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Category: Music News

0 Quebec’s BORN DIVIDED’s New Video ‘Everything Comes to an End’ Opens the Gates to October Album “Chronicle of a Shipwreck”

  • September 4, 2025
  • by Asher
  • · Born Divided · Music News

NEWS RELEASE

Montreal, QC – September 4, 2025

Quebec’s BORN DIVIDED’s New Video ‘Everything Comes to an End’ Opens the Gates to October Album “Chronicle of a Shipwreck”

(Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Michael Beaudoin – Guitar, Fred Bedard – Guitar, Maxim Levesque – Vocals, Lucas Biron – Drums, Tommy Demers – Bass

Photo Credit – Paul Giacomo

Quebec City progressive melodic death force Born Divided has dropped their blistering new single and music video, “Everything Comes to an End”. The track is the first glimpse into their upcoming full-length album, “Chronicle of a Shipwreck,” (mixed and mastered by Cryptopsy’s Chris Donaldson), set to release on October 24, 2025.
​
Formed in 2020 by former members of Blinded by Faith, Born Divided has carved out a signature sound that’s epic, melodic, orchestrated, aggressive, and progressive. Their latest offering is a cinematic metal journey that fuses clean vocals, explosive guitar work, and relentless blast beats—culminating in a finale that’s as emotionally rich as it is musically intense.
​
​“Everything Comes to an End” showcases the band’s evolved sound with Maxim Levesque delivering a powerhouse vocal performance, backed by Tommy Demers on bass, Lucas Biron on drums, along with Fred Bédard, and Michael Beaudoin rounding out the lineup with razor-sharp guitar shredding. The track’s emotional depth and orchestral intensity set the tone for the rest of the album, which promises a dynamic blend of melody and aggression.

“Everything Comes to an End kicks off the album with an epic and catchy fusion of sound. Intense clean vocals take center stage, including a standout performance by Tommy Demers that evokes the emotional depth of Opeth. The track builds towards a breathtaking finale, where rapid melodic guitar picking collides with relentless drum blast beats—delivering a cinematic and explosive finish,” adds the band.

Watch the official video for “Everything Comes to an End” – https://youtu.be/IVkHsg6vkk0

​Spotify – https://open.spotify.com/track/0JDzA0Rx2OTG5hps4ULYYR​

The forthcoming album, “Chronicle of a Shipwreck”, features seven meticulously crafted tracks selected from twelve original compositions. Lyrically penned by Danny Emond, the album explores themes of chaos, introspection, and resilience, anchored by fast, heavy riffs and soaring vocal passages.

“This isn’t just an album. It’s a reflection of where we’ve been, what we’ve endured, and how we’ve emerged, louder, heavier, and more unapologetically ourselves,” says the band.

With influences ranging from Ne Obliviscaris and Dimmu Borgir to Symphony X, Born Divided’s sound is a collision of death metal, black metal, and heavy metal crafted with precision and passion. Prepare for the full sonic voyage when “Chronicle of a Shipwreck” drops this October 24th, 2025.

Album pre-order – https://borndividedofficial.bandcamp.com/​

Track Listing:
​
1. Everything Comes to an End – 5:09
2. Chronicle of a Shipwreck – 4:10
3. Illusion Factories – 7:38
4. The Dead Inside Ourselves – 5:54
5. Run, Burn, Die! – 7:52
6. Subterranean Corridors – 4:48
7. Anxiety – 7:57
Album Length: 43:31
​
​Born Divided is:​
Tommy Demers – Bass
Maxim Levesque – Vocals
Michael Beaudoin – Guitars
Fred Bedard – Guitars
Lucas Biron – Drums

For more info: https://linktr.ee/borndivided​

– 30 –

“Born Divided is in every way my surprise for 2022. I’m really looking forward to seeing them in concert. This is a new group that I think is likely to break through if the right people hear them. Born Divided – Impending Doom = 9.8/10” – Ondes Chocs (Impending Doom 2022)

“Alternating between clear vocals and « growl», melodies and aggressiveness, it’s a promising album!” – Metal Universe (Impending Doom 2022)

“This was the group I was looking forward to. I had the opportunity to see the musicians of the group with their other projects (except the singer), but never all together. We’re talking about groups like Blinded by Faith, Moonlight, Kalter and GFK. I want to say that I was not disappointed… Born Divided is a new group that, in my opinion, deserves to be on big shows or even tours. They have their own sound. A group to watch!!” – Ondes Chocs (Live Review -Le Corsaire, Lévis – May 20, 2023)

“A solid opening performance for this promising group with experienced musicians and compositions that adapt wonderfully well to live performances. If you still haven’t listened Impending Doom, I highly recommend this first album.” – Metal Universe (Live Review – Quebec City – Source de la Martinière – June 15, 2024

“Born Divided delivers the listener’s ears with a musical spectrum consisting of melodic sections of melodic death metal combined with a high level of complex/technical proficiency, intricacy, and dynamics from progressive music. They also blend orchestration arrangements within their musical spectrum. Impending Doom doesn’t just deliver a fruit of art death metal to the listener’s ears -but the lyrical concept (without looking into it – it’s there in front of the listener) that has a solid/meaningful lyrical meaning.” – Aathenaeumofsinreviews (Impending Doom 2022)

“While it is a fact that tight, hard and intense extreme metal parts dominate this production, this is also a band that appears to know their way around progressive metal landscapes. Just about all the compositions here will twist and turn multiple times, alternating the extreme metal onslaught with delicate and atmospheric interludes, instances of classic era progressive metal and also passages exploring a more distinct and melodic variety of atmospheric metal. Orchestral style backing is applied for both the extreme and some of the less intense parts, and quirky, technical details is a recurring feature too. The vocals alternate between harsh, distorted vocals and clean, clear and melodic singing, with the former mainly being restricted to the extreme metal parts and the latter mainly restricted to the passages that doesn’t venture into the most extreme passages here. Progressive death metal is apparently a thing, and those who tend to enjoy music defined in that manner can safely add this album to their list of music to get more familiar with.” – Progressor (Impending Doom 2022)

—
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0 Groove, Sludge, and Fury ANCIENT THRONES Drop “A Turning Point” Guitar Playthrough Off New Album “Melancholia” Out Sept 2025

  • September 4, 2025
  • by Asher
  • · Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – September 4, 2025

Groove, Sludge, and Fury ANCIENT THRONES Drop “A Turning Point” Guitar Playthrough Off New Album “Melancholia” Out Sept 2025

+ Launch Vinyl Pre-Order

Ancient Thrones Current Line Up

Top L-R: Dylan Wallace (Guitar) | Nick Leslie (Guitar)

Bottom L-R: Matt LeBlanc (Bass) | Sean Hickey (Drums & Vocals)

Photo Credit – Matt Leblanc

Halifax, Canada’s Ancient Thrones has dropped a blistering guitar playthrough for their latest single “A Turning Point,” offering fans a visceral preview of their forthcoming full-length album, “Melancholia,” out on September 19th, 2025 (Vinyl and Digital). The track marks a sonic shift for the band, trading speed for sludge, groove, and emotional weight as they continue to evolve their progressive and existential sound.
​​
“A turning point is exactly that; a complete shift from speed into a groove-focused, more sludge-influenced sound, with twists and turns as our character in the story sinks his feet into the muddy path ahead, going deeper into the trip. Originally, this song was meant to be a bit more straightforward rhythmically, until Sean flipped the drum part to channel influences like Brann Dailor on Mastodon’s “Leviathan’, big energy and lots of fills. Featuring a ground-shaking bass performance by Matt LeBlanc and ending with a standout finger-bleeding solo from Dylan Wallace, the song offers something to satisfy all metal fans,” 
adds the band.

Watch and listen to the playthrough for “A Turning Point” via its premiere on Metal Insider HERE.

Formed in 2011 and rebranded in 2018, Ancient Thrones carved out a new identity rooted in fast, extreme, progressive, cinematic, and existential soundscapes. With “Melancholia”, the band introduces a 42-minute descent into existential exhaustion, delivering an unapologetic extreme metal concept album that fuses blistering speed, cinematic storytelling, and emotional brutality.

From the chaotic opener “A Moon Fused Key” to the doom-laden closer “Vacant,” the band exposes raw intensity and jagged vulnerability. The narrative follows a colorblind protagonist navigating hallucinogenic visions in search of meaning, an unsettling journey through idealism, dread, and transformation. After five years of creation, Ancient Thrones proudly bring to light this new chapter, inviting listeners to embrace the chaos and feel something truly unnatural.

“For this album, a big focus for us was on the production. We meticulously, painstakingly spent several hours dialing every tone, note, layer, vocal, etc. We were fortunate to have time and a slower world on our side during production. Everything on this album was thought out and brought to life in a fully fleshed-out way. It took us 5 years to make this album, with 1 of those years used just levelling up our musicianship and techniques in order to play the material. We’re faster, more technical, and have a singular focus to make sure this album was beating you down from head to toe,” says Leblanc.

Drawing inspiration from the chaotic precision of The Red Chord and The Faceless, the poetic intensity of Deafheaven, and the breakneck technicality of Archspire, Ancient Thrones forges a sound that’s ferocious and relentlessly extreme. “Melancholia” marks their most ambitious leap yet—each note sharpened and sculpted over five years of obsessive writing and sonic refinement.

Album pre-order (Vinyl, Digital) (out Sept 19th, 2025) – https://ancientthrones.bandcamp.com​

Lyric Video – “A Moon Fused Key” – https://youtu.be/IfDBNhlJ0sI​

Music Video – “Melancholia” – https://youtu.be/_LvSTJ78kd8​

Track Listing:​
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:​
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones​

-30-

“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)
​
​
​“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

—
ASHER MEDIA RELATIONS
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0 Streaming Now! Quebec’s UNPUNISHED’s New EP Is An Aggressive Lesson In The “Echoes of History”

  • September 4, 2025
  • by Asher
  • · Music News · Unpunished

NEWS RELEASE

Montreal, QC – September 4, 2025

Streaming Now! Quebec’s UNPUNISHED’s New EP Gives You An Aggressive Lesson In “Echoes of History”

Quebec Tour Dates (Quebec City, Trois-Rivieres, Montreal)

L-R – Pierre-Luc Defoy (Guitar, Back Vocals), Jean-Christophe Magnan (Vocals), Alex Brochu-Meloche (Bass, Back Vocals), Justin Lefebvre (Drums), Dean Pavicic (Guitar)

Photo Credit – Julien Bouffard

Circle pitting the Quebec City metal scene and becoming a leading tour de force, Unpunished unleashes an aggressive metalcore lesson with their new EP “Echoes of History,” dropping this Friday, September 5th, 2025. Before its official release, the quintet has teamed up with Bravewords for a full stream premiere HERE.

“Echoes of History,” our second EP, took over two years to create, shaped by personal challenges and creative differences. With diverse musical influences, we struggled to agree on direction—but that tension gave rise to a unique sound. Unpunished aims to avoid formulaic songwriting, crafting each track to evoke distinct moods and emotions. The EP blends 2000s metalcore roots, melodeath-inspired riffs, and vocals ranging from melodic to deathcore breakdowns,” adds vocalist Jean-Christophe Magnan.

Produced by Unpunished drummer Justin Lefebvre, “Echoes of History” is a powerful and emotionally charged five-track EP that explores humanity’s recurring failures and inner turmoil. Inspired by the Ouroboros and an almost-empty hourglass, the artwork symbolizes the urgent warning that time is running out as we repeat the same destructive patterns. Musically, the EP blends metalcore, melodic death metal, and deathcore, delivering intense riffs, melodic solos, and relentless energy. Lyrically, it dives into themes of betrayal, societal collapse, regret, genocide, and vengeance, each track offering a distinct emotional journey that reflects both personal and collective battles.

Recommended for fans of As I Lay Dying, The Black Dahlia Murder, Trivium, Parkway Drive, and Bleed From Within, Unpunished‘s “Echoes of History” is available for pre-order at https://unpunished.bandcamp.com.

Spotify – https://open.spotify.com/artist/2V8YKy50wVSJ6e5B9SPwrx​

Music Video – “Shattered in Disarray” – https://youtu.be/Yr5pD6tPuas​

Lyric Video – “Burn the Traitors” ft. Alex Leblanc (ex-Fracturus, ex-Neuraxis, ex-Mass Murder Messiah) – https://youtu.be/uJO4s8QDxng​

“As Water Fills My Lungs” – https://youtu.be/HvyJu1Mo3uk​

In additional news, Unpunished will be performing a series of show dates in the province of Quebec, listed below. Fans can anticipate a tight, high-energy live performance, with a dynamic setlist that mirrors the EP’s emotional and musical range.

Unpunished – Echoes of History EP Launch Tour w/ Concessions, Deadwood, In Disarray, Observants, Terror Symphony:

Sept 20 – Quebec City, QC – L’Anti Bar – info​

Sept 27 – Trois Rivieres, QC – Taverne Royale – info​

Oct 10 – Montreal, QC – Piranha Bar – info​

Track Listing:​
1. As Water Fills My Lungs – 4:49
2. Plague of Our Race – 4:39
3. Shattered in Disarray – 5:06
4. Echoes of History – 4:52
5. Burn the Traitors ft. Alex Leblanc – 4:38
EP Length: 24:06

Recording Credits:​
• All songs performed by: Unpunished
• All songs written by: Unpunished
• Produced, mixed, and mastered by: Justin Lefebvre
• Album Artwork by: I And I Art
• Member of SOCAN
• Canadian Content (MAPL)

EP Recording and Live Line Up:​
Jean-Christophe Magnan (vocals)
Justin Lefebvre (drums)
Alex Brochu-Meloche (bass, back vocals)
Pierre-Luc Defoy (guitar, backing vocals)
Dean Pavicic (guitar)

More info: Facebook.com/Unpunishedband | Instagram.com/unpunished_band​

-30-

“UNPUNISHED has the aggression side of the music just right, which does help with the kind of music that the band is playing on “Echoes of History”. Plus, they know how to display it to us as listeners in a way that you can’t but help be impressed by what you hear. Even if you are not a fan of any kind of music which ends in core you will find that the 24:08 minutes of music also gives you a real Death and Thrash Metal vibe to keep you interested. And that is just what the doctor ordered, making the boundaries vague and unclear, providing the listener with enough points that will have them think towards their own likes. As for me, when I listen to a song like “Shattered in Disarray” it makes me think back to the time when IN FLAMES had their logo with a clear print. There are a few similarities.8/10” – Metal Temple

“UNPUNISHED Ignites Metalcore Scene with New Single “Burn the Traitors”… “Burn the Traitors” showcases guest vocalist Alex Leblanc, enhancing the track with his formidable experience. UNPUNISHED describes this single as their most brutal offering yet, leaning heavily into melodic death metal territory, devoid of clean vocals. The relentless intensity is punctuated by a captivating, melodic chorus and a strategically paced guitar solo, offering listeners a brief respite before plunging into the explosive climax.” – See Rock Live

“Le groupe de metalcore qui contient des sonorités de deathcore et death metal, Unpunished, a dévoilé une couleur plus agressive avec son nouvel extrait ¨Burn The Traitors¨, titre qui est collaboré au niveau vocal par Alex Leblanc de Fracturus (Ancien Mass Murder Messiah / Neuraxis).” – Grizzly Media

“It’s all this musical baggage that Alex Leblanc (Fracturus, ex-Mass Murder Messiah, ex-Neuraxis) brings to this new song UNPUNISHED. As a collaborator, of course, but he allows us to give another dimension to their sound which leans more towards melodic death this time. The intensity of the song growl from Jean-Christophe Magnan takes up much more space and gives new weapons to UNPUNISHED. At times we feel like we have a mix between Amon Amarth, Soilwork and Killswitch Engage. To discover!” – Metal Universe (2023 – Burn the Traitors – single)

“Unpunished comes to us with an EP that will please fans of metalcore from the good years combined with the more modern melodic side. The vocal playing between clear and « growl » is effective, especially on the title track « Shadows And Dust ». The guitar riffs are eye-catching and that’s one of the things that introduced me to metalcore in the mid-2000s, and we’re well served with this EP. They knew how to bring their personal touch to their influences, and that is what makes « Shadows And Dust» so effective.” – Metal Universe (2022 – Shadows and Dust EP)

—
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0 Witness Technical Fury with Canadian Death Metal HARVESTED’s Drum Playthrough “Unanchored” Off New Album “Dysthymia” Out Now!

  • September 3, 2025
  • by Asher
  • · Harvested · Music News

NEWS RELEASE

Montreal, QC – September 3, 2025

Witness Technical Fury with Canadian Death Metal HARVESTED’s Drum Playthrough “Unanchored” Off New Album “Dysthymia” Out Now!

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Unleashing their latest death metal opus “Dysthymia” this past August, Ottawa, Canada’s Harvested are sharing their latest drum fury with a new playthrough for their track “Unanchored”. One of the more brutal tracks on this album, it contains influences from deathcore but is molded into a death metal song. You’ll find a mix of fast and aggressive riffs to heavy breakdowns. The song touches on the greed and gluttony of the human experience, essentially abusing the earth as long as it serves them.

Watch the drum playthrough for “Unanchored” from Jacob Collins via its premiere on Technical Music Review HERE.

Unleashing their first full-length, “Dysthymia,” the band delivers nine relentless tracks of extreme metal that fuse intricate musicianship with unyielding heaviness. Centered around themes of mental illness, the album weaves a unified narrative across its 31-minute span, with each song delving into distinct facets of psychological turmoil through a lens of raw sonic aggression. This release marks a clear evolution from their debut, retaining the ferocity while introducing a deeper, more introspective edge.

“This record marks a significant step forward in our sound, pushing beyond what we introduced with our 2022 EP. It’s a more complete showcase of our musical capabilities, tighter, heavier, and more refined. We’ve stayed true to the lyrical themes, confronting the harsh realities of mental illness, but this time with less reliance on gratuitous gore and more focus on psychological depth. From production to songwriting, everything’s been elevated. Dysthymia is the embodiment of what Harvested stands for: raw, aggressive, and unapologetically intense. The riffs are designed to grab you and not let go, and lyrically, we’ve kept the brutality intact, just sharpened it with a more cerebral edge.” – Harvested

Recommended for fans of Cattle Decapitation, Decapitated, and Cannibal Corpse, Harvested‘s “Dysthymia” is available at the following links:

Album Stream – YouTube – https://youtu.be/ni9XelZ6zHE​

Spotify – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album order (released August 1st) – https://harvested.bandcamp.com​

Music Video “Harvested” – https://youtu.be/geF_C-Qn_7s​

Lyric Video “The Infestation” – https://youtu.be/XwQ1bs7NdZw​

Playthrough “Synaptic Confusion” – https://youtu.be/HzvwY-r_NMg​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

– 30 –

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine
​
“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing
​
​
​“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric​
​
​“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy​
​
​“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10” – Ever -Metal​
​
​“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles​
​
​“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian​
​
​“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father​
​
​“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen​
​
​“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at​
​
​“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters​
​
​“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

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0 Canadian Instrumental Prog Metal PHAETON Unveils First Single “Tethys Rising” From Third Album “Neurogenesis” Out Oct 2025

  • September 3, 2025
  • by Asher
  • · Music News · Phaeton

NEWS RELEASE

Montreal, QC – September 3, 2025

Canadian Instrumental Prog Metal PHAETON Unveils First Single “Tethys Rising” From Third Album “Neurogenesis” Out Oct 2025

ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

Canadian instrumental progressive metal quartet Phaeton returns with their third full-length album, “Neurogenesis”, out on October 24th, 2025, via INB Music, along with it being made available on vinyl at a later date this year. The record is a tightly wound, interstellar journey through melody, muscle, and mind-expanding musicality. With no vocals, no limits, Phaeton lets their instruments do the talking, creating emotional landscapes without a single lyric.

The album’s title refers to the birth of new neural pathways, fitting for a band that thrives on cerebral complexity and visceral impact. “Neurogenesis” builds on the foundation laid by their previous releases, “Self-Titled” (2018) and “Between Two Worlds” (2023), but sharpens the focus with more concise compositions that never sacrifice imagination. Each track is a self-contained universe, yet together they form a cohesive anthology of sonic exploration. Fans will also be delighted to hear that keyboard wizard Derek Sherinian (Dream Theater, Planet X, Sons of Apollo) guests on the track “Isochron”.​
​
The album artwork, created by Calgary visual artist Matt Semenok, features a suspended human brain infused with bioelectricity and cybernetic implants, a chilling nod to the accelerating march of technology and the psychological lag it leaves behind. Think H.R. Giger meets Bill Sienkiewicz in a dystopian dreamscape.

Today, the band unveils the first single, “Tethys Rising,” which was written by bassist Ferdy Belland. It is a triumphant, high-energy track inspired by the astronomy art of Chesley Bonestell and Belland’s own dream of setting foot on Saturn’s moon.

The band comments:

“This was the first complete song that Ferdy wrote for us. He’s big into astronomy, and he loves the retro sci-fi art of Chesley Bonestell, who illustrated this classic image of Saturn as viewed from the surface of its moon Tethys. So he comes up right out of the blue with this tune with all these busier-than-hell riffs. He was nervous at first about submitting his own stuff, since he wanted what he presented to us to be as strong as the songs Kevin and Daniel normally write, but we were encouraging, and “Tethys Rising” certainly matches up in power and quality to anything we’ve written. Ferdy wants to be the first human astronaut on Tethys, for real, but in the meantime, he can celebrate it in song.”

Watch and listen to “Tethys Rising” via its premiere on TheProgSpace HERE.

Formed from a fusion of four seasoned musicians, Colin Righton, Daniel Airth, Kevin Thiessen, and Ferdy Belland, Phaeton was born from a hunch and a history. Righton had played with each member in separate bands and sensed that combining their talents would spark something extraordinary. Nearly a decade later, that spark has become a supernova.

From Devin Townsend and Rush to Meshuggah and Gojira, Phaeton blends prog, tech-death, thrash, and djent into a kaleidoscope of sound.
​
Beyond “Neurogenesis”, fans can look forward to the 22-minute epic “Clouds of Mercury” slated for release as a standalone EP in 2026, and the band’s fourth album “Quartum” expected in 2027. With new material already brewing, Phaeton shows no signs of slowing its cosmic ascent.

“Neurogenesis” – album pre-order (out Oct 24th) – https://phaetonband.bandcamp.com/

Spotify – https://open.spotify.com/artist/5F6RHipUtHpTXxrlABsHth​

Track Listing:​
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:​
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial​​

– 30 –

“A”An instrumental quartet from Kimberley, British Columbia, Phaeton are skillfully blurring the boundaries between old- and new-school prog metal. Their second album, Between Two Worlds, covers a vast amount of ground, from intricate post-djent riffing, to indulgent prog pomp, and no single outstays its welcome. The nine-minute title track is a particularly impressive display of showboating and smart songwriting.” – Prog Mag – Dom Lawson (Between Two Worlds – 2023)

It’s Prog Mag’s brand new Tracks Of The Week! (April 21, 2023) – “Hailing from Columbia, Canada’s Phaeton are an interplanetary instrumental heavy prog metal quartet and as their name suggests, they are fascinated with astronomy, and the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence. The epic Between Two Worlds is the title track of the band’s latest album.” (Between Two Worlds – 2023)

“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun) (Between Two Worlds – 2023)

“Phaeton are relatively unknown, especially compared to the above mentioned bands (scale The Summit, Animals as Leaders), but they definitely hold their own on Between Two Worlds. All members absolutely kill it on their instruments, the songs are wonderfully arranged and produced, and there’s plenty of variety here to hold our attention. Instrumental prog might be a little talked about genre, but Phaeton belong in the conversation.” – Heavy Music Headquarters (Between Two Worlds – 2023)

“…a killer album indeed, wonderfully arranged and produced; a superb prog metal opus where the music almost makes you dizzy, but most of all longing for more indeed. “Between Two Worlds” to me is one of the absolute highlights of this year, a unique twist and rollercoaster of progressive, instrumental metal, highly recommended indeed: especially suitable for fans of Rush, Dream Theater and Liquid Tension Experiment. Play it LOUD and you will be hooked, listening tip: “Monsoon.”” – Rock United (Between Two Worlds – 2023)

“”Between Two World” was very competently arranged and recorded by PHAETON. Prog fans, who like sounds and virtuosity above all, will be well served with the disc.” – PowerMetal.de (Between Two Worlds – 2023)

“PHAETON releases an instrumental album in which the voice is not lacking; a nervous, boosted opus where the frank and limpid musicality makes you dizzy, where the notes invite you to travel in space to another dimension, where harmony is combined with controlled djent power; innovative music, on modern math metal-prog.” – Profil Prog (Between Two Worlds – 2023)

“If you’re open minded in your choice of Metal genres, you should feel free to let this instrumental work slip through your ears. It takes a little getting used to, so completely without singing. But if you get involved and listen carefully, one or the other will surely like something. The whole thing should appeal to fans of RUSH or DREAM THEATER.” – Hellfire Magazin (Between Two Worlds – 2023)

“The sound on all seven tracks is huge and if there was a “best sounding hammer-ons” award then March of the Synthetics could be a contender.” – Stuart Derdeyn (The Vancouver Sun) (Self-titled – 2018)

​
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0 One Man Band From Patrick Loisel (AUGURY) – MERFOLK Unveils Remastered EP “Demersal” with Haunting New Video “Mind Hive”

  • September 3, 2025
  • by Asher
  • · MERFOLK · Music News

NEWS RELEASE

Montreal, QC – September 3, 2025

One Man Band From Patrick Loisel (AUGURY) – MERFOLK Unveils Remastered EP “Demersal” with Haunting New Video “Mind Hive”

Solo artist builds puppets, plays every instrument, and dives into the abyss, literally!

The enigmatic solo project Merfolk, helmed by Patrick Loisel (Augury), returns with a remastered edition of the cult 2012 EP “Demersal,” accompanied by a surreal new music video for the track “Mind Hive.” Entirely conceived, performed, filmed, and edited by one man, known for his work with Augury, Kralized, and Foreshadow, Merfolk is a sonic and visual odyssey unlike anything else in the metal underground.
​
​“Mind Hive” is the third and final video from “Demersal,” a record that blends whistled melodies, vintage keyboards, and furious metal instrumentation into a ghoulish, genre-defying experience. The video, like its predecessors, features handcrafted puppets, practical effects, and a visual style that evokes the psychedelic climax of 2001: A Space Odyssey, all built and filmed solo in total darkness, often with props collapsing mid-shot.
​
​“I built the studio, the instruments, the puppets, about 50 of them, and filmed everything myself. It was easier than trying to coordinate with someone at 3 AM when inspiration strikes,” says Patrick Loisel, aka Merfolk.
​
​“Demersal” is a sonic dive into the abyss, inspired by supernatural aquatic phenomena, UFOs, and lost civilizations. The interlude “Doggerland” features a harp once owned by singer/historian Peter Pringle, while the EP’s eerie textures range from 70s manga soundtracks to black metal and free jazz. The remaster brings new clarity to its murky depths, while preserving the unsettling ambiance fans have come to love.
​
​Merfolk’s creator, an adopted child of Native ancestry, former physics teacher, patent historian, and lifelong ecologist, has overcome degenerative arthritis through physiotherapy and weight loss, and now channels his eclectic life into music that’s as furious as it is thoughtful.
​
​“Some people thought my drums were programmed. “I’m in my 50s, it’s not my main instrument, but I played every note,” adds Loisel.
​
The “Demersal” remaster is available now on all major platforms – https://artists.landr.com/990591563315​

Watch and listen to the video for “Mind Hive” at https://youtu.be/Cgv_x5EMJyA

​

Merfolk’s 2025 album “Sundaland” (released May 26th) promises even more ambitious storytelling, classical instrumentation, and psychedelic visuals, including a video filmed in the depths of Montreal’s Lachine Canal set for release in the coming weeks.

“Sundaland” available at https://artists.landr.com/990591564626​
​
For fans of Emperor, Mayhem, Hollenthon, Mercyful Fate, and the weirdest corners of 70s music, Merfolk offers a blastier blast and a spookier spook—no backup tracks, no compromises, just one man and his abyss.

More info: https://www.melogy.ca/merfolk | https://www.facebook.com/profile.php?id=61553443841461​

-30-

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0 Ex-Nile’s Dallas Toler-Wade Shares New Playthrough “Lashed to the Slave Stick” To Kick Off NARCOTIC WASTELAND’s Fall Tour “Annihilation of The Wasteland” + EU Tour Dates

  • September 2, 2025
  • by Asher
  • · Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – September 2, 2025

​

Ex-Nile’s Dallas Toler-Wade Shares New Playthrough “Lashed to the Slave Stick” To Kick Off NARCOTIC WASTELAND’s Fall Tour “Annihilation of The Wasteland”

+ “Annihilation of Europe Tour” (November 2025)

+ New Music Video “Introspective Nightmares”

As Narcotic Wasteland will be hitting the road for the “Annihilation of Wasteland Tour” this week (dates listed below). Fans familiar with vocalist/guitarist Dallas Toler-Wade and his time in Nile will be pleased to hear that on this tour, he will be performing two of the songs, “Lashed to the Slave Stick” and “The Burning Pits of the Duat”, that he wrote for the album “Annihilation of the Wicked.”, which is celebrating it’s 20th anniversay. Fans will get to experience these songs from the original composer himself, making this run one of the most anticipated moments in extreme metal this year along with Narcotic Wasteland fan favorites and new material, including such tracks as “Barbarian”, “Sex, Lies and DNA”, “Introspective Nightmares”, “Coastal Killings”, “The Best Times Have Passed”, and more!

In additional news, fans have been asking for years for Dallas Toler-Wade to share a guitar playthrough for “Lashed to the Slave Stick” along with official tablature that is now available at DallasTolerWade.com.

Dallas Toler-Wade adds:​
​“Fans have been asking me for years to release the playthrough and tablature for these songs, and I’m excited to finally make it happen. With the 20th anniversary of Annihilation of the Wicked, it feels like the perfect time to revisit the songs I wrote the music for, ‘Lashed to the Slave Stick’ and ‘The Burning Pits of Duat.’ Playing these compositions live again brings it full circle for me, and I can’t wait to share that energy with the fans on this tour.”

Watch the playthrough for “Lashed to the Slave Stick” at https://youtu.be/L9xp0sS1BWQ

​and previous playthrough for “The Burning Pits of Duat” at https://youtu.be/nQG9tS0za-I​

Music Video – Introspective Nightmares – https://youtu.be/jOBq_a4bFGs

​Tour Promo Video – https://www.youtube.com/shorts/TWkkfmZNz_0

​

Narcotic Wasteland is a relentless force in the metal scene, delivering a crushing blend of technical precision, unyielding aggression, and raw energy. Fronted by Dallas Toler-Wade, renowned vocalist and guitarist best known for his work with Nile, he brings his signature technical prowess and intense energy to the band.

On drums, Joseph Howard unleashes a torrent of precision and power, driving the band’s pummeling rhythms with thunderous intensity. His dynamic performance creates the perfect foundation for the band’s heavy and often dark sonic atmosphere.

Kenji Tsunami commands the low end with inventive, hard-hitting bass lines that add both depth and texture, solidifying the band’s signature wall of sound. His stage presence and musicianship bring an extra dimension to Narcotic Wasteland’s live assault.

Together, Dallas, Joseph, and Kenji forge an unstoppable musical unit—one that captivates audiences with high-octane performances and uncompromising compositions. With unmatched technical skill and a shared vision for pushing metal’s boundaries, Narcotic Wasteland stands as a true powerhouse in today’s extreme music landscape.

Merch Stores:
Narcotic Wasteland – https://shopusa.season-of-mist.com/band/narcotic-wasteland​
Dallas Toler-Wade – https://shopusa.season-of-mist.com/band/dallas-toler-wade​

Tickets & Tour Info:​
​https://tr.ee/rZ3dOvB3TC​

Headlining Shows:​
9/03 – Madison, WI – The Annex
9/04 – West Chicago, IL – WC Social Club
9/05 – Flint, MI – Flint Local 432
9/06 – New Haven, IN – Carl’s Tavern
9/07 – Cleveland, OH – The Foundry
9/08 – Rochester, NY – Photo City Music Hall
9/09 – New Bedford, MA – The Vault
9/10 – Raleigh, NC – Chapel of Bones
9/11 – Spartanburg, SC – GroundZero (Special Guest to Crypta)
9/12 – Chattanooga, TN – JJ’s Bohemia
9/13 – Wallingford, CT – Cherry St. Station
9/14 – Dunbar, WV – Live at the Shop
9/15 – Charleston, SC – Tin Roof
9/17 – Orlando, FL – Conduit
9/18 – Fort Pierce, FL – Tipsy Tiki
9/19 – Tampa, FL – Brass Mug
9/20 – Long Beach, MS – Trax Bar & Grill
​
​Special Guest to Filth:​
9/21 – Atlanta, GA – Boggs Social & Supply
9/22 – Pensacola, FL – Handlebar
9/23 – Shreveport, LA – Strange Brew
9/24 – Amarillo, TX – The Atomic Yellow
9/25 – Denver, CO – Black Buzzard at Oskar Blues
9/26 – Greeley, CO – Moxi Theater
9/27 – Casper, WY – Wyoming Hardcore Festival
9/28 – Colorado Springs, CO – Vultures
9/29 – Lincoln, NE – Witches’ Brew
9/30 – Nashville, TN – The End

NARCOTIC WASTELAND – EUROPEAN TOUR 2025​
13.11.25 – Oslo, Norway – Brewgata
14.11.25 – Lublin, Poland – Fabryka Kultury Zgrzyt
17.11.25 – Ostritz, Germany – AZ Meva
18.11.25 – Lübbenau, Germany – Kulturhof
19.11.25 – Kassel, Germany – Goldgrube
20.11.25 – Kortrijk, Belgium – DVG Club
21.11.25 – Alkmaar, Netherlands – Herrie Metal Fest
24.11.25 – Dublin, Ireland – Fibber Magees
26.11.25 – London, England – Underworld
27.11.25 – Newcastle upon Tyne, England – The Lubber Fiend
29.11.25 – Rennes, France – Ty Anna Tavarn
01.12.25 – Basel, Switzerland – Valhalla Bar
02.12.25 – Lonata Ceppino, Italy – Black Inside
04.12.25 – Trodica Di Morrovalle, Italy – Drunk in Public
05.12.25 – Pordenone, Italy – Tune Music Lab
09.12.25 – Sofia, Bulgaria – Grindhouse
12.12.25 – Olomouc, Czech Republic – Sklub
13.12.25 – Krakow, Poland – Confession Club

More info: https://linktr.ee/narcoticwasteland​

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

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0 Rockshots Records – Space Metal Opera AEDAN SKY Unveils Next Single “A Kingdom To The Stars” From Debut Album “The Universal Realm” Out Sept 2025

  • August 29, 2025
  • by Asher
  • · Music News

NEWS RELEASE

Montreal, QC – August 29, 2025

Space Metal Opera AEDAN SKY Unveils Next Single “A Kingdom To The Stars” From Debut Album “The Universal Realm” Out Sept 2025

After the enthusiastic response to their debut single “Beyond The Vortex Of Time”, AEDAN SKY return with their brand new single “A Kingdom To The Stars”, available worldwide today, August 29th, 2025, via Rockshots Records.

AEDAN SKY is the visionary creation of Sébastien Chabot (Galderia, Kingcrown), a space opera project where speed, melody, and storytelling merge into an epic musical odyssey. His upcoming debut album “The Universal Realm” (September 12th, 2025) is a concept record that intertwines cosmic themes, uplifting power metal, and metaphysical reflections, brought to life with the support of longtime collaborators Bob Saliba (vocals/guitar, Kingcrown, ex-Galderia) and Thomas Schmitt (vocals/guitar, Galderia).

“A Kingdom To The Stars” expands upon the project’s core vision: an exhilarating, pure speed power metal track featuring anthemic choruses, high-flying vocals, and fast-driven riffs, all tied together with a deeply narrative spirit. Within the storyline of “The Universal Realm“, the protagonist Sky receives a luminous vision of a celestial kingdom, foreshadowing the arrival of a new being and the dawn of transformation. The interplay between the three lead voices, Chabot as Sky, Saliba as Aedan, and Schmitt as Sky’s Soul, creates a dramatic and operatic texture reminiscent of the finest moments of the metal opera tradition.

Following the tradition of late-’90s and early-2000s European power metal, AEDAN SKY reinvigorates the genre with modern production and a spiritually charged concept. The single was mixed and mastered by Simone Mularoni at Domination Studio (Rhapsody, DGM, Secret Sphere), ensuring top-tier sound quality, while the album’s cover artwork was created by the acclaimed Felipe Machado Franco, whose visionary style has adorned countless legendary metal releases.

With “A Kingdom To The Stars”, confirm the momentum sparked by their debut and offer another glimpse into the larger cosmic journey told throughout “The Universal Realm“. Fans of Helloween, Gamma Ray, Avantasia, Stratovarius, and Angra will find an authentic new voice carrying the torch of melodic, anthemic power metal into a new era.
​
​LISTEN TO “A Kingdom To The Stars” – https://lnk.to/7DQU13

​

YOUTUBE – https://youtu.be/m4W96ZuYYb0

​
​
“The Universal Realm”
 will be released on September 12th, 2025, and will be available on all digital platforms and in a CD Digipak. Pre-orders are now open at the following link
​
​ALBUM PRE ORDER: https://rockshots.eu/products/aedan-sky-the-universal-realm-cd​

FFO: early Helloween (“Walls of Jericho”, “Keeper of the Seven Keys”), late 90s Gamma Ray (“Land of the Free”, “Power Plant”), Avantasia’s “Metal Opera” era.

Track Listing:​
1. Opening
2. Call of the Universe
3. A Kingdom to the Stars
4. Gate of Skies
5. Beyond the Vortex of Time
6. From the Ashes to the Light
7. Land of Paradise
8. Interlude
9. Illumination
10. The Universal Realm
​
​Aedan Sky Line Up:​
Vocal Cast / Characters
Sébastien Chabot: Lead Vocals as SKY
Bob Saliba: Lead Vocals as AEDAN
Thomas Schmitt: Lead Vocals as SKY’s Soul Musicians
Sébastien Chabot: Lead & Rhythm Guitars, Bass Guitar, Keyboards
Thomas Schmitt: Lead Guitar on track 4
Bob Saliba: Lead Guitar on track 9
Julien Digne: Piano on tracks 4 & 10
S.D.: Drums

​More Info:

​https://rockshots.eu/​

Facebook: https://www.facebook.com/profile.php?id=61578169109523​
Instagram: https://www.instagram.com/aedansky​

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Streaming Now! Experience Raw Metal Intensity w/ IMPERISHABLE’s (ft. Nile, Hate Eternal, Malevolent Creation members) Debut Album “Revelation In Purity”

  • August 28, 2025
  • by Asher
  • · Imperishable · Music News

NEWS RELEASE

Montreal, QC – August 28, 2025

Streaming Now! Experience Raw Metal Intensity w/ IMPERISHABLE’s (ft. Nile, Hate Eternal, Malevolent Creation members) Debut Album “Revelation In Purity”

“Revelation In Purity” Out Aug 29th, 2025 via Everlasting Spew Records(Digital/CD/Cassette) – Vinyl Coming 2026

Mixed and Mastered by Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit)

Get set to experience a raw and real death metal experience with the debut album “Revelation in Purity” from IMPERISHABLE, featuring guitarist/vocalist Brian Kingsland (Nile, Enthean), bassist Alex Rush (Olkoth, Enthean), and drum legend Derek Roddy (Hate Eternal, Malevolent Creation). Mixed and mastered by Jamie King (Between the Buried and Me, Whitechapel, Scale the Summit), the album is set to be unleashed on Friday, August 29th, 2025, via Everlasting Spew Records. Teaming up with Decibel Magazine, the triad force is premiering the album’s exclusive full stream premiere HERE.

Delivering an unapologetically fierce experience, Imperishable was formed as an outlet for raw, unfiltered aggression outside their legacy bands. This first full-length is a relentless display of old-school ethos and modern wrath. Eschewing over-polished production, the album plunges listeners into visceral, analog brutality. The title of this record is based on the revelation of what true purity is. Lyrically, the album ranges from topics of religion, health, personal struggles, and sacrifice. Imperishable welcomes interpretation, mirroring their approach to songwriting as collaborative, ever-evolving, and instinctively intense.

“First of all, we’re thrilled to be releasing Revelation In Purity on Everlasting Spew Records. They’re a well-respected and renowned underground label that aligns with our musical standards and vision. It’s an honor. This album started with just a few ideas between Alex and I, and has now taken on a life of its own, and we’re damn proud of what we’ve achieved here. It represents where we were at the time. Musically and otherwise. The pandemic, the birth of my son, the loss of immediate family, etc, it’s all in there. It’s an honest record. Even the recording itself has no quantizing or samples on the drums. Minimal edits across the board. We wanted it to sound good, but not over-polished. A lot of that is in capturing the performance. So, you might not hear every note perfectly, but the conviction is there, and that’s what matters,” says Brian Kingsland.

A dark, aggressive, and occasionally experimental at times, the songs on “Revelation in Purity” are molded around power rather than flash. Pure metal with a sense of exploration! Recommended for fans of Morbid Angel, Emperor, Angelcorpse, Zyklon, and Nile.

Album pre-order (CD, Cassette) (out Aug 29th) (Vinyl coming in 2026) – https://everlastingspew.com/​

Digital – https://everlastingspew.bandcamp.com/album/revelation-in-purity​

Previous Singles:

Lyric Video – “Oath of Disgust” – https://youtu.be/Qz8fWGq1Bhw​

Lyric Video – “Revelation In Purity” – https://youtu.be/tLvIf3d40bE​

Spotify – https://open.spotify.com/artist/0V9iSPRTE4WRgXZ6DPZAsC​

Track Listing:​
1. Oath Of Disgust (4:00)
2. Exclusion Continuum (4:35)
3. Revelation In Purity (4:43)
4. Spewing Retribution (3:50)
5. Iniquity (5:06)
6. Where Dead Omens Croon (2:40)
7. The Enduring Light Of Irreverence (7:18)
Album Length: 33:00
​
​Album Credits:​
All songs performed by Imperishable
All songs written by Imperishable
Produced by Brian Kingsland
Mixed and Mastered by Jamie King
Album artwork by Nestor Avalos
Logo by Caelan Stokkermans
​
​Lineup:​
Brian Kingsland: Guitar/Vocals
Alex Rush: Bass
Derek Roddy: Drums

More info: Facebook.com/Imperishable83 | Instagram.com/imperishable_metal | https://linktr.ee/EverlastingSpew​

– 30 –

“Aggressive” and “blistering” are definitely adjectives that apply to “Oath of Disgust” — but if anything they understate the case. The music blasts from the speakers in a superheated torrent of blaring, blazing, and rapidly darting riffage, backed by furious drumming out on the cutting edge of human capacities and by maniacal yet nimble bass performances. Kingsland‘s bestial roars, scathing howls, and unhinged screams add to both the song’s full-blown fury and its berserk energies. But the song also twists and turns in unexpected ways. There is indeed singing in this one — haunting and harrowing singing — as well as rapidly mutating riffage and rhythmic variations that combine to create music which viciously eviscerates, jolts like jackhammers, convulses in feverish insectile swarms and darting bursts, and seems to maniacally scream. The music also suddenly expands and segues into a magnificent guitar solo, leading to one last spectacle of head-spinning instrumentation at the finale. And so the song proves to be not only aggressive and blistering but also inventively elaborate and technically mind-bending, undeniably savage but also a multi-faceted and relentlessly thrilling escapade (and immediately addictive too).” – No Clean Singing​
​
“An album that has several very interesting characteristics – from the foray of a very solid rhythmic base, to forays into lacerating, annihilating ranges of voices and riffs, even some disturbing tempo changes, really disconcerting, offering a quite special touch to the music. As for the overall production, the songs show you everything you want to hear, and that’s saying a lot. Perhaps, within the mix the only thing missing was to give a little more volume to the guitars. Imperishable offers personality to your proposal. A remarkable album that will delight loyal followers of bands like Hate Eternal, Vltimas, Morbid Angel or even Angel Corpse.” – Metal Friends​
​
​“Death metal without an expiration date… Given that pedigree, you’ll have a reasonable idea of what to expect from this. The trio’s work in “Revelation in Purity” isn’t as technical or noodly as what you’d get from Enthean or Nile, but it more than makes up for that in speed and ferocity. It’s a near-perpetual stream of of blastbeats and tremolo riffs topped with Kingsland’s crunchy vocals, drawing some of its melodic ideas from the barbaric end of the black metal spectrum. It’s a straight-to-the-point neck breaker of a song, so clear some mosh space and jam it now.” – Toilet Ov Hell

“Imperishable‘s signature style is first and foremost violence, but we quickly find ourselves overwhelmed by the technicality and many other elements on Revelation in Purity. The album is very rich and deserves several listens.” – Acta Infernalis​
​​
“This is an album that doesn’t let up for one second. It is fucking relentless. It breaks into your house in the middle of the night, pulls you out of your bed by your throat, and drags you kicking and screaming to Hell. It. Is. Glorious.” – Black Metal Archive
​
​
​“For all the talent that’s to be had behind this creation, it should have been obvious from the onset that “Revelation in Purity” was going to be a devastating effort in a magnificent form. These guys have known what they’re doing for years now across several different projects, and now they should proudly add Imperishable as another notch on their belts as they embark on their own journeys throughout the underground with this record something that promises far more in the future for those willing to wait for those forces to meet once again.” – Head Banger Reviews​
​
​“Imperishable are a very great sounding blackened death metal band and if you are a fan of this musical genre, you should check out this album. RECOMMENDED TRACKS INCLUDE “Oath Of Disgust” “Spewing Retribution” and “The Enduring Light Of Reverence”. 8 out of 10.” – Bringer of Death Zine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley” + Canadian Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

  • August 28, 2025
  • by Asher
  • · Ivy Gardens · Music News

NEWS RELEASE

Montreal, QC – August 28, 2025

Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley”

New Album “Death of Don Valley” Out August 29th, 2025 via Paper Cut Recordings

Cross Canada Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

L-R – Andrew Blackborow (Guitar, Vocals), Joe Zandwyk (Drums, Vocals), Sebastian Hogg (Keyboards)

Photo Credit by Luka Kartveli

Niagara Falls, Canada’s Ivy Gardens is unveiling their lush-sounding, raw and live off the floor sludge rock storytelling album “Death of Don Valley” as they prepare to hit the road across Canada in support of its release on August 29th, 2025 via Paper Cut Recordings.

Before it officially drops, the trio has teamed up with Bravewords for its full stream premiere, which can be heard HERE.

The band comments on their sophomore album:

“Death of Don Valley is the record we had inside us, but couldn’t quite articulate for several years. Musically, it’s a huge leap in a more experimental direction. It’s about death, decay, and the ultimate destruction of the world around you. Everybody knows of some sort of small natural space that gets slowly encroached upon until only a shell remains. The pond beside the highway, the wetlands behind the factory. The Don Valley in Toronto is one such natural feature, slowly tainted by industrialization until it can’t support any of the life that it used to. After touring for several years, we grew a lot as musicians, and only after really honing all of this material live for about a year, we felt we were ready to get it tracked and send it into the world. We recorded everything live off the floor, and Frank, our engineer, had heard nothing beforehand and had no idea what we actually sounded like going into it. Eventually, he asked us, ‘How do you determine what becomes a 2-minute song, and what becomes a 9-minute song?’ Pure instinct, Frank. Here it is.”

Formed in the unlikely crucible of a Princess Auto parking lot, Ivy Gardens began with a simple desire to shred through Rush instrumentals and explore the outer reaches of heavy music. Now, following their acclaimed first full-length “Goon” released in 2024, the band takes a daring leap into more dour, experimental terrain. “Death of Don Valley” presents a concept album steeped in decay, lyrically and sonically portraying the slow death of natural spaces like Toronto’s Don River, drowned by industry and time.

Ivy Gardens’ influences are vast, ranging from progressive icons like Rush, Yes, and King Crimson to sludge pioneers like EYEHATEGOD and Iron Monkey. Their sound blends elements of stoner metal, sludge, math rock, and progressive rock, creating an unpredictable listening experience that takes the listener through a series of emotional and sonic landscapes.
​
Fans can expect a live experience unlike any other as Ivy Gardens is hitting the road for a cross-Canada tour in kicking off on August 29th in St. Catharines, ON, and will wrap up in Victoria, BC on October 25th (dates listed below).

“Death of Don Valley” (out August 29th) is available for pre-order at https://ivygardens.bandcamp.com/​

Spotify – https://open.spotify.com/artist/1TBuI2vFSltCNhiHdHnz01​

Music Video – Burden – https://youtu.be/r4o-YPv-RcY​

Music Video – Eye Witness – https://youtu.be/_RiZ8i7udjs​

Ivy Gardens – Live or Die Tour:​
Aug 29 – St. Catharines, ON – Warehouse Concert Hall
Aug 30 – Toronto, ON – Monarch Tavern
Sept 5 – Kitchener, ON – The Golden Apple
Sept 12 – Windsor, ON – Phog Lounge
Sept 13 – Sarnia, ON – AJs Bar
Sept 14 – London, ON – Grogettes Living Room
Sept 18 – Halifax, NS – Radstorm
Sept 19 – Sydney, NS – Daniels Ale House
Sept 20 – Charlottetown, PEI – Babas Lounge
Sept 21 – Moncton, NB – Generator Show
Sept 25 – Woodstock, NB – Montieth Manor
Sept 26 – Montreal, QC – Turbo Haus
Sept 27 – Quebec City, QC – Sonum
Oct 9 – Barrie, ON – CW Coops
Oct 10 – Sudbury, ON – Townhouse Tavern
Oct 11 – Thunder Bay, ON – Black Pirates Pub
Oct 12 – Winnipeg, MB – Bulldog Event Center
Oct 16 – Regina, SK – The Cure Kitchen and Bar
Oct 17 – Saskatoon, SK – The Black Cat
Oct 18 – Calgary, AB – Palomino
Oct 19 – Edmonton, AB – Blak Bar
Oct 23 – Kelowna, BC – Dunnenzies
Oct 24 – Vancouver, BC – Black Alley
Oct 25 – Victoria, BC – Fernwood Community Center

Track Listing:​
1. Burn For Murder – 2:02
2. Eye Witness – 2:50
3. Burden – 3:08
4. Guiding Hand – 6:18
5. Frozen Limbs – 5:15
6. Gearth – 2:29
7. Astray – 4:56
8. Bliss – 8:59
9. Golden – 7:07
Album Length: 43:08

Album Credits:​
All songs written and performed by Ivy Gardens
Produced by Ivy Gardens
Recorded and mixed by Frank Ditillio
Mastered by Cameron Lee
Album Artwork by Ivy Gardens
Death of Don Valley is Canadian Content (MAPL)

Recording and Live Lineup:​
Joe Zandwyk: Drums, Vocals, Samples
Sebastian Hogg: Organ, Piano, Synth, Samples
Andrew Blackborow: Guitar, Vocals

More info: Facebook.com/ivygardensband | Instagram.com/ivygardensofficial​

-30-

“Death Of Don Valley is a wonderfully eccentric, off-beat and demented slice of Sludge/Stoner Metal that demands your full and undivided attention.” – Outlaws of The Sun

“First of all, can we just give a lot of overdue appreciation to the fact that there are still hard-gigging bands out there that play with the kind of urgency as IVY GARDENS. You can damn AI music straight to fiery pits of hell; this is where the real sound and fury is at. Another thing I appreciate about Ivy Gardens is all the dark humor. You see it in their new music video, with its Red Fangish tongue-in-cheek adventure. This one features a vintage style videotaped car chase, which would play well off a viewing of V/H/S/94. …Fake blood ahead… We’re arrested right away by the powerful strumming of the guitar as “Eye Witness” opens. Drumming is crazy, a frenetic attack of Animal from The Muppets, chasing that beat all over the place… Of course, the classic organ-sound of the keyboards adds a certain kind of spookiness to it all, which can be at once cheeky, mysterious, and cool. I myself love this send-back to ‘60s rock, while respecting that Ivy Gardens brings us a sound that clearly feels “now.”” – Doom and Stoned​
​
​“With the premiere of the video for “Burden” below, Niagara Falls progressive sludge trio Ivy Gardens announce their second full-length, Death of Don Valley, will be out Aug. 29 through Paper Cut Recordings. The follow-up to the sans-bass three-piece’s well-received 2024 debut, Goon, is introduced with the lead single “Burden,” which you can find the band playing live in the video premiering below. This ethic would seem to be the crux of Death of Don Valley itself, hence “live off the floor sophomore album” in the headline below. “Burden” benefits from the lack of trickery behind it, from the visually-evidenced capacity on the part of guitarist/vocalist Andrew Blackborow, key-specialist/synthesist Sebastian Hogg and drummer/vocalist Joe Zandwyk, the latter two of whom are also responsible for samples on the record, and while one can hear a bit of Melvinsian do-rock-and-make-it-weird ethos underlying, “Burden” brings charge to coincide with its telltale rhythmic intricacy — not quite doing ‘math’ in the musical sense, but not far off. They say the album’s more complex than the last one, and even if it was tracked entirely live with no overdubs, “Burden” bears that out.” – The Obelisk​
​
​“Throughout the album Joe Zandwyk’s drums almost dance like swirls of sand through the desert. Sebastian Hogg’s keyboard adds a great layer on top of Andrew Blackborow’s guitar playing. While no one particular instrument claims the spotlight, the instruments all have the freedom to claim their own space in the gritty depth that is Ivy Gardens and Death of Don Valley.” – The Metal Pit​
​
​“Ivy Gardens bringing ‘sludge-soaked, high-decibel’ rock to Barrie” – Barrie Today

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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