Category: Music News

0 DEADWOLFF Announces USA Tour Dates To Support Debut Album “Heavy Rock N’ Roll” (Golden Robot Records) Out March 31st

March 15, 2023
by Asher
· Deadwolff · Music News

NEWS RELEASE

Montreal, QC – March 14, 2023

DEADWOLFF Announces USA Tour Dates To Support Debut Album “Heavy Rock N’ Roll” (Golden Robot Records) Out March 31st

L-R: Tommy Wolffe (Bass. Vocals), Bobby Deuce (Guitar), Angus Pike (Drums)
Photo Credit: Megan Kay

A blend of hard rock, punk, and metal, Deadwolff set themselves apart from other bands with their take on the New Wave of Heavy Rock and Roll. Recommended for fans of Judas Priest, Motorhead, and W.A.S.P, Deadwolff‘s is a revival of foot-tapping, beer-drinking, headbanging tunes, and more. They are touring across the United States and Canada this May and June in support of their forthcoming debut full-length “Heavy Rock N’ Roll” due out on March 31st via Golden Robot Records.

Music Video – Heavy Rock n’ Roll – https://youtu.be/kAiNlEmDkZk

Music Video – Homeward Bound – https://youtu.be/iPC0z5J3Xnc

Album-pre-save – https://linktr.ee/deadwolff

May
8 – Outer Limits Lounge – Hamtramck, MI
9 – Liars Club – Chicago, IL
11 – Whittier – Tulsa, OK
12 – Double Wide – Dallas, TX
13 – Black Magic Social Club – Houston, TX
14 – Valhalla Tavern – Austin. TX
15 – Faust Tavern – San Antonio, TX
17 – The Edge – Tuscon, AZ
18 – The Blooze Bar – Pheonix, AZ
19 – Tower Bar – San Diego, CA
20 – Red Dwarf – Las Vegas, NV
23 – Destructive Warehouse – Fresno, CA
24 – The Knockout – San Francisco, CA
25 – On the y- Sacramento, CA
26 – Shea’s Tavern – Reno, NV
27 – Knucklehead – Los Angeles, CA
30 – High Water Mark – Portland, OR
31 – The Cherry Pit – Seattle, WA

June
1 – Sunny Chibas – Squamish, BC
2 – The Cambie – Vancouver, BC
3 – Kami Inn – Kamloops, BC
4 – Canmore Hotel – Canmore, AB
6 – The Palamind – Calgary, AB
7 – Starlite Room – Edmonton, AB
9 – Bulldog – Winnipeg, MB
10 – Atmos – Thunder Bay, ON

For more info: Facebook.com/officialdeadwolff | Instagram.com/deadwolff.official

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—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s MAUDIIR Unleashes Riff Driven Blackened Thrash Single “Toxic Cloud” Off New EP “Soliloque” Out April 2023

March 15, 2023
by Asher
· Maudiir · Music News

NEWS RELEASE

Montreal, QC – March 15, 2023

Canada’s MAUDIIR Unleashes Riff Driven Blackened Thrash Single “Toxic Cloud”

New EP “Soliloque” Out April 2023

Maudiir is a one-man project that started from a need to be independent and produce music at a pace that F. alone decides. Over the years, that freedom has come to be quite fulfilling for him, he moves forward in the direction he wants and follows his creative desires to produce his signature blend of blackened thrash metal. Thus far, Maudiir has released two EPs and a third “Soliloque” is on the horizon. The riff-driven EP has already been introduced with the single “L’Éloge du Cuivre” and the momentum is continued with the single “Toxic Cloud”.

“Toxic Cloud” starts off with a classic metal/almost hard rock feel, then goes into a black metal frenzy with a very epic ending. Generally, Maudiir is inspired by what is going on in the world; politics, religion, consumer society, and environment, true to those themes, the single is about the Bhopal disaster in India. Maudiir shares his thoughts on the upcoming EP:

“It is a riff-driven EP with big bass grooves and corrosive vocals raging on environmental issues, mixing thrash metal, black metal, and progressive elements, giving it a unique sound and feel. Honestly, when I’m working on an EP, I pretty much let the songs come as they are without trying to force a style or recipe. Nothing is really planned. I think the vocals are the glue to what I do; it’s the sound of my voice that makes MAUDIIIR, like it or not.”

Everything in Maudiir is done by F. Every song on “Soliloque” started on guitar, then drums were added, followed by bass and vocals. One song is worked on at a time, from start to finish before a second one is started. Also, in order to be more fluid and closer to a one-take feel, this EP was rehearsed a lot more before tracking than previous EPs, and same with the vocals. These small changes keep things interesting for Maudiir.

With inspiration such as the first Emperor album, a lot of Mayhem records, and pretty much everything Satyricon has done, Maudiir is recommended for fans of Ihsahn, Carcass, and Darkthrone.

Listen to “Toxic Cloud” via ThisIsBlackMetal YouTube channel – https://youtu.be/-AWWtV7fPpE

“Soliloque” is due out on April 7th and is available for pre-order at https://maudiir.bandcamp.com.

Previous Single – L’Éloge du Cuivre – https://youtu.be/S7XLDuUngN8

Track Listing:
1. Toxic Cloud (5 :24)
2. L’Éloge du Cuivre (5 :02)
3. Residue (4 :30)
4. Regarde au Ciel (4:41)
5. CH4 (5:44)
EP Length: 25:24

For more info: Facebook.com/people/Maudiir/100063607593649 | Twitter.com/maudiir1 | Instagram.com/maudiirofficial

About: Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/prog/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released the debut EP “Le Temps Peste” in February 2020 and a year later unleashed the follow-up “La Part du Diable” in 2021.

Now in 2023, two years after the sophomore record, Maudiir returns with the third offering “Soliloque”, an intense and aggressive five-track record built on thrash metal foundations, flirting with prog and melodic tendencies.

“It’s not a linear EP; certainly not the same song repeated again and again. Open-minded people, step in. Those who have heard my past EPs will notice ‘Soliloque’ is different than ‘La Part du Diable’, which was also different than ‘Le Temps Peste’. I like to think that the overall production is getting better with every release. I don’t want to repeat myself or focus on some kind of recipe. The overall sound of ‘Soliloque’ is very different from ‘La Part du Diable’; different guitar, bass, and drum sounds. I also used less effect on the vocals, a more in-your-face approach. One song was recorded with a 7-string guitar, I dabbled with some slide guitar on another… Trying new stuff. I particularly like the bass sound that cuts through really well. Being primarily a guitar player, I‘ve really come to enjoy giving a lot of space to the bass guitar in my music. It’s the instrument that I have the most pleasure recording.” adds Maudiir.

“Soliloque” is due out April 7, 2023.

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

Discography:
2023 – Soliloque (EP)
2021 – La Part du Diable (EP)
2020 – Le Temps Peste (EP)

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“The song (L’Éloge du Cuivre) is well-calculated to get the listener’s pulse jumping right away. The drums infectiously pop. The riff (tuned to a mangling tone) comes in bursts, and so does the growling bass. Having accomplished that feat, things get more vicious as the guitar feverishly jitters and writhes, the words come in a torrent of rabid screams, and the drums hammer with a will. Although the riffing continues to change, becoming more searing and deranged, and also more frantically jolting, the song’s mad rhythmic pulse remains vivid, continuing to punch and drive even when a head-spinning guitar solo seizes attention. Both the drumming and the mercurial bass maneuvers (which are pleasingly prominent) ensure that listeners’ limbs and heads will keep bobbing and pumping straight through the song’s furious finale.” – No Clean Singing

“Maudiir are a blackened thrash metal band from Montreal, Québec. They’re putting out a new album on April 7 called Soliloque, and the first single, “L’Éloge du Cuivre,” is available on their Bandcamp right now. Break out your French knowledge for this one. It’s a pummeling metal track but one not without its share of punk influence an the chords pound in a fiery fury. That guitar definitely has one foot in punk and one in metal, while the drummer keeps up a fairly simple nu metal beat. It’s got a great edge to it without just getting lost in how hard and heavy it is.” – New Noise Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, ToledoDeathFest)

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0 Tentacles Industries – France’s SUNBEAM OVERDRIVE Get Philosophical With Proggy “Out Of Plato’s Cave” Off New Album “Diama” Out May 2023

March 15, 2023
by Asher
· Music News · Sunbeam Overdrive (Tentacles Industries/Season of Mist)

NEWS RELEASE

Montreal, QC – March 15, 2023

Tentacles Industries – France’s SUNBEAM OVERDRIVE Get Philosophical With Proggy “Out Of Plato’s Cave” Off New Album “Diama” Out May 2023

Photo Credit – Elusive Daeva

Founded by professional musicians in 2019 and hailing from Marseille, France, Sunbeam Overdrive is mixing progressive metal and 90s alternative rock. They are eagerly anticipating the release of their debut album “Diama” in the Spring of this year and leading up to it, have dropped a single “Out Of Plato’s Cave” complete with a music video. The band shares the idea behind the track:

“It’s a very energetic piece with djent and progressive accents to compliment Plato’s allegory of the Cave, describing how difficult it is to look away from the illusions that easily feed our minds, to stand your ground when everyone around you thinks you’re a fool, to look for the light, for elevation, for the truth, and have the strength to keep your eyes and soul open when it hits you.”

The single is an excellent introduction to the album, as it showcases how the band expertly blends several different styles together. They believe this could surprise a lot of people, and please fans of multiple genres ranging from 90s grunge to modern djent.

This upcoming record is about elevation, travel, adventure, and energy. It’s meant to lift you up yet make you endure the storm both inside and outside of yourself. Although not designed as a concept album, “Diama” nevertheless turns out to be crossed implicitly by a coherent line, which appeared to them once the album was finished. This line is that of the crests of the summits, more precisely a notion of ascent, elevation, exterior as interior. It translates into the quasi-cinematic succession of pieces forming an initiatory journey throughout the 10 songs. It is recommended for fans of Alice In Chains, Meshuggah, and Tool.

Lyric Video – Out of Plato’s Cave – https://youtu.be/3MAJwOWFTj4

“Diama” will be released on May 12, 2023 by Tentacles Industries with distribution from Season of Mist.

“Diama” was engineered and mixed by Tom Abrigan and mastered by Brett Caldas-Lima (Devin Townsend Project, Megadeth, Cynic, Pain of Salvation) at Tower Studio, France.

Album pre-order is available at the following links:

Limited Digipak / Bundles – https://tentaclesindustries.bigcartel.com/artist/sunbeam-overdrive

Digital pre-save – https://bfan.link/diama

Track Listing:
1. Ascending (1:47)
2. Diama (6:14)
3. Slave To The Void (5:14)
4. Crimson Stains (4:49)
5. Diamond Shape (7:10)
6. Junction: Buhl’s Eye (1:20)
7. Deaf And Blind (4:47)
8. Shen (5:45)
9. Out Of Plato’s Cave (5:05)
10. Hard Sun (5:49)
11. Fainted Core (Bonus Track – Live Acoustic) (6:08)
Album Length: 54:08

Album and Live Band Line Up:
Tom Abrigan – Guitars & Vocals
Karim Arnaout – Vocals
Laurent Duclouet – Drums
Bruno Morgana – Bass

For more info: Sunbeamoverdrive.bandzoogle.com | Facebook.com/Sunbeamoverdrive | Instagram.com/sunbeamoverdrive

Tentaclesindustries.bigcartel.com | Facebook.com/tentaclesindustries | Instagram.com/tentaclesindustries

Twitter.com/tentaclesindus | Youtube.com/@tentaclesindustries | Tentaclesindustries.bandcamp.com

About: Founded around professional musicians in 2019 and hailing from Marseille, southern France, SUNBEAM OVERDRIVE is mixing progressive metal and ’90s alternative rock. Hard at work since day one, the band quickly released its first 3-track EP and performed their very first show at the famous German Euroblast Festival in October 2019. Sunbeam Overdrive was about to hit the stages when the Covid-19 pandemic started… In turn, and after a few line-up movements, they started producing their first full-length album “Diama”, to be released worldwide in 2023.

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0 ALL ELSE FAILS Announces Mexico Tour + No Mames MetalFest and New Video “Flesh/Excess/Wealth”

March 14, 2023
by Asher
· All Else Fails · Music News

NEWS RELEASE

Montreal, QC – March 14, 2023

ALL ELSE FAILS Announces Mexico Tour + No Mames MetalFest and New Video “Flesh/Excess/Wealth”

New EP “The Incident at Black Lake” Out Now!

L-R – Coco Lee (Bass/Vocals ) | John Saturley (Guitar) | Barrett Klesko (Vocals/Guitar) | Nelson Collins – Lee (Drums)
Photo Credit – Barrett Klesko – FadeBack Studios United

Canada’s All Else Fails will be leaving the frozen lands of Canadian winter for the heat and the beaches of Mexico for a one-week-long tour this coming March, which includes a performance at the No Mames MetalFest in Cozumel, MX (dates listed below). The tour is in support of their latest EP “The Incident at Black Lake” released this past September.

Vocalist/guitarist Barrett Klesko comments:

“It’s official, All Else Fails will be headed to the Riviera Maya in a couple of weeks to perform some select shows. We’re really excited to perform for our Mexican fans who have supported us over the years.”

In addition to their tour announcement, the band is sharing their latest music video for “Flesh/Excess/Wealth” via its premiere on Summa Inferno HERE.

All Else Fails‘ latest offering “The Incident at Black Lake” is the band’s tenth studio recording. A deep dive into emotional turmoil, violent riffs, and technical mastery, this EP is an evolution of the band in every aspect of their musicality, its songs are heavier, more complex, and deeper than ever. Employing elements of other genres like industrial, noise, moody electronics, or ambient sampling has always been a hallmark of the band, but take a new approach on this album.

The three original songs and a cover of Death’s “Crystal Mountain” explore themes of devastating mental illness, dystopian mass existential nihilism, and ideological fascism. According to the band, It took over 2 full years to write and produce this EP, they took their time with every part, every note, and every modulated warble. Every musical element has a place and purpose. They are telling a horrifically personal, furiously aggressive, and unnervingly beautiful musical story of mental terror and surviving despair. They continue to explain:

“It’s been really interesting this time around. We started writing this in the early days of the pandemic, so we didn’t really know if or when we would get to play live again. That led to us really taking our time to write each part exactly how we wanted. After we had finished writing and tracking the main instruments (drums, guitars, bass, vocals), then we spent over a year working on the programming, samples, keyboards, and production elements. We basically wrote a second album over top of the first one, it was kind of like writing a score to our own album. In two years, we are happy to say that we made no sacrifices anywhere on this release.”

Guitarist/vocalist Barrett Klesko shares that this EP is specifically about his spiral into mental illness. Falling into a pit of addiction and depression he was abusing his mind and body, and allowing others to do the same. Struggling with derealization and dissociation, he became almost totally withdrawn in his mind. The day they finished their last track on the EP, Klesko checked himself into a recovery center. This EP offers an honest glimpse into that dark, internal turmoil.

Reaching a new level of technical metal prowess and adding a dramatically more dynamic vocal style, it is with a dark heart that All Else Fails presents “The Incident at Black Lake”.

Recommended for fans of Fleshgod Apocalypse, Chimaira, and Killswitch Engage, the EP is available at Allelsefails.bandcamp.com, Spotify, Apple Music.

Music Video – I, Defiler – https://youtu.be/RwNjIFc6aPY

Music Video – Devour the Sun ft. Seedy Mitchell – https://youtu.be/2npL3dWJifo

Music Video Crystal Mountain (Death Cover) – https://youtu.be/Fx5mMMgOZy0

Tour Dates:
March 16 – Route 666 – Cancun, MX
March 17 – Taqueria Coapenitos (AEF taco hangout with fans)
March 18 – No Mames MetalFest – Tony B’s – Cozumel, MX
March 19 – Private Event – Cozumel, MX
March 20 – Diego’s Cozumel, MX (AEF taco hangout with fans)
March 21 – El Pezcozon (AEF taco hangout with fans)
March 22 – Sereno Rooftop (AEF taco hangout with fans)

Track Listing:
1. I, Defiler (5:48)
2. Devour the Sun (8:24) ft. Seedy Mitchell
3. Flesh/Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

For more info: Facebook.com/AllElseFailsCanada | Instagram.com/allelsefailscanada

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new EP “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The EP is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

– 30 –

“The Incident at Black Lake might be “just” a four-track EP by All Else Fails, but its 25 minutes of music are absolutely intense and electrifying, proving why they’re undoubtedly one of the most important names of the Canadian Metalcore scene.” – The Headbanging Moose

“The third theme is my favorite without a doubt. “Flesh/Excess/Wealth” has one of the most vibrant riffs starting at minute 2`40« and they make up for it with a percussion chorus that had previously been heard on the vocals. Finally, when I couldn’t like it more, ALL ELSE FAILS decides to end with a tribute to my beloved DEATH. The cover that they do with “Crystal Mountain”, uniting the trail that Chuck Schuldiner left us while leaving his personal mark, to take off his hat. I love these Canadians and look forward to their next album.” – 9.5/10 – Necromance Magazine

“The EP itself is a cyclone of melodic metalcore fire, death metal toxicity and progressive imagination revealing ALL ELSE FAILS at their most open, intense and thrilling.” – The Ringmaster Review

“Being dark in nature, it tells the suffering that Klesko was facing and what he was seeing in his head. While very dark at times, it’s mind-bendingly beautiful to see it from this perspective. And I can’t wait to hear what else the band has to offer.” 4/5 – Metal Epidemic

““Flesh/Excess/Wealth” is a close second for my favorite song, however. Klesko says he wrote it about losing his sense of humanity. It’s a really aggressive song, but also contains some really beautiful clean singing and a wicked guitar solo. The final song on the EP is a cover of “Crystal Mountain” by the band DEATH, a song much loved by the band. Lyrically, the song fits the dark tone the band set for the previous songs on the EP. I think the band did a good job with the cover and putting their own sound to it. Overall, I thought this was a great EP where I could really feel the emotions that went into writing it.” – Metal-Temple

“”The Incident At Black Lake” is a solid EP” – Powermetal.de

“Canadian band All Else Fails are out with the EP “The Incident at Black Lake”, and this is a production that probably will be of interest to some fans of progressive metal. While a variety of a core based style of metal is at the heart of the proceedings here, the different vocal tones, the changes and alterations over to atmospheric laden and melodic metal, what might be described as thrash metal as well as some quirky instrument movements and expressive arrangement choices does add what I’d describe as a progressive spirit to the proceedings here… If metalcore with an expressive orientation and progressive aspirations sounds interesting to you, this is an EP you might consider becoming a bit more familiar with.” – Progressor
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 LOUD AS HELL Reveals 2023 Lineup w/ JUNGLE ROT, NARCOTIC WASTELAND, INCITE, NECRONOMICON, THE CONVALESCENCE, ARRIVAL OF AUTUMN and more!

March 14, 2023
by Asher
· Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – March 14, 2023

LOUD AS HELL Reveals 2023 Lineup w/ JUNGLE ROT, NARCOTIC WASTELAND, INCITE, NECRONOMICON, THE CONVALESCENCE, ARRIVAL OF AUTUMN and more!

– Camping & Extreme Music In Alberta’s Badlands –

August 4th – 6th, 2023

Alberta, Canada’s LOUD AS HELL is ready to unveil its most stacked lineup to date with its 2023 edition featuring JUNGLE ROT, NARCOTIC WASTELAND, INCITE, NECRONOMICON, THE CONVALESCENCE, ARRIVAL OF AUTUMN and lots more (full lineup listed below).

Being held from August 4th to 6th at the Dinosaur Downs Stampede Grounds in Drumheller, AB, this year’s festivities see the return of American and Mexican bands joining the lineup along with artists from across Canada performing for the three-day open-air event.

Highlights for this year’s lineup witness the return of groovy death metal Americans JUNGLE ROT to Canadian soil to headline the closing night on August 6th in support of their latest album “A Call to Arms” released last year on Unique Leader Records.

Toledo, OH’s THE CONVALESCENCE is one of the USA’s unstoppable tour de force, touring Europe in 2022 with Chelsea Grin, and Carnifex plus an upcoming tour in Japan in 2023 with Exhumed and Defiled along with their latest single “No Survivors” ft. Scott Ian Lewis of Carnifex that has fans demanding more and more.

North Carolina’s Narcotic Wasteland’s (founded by ex-Nile guitarist Dallas Toler-Wade) festival appearance comes as part of the band’s first cross-Canada tour as they will be supporting their forthcoming third studio album in 2023 on Mega Force Records.

Phoenix, AZ’s INCITE, now close to 20 years into a career where everything was earned and nothing was taken for granted, the band bridges the gap between multiple crowds across various metal sub-genres. As renegade disciples of trailblazing architects like Pantera, Slayer, Sepultura, and Machine Head, INCITE raise the torch for trend-killing and hipster-smashing metal. The band’s fifth album, Built to Destroy released in 2019 (Minus Head Records), is a visceral, urgent, voracious distillation of modern metal, with reverence for the past, produced by Steve Evetts (The Dillinger Escape Plan, Suicide Silence) and mastered by Zeuss (Rob Zombie, Hatebreed).

One of Canada’s longest-running blackened death metal bands hailing from Montreal, Quebec, NECRONOMICON‘s career spans over 30 years since it was first formed in 1988 by founding guitarist and singer Rob “The Witch” in the deep, northern part of Quebec’s Fjord of Saguenay. Since then, the band has carefully released each full-length without haste, allowing them to perfect every nuance before unleashing their sonic assaults upon the masses.

Canadian metalcore titans, ARRIVAL OF AUTUMN, hailing from Grande Prairie, AB, are LOUD AS HELL alumni and return to co-headline opening night on August 4th in support of their new album “Kingdom Undone” being released on Nuclear Blast this coming May.

Weekend Passes (including camping) are available at https://www.loudashell.ca/tickets

All online purchased tickets will be mailed out.

LOUD AS HELL 2023 LINEUP:

Thursday, August 3rd – Kick Off Party
EYE OF HORUS
SKEPSIS
BALROGATH
KILL WITCH

Friday, August 4th
INCITE
ARRIVAL OF AUTUMN
OSYRON
LOST NEBULA
WHORRIFY
SILENT LINE
ASHES OF YGGDRASIL

Saturday, August 5th
NARCOTIC WASTELAND
NECRONOMICON
KYLE PULLAN
UNTIMELY DEMISE
HAZZARDOUS MATERIAL (Burlesque)
GORGATRON
JULIET RUIN
VAPOR
KING DYLAN
ENVEILED
SOL RUNNER
SIONIS
NECHT
DIE ANOTHER DAY
HOOKER SPIT

Sunday, August 6th
JUNGLE ROT
THE CONVALESCENCE
KYLE PULLAN
POUND
HAZZARDOUS MATERIAL (Burlesque)
WORMWITCH
W.O.R.
LEGACY
ROXXIE COTTON
WITCHMAYNE
EYES OF PERDITION
NOMAD
FALL OF EARTH
VOLT
BRAIN STEM

Volunteers Wanted For 2023:
Volunteers are wanted for production and security. For full details email at loudashellfestival[@]gmail[.]com

More info:
LoudAsHell.ca
Facebook.com/LoudAsHellFestival
Twitter: @LoudAsHellFest
Instagram: @LoudAsHellFestival
Social Media Hashtag #LAHX
Video – Into Eternity @ Loud As Hell 2021: https://youtu.be/xGSV8eZ-IN0
Video – Iron Kingdom @ Loud As Hell 2021: https://youtu.be/gLE7poCVgFE

Festival Press Materials – Posters, Band Links, EPKs, Photos – HERE.

About:

LOUD AS HELL has hosted hundreds of Canadian and international bands annually since 2012 with exception of 2020 due to the Covid pandemic. During its decade of showcasing Canadian and international bands, the festival has grown into a pilgrimage for metalheads from across the country. Past years have hosted well-known bands such as Into Eternity, Goatwhore, Battlecross, Fit for An Autopsy, Anciients, Archspire, Unleash The Archers, Striker, KEN mode, Obey The Brave, Protest the Hero, AngelMaker, Divinity, Neck of The Woods, Endast among many more.

LOUD AS HELL 2023 will be celebrating its eleventh festival event presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. LAH always works its hardest to deliver the best lineup in the West ready to melt your face off. Featuring bands from across Canada and beyond, you won’t want to miss any of it. And don’t forget about their freak shows, burlesque dancers, clinics, vendors, and dinosaurs!

The sold-out 2022 lineup was scaled down to only Canadian bands due to international artists being unable to perform in the country because of border restrictions and guidelines stated by the federal government for Covid precautions.

LAH Partners:
Town of Drumheller
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Valley Brewing
Canalta Hotels
Neighbors’ Corner Pub
Prairie Fire Productions Ltd
Jerry’s Liquor Store
Trash Talk with Nate Trash
Slimbztv
MetalHeads United
Heavy Metal A Way Of Life

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What the press is saying:
“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metalhead fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City
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0 Halifax’s KILMORE Light The Darkness of A Snowstorm With New Music Video “Firestone” Off Upcoming EP “From the Inside” Out March 2023

March 14, 2023
by Asher
· Kilmore · Music News

NEWS RELEASE

Montreal, QC – March 14, 2023

Halifax’s KILMORE Light The Darkness of A Snowstorm With New Music Video “Firestone”

New EP “From the Inside” Out March 2023

L-R: Kilmore – Dan Doran (Guitar), Neil Spence (Bass), Heather Harris (Vocals/Guitar), Jon MacIsaac (Drums)
Photo Credit – Kayla Macaulay Photography

Halifax, Canada’s Kilmore are gearing up for the release of their new EP “From The Inside” at the end of March. It’s six tracks of groovy, stoner rock with metal elements. Its lyrics were written at a time when there was a real change around the world and an internal bittersweet struggle. Along with that, vocalist/guitarist Heather Harris became a new mother and was trying to find her place in a new reality really speaks loudly in the emotions on the record. Some themes are of destruction while others of hope, each song has its own theme/feel. For the EP’s recording, Kilmore worked with producer Jon Landry, the band explains further:

“It was an altered experience for us recording this EP. Working with producer, Jon Landry, helped us craft the best version of the songs. We recorded it in our basement studio and took the time needed to form the songs and bring life to the recordings. Musically, some songs came out easier than others, and some needed more time to capture the essence that we were looking for. Overall, we feel we created a variety of soulful psychedelic stoner rock that brings expressions of escapism and explorations.”

Listening to these selected six songs, the band offers up an unearthing of realities in life through sounds and wanting to create something new. Featuring magnetically emotive passages contrasted against assaults of groove-forward aggression, the band conveys themes surrounding rebirth, love, hate, frustration, understanding, and the search for truth to permeate their darker-edged sonic palette.

“This EP, in our opinion, is our best work to date and we are thrilled to release it to the world.” adds vocalist/guitarist Heather Harris.

Today, the quartet unveils their next single “Firestone” accompanied by a music video. The song is about feeling broken and alone and looking for the light through the darkness. This was an old song the band rehashed when drummer Jon MacIsaac joined the lineup. The song locked in the right direction lyrically with the new groove and the band felt they have created a fierce and intense track. The video was filmed after a snowstorm and showcases a magnificent Canadian winter.

Watch and listen to “Firestone” at https://youtu.be/NfkXIJ2JOc8

Kilmore‘s forthcoming EP “From the Inside” follows their East Coast Music Award-nominated 2015 EP “City Lights”, and 2018 LP “Call of the Void”, which won the 2019 ECMA “Loud Recording of the Year”.

Recommended for fans of Royal Thunder, Baroness, Ghost, and The Damn Truth, “From the Inside” is due out on March 31st, 2023.

EP- pre-order – https://kilmore.bandcamp.com

Digital pre-save – https://linktr.ee/kilmore

Music Video – Tempest – https://youtu.be/PDwLKegFKh4

(Artwork by Stephen MacDonald)

Track Listing:
1. Tempest (3:43)
2. Omitted (4:29)
3. The Destroyer (3:04)
4. Firestone (3:59)
5. Underneath (4:13)
6. Rapture (4:22)
EP Length: 23:50

For more info: Kilmore.ca | Facebook.com/kilmoreband | Instagram.com/kilmoremusic

About: Kilmore finds its roots deep in influence from two siblings who immigrated from Newry, Northern Ireland at an early age to Vancouver, BC, and eventually to Halifax, Nova Scotia. Two new Canadians growing up in the nineties, finding their musical diet of grunge to surpass the time.

Fast forward to 2013, sister and brother Heather Harris (vocals, guitars) and Dan Doran (guitars) formed with the addition of Neil Spence (bass) and Lor Sangster (drums) to the original lineup. Sangster was later replaced in 2019 by Jon MacIsaac (drums) from local bands Chosen Lung, Burdened, Earth Alter to complete the current lineup.

Dark, aggressive, brawny, and haunting, Kilmore is recommended for fans of Royal Thunder, Baroness, Windhand, and The Damn Truth.

– 30 –

Earshot Top 200 – Kilmore – Call The Void – #118 – July 2018 (Earshot)

“INFECTIOUS MELODIES WITH VOCALS TONED TO PERFECTION, INCREDIBLE MUSICIANSHIP WITH HIGH PRODUCTION VALUE, CATCHY HOOKS, METALLIC EDGE, AND INSATIABLE GROOVE.” – THE RIPPLE EFFECT

“Call of the Void, the riffs are relentless as the band channels gloom through minor chords…The spirit of darkness breathes through the lyrics as Kilmore reminds us rock is alive and well.” – The Coast

“the heavy and bluesy sounds really drive home those themes of reckless behaviour and dark feelings… The band effectively portray their intended emotions and messages to the listener through their music while providing them with something to bang their head—or groove—to.” – The East Magazine

“The opening title cut begins City Lights with brawny, distorted guitar licks, steadily pounding drums and wailing vocals akin to classic rock radio. This sets the tone for the four-piece’s muscular sound, as tracks like “Rising Sun” and “Weight of the World” are similarly stuffed with meaty riffage, while “Peace of Mind” is slightly more restrained and slow-burning. The curveball is “Younger Years,” which ventures into a folk rock direction with its acoustic strums.” – Exclaim!

#8 on This Week’s Top 11 Playlist: 08 April 2016 – A Journal of Musical Things – Alan Cross (Kilmore, City Lights, City Lights EP)

0 Surface Of The Sun’s Music Video “Vanguard” Is A Compelling and Progressive Ode To Growth

March 13, 2023
by Asher
· Music News · Surface of The Sun

NEWS RELEASE

Montreal, QC – March 13, 2023

Surface Of The Sun’s Music Video “Vanguard” Is A Compelling and Progressive Ode To Growth

Surface Of The Sun is a progressive metal band hailing from Canada, it is the solo project of Devon Eggers who has been creating captivating and expansive soundscapes since 2011. SOTS has released three singles that are intertwined: “Oblivion” (off 2019 EP ‘Panacea’), and tracks “Dragon” and “Vanguard” (off 2020 EP ‘Dragon’), which all have corresponding music videos. “Vanguard” is the end of the cyclical process the singles are about – becoming a leader, passing on the strength found within, and allowing the process of growth to continue. Eggers explains in detail:

““Vanguard” is a longer, progressive soundscape that follows a unique arrangement that allows for interesting builds and dynamics between sections. The vocal arrangement is kept simpler to allow for more complexities within the Asian instruments that complement the heavy guitar tracks. I hope to share with fans something on a more personal level. The songs touch on internal struggles, but ultimately end on being able to overcome those struggles to become something bigger, better, and stronger.”

For Eggers, “Vanguard” was a song that he really resonated with once he started writing it. The song was based around the opening guitar riff and finding ways to make it grow and expand throughout the track. The feeling those first few riffs created in him left him attached to the song, and he spent a considerable amount of time experimenting with different arrangements to get the emotional journey right. With his music, he hopes to immerse listeners in a musical soundscape that is both catchy, but also something they can get lost in. The type of music one can close their eyes to, shut off all the lights, and just be carried away by the sounds and melodies.

Compared to the other two singles, “Vanguard” is meant to be more progressive, and contrasting, and a current example of the roots of Surface of the Sun. It is recommended for fans of A Perfect Circle, Chevelle, and Tool.

Watch the music video for “Vanguard” at https://youtu.be/RsRDW80ovkU

EP “Dragon” was released on Aug 17, 2020, and is available at Surfaceofthesunmusic.com/shop, Surfaceofthesun.bandcamp.com, Spotify.

Track Listing:
1. Dragon (3:47)
2. Vanguard (6:19)
EP Length: 10:06

EP Credits:
Music: All music and lyrics written and performed by Devon Eggers, except the drums, which were performed by Chris Warunki.
Produced, recorded, edited, and mixed by Devon Eggers at Surface of the Sun Studios.
Mastered by Andrew Downton at Railtown Mastering.
EP Artwork: By Vohrart
Member of SOCAN
Content is Canadian Music (MAPL)

For more info: Surfaceofthesunmusic.com | Instagram.com/surface_of_the_sun_music | Facebook.com/surfaceofthesun

– 30 –

“Canadian artist Surface of The Sun released the EP “Dragon” back in the summer of 2020, and progressive rock is the style explored on this production. It is an atmospheric laden and groove oriented variety of the form we get here, with the two songs alternating between gentler atmospheric laden and harder edged landscapes, and frequently carefully developing the songs from one orientation to the next and back again rather than opting for abrupt changes or the use of transitional elements. Expressive but careful use of instrument details is a trademark feature of the former, often with one instrument sporting a more vibrant role in the arrangements, while the more groove oriented sections have a more defined hard progressive rock vibe to them and an orientation comparable to a band like Tool or Riverside. This latter aspect of the songs is also the most defining one, and due to that I’d suspect that many of those who find a band like Tool to be interesting also when this style of progressive rock is explored in a bit more of a mild mannered way should find this EP to be an interesting discovery.” – Progressor

“Panacea is a very well put together release and really showcases Eggers’ production and musical skills” – Powerplay Magazine UK (2019 – Panacea EP)

0 Canada’s CATEGORY VI Call Upon The “Valkyries” From New Album “Firecry” Out March 2023 via Moribund Records

March 10, 2023
by Asher
· Category VI (Moribund Records) · Music News

NEWS RELEASE

Montreal, QC – March 10, 2023

Canada’s CATEGORY VI Call Upon The “Valkyries” From New Album “Firecry” Out March 2023 via Moribund Records

Newfoundland, Canada’s CATEGORY VI will be releasing their new album “Firecry” toward the end of March via Moribund Records, and in lead up to it earworming its way to fans along with celebrating International Women’s Day that passed earlier this week, the quartet is sharing their next single “Valkyries”.

“This song is about sexism and misogyny and my own personal experiences with this. Being told to shut up my whole life backfired. LOL 🙂 It’s about sisterhood and banding together like a bunch of powerful Valkyries against the assholes in the world!” says vocalist Amanda Marie Jackman.

Watch and listen to “Valkyries” via its lyric video at https://youtu.be/KvsRIJsdgUU

CATEGORY VI returns in 2023 with a full blazing firestorm with their third album and most accomplished release to date “Firecry”. From the initial flickering flame of “Firecry” to the final cinders of the absolutely combustible cover of HEART’s classic “Barracuda”, CATEGORY VI delivers true and classic 80’s heavy metal with utter perfection. “Firecry” boasts a crisp, clear, and scorching modern production that does not distract from the band’s true 80’s metal sound.

Lyrically crafted around themes of personal pride and triumph (Valkyrie, Heavy is the Crown), witchcraft persecution (Firecry), women’s strength (She Runs With Wolves) & their excellent live performances (Coven), these concepts are boldly and powerfully delivered by the soaring vocal excellence of Amanda Jackman. Bolstered and fueled by the powerful stainless steel riffs and catchy melodies of guitarist Geoff Waye, the pounding anvil bass of Keith Jackman, and the thunderous steadfast drumming of Brian Downton, CATEGORY VI brings classy and classic 1980s power – Traditional Heavy Metal into the 21st century with blazing glory.

To close out one of the best heavy metal albums of the decade, CATEGORY VI delivers an immaculate true metal, yet radio-friendly cover of the chart-topping Heart classic “Barracuda”. With “Firecry”, CATEGORY VI unleashes a global scale climate-changing metal cyclone that just may melt the North American frozen tundra with its blazing power metal.

The album “Firecry” is due out March 24th, 2023 via Moribund Records.

Album pre-order – http://www.moribundcult.com/product/DEAD304.html

Single / Title track – “Firecry” – https://youtu.be/odqnpiCzCks

Track Listing:
1. Firecry – 6:10
2. Valkyrie – 6:05
3. The Vultures Never Came – 4:10
4. She Runs With Wolves – 4:12
5. Heavy is the Crown – 3:47
6. Coven – 4:52
7. The Cradle Will Fall – 4:53
8. Burning Bridges – 3:49
9. Barracuda (Heart) – 4:21
Album Length: 42:18

For more info: Facebook.com/CategoryVI | Instagram.com/categoryviofficial

Follow Moribund Records: Facebook | Instagram

– 30 –

“a promising band worth watching.” – Rock Hard (DE)

“the band, with their sound rooted firmly in the early 80s, play with real charisma.” – The Independent Voice

“a really nice slab of metal that should please fans of the old and new heavy and power metal genres.” – Metal Crypt –

“If you dig acts like Seven Kingdoms, Mindmaze, or Helion Prime, then I’d call this a no brainer although Category VI do separate themselves from their contemporaries with a more pugilistic edge, and a lethal injection of classic metal attitude which would call to mind Judas Priest or Mercyful Fate. Overall a solid record. You could do far worse than check this out. “ – The MetalCrypt

“So if you like your metal aggressive yet smooth, soulful while never failing to thrash, and resonating without sacrificing in that certain visceral punch, War is Hell is a must – an album that will appeal to the diehard fans of a forgotten generation of thrashers and headbangers, while bringing sufficient juice and sizzle to lure wayward fringe fans of the millennium and beyond. “ – Metalheads Forever

“This album, their second full length, is a power metal tour de force. Although I don’t think they sound like either band per say, they do give off a classic metal vibe like JUDAS PRIEST or MERCYFUL FATE. “ – Metal Temple

“Musically, Category VI are a storming True Metal band with no pretentions and no excuses made….Unlike the trend-driven sub-genres, the sound of Category VI is timeless and WAR IS HELL has already shown that they are ready to take it to the international stage.“ – Metal-Rules

0 Montreal’s MILANKU Release Mystical And Melancholic “À l’aube; nous sommes disparus” Off “À l’aube” Out March 2023

March 10, 2023
by Asher
· Milanku (Folivora) · Music News

NEWS RELEASE

Montreal, QC – March 10, 2023

Montreal’s MILANKU Release Mystical And Melancholic “À l’aube; nous sommes disparus”

New Album “À l’aube” Out March 2023

Photo Credit – Alexandra Stairs

From the start, Montreal, Canada’s Milanku hammers out its brutal character, infused with melancholy, even dystopia, and standing straight upright on the wire: defiant, shouting, and inspired. Mesmerized by the warrior’s rage, flayed by its own doldrums, the quartet relies on pared-down arrangements and an oft-staged vocal presence, harmonizing like an instrument, and howling at the big time, but plastered with a disquieting sense of dilettante. They are gearing up to share their fifth album “À l’aube” with the world in March, but just before that is releasing the single “À l’aube; nous sommes disparus” (At dawn, we disappeared), which they share their thoughts on:

“This is the most musically emotional track of the album, this song starts off as a sweet guitar melody and slowly turns into a storm featuring Erika’s voice as the grand priestess of this storm that everyone is trying to escape. The lyrics in Swedish and French make it even more mystical. The album is poignant, and intense, heavily influenced by the emotions of despair and loneliness brought on by the pandemic.”

The lyrics of Milanku are written in the form of text per album. Once the music is composed, the lyrics are composed. The lyrics and the flow are inspired by the music and the feeling it gives them inside. They are inspired by Milan Kundera and more precisely, his works of “La lenteur” and “La plaisanterie”. Once the text of the album is composed, the sentences are divided from one song to the other of the album. The music, the lyrics as well as the live performances of the group are very much influenced by the daily life of each one where we are plunged into a reality where everything goes very fast.

Intense, with heavy broody melancholy, Milanku is recommended for fans of GYBE!, Neurosis, and Envy.

Watch and listen to “À l’aube; nous sommes disparus” via its music video premiere on Doomed And Stoned HERE.

Digital pre-save – https://bfan.link/a-l-aube-nous-sommes-disparus

The album “À l’aube” is due out March 31st, 2023 via FOLIVORA (Canada), D7i (Canada/USA), and Moment of Collapse (EU).

Album pre-order – https://milanku.bandcamp.com

Previous Single:

Music Video – “À l’aube; de leurs silences” – https://youtu.be/tLk_CL0pSBs

Digital – https://bfan.link/a-l-aube-de-leurs-silences

Show Dates:

March 31st – Ausgang Plaza – Montreal. QC – Info

Track Listing:
1. À l’aube; de leurs silences – 10:54
2. À l’aube; il sera déjà trop tard – 8:04
3. À l’aube; prêchant la mauvaise nouvelle – 5:43
4. À l’aube; de la grande tristesse – 4:55
5. À l’aube; nous sommes disparus – 8:41
Album Length: 38:16

Album and Live Band Lineup:
François Lemieux (Guitar, Synthesizer, Vocals)
Carl Ruest (Guitar, Vocals)
Guillaume Chamberland (Bass, Vocals)
Guillaume Boudreau-Monty (Drums)
Jean-François Bourbonnais (Guitar)

For more info: Facebook.com/milankuband | Instagram.com/milankuband

About: If Milanku draws its origins from the work of Milan Kundera, the soundtrack is definitely more on the side of the thundering density of the being than of its “unbearable lightness”, galvanized by the Czech author.

From the start, Milanku hammers out its brutal character, infused with melancholy, even dystopia, and standing straight upright on the wire: defiant, shouting, and inspired.

Mesmerized by the warrior’s rage, flayed by its own doldrums, the quartet relies on pared-down arrangements and an oft-staged vocal presence, harmonizing like an instrument, and howling at the big time, but plastered with a disquieting sense of dilettante.

At the heart of the enterprise, tearing off the peels of flapping skins, we explore the state of affairs of the contemporary genre, tragic, desolate, where any notion of common sense seems diffuse in the amalgam of trompe-l’oeil. The texts are meditative, inquisitive and the observations that emanate from them, weep and persist in trying to make sense of it, through its ever-growing losses of illusion.

With four full-length releases behind them, both in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), and abroad (Tokyo Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) Alerta-Antifascista, Milanku presents today À l’aube (Folivora, 2023), a five-track burn that breathes new life into a caste of disenfranchised people, imbued with a disarming lucidity, and gives itself a framework and a voice to pull its head out of the swamp.

International recognition

The band has been affiliated with several; indie labels and distributors over the years, namely: in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) as well as Alerta-Antifascista (Germany).

In 2016, the band will continue to tour Europe, visiting the Netherlands, Germany, Poland, the Czech Republic, Slovakia, and Austria.

The band’s albums have been consistently recognized at the GAMIQ since 2013 in addition to jumping on a plethora of specialized year-end lists around the globe.

– 30 –

“The slowness of the post-hardcore of Milanku or the erasure of the world.” – Weirdsound.net

0 Montreal’s SANGUINE GLACIALIS “Welcome” Fans To New Music Off Third Album “Maladaptive Daydreaming”

March 10, 2023
by Asher
· Music News · Sanguine Glacialis

NEWS RELEASE

Montreal, QC – March 10, 2023

Montreal’s SANGUINE GLACIALIS “Welcome” Fans To New Music Off Third Album “Maladaptive Daydreaming”

L-R – Jonathan Fontaine (Guitar & Back Vocals), Jérémy Racine (Drums & Back Vocals), Maude Théberge (Vocals, Keyboard & Violin), Marc Gervais (Bass & Back Vocals), Alexandre Lépine (Guitar & Back Vocals)

Photographer Credit: Philippe Quinn

Montreal, QC’s Sanguine Glacialis (ft. members of Valfreya, the Growlers Choir, The Monster Factory) have a new lyric video to reveal the first single “Welcome” from their forthcoming album “Maladaptive Daydreaming” planned for release later this year to follow the band’s 2018 record “Hadopelagic”. Influenced by a vast array of musical styles such as jazz, classical, folk, symphonic, death, and black metal, the new full-length is a concept record about mental illness and an imaginary world that lives in the head of its main character, a subject that opens the door to many, many different ideas on the album.

“We’ve never been this hyped about a new album. The pandemic was great for this at least: we really took the time to compose and write to make the best album possible, and it shows. We pushed our limits once again to explore new styles and instruments. It’s a catchy melodic death metal album, yet progressive and dark as well. The lyrics are about an imaginary world created in someone’s mind to hide from reality, and how this world can suck you completely out of reality. It talks about different aspects of mental illness and how it’s lived inside someone’s mind. As a person with mental illness myself, I have a ton of content to work on. ” adds Maude Théberge (Vocals, Keyboard & Violin).

Today, the band presents the first single, “Welcome”, a track with many different surprises and invited guests. It sets the world in which the concept record takes place. It’s the perfect representation of what’s to come from their new album “Maladaptive Daydreaming”. The single starts with a clean intro with the violin, then switches to a catchy gang vocals chorus. There’s a saxophone and a guitar solo, and it ends with a brutal breakdown.

“Welcome is about the imaginary world calling for the lead character, but that world is not as fun and fulfilling as it may seem,” says Maude Théberge (Vocals, Keyboard & Violin).

Fans of Fleshgod Apocalypse, The Agonist, and Diablo Swing Orchestra will likely be interested in the genre-bending sounds of Sanguine Glacialis.

Watch and listen to “Welcome” via its premiere TheCirclePit YouTube Channel – https://youtu.be/fcBDJp2U7jY

“Welcome” is available on the following platforms: Sanguineglacialis.bandcamp.com, Apple Music, Spotify.

For more info: Facebook.com/SanguineGlacialis | Twitter.com/sglacialis | Instagram.com/sanguineglacialis

– 30 –

“It’s rather difficult to slot Sanguine Glacialis into one specific style because they utilise a good amount of approaches and genres into their music, such as death metal and symphonic metal, as well as more unusual styles such as classical and jazz. They have a very interesting sound as a result and it definitely helps them to stand out from the crowd…” Soundscape Magazine

“Sanguine Glacialis threw me a bit of a curve ball as I was expecting a similar showing stylistically, primarily because I could hear the singer warming up her falsetto backstage. To my delight, the group launched into a more groove filled progressive black metal vibe that was thoroughly entertaining. Singer Maude Théberge navigated her tiny frame through the cramped stage to play the role of both soprano and banshee while providing intermittent piano sections. The band’s performance, energy, and crowd interaction won the crowd and me over, and I’m excited to hear their new album in the fall.” – Bucketlist Music Reviews
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

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