• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Category: Music News

0 Canada’s ORCHID’S CURSE Contrast Melodic Death Metal And Thrash Metal In New Single “Dead Idols” Off “The Decay” Out June 2023

  • May 23, 2023
  • by Asher
  • · Music News · Orchid's Curse

NEWS RELEASE

Montreal, QC – May 23, 2023

 

Canada’s ORCHID’S CURSE Contrast Melodic Death Metal And Thrash Metal In New Single “Dead Idols”

New EP “The Decay” Out June 2023

L-R = Alex Wrathell (Drums), Brian Jones (Guitar), Keith MacLeod (Guitar), Jason Szeto (Bass), Josh Hogan (Vocals)

Since forming in Halifax, Nova Scotia, in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. They ensure that every show leaves them drained of all they had and every album is created with the most care and the best team they can find. This determination and attention to detail is what makes their new EP “The Decay” a melodic death album you’ll definitely want in your rotation. The second single is “Dead Idols”, which the band details:

“Unlike the opening track, “Better Men”, this song gets right into it from the opening note. It is a four-minute melodic death and thrash-inspired banger. Lyrically this song explores society’s idolizations of people who may not deserve the adoration.”

Juxtaposed against the atmospheric opener and the sludgy and experimental track that follows, “Dead Idols” is yet another display of varied influences brought together seamlessly with care and dedication. In the early days, the band had more of a standard, mid-2000s metalcore sound. With each new release, the band has continued to progress and refine its sound. With “The Decay”, Orchid’s Curse continues this trend incorporating a multitude of sounds and influences across the heavy metal spectrum and beyond.

Over the course of their career, Orchid’s Curse has performed and toured with some of their favourite bands including 3 Inches of Blood and Goatwhore. Their ferocious passion is remarkable and no one should sleep on a chance to see them live. They are especially recommended for fans of The Black Dahlia Murder, Burnt By The Sun, and Darkest Hour.

Listen to “Dead Idols” via its premiere on NoCleanSinging HERE.

“The Decay” is due out June 16, 2023.

Album pre-order – https://orchidscurse.bandcamp.com/​

Previous Single:

Divided by Everything – https://youtu.be/6fVni9JkTqo​

Track Listing:​
1. Better Men – 5:42
2. Dead Idols – 4:24
3. The Divergence of Man – 4:45
4. Divided by Everything – 2:31
5. Pay to Prey – 6:24
EP Length: 23:47

Orchid’s Curse is:​
Josh Hogan – Vocals
Brian Jones – Guitar/Vocals
Keith MacLeod – Guitar
Jason Szeto – Bass
Alex Wrathell – Drums

For more info: Orchidscurse.com | Facebook.com/orchidscurse | Instagram.com/orchidscurse​

About: With over a decade of musical output, Orchid’s Curse continues to create a beautiful amalgamation of brutal metal, progressive melody, and intelligent thought-provoking lyrics. Whether in a live setting or on an album, Orchid’s Curse refuses stagnation and orders your full attention.

Since forming in Dartmouth, Nova Scotia in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. Ensuring that every show left the band drained of all they had and every album was created with the most care and the best team they could find. Now with their sixth release “The Decay” ready to release, the band continues to position itself at the forefront of maritime metal.

Metalsucks.net captured the band’s goal of blending various genres of metal, declaring “Orchid’s Curse is one of those bands that play around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub-genre tags and earn the simple, yet elegant classification of ‘metal’.” while Canada’s Hellbound.ca recognized the bands continued progression and growth over the years stating, “Few bands demand that each album be a progression, a growth, in the way that Orchid’s Curse does. No musical influence is turned away, but everything is twisted, melded into an intense metal experience that makes your head bang one moment and your toes tap the next”

Since 2006 Orchid’s Curse has shared the stage with an incredibly diverse lineup of bands including, The Black Dahlia Murder, Children of Bodom, Every Time I Die, Cancer Bats, 3 Inches of Blood, Goatwhore, Exhumed, Fuck the Facts, KEN Mode, Misery Index, Counterparts, Baptized in Blood, Martyr, Beneath the Massacre, Vilipend, Ion Dissonance, Neuraxis, L’Espirit du Clan, Unexpect, Trigger Effect, Ninjaspy, Unbreakable Hatred, Misguided Aggression, Greber and many more.

– 30 –

“Orchid’s Curse is one of those bands that plays around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub genre tags and earn the simple, yet elegant classification of ‘metal’.” – Metal Sucks

“Orchid’s Curse employ their familiar tactic of borrowing the techniques of multiple genres, from filthy death metal riffs to hardcore barks, progressive guitar explorations and dirge-like, doom-influenced song structures.” – Exclaim!

“Thick, brutal, aggressive and borderline cacophonous, at times, Voices is relentlessly engaging and explosive while maintaining a decisively melodic essence.” – Exclaim!

“heavy riffs built for headbanging” – Metal Storm

“Cynics & Liars, is very much an EP which epitomizes everything good about metal in 2016” – PureGrainAudio / V13

“Orchid’s Curse are versatile, able to play everything from menacing thrash to accessible melodeath to punishing metal” – HeavyMetal.About.com

“Every song punches you right between the eyes” – Mettalworx

“This album is just laced with hook after hook. Whether it be a classic metal riff, a psyched out interval or just a standard heavy rock n’ roll beat; the album is catchier than an STD on 2-for-1 night at a brothel.” – Echoes and Dust

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Extreme Metal Music – Venice’s MEMBRANCE Pay Tribute To Lost Sailors In New Music Video “Marubio” Off New Album “Undead Island” Out June 2023

  • May 23, 2023
  • by Asher
  • · Membrance · Music News

NEWS RELEASE

Montreal, QC – May 23, 2023

​

Extreme Metal Music – Venice’s MEMBRANCE Pay Tribute To Lost Sailors In New Music Video “Marubio”

New Album “Undead Island” Out June 2023

Italian death metallers Membrance are unleashing their second second single “Marubio” accompanied by a new music video to support the release of their new album “Undead Island” due out on June 23 2023 via Extreme Metal Music, a subsidiary of Rockshots Records.

“Here in Venice, we say Marubio when there is bad weather coming, the sky darkens, the wind rises, and you can hear the thunder from the darkest clouds grouping overhead. It often comes from the sea. Anyone who doesn’t pay attention to the marubio risks a very bad time or worse. The folklore of the dead at sea or in the lagoon is the oldest and most are handed down to the generations so that we can remember, and with this song, we want to sing a tribute to the most heartfelt among sailors and Venetians.” adds the band.

Watch the video for “Marubio” https://youtu.be/6MZKU4PI5Dg​

Digital – https://spoti.fi/45oyZfC

​

“Undead Island” is the materialization and the channeling of all the ideas and energies expressed so far by Membrance in a unique and well-defined tangible direction. The band has partly abandoned the death n roll influences to give more space to inject black metal and has limited the progressive digressions to have more direct and compact tracks. The lyrical path of the full length is influenced by everyday life, dealing with themes not only of the band’s personal ones but also sometimes not discussed in metal music in general.

With these premises, the band is absolutely sure that their fans will appreciate this work more than its predecessors, and Membrance is equally sure that with this album they will push messages in equal measure to what they have always pushed mainly with the music.

The band adds:

“We want to offer an experience of deep anger, like being able to identify with an innocent prisoner kicking and screaming behind steel bars. We want to bring to the mind of anyone who listens to us the auspicious lagoon folklore that is fading away and to recall the times of a Serenissima that made us proud of our city but which is now almost forgotten. With this record, we want to convey our frustration and anger in our impotence and make people feel all the strength and energy we still have to fight, scream and cling tooth and nail to what we have left of our memories so as not to lose it permanently.”

Membrance was born in Venice in 2012 from the mind of founding member Davide Lazzarini as a Death Metal and Black Metal crossover project, it wasn’t until 2014 and onwards, after several line-up changes, that the group stabilized in old-school Death Metal with blues/rock n’ roll influences, which was reinforced by the entry of lead guitarist Pietro Battiston.

After an intense period of live activity in the underground and various demo recordings, in 2017 Giovanni De Fraja joined as the drummer and Membrance decided to work more seriously on their own music. They immediately recorded and produced their own debut album “Abyss”, initially released independently it was quickly picked up by the Ukrainian label Envenomed Music.

Thanks to this first release, the group received a fair amount of approval in the Italian and European underground scene, and we’re contacted to play at Metaldays of Tolmin 2018 in Slovenia, along with the Winterdays of Metal of the same year, plus asked to be opening support for various international bands on tour in Italy such as Marduk, Brujeria, and Necrodeath.

These successes pushed the group to collaborate again with Envenomed Music and with the support of Narcoleptica Productions, Membrance produced their second studio album “Morality’s Collapse”, which was released at the beginning of 2019 with the sound evolution of 16th Cellar Studio in Rome (Fleshgod Apocalypse, Hideous Divinity, Hour of Penance), starting a path towards the Swedish old school Death sound “HM2 style”.

However, with the arrival of the Covid pandemic, despite growing approval and greater support for the international live scene such as Entombed A.D., Cripple Bastards, and Benediction, after 5 years of activity, Pietro decided to abandon the group leaving to Gregorio, the rhythmic player who just recently entered the group, the task of replacing him.

Giacomo Rusconi also entered the band as the second guitarist, the group embarked on a path of musical evolution in the following years in which it abandoned the blues influences to embrace a more black metal style and worked on texts in Venetian dialect along with lyrical influences inspired by the lagoon folklore.

During the summer of 2022, the recordings of the third studio work “Undead Island” were concluded with the support of the AudioCore Studio, which further develops the sound path started on the basis of the Swedish HM2 sound.

“Undead Island” is due out June 23, 2023.

Album pre-order – https://bit.ly/Membrance_CD​

Music Video – “Riva de Biasio” – https://youtu.be/F0njCYNC8eM​

Digital – https://spoti.fi/3VdJKgg​

Track Listing: ​
1. Zombie Massacre – 3:33
2. Spirar nel Caigo – 3:44
3. Spetro Malcontenta – 3:00
4. 1348 – 3:51
5. Marubio – 3:07
6. Armor of Hate – 4:02
7. Riva de Biasio – 3:50
8. Sepolto in Velma – 3:40
9. Stench of Rot – 4:21
10. The Shores Crumble – 3:50
Album Length: 37:03

Membrance is:
Davide Lazzarini – Singer, Bass guitar and Keys
Gregorio Di Angilla – Rhythm and Solo Guitar
Giacomo Rusconi – Rhythm and Solo Guitar
Giovanni De Fraja – Drum and Percussions

Album Credits:
​
Instruments Recorded at Mestre and Campalto (Venezia) during Spring 2022.
Recording of the vocals, Mixed and Mastered at AudioCore Studio in Parma during the Summer of 2022 by Luca “Cocco” Cocconi and Simone “Sygo” Sighinolfi.
Cover Art painted by Francesco Cagali (China on wood)
“Zombie Massacre” Solo by Jack Draven from Ulvedharr
Sample on “Zombie Massacre” from “Zombie 2” (Lucio Fulci, 1979)
Sample on “1348” from “Morte a Venezia” (Luchino Visconti, 1971)

For more info: Extremetalmusic.com | Facebook.com/membranceband​

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Seek New Lands And Musical Experiences With Playthrough Video For PHAETON’s “Terra Australis”

  • May 22, 2023
  • by Asher
  • · Music News · Phaeton

NEWS RELEASE

Montreal, QC – May 22, 2023

 

Seek New Lands And Musical Experiences With Playthrough Video For PHAETON’s “Terra Australis”

L-R – Colin Righton – Drums & Percussion, Daniel Airth – Lead & Rhythm Guitars, Kevin Thiessen – Lead & Rhythm Guitars, Keyboards, Ferdy Belland – Electric & Fretless Bass
Photo by Julian Bueckert

Phaeton has been a noticeable force in the underground Canadian progressive metal scene since their debut self-titled album in 2018. The band has amassed a dedicated following for their instrumental attention-focused listening experience. One drenched in joy and wonder and the emotional, visceral release that only prog-metal can deliver. And the lack of lyrical interference only allows the listener the better opportunity to let their imaginations run wild with the music, drifting emotionally away on the solar winds to wherever they wish to soar. They recently released their second album “Between Two Worlds” and now fans can dig into the technical goodness with a playthrough video for the track “Terra Australis”. Bassist Ferdy Belland comments:

“The intro to this one always kills me, what with Kevin’s weird jazz chords trading off against the crunch chords and the tapping, and then the groove sets in the lead guitar gets to work. When the complicated melodies really get revving up, you can almost hear the tortured squeak of our helpless tendons as we desperately crawl our fretting fingers across the fretboard in pretzel patterns. There’s a slight reprieve where we bring it down and present you with another hummable melody, and then things just start getting ridiculous again and it’s Phull On Phaeton.”

The members of Phaeton are fascinated with astronomy, and the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence intrigued us conceptually. This is reflected in their dramatic music which emerges from the void in thrilling bursts and unexpected turns.

Interplanetary instrumental heavy prog metal awaits with “Terra Australis”, which is recommended for fans of Gojira, Meshuggah, and Mastodon.

Watch and listen to “Terra Australis” via its premiere on Technical Music Review HERE.

“Between Two Worlds” was released on April 21st, 2023, and is available at Phaetonband.bandcamp.com, Spotify.​

Band playthrough – “Monsoon” – https://youtu.be/-sRzrejyHuA​

Track Listing:​
1. Predestination – 4:57
2. Oceans of Time – 6:44
3. Terra Australis – 4:42
4. Monsoon – 6:06
5. Refraction – 4:48
6. Geomorphic – 4:51
7. Magma Chamber – 6:09
8. Between Two Worlds – 9:21
Album Length: 47:40

For more info: Facebook.com/Phaetonband | Instagram.com/phaetonband | Twitter.com/phaetonband​

About: PHAETON was formed in Kimberley, BC in March 2017 by Kevin Thiessen (lead & rhythm guitar), Daniel Airth (lead & rhythm guitar), Colin Righton (drums & percussion), and Ferdy Belland (electric & fretless bass). Combining technically ferocious compositions of modern metal with the ambitious song-arrangement mindset of classic prog-rock, PHAETON (named for the theoretical proto-planet which collided with Ancient Earth during the Primordial Era) stands alone in the wilderness of British Columbia with their unique approach to instrumental prog-metal.

Phaeton is:
Kevin Thiessen – Lead & Rhythm Guitars, Keyboards
Daniel Airth – Lead & Rhythm Guitars
Ferdy Belland – Electric & Fretless Bass
Colin Righton – Drums & Percussion

Discography
2018 – Self Titled – LP
2023 – Between Two Worlds – LP

– 30 –

“It’s Prog Mag’s brand new Tracks Of The Week! (April 21, 2023) – “Hailing from Columbia, Canada’s Phaeton are an interplanetary instrumental heavy prog metal quartet and as their name suggests, they are fascinated with astronomy, and the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence. The epic Between Two Worlds is the title track of the band’s latest album.”​
​
​“Phaeton are relatively unknown, especially compared to the above mentioned bands (scale The Summit, Animals as Leaders), but they definitely hold their own on Between Two Worlds. All members absolutely kill it on their instruments, the songs are wonderfully arranged and produced, and there’s plenty of variety here to hold our attention. Instrumental prog might be a little talked about genre, but Phaeton belong in the conversation.” – Havvy Music Headquarters​
​
​“All metal influences flow into the respective songs and riffs and power chords are widely spread. The sound of the opener “Predestination” is very reminiscent of GHOST.” – Hellfire Magazin​
​
​“”Between Two World” was very competently arranged and recorded by PHAETON. Prog fans, who like sounds and virtuosity above all, will be well served with the disc.” – PowerMetal.de
​
“If you’re open minded in your choice of Metal genres, you should feel free to let this instrumental work slip through your ears. It takes a little getting used to, so completely without singing. But if you get involved and listen carefully, one or the other will surely like something. The whole thing should appeal to fans of RUSH or DREAM THEATER.” – Hellfire Magazine
​
​
​“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun)​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 DOREA’s Debut Video “Hypnotic” Ensnares You Into Another Consciousness; Mixed/Mastered by Chris Donaldson (Cryptopsy)

  • May 22, 2023
  • by Asher
  • · Dorea · Music News

NEWS RELEASE

Montreal, QC – May 22, 2023

DOREA’s Debut Video “Hypnotic” Ensnares You Into Another Consciousness

Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Manuel Iradian – All Guitars/ Bass/ Vsts, Hugo McSween – Vocals, Kevin Alexander – Drums

Montreal, Canada’s Dorea is a fresh metal band on the scene that features high energy, tightness, and precision, a clear, modern sound with both clean and harsh vocals, insane guitar solos, and crushing drums. They are eager to introduce themselves to the world with their debut single along with many others they have recorded since their inception. They have carefully chosen their forthcoming music to show listeners what they’re capable of and they deliver nothing less than catchy hooks, moving lyrics, and melodies that give way to bone-shaking riffs. The band’s first introduction “Hypnotic” is presented with a dark and gloomy music video, which complements the dark theme of the lyrics. The band shares their thoughts:

“This song speaks about a man that loses everything he has, reminiscing about his past life and searching for truth in answers he never found. The song has everything from ballads to ripping guitar solos and complex riffing. It’s a melting pot of styles. We hope the fans perceive the sound as something fresh & unique. We continue to write music because it is our passion and we want to leave behind a legacy and repertoire of timeless music.”

Devoted to making the songs as groovy, heavy, melodic, and catchy as possible while at the same time adding elements of virtuosity, Dorea’s goal is to entice listeners to sing along to the hooks and at the same time, appreciate the musicianship and technical aspects of each member’s individual performance.

Their music is colorful, rich in its diversity of styles, with even some pop elements that can be heard from time to time. “Hypnotic” was chosen as the debut single as it is the most accessible in terms of its diversity of listening ability. It takes the audience on a journey by creating complex structures with fluid transitions, but unexpected heaviness hits you right in the face.

There is no fluff with Dorea, and they are devoid of any theatricals, they are simply three metal dudes writing and performing some of the best material they can. Edgy, and familiar, Dorea is recommended for fans of Avenged Sevenfold, Pantera, Symphony X, and Opeth.

Watch and listen to “Hypnotic” via its video premiere on Bravewords HERE. ​

Digital – https://distrokid.com/hyperfollow/dorea/hypnotic​

Single Credits:
• All songs performed by: Manuel Iradian, Kevin Alexander, Hugo McSween
• All songs written by: Manuel Iradian, Kevin Alexander & Vocals/Lyrics by: Hugo McSween
• Produced by: Manuel Iradian & Kevin Alexander
• Mixed by: Chris Donaldson
• Mastered by: Chris Donaldson
• Single Artwork by: AI
​
​Dorea is:
Hugo McSween – Vocals
Manuel Iradian – All Guitars/ Bass/ Vsts
Kevin Alexander – Drums

For more info: Doreaband.com | Facebook.com/Doreaband | Instagram.com/doreaband

– 30 –
​

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 ENDEAVOUR Usher In a New Era Of Metalcore With The Dynamic And Heavy “Colourblind” Off “For The Time Being”

  • May 19, 2023
  • by Asher
  • · Endeavour · Music News

NEWS RELEASE

Montreal, QC – May 19, 2023

 

ENDEAVOUR Usher In a New Era Of Metalcore With The Dynamic And Heavy “Colourblind” Off “For The Time Being”

Hailing from The Netherlands, Endeavour is a quintet of metalcore musicians who have established themselves as a formidable presence in the music scene. Their distinctive sound, characterized by pounding drums, infectious melodies, and entrancing guitar riffs, showcases a range of styles from high-energy to melodically atmospheric. The release of their debut album “For The Time Being” takes metalcore into a new and modern direction, exemplified by their next single “Colourblind”,which they comment on:

“Colourblind” is a very good nudge into the direction we want to go in the future. The small and vulnerable first verse is contrasted by a big breakdown with a choir in the background. We’ve learned a lot during the process of making this record, and are happy we are finally able to show it to the world! Some songs have a connection to each other by delving a bit into personal matters, others tell stories that are much broader and less personal. ‘For The Time Being’ captures the contrast between fleeting personal issues and the broader problems we face. They make up a big part of someone’s journey through life but are definitely not always insurmountable, though it does feel like that sometimes.”

Listen to “Colourblind” at https://youtu.be/hdFuH618zSQ

​

“For The Time Being” has a little bit of everything, making it ideal for listeners who enjoy dynamic variety. While they admit it’s not the heaviest metalcore album you’ve heard, they’ve made sure to include some heavier songs that will scratch that particular itch. They put a lot of focus on creating musical journeys in the tracks, telling a progressing story over the instrumentation.

Those who enjoy the album, won’t have to wait long for more material, as the second album is currently underway. Endeavour is suitable for anyone who enjoys the eclectic and aggression of metalcore, especially fans of Sleep Token, Architects and Polaris.

“For The Time Being” is due out June 16, 2023.

Album pre-save – https://linktr.ee/EndeavourNL​

Visualizer – “Aimless” – https://youtu.be/u8mw6QfFt6E

​

Track Listing:
​
1. Definite (3:28)
2. Blur (3:17)
3. Black Box (3:26)
4. Aimless (3:17)
5. Colourblind (3:01)
6. Sober (4:15)
7. Breathe (3:48)
8. 127 (3:12)
9. For The Time Being (3:43)
Album length: 31:27
​
​Album Recording Credits:​
• All songs performed by: Endeavour
• All songs written by: Endeavour
• Produced by: Tommie Bonajo, Anthony Scheijen
• Mixed by: Tommie Bonajo
• Mastered by: Tommie Bonajo
• Album Artwork by: Anthony Scheijen
​
​Album Band Lineup:​
Gijs Smeets – Vocals
Anthony Scheijen – Rhythm Guitar
Rob Heyen (Blur, Colourblind, Sober, For The Time Being) – Lead Guitar
Vincent Kuijpers (127, Black Box, Definite, Aimless and Breathe) – Lead Guitar
Jan te Velde – Bass
Teun Wolfs – Drums
​
​Live Band Lineup:​
Gijs Smeets – Vocals
Anthony Scheijen – Rhythm Guitar
Rob Heyen – Lead Guitar
Jan te Velde – Bass
Teun Wolfs – Drums

For more info: Facebook.com/NDVRBand | Instagram.com/endeavour.nl​

– 30 –

”Already having picked up notable coverage from the likes of Insane Blog and even some early Spotify editorial playlist support, this bright young band is delivering some absolute fire with their newest single. While taking notable influence from bands like Architects and Northlane (to name a few), Endeavour are getting closer to finding their overall sound – and we’re here for it. Give the new track a spin below.” – New Fury Media

”BLUR showcases how a song can stand out from the crowded music world by not being afraid to focus on lush vocal melodies and heavier style that blends seamlessly with lighter elements in a natural, organic way.” – Toxic Metal Zine

”Sticking to their ‘single-word’ track-titles, Endeavour have launched into 2023 with ‘Blur‘ – a representation of what their latest studio run has cooked up. The new single is reminiscent of, and has influences from TesseracT and Sleep Token, which should tickle the fancies of prog-metalcore lovers out there. We reckon you should keep an eye on Endeavour this year as there might be a lot more to come…”- Wall Of Sound Australia

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 SANGUINE GLACIALIS Gets Personal About Battles With Mental Illness w/ New Video “Immuration” Off Third Album “Maladaptive Daydreaming” Out Later This Year

  • May 19, 2023
  • by Asher
  • · Music News · Sanguine Glacialis

NEWS RELEASE

Montreal, QC – May 19, 2023

 

SANGUINE GLACIALIS Gets Personal About Battles With Mental Illness w/ New Video “Immuration”

Third Album “Maladaptive Daydreaming” Out Later This Year

L-R – Jonathan Fontaine (Guitar & Back Vocals), Jérémy Racine (Drums & Back Vocals), Maude Théberge (Vocals, Keyboard & Violin), Marc Gervais (Bass & Back Vocals), Alexandre Lépine (Guitar & Back Vocals)

Photographer Credit: Philippe Quinn

Without darkness there can be no light, Sanguine Glacialis (ft. members of Valfreya, the Growlers Choir, The Monster Factory) have stared into the very blackest pit, and, inspired by what they saw there, forged sonic masterpieces of the darkest beauty, it is not surprising their name means ‘frozen blood’ in Latin!

Hailing from Montreal, Quebec, Sanguine Glacialis has shared the stage with Dark Tranquility, Omnium Gatherum, Delain, Hammerfall, Unexpect, Necronomicon, and many more. The dark heart of Sanguine Glacialis is vocalist/keyboardist Maude Théberge, the sole original member left of the band. She describes their sound as ‘unique, original, intense and dark’

Today, the band has a new music video for the second single “Immuration” off their forthcoming third album “Maladaptive Daydreaming” planned for release later this year to follow 2018’s “Hadopelagic”. This next single follows their previously released “Welcome”, which they previewed to fans this past March.

On “Immuration”, the track starts with a piano/bass/drum intro before heading straight into the gang vocals chorus. It goes through different verses and choruses before ending with the most brutal breakdown on the album.

“Immuration is a metaphor for being stuck inside for too long and the hatred and depression that builds up because of it. This is a very catchy song that represents the album and its concept very well, so that’s why we chose it as a single. The music video represents the story of the album, but also, as a person with mental illness myself, this song and the whole record itself allowed me to explore my struggles and express them lyrically.” adds Maude Théberge (Vocals, Keyboard & Violin).

The music video for “Immuration” can be seen and heard via its premiere on Bravewords HERE.

Sanguine Glacialis‘ new album “Maladaptive Daydreaming” explores the trials of mental illness and how it’s lived inside someone’s mind that the band’s frontwoman Maude Théberge knows from her own personal experiences. With a sound that infuses a vast array of musical styles such as jazz, classical, folk, symphonic, death, and black metal, Sanguine Glacialis have gone even more metal and darker than their previous releases, pushing their limits once again to explore new styles and instruments.

“I honestly think it’s our best album by far, and I think fans will love it. It’s a catchy melodic death metal album, yet progressive and dark as well. The lyrics are about an imaginary world created in someone’s mind to hide from reality, and how this world can suck you completely out of reality. It talks about different aspects of mental illness.” says Théberge.

Those unfamiliar with Sanguine Glacialis can expect a band that is more theatrical than most with their make-up, costumes, and invited artists, along with the most important rule for them, have a lot of fun! The band is hyped about the new album. The pandemic was great for them at least, as it allowed them to take the time to compose and write to make the best album possible and push their limits once again to explore new styles and instruments.

Fans of Fleshgod Apocalypse, The Agonist, and Diablo Swing Orchestra will likely be interested in the genre-bending sounds of Sanguine Glacialis.​

“Immuration” is available on the following platforms: Sanguineglacialis.bandcamp.com, Apple Music, and Spotify.

Their previous music video “Welcome” can be viewed at https://youtu.be/fcBDJp2U7jY​

For more info: Facebook.com/SanguineGlacialis | Twitter.com/sglacialis | Instagram.com/sanguineglacialis​

– 30 –

“It’s rather difficult to slot Sanguine Glacialis into one specific style because they utilise a good amount of approaches and genres into their music, such as death metal and symphonic metal, as well as more unusual styles such as classical and jazz. They have a very interesting sound as a result and it definitely helps them to stand out from the crowd…” Soundscape Magazine

“Sanguine Glacialis threw me a bit of a curve ball as I was expecting a similar showing stylistically, primarily because I could hear the singer warming up her falsetto backstage. To my delight, the group launched into a more groove filled progressive black metal vibe that was thoroughly entertaining. Singer Maude Théberge navigated her tiny frame through the cramped stage to play the role of both soprano and banshee while providing intermittent piano sections. The band’s performance, energy, and crowd interaction won the crowd and me over, and I’m excited to hear their new album in the fall.” – Bucketlist Music Reviews​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Rockshots Records Signs TakaLaiton For Debut Album “Mindfection” Out July 2023

  • May 18, 2023
  • by Asher
  • · Music News · TakaLaiton (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 18, 2023

Rockshots Records Signs TakaLaiton For Debut Album “Mindfection” Out July 2023

Rockshots Records is proud to announce their latest signing of TakaLaiton for the release of their debut album “Mindfection” produced by Teemu Aalto (Omnium Gatherum, Insomnium) and due out on July 28th, 2023.

Hailing from Finland’s far north, TakaLaiton garners a powerful melodic groove thrash-influenced attitude that is best seen in their super-energetic live shows that have always left fans with a sore neck and bruises from the moshpit. With a risk-taking thrash-fueled demeanor, TakaLaiton superbly blends fast-paced energy, and a bone-crushing groove, with melodies that can only be inspired by the dark, depressing, and frigid far-north. Not to mention the band’s lyrical onslaught, sung in both Finnish and English. Since their inception, the band has covered a lot of territories while on tour, bringing their rowdy stage presence to the Scandinavian regions, the rest of Europe, and Asian continents.

TakaLaiton has a “break the rules, exceed all limits” approach, as their name suggests; deriving from a Finnish baseball term for “swing the ball over the borders”. With that fierce frame of mind, the band has won “Heavy Metal Heart 11” a National Music Contest in Finland; and is ready to follow up their 2019 double EP “SisuKastraatio I & II” with 2023’s “Mindfection”, their first full-length that is based on today’s society, where we as people do everything to be a part of it and what’s sickening to the band is that people are ready to do anything in the name of couple minutes of fame. This album is based on this sick way our world has come to be.

The band adds about their signing:

“We think this will be the album that the TakaLaiton fans will consider a classic in the future. The well-known crushing sound and the rage are in there with the heartwarming melodies, which TakaLaiton fans are familiar with. We are absolutely psyched about the album’s release and the fact it’s coming through Rockshots Records! We spent literally everything we had when it comes to effort and money on this album and the final result turned out to be magnificent with the producer Teemu Aalto. With our great partners in Rockshots Records, we know that this album will find everybody that it has to!”

Singles and track listing will be revealed in the coming weeks. TakaLaiton‘s new album “Mindfection” is recommended for fans of Pantera, Slipknot, and Testament.

For more info: Rockshots.eu | Takalaiton.wixsite.com/takalaiton | Facebook.com/TakaLaitonOfficial | Twitter.com/LaitonTaka | Youtube.com/@takalaitonofficial5192

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Montreal’s VANTABLACK WARSHIP New Corrosive Video For “Gone” + QC Show Dates; New Album “Last of the Hardmouthed Poets” Out Now! via BAM & Co. Heavy

  • May 18, 2023
  • by Asher
  • · Music News · Vantablack Warship

NEWS RELEASE

Montreal, QC – May 18, 2023

 

Montreal’s VANTABLACK WARSHIP New Corrosive Video For “Gone” + QC Show Dates

New Album “Last of the Hardmouthed Poets” Out Now! via BAM & Co. Heavy

L-R – Pat Gordon – Guitars, Pierre Pitre – Drums, Yannick “Pil” Pilon – Vocals, Thierry Hivon – Guitars, Kurt Clifford – Bass
Photo Credit – Photo: Michel Beaudin

Montreal, QC’s Vantablack Warship is a band that mixes thrash metal, hardcore, and punk into an abrasive and thunderous metal. Their music is rhythmic, contagious, aggressive, violent, caustic… All with groove! The name of the group aims to pay homage to Black Sabbath. Vantablack is considered the blackest black in existence. Their mission is to be darker than the darkest of all, Black Sabbath. They have a new album, their third, being released next month entitled “Last of the Hard Mouthed Poets” and a music video available now for the single “Gone”. They share their enthusiasm:

“We think that if there is one song from the album that could go to mainstream rock radio, it’s this one! It was not our intention at the start, but it’s our “radio-friendly” song and features an eye-catching bridge. We took a look at the first pandemic restrictions that we had and pushed the energy on this one as if it had been extended forever! Looks like Vantablack trying to make a System of a Down tune…!”

“Last of the Hard Mouthed Poets” is a pure adrenaline rush that shoots everything! The short songs are intense and punch you in the face with engaging and thoughtful lyrics. They bring a ton of energy to both their live shows and recordings, they are not one to miss!

Riff-driven power chord assault awaits and is suggested for fans of Exodus, Cancer Bats, and Slayer.

Watch and listen to “Gone” via its premiere on IDIOTEQ HERE. ​

“Last of the Hardmouthed Poets” was released on April 28th, 2023, and is available from BAM & Co. Heavy.

Album order links:

Vinyl – https://boutique.boiteamusique.ca/qc/vantablack-warship/33280-vantablack-warship-last-of-the-hardmouthed-poets-lp-vinyle.html​

CD – https://boutique.boiteamusique.ca/qc/vantablack-warship/33279-vantablack-warship-last-of-the-hardmouthed-poets-cd.html​

Digital – https://bfan.link/last-of-the-hardmouthed-poets​

Lyric Video – “Hunting The Recruiter” – https://youtu.be/rwhSXH0WW_E

​

Show Dates:​
June 2 – La Facterie – Salaberry-de-Valleyfield, QC w/ Demonstone – info​
July 9 – Pirahna Bar – Montreal, QC w/ Aggros ( featuring Parris Mayhew of the original Cro-Mags) – info​
Aug 4 – Rockfest Pour La Santé Mentale – St-Lin, QC – info​
Oct 20 – Café du Clocher – Alma, QC w/ B.A.R.F. – info​
Oct 21 – Théâtre des Grands Bois – St-Casimir, QC w/ B.A.R.F. – info​

Track Listing:​
1 – Blacklisters Lament – 0:36
2 – We Shall Not Sleep – 3:14
3 – Hunting the Recruiter – 3:09
4 – 40 Acres – 3:19
5 – Choose Your Ride – 1:55
6 – Unplug the Drug – 2:11
7 – Laughing In Anger – 3:47
8 – Gone – 2:39
9 – Inside His Mind – 3:12
10 – Fameless – 2:19
11 – Above it All – 2:12
Album Length: 28:38

Vantablack Warship is:
Patrick Gordon – Guitar
Yannick “Pil” Pilon – Vocals
Thierry Hivon – Guitar
Kurt Clifford – Bass
Pierre Pitre – Drums

For more info: Bamand.co | Facebook.com/VantablackWarship | Twitter.com/VANTABLACKWRSHP​

– 30 –

“It’s a menacing mix of explosive thrash and you can let it pummel your senses by hitting play” – Exclaim!

“thrash, groove and gnarly vocals…it’s metal from start to finish and yet the overwhelming sense throughout is that this band’s attitude is punk to the core.” – Five Albums

“Assurément un groupe québécois à suivre et à ne pas manquer lorsqu’ils se produiront en spectacle dans votre région. Croyez-moi sur parole, Vantablack Warship – le mini-album et le groupe – fera date dans l’histoire de notre métal. ” – Muzik Injection

“The six songs are exactly what you would expect from a band in this genre, hard, ruthless, aggressive and this with a healthy dose of “f*ck the world and all in it” attitude…With this short record, Vantablack Warship shows they fit right into the current crossover scene and fans of bands like Municipal Waste or Suicidal Tendencies can surely appreciate this little piece of work.” – Lords of Metal

“It’s a hard hitting good time from start to end, no weak spots. It’s a mind bending cluster fuck to the tenth power. The vocals through out the album, so rich, yet so creative and they are their own thing. The melodies and mixing, everything has been extraordinary. It was more than a pleasure to listen to this!” – Taste of Khaos

“play a remarkably catchy brand of rocking deaththrash” – The Killchain Blog

“I’m very much digging it and hopefully there will be more coming from Vantablack Warship because I’ll be spinning this one over and over again.” – Thy Demons Be Scribblin

” Vantablack Warship wear their influences for all to see, there is, thankfully, no doubt that they have a sound that is all their own, or at least a sound made their own. Opening track You’ll Burn brings to mind Entombed’s 1993 classic Wolverine Blues, – as do all six tracks, in fact – but never to the point of plagiarism, and although Cancer Bats, Pantera and Slayer are all obvious influences too, there is no sense that you’re hearing a poor imitation, just a kick ass band with great taste in music.” – Morat 666​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Tentacles Industries – SUNBEAM OVERDRIVE Show Off Their Proggy Stylings In Tempestuous Video “Diama”

  • May 17, 2023
  • by Asher
  • · Music News · Sunbeam Overdrive (Tentacles Industries/Season of Mist)

NEWS RELEASE

Montreal, QC – May 17, 2023

​

Tentacles Industries – SUNBEAM OVERDRIVE Show Off Their Proggy Stylings In Tempestuous Video “Diama”

Photo Credit – Elusive Daeva

Sunbeam Overdrive is a concussive and dynamic progressive metal outfit from the south of France. Hard at work since day one, back in 2019, they quickly released their first three-track EP and performed their very first show at the famous German Euroblast Festival later that year. Their plans for large-scale touring were put on hold with the pandemic, but gave them time to focus their energies on their recently released full-length “Diama”. The depth being their mash-up of genres is on full display in their new music video for the title track, which the band comments on:

“This is the first real track on the record –powerful, aggressive, catchy but also airy and progressive. The lyrics were inspired by an extremely intense, burning, sudden, ephemeral, and ultimately volcanic adventure. Volcanism is the metaphor spun throughout the text because it evokes fusion, lava flows, eruption, and therefore, in the background, carnal, erotic union; heat that burns, but that fertilizes afterward.”

Watch the video for “Diama” at https://youtu.be/o4t-fXrr9lA

​

In the context of the whole album, which isn’t intentionally a concept album, but turns out to be an initiatory journey in the form of trials, doubts, determination, dizziness, and vertigo, elements that are transcribed into eclectic psychedelic riffs, thundering drums, and versatile, cinematic vocal styles.

Sunbeam Overdrive will surprise listeners with their unexpected crossover of several styles ranging from 90s grunge to progressive metal to modern djent. The album was produced, and mixed by Tom Abrigan; mastered by Brett Caldas-Lima with album artwork done by Christophe Dessaigne.

“Diama” was released on May 12th by Tentacles Industries / Season of Mist and is available at the following links:

Limited Digipak / Bundles – https://tentaclesindustries.bigcartel.com/artist/sunbeam-overdrive​

Digital – https://bfan.link/diama

Lyric Video – Out of Plato’s Cave – https://youtu.be/3MAJwOWFTj4

​

Track Listing:​
1. Ascending (1:47)
2. Diama (6:14)
3. Slave To The Void (5:14)
4. Crimson Stains (4:49)
5. Diamond Shape (7:10)
6. Junction: Buhl’s Eye (1:20)
7. Deaf And Blind (4:47)
8. Shen (5:45)
9. Out Of Plato’s Cave (5:05)
10. Hard Sun (5:49) (cover of Eddie Vedder cover version of Indio (Gordon Peterson) song) (Into The Wild – movie – 2007)
11. Fainted Core (Bonus Track – Live Acoustic) (6:08)
Album Length: 54:08

Album and Live Band Line Up:​
Tom Abrigan – Guitars & Vocals
Karim Arnaout – Vocals
Laurent Duclouet – Drums
Bruno Morgana – Bass
​
​For more info: Sunbeamoverdrive.bandzoogle.com | Facebook.com/Sunbeamoverdrive | Instagram.com/sunbeamoverdrive​

​Tentaclesindustries.bigcartel.com | Facebook.com/tentaclesindustries | Instagram.com/tentaclesindustries​

​Twitter.com/tentaclesindus | Youtube.com/@tentaclesindustries | Tentaclesindustries.bandcamp.com​

About: Founded around professional musicians in 2019 and hailing from Marseille, southern France, SUNBEAM OVERDRIVE is mixing progressive metal and ’90s alternative rock. Hard at work since day one, the band quickly released its first 3-track EP and performed their very first show at the famous German Euroblast Festival in October 2019. Sunbeam Overdrive was about to hit the stages when the Covid-19 pandemic started… In turn, and after a few line-up movements, they started producing their first full-length album “Diama”, to be released worldwide in 2023.

– 30 –

“Out Of Plato’s Cave – One of Six cool new prog tracks you need to hear this week (March 16, 2023)” – Prog Mag​
​“Bang this album into your vehicle’s sound system or blast it through your headphones, as you rock out to ‘Diama’ by Sunbeam Overdrive. It is THE soundtrack for your journey of solitary existence!” – Metal-Rules​
​
​“As a first work, Diama has been a great success and shows Sunbeam Overdrive as a playful and highly energetic newcomer who can definitely set accents in the scene. 9/10” – Sound Magnet Magazin​
​
​“This one is interesting, a bit prog, some groove metal, thrash stuff. clean and harsh vox. Cool!” – The Mosh Pit – WORT 89.9FM (Madison, WI)​
​
​“As far as the songs go, I love the whole album, but ‘Diama’ was amazing. ‘Slave To The Void’, ‘Crimson Stains’, ‘Deaf And Blind’, and ‘Out Of Plato’s Cave’ were all great. There’s a cover of ‘Hard Sun’ from Canadian singer/songwriter Gordon Peterson as well. They’re doing a version closer to the Pearl Jam version, but either way they do a great job with it. Overall, I have to give this one a 9 out of 10 “Flaming Fists” due to its creativity, musicianship, production and overall song-writing. It’s one of the most diverse and heavy albums I’ve heard lately, it deserves a much bigger audience.” – Rock You Radio

“Soon, on •• Tentacles Industries •• , the release of the new album by French quartet Sunbeam Overdrive. It’s called Diama and Crimson Stains is the new single to entice you for the rest of the album soon to come. Scream, djent, progressive, alternative metal and all sorts of core elements come at you from all sides. Circling around you like a riff tornado, this single is but one of the many tracks that hurl you through space and time, and the storm both inside and out of you. It fits perfectly with the concept that seems to be surrounding the album…” – Stoner Hive

“Standing out from the progressive metal pack with their interesting touches of 90’s alt-rock, Sunbeam Overdrive tickle the senses with their wandering intro of Ascending and the choppy, raw, and animated title track. Before they really lean into the 90’s alt-rock soundscape with Slave to the Void. Where sections of heavy groove come crashing down on the head. Followed then by the anthemic and manic energy of Crimson Stains, one of the album’s more intense moments as Sunbeam Overdrive go quite hard and heavy here…. Though if you’re after something with a more serrated edge, Out of Plato’s Cave will cause some damage. Sunbeam sounding both furiously heavy and grandiose in equal measures. Another highlight of the record simply because of the hectic pacing.” – Games, Brrraaains & Head-Banging Life​
​
​“Welcoming us in an oriental atmosphere (which can also evoke the last Hypno5e for once), Diama really starts with the title track, pulsed and muscular, it takes us without hesitation into the rich universe of the Marseilles managing to stall us unstoppable Devin Townsend- inspired vocal melodies .” – Eklektik-Rock​
​
​“A production to seek out by those who enjoy vibrant and melodic heavy metal explored with a little bit of a progressive metal attitude and spirit.” – Progressor​
​
​“Sunbeam Overdrive nous délivre un premier album vraiment convaincant. Du grant art !” – United Rock Nations​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Exitus Stratagem Records – AITTALA Release New Version of Video For “Juliet” + Tour Dates (SC, GA, NC) – New Album Out Now! “Live to Regret”

  • May 16, 2023
  • by Asher
  • · Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – May 16, 2023

​

Exitus Stratagem Records – AITTALA Release New Version of Video For “Juliet”

Tour Dates (SC, GA, NC)

New Album Out Now! “Live to Regret”

L-R – AITTALA – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Ali Lugo (Bass)
Photo Credit – Formont Photography

In 2011, modern doomsters Aittala released a track entitled “Juliet”, which was featured on the “Haunt Your Flesh” album along with a music video, and then re-recorded the song to be showcased on their latest album “Live to Regret” released during November 2022 via Exitus Strategem Records.

Today, the band presents a new video version of “Juliet” as frontman Eric Aittala explains in further detail:

“The original version of the song came out on the Haunt Your Flesh album in 2011; the video came out that year as well. The original version of the song was all keys, synths, and programmed drums… more industrial-type sound. Aittala started playing live in 2012 with a backtrack, but with real drums and I added guitar. I’ve always liked how it sounded live so this is a ‘reimagined’ version of the song that was added as a bonus on Live to Regret that included live drums, drums, and bass. The video has been updated with the new audio as well as added performances from our drummer Gary ‘Smith’ Zeus’ and bassist Ali Lugo since they played on it.”

Watch and listen to “Juliet” at https://youtu.be/wOvJOR_vBo0

​

​
​Aittala‘s latest album “Live to Regret” has eleven tracks, each defying the limits of genre rules. There is the thrash-inspired track “Cannibals” that confronts the tightening grip of governmental monitoring and control. The sludgy “Big Brother” – is about the devolution/zombification of the human race due to technology. The smoky stoner infused “Never Forget” talks about dealing with a toxic person along with many more.

Band founder Eric Aittala adds:

“I wrote this album during a chaotic time in my life. Not only was it during the height of the lockdowns of the pandemic, but I was also in a very chaotic relationship. That chaos fueled my creativity both musically and lyrically. I was constantly walking on an uncertain tightrope and I never knew was going to break. We hope the fans feel the same pleasure, pain, chaos, and passion that I was going through and infused into the songs when they listen to the album and singles.”

Fans can expect more music in the works, and there are no plans to stop writing and releasing new material. An eclectic mix of metal, “Live to Regret” is recommended for fans of Baroness, Crowbar, and Katatonia.

“Live to Regret” was released (Nov 7, 2022) by Exitus Stratagem Records and was produced by Eric Aittala and John E. Wooten IV, who also mixed the record along with mastering by Dave Harris at Studio B Mastering. Album artwork by Mariano Pugliese.

Album order: https://hypeddit.com/aittala/livetoregret

Music Video – War of Attrition – ​https://youtu.be/-QX5Tvspq2U

​

Music Video – Collateral Damage – https://youtu.be/Foh__WSHD4o​​

​

Tour Dates:​
June 2 – Spartanburg, SC – Ground Zero – info​
June 3 – Duluth, GA – Sweet Water – info​
June 24 – Creedmoor, NC – Jamestock
June 27 – Wilmington, NC – Reggies 42nd St. w/ EYEHATEGOD
July 28 – Wilmington, NC – Reggies 42nd St.
July 29 – Fayetteville, NC – White Rabbit

Track Listing:​
1. Live to Regret – 2:49
2. Collateral Damage – 3:22
3. War of Attrition – 3:18
4. Saint – 3:35
5. Cannibals – 3:56
6. Betrayed – 3:26
7. Big Brother – 4:45
8. Dancing with Disaster – 3:35
9. Never Forget – 3:36
10. Well Enough Alone – 5:03
11. Juliet (2022) – 5:24
Album Length: 42:56

Aittala is:
Gary ‘Smith’ Zeus (Drums)
Eric Aittala (Guitar/Vox)
Ali Lugo (Bass)

For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic​

​

– 30 –

“Aittala Offer Powerful Pandemic Post-Mortem on ‘Live to Regret’… Stick it on a playlist with Apostle of Solitude, Crowbar, Famyne, and Paradise Lost, with a dash of Slayer for good measure.” – Doomed and Stoned​
​
​“One of the best albums for 2022” – 666MrDoom YouYube Channel

“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown

“The band’s sound is difficult to pigeonhole because they incorporate a variety of styles. The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters

“I would describe them as an eclectic Doom Metal band, although their sound is a bit tough to define. That’s ultimately a good thing though, and I enjoy the refreshment of something different. My only major complaint is that on some songs, the vocals and lyrics are so drawn out that they become a little boring and you end up waiting a bit for something cool to happen. The good news is something cool usually does end up happening” – Metal-Temple

“In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – The Metal Channel​
​
​​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

Page 154 of 526
  • 1
  • …
  • 152
  • 153
  • 154
  • 155
  • 156
  • …
  • 526

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,163 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 642 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar