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Category: Music News

0 Watch SNAKEBLADE’s Slithering New Music Videos For “Foul Sorcery of Flame and Shadow” & “The Red Mage’s Seduction”, New Album “The Curse” Out Now!

  • November 3, 2021
  • by Asher
  • · Music News · Snakeblade

NEWS RELEASE

Montreal, QC – November 4, 2021

 

Watch SNAKEBLADE’s Slithering New Music Videos For “Foul Sorcery of Flame and Shadow” & “The Red Mage’s Seduction”

New Album “The Curse” Out Now!

Snakeblade, the Vancouver-based one-man project created by Mike Redston has posted two new slithering music videos for “Foul Sorcery of Flame and Shadow” and “The Red Mage’s Seduction” off the latest album “The Curse” released on October 13th.

Watch the videos at the following links:

“Foul Sorcery of Flame and Shadow” – https://youtu.be/zvM0CPy9YIs

“The Red Mage’s Seduction” – https://youtu.be/u094_FmKr5Q

Self-coined as “One-Man Nerdy’n’Dirty Black Metal”, over the past year and a half, the ever intrepid Mike Redston aka Snakeblade has written, performed, and recorded two albums, “The Kingdom” in 2020 and “The Curse” in 2021. “The Curse” is quite an evolution, growing in both complexity and scale with the addition of a session drummer to handle the kit. Mike Redston formed the solo project in the midst of the pandemic, as a distraction. To deepen the escape, all his lyrics surrounded fantasy concepts from his favorite series – Game of Thrones.

“Snakeblade is where all my nerdiness gets released. On “The Curse”, I wanted to zero in on one of my all-time favorite fantasy series – Game of Thrones. As I started writing though, more personal experiences started to creep into my lyrics. What came out is a melting pot of themes from Game of Thrones and my personal shit. Lyrics inspired by GOT mostly revolve around the plotlines of The Red Woman, Stannis Baratheon, and The Lord of Light religion. Mix all this with my own experiences of betrayal, failure, and rage and you’ve got The Curse.”

“The Curse” is ten tracks of dark, dirty, and epic non-traditional black metal, and has a total running time of 43 minutes. It was written and performed by Redston except for the drums, which were performed by Dennis Kraakman. The album artwork was done by Elizabeth Holmes.

Snakeblade isn’t destined to be a studio project forever, Redston says, “Live shows are definitely in the cards as I want to bring these songs to a concert setting with a ton of energy and a fun atmosphere.”

Snakeblade embraces a wide variety of metal subgenres and is recommended for fans of Skeletonwitch, Dimmu Borgir, and Death.

Digital stream and download available on Snakeblade.bandcamp.com, YouTube, Spotify, Apple Music.


Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“intense shrieks, murderous riffs, and all the fantasy black metal you need!” – Heavy Blog Is Heavy

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Streaming Now! Niagara Falls’ VARIUS’ Wildly Diverse EP “Concordance”, EP Stream Premiere via MetalInsider

  • November 3, 2021
  • by Asher
  • · Music News · Varius

NEWS RELEASE

Montreal, QC – November 3, 2021

Streaming Now! Niagara Falls’ VARIUS’ Wildly Diverse EP “Concordance”

EP Stream Premiere via MetalInsider

New EP “Concordance” Out November 5th


L-R: Joel Tassillo (Bass) / Joey Scaringi (Vocals) / Vladimir Prokhorov (Drums) / Patrick Forlin (Guitar)
Photo Credit: Britney Goertz

Never one to stay within the constraints of genre definition, Varius have a new EP coming November 5th, and before it officially drops, its full stream is being premiered over on MetalInsider HERE.

“Concordance” is all about both diversity and consistency. Varius was motivated to include four distinct tracks with each one primarily written by a different band member. The result was a naturally diverse EP that can still be considered their most collaborative release to date. They share their thoughts on the record:

“We are very excited to present our new EP, the strongest Varius release to date. The result is an EP defined by both its diversity and its consistency in spirit. We were all very motivated to bring each others’ visions to life, and the tracks came together as some of our heaviest and grooviest to date. Each of the four songs are rooted firmly in their own area of the metal spectrum, and they are as varied lyrically as they are musically. “Concordance” explores themes of battle, demonic magics, psychological challenges, and a bleak look at the future of death. We believe that all types of metal fans, and fans of fantasy and science fiction alike, are sure to find something they like about it.”

“Concordance” is a heavy recording throughout, but the four distinct songs approach the heaviness in different ways. Across the four tracks, the listener can expect to hear the influence of death metal, thrash, progressive, doom, and classic metal with experimental dynamic twists. The EP is as diverse lyrically as it is musically; fans of fiction, fantasy, horror, and humanity will find something that they like in “Concordance”. From the apocalyptic themes you’d expect from Varius in “Gut Shoveler” and “Concordance of the Legionfall” to the more reflective stories of battle in “Golden Crown” and personal struggle through “Lament of Dissonance”, the EP covers a variety of heavy lyric themes that listeners can connect to.

The experimental groove of Varius is recommended for fans of Hypocrisy, Lamb of God, and Dethklok.

“Concordance” will be available on digital music platforms on November 5th.

EP pre-order – https://varius.bandcamp.com


Track Listing:
1. Golden Crown (6:03)
2. Concordance of the Legionfall (4:59)
3. Lament of Dissonance (4:43)
4. Gut Shoveler (5:28)
Digital EP Length: 21:14
Note: Physical CD copies of Concordance will feature a bonus track (previously released digitally – 2019)
5. P.I.S.S. (3:22) (CD Bonus Track)
EP Length (CD version): 24:40

For more info:
Facebook.com/Varius.band
Instagram.com/varius.official
EPK

– 30 –

“it’s full of dynamic surprises — a song that’s bombastic and brazen, savage and scintillating, mysterious and magnificent — and its name is “Concordance of the Legionfall“.” – No Clean Singing
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Atlantic Canada’s BONE TOWER Release Relentless, Pejorative New EP “We All Will Die One Day”, EP Stream Premiere via Decibel Magazine

  • November 2, 2021
  • by Asher
  • · Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – November 2, 2021

Atlantic Canada’s BONE TOWER Release Relentless, Pejorative New EP “We All Will Die One Day”

EP Stream Premiere via Decibel Magazine

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records


L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Bone Tower is a filthy death metal band coming from Atlantic Canada. They formed earlier this year with a defined vision – to deliver an abusive and abrasive initial offering that would be the soundtrack for the madness that has ensued on a global level over the past year and a half.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP “We All Will Die One Day” in two weeks. It came together as a whole very quickly and organically. They comment on the title track and punishing conclusion of the EP:

“As the namesake of the EP, you really want to make a statement. We all know you are your own worst enemy, and that’s what ‘We All Will Die One Day’ stands to shove down your throat. We’re all human, we all have shitty habits, and those practices are probably what’s gonna give us the axe one day. The 8th and final track on ‘We All Will Die One Day’ hangs around for just a measly 50 seconds (and 17 of those are sustained feedback), but packs a major punch in that short amount of time. Blistering riffs lead into a short and sweet breakdown, leaving you confused about what the heck you just listened to.”

Both sonically and lyrically, “We All Will Die One Day” represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable emotions to the forefront of your mind. A raw and unfiltered byproduct of mental health in disarray and unfocused aggression, with no real direction on how to cope in a post-pandemic landscape.

While presented in an ugly package, these songs are a cathartic release with the intent of extinguishing deep feelings of depression and anger. Their sound is influenced most by death metal, grindcore, and hardcore and is recommended for fans of Cryptopsy, Atka, and Trap Them.

“We All Will Die One Day” can be heard in full via its exclusive premiere on Decibel Magazine HERE.

The EP will be available as of November 5, 2021 via No Funeral Records & Fresh Outbreak Records with pre-order at Bonetower.bandcamp.com

Lyric Video “Mangled Wounds” – https://youtu.be/5oGUNz8srqE


Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

About:
Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Ottawa’s SINFUL WAYS Announce New EP “Darkest Days” Out December 10th, Streaming Single “Bury the Hatchet”

  • November 2, 2021
  • by Asher
  • · Music News · Sinful Ways

NEWS RELEASE

Montreal, QC – November 2, 2021

Ottawa’s SINFUL WAYS Announce New EP “Darkest Days”; Streaming Single “Bury the Hatchet”

EP “Darkest Days” Out December 10th


L-R: Frank Lahache – Guitar/Vocals | Brad Lake – Bass, Vocals | Dave Matlak – Drums, Backing Vocals | Georgio Karapanos – Guitar
Photo Credit: Jessy Dwyer, Beyond the Pit

Embracing thrash, groove, and metalcore, Ottawa, Canada’s Sinful Ways return in 2021 to unleash their sophomore EP “Darkest Days” on December 10th. The EP follows their debut 2019 EP “To Hell Tonight”, and 2020 stand-alone singles “Burst into Flames” plus “No Escape”.

A solid blend of melodic and thrashy elements, on this new recording, Sinful Ways creates a mix that sits beautifully between the two. Lyrically, you will read the anger they share towards faulty governments and the treatment of people in other areas of the world.

“Over the pandemic, we all really worked at our instruments and really wanted to push ourselves into a more mature yet still energetic and raw sound, which we think we captured on this EP. From front to back, this EP holds a lot of musical value.” adds the band.

The EP’s lead single entitled “Bury the Hatchet” is a fast, heavy track where the clean vocals shine. It has a very catchy chorus that fans can sing along to and are sure to enjoy plus a breakdown that’s aggressive and assaulting along with leads that are technical to join the talented drumming, and larger-than-life screaming.

The band adds:

“Bury the Hatchet was the first song we finished for this EP, and we knew right away it was going to be the single. It blends everything we want to showcase in one song. During the time of writing, we were all very intrigued and angered by all the hatred and stuff going on in the world. This was our song to say we need to stand together, not to give up or give in, if you have something worth fighting for. You must fight for it. During the time of writing, we also switched guitar members and Frank Lahache joined us. This added the insane shredding solo section you can find and the great high scream at the end of the song!”

“Bury the Hatchet” can be heard at the following links:
Youtube – https://youtu.be/A71SJzFOBU0
Spotify – https://spoti.fi/3w7Ts7n

“Darkest Days” was produced and mixed by Cameron Dunn and mastered by Scott Middleton at Hillside Audio in Toronto. EP Artwork by Nik Paquin.

Recommended for fans of Trivium, Parkway Drive, Avenged Sevenfold, and Slipknot, “Darkest Days” is available for digital pre-save at https://distrokid.com/hyperfollow/sinfulways/darkest-days-ep


Track Listing:
1. Welcome/Vow of the Devil (4:46)
2. Bury the Hatchet (3:40)
3. Manhattan (3:20)
4. Pursuit (6:18)
EP Length: 18:05

EP Recording and Live Band Line Up:
Brad Lake – Clean Vocals/Bass
Dave Matlak – Drums/ Harsh Vocals – Main Screams
Georgio Karapanos – Guitar/Programming
Frank Lahache – Guitar/ Harsh Vocals – Backing Screams

More Info:
Facebook.com/SinfulWaysBAND
Instagram.com/_sinfulways
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 RAVENOUS To Support Unleash The Archers For Edmonton Tour Date Nov 6th

  • November 2, 2021
  • by Asher
  • · Music News · Ravenous

NEWS RELEASE

Montreal, QC – November 2, 2021

RAVENOUS To Support Unleash The Archers For Edmonton Tour Date Nov 6th

New Album “Hubris” Out Now via Feast Beast Records (NA/EU) / Spiritual Beast (Asia)

Album guests:
Vincent ‘Jake’ Jones of Aether Realm
Heinrich Yoshio of Aether Realm
Mathias Blad of Falconer
Nina Osegueda of A Sound of Thunder
The Dread Crew of Oddwood (Full Band)

Album Pre-Order Now Available!


L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Calgary’s Ravenous announce they will be opening for Unleash the Archers’ Edmonton tour date on Saturday, November 6th at the Starlite Room. They will be performing in support of their new album “Hubris” recently unleashed on October 22, 2021 via Feast Beast Records (NA/EU) / Spiritual Beast (Asia).

Ravenous vocalist R. A. Voltaire adds:

“We are excited to join our friends UNLEASH THE ARCHERS in celebration of CONCERTWORKS’ 10 year anniversary. Not only are we great supporters of STARLITE ROOM (one of the best venues in Canada), we are also happy to see yet another venue and booking agency survive the havoc wreaked upon our industry by the Covid pandemic  – may this be the beginning of a prosperous time for bands, venues, staff, and crew all alike!” 


Event Details can be found at the following link: https://www.facebook.com/events/1005204480319481/

Taking their performance, writing, and musicianship seriously, but allowing tongue-in-cheek humour and pop culture references to resonate through the songs, Ravenous is bringing fans anthemic tunes from a time when metal was hungry.

They bring a full lineup of experienced musicians together, ones that have toured extensively and are fully dedicated to providing a high-energy, high-intensity live experience. Ravenous seek to inspire others to find that inner triumph and glory that drove them to form this project – whether that means starting their own band, or just finding the strength to make a change in their lives – they seek to empower their followers through every step of their journey.

“Hubris” was produced by Ravenous with mixing and mastering done by Fredrik Nordström (In Flames, Opeth, Firewind) along with album guests Vincent ‘Jake’ Jones of Aether Realm, Heinrich Yoshio of Aether Realm, Mathias Blad of Falconer, Nina Osegueda of A Sound of Thunder, The Dread Crew of Oddwood (Full Band).

Animated music videos for “Die 1000 Deaths” ft. Heinrich Yoshio of Aether Realm plus lyric video “Astral Elixir” are available on the band’s YouTube.

Album digital stream and download available on Spotify, Ravenouseternalhunger.bandcamp.com, Apple Music.


Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24) (3rd Guitar Solo by Heinrich Yoshio of Aether Realm)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17) (ft. Lead Vocals by Nina Osegueda of A Sound of Thunder)
7. March of Hunger (4:47)
8. Claw is the Law (5:24) (ft. Lead Vocals, Accordion, Mandolin, and Gang Vocals by The Dread Crew of Oddwood)
9. Onwards & Upwards (4:09) (ft. Lead Vocals by Mathias Blad of Falconer)
10. …Of Beasts and Faust (10:21) (ft. Lead Vocals by Vincent Jones of Aether Realm)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

– 30 –

“Calgary’s Ravenous have fused their flamboyant cross-breeding of European power metal and early ‘80s US speed metal, using it like a sharp ’n’ shiny scythe to forge their way through the crowded underground. Past accomplishments have included tours and gigs with Delain, Alestorm, Hammerfall, Striker and Powerglove with festival appearances and headliners interspersed in between. Considering all of the above, it shouldn’t come as a surprise a large part of this quintet’s musical vocabulary involved loving it speedy, epic, melodically grandiose while having a sword waving good time in the process.” – Decibel Magazine

“Ravenous aren’t afraid to put it all out there; symphonic assaults blend with all-out thrash metal, underpinned by some of the most enthusiastic power metal of the year. From start to finish Hubris is chock full of anthemic and contagious fist-pumping, head-banging songs featuring dramatic vocals and shredding solos. Power metal fans rejoice: Hubris is a worthy addition to your collection.” – Heavy Music Headquarters

“A great album of Power Metal, and even more. 9.5/10” – Metal Express Radio

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight. 5/5” – Metal-Roos

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight.10/10” – Metal Gods TV

“Hubris reminds me of early Dragonforce (the faster numbers) and Orden Ogan (the mid-paced material) though the songwriting is a notch or two below those bands currently. This is a solid second album from Ravenous, who display significant upside, and fans of the aforementioned bands will want to give it spin. 3.75/5” – The Metal Crypt
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Edmonton Death DISPLAY OF DECAY To Perform Their Only Hometown Show of 2021 + Unveil New Music!

  • November 1, 2021
  • by Asher
  • · Display of Decay · Music News

NEWS RELEASE

Montreal, QC – November 1, 2021

Edmonton Death DISPLAY OF DECAY To Perform Their Only Hometown Show of 2021 + Unveil New Music!

December 3rd @ Shakers Roadhouse w/ Ravage Red, Ashes of Yggdrasil, Naitaka


L to R – Brandon Siefert (Bass); Tyson Travnik (Drums); Kland Kuly (Vocals); Sean Watson (Guitars)
Photo Credit – Lady Black Photography

Edmonton death metallers Display of Decay announce they will perform their only hometown show of the year since the Covid pandemic closed city establishments for extreme live music.

During the pandemic, the band entertained fans with their old school brutality with live streams, played their only live show of 2020 at Decimate MetalFest during December along with them performing their one and only outdoor live event for 2021 at Alberta’s decibel-breaking metal fest Loud As Hell this past August.

On December 3rd, at Shakers Roadhouse in Edmonton, AB alongside Ashes of Yggdrasil, Naitaka, and Ravage Red, Display of Decay will showcase not only their latest album “Art In Mutilation” (2018) (Gore House Productions), but delight and punish their audience with an onslaught of new blast beats and evil gutturals from their yet to be titled forthcoming 2022 album.

Eager to melt faces and shake crowds with their personal blend of old school death metal in the veins of Cannibal Corpse, Dying Fetus, and Decapitated, the band adds:

“Bringing talent from all over western Canada, as well as injecting our own “special touches”, we want this show to be one of the most memorable events of the year for lovers of heavy music.”

Event details can be found at the following link: https://www.facebook.com/events/2156367437839217/

Destroying stages and performing at festivals for over a decade, Display of Decay are veterans of the Canadian death metal scene. They have supported artists such as Kataklysm, Cattle Decapitation, The Faceless, Origin, Beyond Creation, Disciples of Power, Archspire and Into Eternity along with multiple tours across the USA and Western Canada plus performances on festivals Las Vegas DeathFest, Loud As Hell, Slaughterfest, Armstrong MetalFest, and Farmageddon Open Air. After five well-received indie releases, Display of Decay will be unleashing a new album in 2022.

Album Stream – “Art In Mutilation” – https://youtu.be/NENFPjJQJkY

Lyric Video – “Forced Frontal Lobotomy” – https://youtu.be/fHB25OMADDM

Spotify here.

More info:
Facebook
Instagram
Twitter
Bandcamp
Youtube

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Bam&Co.Heavy: Out Now! THRASH LA REINE French Canadian Folklore Album “Notre-Dame-de-l’Enfer”

  • October 29, 2021
  • by Asher
  • · Music News · Thrash La Reine

NEWS RELEASE
(version française ci-dessous)

Montreal, QC – October 29, 2021

 

Bam&Co.Heavy: Out Now! THRASH LA REINE French Canadian Folklore Album “Notre-Dame-de-l’Enfer”

Montreal’s Thrash La Reine has a new album “Notre-Dame-de-l’Enfer” out now as of October 29th via Bam&Co. Heavy. The full-length is the third release from the band following “La Foi, La Loi, La Croix” (2019) and “Le Métal Est Notre Langue” (2018). The concept album, produced by producer Francis Perron (Voivod – The Wake), is Thrash La Reine‘s metal opera about French Canadian folklores presented over thirteen heavy metal bangers, 9 full songs, and 4 instrumental interludes. Overall, the album will connect with many Francophone fans, but the band’s goal is to also expose French Canadian culture to more metalheads around the globe no matter their language.

“Metal is universal, no matter what language it is vocally and lyrically presented in. On ‘Notre-Dame-de-l’Enfer’, these French Canadian folk tales are all about ghosts, witches, sins, and the devil himself! It fits really well with the metal imagery! The album touches on a lot of different styles: fast, slow, sad, happy songs with either coarse or clean vocals. We also incorporated some traditional instruments on this album with the use of mandolin, acoustic guitar, strings, accordion, and cowbell along with singing and harmonies that are reminiscent of traditional chants.”

Thrash La Reine is recommended for fans of Alestorm, Powerwolf, and King Diamond.

The album can now be streamed and downloaded on the following platforms: Thrashlareine.bandcamp.com, Spotify, Apple Music.

Music Video – Au Chant de L’Alouette 


Lyric Video – La Cage de Fer


Track Listing:
1. La Plainte de l’Alouette (0:36)
2. L’Étranger (4:32)
3. La Chasse-Galerie (4:29)
4. Le Rigodon de l’Enfer (0:25)
5.  Au Chant de l’Alouette (3:00)
6. Wendigo (3:36)
7. La Cage de Fer (4:02)
8. Une Heure Avant l’Aube (1:06)
9. Operation Neptune (3:25)
10. Les Trois Diables (4:42)
11. Le Diable En Personne (0:33)
12. Le Fantome de l’Avare (4:35)
13. Legende d’Antan (7:27)
Album Length: 42:34

For more info:
Thrashlareine.com
Facebook.com/thrashlareine
Instagram.com/thrashlareine
Twitter.com/ThrashLaReine
EPK

===================================

Bam&Co.Heavy: disponible maintenant ! THRASH LA REINE l’album sur le folklore québécois “Notre-Dame-de-l’Enfer”

Les Montréalais de Thrash La Reine auront un nouvel album « Notre-Dame-de-l’Enfer », dès le 29 octobre, via la maison de disque Bam&Co. Heavy. Cet album complet est la troisième sortie du groupe après « La Foi, La Loi, La Croix » (2019) et « Le Métal Est Notre Langue » (2018). L’album concept, produit par le réalisateur Francis Perron (Voivod – The Wake), constitue un opéra métal sur le folklore canadien-français présenté sur treize chansons de heavy metal : 9 chansons complètes et 4 interludes. Dans l’ensemble, l’album ira conquérir de nombreux fans francophones, mais l’objectif du groupe est également d’exposer la culture canadienne-française à plus de métalleux à travers le monde, quelle que soit leur langue.

« Le métal est universel, quelle que soit la langue dans laquelle il est présenté vocalement et lyriquement. Sur ‘Notre-Dame-de-l’Enfer’, ces contes folkloriques canadiens-français parlent de fantômes, de sorcières, de péchés et du diable lui-même. Tout cela s’accorde très bien avec l’imagerie métal ! L’album touche à beaucoup de styles différents : des chansons rapides, lentes, tristes, joyeuses avec des voix rauques ou claires. Nous avons également incorporé des instruments traditionnels sur cet album avec l’utilisation de mandoline, guitare acoustique, violons, accordéon et cloche à vache, ainsi que des chants et des harmonies qui rappellent les chants traditionnels. »

Thrash La Reine est recommandé pour les fans d’Alestorm, Powerwolf, and King Diamond.

L’album peut être écouté et téléchargé sur les plateformes suivantes : Thrashlareine.bandcamp.com, Spotify, Apple Music.

Vidéoclip – Au Chant de L’Alouette – https://youtu.be/BhvObenHdWE
Vidéo avec paroles – La Cage de Fer – https://youtu.be/SzBHV2BxlcM

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: Out Now! Italian Symphonic Folk Metal AEXYLIUM New Album “The Fifth Season” + New Music Video “Mountains”

  • October 29, 2021
  • by Asher
  • · Aexylium (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 29, 2021



For fans of Eluveitie, Korpiklaani, Alestorm

Rockshots Records: Out Now! Italian Symphonic Folk Metal AEXYLIUM New Album “The Fifth Season”

New Music Video “Mountains”

Italian symphonic folk metallers Aexylium have a new album “The Fifth Season” out now as of October 29th via Rockshots Records. For the full-length’s release day, they are unveiling their new music video “Mountains”, a track the celebrates the feeling of lightness and freedom that only the mountains can give.

Visually spectacular with the backdrop of the Italian Alps (Passo Della Presolana) and filmed by Maurizio Del Piccolo di Moviedel Productions, “Mountains” can be watched at the following link: https://youtu.be/dTt14GcEz9k

Mixing traditional folk instruments (Flute, Violin, Bouzouki) with the modern symphonic metal, Aexylium‘s sophomore full length follows 2018’s “Tales From This Land” (Underground Symphony Records) and their 2016 self-produced EP “The Blind Crow“. “Tales From This Land” has had over 110k streams on Spotify along with its powerful single “Revive the Village’ placing on the top 200 metal song charts in Germany on Apple Music. Aexylium has also released fan-praised covers of Game of Thrones and Vikings main themes with reinterpreted folk metal sounds.

Since their inception in 2014, the Italian band has performed at renowned festivals in Europe such as Dumeltica International Music Festival, Montelago Celtic Festival, Malpaga Folk & Metal, Rock Inn Somma, Druidia and Strigarium along with sharing the stage with Elvenking, Wind Rose, Nervosa, Furor Gallico, Temperance and more. In August 2020, despite Covid restrictions, Aexylium was chosen by the city of Milan to perform at the historical Castello Sforzesco.

Their new album “The Fifth Season” is a concrete step towards growth and musical maturity with its offering of festive ballads, tighter riffs, advanced orchestrations and heavier dark songs that are all inspired by Norse Mythology. The record also features guest vocals from Samuele Faulisi (Atlas Pain), Arianna Bellinaso and the members of Coro Facoltà di Musicologia Vocal Ensemble. The album was recorded at Twilight Studio by Davide Tavecchia with the artwork done by Jan Yrlund of Darkgrove Design (Manowar, Testament, Korpiklaani.

“The Fifth Season” is available as of October 29, 2021 via Rockshots Records and available at the following links:
CD – https://bit.ly/TheFifthSeason_CD
Digital – https://bfan.link/the-bridge

Previous Single:
Lyric Video – The Bridge – https://youtu.be/jyssCoDi9jo
Music Video – The Fifth Season – https://youtu.be/uL0YN1JIyVc

https://ssl.fbridgecdn.net/users_files/43/57443/aexylium_-_the_fifth_season.jpg


Track Listing:

1. The Bridge (4:47)
2. Mountains (4:16)
3. Immortal Blood (5:54)
4. Battle of Tettenhall (5:59)
5. Skål (4:54)
6. An Damhsa Mór (2:39)
7. Yggdrasil (4:47)
8. Vinland (4:09)
9. The Fifth Season (5:20)
10. Spirit of the North (5:40)
11. On the Cliff’s Edge (2:40)
Album Length: 51:10

Band Line Up:
Steven Merani – Vocals
Fabio Buzzago – Guitar / Backing Vocals
Andrea Prencisvalle – Guitar
Gabriele Cacocciola – Bass
Matteo Morisi – Drums
Stefano Colombo – Keyboards / Accordion / Backing Vocals
Federico Bonoldi – Violin
Leandro Pessina -Flutes / Bouzouki / Mandolin

Album Credits:
Special Guests:
Arianna Bellinaso – Vocals (‘Mountains’ / ‘The Fifth Season’)
Samuele Faulisi – Vocals (‘The Bridge’) – Backing Vocals
Coro Facoltà di Musicologia Vocal Ensemble – Choirs
Produced by: Aexylium, Davide Tavecchia
Music and Arrangements: Aexylium
Orchestral Parts: Stefano Colombo, Buzzago Fabio
Lyrics: Fabio Buzzago, Steven Merani, Gabriele Cacocciola
Recording, Mixing and Mastering: Davide Tavecchia (Twilight Studio)
Cover Art and Booklet:  Jan Yrlund – Darkgrove.net
Band Photo: Sasha Martinelli – Salazart

For more info:
Rockshots.eu
Aexylium.it
Facebook.com/aexylium
Instagram.com/aexylium_official

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Prog Duo ATHEMON (ft. ex-Haken) Offer Free Download of Debut Self-Titled Album

  • October 28, 2021
  • by Asher
  • · Athemon · Music News

NEWS RELEASE

Montreal, QC – October 28, 2021

Prog Duo ATHEMON (ft. ex-Haken) Offer Free Download of Debut Self-Titled Album


L-R – Athemon Current Line Up | Adriano Ribeiro (Guitar, Vocals) | Tom MacLean (Bass, Production)
Photo Credits: Adriano’s picture: José Simonetti, Tom’s picture: Sunny Dhaliwal

Athemon, a duo featuring Tom MacLean (bassist/producer, To-Mera, ex-Haken) and Adriano Ribeiro (vocalist and guitarist) are offering up to progressive metal fans a FREE download of their debut self-titled album released recently on October 11th.

“Full of dark and enigmatic atmospheres, this is a concept record that is meant to be heard as one long 50-minute track divided into nine parts, which tells a story about self-awareness. This is a creative release that seeks to forge the perfect alloy of darkness and beauty,” adds the band.

The full length can be downloaded for FREE at the following link: Flyathemon.bandcamp.com

The story of Athemon comes together while many musicians were in lockdown during the Covid pandemic and unable to congregate for simple jams or have outlets to perform their music. Using this global pause, two musicians Tom MacLean based in the UK, and Adriano Ribeiro based in Brazil crossed paths online and used the digital world to their advantage to give rise to their new band Athemon.

“Adriano sent me his demo and it gave me goosebumps, so I was keen to get involved,” says MacLean.

From a significant evolution between demos to their final introductory recordings, MacLean and Ribeiro created a bonding friendship over musical interests that created the perfect environment to allow them to evolve and conceive their debut album.

Formed as a gateway to express their art using progressive metal music, the duo invited a special guest drummer from Brazil; Gledson Gonçalves who added his percussionist touch to compliment each one of the nine tracks.

“As nobody goes alone in this world (even being totally alone inside one’s own mind), the songwriting process had a lonely beginning, but a very collaborative end. The beginning of this project was driven by Adriano, but nothing would fit so well if it wasn’t for the amazing connection the three of us have (Adriano, Tom, and our special guest on drums, Gledson),” says MacLean.

The lyrics for the album were written by vocalist/guitarist Adriano Ribeiro and were inspired by thoughts of how confusing reality can be if you are not taking care of your emotional side. “The thin line between what’s real and what’s not is an endless world,” adds Ribeiro.

New fans of Athemon, can expect much more to come from the pair as they already have plans to launch their second album by the end of 2022, which they are currently composing with promising results.

As for the live spectacle of Athemon, for now, the band will let the music flow until the duo can connect from across the Atlantic for their first in-person jam session.

Recommended for fans of Nevermore, Pain of Salvation, Opeth, Gojira, and Mastodon, Athemon‘s self-titled debut is available on Spotify, Apple Music, and all other major digital music platforms.


Track Listing:
1. Perception (3:16)
2. Whispers (5:29)
3. The Glass Hindered Us (3:57)
4. Different From What Was Missing (5:23)
5. Seed of Change (7:25)
6. I Voice of Mine (8:12)
7. Reaching Deepness (6:42)
8. Greatest Understanding (5:54)
9. Birth (4:01)
Album Length: 50:20

Album Credits:
• All songs performed by: Athemon
• All songs written by: Athemon
• Produced by: Tom MacLean
• Mixed by: Tom MacLean @ Twelve Tone Studio
• Mastered by: Tony Lindgren @ Fascination Street Studios
• Album Artwork by: Luigi Quarta

Album Band Line Up:
Adriano Ribeiro (Guitars, Vocals)
Tom MacLean (Bass)
Gledson Gonçalves (session Drums)

More Info:
Athemon.com
Facebook.com/fly.athemon
Instagram.com/fly.athemon
EPK

– 30-

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Design Abstract Is Now Streaming Their Melodic Death Sci-Fi Epic “Metemtechnosis”, Album Stream Premiere via Bravewords

  • October 27, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – October 27, 2021

 

The Design Abstract Is Now Streaming Their Melodic Death Sci-Fi Epic “Metemtechnosis”

Album Stream Premiere via Bravewords

New Album “Metemtechnosis” Out October 29th via Abstrakted Records


L-R – Matt Ngo (Guitar) | Voiicide (Vocals, Bass, Synth) | Logan Mayhem (Guitar, Synth)
Photo Credit: Tami Martin

 

The Design Abstract melds together narrative sci-fi with Gothenburg-esque melodic death metal, resulting in ambiguous concept albums that sound completely different from other artists in the genre. Their latest album “Metemtechnosis” continues the “Technotheism” (2021) storyline after an indeterminate amount of time in the universe. The band compares this new album to the last, and lets us know what’s coming next:

“Many people had many positive things to say about “Technotheism” upon its release, and we feel that “Metemtechnosis” is a worthy successor to it. Compositionally, we have refined many elements and parts of the processes, and from a technical standpoint, we have really stepped up a lot. Those who wanted to hear more of the killer guitar work will assuredly not be disappointed. “Metemtechnosis” also carries on the story of “Technotheism” in part two of what will be a trilogy. Everything that was present in “Technotheism” has been brought back in more compelling ways, and the performances are more on-point than ever before.”

Similar to “Technotheism”, the tracks were written as necessary to touch on the major story beats of the album; an overarching science-fiction story about a far future where technological advancement puts into question a lot of things taken for granted, like the definition of humanity, individuality, progress, and the line between all of these things. After the third album in the trilogy is released, The Design Abstract will move to a different fictional setting, but the music will continue to experiment with the elements they use in new and innovative ways.

All songs on “Metemtechnosis” were written and performed by Voiicide (vocals/bass/programming), Logan Mayhem (guitars/modular synthesis), and Matt Ngo (guitars). It was produced, mixed, and mastered by Voiicide at Abstrakted Records and the album artwork was done by Yuta Shimpo.

The Design Abstract has a sound that is distinctively theirs and is recommended for fans of Soilwork, Septicflesh, and Divine Disorder.

“Metemtechnosis” is streaming now in full via its exclusive premiere on Bravewords HERE.

The album “Metemtechnosis” drops on October 29, 2021 via Abstrakted Records.

Album pre-order – https://design.bandcamp.com

Lyric Video – Born of Machines


Track Listing:
1. Digital Dawn (8:03)
2. Born of Machines (4:35)
3. The Hybrid Awakening (7:07)
4. Organic Data Fusion (5:45)
5. Metropolis II (4:42)
6. Aberration Omega (3:33)
7. Upheaval (Instrumental) (2:00)
8. Sentinels (3:10)
9. Decryptor (6:32)
Album Length: 45:31

Album Band Line Up:
Voiicide – Vocals, Bass, Scoring/Sampling/Programming
Logan Mayhem – Guitars, Modular synthesis
Matt Ngo – Guitars

For more info:
Facebook.com/thedesignabstract
Instagram.com/thedesignabstract
EPK

About:
The Design Abstract is a 3-piece Symphonic Melodic Death Metal band from Kitchener-Waterloo, ON, Canada. The band focuses heavily on storytelling and worldbuilding with a futuristic and sci-fi narrative to each album they create. The Design Abstract formed in 2011 as a solo project under the name Design, and after many lineup changes, grew into a musical entity that presents a bold, epic, and even monolithic fusion of orchestra, synth, and melodic death metal. Sweeping symphonic passages, harsh industrial elements, highly proficient and memorable guitar work, and brutal guttural vocals mixed with soaring cleans are all blended in many ways to put forth a truly unique and powerful musical experience.

– 30 –

“Incorporating old school sci-fi visual elements with choppy electronics, catchy guitar parts and perfectly timed kick drums, this track (Parallel Projection) is a synth metal blast!” – Metal Injection

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York 

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“This is a grandiose affair, full of musicality, technicality, and narrative. Thirteen tracks of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between.” – The Prog Space

“I love hearing something ambitious and genre-bending when a band can follow through on their vision.  The Design Abstract is one such band, one that had an idea and put it together almost flawlessly… This album is every bit as diverse, colorful, and epic as I had hoped, and there are jaw-dropping moments galore.  I absolutely love this record.” – The Prog Mind

“The Design Abstract goes for a big symphonic style in extreme metal, with a few twists and surprises along the way. Fans of the dystopian and/or futuristic sounds may find the album especially interesting. The Design Abstract is the symphony that remains after the alien zombies have taken over and this is the music that they want the world to hear to remind everyone that the zombies are horrible beings that enjoy tormenting the population with grandiose cacophony. When can the party begin, right?” – Metal Bulletin Zine 

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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