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Category: Music News

0 NECRONOMICON EX MORTIS Announce Bloodborne Inspired “Celestial Tomb” Off Debut S/T Out March 2023

  • February 23, 2023
  • by Asher
  • · Music News · Necronomicon Ex Mortis

NEWS RELEASE

Montreal, QC – February 23, 2023

​

NECRONOMICON EX MORTIS Announce Bloodborne Inspired “Celestial Tomb” Off Debut S/T Out March 2023

Top – Michael Bala – Guitar, Manuel Barbarà – Guitar
Bottom – Yusuf Rashid – Bass, Craig Schmul – Vocals, Joey Ferretti – Drums

Inspired by 80s horror movies, horror games, and HP Lovecraft, Chicago’s Necronomicon Ex Mortis is putting a gory new touch on classic, old-school death metal. The members, guitarists Michael Nystrom Bala and Manuel Barbará, bassist Yusuf Rashid and drummer Joey Ferretti are good friends from Berklee and that training and long-term friendship shines through in their morbid, shredding metal. They are eager to release their debut self-titled EP this March, and ahead of that, are releasing the first single “Celestial Tomb”. The band explains the single:

“It was a relatively difficult song to write because Michael wanted that classic Gothenburg melodic death metal song but he didn’t want to do what At The Gates did 20 years ago and better. He tried to use a slightly subversive song structure as well as some more “outside” chords and melodies in the chorus as well as in Manuel’s solo section. Lyrically, it was inspired by the chalice dungeons in Bloodborne.”

Necronomicon Ex Mortis intends to draw listeners in and trap them in an 80s horror movie, on VHS of course. This EP acts as the trailer for their music much like a movie trailer advertises a feature-length film. This release promises the gory good time that future releases will have.

Keeping old-school shred gods such as Yngwie, Vinnie Moore, Paul Gilbert, and Derek Taylor in mind, Bala is the primary songwriter. He believes that songwriting is a combination of fulfillment and subversion of expectation. So the writing process becomes a hilarious tug-of-war between the two extremes that often leaves him without sleep. The EP is recommended for fans of Obscura, Arsis, and Racer X.

Watch and listen to “Celestial Tomb” via its lyric video premiere on TheCirclePit YouTube channel – https://youtu.be/gWSmqWpGVCI

​

Digital – https://distrokid.com/hyperfollow/necronomiconexmortis/celestial-tomb​

The debut self-titled EP is due out March 31st, 2023, and is available for pre-order at Necronomiconexmortis.bandcamp.com.

Track Listing:​
1. Celestial Tomb (4:35)
2. Earth Cancer (4:22)
3. Nocturnal (4:00)
4. The Burning (4:59)
EP Length: 17:58

For more info: Necronomiconexmortisband.com | Facebook | Instagram.com/necronomiconexmortisband​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Streaming Now! THEY GRIEVE Release Somber, Doomy Sophomore Drone Album “To Which I Bore Witness” – Produced by Topon Das (F*ck The Facts)

  • February 23, 2023
  • by Asher
  • · Music News · They Grieve

NEWS RELEASE

Montreal, QC – February 23, 2022

​

Streaming Now! THEY GRIEVE Release Somber, Doomy Sophomore Drone Album “To Which I Bore Witness”

New Album Out Feb 24th, 2023 via Silent Pendulum Records

Produced by Topon Das (F*ck The Facts)

Photo Credit – Nick Shaw

“To Which I Bore Witness” both lyrically and musically, tries to capture the uncomfortable juxtaposition between weakness and weight. It is the second release from Canada’s drone doom duo They Grieve who are constantly trying to express the ways in which the ugliness and decay we see in the world sets itself down and plants its roots inside of them—how the weight of the world transforms into their own weakness once it has done so. They try to capture this feeling of juxtaposition and tension within the music itself by oscillating between ambient, textural drones and heavy, doom-laden riffs. They continue to explain the album:

“We are very proud of how far we’ve come as a band since our last release. Although it’s been a painstaking process, having scrapped and then re-written most of it, we feel that the end result is a very clear step in the right direction for us. We took our time trying to get the details right, getting more comfortable and adept at filling sonic space as a two-piece. Specifically, we put a lot of work into blending our disparate drone and post-metal influences in a way that feels more natural and seamless than our previous efforts.”

The duo of Gary Thibert on guitars, bass, and vocals; and Deniz Güvenç on drums, synthesizers, piano, and vocals have worked together in the past on a few other projects. In 2015, Thibert was growing increasingly frustrated with his current project at the time and wanted to try experimenting with a more collaborative form of writing, as both of them are songwriters. Initially, they were going to focus on a drone/ambient project but drifted back toward metal pretty quickly. Compared to their first EP, listeners will find this new album more refined and nuanced.

“To Which I Bore Witness” is meant to be depressing, it’s sad, loud music that’s not meant to cross into anger. They Grieve wants people to sit with the album’s sadness and find comfort or kinship within it. The poignant riffs and melancholic layers are recommended for fans of Year of No Light, The Body, and Cult of Luna.

The album was produced by Topon Das (F*ck The Facts) at Apartment Two Studio along with mastering done by Dave Williams at Eight Floors Above and additional tracks recorded by Alex Jakimczuk at Uppercut Studios. The album artwork was done by Pascale Arpin.

The album is being released on February 24, 2023, via Silent Pendulum Records and can be heard through its full stream premiere on Decibel Magazine HERE.

Album pre-order:

– https://silentpendulumrecords.com/products/they-grieve-lp​

– https://silentpendulumrecords.bandcamp.com/album/to-which-i-bore-witness​

Music Video – “To Which I Bore Witness” – https://youtu.be/MV5DMP0rERE

​​

Tour Dates:​
Feb 25 – Ottawa, ON – Houe of Targ (Album Release Show)
March 2 – Peterborough, ON – Sadleir House
March 3 – Waterloo, ON – The Dive Bar
March 4 – Toronto, ON – Bovine
March 5 – Hamilton, ON – Casbah

Track Listing:​
1. Wither (7:12)
2. Under the Weight (7:23)
3. If Light Should Appear (7:00)
4. To Which I Bore Witness (6:43)
5. Guided (3:18)
6. Weakness (8:01)
Album Length: 39:40

Album Band Lineup:​
Gary Thibert: Guitars, Bass, Vocals
Deniz Güvenç: Drums, Synthesizers, Piano, Vocals

Album Recording Credits:​
• All songs performed by: Deniz Guvenc & Gary Thibert
• All songs written by: Deniz Guvenc & Gary Thibert
• Produced by: Topon Das at Apartment 2 Studios
• Mixed by: Topon Das at Apartment 2 Studios
• Mastered by: Dave Williams at Eight Floors Above
• Album Artwork by: Pascale Arpin
• Additional tracks recorded by Alex Jakimczuk at Uppercut Studios

For more info:​
​www.facebook.com/theygrieve ​
​www.instagram.com/theygrieve ​

About: They Grieve is a two-piece doom, drone, and post-metal band based in Ottawa, Canada. Drawing influence from both minimalist ambient music and down-tempo metal, they blend warm synthesizers, electronics, and lofty guitar drones into mournful hymns and monolithic dirges with urgency, tension, and weight.

Members Gary Thibert and Deniz Güvenç formed They Grieve in 2015 with the intent to experiment with new forms and processes for songwriting, collaboration, and improvisation. Their first EP, I Made My Sacrifice Accordingly, was self-recorded and self-released in late 2016. In 2018, it was re-released with an added bonus track and accompanying music video through Transcending Records.

They Grieve are set to release their first full-length album entitled To Which I Bore Witness. Recorded at Apartment 2 with Topon Das of Fuck the Facts, this album presents a marked change in the band’s sound. Moving away from the harsh-noise influence on their first album, To Which I Bore Witness unveils a much more refined approach to texture and atmosphere while simultaneously shifting to a slower, heavier pace.

Employing a nuanced sense of harmony, the result is an emotional, dynamic, and doom-laden take on post-metal.

– 30 –

“The best kept secret in Ontario’s doom metal scene, They Grieve — the project of Gary Thibert and Deniz Guvenc, of Alaskan and Stay Here respectively — have spent the past several years refining their approach to doom metal, shifting away from the genre’s usual tropes to make something uniquely their own. To Which I Bore Witness is a subtle, nuanced and richly emotional exploration of grief and loss that sends doom through a prism of sound.” – Exclaim!​
​
​“In the song (To Which I Bore Witness) itself, the music lumbers like a wounded leviathan, staggering ahead with terrific heaviness through corrosive chords and pounding drums — and unexpectedly, it also gets significantly louder, all the better to crush the listener into submission. Enhancing the daunting atmosphere of the music, the vocals scar the senses with harsh howls of ruinous torment, and a guitar wails in bitter grief. Suddenly, just as the video’s protagonist lands on a barren beach (to meet her other self), the music dramatically changes. A slow piano melody ethereally rings in moody but mesmerizing fashion above a humming bass and steady beats. That interlude only seems to magnify the bruising impact of what follows it. The piano still rings, but the rough reverberations that surround it abrade like heavy-grit sandpaper, and the screams reach new heights of harrowing intensity. The drums boom, the chords scrape and moan, the feeling of immense desolation becomes staggering. The protagonist buries the box she removed from within forest roots and wanders away, alone.” – No Clean Singing​
​
​“The song (Wither) opens with simple mystical statements on the synth. Other instruments are added to effect layers of feeling, meaning, and intensity. Guitar chords crackle and swell, enveloping us in ionizing radiation. Vocals are gruff and raspy; you have a feeling they’ve been through a lot, seen too much. As we inch closer to minute five, drums bounce jubilantly and a torrent of scratchy riffage erupts like the blinding winter wind. Gradually, the swell is calmed and we return to the strange solitary cries of the keyboard.” – Doomed and Stoned​
​
​“Generating a lot of sound for a two-piece, They Grieve’s second release is a deeply emotional album that captivates through pure sonic structure. Heavy and engaging, To Which I Bore Witness shows a wonderful marriage of doom and post-metal, utilizing both genre aspects wonderfully. Whether one is aiming to use sadness/emotion to heal or to further grieve, this album offers many pathways through one’s emotions.” – Musique Machine​
​
​“To Which I Bore Witness will not be everyone’s cup of tea. The production is deliberately fuzzy and abrasive. The songs are droning and meditative in the most self-destructive way they can be. It’s the kind of band you either “get” or don’t. This is also what I would call mood music. You don’t listen to They Grieve every day. You have to be in a particular mood to enjoy it, but I know that mood and I’ve felt these emotions and this blend of sludge, doom and post-metal with bold electronic elements carries them as well as they can be carried.” – Vox & Hops​
​
​“Could They Grieve be the future kings of Post-Metal?… As with most albums of this musical style, To Which I Bore Witness is dark, depressive, emotional and musically heavy. Upon first listen it can be overwhelming and tough to get through, however, with each repeated listen the album seriously grows. I for one, am very excited to see what They Grieve produces in the future.” – RAM Zine UK​
​
​“Unlike other representatives of this way of making music, where the elements typical of this extreme type of doom metal are used, they are rather invasive and even aggressive, in the case of They Grieve it is completely different. It is true that the despair contained in these compositions, additionally fueled by painfully sounding vocalizes, is undeniable, but it has an extremely soothing effect, introducing the listener into a kind of stupor that separates him from the surrounding world full of painful stimuli. Quite an interesting antidote to the pain of existence is served by these Canadians, and fans of the above-mentioned forms of squat playing will certainly appreciate it.” – Apocalyptic Rites​
​
​“The duo formed by Gary Thibert (guitar, bass, vocals) and Deniz Güvenç (drums, synth, piano, vocals) has created an intensely and strongly emotional album, at times almost monolithic, but at the same time decidedly dynamic. In the development of the six songs of which it is composed, To Which I Bore Witness exudes heaviness with its suffocating gait that seems to want to subdue the listener to the point of making him harmless. Thanks also to a sound that drags us into desolate lands where the ice, like a true master, crystallizes our every emotion, in the name of a now rampant moral decadence.” – Grind On The Road

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

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0 TOLEDO DEATHFEST Announces 2023 Lineup w/ OCEANO, THE CONVALESCENCE, VCTMS, INCITE And More!

  • February 23, 2023
  • by Asher
  • · Music News · Squidhammer · The Convalescence · Toledo DeathFest · WoR (Bungalo Records)

NEWS RELEASE

Montreal, QC – February 23, 2023

TOLEDO DEATHFEST Announces 2023 Lineup w/ OCEANO, THE CONVALESCENCE, VCTMS, INCITE And More!

TOLEDO DEATH FEST is ready to stir up the most extreme mosh pit to ever tornado Ohio and its surrounding states. This year’s event is being hosted on June 3rd in Toledo, OH at Mainstreet Bar and will feature headliners, OCEANO alongside The Convalescence, VCTMS, Incite, and many more (full lineup below).

Since its inception in 2009 by Keith Wampler, the frontman of The Convalescence and owner of The Legend Agency, the festival has showcased the talents of some of the American Midwest’s best up-and-coming metal bands. Past editions have seen past support from well-known artists such as Jungle Rot, Malevolent Creation, The Breathing Process, and Casket Robbery among many more. The festival has been an extreme metal pilgrimage for fans living in the surrounding states of Michigan, Illinois, Indiana, Pennsylvania, Kentucky, and West Virginia.

“I am very happy to be able to bring Toledo Deathfest back in 2023 with one of the most insane lineups we’ve ever had. This festival has come from being local bands at small venues to a two-stage festival featuring bands from around the country thanks to the incredible support of everyone who attends each year. Thank you to everyone who has supported Toledo Deathfest and I look forward to seeing everyone again on June 3rd!” adds festival organizer Keith Wampler.

Tickets are available at https://theconvalescence.bigcartel.com/ (General Admission, VIP Packages)

Event: https://www.facebook.com/events/1456718568446520/​

Highlights of the confirmed bands include headliners Oceano with their blast beats, sonic double bass, slow heavy breakdowns, low death metal growls, and shrieking metalcore vocals ready to annihilate the pit with their discography since 2009. The Convalescence is one of the USA’s unstoppable tour de force, touring Europe in 2022 with Chelsea Grin, and Carnifex plus an upcoming tour in Japan in 2023 with Exhumed and Defiled along with their latest single “No Survivors” ft. Scott Ian Lewis of Carnifex, that has fans demanding more and more. A versatile metalcore group based out of Illinois, VCTMS employs an ambitious blend of punishing breakdowns, catchy melodies, and crushing riffs that draw from post-hardcore, hip-hop, industrial and alternative metal. They have released three full-length albums to date. Their third album Vol. III Halfway Happy was released on August 31, 2018, and reached #25 on the Billboard Heatseekers Chart during its first week of release. Phoenix, AZ’s INCITE, now close to 20 years into a career where everything was earned and nothing was taken for granted, the band bridges the gap between multiple crowds across various metal sub-genres. As renegade disciples of trailblazing architects like Pantera, Slayer, Sepultura, and Machine Head, INCITE raise the torch for trend-killing and hipster-smashing metal. Incite is as much a part of the fabric of the style championed by Lamb Of God as the surge of newer bands like Power Trip. The band’s fifth album, Built to Destroy released in 2019 (Minus Head Records), is a visceral, urgent, voracious distillation of modern metal, with reverence for the past, produced by Steve Evetts (The Dillinger Escape Plan, Suicide Silence) and mastered by Zeuss (Rob Zombie, Hatebreed).

Toledo Death Fest 2023 Full Lineup:​
Oceano (Chicago, IL)
The Convalescence (Toledo, OH)
VCTMS (Streamwood, IL)
Incite (Phoenix, AZ)
Hive (Chicago, IL)
Carrion Vael (Richmond, IN)
WoR (Raleigh, NC)
Within Chaos (Fort Worth, TX)
The D.O.O.D (Sarasota, FL)
Squidhammer (Watertown, WI)
Filth Spewer (South Bend, IN)
Ignominious (Norwalk, OH)
Cephlic (Toledo, OH)
Death Hex (Toledo, OH)
Pharohound (Fort Wayne, IN)
Extinction Agenda (Ohio)

To follow updates for Toledo Death Fest 2023, please visit the following links:

​Facebook.com/ToledoDeathfest | Facebook.com/thelegendagency | Instagram.com/thelegendagency/​

Festival Press Materials Dropbox HERE.

Sponsors: Fultztron Entertainment, Bloodlust Media, Dedfish Productions, Inverted Realm Designs, and Lost In The Dark Podcast

Vendors Onsite: Peril Hot Sauce, Creature Feature Spoo-Tique, and Hostile Creations

About: Toledo Deathfest was originally created in 2009 as a way to bring bands in Northwest Ohio and Southeast Michigan together once a year and showcase their music to the local scene. It has continued as an annual festival featuring Local, Regional, and Underground Touring artists. In 2021 Festival Promoter Keith Wampler (The Legend Agency/The Convalescence) decided to expand the festival to multiple stages and to feature larger artists as well as a variety of underground acts with plans to grow the festival even more each year with Jungle Rot headlining 2021, Malevolent Creation headlining 2022, and now Oceano headlining 2023.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Streaming Now! Detroit Melo-Death ASYLENCE New Album “Endanger Us All”

  • February 23, 2023
  • by Asher
  • · Asylence · Music News

NEWS RELEASE

Montreal, QC – February 23, 2023

​

Streaming Now! Detroit Melo-Death ASYLENCE New Album “Endanger Us All”

New Album “Endanger Us All” Out Feb 24th

Bringing together a solid group of influences, Asylence presents their take on melodic death metal. Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Today, they unleash the full stream of their first full-length “Endanger Us All” via its premiere on Metal-Rules ahead of its release on Friday, February 24th.

“We hope that everyone is ready for our greatest effort which is Endanger Us All. We couldn’t be more proud of how this album came together. Listeners who are familiar with us will hear some material they are used to and a lot of new attitudes that they have never heard before. Our first EP was merely an introduction to what we can do compared to the range this record has achieved.

We were faced with a decision on whether or not to include some of our oldest songs on this record which we never had properly recorded. After we realized how well our new and old material blended for a well-balanced experience from start to finish we really started to understand the raw energy this album radiates.

It’s heavy, it’s deadly, and it’s a warning and a declaration of desperation. Endanger Us All!” adds the band.

“Endanger Us All” can be heard in full via its premiere on Metal-Rules HERE.

Their new album “Endanger Us All” is a combination of Asylence’s oldest and newest material. The older songs have always been a staple in their live sets and they wanted to finally record them right and do them justice. The new songs have been completed since the release of their 2020 EP “Eulogy Of Man” and they really constructed the bridge from what they were to what they’re becoming.

The album was produced, mixed, and mastered by guitarist Aaron Lumsden and the artwork was done by Diyaco Paymazd. It is recommended for fans of Devildriver, Amon Amarth, and Arch Enemy.

“Endanger Us All” is due out on February 24, 2022.

Album pre-order – https://asylence.com/digital-album-pre-sale​

Music Videos:

​

​

​

Track Listing:​
1. A Call To Arms – 0:55
2. Endanger Us All – 3:53
3. The Garden of Disrespect – 3:34
4. Eternity, Please – 3:37
5. In Solidarity, We Die – 3:32
6. Arrows For Christ – 3:25
7. In This Hell – 3:47
8. Soulless – 3:32
9. A War Waging Within – 3:16
Album Length: 29:35

Album and Live Band Lineup:​
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

For more info:​
​https://www.asylence.com​
​http://www.facebook.com/asylence​
​http://www.instagram.com/asylence​
​http://www.twitter.com/asylence​
​http://www.tiktok.com/@asylence​

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

– 30 –

“There’s some truly fierce deathcore emerging from the Midwest. One of the most promising acts from the region is Asylence. Not only do they lean into the tropes of the genre (Gotta love that quick little bass fill before the vocals kick in!) but their brand new video, ‘Arrows For Christ’ is absolutely killer!” – Metal Injection​
​
​“Eulogy of Man features top musicianship and is a heavy, melodic, groove-laden group of songs sure to excite old-school heads as well as forward-thinking fans of modern bands.” – Ghost Cult Magazine​
​
​“Michigan metal outfit Asylence have teamed up with Metal Insider to premiere a video for their emotionally-driven new song, “Endanger Us All.” – Metal Insider​
​
​“Melodic death metal powerhouse” – Decibel Magazine​
​
​“Sometimes there’s nothing wrong with going with a classic formula and hitting it out of the park.” – Dead Rhetoric​
​
​“Nasty, angry, aggressive, and heavy. What’s not to like? Ranging from old-school death metal, black metal, and deathcore, it’s all here plus a shed load of real technical ability and attitude. The future’s bright for Asylence.” – Myglobalmind Online Magazine​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

0 Saskatoon’s DESPITE THE REVERENCE Release Melodic Single “Killing Plebs” Off “Stress Of Evolution” Out April 2023

  • February 22, 2023
  • by Asher
  • · Despite The Reverence · Music News

NEWS RELEASE

Montreal, Qc – February 22, 2023

Saskatoon’s DESPITE THE REVERENCE Release Melodic Single “Killing Plebs” Off “Stress Of Evolution” Out April 2023

“Stress Of Evolution” Out April 14th

Impressively, Canada’s Despite The Reverence has been together writing and performing for over 10 years now with the same lineup and as of this year, has produced five full-length albums. The most recent addition to their catalog is “Stress Of Evolution”, a twelve-track, neck-breaking monster of an album due out this April 2023 and builds on all of their previous work. The latest high-impact single coming for listeners is “Killing Plebs” with a music video below. The band shares the details:

“This is a more commercial-sounding hard rock song that starts with a guitar fade into the main riff. The drums, bass, and rhythm pound together throughout while the melodic lyrics belt out catchy lyrics and a memorable tune that gets stuck in your head. The middle section starts to get heavy and then cuts out to a breakdown with a pulsing rhythm and subtle guitar reminiscent of Faith No More.”

The lyrics are spoken with an echo that makes it very unique and captivating, with content regarding the death of the common man and of his character which has been sacrificed to appease a lazy and entitled culture. The song kicks back in with an epic ballad-style guitar solo and then a powerful vocal chorus that matches it perfectly. It’s an excellent look at the new direction that Despite The Reverence is moving in, something bigger and more professional than ever before.

The band primarily incorporates a lot of groove metal and thrash metal into their sound, but also draws from many other types making their sound multi-dimensional. They are recommended for fans of Nothing More, Tool, and Muse.

Watch and listen to “Killing Plebs” at https://youtu.be/tT2KCEXp1Hc

​

Digital – https://despitethereverence.bandcamp.com, Spotify​

“Stress Of Evolution” comes out on April 14th, 2023.

Previous singles

“Primate Centurion” – Music Video – https://youtu.be/0ehkuCbxB-M

​

“Cyborg” – Music Video – https://youtu.be/jDKmioxuSsk

Track Listing:​
1. Cyborg – 5:41
2. Khali Yuga – 4:33
3. Surprise Kill Vanish – 4:42
4. Primate Centurion – 6:11
5. Killing Plebs – 3:54
6. Fears Of Our Fathers – 1:45
7. Stress Of Evolution – 5:02
8. Human Obsolete – 4:28
9. Thinning The Herd – 3:19
10 .War Machine – 4:55
11. At My Door Knocks Death – 5:47
12. Disco Death Tech – 4:07
Album Length:

For more info: Facebook.com/despitethereverence | Instagram.com/despitethereverence | Twitter.com/DTRofficialband​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s MAUDIIR Announces Corrosive New EP “Soliloque” Out April 2023 And Fast Single ‘L’Éloge du Cuivre’

  • February 21, 2023
  • by Asher
  • · Maudiir · Music News

NEWS RELEASE

Montreal, QC – February 21, 2023

Canada’s MAUDIIR Announces Corrosive New EP “Soliloque” And Fast Single ‘L’Éloge du Cuivre’

New EP Out April 7th

The one-man, blackened thrash metal project of Maudiir is once again gracing the world with a solid, riff-driven EP with big bass grooves and corrosive vocals raging on environmental issues, mixing thrash, black and progressive metal elements, giving it a unique sound and feel. “Soliloque” is expected in April and follows 2021’s “La Part du Diable” and 2020’s “Le Temps Peste”. The first single off the EP is “L’Éloge du Cuivre”, which explores local environmental issues. Maudiir explains further:

““L’Éloge du Cuivre” is a very different song for Maudiir. I would describe it as Helmet/Prong meets “Spirit of Sulfur” from the previous EP “La Part du Diable”. As a result of experimenting with a 7-string guitar, I think it’s a very catchy song and I really love the instrumental thrash metal section. The song is mostly about the Fonderie Horne in northern Quebec, but also touches on any non-repenting polluting company.”

When asked how he expects fans to receive the latest record, he explains that, for a small independent one-man project, he managed to get a number of great reviews for “La Part du Diable” and even got on a couple of end-of-year favorites lists. He hopes that people are going to find ‘“Soliloque” interesting and diversified as he tries new things; new sounds and different song ideas.

Maudiir is a one-man band that started from a need to be independent and produce music to a pace that he alone decides. “L’Éloge du Cuivre” is a fast, catchy song recommended for fans of Voivod, Ihsahn, and Carcass.

The track can be heard via its premiere on NoCleanSinging HERE. ​

“Soliloque” is due out on April 7th and is available for pre-order at https://maudiir.bandcamp.com.

Track Listing:​
1. Toxic Cloud (5 :24)
2. L’Éloge du Cuivre (5 :02)
3. Residue (4 :30)
4. Regarde au Ciel (4:41)
5. CH4 (5:44)
EP Length: 25:24

For more info: Facebook.com/people/Maudiir/100063607593649 | Twitter.com/maudiir1 | Instagram.com/maudiirofficial​

About: Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/prog/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released the debut EP “Le Temps Peste” in February 2020 and a year later unleashed the follow-up “La Part du Diable” in 2021.

Now in 2023, two years after the sophomore record, Maudiir returns with the third offering “Soliloque”, an intense and aggressive five-track record built on thrash metal foundations, flirting with prog and melodic tendencies.

“It’s not a linear EP; certainly not the same song repeated again and again. Open-minded people, step in. Those who have heard my past EPs will notice ‘Soliloque’ is different than ‘La Part du Diable’, which was also different than ‘Le Temps Peste’. I like to think that the overall production is getting better with every release. I don’t want to repeat myself or focus on some kind of recipe. The overall sound of ‘Soliloque’ is very different from ‘La Part du Diable’; different guitar, bass, and drum sounds. I also used less effect on the vocals, a more in-your-face approach. One song was recorded with a 7-string guitar, I dabbled with some slide guitar on another… Trying new stuff. I particularly like the bass sound that cuts through really well. Being primarily a guitar player, I‘ve really come to enjoy giving a lot of space to the bass guitar in my music. It’s the instrument that I have the most pleasure recording.” adds Maudiir.

“Soliloque” is due out April 7, 2023.

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

Discography:
2023 – Soliloque (EP)
2021 – La Part du Diable (EP)
2020 – Le Temps Peste (EP)

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Canadian College Radio Loud Charts: #1 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line.” – No Clean Singing

“Feel free to imagine Maudiir as a mix of early Metallica and Enslaved, Darkthrone, Diamond Head, Skeletonwitch, Martyrdöd, Skitsystem and fellow French Canadian technology users/abusers, Voivod. Sitting at home with no shows to attend or play for a year has provided F. the opportunity to work in isolation and create the next chapter in the Maudiir story, La Part du Diable. The five songs within continue stirring the influence pot with the result being simultaneous sweet and sourness, light and darkness, uplift and despondency.” – Decibel Magazine

“If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – The Metal Crypt

“If this is what Maudiir can achieve in only 24 minutes and 24 seconds, bring on a full-length. If you’re into Skeletonwitch, Voivod, or Ihsahn, give release this a listen!” – 4/5 Metal-Rules.com

“It’s The Crowning Hour that closes out a banger of an EP. Where the guitars blur reality and the drums hammer so hard, the brain begins to ache. The tempo is fiery, and the passionate delivery is joyfully received again.” – Games, Brrraaains & A Head-Banging Life

“The first thing you notice about Maudiir‘s new EP, La Part du Diable, is just how good the record sounds. Crystal clear production on a blackened thrash release might not be at the top of every listener’s shopping list, but here the production absolutely works for F.” – Sentinel Daily

“What’s so refreshing with this E.P. is the flourishing evolution of styles and the sheer confidence in which the music is played. Aided by the crisp and professional production, this is a genuinely exciting release.” – The Razor’s Edge

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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 CHASM OF DISCORD Puts A New Spin On Old School Death Metal With “Cremation” Off “Admonishing the Dawn of Reverence”

  • February 21, 2023
  • by Asher
  • · Chasm of Discord · Music News

NEWS RELEASE

Montreal, QC – February 21, 2023

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CHASM OF DISCORD Puts A New Spin On Old School Death Metal With “Cremation” Off “Admonishing the Dawn of Reverence”

L-R – Marco “Lord Marco” Pitruzzella (Drums), Tony Reviere (Vocals), Matt Miller (All Guitars and Bass)
Photo by Anthony Reviere

Chasm of Discord was founded during the peak of the pandemic. The majority of the material was written and demoed by guitarist Matt Miller who later brought on vocalist Tony Reviere and drummer Marco Pitruzzella to rework and expand the songs and together released their debut album “Admonishing the Dawn of Reverence” last year. They now have a lyric video out for the track “Cremation”, which they are excited to share with old-school death metal fans around the world.

Darkness and violence are the main themes of “Admonishing the Dawn of Reverence”, not unlike a horror movie that is filled with psychological terror. The single “Cremation” is straight to the point. It is about the internment of human remains after death. Truly from ashes to ashes. The song has melodic parts coupled with scorching drums and a face-melting guitar solo. The band comments:

“We truly appreciate everyone’s support and hope that everyone enjoys the album as much as we do. The record is available on all streaming services for streaming and purchase courtesy of Blood Blast Distribution powered by Nuclear Blast. We hope the listeners can grasp the sense of urgency and headbanging stomp of the tracks. Death metal can still be brutal, technical, and catchy at the same time.”

For those enticed by this new death metal album, Chasm of Discord hopes to tour in the not too distant future-once the planets align you will see them everywhere. What sets them apart from other bands is not only their intensity but their interaction with the crowd. Technical, melodic, and anthemic Chasm of Discord’s new album is a masterclass in extreme metal. A perfect mix of old-school death metal with a touch of tech-death and melodic passages sure to melt the ears, it is recommended for fans of Necrophagist, Cannibal Corpse, and Hypocrisy.

Watch and listen to the lyric video for “Cremation” via its premiere on Slamworldwide YouTube channel – https://youtu.be/3LusMGTQTqg

Chasm of Discord’s album “Admonishing the Dawn of Reverence” was released on Nov 4, 2022, and is available on Spotify, Apple Music, Chasmofdiscord.bandcamp.com.

Track Listing:​
1. Feeding the Machine (3:02)
2. Monolith of Deceit (3:18)
3. Cremation (3:35)
4. Deny the Light (4:08)
5. Identified Singularity (3:40)
6. Living Envy the Dead (5:19)
7. Disparaging Revelations (3:54)
8. Insidious (4:35)
9. Anatomic Abomination (4:06)
10. Where the Body Lies (3:25)
11. Formless Being (5:21)
Album Length 44:30

For more info: Shreded1.wixsite.com/chasm-of-discord | Facebook.com/people/Chasm-of-Discord/100076383739368/ | YouTube | Instagram.com/chasmofdiscordband​

About: Hailing from the depths of the Pacific Northwest Chasm of Discord was formed in 2021 when metal shred guitarist Matt Miller was looking for members to help with a new death metal project he had been working on. After recording guitars, and bass, and programming the drums for the full-length album he felt that the drums were not going to do justice to the project and that’s when he recruited Marco “Lord Marco” Pitruzzella who has been featured on countless records including records from Vornagar, Six Feet Under, Rings of Saturn, and Sleep Terror just to name a few to fill the percussion duties. All that was left was to find the right vocals for the album, and that’s when vocalist Tony Reviere from the Portland, Oregon death metal act Spawn stepped in with his brutal OSDM style of vocals to complete the lineup. Tony was also featured on Matt Miller’s death metal cover album “Reekomposer”. With the lineup complete, Chasm of Discord finished the final touches on their debut album “Admonisihg the Dawn of Reverence”, and have plans to release the record sometime in 2022. Chasm of Discord’s new album is a masterclass in extreme metal. A perfect mix of old-school death metal with a touch of tech-death and melodic passages sure to melt the ears.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – EMBRYO New Video “Highest Fame” ft. Drummer George Kollias (Nile)

  • February 21, 2023
  • by Asher
  • · Embryo (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 21, 2023

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Rockshots Records – EMBRYO New Video “Highest Fame” ft. Drummer George Kollias (Nile)

New Album “A Vivid Shade on Misery” Out March 17th

Italy’s Embryo is sharing the next glimpse of powerhouse melodic death metal from their forthcoming fifth album “A Vivid Shade on Misery”, which features the pummeling drumming George Kollias (Nile) whom the band recruited for the full-length’s recording. Due out on March 17th, 2023 via Rockshots Records.

Watch and listen to the intense sheer energy this track brings forth with its music video at https://youtu.be/AvPyyVI86PY​

Digital – https://bfan.link/highest-fame

​

“A Vivid Shade on Misery” follows the band’s 2017’s “A Step Beyond Divinity” (Art Gates Records), 2015’s Self-Titled (logic(il)logic Records) that featured Fleshgod Apocalypse’s drummer Francesco Paoli, 2010’s “No God Slave” and their 2006 debut “Chaotic Age”.

Since the band’s inception, Embryo has toured across Europe with Melechesh, Keep of Kalessin, Tribulation, Nile, Immolation, Ragnarok, Monuments of Misanthropy, and Suffocation along with performing on festivals such as Masters of Rock (CZ), and Total Metal Festival (Italy).

Embryo began writing their fifth offering in 2020 with George Kollias and entered the Domination Studio in July 2021 with producer Simone Mularoni, and engineer Simone Bertozzi.

Monolithic, intense, powerful, technical, and melodic this new album features eight brand new tracks and is another concept album like its predecessor “A Step Beyond Divinity”. The band is inspired by historical Italian figures of the Renaissance era and their tormented lives, their absolute genius, and the gifts they gave to the world. While the previous album “A Step Beyond Divinity” was inspired by Leonardo Da Vinci, this new work is totally inspired by Michelangelo Merisi alias Caravaggio, an Italian painter active in Rome for most of his artistic life.

“With “A Vivid Shade on Misery” we want to have listeners dive into our world by giving them brutal and atmospheric music melted together in the way we love to do plus having Kollias drum on this new album, one of the best drummers in the world, is just an absolute honour. Overall, fans will find this album has the “Embryo” matrix, there’s no doubt about that. It will be a more direct record and its songs make up a pattern that takes the listener on a journey through torments and anxieties, but which at the same time gives him pure energy.” adds the band.

From the band’s first album “Chaotic Age” (2006) to today, Embryo‘s music has evolved over the years. On the first record, they were more brutal and messier, now their compositions are much more “thought out” and brilliant. If they had to use one word to describe their compositional evolution they would say “sharp”.

Recommended for fans of Strapping Young Lad, Meshuggah, Fear Factory, Death, and Dimmu Borgir, Embryo will be sharing singles and videos in the coming months in lead up to the record’s release.

Album pre-order – https://bit.ly/Embryo_CD​

Previous single:

“Darkest Lights” – Music Video – https://youtu.be/PhIk8tD7OXY | Digital – https://bfan.link/darkest-lights

​

Current Line-Up:​
Roberto Pasolini – Vocals
Eugenio Sambasile – Guitars
Simone Solla – Keyboards
Gabriel Pignatta – Bass
George Kollias – Drums (guest)

Track Listing:​
1. Pride – 3:58
2. Highest Fame – 4:19
3. Darkest Lights – 4:01
4. The Seed of Lividity – 4:02
5. MMDC – 5:04
6. Medusa – 4:18
7. Vanitas – 3:59
8. Concrete Visionary – 3:29
Album Length: 33:13

A Vivid Shade On Misery album credits:​
The album was recorded in July 2021 @ Domination Studio – San Marino
Technicians: Simone Mularoni, Simone Bertozzi.
Mixed and Mastered by Simone Mularoni.
Drums recorded @ George Kollias Studio

For more info:​
​https://www.rockshots.eu​
​http://www.embryo-online.com​
​https://www.facebook.com/EMBRYO.DeathMetal​
​https://www.instagram.com/embryo_official​
​https://www.twitter.com/EMBRYOmetalband​

About: After a couple of self-produced works and a first album (“Chaotic Age”) Embryo found its sound and recorded “No God Slave” (2010) with producer Simone Mularoni. The album received very good reviews and led the band to play new gigs in Switzerland, Germany, and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. In 2014 Embryo first recorded a promo at Atomic Stuff Studio with Oscar Burato, then, in May, the band recorded the new self-titled cd at Domination Studio with Simone Mularoni. During the summer they played the main stage at Masters of Rock in the Czech Republic and Total Metal Festival in Italy. In October Embryo signed a deal with logic(il)logic Records for the release of the album and the reissue of “No God Slave” with some bonus tracks. In December the band made a little tour in Eastern Europe. The new album “Embryo” came out on the 10th of February 2015. The album received great reviews worldwide and Embryo started a European tour in May with Melechesh, Keep of Kalessin, and Tribulation. After a great show at MetalFest in the Czech Republic in July, the band joined Nile and Suffocation for the second part of their European tour in September. In 2016 the band has been part of the second leg of the “What Should Not Be Unearthed” Nile tour with Melechesh and Mithridatic. Embryo finished the recordings of the new album in January at Domination Studios again with guru Simone Mularoni. The band played at the 2017 edition of MetalFest in the Czech Republic on Sunday, June 4th, and signed a deal with Art Gates Records for the release of the 4th studio album “A Step Beyond Divinity” which came out on the 27th of October 2017 in Spain and the 24th of November 2017 in the rest of the world. The album has been enthusiastically reviewed entering the 2017 best albums of the year charts in various webzines all over the world. In November 2019 the band joined “The Last Atonement European tour” supporting Immolation, Ragnarok, and Monuments of Misanthropy for all the shows. In December the band released a free download digital EP including the new song Misguided legacy and three live songs taken from a live show of the band. In 2020 the famous drummer George Kollias (Nile) joined Embryo in the writing of the new album. The band entered again Domination Studio in July 2021 to record the brand new fifth album “A Vivid Shade On Misery”, which will be released in early 2023, anticipated by the video of the new song “Darkest Lights”. Stay tuned!

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 DIRTY SHIRT Shares Full Concert Video From Pol’and’Rock 2022 + European Tour Dates In Support Of New Album “Get Your Dose Now!”

  • February 20, 2023
  • by Asher
  • · Dirty Shirt · Music News

NEWS RELEASE

Montreal, QC – February 20, 2023

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DIRTY SHIRT Shares Full Concert Video From Pol’and’Rock 2022

+ European Tour Dates In Support Of New Album “Get Your Dose Now!”

Top L to R: Vlad Toca (drums), Pal Novelli (bass), Dan Petean (guitars), Cristian Balanean (guitars)
Bottom L to R: Cosmin Nechita (violin), Robert Rusz (vocals), Dan Rini Craciun (vocals), Mihai Tivadar (keyboards, guitars)
Photo Credit – Vladut Ciprian

After performing at Pol’and’Rock back in 2021, Dirty Shirt was requested back to play the main stage on the 2022 edition after winning the fan-voted Golden Spinning Top festival contest. To date, this was the largest audience that Dirty Shirt has performed for, with an estimated 50k in attendance, according to festival organizers.

Today, the band is sharing the full concert video from the festival, which can be viewed at https://youtu.be/aHdrgjSAvyA

​

And if you like what you see and hear from the live video, new and old fans alike will be happy to hear that the band will be touring in 2023 for the second part of the Get Your Dose Now Tour, with shows already announced in Romania, Poland, France, and UK (dates listed below).

Dirty Shirt‘s sixth album “Get Your Dose Now!” (released April 1, 2022) is a shorter nine-track album, with a little more than 30 minutes, but Dirty Shirt maintains that the listening experience will be very intense, as they combine many influences, and the songs change constantly with complex orchestrations. It was produced by Mihai Tivadar, mixed and mastered by Adrian Bila Uritescu and the album artwork was done by Lia Cucuianu.

Dirty Shirt brings a truly unique live experience, huge energy, huge emotions, and fun, with a scaling lineup based on the performance, which adds a lot of authenticities and a great live sound.

Recommended for anyone looking for something interesting and lively, Dirty Shirt is for fans of Twelve Foot Ninja, Dubioza Kolektiv, and Eluveitie.

The album “Get Your Dose Now!” is available on all digital platforms at https://smarturl.it/getyourdose​

Music Video – “Dope-A-Min” – https://youtu.be/2933ZXOPHH0​

Music Video – “Hot for Summer” – https://youtu.be/opWRDfHWV6Q​

Dirty Shirt at Hellfest 2022 (France) – https://youtu.be/ogGcuDCT1LY​

Tour Dates:
​
Feb 24 – BUCURESTI (RO) – Quantic – Freak Show 10 Years
Feb 25 – BRASOV (RO) – Reduta – Freak Show 10 Years
Mar 10 – CLUJ NAPOCA (RO) – Form Space – Freak Show 10 years
Mar 21 – LES 2 ALPES (FR) – Snow Fest
Mar 22 – CHAMBÉRY (FR) – Brin de Zinc
Mar 23 – GRENOBLE (FR) – Ampérage
Mar 25 – MARSEILLE (FR) – Le Molotov
Mar 27 – VAL THORENS (FR) – Snow Fest
April 28 – TORUŃ (PL) – Od Nowa – w/ Łydka Grubasa
April 29 – POZNAN (PL) – Tama- w/ Łydka Grubasa
May 2 – WROCLAW (PK) – Majówka Festival
May 5 – ARAD (RO) – Club Flex
May 6 – TIMISOARA (RO) – Faber – Freak Show 10 years
Jun 10 – GALATI (RO) – Versus Pub
Jun 17 – LOTRIOARA (RO) – Sasha’h Bike Festival
Jun 23 – SUMMER CAMP BREZOI (RO) – Bikers For Humanity
Jul 21 – BECLEAN (RO) – Festivalul Celtic Transilvania
Aug 11 – CORBII DE PIATRA (RO) – Stonebird Festival
Oct 7 – LONDON (UK) – The Garage

For more info:​
​Dirty-Shirt.com​
​Facebook.com/DirtyShirtRomania​
​Twitter.com/dirtyshirtband​
​Instagram.com/dirtyshirtband​
​Tiktok.com/@dirtyshirtband​

About:

Dirty Shirt is a top Romanian crossover folkcore metal band, winner of second place at the international final of Wacken Metal Battle 2014 and of several awards at Metalhead Awards and Maximum Rock Awards. The band’s unique style derives from mixing the heavy sound of modern rock/metal with the festive ambiance of East-European traditional music, the eclecticism of world music (country, reggae, and tribal rhythms), the electro sound of industrial music, the energy of hardcore, and the groove of funk. It’s not surprising to find great appreciation for Dirty Shirt albums in hundreds of reviews all over the world, including in well-respected magazines such as Metal Hammer (DE, HU), Rock Hard – (DE, FR, SLK), Metalsucks – USA, Hard Rock Mag – FR, Terrorizer – UK, etc.

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0 One Man Black Metal – Canada’s HAIDUK Unleashes Hypnotizing Video “Sea of Fire” Off “Diabolica”

  • February 20, 2023
  • by Asher
  • · Haiduk · Music News

NEWS RELEASE

Montreal, QC – February 20, 2023

 

One Man Black Metal – Canada’s HAIDUK Unleashes Hypnotizing Video “Sea of Fire” Off “Diabolica”

Haiduk, the solo project of Luka Milojica is an unrelenting, hypnotic force that greets listeners with a barrage of death-infused black metal that is prominently displayed on the latest release “Diabolica”, which was released in September 2021. Now, Haiduk is releasing the next video music video for the track “Sea of Fire”. The entirety of Haiduk‘s discography, which spans four full-lengths, takes place in the fantasy medieval realm of Callost, the different albums feature maps, descriptions, and stories set in the world. Milojica explains the album and single in further detail:

“It’s about the depths of hell and the journey demons take to enter the world. The first ten songs on Diabolica are aggressive and meant to tire the listener. Your mind is then more vulnerable to a hypnotic track like Sea of Fire which is a slow descent but gets darker the further you go.”

Watch and listen to “Sea of Fire” at https://youtu.be/_TVBCl4CvZE

​

Like the album art depicts, “Diabolica” is an eruption of pent-up anger and power. Every song on the album is about building momentum and speed and blasting the listener with constantly evolving riffs and melodies. With pure speed and relentless riff attacks, the album crushes and keeps you on edge through aggressive arrangements as well as melodic and hypnotizing parts that create a mysterious atmosphere.

Haiduk was created to be the channel for Milojica’s dark musical desires, turning his ideas into a solo project inspired by acts such as Vintersorg and others from Sweden and Norway. Lightning-fast, and bursting with energy, Haiduk is recommended for fans of Bolt Thrower, Vomitory, and Dissection.

The album “Diabolica” was released on September 21, 2021, and is available on Haiduk.bandcamp.com, Spotify.

Previous video “Morph” – https://youtu.be/uNQ1-hyWLxo

​

Track Listing:​
1. Corpse Crown (2:00)
2. Swarm (2:27)
3. Upheaval (2:27)
4. Encirclement (2:25)
5. Wraithavoc (2:29)
6. Cyclone (2:56)
7. Ballista (2:33)
8. Abyss Mage (3:06)
9. Morph (2:43)
10. Infernal (2:50)
11. Sea of Fire (5:12)
Album Length: 31:11

Album Recording Credits:​
• All songs performed by: Luka Milojica
• All songs written by: Luka Milojica
• Produced by: Luka Milojica
• Mixed by: Luka Milojica
• Mastered by: Luka Milojica
• Album Artwork by: Luka Milojica
• Music is Canadian Content (MAPL)
•Album Band Line Up: Luka Milojica – Guitars, Bass, Vocals, Drum Programming
• Live Band Line Up: Luka Milojica – Guitars, Vocals.
​
​Discography:​
2021 – Diabolica (full-length)
2018 – Exomancer (full-length)
2015 – Demonicon (full-length)
2012 – Spellbook (full-length)
2010 – Plagueswept (demo)

For more info:​
​https://www.haiduk.ca​
​http://www.facebook.com/haidukmetal​

About:​
Haiduk is the death metal solo project by guitarist Luka Milojica. The project arose with the raw demo – ‘Plagueswept’ in 2010.

Working in solitude, Haiduk unveiled the full-length debut ‘Spellbook’ in 2012; a black magic conjuring of fast guitars and powerful riff attacks. Invoking spells of demonic strength, Haiduk raised forces from the infernal depths, sealing arcane powers into the ‘Demonicon’ in 2015; a blackened tome of blasting distortion. Chanting words of astral terror, Haiduk became the ‘Exomancer’ (2018); summoner of cosmic darkness.

Frozen in darkness under the ash cloud, the desolate ground opens. Octavia erupts, releasing the doomed king from the burning abyss. Devils swarm, carving a path of destruction for a new demonic domain – Diabolica (2021).

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“The patented death/black/speed Metal rips your skull for 31 minutes” 4.5/5 -Metal-Rules (2021 – Diabolica)
​
“An endless supply of evil, face-ripping riffs” – Metal Crypt (2021 – Diabolica)
​
“Fast and unrelenting from start to end” 8/10 –Metalbite (2021 – Diabolica)
​
“Haiduk’s most aggressive work” -The Killchain (2021 – Diabolica)
​
“A lot of eye-popping technical skill, intricate plotting, and brilliantly multifarious and mutated tonalities on display” – No Clean Singing (2021 – Diabolica)
​
“A tremolo picked tornado of dark matter and blastbeats.” – The Circle Pit (2018 – Exomancer)
​
“[Haiduk’s] strong point has always been his riffs, and here they just destroy” 8.5/10 – Brave Words (2018 – Exomancer)
​
“[Haiduk] has perfected his own signature style and very few bands are doing this style” – Metal-Rules (2018 – Exomancer)

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jon[@]ashermediarelations[.]com
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