Category: Music News

0 LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions For 2026 Line Up – Camping & Extreme Music In Alberta’s Badlands

September 30, 2025
by Asher
· Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – September 30, 2025

LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions For 2026 Line Up

July 31st – Aug 2nd – Camping & Extreme Music In Alberta’s Badlands – Drumheller, AB

Hashtags #LAHXIV, #LAHOA, #LAHOA2026

Set against the rugged backdrop of Alberta’s badlands, where sculpted sandstone, wind-carved hoodoos, and sweeping canyons dominate the landscape, Canada’s most decibel-breaking extreme music gathering, the Loud As Hell Open Air Festival, returns for its 14th edition in 2026. From July 31st to August 2nd, Drumheller’s Dinosaurs Down Stampede will erupt with the ferocity of rising Canadian and international metal acts, roaring through the heart of the nation’s largest dinosaur fossil beds.

Band submissions for the 2026 edition officially open on October 1st and will be accepted until October 31st. This is your band’s chance to join one of the loudest and most brutal festivals in Canada, where underground talent meets prehistoric fury.

Bands interested in performing can apply at the following link: https://loudashell.ca/

Early Bird tickets go on sale December 1st, 2026. Don’t miss your chance to lock in the loudest weekend of the summer at a killer price. Get ready for prehistoric heaviness and decibel-shattering performances in one of Canada’s most surreal landscapes. Loud As Hell is coming… and it’s going to be louder than ever.

The 2025 edition of Loud As Hell delivered three relentless days of headbanging, moshing, and pure metal chaos, featuring over 40 bands from Canada, the U.S., and Mexico. Acts like Revocation, Insurrection, First Fragment, Gorgatron, Filth, Opal in Sky, Judicator, Beguiler, Gore Pig, Spit On Your Grave, Hazzerd, Cyborg Octopus, and Thirteen Goats tore through the badlands with crushing performances. The festival even hosted a heavy metal wedding, adding a unique twist to the weekend’s sonic carnage (video).

LAH 2025 Lineup Spotify Playlist – https://open.spotify.com/playlist/3cu3CgEX8n2g2MQbADNJmg

Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

In 2026, Loud As Hell returns for its 14th edition, presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. Renowned for delivering one of the most punishing lineups in Western Canada, the festival promises another unforgettable experience packed with crushing performances, freak shows, burlesque acts, clinics, vendors, and yes, dinosaurs. Loud As Hell isn’t just a festival. It’s a full-throttle celebration of metal mayhem.

More info:
LoudAsHell.ca
Facebook.com/LoudAsHellFestival
X: @LoudAsHellFest
Instagram: @LoudAsHellFestival
Social Media Hashtags #LAHXIV, #LAHOA, #LAHOA2026

Festival Press Materials – Posters, Band Links, EPKs, Photos – HERE.

LAH Partners:
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Ghost Cult Magazine
This Day In Metal
Valley Brewing
Canalta Hotels
Neighbors’ Corner Pub
Prairie Fire Productions Ltd
CFUV 101.9 Thrash Can
Trash Talk with Nate Trash
Slimbztv
High Voltage TV
Through The Looking Glass Photography
PMC – Positive Mindset Creations
Heavy Metal A Way Of Life
QMR (Queen Metal Radio)

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What the press is saying:

“Located an hour and a half east of Calgary is the town of Drumheller, Alberta. With a population in the neighborhood of 8000 and existing smack dab in the middle of Canada’s desert and dinosaur country, it’s not a place one would immediately associate with any sort of metal scene, let alone a big-ass outdoor metal fest. But that’s where you’d be wrong. Going into its 11th year, the Loud as Hell Festival is set to roll on August 4-6th with the likes of Narcotic Wasteland, Jungle Rot and Incite headlining three days of metallic fun featuring 40 or so bands, including The Convalescence, Gorgatron, Necronomicon, Untimely Demise, Eyes of Perdition and more.” – Decibel Magazine

“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“What’s more metal than the badlands? Drumheller, AB, is known for being the dinosaur capital of the world — but it’s also the home of the Loud as Hell festival, an event celebrating none other than the loudest music known to man (and, by proxy, prehistoric reptile).” – Exclaim!

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metalhead fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City
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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Reminder – THE FIXER & TEKNOSIS Kick-Off “Ugly Knots Tour” Across Central Canada (QC/ON/MB/SK/AB) + New Single “It Will End Tonight”

September 30, 2025
by Asher
· Music News · The Fixer

NEWS RELEASE

Montreal, QC – September 30, 2025

Reminder – THE FIXER Kick-Off “Ugly Knots Tour” w/ TEKNOSIS Across Central Canada (QC/ON/MB/SK/AB)

THE FIXER’s New Single “It Will End Tonight” Is An Anthem To Break Free

L-R: The Fixer Current Line Up | Vic Sin (Guitar) | Null (Drums) | Busuzu (Bass) | Melladonna (Vocals)
Photography by: Chu Shang

Two of Thunder Bay, ON’s rising metal forces, THE FIXER and TEKNOSIS, are kicking off an epic tour of mind-melting metal across dates in Quebec, Ontario, Manitoba, Saskatchewan, and Alberta this October.

Touring across Canada heavily in support of their new 2025 single “It Will End Tonight” and their 2023 debut album “Your Lie’ released on WormHoleDeath Records, this next adventure of show dates will be special ones, as they are taking hometown friends Teknosis on the the road who will be supporting their latest EP 2024’s Return To Civilization”, recorded and mixed by Ryan MacDonald at Lionheart Sound Co and mastered by Topon Das (F*ck The Facts) at Apartment 2.

“Touring is something we all look forward to in The Fixer. The most rewarding part of being in a band is seeing people connect with something you’ve created, and our favourite way to do that is in the live setting. We will be heading out with fresh songs, as well as bringing a couple of songs back into the set that we haven’t played in some time. Similarly, we are excited to be playing some places we haven’t played before and some of the first places we ever played outside of our hometown,” says Vic Sin, Guitar – The Fixer

“We are incredibly pleased with our first EP, ‘Return to Civilization’. These 5 songs are the perfect introduction to the sound of Teknosis. Fans of all genres of metal will enjoy our hybrid of metal genres. We are now beyond thrilled to be bringing these songs and more on tour this October with The Fixer,” adds bassist Travis Doggett – Teknosis.

The Fixer is a genre-defying force in the pop-metal underground. They continue to captivate audiences with their latest standalone single, “It Will End Tonight,” unleashed this past September, and their latest full-length album, “Your Lie,” released in 2023.

“We’ve always written from a heartfelt lens. It Will End Tonight is no exception. It’s about fighting through darkness with love, and we think fans who connect with our emotional honesty will resonate deeply with it,” says the band.

When witnessed live, they channel Addams Family vibes with rapid-fire sets, minimalist yet impactful lighting, and a palpable emotional connection with their audience. Their shows are more than performances; they’re cathartic rituals. Those who have not seen them live should brace themselves for The Fixer‘s theatrical flair and emotionally charged soundscapes. Fans can expect not only the immersive live experience they’ve come to love but also brand-new music unveiled on this next road escapade.

Listen to “It Will End Tonight” – https://youtu.be/VSc4gWiUC2A

Add to your Spotify playlist – https://open.spotify.com/track/0j5UwQzOtiF5xVzr0lTTzU

L to R – Andrew Wojciechowski – Vocals | Craig Kainulainen – Guitar | Ian – Drums | Travis Doggett – Bass

Photo Credit – Incompass Photography

Formed out of pure love for metal. Teknosis has quickly evolved into a tight, aggressive unit with a shared vision: to make heavy music that hits hard and leaves no room to breathe. Set to ignite stages across the country this October, Teknosis is bringing their relentless live energy to fans in support of their acclaimed 2024 EP “Return to Civilization”, a five-track barrage of groove-laced hardcore and death metal influences. It’s a compact, violent sonic explosion that lyrically channels frustration and isolation from lockdowns, with themes ranging from societal collapse to personal survival.

With ambient samples bridging each track, Teknosis will be a visceral live experience as they deliver a seamless, high-impact set that’s organic, heavy, and hypnotic.

“We still believe in live amps and drums straight to the cochlea. It’s all about maximum intensity. A sonic experience that’s as brutal as it is addictive,” says bassist Travis Doggett.

Fans can expect new singles starting in Fall 2025, leading up to a full-length album in late 2025 or early 2026. The October tour will feature tracks from “Return to Civilization” alongside unreleased material, giving audiences a taste of what’s to come.

Lyric Video – Teknosis – Shapeshifter – https://youtu.be/dWfqfwHSbQY

Add to your Spotify playlist – https://open.spotify.com/artist/5Cu2jRvDUKvEZdqJd5QjwJ

Ugly Knots Tour 2025 – The Fixer, Teknosis
Oct 2 – La Sarre, QC – La Brute du Coin *
Oct 3 – Montreal, QC – Piranha Bar *
Oct 4 – Levis, QC – Taverne La Barricade *
Oct 9 – Fort Frances, ON – Pink Parasol Tea Room
Oct 10 – Brandon, MB – The 40
Oct 11 – Prince Albert, SK – Studio Q
Oct 12 – Edmonton, AB – The Rendezvous
Oct 13 – Calgary, AB – Pin Bar
Oct 14 – Lethbridge, AB – The Slice
Oct 15 – Moose Jaw, SK – Chillers
Oct 16 – Saskatoon, SK – Green Room
Oct 17 – Regina, SK – The Exchange
Oct 18 – The Pas, MB – The Wescana Inn
Oct 19 – Winnipeg, MB – Osborne Taphouse
Oct 31 – Thunder Bay, ON – The Hunger 18 (Downtown-wide Hallowe’en Festival)
* = without Teknosis

More Info:

https://www.facebook.com/TheFixerBand | https://www.instagram.com/thefixercanada | https://www.tiktok.com/@thefixercanada

https://www.facebook.com/teknosismetal | https://www.instagram.com/teknosis.metal/

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“Teknosis puts listeners through their paces. It feels like the songs could go off the rails at any moment, but remain incredibly syncopated throughout…. Teknosis has created an EP that lays the groundwork for bigger things to come and leaves listeners eager to hear more.” Jason Wellwood – Walleye Magazine

“Dark. Sexy. Loud. It’s The Fixer, and they create a soundtrack that would be fit for a disco in Hell. The Canadian four-piece straddle the line between rock and metal” – Games, Brrrains & A Headbanging Life

“One of the great young acts I found in 2023 came from Canada, The Fixer, who have created bold music and an even bolder look. Led by vocalist Melladonna, the band tries to give the look of a goth outfit. The music, however, tells a different story, as the band rocks as hard as anything you might hear out there now (if not more aggressive). The hook song was “Smoke Show,” but there were quality tracks all through the record. I enjoyed “Ghosts Will Talk,” which presents a spookier sound, and the bookends to the album, the title track and “Your Truth,” which gives a storytelling aspect to the album. I will be interested in seeing where this band goes, and I certainly hope they can get down to the southern tip of North America to bring their sound to an audience that would enjoy them!” – Rock At Night

“The song material is simply great, the emotions are wonderfully combined, and the performance is absolutely over the top.” – PowerMetal.de

“A high-resolution journey through pop rock, goth spirit, punk moods, metal vibes, and party glam rock, with a hint of comedy horror. ‘Your Lie’ is a spiky sound with a razor-sharp edge throughout.” – Rock Queen Reviews

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 ARMSTRONG METALFEST Opens Band Submissions For 2026 Lineup – The Okanagan’s Ultimate Mountain Mosh Pit Returns

September 29, 2025
by Asher
· Armstrong Metal Fest · Music News

NEWS RELEASE

Montreal, QC – September 29, 2025

ARMSTRONG METALFEST Opens Band Submissions For 2026 Lineup – The Okanagan’s Ultimate Mountain Mosh Pit Returns

“It’s one of the premier festivals of its kind in Canada, showcasing the biggest names in local, national, and international heavy metal music.” – Vancouver Sun

Following a landmark celebration of 15 years of extreme metal in British Columbia’s Okanagan Valley, marked by record-breaking attendance and its most triumphant edition yet, ARMSTRONG METALFEST is officially set to return in 2026 on July 17th and 18th at the Hassen Arena, for two days of moshing, headbanging, and camping.

Armstrong MetalFest’s 15th year of mountain moshing roared to life with a powerhouse 2025 lineup featuring BORN OF OSIRIS, HAVOK, GLYPH, RIOT CITY, THE BROWNING, VIRVUM, and many more heavy hitters from across Canada and beyond. On July 11th and 12th, the town of Armstrong, BC, was transformed into a metal haven, complete with Yeti Games, the Metal Madness Market, and the chaos of Thrash Wrestling.

Check out the Armstrong MetalFest 2025 Spotify playlist – https://spoti.fi/4i4u2OV

Armstrong MetalFest has also released a promotional video that traces its journey from humble beginnings to becoming one of Canada’s premier metal festivals in British Columbia. Watch the full recap here: https://youtu.be/47QjFrOHLv8

Band submissions for the 2026 edition of Armstrong MetalFest will be open from October 1st to 15th, inviting artists to become part of the next chapter in the festival’s legendary legacy.

Interested bands can apply through the official portal: https://armstrongmetalfest.ca/band-submissions/

“To close the night and the weekend, Born of Osiris delivered a high-octane headline set that tore the roof off. It was the perfect finale to an unforgettable weekend. When the last note rang out, it hit us — AMF 2025 was coming to a close. There’s always that bittersweet feeling as you start packing up. But that’s the beauty of this festival: it stays with you long after the amps cool down. Every year, Armstrong Metalfest brings together a community that truly loves heavy music. It’s not just about bands and beer — it’s about belonging. The friends you make, the moments you live, the memories that stick — they’re why we keep coming back. If you’ve never been to AMF, consider this your sign. It’s more than a music festival—it’s a metal rite of passage. Once you go, it gets into your blood. We’re already counting the days until the next one.” – Stan Schinners of Broken Neck Radio / Absolute Underground Magazine (Live Review AMF 2025)

Tickets for AMF 2026 will be announced at a later date, granting general admission and access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 17, 2026, until 10:00 AM on Sunday, July 18, 2026. Free camping is included.

Please Note: Camping – RV / Non-Hookup RV / Vehicle Passes: Make sure to reserve your vehicle spot to get the best location on the grounds. A fee is required for a weekend pass per vehicle in addition to your day or weekend pass. RV hookups include water and power. If you choose to park your vehicle outside the camping area in the main parking lot, then a vehicle pass is not required.

About:

Since its inception in 2009 (with a brief hiatus in 2020 and 2021 due to the COVID-19 pandemic), West Metal Entertainment and Armstrong MetalFest have championed hundreds of local bands while welcoming renowned international acts to the quiet town of Armstrong, British Columbia.

Every year, metalheads from across Canada and the U.S. converge on the scenic Okanagan Valley for three days of camping and two days packed with heavy metal mayhem. Under the blazing summer sun, fans revel in live performances, wrestling spectacles, scavenger hunts, and reconnecting with their extended metal family.

Armstrong MetalFest has hosted legendary headliners like Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, Warbringer, Fallujah, Striker, and Beyond Creation, alongside rising stars from across North America. And when the final riff fades, the festival vanishes without a trace, leaving the landscape as untouched as it was before.

West Metal Entertainment, a non-profit society, not only produces Armstrong MetalFest annually but also supports the regional music scene by organizing performances at various venues, including all-ages shows, to inspire musical passion in both youth and adults.

For more info:
http://www.armstrongmetalfest.ca/

https://www.facebook.com/armstrongmetalfest/

https://www.instagram.com/armstrongmetalfest/

https://x.com/amfcanada

Partners:
WCMFA
AlumaPro Welding & Fabrication Ltd
Vox and Hops
Rancho Vignola
Creative BC
Province of BC
Shepherds Hardware
Askews Foods
ACE Containers
Asher Media Relations
Staggs Head
Sunbelt Rentals
Bravewords
V13
Metal-Rules
Absolute Underground Mag
Broken Neck Radio
Ghost Cult Magazine
This Day In Metal
Valstar Electric
Voets

What the press is saying:

“Armstrong Metalfest brings aggressive music to the North Okanagan” – Global BC News

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

Global Okanagan – Armstrong Metalfest brings aggressive music to the North Okanagan – Video here.

“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun

“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

“From farm to stadium: Armstrong Metal Fest’s humble beginnings” – Info News

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—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Rockshots Records – NASTYVILLE Release Supercharged Video “Run Wild, Rev High!” For New Album “Rebirth” Out Now!

September 29, 2025
by Asher
· Music News · Nastyville (Rockshots Records)

NEWS RELEASE

Montreal, QC – September 29, 2025

NASTYVILLE Release Supercharged Video “Run Wild, Rev High!” For New Album “Rebirth” Out Now!

After igniting the scene with the explosive singles “Power To The People” and “Rocking Through The Night”, Italian hard rockers Nastyville strike again with the release of their brand-new single and official video “Run Wild, Rev High!”. The track is taken from their latest album “Rebirth“, out now via Rockshots Records.

“Run Wild, Rev High!” encapsulates the band’s raw and unfiltered rock’n’roll spirit: adrenaline-fueled riffs, pounding rhythms and a chorus built to be shouted loud and proud. Co-written by guitarist David “Dave Wild” Visin and Christian “Dega” De Gaudenzi, the song delivers the perfect balance between classic sleaze/glam roots and a modern hard rock punch.

The official video further amplifies the track’s energy, capturing Nastyville’s trademark attitude and stage-ready presence. It’s a declaration of freedom, rebellion, and unapologetic rock’n’roll excess, a theme that resonates throughout “Rebirth“, an album described by the band as their truest statement of identity and cohesion to date.

Recorded at Ivorytears Music Works Recording Studio (Somma Lombardo, VA), “Rebirth” was produced by the band and mixed and engineered by Alessandro Del Vecchio (Hardline, Revolution Saints, Edge of Forever, Giant). With its blend of gritty riffs, punchy hooks, and high-octane choruses, the record represents a bold new chapter for Nastyville—one that has already led them to stages alongside Skid Row, Crashdïet, Enuff Z’Nuff, Steel Panther, The Dead Daisies, and more.

“Run Wild, Rev High!” is a call to let go of boundaries and embrace the chaos,” the band comments. “It’s about living with no brakes, no apologies, and turning life’s madness into pure energy.”

WATCH: https://youtu.be/Ov7qdb5fw8Q

For fans of: Skid Row, Crashdïet, Hardcore Superstar, Steel Panther, The Dead Daisies

LISTEN to “Rebirth”: https://lnk.to/Q6dITNj4

CD Order available here

TRACK LISTING:
1. The Journey Of Rebirth
2. Power To The People
3. Run Wild, Rev High!
4. Rocking Through The Night
5. Unstoppable (Sia Cover)
6. We Give It All
7. Miss You
8. Yellow Schoolbus
9. Stay Out, Stay Out
10. Sex O’ Clock
11. Rock’n’Roll Experience

NASTYVILLE Line Up:
Marco Luraschi (Mark Lee): Vocals
David Visin (Dave Wild): Guitars
Christian De Gaudenzi (Dega): Guitars
Carlo Giordano (The Horv): Bass
Christian Tabita (Chris Tabeat): Drums

CREDITS: Produced by NASTYVILLE
Recorded at IVORYTEARS MUSIC WORKS RECORDING STUDIO, SOMMA LOMBARDO (VA)
Mixed and Engineered by Alessandro Del Vecchio

More info: https://www.rockshots.eu | https://www.instagram.com/nastyvilleofficial | https://www.facebook.com/nastyvilleofficial

ABOUT:
Nastyville is an Italian hard rock band formed in 2012 by drummer Danny Boy and guitarist David “Dave Wild,” with the aim of refreshing the rock genre. The first studio album, “Viva Hell-A” (released in 2015), features old-fashioned guitar riffs and the flavor of the best street/glam rock with Lex on vocals, Kruska on bass guitar, and Manuel on guitar. After Lex and Kruska left, the band continued its journey with Marco “Mark Lee” on vocals and Fabian Anderchen on bass guitar, releasing in 2017 their second studio album, “Glam Caramel”. This album, marked by heavier sounds, gave the band the opportunity to open the Italian tour dates for Skid Row, Crashdïet, Enuff Z’Nuff, Adam Bomb, John Corabi, Simon Wright, and many others. “Songs of Threesome”, released in 2022, was their third studio album and featured a new lineup with Christian “Dega” on guitar and Paul “Cannibal” (ex-Thee S.T.P.) on bass guitar.

In 2023, founding member and drummer Danny Boy and bassist Paul left the band and were soon replaced by Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar. After the release of the two singles “Red Black…Or Green?” and “Livin’ in A Mess”, the band with its new lineup consisting of Marco “Mark Lee” on vocals, David “Dave Wild” on guitar, Christian “Dega” on guitar, Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar, worked tirelessly on new studio material. The year 2024 was a very good year when the band played many dates across Italy and abroad. The opening act for Steel Panther in Milan (Alcatraz) deserves special mention. The band spent the last months of the year working on a brand-new album, entering the studio in December to start recording their fourth studio album under the supervision of producer, singer, and songwriter Alessandro Del Vecchio.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Rockshots Records – HELLFOX Release Official Video for “Water On The Ceiling”

September 26, 2025
by Asher
· Hellfox (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – September 26, 2025

HELLFOX Release Official Video for “Water On The Ceiling”

New Album “The Spectrum of Human Gravity” Out Now!

Italian all-female metal band HELLFOX have unveiled the brand new official video for “Water On The Ceiling”, one of the standout tracks from their latest album “The Spectrum Of Human Gravity“, released last June 6th, 2025 via Rockshots Records.

A song born from the suffocating sensation of insomnia, “Water On The Ceiling” captures the eerie stillness of endless nights when eyes remain wide open as reality blurs into a waking dream. The track blends haunting melodies, distorted synths and Hellfox’s trademark dual female vocals to convey the claustrophobic feeling of staring at a ceiling that turns into water—suffocating, oppressive and inescapable.

The video adds a new visual dimension to the song’s atmosphere, portraying the emotional weight of sleeplessness and the surreal imagery that inspired the lyrics. It represents yet another chapter in the band’s journey of exploring the depths of human emotion through music and imagery.

“The Spectrum Of Human Gravity” has already gained recognition for its unique fusion of Nordic melodic death metal roots, pop-inspired clean vocals, and modern electronic textures. With singles like “Seaweed Braids” and “Atlas”, Hellfox set the stage for an album that confronts loneliness, mental struggles, and the search for identity without resorting to clichés. “Water On The Ceiling” continues this narrative, offering a vivid metaphor for psychological weight and restless nights.

Recorded at Eden Studio by Alessio Lucatti and mixed/mastered by Simone Mularoni at Domination Studio, the album showcases the band’s fearless approach to songwriting and their growth since their 2022 debut.

For fans of Amorphis, In Flames, and Dark Tranquillity, Hellfox’s new video is not just a performance but a visceral dive into the emotions that define “The Spectrum Of Human Gravity“.

Watch “Water On The Ceiling” official video at https://www.youtube.com/watch?v=2AZtGXt3gFc

“The Spectrum Of Human Gravity” is now available on all digital platforms.
Stream the album here: “The Spectrum Of Human Gravity”
CD available via Rockshots Records here

TRACK LISTING:
1. Nautilus – Seaweed Braids
2. Empty
3. Water On The Ceiling
4. Pareidolia
5. Atlas
6. Six Times Lighter
7. The Centipede
8. The Warrior, The Child, The Healer
9. Voices

Hellfox Line Up:
Greta Hammonia Antico: vocals
Priscilla Poe Foresti: bass and vocals
Gloria Naflekt Kaps: guitars
Federica Fedi Piscopo: drums

CREDITS:
Recorded at Eden Studio by Alessio Lucatti
Mixed and Mastered by Domination Studio by Simone Mularoni.
Cover art by Eva Marabotti.

ABOUT:

HELLFOX is an ALL FEMALE alternative metal (alt-metal) band with melodic death tendencies. Despite the four completely different musical backgrounds, we share a common inspiration to Amorphis, In Flames, Dark Tranquillity as far as composition is concerned, while for the choice of sounds we intended to move away from the Symphonic, recognizably feminine scenario to include acid and distorted synths so that we could create modern atmospheres that more closely met our tastes and better married the pop timbre of the melodic vocals. The dualism of HELLFOX is not meant to be understood on a conflicting level, it is instead the result of different voices within the human soul, different faces if you will, that mingle and generate the person itself, in its entirety, that although they seem to struggle, they coexist and create harmony and balance. We don’t use masks to conform to a mass, nor do we want to stand out at all costs, we just want to be ourselves in a society where normality is only a surface, the abyss instead is made up of so many facets of personality, both for the group and especially for the individual human being. Ours is a message within everyone’s reach, in which one can recognize oneself: that little voice in the head that either draws you in or drives you away… Because for us, nothing is normal, nothing is different.

More info: https://www.rockshots.eu | https://www.instagram.com/hellfoxofficial | https://www.facebook.com/HellfoxOfficial

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0 Canadian Thrashers TRISKELYON Announces 4th Studio Album “Maelstrom of Chaos” Out Nov 2025; Streaming Single “Blood Drowned Prophecy” ft. Liv Jagrell (Liv Sin)

September 26, 2025
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – September 26, 2025

Canadian Thrashers TRISKELYON Announces 4th Studio Album “Maelstrom of Chaos” Out Nov 2025

Streaming Single “Blood Drowned Prophecy” ft. Liv Jagrell (Liv Sin)

Canada’s undisputed Thrash Metal Gods Triskelyon return with their long-awaited 4th full-length, “Maelstrom of Chaos”, a relentless storm of speed, fury, and precision due out on November 28th, via Moribund Records.

Formed in 2021 by guitarist Geoff Waye of the acclaimed True Metal band Category VI, Triskelyon came roaring out of the gate with their self-titled EP and landed a deal with Moribund Records for their chart-crushing debut, “Downfall” (2022). They followed with the bone-splitting “Artificial Insanity” (2023), dominating radio for six weeks, followed by the apocalyptic “Shattered Elysium” (2024). Each release bigger, faster, heavier… and now comes the ultimate Thrash onslaught “Maelstrom of Chaos”.

For “Maelstrom of Chaos,” mastermind Geoff Waye once again summons an all-star cast of metal warriors from the Canadian scene and from the global scene. Enlisting the vocal talents of guests Liv Jagrell (Liv Sin), Amanda Jackman (Category VI), James Delbridge (Lycanthro), Carolina Padrón (Tribus, Bloodrain), Dale Drew (Sea Dogs), and Pete Healey (Marshall Law, Ex Oberon), this album reigns as a true Thrash Metal masterpiece. On drums, the thunder is split between Raul Marques (Burning Torment) and Nicole Trinchero (Chaos Rising, Acroma), while bass devastation comes courtesy of Dwayne Pike (Afterforever), Rick White (Within the Realm, Exorcist), and Darrin Pope.

In true Triskelyon fashion, expect more than Thrash – this is a molten fusion of Thrash, Speed, Power, Death-Thrash, and Traditional Metal. Wild and impressive, explosive riffs, razor-sharp solos, and skull-crushing rhythms resurrect the glory of the ‘80s while forging it into something bigger, louder, and deadlier for today.

In keeping with Triskelyon‘s tradition of closing their albums with an iconic cover, this release delivers the heaviest Metal rendition of Peter Schilling’s mega-hit “Major Tom” that the world will ever hear!

“Maelstrom of Chaos” is not just an album – it’s a Thrash Metal supernova. Brace yourself.

Single – Blood Drowned Prophecy (ft. guest vocals Liv Jagrell from Liv Sin) – https://youtu.be/FikcpI8IGBE

Add to your Spotify playlist – https://open.spotify.com/artist/5eHXL3FTFpLVOJTIcViEIW

Album Teaser – https://youtu.be/TRDJfK4ww7o

CD pre-order (out Nov 28th) – https://www.moribundcult.com/product/DEAD336.html

Track Listing:
1. Of Dust and Divination (4:49)
2. The Winter Tsar (4:02)
3. Maelstrom of Chaos (4:24)
4. Unit 684 (4:21)
5. Blood Drowned Prophecy (4:10)
6. Death Racer (4:24)
7. Blame Game (4:27)
8. Divide and Dissent (3:53)
9. Cretin (5:08)
10. Major Tom (cover) (5:22)

Follow TRISKELYON:
Facebook | Bandcamp

Follow Moribund Records:
Moribund Website | Facebook | Instagram | Bandcamp

– 30 –

“One of my favorite albums of the year” ~Brutally Delicious Podcast

““Hellbound Hellions” follows and is just a great tune. That scream in the beginning and I knew immediately that Pete Healey was back for another album with Waye. The last of the opening trio and it is a slayer. Killer thrash riffs and Healey’s soaring vocals and a really sick solo makes this one of my favorites on the album.4.5/5” – Metal Rules

“It’s refreshing, for once, to discover a thrash band that aren’t geared towards utter devastation but, rather, crafting a record that an audience can simply put on and vibe to. With more than forty-five minutes to work with, the band still stuck to their guns and applied songwriting that saw every minute feel earned and needed for what their performance entailed.” – The Razor’s Edge

“Waye has shown he can write in any metal style and the guys he got together to perform are world class. The production is pretty big too so, if you like Megadeth, Agent Steel, Exodus, Overkill, etc. then there will be something on here that you like. Me? I liked it all! Hopefully, Canadian metal will be taken a bit more seriously with this release.” – My Global Mind

“classical Thrash Metal tracks and many 80s vibes.” – Metal-Temple

“Heavy, pounding, in-your-face, power metal-laced thrash” – Metal Crypt

“A who’s who of musicians in the Canadian Thrash scene! Riffs and soloing are nothing short of fantastic!” – MetalNoise

“Powerful at the right point but also epic, with sharp and anthemic vocal parts” MetalHead.it

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability.” – FFM-Rock

“Minimal filler and maximum melody!” – Heavy Music HQ

“Tighter than a shark’s arsehole and shows that Triskelyon are continuing to do what they do best.” – Metal-Digest

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0 “Poems By a Poltergeist” Materializes as JULIET RUIN’s Most Haunted Creation Yet

September 25, 2025
by Asher
· Juliet Ruin · Music News

NEWS RELEASE

Montreal, QC – September 25, 2025

“Poems By a Poltergeist” Materializes as Juliet Ruin’s Most Haunted Creation Yet

L-R – Wesley Rands, Kent Geislinger, Jess Fleming, Jesse Bauman

Phot Credit – Brittany Lealand

Canadian modern metal band Juliet Ruin returns with their most vulnerable and sonically ambitious release to date: the five-track EP “Regime,” their fourth studio offering, available this October 24th, 2025. Leading the charge is the haunting first single “Poems By a Poltergeist,” accompanied by a gripping lyric video (created by vocalist Jess Felming) that dives deep into themes of depersonalization, mental health, and emotional isolation.

“This song came straight from the pages of Jess’ journal. It’s about feeling like a ghost in your own life, angry, disconnected, and searching for meaning,” the band shares.

Formed in 2015, Edmonton, AB’s Juliet Ruin has evolved into a genre-fluid powerhouse known for its chunky, groovy, pretty, powerful, and catchy sound. With influences ranging from Spiritbox and Jinjer to Alexisonfire, the band blends metalcore, pop, and progressive elements into a style that’s both emotionally raw and technically sharp.

“Regime” is a sonic double-edged sword, balancing pop-infused vulnerability with bone-crushing breakdowns and the heaviest subject matter the band has ever tackled. From the introspective “Chrysalis” to the socially charged title track “Regime,” each song is a collaborative effort shaped by personal experience and collective passion.

“We wanted this EP to feel empowering but also understanding,” says vocalist Jess, whose scream vocals, honed during the COVID lockdown through YouTube tutorials and lucid dreaming, now anchor the band’s evolving sound.

The album artwork, created by longtime collaborator Feen Murray, uses abstract imagery of skulls and hearts to reflect the tension between emotionality and overthinking, a visual metaphor for the EP’s lyrical core.

“Regime” is more than just a record. It’s a statement. A safe space. A scream in the silence. And with “Poems By a Poltergeist,” Juliet Ruin invites listeners to confront their shadows and find strength in the echo.

Listen to “Poems By a Poltergeist,” via its lyric video premiere on Space Untravel YouTube channel at https://www.youtube.com/watch?v=igTy7LRWjA4

Add Single to your Spotify playlist (Sept 26th) – https://open.spotify.com/artist/54QrxuOJkvabZgah6SA4qv

EP pre-order (out Oct 24th) – https://julietruin.bandcamp.com/

Track Listing:
1. Reactance Theory (4:03)
2. Chrysalis (4:01)
3. Poems By a Poltergeist (3:02)
4. The Art of Being Wise (4:09)
5. Regime (5:02)
EP Length: 20:18

EP Credits:
Performed and Written by Juliet Ruin
Produced by Juliet Ruin and Diego Fernandez
Mixed and Mastered: Oracle Recording Studios
Artwork by: Feen Murray
SOCAN member
Canadian content

Album Line-Up:
Jess Fleming – Vocals
Kent Geislinger – Guitar, Bass
Wesley Rands – Guitar
Jesse Bauman – Drums

Live Line-Up
Jess Fleming – Vocals
Kent Geislinger – Guitar
Wesley Rands – Guitar
Jesse Bauman – Drums
Dale Myroniuk – Bass

More info:

https://www.facebook.com/julietruinband

https://www.instagram.com/julietruin

– 30 –

“If you are a fan of the likes of JINJER, INFECTED RAIN, THE AGONIST and BUTCHER BABIES then the “Dark Water” E.P is one for you to check out. The E.P opens with the title track “Dark Water” as a ferocious riff creeps in as the rhythm section sounds away. From then the band are now in full swing as the very haunting sounding vocals coming in. The song leads to a sing along chorus with a cool lead line afterwards. When the breakdown hits the vocals add a sort of dreamy feel to it until the guitar solo sections kick in. Great way to start things off.” 8/10 – Metal Temple (2023 – Dark Water EP)

““Dark Water” by JULIET RUIN is a great listen and one I really enjoyed. From listening the vocals have a lot of range as Jess goes from hauntingly clean to aggressive death growls. The band has a very modern sound that is filled with great riffing and killer grooves. The songs here are great and you can hear their influences at times too. This is a band that, from listening to this, sounds like they need to be experienced in a live setting and I would love to hear more from them in the future.” – Metal Temple (2023 – Dark Water EP)

“As mentioned, Juliet Ruin is not a stranger to attention and praise and can expect a lot more with Dark Water. It is their most striking offering yet and with the new evolution in the band’s already potent sound, surely the first step to greater things.” – The RingMaster Review (2023 – Dark Water EP)

“Bang your heads to the new EP by this amazing Canadian Modern Metal crew, reflecting a turn to darker sounds and grittier vocals while still preserving the spirit of what makes the band who they are.” – The Headbanging Moose (2023 – Dark Water EP)

“Bloody love it! One of the best EPs I’ve heard this year so far. ” – Ever Metal (2023 – Dark Water EP)

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0 Streaming Now! A Sonic Journey of Years Past with LITTLE KING’s 8th Studio Album “Lente Viviente”

September 25, 2025
by Asher
· Little King · Music News

NEWS RELEASE

Montreal, QC – September 25, 2025

Streaming Now! A Sonic Journey of Years Past with LITTLE KING’s 8th Studio Album “Lente Viviente”

L-R – David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals), Tony Bojorquez (Drums)

Photo Credit – Damien Becerra

After nearly three decades of pushing musical boundaries, Little King returns with their most ambitious and emotionally resonant release to date, “Lente Viviente,” set for release on all major platforms on September 26th.

Before the album officially drops, the trio has teamed up with V13.net for the full-stream premiere, which can be heard HERE.

Described by frontman and songwriter Ryan Rosoff as “Musical DMT,” “Lente Viviente” is a seven-track suite of “micro-epics” that blend progressive rock, melodic hooks, and heavy riffs into a tightly woven tapestry of sound and sentiment.

“A true listening experience should hit all the notes… sometimes contemplative, sometimes raging, but always engaged and honest. We feel like this record is the highlight of our 28 years of making music,” says Rosoff.

With Dave Hamilton (bass, cello) and Tony Bojorquez (drums), and a fresh studio environment, Little King has elevated their sound to new heights. The result is a dynamic, melodic, progressive, heavy rock experience that’s both cerebral and heartfelt.

From the first note to the last, “Lente Viviente” invites listeners on a short but mind-blowing journey. The album’s dynamic range and textured performances are designed to push and pull, offering music for both the head and the heart. Each track stands alone yet contributes to a larger narrative arc, one that explores themes of identity, aging, addiction, immigration, and the fragile balance between strength and vulnerability.

Lyrically, the album draws inspiration from Rosoff’s work with LivingLens Memoirs, his video memoir production company. The title itself, Spanish for “Living Lens,” is a nod to the interplay between memory and presence, perception and truth. Songs like “Catch and Release,” “Who’s Illegal?” and “Kindness for Weakness” reflect Rosoff’s background in creative writing and his deep commitment to storytelling through sound.

For the first time in Little King’s history, all three band members appear on the album cover. The artwork, centered around themes of reflection and perception, features a crown slightly off-center, a metaphor for the imperfect balance between artist and audience. As Rosoff puts it, “One is left to wonder what the world looks like from behind the band’s side of the lens… what do they see?”

A lean, powerful record that demands repeat listens, Little King’s “Lente Viviente” is recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and is available for pre-order/digital pre-save (out Sept 26th) at https://show.co/nI24kSK

Little King Discusses ‘Lente Viviente’ – https://youtu.be/mjOYuUeqMb8

Lyric Video – Dawn Villa – https://youtu.be/Ksxlb2ekYIM

Lyric Video – Cath and Release – https://youtu.be/Hgt9U547jbw

Track Listing:
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: LittleKingtunes.com

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“Overall, this band showcased a sophisticated sense of melodies that were not overly complicated, but easy to assimilate as well. Not being familiar with them, I am surprised to learn of their longevity, and you wouldn’t know this was their eight album, because the drive and fire in them is very much alive in their music. 8/10” – Metal Temple

“Seven songs, clocking in at just over twenty-five minutes Little King pack a powerful and melodic cocktail of prog, rock and alternative. If Rush jammed with REM and King’s X it would sound a little like this. Impressive.” – Get Ready To Rock!

“Long-running Progressive Rock outfit Little King is unveiling “Dawn Villa,” the second single from their highly anticipated eighth studio album, Lente Viviente! A sonic time capsule wrapped in staccato riffs and melodic crescendos, “Dawn Villa” is a heartfelt tribute to frontman Ryan Rosoff’s formative years in Mercer Island, Washington. The track comes from their eighth album Lente Viviente, which is available for pre-order/digital pre-save now at the links below, and releases September 26th, 2025. If you grew up obsessed with the classic seventies prog rock greats like Rush, King Crimson, and Pink Floyd, with a modern flare for drama such as Muse or Neal Morse, Little King deserves your attention! ” – Ghost Cult Magazine

“Over nearly three decades, Little King has evolved from the El Paso roots of “Transmountain” to the intricate, personal soundscapes of “Lente Viviente,” blending complex arrangements, strong melodies, and lyrical depth.” – Progressive Rock Journal

“Tucson progressive rockers’ Little King are gearing up for the release of their 8th studio album, ‘Lente Viviente’ on Sept. 26th and have also just dropped their first single from the album, ‘Catch and Release’. This band truly pushes boundaries and yet makes modern prog rock very accessible. That is a difficult feat and a challenge many bands can’t overcome. But these fellas make it sound very simple, even though the music is quite complex. Similar to YES in that every instrument, including the vocals, all seem to be doing their own thing…but somehow it all works beautifully, and that is what good prog is about. Listen up for Little King on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Album “Lente Viviente” it presents emotions, classic playing and dynamic playing. The band recorded interesting arrangements with expressive performances. You can hear a personal and reflective album here, but there are many optimistic and optimistic sounds here. 4/5″ – W-Mgnieniu-Rocka

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0 Out Nov 2025 Trois-Rivieres’ OUTLYING’s New Album “Oblivisci” Explores Pain and Redemption; Streaming Single “November”

September 23, 2025
by Asher
· Music News · Outlying

NEWS RELEASE

Montreal, QC – September 23, 2025

Out Nov 2025 Trois-Rivieres’ OUTLYING’s New Album “Oblivisci” Explores Pain and Redemption

Streaming Single “November”

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, “Oblivisci,” drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.

Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.

“We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.

“Oblivisci,” Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.

“After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.

The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.

YouTube – https://youtu.be/xfbMerlsRwc

Add to your Spotify playlist – https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ

OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.

Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.

Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.

Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.

“We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.

With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).

The album artwork for “Oblivisci” depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.

“Oblivisci” will be available on November 21st on all streaming platforms.

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussions
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

For more info:

http://www.outlying.ca/

http://www.facebook.com/outlyingband

http://www.instagram.com/outlyingband/

https://www.tiktok.com/@outlying.band

– 30 –

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

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0 PHAETON Unveils Single “Isochron” ft. Keyboard Wizard Derek Sherinian (Dream Theater, Planet X, Sons of Apollo); New Album “Neurogenesis” Out Oct 2025

September 23, 2025
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – September 23, 2025

Canadian Instrumental Prog Metal PHAETON Unveils Single “Isochron” ft. Keyboard Wizard Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

New Album “Neurogenesis” Out Oct 2025

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

Canadian instrumental prog-metal outfit Phaeton has released their latest sonic whirlwind, “Isochron”, featuring keyboard icon Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). The single offers a high-voltage glimpse into their upcoming third album, “Neurogenesis,” out October 24th via INB Music.

Clocking in at just under five minutes, “Isochron” is one of the densest and most dynamic tracks Phaeton has written in years. It ricochets between killer riffs, Middle Eastern mellowness, and clenched-fist power, all supercharged by Sherinian’s signature synthesizer tsunami that came together with lightning speed.

The band explains:

“Colin reached out, and to our astonishment, Derek agreed immediately. He sent us half a dozen takes the next day, each with different moods and effects. Kevin stitched together a hybrid performance from all of them; we couldn’t choose just one. We’re happy with how this track sounded. There’s a feeling of whirlwind rush we deliberately injected into the tune. If an isochron connects different points where an event occurs simultaneously, then the song itself is that event, stretched across time, Newtonian physics be damned,” says the band.

Listen to “Isochron” ft. Derek Sherinian via its premiere on Metal Addicts HERE.

“Neurogenesis” marks a bold left-field shift for Phaeton. While their self-titled debut album established their identity and sophomore Between Two Worlds expanded it with heavier, more emotionally resonant compositions, “Neurogenesis” takes a more compact and concise approach, though not by design.

“The songs just ended up that way. Even as an instrumental band, our arrangements follow a kind of verse-chorus structure, but instead of vocals, it’s guitar and keyboard melodies that carry the narrative,” the band explains.

Thematically, “Neurogenesis” explores overlapping concepts inspired by the technological singularity, the looming fusion of biological consciousness with robotics and cybernetic implants. Musically, the album blends jazz-fusion sensibilities with prog-metal architecture, inviting listeners to interpret each track’s title and let their imaginations roam.

“It’s not a concept album in the strictest sense, but the ideas do interlock. It’s a cold warning as much as a sober observation. We’re asking: when that happens, will we still be human?” adds the band.

Formed by drummer Colin Righton, who united longtime collaborators Daniel Airth, Kevin Thiessen, and Ferdy Belland, Phaeton has carved out a niche with their “Interplanetary Psychedelic Hyper-Melodic Metallic Prog.” Their sound draws comparisons to Symphony X, Devin Townsend, Rush, Meshuggah, and Gojira, minus the vocals.

“We let the guitars and keyboards do the singing. Live, we’re heavier, crunchier, and thrashier than our polished recordings suggest. It catches people off guard in the best way,” explains the band.

Beyond “Neurogenesis”, fans can look forward to the 22-minute epic “Clouds of Mercury” slated for release as a standalone EP in 2026, and the band’s fourth album “Quartum” expected in 2027. With new material already brewing, Phaeton shows no signs of slowing its cosmic ascent.

For fans of instrumental metal, progressive rock, and sonic storytelling, Phaeton offers visceral thrill and intellectual expansion, song after song after song.

“Neurogenesis” – album pre-order (out Oct 24th) – https://phaetonband.bandcamp.com/

Track Listing:
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial

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“A”An instrumental quartet from Kimberley, British Columbia, Phaeton are skillfully blurring the boundaries between old- and new-school prog metal. Their second album, Between Two Worlds, covers a vast amount of ground, from intricate post-djent riffing, to indulgent prog pomp, and no single outstays its welcome. The nine-minute title track is a particularly impressive display of showboating and smart songwriting.” – Prog Mag – Dom Lawson (Between Two Worlds – 2023)

It’s Prog Mag’s brand new Tracks Of The Week! (April 21, 2023) – “Hailing from Columbia, Canada’s Phaeton are an interplanetary instrumental heavy prog metal quartet and as their name suggests, they are fascinated with astronomy, and the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence. The epic Between Two Worlds is the title track of the band’s latest album.” (Between Two Worlds – 2023)

“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun) (Between Two Worlds – 2023)

“Phaeton are relatively unknown, especially compared to the above mentioned bands (scale The Summit, Animals as Leaders), but they definitely hold their own on Between Two Worlds. All members absolutely kill it on their instruments, the songs are wonderfully arranged and produced, and there’s plenty of variety here to hold our attention. Instrumental prog might be a little talked about genre, but Phaeton belong in the conversation.” – Heavy Music Headquarters (Between Two Worlds – 2023)

“…a killer album indeed, wonderfully arranged and produced; a superb prog metal opus where the music almost makes you dizzy, but most of all longing for more indeed. “Between Two Worlds” to me is one of the absolute highlights of this year, a unique twist and rollercoaster of progressive, instrumental metal, highly recommended indeed: especially suitable for fans of Rush, Dream Theater and Liquid Tension Experiment. Play it LOUD and you will be hooked, listening tip: “Monsoon.”” – Rock United (Between Two Worlds – 2023)

“”Between Two World” was very competently arranged and recorded by PHAETON. Prog fans, who like sounds and virtuosity above all, will be well served with the disc.” – PowerMetal.de (Between Two Worlds – 2023)

“PHAETON releases an instrumental album in which the voice is not lacking; a nervous, boosted opus where the frank and limpid musicality makes you dizzy, where the notes invite you to travel in space to another dimension, where harmony is combined with controlled djent power; innovative music, on modern math metal-prog.” – Profil Prog (Between Two Worlds – 2023)

“If you’re open minded in your choice of Metal genres, you should feel free to let this instrumental work slip through your ears. It takes a little getting used to, so completely without singing. But if you get involved and listen carefully, one or the other will surely like something. The whole thing should appeal to fans of RUSH or DREAM THEATER.” – Hellfire Magazin (Between Two Worlds – 2023)

“The sound on all seven tracks is huge and if there was a “best sounding hammer-ons” award then March of the Synthetics could be a contender.” – Stuart Derdeyn (The Vancouver Sun) (Self-titled – 2018)

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