unstoppable album are there, proud to resurrect a past that we thought had disappeared but which was in reality only asleep. Despite some sometimes approximate choruses (Breath of life), HIGHWAY manages to carry me in his luggage every time he listens. That’s why I’m getting carried away… HIGHWAY joins the exclusive club of teams capable of breaking down borders in order to explode abroad. On two conditions: tirelessly travel the roads of France and Navarre in order to convince the public and force themselves to publish a new album within the next eighteen months. Do everything, in short, so that we talk about HIGHWAY. Will promotion, distribution, financial and media resources be there ??? To be continued very, very closely…” – Metal-Integral (2022 – The Journey)

“From start to finish Ben Chambert is literally the driving force behind this album. Exploring melodies influenced by southern Blues Rock, with a heavy taste of early Guns N’ Roses, it immediately grips your attention. And the solos, though short, are very decent. Another interesting feature about Highway that really stands out is the outstanding vocals chorus done in a very Queen-like fashion, without taking the spotlight away from the lead singer Benjamin Folch. Naturally, his voice is very pure Rock oriented, with a taste of whisky to it. Harsh, yet melodic, and capable of diverse vocal arrangements, and a brilliant English fluency. This is brilliantly demonstrated in “Separate Ways”, as well as a Ronnie James Dio reminiscence in “Damned Me”. Jeff Scott Soto, longtime friend as roadrunner of the band, made a strong contribution in «Wake Up». In conclusion, “IV” is a great return from Highway and it won’t disappoint Rock fans, especially those who are already familiar with the band’s work and sonic identity. 8/10” – The Black Planet (IV – 2017)

“So yes, this latest one has been a long time coming, but the result is up to par, high-end hard rock, don’t miss it from this pancake, don’t hesitate to buy, and it more than deserves to support this group! And fingers crossed that the baby will be followed by lots of little brothers and sisters !” – Rock Meeting (2017 – The Chronicle)

“From the 1st note with the assertive blaster ‘Become Someone’ that’s followed up with the old school crackly effect mono blues starting ‘I Like It’ and later the bluesy ballad ‘Freedom’. There is also the amazing acoustic ‘Highway O’ Love’ and the AC/DC Johnson-era guitar sounding ‘On My Knees’ to get excited over. Complete proof that France has some killer bands on offer in the way of Rock!” – Metalville Zine (2011 – United States of Rock n Roll)

“In the end, another beautiful representative of the quality of hard rock in France, delivered by a happy group of friends, and led by a damn good guitarist. To listen but above all to see on stage because the energy and good humor they exude cannot leave you indifferent.” – Aux Portes du Metal (2011 – United States of Rock n Roll)

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0 Rockshots Records – Symphonic Black Metal Force DAIDALOS Drops “Euphobia” via Decibel Magazine; New Album “Dante” Out Feb 2026

January 22, 2026
by Asher
· Daidalos · Music News

NEWS RELEASE

Montreal, QC – January 22, 2026

Symphonic Black Metal Force DAIDALOS Drops “Euphobia” via Decibel Magazine

New Album “Dante” Out February 20th, 2026

Symphonic black metal visionary Daidalos announces the premiere of their new single “Euphobia”, debuting today exclusively through Decibel Magazine. The track appears on the project’s forthcoming full‑length, “Dante,” set for release February 20th via Rockshots Records.

Founded in 2020 by multi‑instrumentalist and composer Tobias Püschner, Daidalos has quickly carved out a distinct identity within the modern symphonic black metal landscape. The 2022 debut of “The Expedition” earned acclaim for its atmospheric storytelling and cinematic scope. Now, with Dante, Püschner presents an even more ambitious and personal work, one that transforms the descent into Hell into a psychological journey of doubt, despair, and revelation.

“Dante burns like fire. It’s darker, more focused, and more dramatic. The orchestration is stronger, the guitars more present, and the emotional arc much clearer,” explains Püschner.

“Euphobia”, the fear of joy, stands as one of the album’s emotional centerpieces. Melancholic yet cathartic, the track reflects a world where negativity often overshadows light, and even admitting one’s own well‑being can feel out of place.

“This song is about a society that pushes despair and shadows while suffocating joy. It’s melancholic, but it releases something, too,” says Püschner.

The single is introduced by the interlude “Malebolge”, where rolling stones and rising choirs foreshadow the track’s central theme. The accompanying video amplifies the song’s tension between darkness and fragile hope, aligning with the album’s overarching narrative.

On “Dante,” Püschner composed all orchestration, drums, guitars, and vocals, crafting each track from a single piano melody inspired by passages of Dante Alighieri’s Divine Comedy. The album’s powerful modern production comes from Nahuel Lozano (Mental Cruelty), who recorded guitars and handled mixing and mastering.

The visual world of “Dante” is brought to life through original abstract oil paintings and dotwork by French artist Bérénice Tulliez / Noirs Dessins, expanding the album into a unified aesthetic universe.

Daidalos’ music has been described as moving between the monumental orchestrations of Fleshgod Apocalypse, the dark theatricality of Dimmu Borgir, and the apocalyptic grandeur of Septicflesh, yet “Dante” stands firmly on its own. The album flows as a continuous black‑metal audio drama, especially on vinyl, where interludes and intros merge into a single immersive arc.

“It should feel like a journey. A descent you experience, not just listen to,” adds Püschner.

Listen to “Euphobia” via its premiere on Decibel Magazine HERE.

Sptoify pre-save – https://lnk.to/3fQHdk

New album “Dante” out February 20th, 2026, from Rockshots Records.

PRE ORDER CD Version of “Dante” – https://rockshots.eu/products/daidalos-inferno-cd
PRE ORDER LP Version of “Dante” – https://rockshots.eu/products/daidalos-inferno-lp

Previous single – Dis – Lyric Video – https://www.youtube.com/watch?v=Pq90saioITY

Track Listing:
1. Dante – 2:18
2. Inferno – 3:42
3. Ashes – 4:22
4. Storm – 4:05
5. Minos – 0:30
6. King – 4:00
7. Styx – 2:08
8. Gate – 0:20
9. Dis – 4:15
10. Phlegethon – 1:18
11. Malebolge – 0:40
12. Euphobia – 4:54
13. Ultimatum – 4:19
Album Length: 36:51

Daidalos Line-Up:
Tobias Püschner; Vocals, Drums, Keyboards, Orchestrations, Songwriting, Production

More info: Rockshots.eu | Instagram.com/daidalosmusic | Facebook.com/daidalosband

About: Daidalos is the brainchild of German composer and multi-instrumentalist Tobias Püschner, founded in 2020 as a creative outlet merging black metal, orchestration and conceptual storytelling. What began during the isolation of the pandemic quickly evolved into a full artistic vision – a fusion of cinematic grandeur and the emotional depth of extreme metal.

The debut album “The Expedition” (2022, Rockshots Records / Extreme Metal Music) introduced Daidalos as a unique force in the symphonic black metal scene. Entirely written and performed by Püschner, the album reimagined the tragic story of the Franklin expedition through a vast and icy soundscape where atmosphere and aggression met in perfect tension. Critics praised its originality and ambition, calling it a “symphonic extreme metal masterpiece” (AMMO Underground) and “an album that captures imagination and balances beauty with intensity” (GBHBL).

Building upon that foundation, Püschner continued to refine his approach – weaving together cinematic orchestrations, classical influences and the raw intensity of black and death metal. Collaborating with Nahuel Lozano (Mental Cruelty) on guitars, recording, and production, Daidalos shaped its signature sound: monumental, dramatic and deeply emotional.

Across his work, Püschner treats music as a form of storytelling – each record conceived as a self-contained world. His compositions often explore historical, philosophical and spiritual themes portrayed through the lens of symphonic black metal and theatrical expression.

With “Dante” (2025), Daidalos reaches a new artistic chapter: not a retelling but a reinterpretation of the Divine Comedy, where doubt, despair and revelation intertwine. Yet the core remains the same – the search for meaning in darkness, expressed through meticulous orchestration, intense vocal delivery and the balance between aggression and melancholy that defines Daidalos.

For fans of: Dimmu Borgir, Fleshgod Apocalypse, Septicflesh

Endorsements: Steinberg (Cubase 12), Hörluchs (In-Ear Monitoring)

-30-

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0 Exitus Stratagem Records – AITTALA’s Animated Video “Ashes” Brings a Dark Tale of Collapse and Consequence to Life

January 22, 2026
by Asher
· Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – January 22, 2026

AITTALA’s Animated Video “Ashes” Brings a Dark Tale of Collapse and Consequence to Life

Welcome New Bassist Dane Taylor

New EP “Ill-Gotten Gains” Out Now via Exitus Stratagem Records

AITTALA Lineup – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Dane Taylor (Bass)

AITTALA has released the official music video for “Ashes,” the latest single from their second EP of 2025, “Ill‑Gotten Gains,” which arrived this past November through Exitus Stratagem Records. The animated video brings to life one of the EP’s most traditional heavy‑metal‑driven tracks, a song centered on the story of someone who spirals far beyond their limits and drags others down with them. Musically, “Ashes” captures the band’s signature fusion of classic metal grit and modern heaviness, showcasing the dynamic songwriting and emotional weight that define AITTALA’s evolving sound.

Watch the video via its premiere on Outlaws of The Sun HERE.

“Ill‑Gotten Gains” continues AITTALA’s long‑standing tradition of blurring genre boundaries, weaving together elements of traditional metal, doom, groove, progressive influences, and hard rock to create a cohesive and immersive listening experience. Lyrically, the EP explores the darker corners of human behavior, focusing on the creation of chaos for personal benefit, the inevitable consequences that follow, and the difficult search for redemption. The EP’s artwork features an updated interpretation of the band’s mascot, Frank, a cartoon pig head in a pentagram originally created in 2014 for the song “Pigs” from the album Effigy. In the world of AITTALA, Frank represents the shady figure who can acquire any “ill‑gotten gains” for the right price, making him the perfect symbol for the EP’s themes.

Across the EP, AITTALA delivers a series of songs that reflect both musical evolution and lyrical depth. “Isolation” opens with a doomy, heavy atmosphere that shifts between crushing riffs and clean passages while confronting the consequences of past decisions. The title track, “Ill‑Gotten Gains,” drives forward with a powerful eight‑string riff before descending into a darker, doom‑laden interlude, lyrically exploring the exploitation of chaos for personal advantage. “Blacklisted” counters the themes of the earlier tracks by calling out manipulative personalities with a sludge‑infused groove, while “Ever After” offers a modern metal ballad steeped in internal conflict and the longing for redemption that may never come. The EP culminates with “Ashes,” a traditional heavy‑metal burner that now takes visual form in the band’s newest music video, capturing the emotional descent at the heart of the song.

AITTALA, pronounced EYE‑tah‑la, has long been recognized for a sound that refuses to fit neatly into any single metal subgenre. Their music blends classic heavy metal, doom, progressive elements, power metal, thrash, and hard rock, all tied together by lyrics inspired by the darker side of the human condition. This unique combination has earned the band a reputation for crafting a sound that is distinctly their own, a rare achievement in today’s crowded metal landscape. The band’s origins trace back to 1991 in the Netherlands, where founder Eric Aittala first formed the group with American and Dutch bandmates. Their early EP, “Selling Heaven,” gained traction in the European underground scene and led to opening slots for acts such as The Gathering and Sadist before Eric’s return to the United States brought the project to a temporary close.

AITTALA was revived in 2008, leading to a prolific run of releases that includes “Bed of Thorns” (2009), “Haunt Your Flesh” (2011), “Effigy” (2014), “American Nightmare” (2016), “False Pretenses” (2019), “Live to Regret” (2022), and “Machines” (EP, 2025). Each release reflects the band’s continued growth while preserving the unmistakable core of the AITTALA sound.

Today, AITTALA is anchored by founder Eric Aittala on guitars and vocals alongside drummer Gary “Zeus” Smith, known for his work with The Fifth and formerly with Mr. Blackwell. The pair continues to write, record, and tour with the goal of delivering AITTALA’s unmistakable brand of metal to audiences everywhere. The band has also expanded its live lineup with the addition of bassist Dane Taylor, whose arrival brings a renewed surge of energy and chemistry to the stage. His presence strengthens the group’s momentum as they push their sound forward while remaining true to the identity that has defined AITTALA from the beginning.

“Ill-Gotten Gains” (released Nov 21, 2025) is available from Exitus Stratagem Records – https://hypeddit.com/aittala/illgottengains

Music Video – “Isolation” – https://www.youtube.com/watch?v=V5Y_azlkGLg

Music Video – “Ill-Gotten Gains” – https://www.youtube.com/watch?v=IjlP92y_sQg

Lyric Video – “Ever After” – https://www.youtube.com/watch?v=ipo98unZUoQ

Track Listing:
1. Isolation – 4:22
2. Ill Gotten Gains – 4:20
3. Black Listed – 3:35
4. Ever After – 4:29
5. Ashes – 3:50
EP Length: 20:37

For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic

– 30 –

“Six full-lengths, two EPs, strong and steady since 2008. Dang. What keeps North Carolina trio AITTALA going? Sheer compulsion for music making is my guess. There’s nothing like the experience of the real thing, despite the obscene ease and seductive sophistication of AI fakery. To hear and feel heavy music live from their minds and voices and hands of real human beings just like you – well, there’s just nothing like it. Bands with stubborn longevity like Aittala serve as an inspiration to the scene. Pick up an instrument, get to jamming, let your voice be heard. If this is your first encounter with the band, perhaps “Isolation” is as good an introduction as any. Mysterious strumming, powerful emphatic chords, and wall-shaking disruption clears the path for soulful, soaring guitar soloing and somber Gothic intonations.” – Doomed & Stoned (2025)

“Bookended by “Machines (Prologue)” and “Machines (Epilogue)”, the album’s structure feels like a full-circle journey. One that captures the essence of the band’s evolution. The blend of storytelling and heavy music makes it clear why these tracks were worth bringing back. With Machines, Aittala doesn’t just revisit the past. They make it hit harder than ever.” – Amplify The Noise (2025 – Machines EP)

“Captivatingly versatile, genre-connecting with plenty of attitude. An intensely powerful and emotionally captivating Electric Doom/Heavy/Power HouseTrip that is excellent at combining expansive melodies and atmospheric melancholic heavy touch. 8/10” – FFM-Rock (2025 – Machines EP)

“A pure blast of good tunes flying around for life. A retro llike cover artwork, it matches it all. The atmosphere and the old tunes still ringing after so many years like it was yesterday. A very good album to own with pleasure. Aittala is here to stay, get your dose of good tunes 100/100.” – The Metal Mag (2025 – Machines EP)

“Eric Aittala is obviously nostalgic on ‘Machines’. But that in no way means that the sound is frozen in the past. On the contrary, the production is modern and powerful. The individual songs are thus transferred to the here and now. A good album, even if the band is ‘only’ a duo.” – Metalheads Forever Magazine (2025 – Machines EP)

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jon[@]ashermediarelations[.]com
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