Category: Music News

0 Rockshots Records – HELLFOX Release Official Video for “Water On The Ceiling”

September 26, 2025
by Asher
· Hellfox (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – September 26, 2025

HELLFOX Release Official Video for “Water On The Ceiling”

New Album “The Spectrum of Human Gravity” Out Now!

Italian all-female metal band HELLFOX have unveiled the brand new official video for “Water On The Ceiling”, one of the standout tracks from their latest album “The Spectrum Of Human Gravity“, released last June 6th, 2025 via Rockshots Records.

A song born from the suffocating sensation of insomnia, “Water On The Ceiling” captures the eerie stillness of endless nights when eyes remain wide open as reality blurs into a waking dream. The track blends haunting melodies, distorted synths and Hellfox’s trademark dual female vocals to convey the claustrophobic feeling of staring at a ceiling that turns into water—suffocating, oppressive and inescapable.

The video adds a new visual dimension to the song’s atmosphere, portraying the emotional weight of sleeplessness and the surreal imagery that inspired the lyrics. It represents yet another chapter in the band’s journey of exploring the depths of human emotion through music and imagery.

“The Spectrum Of Human Gravity” has already gained recognition for its unique fusion of Nordic melodic death metal roots, pop-inspired clean vocals, and modern electronic textures. With singles like “Seaweed Braids” and “Atlas”, Hellfox set the stage for an album that confronts loneliness, mental struggles, and the search for identity without resorting to clichés. “Water On The Ceiling” continues this narrative, offering a vivid metaphor for psychological weight and restless nights.

Recorded at Eden Studio by Alessio Lucatti and mixed/mastered by Simone Mularoni at Domination Studio, the album showcases the band’s fearless approach to songwriting and their growth since their 2022 debut.

For fans of Amorphis, In Flames, and Dark Tranquillity, Hellfox’s new video is not just a performance but a visceral dive into the emotions that define “The Spectrum Of Human Gravity“.

Watch “Water On The Ceiling” official video at https://www.youtube.com/watch?v=2AZtGXt3gFc

“The Spectrum Of Human Gravity” is now available on all digital platforms.
Stream the album here: “The Spectrum Of Human Gravity”
CD available via Rockshots Records here

TRACK LISTING:
1. Nautilus – Seaweed Braids
2. Empty
3. Water On The Ceiling
4. Pareidolia
5. Atlas
6. Six Times Lighter
7. The Centipede
8. The Warrior, The Child, The Healer
9. Voices

Hellfox Line Up:
Greta Hammonia Antico: vocals
Priscilla Poe Foresti: bass and vocals
Gloria Naflekt Kaps: guitars
Federica Fedi Piscopo: drums

CREDITS:
Recorded at Eden Studio by Alessio Lucatti
Mixed and Mastered by Domination Studio by Simone Mularoni.
Cover art by Eva Marabotti.

ABOUT:

HELLFOX is an ALL FEMALE alternative metal (alt-metal) band with melodic death tendencies. Despite the four completely different musical backgrounds, we share a common inspiration to Amorphis, In Flames, Dark Tranquillity as far as composition is concerned, while for the choice of sounds we intended to move away from the Symphonic, recognizably feminine scenario to include acid and distorted synths so that we could create modern atmospheres that more closely met our tastes and better married the pop timbre of the melodic vocals. The dualism of HELLFOX is not meant to be understood on a conflicting level, it is instead the result of different voices within the human soul, different faces if you will, that mingle and generate the person itself, in its entirety, that although they seem to struggle, they coexist and create harmony and balance. We don’t use masks to conform to a mass, nor do we want to stand out at all costs, we just want to be ourselves in a society where normality is only a surface, the abyss instead is made up of so many facets of personality, both for the group and especially for the individual human being. Ours is a message within everyone’s reach, in which one can recognize oneself: that little voice in the head that either draws you in or drives you away… Because for us, nothing is normal, nothing is different.

More info: https://www.rockshots.eu | https://www.instagram.com/hellfoxofficial | https://www.facebook.com/HellfoxOfficial

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0 Canadian Thrashers TRISKELYON Announces 4th Studio Album “Maelstrom of Chaos” Out Nov 2025; Streaming Single “Blood Drowned Prophecy” ft. Liv Jagrell (Liv Sin)

September 26, 2025
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – September 26, 2025

Canadian Thrashers TRISKELYON Announces 4th Studio Album “Maelstrom of Chaos” Out Nov 2025

Streaming Single “Blood Drowned Prophecy” ft. Liv Jagrell (Liv Sin)

Canada’s undisputed Thrash Metal Gods Triskelyon return with their long-awaited 4th full-length, “Maelstrom of Chaos”, a relentless storm of speed, fury, and precision due out on November 28th, via Moribund Records.

Formed in 2021 by guitarist Geoff Waye of the acclaimed True Metal band Category VI, Triskelyon came roaring out of the gate with their self-titled EP and landed a deal with Moribund Records for their chart-crushing debut, “Downfall” (2022). They followed with the bone-splitting “Artificial Insanity” (2023), dominating radio for six weeks, followed by the apocalyptic “Shattered Elysium” (2024). Each release bigger, faster, heavier… and now comes the ultimate Thrash onslaught “Maelstrom of Chaos”.

For “Maelstrom of Chaos,” mastermind Geoff Waye once again summons an all-star cast of metal warriors from the Canadian scene and from the global scene. Enlisting the vocal talents of guests Liv Jagrell (Liv Sin), Amanda Jackman (Category VI), James Delbridge (Lycanthro), Carolina Padrón (Tribus, Bloodrain), Dale Drew (Sea Dogs), and Pete Healey (Marshall Law, Ex Oberon), this album reigns as a true Thrash Metal masterpiece. On drums, the thunder is split between Raul Marques (Burning Torment) and Nicole Trinchero (Chaos Rising, Acroma), while bass devastation comes courtesy of Dwayne Pike (Afterforever), Rick White (Within the Realm, Exorcist), and Darrin Pope.

In true Triskelyon fashion, expect more than Thrash – this is a molten fusion of Thrash, Speed, Power, Death-Thrash, and Traditional Metal. Wild and impressive, explosive riffs, razor-sharp solos, and skull-crushing rhythms resurrect the glory of the ‘80s while forging it into something bigger, louder, and deadlier for today.

In keeping with Triskelyon‘s tradition of closing their albums with an iconic cover, this release delivers the heaviest Metal rendition of Peter Schilling’s mega-hit “Major Tom” that the world will ever hear!

“Maelstrom of Chaos” is not just an album – it’s a Thrash Metal supernova. Brace yourself.

Single – Blood Drowned Prophecy (ft. guest vocals Liv Jagrell from Liv Sin) – https://youtu.be/FikcpI8IGBE

Add to your Spotify playlist – https://open.spotify.com/artist/5eHXL3FTFpLVOJTIcViEIW

Album Teaser – https://youtu.be/TRDJfK4ww7o

CD pre-order (out Nov 28th) – https://www.moribundcult.com/product/DEAD336.html

Track Listing:
1. Of Dust and Divination (4:49)
2. The Winter Tsar (4:02)
3. Maelstrom of Chaos (4:24)
4. Unit 684 (4:21)
5. Blood Drowned Prophecy (4:10)
6. Death Racer (4:24)
7. Blame Game (4:27)
8. Divide and Dissent (3:53)
9. Cretin (5:08)
10. Major Tom (cover) (5:22)

Follow TRISKELYON:
Facebook | Bandcamp

Follow Moribund Records:
Moribund Website | Facebook | Instagram | Bandcamp

– 30 –

“One of my favorite albums of the year” ~Brutally Delicious Podcast

““Hellbound Hellions” follows and is just a great tune. That scream in the beginning and I knew immediately that Pete Healey was back for another album with Waye. The last of the opening trio and it is a slayer. Killer thrash riffs and Healey’s soaring vocals and a really sick solo makes this one of my favorites on the album.4.5/5” – Metal Rules

“It’s refreshing, for once, to discover a thrash band that aren’t geared towards utter devastation but, rather, crafting a record that an audience can simply put on and vibe to. With more than forty-five minutes to work with, the band still stuck to their guns and applied songwriting that saw every minute feel earned and needed for what their performance entailed.” – The Razor’s Edge

“Waye has shown he can write in any metal style and the guys he got together to perform are world class. The production is pretty big too so, if you like Megadeth, Agent Steel, Exodus, Overkill, etc. then there will be something on here that you like. Me? I liked it all! Hopefully, Canadian metal will be taken a bit more seriously with this release.” – My Global Mind

“classical Thrash Metal tracks and many 80s vibes.” – Metal-Temple

“Heavy, pounding, in-your-face, power metal-laced thrash” – Metal Crypt

“A who’s who of musicians in the Canadian Thrash scene! Riffs and soloing are nothing short of fantastic!” – MetalNoise

“Powerful at the right point but also epic, with sharp and anthemic vocal parts” MetalHead.it

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability.” – FFM-Rock

“Minimal filler and maximum melody!” – Heavy Music HQ

“Tighter than a shark’s arsehole and shows that Triskelyon are continuing to do what they do best.” – Metal-Digest

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0 “Poems By a Poltergeist” Materializes as JULIET RUIN’s Most Haunted Creation Yet

September 25, 2025
by Asher
· Juliet Ruin · Music News

NEWS RELEASE

Montreal, QC – September 25, 2025

“Poems By a Poltergeist” Materializes as Juliet Ruin’s Most Haunted Creation Yet

L-R – Wesley Rands, Kent Geislinger, Jess Fleming, Jesse Bauman

Phot Credit – Brittany Lealand

Canadian modern metal band Juliet Ruin returns with their most vulnerable and sonically ambitious release to date: the five-track EP “Regime,” their fourth studio offering, available this October 24th, 2025. Leading the charge is the haunting first single “Poems By a Poltergeist,” accompanied by a gripping lyric video (created by vocalist Jess Felming) that dives deep into themes of depersonalization, mental health, and emotional isolation.

“This song came straight from the pages of Jess’ journal. It’s about feeling like a ghost in your own life, angry, disconnected, and searching for meaning,” the band shares.

Formed in 2015, Edmonton, AB’s Juliet Ruin has evolved into a genre-fluid powerhouse known for its chunky, groovy, pretty, powerful, and catchy sound. With influences ranging from Spiritbox and Jinjer to Alexisonfire, the band blends metalcore, pop, and progressive elements into a style that’s both emotionally raw and technically sharp.

“Regime” is a sonic double-edged sword, balancing pop-infused vulnerability with bone-crushing breakdowns and the heaviest subject matter the band has ever tackled. From the introspective “Chrysalis” to the socially charged title track “Regime,” each song is a collaborative effort shaped by personal experience and collective passion.

“We wanted this EP to feel empowering but also understanding,” says vocalist Jess, whose scream vocals, honed during the COVID lockdown through YouTube tutorials and lucid dreaming, now anchor the band’s evolving sound.

The album artwork, created by longtime collaborator Feen Murray, uses abstract imagery of skulls and hearts to reflect the tension between emotionality and overthinking, a visual metaphor for the EP’s lyrical core.

“Regime” is more than just a record. It’s a statement. A safe space. A scream in the silence. And with “Poems By a Poltergeist,” Juliet Ruin invites listeners to confront their shadows and find strength in the echo.

Listen to “Poems By a Poltergeist,” via its lyric video premiere on Space Untravel YouTube channel at https://www.youtube.com/watch?v=igTy7LRWjA4

Add Single to your Spotify playlist (Sept 26th) – https://open.spotify.com/artist/54QrxuOJkvabZgah6SA4qv

EP pre-order (out Oct 24th) – https://julietruin.bandcamp.com/

Track Listing:
1. Reactance Theory (4:03)
2. Chrysalis (4:01)
3. Poems By a Poltergeist (3:02)
4. The Art of Being Wise (4:09)
5. Regime (5:02)
EP Length: 20:18

EP Credits:
Performed and Written by Juliet Ruin
Produced by Juliet Ruin and Diego Fernandez
Mixed and Mastered: Oracle Recording Studios
Artwork by: Feen Murray
SOCAN member
Canadian content

Album Line-Up:
Jess Fleming – Vocals
Kent Geislinger – Guitar, Bass
Wesley Rands – Guitar
Jesse Bauman – Drums

Live Line-Up
Jess Fleming – Vocals
Kent Geislinger – Guitar
Wesley Rands – Guitar
Jesse Bauman – Drums
Dale Myroniuk – Bass

More info:

https://www.facebook.com/julietruinband

https://www.instagram.com/julietruin

– 30 –

“If you are a fan of the likes of JINJER, INFECTED RAIN, THE AGONIST and BUTCHER BABIES then the “Dark Water” E.P is one for you to check out. The E.P opens with the title track “Dark Water” as a ferocious riff creeps in as the rhythm section sounds away. From then the band are now in full swing as the very haunting sounding vocals coming in. The song leads to a sing along chorus with a cool lead line afterwards. When the breakdown hits the vocals add a sort of dreamy feel to it until the guitar solo sections kick in. Great way to start things off.” 8/10 – Metal Temple (2023 – Dark Water EP)

““Dark Water” by JULIET RUIN is a great listen and one I really enjoyed. From listening the vocals have a lot of range as Jess goes from hauntingly clean to aggressive death growls. The band has a very modern sound that is filled with great riffing and killer grooves. The songs here are great and you can hear their influences at times too. This is a band that, from listening to this, sounds like they need to be experienced in a live setting and I would love to hear more from them in the future.” – Metal Temple (2023 – Dark Water EP)

“As mentioned, Juliet Ruin is not a stranger to attention and praise and can expect a lot more with Dark Water. It is their most striking offering yet and with the new evolution in the band’s already potent sound, surely the first step to greater things.” – The RingMaster Review (2023 – Dark Water EP)

“Bang your heads to the new EP by this amazing Canadian Modern Metal crew, reflecting a turn to darker sounds and grittier vocals while still preserving the spirit of what makes the band who they are.” – The Headbanging Moose (2023 – Dark Water EP)

“Bloody love it! One of the best EPs I’ve heard this year so far. ” – Ever Metal (2023 – Dark Water EP)

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0 Streaming Now! A Sonic Journey of Years Past with LITTLE KING’s 8th Studio Album “Lente Viviente”

September 25, 2025
by Asher
· Little King · Music News

NEWS RELEASE

Montreal, QC – September 25, 2025

Streaming Now! A Sonic Journey of Years Past with LITTLE KING’s 8th Studio Album “Lente Viviente”

L-R – David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals), Tony Bojorquez (Drums)

Photo Credit – Damien Becerra

After nearly three decades of pushing musical boundaries, Little King returns with their most ambitious and emotionally resonant release to date, “Lente Viviente,” set for release on all major platforms on September 26th.

Before the album officially drops, the trio has teamed up with V13.net for the full-stream premiere, which can be heard HERE.

Described by frontman and songwriter Ryan Rosoff as “Musical DMT,” “Lente Viviente” is a seven-track suite of “micro-epics” that blend progressive rock, melodic hooks, and heavy riffs into a tightly woven tapestry of sound and sentiment.

“A true listening experience should hit all the notes… sometimes contemplative, sometimes raging, but always engaged and honest. We feel like this record is the highlight of our 28 years of making music,” says Rosoff.

With Dave Hamilton (bass, cello) and Tony Bojorquez (drums), and a fresh studio environment, Little King has elevated their sound to new heights. The result is a dynamic, melodic, progressive, heavy rock experience that’s both cerebral and heartfelt.

From the first note to the last, “Lente Viviente” invites listeners on a short but mind-blowing journey. The album’s dynamic range and textured performances are designed to push and pull, offering music for both the head and the heart. Each track stands alone yet contributes to a larger narrative arc, one that explores themes of identity, aging, addiction, immigration, and the fragile balance between strength and vulnerability.

Lyrically, the album draws inspiration from Rosoff’s work with LivingLens Memoirs, his video memoir production company. The title itself, Spanish for “Living Lens,” is a nod to the interplay between memory and presence, perception and truth. Songs like “Catch and Release,” “Who’s Illegal?” and “Kindness for Weakness” reflect Rosoff’s background in creative writing and his deep commitment to storytelling through sound.

For the first time in Little King’s history, all three band members appear on the album cover. The artwork, centered around themes of reflection and perception, features a crown slightly off-center, a metaphor for the imperfect balance between artist and audience. As Rosoff puts it, “One is left to wonder what the world looks like from behind the band’s side of the lens… what do they see?”

A lean, powerful record that demands repeat listens, Little King’s “Lente Viviente” is recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and is available for pre-order/digital pre-save (out Sept 26th) at https://show.co/nI24kSK

Little King Discusses ‘Lente Viviente’ – https://youtu.be/mjOYuUeqMb8

Lyric Video – Dawn Villa – https://youtu.be/Ksxlb2ekYIM

Lyric Video – Cath and Release – https://youtu.be/Hgt9U547jbw

Track Listing:
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: LittleKingtunes.com

-30-

“Overall, this band showcased a sophisticated sense of melodies that were not overly complicated, but easy to assimilate as well. Not being familiar with them, I am surprised to learn of their longevity, and you wouldn’t know this was their eight album, because the drive and fire in them is very much alive in their music. 8/10” – Metal Temple

“Seven songs, clocking in at just over twenty-five minutes Little King pack a powerful and melodic cocktail of prog, rock and alternative. If Rush jammed with REM and King’s X it would sound a little like this. Impressive.” – Get Ready To Rock!

“Long-running Progressive Rock outfit Little King is unveiling “Dawn Villa,” the second single from their highly anticipated eighth studio album, Lente Viviente! A sonic time capsule wrapped in staccato riffs and melodic crescendos, “Dawn Villa” is a heartfelt tribute to frontman Ryan Rosoff’s formative years in Mercer Island, Washington. The track comes from their eighth album Lente Viviente, which is available for pre-order/digital pre-save now at the links below, and releases September 26th, 2025. If you grew up obsessed with the classic seventies prog rock greats like Rush, King Crimson, and Pink Floyd, with a modern flare for drama such as Muse or Neal Morse, Little King deserves your attention! ” – Ghost Cult Magazine

“Over nearly three decades, Little King has evolved from the El Paso roots of “Transmountain” to the intricate, personal soundscapes of “Lente Viviente,” blending complex arrangements, strong melodies, and lyrical depth.” – Progressive Rock Journal

“Tucson progressive rockers’ Little King are gearing up for the release of their 8th studio album, ‘Lente Viviente’ on Sept. 26th and have also just dropped their first single from the album, ‘Catch and Release’. This band truly pushes boundaries and yet makes modern prog rock very accessible. That is a difficult feat and a challenge many bands can’t overcome. But these fellas make it sound very simple, even though the music is quite complex. Similar to YES in that every instrument, including the vocals, all seem to be doing their own thing…but somehow it all works beautifully, and that is what good prog is about. Listen up for Little King on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Album “Lente Viviente” it presents emotions, classic playing and dynamic playing. The band recorded interesting arrangements with expressive performances. You can hear a personal and reflective album here, but there are many optimistic and optimistic sounds here. 4/5″ – W-Mgnieniu-Rocka

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0 Out Nov 2025 Trois-Rivieres’ OUTLYING’s New Album “Oblivisci” Explores Pain and Redemption; Streaming Single “November”

September 23, 2025
by Asher
· Music News · Outlying

NEWS RELEASE

Montreal, QC – September 23, 2025

Out Nov 2025 Trois-Rivieres’ OUTLYING’s New Album “Oblivisci” Explores Pain and Redemption

Streaming Single “November”

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, “Oblivisci,” drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.

Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.

“We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.

“Oblivisci,” Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.

“After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.

The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.

YouTube – https://youtu.be/xfbMerlsRwc

Add to your Spotify playlist – https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ

OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.

Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.

Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.

Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.

“We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.

With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).

The album artwork for “Oblivisci” depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.

“Oblivisci” will be available on November 21st on all streaming platforms.

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussions
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

For more info:

http://www.outlying.ca/

http://www.facebook.com/outlyingband

http://www.instagram.com/outlyingband/

https://www.tiktok.com/@outlying.band

– 30 –

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

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0 PHAETON Unveils Single “Isochron” ft. Keyboard Wizard Derek Sherinian (Dream Theater, Planet X, Sons of Apollo); New Album “Neurogenesis” Out Oct 2025

September 23, 2025
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – September 23, 2025

Canadian Instrumental Prog Metal PHAETON Unveils Single “Isochron” ft. Keyboard Wizard Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

New Album “Neurogenesis” Out Oct 2025

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

Canadian instrumental prog-metal outfit Phaeton has released their latest sonic whirlwind, “Isochron”, featuring keyboard icon Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). The single offers a high-voltage glimpse into their upcoming third album, “Neurogenesis,” out October 24th via INB Music.

Clocking in at just under five minutes, “Isochron” is one of the densest and most dynamic tracks Phaeton has written in years. It ricochets between killer riffs, Middle Eastern mellowness, and clenched-fist power, all supercharged by Sherinian’s signature synthesizer tsunami that came together with lightning speed.

The band explains:

“Colin reached out, and to our astonishment, Derek agreed immediately. He sent us half a dozen takes the next day, each with different moods and effects. Kevin stitched together a hybrid performance from all of them; we couldn’t choose just one. We’re happy with how this track sounded. There’s a feeling of whirlwind rush we deliberately injected into the tune. If an isochron connects different points where an event occurs simultaneously, then the song itself is that event, stretched across time, Newtonian physics be damned,” says the band.

Listen to “Isochron” ft. Derek Sherinian via its premiere on Metal Addicts HERE.

“Neurogenesis” marks a bold left-field shift for Phaeton. While their self-titled debut album established their identity and sophomore Between Two Worlds expanded it with heavier, more emotionally resonant compositions, “Neurogenesis” takes a more compact and concise approach, though not by design.

“The songs just ended up that way. Even as an instrumental band, our arrangements follow a kind of verse-chorus structure, but instead of vocals, it’s guitar and keyboard melodies that carry the narrative,” the band explains.

Thematically, “Neurogenesis” explores overlapping concepts inspired by the technological singularity, the looming fusion of biological consciousness with robotics and cybernetic implants. Musically, the album blends jazz-fusion sensibilities with prog-metal architecture, inviting listeners to interpret each track’s title and let their imaginations roam.

“It’s not a concept album in the strictest sense, but the ideas do interlock. It’s a cold warning as much as a sober observation. We’re asking: when that happens, will we still be human?” adds the band.

Formed by drummer Colin Righton, who united longtime collaborators Daniel Airth, Kevin Thiessen, and Ferdy Belland, Phaeton has carved out a niche with their “Interplanetary Psychedelic Hyper-Melodic Metallic Prog.” Their sound draws comparisons to Symphony X, Devin Townsend, Rush, Meshuggah, and Gojira, minus the vocals.

“We let the guitars and keyboards do the singing. Live, we’re heavier, crunchier, and thrashier than our polished recordings suggest. It catches people off guard in the best way,” explains the band.

Beyond “Neurogenesis”, fans can look forward to the 22-minute epic “Clouds of Mercury” slated for release as a standalone EP in 2026, and the band’s fourth album “Quartum” expected in 2027. With new material already brewing, Phaeton shows no signs of slowing its cosmic ascent.

For fans of instrumental metal, progressive rock, and sonic storytelling, Phaeton offers visceral thrill and intellectual expansion, song after song after song.

“Neurogenesis” – album pre-order (out Oct 24th) – https://phaetonband.bandcamp.com/

Track Listing:
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial

– 30 –

“A”An instrumental quartet from Kimberley, British Columbia, Phaeton are skillfully blurring the boundaries between old- and new-school prog metal. Their second album, Between Two Worlds, covers a vast amount of ground, from intricate post-djent riffing, to indulgent prog pomp, and no single outstays its welcome. The nine-minute title track is a particularly impressive display of showboating and smart songwriting.” – Prog Mag – Dom Lawson (Between Two Worlds – 2023)

It’s Prog Mag’s brand new Tracks Of The Week! (April 21, 2023) – “Hailing from Columbia, Canada’s Phaeton are an interplanetary instrumental heavy prog metal quartet and as their name suggests, they are fascinated with astronomy, and the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence. The epic Between Two Worlds is the title track of the band’s latest album.” (Between Two Worlds – 2023)

“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun) (Between Two Worlds – 2023)

“Phaeton are relatively unknown, especially compared to the above mentioned bands (scale The Summit, Animals as Leaders), but they definitely hold their own on Between Two Worlds. All members absolutely kill it on their instruments, the songs are wonderfully arranged and produced, and there’s plenty of variety here to hold our attention. Instrumental prog might be a little talked about genre, but Phaeton belong in the conversation.” – Heavy Music Headquarters (Between Two Worlds – 2023)

“…a killer album indeed, wonderfully arranged and produced; a superb prog metal opus where the music almost makes you dizzy, but most of all longing for more indeed. “Between Two Worlds” to me is one of the absolute highlights of this year, a unique twist and rollercoaster of progressive, instrumental metal, highly recommended indeed: especially suitable for fans of Rush, Dream Theater and Liquid Tension Experiment. Play it LOUD and you will be hooked, listening tip: “Monsoon.”” – Rock United (Between Two Worlds – 2023)

“”Between Two World” was very competently arranged and recorded by PHAETON. Prog fans, who like sounds and virtuosity above all, will be well served with the disc.” – PowerMetal.de (Between Two Worlds – 2023)

“PHAETON releases an instrumental album in which the voice is not lacking; a nervous, boosted opus where the frank and limpid musicality makes you dizzy, where the notes invite you to travel in space to another dimension, where harmony is combined with controlled djent power; innovative music, on modern math metal-prog.” – Profil Prog (Between Two Worlds – 2023)

“If you’re open minded in your choice of Metal genres, you should feel free to let this instrumental work slip through your ears. It takes a little getting used to, so completely without singing. But if you get involved and listen carefully, one or the other will surely like something. The whole thing should appeal to fans of RUSH or DREAM THEATER.” – Hellfire Magazin (Between Two Worlds – 2023)

“The sound on all seven tracks is huge and if there was a “best sounding hammer-ons” award then March of the Synthetics could be a contender.” – Stuart Derdeyn (The Vancouver Sun) (Self-titled – 2018)

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0 EPK – Fallstaf – Ode to the Dead (2025)

September 21, 2025
by Asher
· Fallstaf · Music News

EPK – Fallstaf – Ode to the Dead (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We’re just excited to share our new album with the world. We can’t wait to play shows again and have fun. We didn’t make this album to tour the world or to impress anyone. The idea came from wanting to make music out of friendship; we are all friends in the band, music is therapeutic, it brings people together, metal brings people together, and we missed that energy. We believe people will notice our evolution, and what a pleasure it is to work with Kevin Jardine again! Stay Tuned!!” – Fallstaf

For fans of Diablo Swing Orchestra, Rivers of Nihil, Pantera, Mr. Bungle, Arseniq 33

Band: Fallstaf
Album Title: Ode To The Dead
Release Date: November 14, 2025
Genre: Brass Metal
Location: Montreal, QC, Canada

Facebook.com/fallstafmontrealbrassmetal | Instagram.com/fallstafmontreal | Youtube.com/@Fallstafmontreal | Fallstaf.bandcamp.com

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“These “brass metal” pioneers – perhaps the only band in the world to feature a masked trombone player AND a frontman with a robotic leg – may be singing an #OdeToTheDead but they prove they are very much alive and kicking with their first new music in 15 years.” – THE ÜBER RÖCK SINGLES CLUB DAILY PICK – FALLSTAF (2025)

“Groovy mix of hardcore and other metal styles with an interesting addition in the trombone” Metal Underground (2011 – Bastard Sons of a Pure Breed – LP)

“to every track of the album, giving their rather intense metal a rather nice jazzy touch. This allows Fallstaf to step outside the conventional paths to get closer to the masters of the genre like Diablo Swing Orchestra or the Norwegians from Shining” – Music Waves (2011 – Bastard Sons of a Pure Breed – LP)

“These guys are a lot different than most bands out there and I really dig what they are doing. Check them out before they get really popular and there are tons of clones of them popping up everywhere “ – Beowolf Productions (2011 – Bastard Sons of a Pure Breed – LP)

“Looking for a Different Sort of Metal? Try FALLSTAF » – A Journal Of Musical Things (2011 – Bastard Sons of a Pure Breed – LP)

[Download Album Cover | Download Album Lyrics]

Band: Fallstaf
Album Title: Ode To The Dead
Release Date: November 14, 2025
Genre: Brass Metal
Location: Montreal, QC, Canada

Track Listing:
1. Sunless Friday – 2:57
2. Ode to the Dead – 3:27
3. Battered Soul – 3:40
4. Kings of the West Side – 3:31
5. Under the Same Sky – 3:31
6. Bastard Son – 3:45
7. The Burden – 4:41
Album length: 25:37

Album Credits:
Songs performed by: FALLSTAF
Songs written by: Ian Lavoie/Kevin Jardine
Produced by: Kevin Jardine
Mixed by: Kevin Jardine
Mastered by: Kevin Jardine
Album artwork by: Ian Lavoie
MAPL – Canadian Content

BAND LINE UP:
SIMM / Guitars
RICKK / Horns
IANN / Vocals
GOYY / Bass
MATT / Drums

=======================================================

About The Album Artwork:

I wanted to create a cover that wasn’t too macabre after all. I took this photo of the skull and layered it multiple times with different colors; the skull represented the album title well and our sound, which is not dark musically but dark in the lyrics.

About The Album:

Dark stories on a groovy, brass, and heavy note.

Track By Track:

SUNLESS FRIDAY: Sunless Friday tells the story of my accident that happened on a Friday afternoon. The music reflects this cold gray day well, especially with the beginning and the trombone that screams.

ODE TO THE DEAD is a tribute to the deceased; they are no longer physically here, but they are always in our thoughts, which is the reason for the phrase “they walk among us”. The riff of the chorus gave rise to the rest of the song.

BATTERED SOUL talks about a guy who committed suicide, the pain of living, abandonment, depression, and indifference. The song was much faster before going into the studio, but it still had the ending in decrescendo; we wanted a heavier song with more sludge metal sounds.

KINGS OF THE WEST SIDE, we’re from the southwest of Montreal, where there have been several clan wars, the Irish mafia, the Italian mafia, the French-Canadian mafia, and the bikers. It’s a song about organized crime and allegiance to a gang. The music comes from an old song that was never recorded.

UNDER THE SAME SKY talks about the world we live in, about the people, the conflicts in all countries, and the leaders. The world is vast, but there is only one sky. For the music, we started with the chorus; we wanted a sludge metal chorus. I am a big fan of Corrosion Of Conformity and Pepper Keenan’s style. In the verses, I wanted a higher voice.

BASTARD SON is about a man who walked in the footsteps of his father, who was a hitman, and talks to his own son about not following in his footsteps. SIMM composed this riff (gallop) that fit perfectly with the song’s theme. We added gang vocals on top, then we wanted a more thrash metal chorus.

THE BURDEN talks about the burden of cancer, which affects all aspects of life. I lost my parents to cancer, and group members have also lost loved ones to this disease. We have all experienced the ups and downs, the treatments, the hopes, and the relapses. I saw my father suffer; for him and for us, dying was a release. It’s an oppressive, dark music, with a bridge that surprises with its speed, and a melancholic, melodic ending that signifies the release from suffering.

=======================================================

FUN FACT:

Every time we step on stage, people are skeptical, with our suits and ties, a masked trombonist, the world thinks we are a ska band. As soon as the first chord is played, people see that we kick ass.

SIMM/Guitars – RICKK /Horns – IANN/Vocals – GOYY/ Bass – MATT/Drums

Photo: Sébastien Roy

Born from the ashes of Montreal’s alternative outfit North East Bistro, Fallstaf emerged in 2009 with a bold vision: to fuse the raw power of metal with the unexpected punch of brass. What began as a riff experiment among longtime friends quickly evolved into a genre-defying force. By 2011, their debut album Bastard Son of a Pure Breed, produced by Kevin Jardine (Slaves On Dope), had carved their name into the local scene, earning them the title of “pioneers of brass metal.” With a trombone front and center, Fallstaf’s sound was as unconventional as it was unforgettable, groove-heavy, progressive, and fiercely experimental.

From 2009 to 2015, the band toured extensively across Quebec, captivating audiences with their explosive live shows, signature suits and ties, and a masked brass player who defied every expectation. But in 2016, tragedy struck. Frontman IANN suffered a near-fatal accident that left him in a coma, cost him his leg, and forced the band into silence.

Eight years later, the silence broke.

In 2024, Fallstaf reunited, reigniting their creative fire and returning to the studio with Jardine to craft their long-awaited second album, Ode to The Dead, set for release in Fall 2025. The record is a cathartic journey through grief, survival, and rebirth, an autobiographical and story-driven collection of tracks that explore death in its many forms, from personal loss to societal decay. With songs like “Sunless Friday,” “Battered Soul,” and “The Burden,” the album balances lyrical darkness with groovy, brass-laced heaviness, showcasing the band’s evolution in both sound and spirit.

Fallstaf’s music draws influence from groove metal, prog metal, metalcore, and hardcore, echoing the intensity of Pantera and Hatebreed while channeling the brass-infused chaos of Shining and Mighty Mighty Bosstones. Their sound has matured, more melodic, more complex, and more emotionally resonant, yet their core remains unchanged: a love for metal, a bond of friendship, and a passion for performance.

Live, Fallstaf is a spectacle. With IANN’s robotic leg, a masked trombonist, and a wall of sound that obliterates expectations, they’re not just a band, they’re an experience. And while they may not be chasing fame or world tours, their return is a testament to resilience, creativity, and the healing power of music.

Fallstaf is back. Louder, wiser, and ready to kick ass.

DISCOGRAPHY:
2009- The Hitman Plays Trombone (demo)
2011 – Bastard Sons of a Pure Breed – LP
2025 – Ode To the Dead – LP

Shared Stage with:
Arseniq33, Grimskunk, Slaves On Dope, Blind Witness, Sandveiss, Groovy Aardvark, Hollow, Unbeing

Tours and Festivals:
Wacken Metal Battle – 2012 – Montreal
M for Metal – 2013 – Montreal
Buckfest – 2013 – Montreal
M for Metal Movember – 2014 – Montreal

0 Rockshots Records – SECRET RULE’s New Music Video “In The Silence” Explores the Voice Within + 10th Studio Album “X” Out October 2025

September 19, 2025
by Asher
· Music News · Secret Rule (Rockshots Records)

NEWS RELEASE

Montreal, QC – September 19, 2025

SECRET RULE’s New Music Video “In The Silence” Explores the Voice Within

10th Studio Album “X” Out October 24th, 2025

Italian modern metal act Secret Rule presents their new single “In The Silence”, the latest chapter leading up to the release of their upcoming album “X“, out October 24th via Rockshots Records.

Following the impactful “Just a Sacrifice”, the environmental call of “Echoes of the Earth” and the emotional depth of “Silent Pain”, this new single turns inward, exploring the dialogue with our inner self—the quietest voice that often carries the most strength.

Blending cinematic modern metal textures with an unexpected rap section performed by bassist Sofia Basili and enriched by orchestral counterpoints, “In The Silence” weaves together fragility, honesty, and resilience. Angela Di Vincenzo’s heartfelt vocals capture the tension between weakness and inner strength while Andy Menario’s production strikes a balance between heaviness and atmosphere.

Angela comments: “This song is a dialogue with your inner self—the version of you that holds your strength when you’re at your weakest. Writing it was like letting that voice finally speak.”

Sofia adds: “My part is that quiet voice inside, the one that whispers when you’re ready to hear the truth. It’s not about volume, it’s about honesty.”

With “In The Silence”, Secret Rule reaffirms their ability to innovate within modern symphonic metal, offering yet another dimension of their dynamic sound.

Digital – http://lnk.to/Lmxf1A
Video – https://youtu.be/iz3toEmDmoY

ALBUM PRE-ORDER (out October 24th,2025):

from Rockshots Records store / Digipack
https://rockshots.eu/products/secret-rule-x

Previous Singles:

“Silent Pain” – https://youtu.be/8yQPDnbLC0Q

“Echoes Of The Earth” – https://youtu.be/NXuMLHQyMds

“Just A Sacrifice” – https://youtu.be/8yyd_1TLZAA

Track Listing:
1. The Answer
2. Walking Down The Street
3. In The Silence
4. Echoes of Earth
5. Eternal Symphony
6. Silent Pain
7. Collapse
8. Lost In Paradise
9. Destiny Reloaded
10. Just A Sacrifice
11. The Storm
Album Length: 42:30

Secret Rule celebrates 10 years of music with a special 10th Anniversary Tour! Don’t miss the chance to experience their powerful live show across the UK and Europe this fall.

Tickets – https://lnk.bio/secretruleontour

ANGELA DI VINCENZO: Vocals
ANDY ‘MENARIO’ MENARINI: Guitar
SOFIA BASILI: Bass
ANDREA MIAZZETTO: Drums

More info:
https://www.rockshots.eu

Website: https://www.secretrule.it
Facebook: https://www.facebook.com/secretruleband
Instagram: https://instagram.com/secret_rule_official

ABOUT SECRET RULE:

Formed in 2014 by vocalist Angela Di Vincenzo and guitarist/producer Andy Menario, Secret Rule has emerged as a powerhouse in the symphonic modern metal scene. Now joined by Andrea Miazzetto (drums) and Sofia Basili (bass), the band seamlessly blends crushing metal riffs, cinematic symphonic layers, and cutting-edge electronic elements, all elevated by Angela’s commanding and emotive vocals. Hailing from Italy, Secret Rule has attracted audiences worldwide with their unique sound and high-energy performances.

With nine studio albums, the band has continually pushed the boundaries of the genre, crafting richly layered compositions and thought-provoking lyrics. Their dedication to musical innovation has earned them a global following and a reputation as trailblazers in modern metal.

Career Highlights:

Extensive Touring – Secret Rule has performed in over 20 countries, sharing the stage with renowned acts like Delain, Serenity, Visions of Atlantis, Rage, Xandria, Kobra and the Lotus, and Semblant. They have also delivered electrifying performances at major festivals such as Barcia Metal Fest, Metal Fest Event – Femme, Camorock Festival, Rock Castle Open Air, Rock Fest Prague, and Festo Die Hydra.

Critically Acclaimed Discography – Albums like “The Key to the World” (2017), “Against” (2020), and “The Resilient” (2022) have garnered widespread praise for their innovative soundscapes and polished production. In May 2019, “The 7 Endless” was ranked 20th among the best imported albums in Japan’s esteemed BURRN! Magazine.

Streaming & Video Success – With millions of streams across Spotify, YouTube, and digital platforms, Secret Rule’s music continues to reach a growing global audience. Their hit “The Song of the Universe” has amassed over 2 million views, highlighting their international appeal.

High-Profile Collaborations – Secret Rule has worked with iconic musicians from Within Temptation, Sonata Arctica, Delain and Firewind, further cementing their status as a dynamic force in the genre.

Chart Success – Their singles have hit the Top 10 on iTunes rock/metal/all-genre charts in Finland, Japan, Italy, Canada, and Norway.

-30-

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0 Vancouver’s THE INTERROGATION Returns with “Wicked Happy” – A High-Energy Anthem of Awkwardness, Hope, and Defiance

September 19, 2025
by Asher
· Music News · The Interrogation · Uncategorized

NEWS RELEASE

Montreal, QC – September 19, 2025

Vancouver’s THE INTERROGATION Returns with “Wicked Happy” – A High-Energy Anthem of Awkwardness, Hope, and Defiance

L-R – Joel French (Lead Vocals, Bass), Thomas Turner (Lead Guitar, Backup Vocals), Sebastian Valdivia (Drums), Erik Nguyen (Rhythm Guitar, Backup Vocals)

Photo Credit – Shimon Karmel

After five years of silence, Canadian pop punk outfit The Interrogation roars back with their electrifying new single “Wicked Happy”, marking the band’s first release since their 2020 debut EP “Posters On My Wall.” Accompanied by a dynamic music video, the track is a bold declaration of phase two for the band, now a full lineup, playing live across British Columbia and gearing up for a wider Western Canadian tour.

“Wicked Happy is the first song we’ve released since the band turned from my solo project into a full band. It’s a springboard into everything we’ve become, high-energy, uplifting, and unapologetically real,” says frontman Thom Turner (ex-Freya, ex-Hawthorne Heights touring guitarist).

Originally conceived in the wake of personal tragedy, The Interrogation began as Turner’s solo project following the loss of his mother in 2018. What started as a cathartic songwriting outlet evolved into a full band with a mission: to turn awkwardness, grief, and isolation into connection, community, and catharsis.

“Wicked Happy” delivers exactly that. With punchy guitar riffs, call-and-response vocals between Turner and bassist Joel French (Vultures At Dawn), and a chorus built for gang vocals and mosh pits, the track channels the raw energy of the band’s live shows. Lyrically, it’s a rallying cry for anyone who’s ever felt like they didn’t fit, a message of defiance and self-discovery wrapped in a melodic, riff-driven package.

Turner explains further:

“It’s about never quite fitting in. About reaching beyond what others expect and growing into something stronger than anyone said you could be.”

The single also marks French’s debut as a lead vocalist, a role he’s held since 2022. The accompanying music video captures the band’s signature live intensity, no backing tracks, no polish, just pure pop punk sincerity.

The artwork, created by drummer Sebastian Valdivia, sets the tone: a sun just out of focus, daring you to squint, stretch, and reach for the sky.

Fans of New Found Glory, Four Year Strong, Coheed and Cambria, and A Day To Remember will find plenty to love in The Interrogation’s sound, described as energetic, catchy, heavy riffs, guitar-driven, and even more in their story. With members hailing from New York, Saskatchewan, Vancouver, and Colombia, the band brings a rich tapestry of backgrounds and influences to their music.

With more singles planned for early 2026, “Wicked Happy” is just the beginning. For The Interrogation, the message is clear: awkwardness is power, and punk is for everyone.

Watch and listen to the music video for “Wicked Happy” at https://youtu.be/jzvj_FmVhBk

Add to your Spotify playlist – https://distrokid.com/hyperfollow/theinterrogation/wicked-happy

Single Credits:
Performed by The Interrogation
Written by Thomas Turner
Produced by The Interrogation
Recorded, mixed, and mastered by Matt Roach at Rain City Recorders
Song Artwork by: Sebastian Valdivia
Member of BMI
MAPL – Canadian Content Artist and Performance

Single Band Lineup:
Joel French – Lead Vocals, Bass
Thomas Turner – Lead Guitar, Backup Vocals
Travis Howie – Rhythm Guitar
Nik Eason – Drums

More info:

https://www.facebook.com/theinterrogationband

https://www.instagram.com/theinterrogation/

-30-

“Posters On My Wall, a solid EP that combines solid musicianship and stellar songwriting, giving us something positive to latch onto during the pandemic when so many of us sorely needed it. With influences that range from New Found Glory and Story of the Year to Coheed and Cambria, The Interrogation has a sound that is a unique blend of pop-punk with a dash of hardcore and a smidge of old school punk riffage. The band shines on every track whether it’s the harder-hitting “Final Mystery” that touches on feelings of alienation or the summer, feel-good song “Shine” that has the band reminiscing of summers gone by.” – Shutter 16 (2021 – Interview)

—
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0 HUMAN MISSILE CRISIS Slither New Single “Snake In The Grass” Ahead of Opening For PROPAGANDHI In Halifax Sept 23rd

September 19, 2025
by Asher
· Human Missile Crisis · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – September 19, 2025

HUMAN MISSILE CRISIS Slither New Single “Snake In The Grass” Ahead of Opening For PROPAGANDHI In Halifax Sept 23rd

New Two-Track EP “Waste Away” Out Fall 2025

L-R – DJ Vaters – Guitar/Vocals, Matthew MacIsaac – Drums, Justin Boutilier – Bass

Human Missile Crisis is back with a vengeance. The Cape Breton-born, Dartmouth-based trio has just dropped their latest single, “Snake in the Grass,” the first track off their upcoming two-song EP “Waste Away.” The release comes just days before the band opens for punk legends Propagandhi in Halifax, Nova Scotia, on September 23rd (ticket info), marking a major moment in their journey through Canada’s underground rock scene.

“Snake in the Grass” is a blistering, danceable anthem that blends fast, fun drums with slidey guitars and a bass solo bridge that’s as unexpected as it is beautiful. Lyrically, it’s a cautionary tale about betrayal and the kind of people who smile to your face while sharpening knives behind your back. Inspired by a surreal walk through a rattlesnake-infested vineyard in Osoyoos, BC, frontman DJ Vaters channels personal experience into a track that’s as cathartic as it is catchy.

“This one’s for anyone who’s ever been burned by someone they trusted. It’s upbeat, it’s raw, and it’s got a Bloc Party kind of vibe that we’re really excited to share,” says Vaters.

The single is part of “Waste Away,” a two-track EP recorded live off the floor with Jamie Foulds, who engineered and mixed the record. The second track, “Mona Lisa,” will follow shortly and offers a more introspective look at the loneliness of night-shift life and the longing for connection. Together, the songs showcase the band’s evolution from heavy punk roots to a more nuanced garage rock/post-punk hybrid.

Known for their explosive live shows and deep camaraderie, Human Missile Crisis treats every gig like a house party with friends.

“We don’t want fans, we want family. We want people to laugh, sing, and dance with us. That’s the whole point,” says drummer Matt MacIsaac.

With influences ranging from Idles and Fucked Up to The Hives and Television, Human Missile Crisis continues to carve out a sound that’s both familiar and fiercely their own. “Waste Away” is the follow-up to their 2023 debut album “Liquor Store Stories,” and if “Snake in the Grass” is any indication, the band is only getting louder, sharper, and more honest.

Catch Human Missile Crisis live with Propagandhi on September 23rd in Halifax, and until then, crank “Snake in the Grass” and dance like nobody’s watching.

Listen to “Snake in the Grass” at the following links:

Spotify – https://distrokid.com/hyperfollow/humanmissilecrisis/snake-in-the-grass

YouTube – https://youtu.be/fPLVlq1qVrE

More info: https://linktr.ee/humanmissilecrisis

-30-

“When it comes to partying and being young, there are many “highs” and lows, as Human Missile Crisis draws our attention to in their new single “Too Long.”… The clip gives you a good look at these Dartmouth rockers in action. With fuzzed-out guitars and a garage rock spirit, these three young men know how to command a stage. The video captures what they do best: play live. The band members pride themselves on being a high-octane live act. That’s what the video is meant to emphasize: guys who can rock a stage like they rocked their parents’ garage growing up.” – V13

“With it’s thundering and infectious bassline, crunchy guitars, thrashing drums, and gritty heartfelt vocals, Human Missile Crisis easily achieved the powerful and memorable with “Blackwater”.” – Amplify The Noise

“Three friends and a long-standing passion for punk rock and garage, understood in their most jaunty and enjoyable expressions: they are human missile crisis, here grappling with their recording debut. What is striking right from the start is the light-heartedness that expert frequenters of the reference scene such as DJ VATERS, JUSTIN BOUTILIER and MATTHEW MACISAAC have been able to pour into the nine, lightning-fast moments that make up the album; the verve is ironic and semi-serious, the aim is fun, sarcasm and provocation: all elements which, mixed properly with direct and immediate sounds, come to compose a picture that is nothing short of caustic and full of sparkling ideas. The creativity released by the band is contagious: Liquor Store Stories echoes that kind of spontaneity traditionally inherent in the reference genres. And it offers half an hour of healthy entertainment in the name of bombastic pieces in which technique gives way to the desire to play together, to a sense of friendship that emerges with vigor from the grooves of the work and to a spontaneous and genuine approach. A debut that follows the dictates of tradition, proudly claiming its brilliant originality” – Rock Hard Italy

“I had a weird sensation while listening to the massive punch and swagger of “Liquor Store Stories” by Dartmouth, Nova Scotia based Human Missile Crisis. Not only is the title amazing and sounds like an anthology series on Hulu, the crunchy assaulting guitars, the nimble hyper bass lines, atomic drumming and strident vocal scowling aesthetic had me thinking of a 70’s Mod revival rock band instead of a punk outfit, namely, the iconic JAM. Maybe it is the major 7th and miner chords I think I am hearing, maybe it is the vocal countenance that does have a heavier sort of iteration of Weller, and maybe it is the fury of the bass and drums, of everything really. And it also might be the sense of talking about the inner workings of hometowns. By the way, sonically, I also thought of an amalgam of early punk like the Buzzcocks and more current bangers like Prince Daddy & The Hyena.” -Robb Donker Curtius / American Pancake

“Merging elements of Garage Rock and Post-Punk, they end up delivering an exciting song to the listener, with great melodies and which stands out mainly for its great rhythmic work, with its striking bass line and vocals with great melodies.” -Leandro Vianna / Roadie Metal

“Maybe “Blackwater” from Dartmouth, Nova Scotia based Human Missile Crisis is about wishing those who disappeared from your life well, maybe not. Maybe it is all about the glorious noise, the throttling bass bottom heaviness that kicks you in the gut, maybe not. Maybe it is about finding what you are searching for and not dive deep into the blackness to find it, maybe not. In the end, maybe Human Missile Crisis feels like Black Sabbath, The Dead Kennedys, Coachwhips, Bass Drum of Death atom smashed together into something else entirely, something visceral and impactful.” -Robb Donker Curtius / American Pancake

“”Liquor Store Stories” is a single recently dropped by Nova Scotia-based band, Human Missile Crisis. Boasting an infectious energy equipped with melodic vocal flows and anthemic instrumental work, this is a powerful new tune that delivers a unique blend of styles. Elements of punk, garage rock, indie, and emo are all present here, and the band shines brightly by creatively blending all the influences into one full sound.” -Havoc Underground

“”Too Long” is a melody that will really provoke something powerful and luminous in you with its most violent and rhythmic rhythms, capable of awakening the monster that you keep inside of you, this band will shake you with this crazy song bathed in the best alternative sounds and aggressive sounds of punk fused with the darkness of a more balanced rock.” -End Sessions

“‘Too Long’ by Human Missile Crisis is an energetic, aggressive and dark punk and rock whose instruments provide an auditory explosion in the best of the senses, causing a piece of music full of rhythm to be manufactured. While listening to the song I couldn’t stop moving my head back and forth because of how catchy it is, it’s one of those songs that you fall in love with in a second. I loved the song from start to finish and I hope you do too.” -Javier Alfonso / La Caverna

“The album begins with “Do you Remember”, a song that has a powerful guitar in its intro and remains that way, but from the beginning you say this album is not going to stop, it is going to maintain that hard and aggressive rhythm, although They also have California punk songs like “The Spark”, and of course they also have songs like “Distant Memory”, with a slower rhythm, but with the same strength in the voice. This album really has 9 incredible tracks for those who like garage and punk, and also get into slam.” -Miguel Castillo/ La Caverna

“Opening the record is ‘Do You Remember’, a three-minute romp that must be powered by Jack Daniels because the vocals have that tinge of Lemmy about them. The track ebbs and flows for those 180 seconds but always comes back to the punchy punk-rock vibe that is at the core of Liquor Store Stories.” -Dan Hemming / Hard Beat Magazine

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