Category: EPKs

0 EPK – Immortal Guardian – Unite and Conquer (2023) (M-Theory Audio)

September 17, 2023
by Asher
· EPKs · Immortal Guardian (M-Theory Audio)

EPK – Immortal Guardian – Unite and Conquer (2023) (M-Theory Audio)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Release Dates: October 27th, 2023 on M-Theory Audio and WARD Records / December 1st on Massacre Records
Label: M-Theory Audio (NA) / Massacre Records (Europe) / WARD Records (Asia)
Distribution: M-Theory Audio – Worldwide, outside Europe and Asia

M-theoryaudio.com | Facebook.com/salemrosemusic | Instagram.com/mtheoryaudio | Twitter.com/MTheoryAudio

Immortalguardian.net | Facebook.com/igmetal | Instagram.com/immortal_guardian | Twitter.com/igmetal

Spotify | ImmortalGuardian.bandcamp.com

“A mega-catchy prog-power anthem (Read Between The Lines) mixed with a blend of crushing performances that’ll leave you salivating for more.” – Metal Injection

“Immortal Guardian are a band that are so technically proficient that it’s infuriating. Gabriel Guardian is, as usual, the star of Psychosomatic with his self-dueling guitar/keyboard work, but the shiny new rhythm section is right there with him. The album covers a lot of ground. It’s power metal at it’s core but some moments sound very Dethklok, while others have a bit of a Latin flare, and you’re also getting classical influences.” – Metal Injection

“Psychosomatic, an album that will likely be viewed as one of 2021’s best releases, and a landmark record for Immortal Guardian. ” – Metal Nation

““Psychosomatic” is a super catchy (Prog) Power Metal album” – Metalheads Forever Magazine

“With this album (Psychosomatic) Immortal Guardian should no longer be seen as a promising band. Not only have they shown that they have an enormous compositional quality and an elite technical level, they have also shown that they are a band that faces difficulties and that they have all the will to continue. Making a high-quality second album two years after their dazzling debut tells us about the enormous inner power these musicians have.” – Metal Rules

““QUARAN-TAAAAAYN!” No matter what you think about Immortal Guardian, it’s refreshing to hear a band that plays their style while confronting modern life. Though there’s a lot of big, epic, technical stuff going on on Psychosomatic, it never devolves into a lot of bullshit about chivalry and orcs. As such, they feel poised to be the inheritors of Nevermore’s throne, a gritty power metal band who feel relevant even as they soar. Get this in your brain.” – The Pit

“If you enjoyed Age of Revolution, you are bound to be thrilled by Psychosomatic. The band continues to up their game with technical thrills, but grounds it in some darker and personal songwriting that gives it a slight edge over their previous material. An easy pick-up for those in the power/prog section.” – Dead Rhetoric

Release Dates: October 27th, 2023 on M-Theory Audio and WARD Records / December 1st, 2023 on Massacre Records
Label: M-Theory Audio (NA) / Massacre Records (Europe) / WARD Records (Asia)
Distribution: M-Theory Audio – Worldwide, outside Europe and Asia

Track Listing:
1. Ozona (4:44)
2. Echoes (4:50)
3. Roots Run Deep (5:21)
4. Perfect Person (4:07)
5. Divided We Fall (6:17)
6. Lost in The Darkness (4:38)
7. Southern Rain (3:58)
8. Unite and Conquer (6:03)
9. Un Dia A La Vez (2:39)
10. Rise of the Phoenix (5:51)
Album Length: 48:28

Album Recording Credits:
• All songs performed by:
• Gabriel Guardian – Keyboard Guitars and Backing vocals
• Carlos Zema – Lead Vocal and Backing vocals
• Joshua Lopez – Bass Guitar
• Justin Piedimonte – Drums
• Special Featuring vocalist on Roots Run Deep: Ralf Scheepers (Primal Fear)
• Special Featuring vocalist on Lost in The Darkness: Vicky Psarakis (The Agonist)
All songs written by:
1 – Immortal Guardian – Ozona (4:44)
– Music: Guardiola
– Lyrics: Guardiola / Zema
2 – Immortal Guardian – Echoes (4:50)
– Music: Zema / Guardiola
– Lyrics: Zema
– 3 – Immortal Guardian – Roots Run Deep (5:21)
– Music: Rivera / Guardiola
– Lyrics: Rivera / Guardiola / Zema
4 – Immortal Guardian – Perfect Person (4:07)
– Music: Guardiola
– Lyrics: Guardiola / Zema
5 – Immortal Guardian – Divided We Fall (6:17)
– Music: Guardiola / Piedimonte
– Lyrics: Guardiola / Zema
6 – Immortal Guardian – Lost in The Darkness (4:38)
– Music: Guardiola
– Lyrics: Guardiola / Vicky Psarakis
7 – Immortal Guardian – Southern Rain (3:58)
– Music: Zema / Guardiola
– Lyrics: Zema
8 – Immortal Guardian – Unite and Conquer (6:03)
– Music: Guardiola
– Lyrics: Guardiola
9 – Immortal Guardian – Un Dia A La Vez (2:39)
– Music: Guardiola
– Lyrics: Guardiola
10 – Immortal Guardian – Rise of the Phoenix (5:51)
– Music: Guardiola
– Lyrics: Guardiola / Zema

• Produced By: Gabriel Guardian & Joshua Lopez
• Mixed And Mastered By: Joshua Lopez At Widowmaker Studios Engineered By: Joshua Lopez, Gabriel Guardian, Jesse Zito
• Cover Artwork: Masiha Fattahi
• Booklet Artwork: Jobert Mello – Www.Sledgehammergraphix.Com
• Widowmaker Studios – Mcallen, Tx Usa: Bass Tracking / Re-Amping / Editing By: Joshua Lopez
• IG Metal Studio – Las Vegas, Nv Usa: Guitars / Keyboards / Vocals – Tracking By: Gabriel Guardian
• Truesonix Studio – Montreal, Canada: Drum Tracking / Engineered And Edited By: Jesse Zito
• Editors:
– Joey Diaz At Widowmaker Studios In Mcallen, TX
– Alex Nasla At Gear Gods Studio In Los Angeles, CA
– Choir Vocals Arranged And Conducted By: Gabriel Guardian
• The Guardian Choir:
Rachel G – Mary Zimmer – Maya Cohen – Mason Fleet
Carlos Zema – Gabriel Guardian
• Special Guests:
– Vocal On “Lost In The Darkness” By: Vicky Psarakis (Former The Agonist)
– Vocal On “Roots Run Deep” By: Ralf Scheepers (Primal Fear, Avantasia)
• All Songs Written By: Immortal Guardian
© 2023 Immortal Guardian
• Administered By Riffs Of The Rose Music (BMI)

Album Band and Live Band Lineup:
Gabriel Guardian – Keyboard Guitars and Backing vocals
Carlos Zema – Lead Vocal
Joshua Lopez – Bass Guitar
Justin Piedimonte – Drums

====================================================================

About the Album Artwork:

In Every Immortal Guardian album, we follow a sort of pattern, representing the Immortal Guardian itself or herself, in the graphic of the cover of each album. In Super Metal – Edition Z, the Guardian was simply: represented by Space, seen through a glass IG-band-logo-shaped window. Revolution Part I, represented by the Heavens, in front of a peace flag, standing at half mast, mourning for the end of 2 worlds, by a sole survivor. Age of Revolution, the Guardian is the Mother of Time, foreseeing a future for mankind, where artificial tries to mimic humans. Psychosomatic, talks about the force that controlled our body and mind through the pandemic period, so it’s represented by a Guardian which possesses the power that controls the mind, she’s the main character in the middle. In Unite and Conquer, Immortal Guardian is represented by Mother Earth, which is in the very center, on the back, gathering the humans and non-humans, to finally conquer. Understanding each other’s spaces and differences, is a powerful reflection, on the challenges of our modern world, urging us to remember the simplicity of unity and peace before the chaos of division and conflict took hold.

About the album as a whole (LYRICALLY & MUSICALLY)

Lyrics: Unite and Conquer, lyrically approaches several different subjects that all have one thing in common, Understanding each other’s spaces and differences, as a powerful reflection, on the challenges of our modern world. Nowadays technology in a sense, separates us from human interaction and presence at the moment we live in. Within our realities, we created obstacles and divisions, but that also made us come to this realization. Urging us to remember the simplicity of unity and peace, before the chaos of division and conflict took hold. Bringing us to the times before the wars.

Music: We embarked on a fresh creative journey for U.A.C., introducing innovative elements into our writing process and overall musical style. While experimenting with new approaches that Immortal Guardian hadn’t explored before, we also preserved elements of our signature sound. The album is a true reflection of the tumultuous life experiences each of us was undergoing during its creation. This time we dove deep into the essence of those real-time emotions and experiences. We worked really hard on representing it in every riff, groove, and melody created in the album, very carefully written with the nuances of the lyrics and motion of emotions

Track by Track (LYRICALLY & MUSICALLY):

Immortal Guardian – Ozona:

Lyrics: A few years ago, while we were on the road, we broke down in the middle of nowhere in a little Texas town called Ozona. We had no way of getting home, and no money to resolve our problem. We just wished and wished we could get home somehow…. While we waited we decided to write a song about our experience because we knew that weren’t the only ones going through times like this. This song is for all the traveling souls just trying to find their way back home. 

Music: This song was written to have a very heavy vibe and with a big sing-along chorus! A cry out for a return to a place that can be called home. The music carries on with a build-up melody and dynamic, very groovy and heavy into a more aggressive chorus, climaxing into a singalong at the end of the chorus. The whole melody and instrumental was built around the theme and dynamic of the song that comes from the lyrics, to make much more sense with the theme of the specific parts of the song lyrically.

Immortal Guardian – Echoes:

Lyrics: For generations, humanity has longed for a truth. The right to unite what has been divided. We long to be free from all our differences, genders, colors, nationalities, religions, beliefs, and any other type of separation. This real freedom relies on our minds, to be free from all these fears, repressions, oppressions, and everything else that stops us from being united. In the name of this truth, our voice will echo endlessly – Freedom!

Music: This song was a small taste of the new territory that IMMORTAL GUARDIAN was exploring and having plans to take their sound to. Very fast and powerful riffs! Lots of speed and remarkable melodies, with a taste of European power metal. Although the song leads to a very heavy breakdown, intentionally made without missing the BPM. The goal was for the song to lead into a glorious ending with a huge sing-along. Immortal Guardian – Roots Run Deep:

Lyrics: Roots Run Deep takes us on a journey back to a time when we were all united before our differences and conflicts divided us. It reminds us that we all share a common history and that as a society we must learn to survive the separations and unite to conquer. With a message of hope, unity, and perseverance, ‘Roots Run Deep’ encourages us to make the world a better place. So let us embrace our shared history and let this song inspire us to make a positive change in the world. This is about the levels of today’s division. Black and white, religion vs. religion, left vs. right, rich and poor, war and peace, etc.

The world is so divided right now and what we want more than ever is unity. This song is about putting our differences aside and remembering that we are all humans just trying to survive. We all just want a happy life, and that would be more likely to happen if we all just agreed to disagree respect each other, and celebrate the things that make us all so different and unique.

Music: This song has been written with the intention of breaking the band’s patterns, the vocals already start with the lowest pitch vocal recording that Carlos has ever recorded. The instrumental comes in super fast and intricate, very heavy in arrangements and bombastic melodies that come close to a huge clash building up to the chorus, in which we built the melody to be the perfect fit for Ralf Scheepers, which is our special feature in this song.

Immortal Guardian – Perfect Person:

Lyrics: Gabriel grew up in a very religious Mexican family. It was a big part of their lives, especially every Sunday morning when they went to church. But one day, the pastor had a heart attack while in the middle of a sexual act cheating on his wife, and died right there in the church after-hours. It was absolutely bonkers and they remember it really stirred up the moral point-of-views in our tiny Texas town. They stopped going to church after that and really started questioning why they were there, to begin with. You see, some Christians had such a bad taste of the church that they left religion altogether and felt lied to and deceived, while others said the Christian thing to do would be to forgive him and move on and find another church. It was super interesting how they grew up and watched both sides of this play out. This made a very interesting topic to write about and it definitely fueled the spark for ‘Perfect Person.’

At the end of the day, it is about NOT over-idolizing and over-glorifying religious figures, politicians, celebrities, even musicians, and the like. We wonder if that pastor had just lived his life and died a non-religious man, nobody would have been bothered, but because everyone sought this man’s advice every week, got baptized by him, got married by him, and put his words and lifestyle on a pedestal, it made it that much more devastating. Everyone can pin a local ‘icon’ in their minds as a perfect figure that could do no wrong and preach endless golden words when in fact, he is just a mortal man with a mortal sin.

Music: Perfect person for being a very dark song in terms of theme and lyrics, we built this structure in a very different way than the rest of the songs in the album, the whole song carries out with very dark melodies until the chorus comes with a more upbeat melody delivering the final message of the song in a more uplifting fashion.

Immortal Guardian – Divided We Fall:

Lyrics: These lyrics reflect a thought-provoking and socially conscious perspective on the challenges of contemporary society. Especially the biggest of the problems we face as a society is the lack of interaction locked in our social media and phones. The song begins by highlighting how some of the most ambitious dreamers can emerge from impoverished backgrounds, questioning the true meaning of wealth without aspirations. It then delves into the ongoing racial tensions, suggesting that a more harmonious world, represented by the color gray, might be the key to saving lives. The lyrics also touch on the theme of self-identity and societal

divisions, emphasizing the paradox of connecting through screens while deepening the divide. The song calls for a change in mindset and the need to explore different paths and perspectives to address the existing conflicts, ultimately emphasizing the importance of unity in the face of divisive choices presented by those in power.

Music: This song is a completely different song compared to the rest of the album, it has a very modern approach with a very different up and down in dynamics, and very intricate melodies as the song has a very unique passage within a very ethereal atmosphere, flirting between heavy and melodic, this is the song of the album that represents the doom of the whole theme of the album, divided we fall, instead of unite and conquer. Musically it also does make sense in being the most different song in the album. Immortal Guardian – Lost in The Darkness

Lyrics: These lyrics touch a very delicate subject, it was written for people who lost somebody very important in their lives, but still have a very strong connection with them, they convey a sense of haunting and introspection, touching on themes of loneliness, lost opportunities, and the possibility of redemption. The main subjects of this song reflect on the persistent presence of a ghostly figure that seems to accompany them through life’s trials and tribulations. The lyrics suggest a yearning for connection and a desire to find the light in the darkness, emphasizing the potential for reconciliation and healing despite the broken dreams and painful memories. The repetition of “together lost in the darkness” reinforces the idea of shared struggles and the hope of reuniting and finding salvation.

Music: This song was built in a very different structure compared to the other songs in the album, with the special feature of Vicky Psarakis, who also contributed with her own lyrics and improvisations over the original vocal melody, created a beautiful duet with Zema and made it a majestic masterpiece with highly remarkable melodies, bringing a very emotional atmosphere to this piece. The songs is still very heavy, but definitely with the focus on the vocal melodies to deliver this overwhelming emotional feeling to the final result.

Immortal Guardian – Southern Rain

Lyrics: For several moments in our history, we have doubted the humane side of humanity. Now, this is the moment we arise to say: ENOUGH! No matter how hard things get, no matter how south things go, we will never back down. We will not race against the races. We will not stand as victims

anymore. We will unite and persevere against all the bullets that our families dodge every day. Together as one, we stand against the next bloodstain in our history, at all costs.

Music: This is the ballad of the album, definitely one of the power ballads that the band wrote that made a remarkable impact. Especially in being super diverse and dynamic. Originally written as an acoustic song, this track took a completely different shape and form when recorded. The result is a very melody and arrangement-rich song, with a very spacious vibe. Immortal Guardian – Unite and Conquer

Lyrics: These lyrics express a poignant commentary on the modern age’s challenges, where our emotions are dulled by the constant presence of screens and technology. The singer questions our current state, yearning for a return to simpler times when dreams and peace were paramount. The repeated call to go back to that idyllic era underscores the desire for unity and conquering divisions in a world marked by mistrust and conflict. The lyrics encourage us to reflect on the consequences of our digital age and long for a return to a more genuine, harmonious existence. Music: We definitely took a new direction trying new grooves and riffs, that we have never jammed before together. At the same time, after jamming dozens of times together, we learned that we have a signature sound

Immortal Guardian – Un Dia A La Vez

Lyrics: Un Dia A La Vez, reflects a powerful theme of inner conflict and the struggle for balance in life. Running from past conflicts, facing our inner demons, and ultimately seeking love and hope despite the challenges. The repeated chorus “dying to live, one day at a time” reinforces the idea of taking life one step at a time, overcoming doubts, and striving for a better future, but also living the present, and being more present. The inclusion of phrases in different languages adds a multicultural dimension, emphasizing the universal nature of these struggles and the shared desire for a brighter tomorrow. We had 4 of our native languages spoken in the band, English, Spanish, French, and Portuguese, but we’ll speak a little bit of Italian if you ask us to, as well…

Music: Because of how deep this subject is, this song was written and arranged in a very different way, we didn’t even jam it as a band, this is a piano piece written by Gabriel, that he built into a huge arrangement-rich track, full of different emotions and atmospheres. It was perfectly made to be in between Unite and Conquer and as a build-up to the Grand finale, the Rise of The Phoenix.

Immortal Guardian – Rise of the Phoenix

Lyrics: This is a heartwarming tribute to Gabriel’s mother, conveying her challenging upbringing and the resilience she embodies. These lyrics paint a vivid picture of a childhood marked by hardship and sacrifice, with a sense of isolation and struggle. Despite the adversities she faces, the lyrics carry a message of hope and transformation, likening her to a phoenix rising from the ashes. The chorus powerfully encapsulates her strength and determination to overcome, emphasizing her ability to soar higher and stronger, even in the face of adversity. Overall, these words beautifully capture the theme of resilience and triumph in the face of adversity, dedicated to his mother’s inspiring journey.

Music: This track is a massive build-up and when you think it has gotten to the maximum, it will still surprise you. Remarkable vocal melodies with a very heavy sound, orchestrations, and very low riffs fulfill a huge massive, and harmonic colossus. This song is very riff-heavy as well as one of the most beautiful guitar and keyboard themes in the album. We could not see a better song to close Unite and Conquer.

Power/Progressive Metal band IMMORTAL GUARDIAN has slowly been teasing their forthcoming album since the spring of 2022 releasing new songs digitally alongside some great music videos every few months. Fans of the band have enjoyed the development and creativity of the album’s content and evolvement into a concept and final work. ‘Unite and Conquer’ finally has a release date, Oct. 27th, and preorders launch today.

“We definitely took a new direction with our writing process and overall sound on the new album. We tried some new things Immortal Guardian has never done, but also kept a taste of our classic sound in the process,” explains guitarist/keyboardist Gabriel Guardian. “We were all going through some crazy experiences in our lives while making this album and I think it really reflects in the music. As we did during our ‘Psychosomatic’ album, we were writing these songs in real time as we lived through these major events in the world and in our personal lives.”

‘Unite and Conquer,’ like the hailed and successful 2021 ‘Psychosomatic’ was written and recorded by the band themselves with credit going to Gabriel Guardian and bassist Joshua Lopez, who also mixed the album at his Widowmaker Studios. They enlisted the help of artist/photographer Masiha Fattahi (Threshold) with further design work by Jobert Mello (Sabaton, Primal Fear, Acid Reign), as well as guest vocalists Ralf Scheepers (Primal Fear, Gamma Ray) and Vicky Psarakis (The Agonist) to create a stellar new album.

“For generations, humanity has longed for a truth. The right to unite what has been divided. We long to be free from all our differences, genders, colors, nationalities, religions, beliefs, and any other type of separation,” elaborates vocalist Carlos Zema. “This real freedom relies on our minds, in being free from all these fears, repressions, oppressions, and everything else that stops us from being united. In the name of this truth, our voice will echo endlessly – Freedom!”

“Immortal Guardian’s ‘Unite and Conquer,’ lyrically traverses a multifaceted emotional journey, from introspection and self-discovery that passionately calls for unity and change. The poetic verses entwine seamlessly with the captivating melodies, delivering a musical narrative that resonates with the listener on a profound level, leaving an indelible mark on the heart and soul. With a simple message — this is the time to Unite and Conquer.”

Always lyrically insightful and pushing musical boundaries, the latest from IMMORTAL GUARDIAN will please fans of progressive, power, and traditional metal with so much tasty playing and melodies. Evidence is already apparent in the five songs released to date, but there is still another half of the album ready to enjoy.

Pre-order ‘Unite and Conquer’ now on limited-edition vinyl –- the standard retail version (250 copies on insomnia red and black splatter) or the exclusive to band/label variant (100 copies on bone/black mix), as well as CD and Digital. https://lnk.to/immortalguardian

IMMORTAL GUARDIAN – founded by Gabriel Guardian, whose uncanny ability to play guitar and keyboard simultaneously has been showcased on MTV’s “Amazingness” and on his unique dual-instrument covers of classics by the likes of Iron Maiden, Pantera and Guns N’ Roses that have garnered hundreds of thousands of views on YouTube – began building their following through multiple self-released EPs before signing with M-Theory Audio. The band has also performed live alongside some of the biggest names in metal, including Judas Priest, Dragonforce, Kamelot, Symphony X, Sonata Arctica, Slayer, Marty Friedman, Metal Church, Soilwork, and Steve Vai, and in countries such as Brazil and Russia, and during high-profile performances at ESPN’s X Games, South By Southwest, Mad With Power Fest and Fun Fun Fun Fest.

Immortal Guardian:
Gabriel Guardian – Keyboard Guitars and Backing vocals
Carlos Zema – Lead Vocal
Joshua Lopez – Bass Guitar
Justin Piedimonte – Drums

0 EPK – Rebel Priest – War Horse (single) (2023)

September 15, 2023
by Asher
· EPKs · Music News · Rebel Priest

EPK – Rebel Priest – War Horse (single) (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Motörhead, ZZ Top, Rose Tattoo, Deep Purple, LA Guns

Single Title: War Horse
Release Date: September 15, 2023
Label: Thundermoose Entertainment
Distribution: Thundermoose Entertainment

“Hardened Steel Trash N’ Roll! This new single is our best yet and truest vision of what Trash n Roll really is, so with that said, I think anyone who didn’t get it before will be jumping on the bus for the ride. It’s gonna be the best song to light some new fires in “On the Fencers” and the new generation of rock n rollers. We want to tap into that adrenaline that is at the end of a shitty day or a shitty situation and this song is gonna be the wrecking ball to get you outta that funk and get those motors revving! ” – Rebel Priest

RebelPriestofficial.com | Facebook.com/rebelpriestofficial | Instagram.com/rebelpriestofficial | YouTube

Rebelpriest.bandcamp.com | Spotify | Apple Music

“Reminded me of the early Iron Maiden Days” – Metal-Temple

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords

“Great stuff for cracking open a cold one and blasting down the highway at an illegal rate of speed” – Rebelx

“Combination of AC/DC, Guns N Roses, and Motley Crüe would be how I describe them, with the added Motörhead to bring for flames to the fire on occasion” -The Razors Edge

“Pay attention to Rebel Priest’s rock n roll homily, because they preach rock n roll, you’ll be converted to their hard rock cult” – MetalTemple

“For fans of bands like Motley Crüe and the likes, Rebel Priest may be the right thing and if you are looking for dirty rock with beer loving lyrics for a night of drinking, you will find it at Rebel Priest” – Hellfire Magazine

“Rebel Priest stands for fast and hard rock n roll.” – Soundmagnet

“A blast of high-powered hard rocking energy” -Games, Brrrains & a Head-Banging Life

Rebel Priest ‘Whiskey & Wings’ Japan Tour 2023 w/ Barbarians
Oct 6 – Moon Step – Nakono, Tokyo
Oct 7 – Bar Kurostuki – Yokohoma, Kanagawa
Oct 8 – DOMe – Kashiwa, Chiba
Oct 9 – Kappunk – Shinjunku, Tokyo
Oct 12 – Mele – Namba, Osaka
Oct 13 – King Cobra – Shinsaibashi, Osaka
Oct 14 – Music Farm – Nagoya, Aichi
Oct 15 – Red Shoes – Minami-Aoyama, Tokyo

Single Title: War Horse
Release Date: Sept 15, 2023
Label: Thundermoose Entertainment
Distribution: Thundermoose Entertainment

Track Listing:
1. War Horse (3:56)

Single Recording Credits:
• Song written and performed by: Rebel Priest
• Produced and Mixed by: Rebel Priest
• Mastered by: Rene Garcia
• Single Artwork by: Jayme Black and Rimbaraw
• Member of SOCAN
• Canadian Content (MAPL)

Recording and Live Band Lineup:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

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About The Single:

This single is the first step into the true sounds of Trash n Roll, it’s a song that is full of teeth-gritting, fist-pounding primal aggression. It’s a statement without politics, it’s a feeling without emotions, it’s a way to move without moving. It’s the first taste of an amazing upcoming album.

War Horse was originally just an idea we had for a video we will never be able to afford hahaha. Our unnamed anti-hero is on a space bike cruising through the universe. It kind of embodies the idea of trash n roll in the sense that most folks don’t see vagabonds as equal people but we keep rolling, there’s always time for trash n roll! It’s our way of saying “fuck em” to everyone that doesn’t respect you or your path. If it’s you against the world, here’s the warhorse you can ride into battle!

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STORY ANGLES / FUN FACTS:

1. Benny has been practicing Muay Thai since the pandemic and trained in Thailand. Nate has watched 600 episodes of One Piece in one year. Jayme is an avid collector of comics, old Warhammer 40K, and vintage tales from the crypt memorabilia.

2. On a few different tours, I (Jayme) rolled under a moving semi-truck, Benny free falled out of a 40 ft tree hitting every branch on the way down, Nate broke his sticks and almost took out someone at front stage, Benny broke each of his knees on stage and finished the show. Once when we were on our way to play a show in Calgary, we got pulled over and when we got out, a bunch of whiskey bottles fell out and we convinced him that they were for candle holders.

Another time we were driving through the Rockies and we got caught in a forest fire, landslide, tropical storm(with cars and trees getting blown over), and finally almost totalled by a moose, all on the way home.

3. The band name came from a Tombstone of a Canadian Shaman, it’s said “*redacted* he was a Rebel, he was a priest, he was the storm, this will not stop him”

4. The band started out with stage attire that was Manowar meet iron fist era Motörhead, which we dropped early on because only one person a show would remember the outfit making it look like we were taking turns dressing up like a caveman.

5. One member is a successful jeweler

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!

The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue. Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), and Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).

In June 2022, they offered up a slab of new music in the shape of a new EP “Lesson In Love” via Batcave Records/Thundermoose Entertainment to follow their 2021 EP “Lost In Tokyo”. The EP “Lesson In Love” was four tracks that ready fans to hear the band’s NWOTHM influences along with their brand of slurry heavy Rock n Roll.

Now in 2023, the band is crossing the Pacific to tour Japan in October working on a new album still in the works for release in 2024 along with giving fans a taste of what’s to come with their single “War Horse” being dropped in September 2023.

Rebel Priest is recommended for fans of Guns n’ Roses, AC/DC and Motley Crue.

Rebel Priest is:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

Discography:
2015 – Rebel Priest(self-titled) – LP
2017 – Enabler – LP
2019 – R’lyeh Heavy – LP
2021 – Lost In Tokyo – EP
2022 – Lesson In Love – EP (Batcave Records)
2023 – War Horse (single)

TOUR AND FESTIVALS YOU HAVE PERFORMED ON.
2016 – La Chinga – Vancouver, BC
2017 – Lordi – Vancouver – BC
2018 – The Lazys – Vancouver, BC
2018 – Dirkschneider (Accept) – Vancouver, BC
2018 – Diamond Head – Vancouver, BC
2019 – Flotsam and Jetsam – Vancouver, BC
2019 – Hank Von Hell – Vancouver, BC
2019 – Subhumans – Tokyo, Japan
2019 – Kappunk Festival – Tokyo, Japan
2022 – Deadwolff – cross Canada tour
2023 – Turbofest – sechelt, BC
2023 – Fried Chicken Fest – Squamish, BC
2023 – Intersect Festival – High Prairie, AB
2023 – Hexvoid – Vancouver, BC
2023 – Kappunk Festival – Tokyo, Japan

Music Placements (Movies, Commercials)
2021 – Batwoman – season 2
2023 – Untitled Movie

0 EPK – Eshtadur – Umbra (2023) (single)

September 12, 2023
by Asher
· EPKs · Eshtadur

EPK – Eshtadur – Umbra (2023) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This is the purest and darkest song I’ve ever written, I am very honored for being able to add a real symphonic orchestra and arrange whole parts, but my favorite addition besides “Purhepecha” an ancient native language of America, is the participation of a very beautiful folk instrument, original from Colombia, the tiple.” – Jorg August – Eshtadur

Hypocrisy, Septicflesh, Behemoth, Dimmu Borgir, At The Gates, Arch Enemy

Single Title: Umbra
Release Date: September 5, 2023
Distribution: Blood Blast Distribution

Eshtadur.com | Facebook.com/EshtadurOfficial | Instagram.com/eshtadur | Twitter.com/eshtadur | YouTube.com

Eshtadur.bandcamp.com | Spotify.com

All Links: https://linktr.ee/Eshtadur

“Eshtadur have been one of my favorite melodic death metal bands for a while now. They’ve always had a unique sound, powerful vision and a driving death metal energy that has kept their sound exciting for years now. Their new single, “Cornered At The Earth,” is a perfect representation of what these Colombian death metallers have been concocting for years now. With stints touring with bands like Cradle Of Filth, Vader, and Abaddon, these guys clearly aren’t fucking around. Their upcoming record, Mother Gray, due out in May, is an absolute motherfucker of a release. In a world where metal seems to be increasingly intellectual and dorky, it’s somehow reassuring to have a song like this one that makes no aspersions about its At The Gates and Soilwork worship, blasting out of the gate and forcing us to choke on the bitter medicine that Eshtadur provide.” – Metal Injection (2017 – Mother Gray – Album)

[Download Single Artwork | Download Single Lyrics]

Single Title: Umbra
Release Date: September 5, 2023
Distribution: Blood Blast Distribution

Single Length: Umbra (6:22)

Single Credits:
– Song performed by Eshtadur
– Written by Jorg August
– Produced by Jorg August
– Mixed & mastered by Chris Clancy
– Artwork by Conceptual anonymous various artists and IA

Single Lineup:
– Guitars, bass, orchestral arrangement, tiple & vocals by Jorg August
– With Caldas Symphonyc Orchestra
– Drums by Michal lysejko
– Guitar Solo by Hubert Wiecek

Live Band Lineup:
– Jorg August (Guitars & Vocals)
– Andres Gonzalez (Bass)
– Johnatan Valderrama (Lead Guitars)
– David Lopez (Drums)

L-R Eshtadur Line Up: David Lopez (Drums), Johnatan Valderrama (Guitars), Jorg August (Guitars & Vocals), Andres Gonzalez (Bass)

Photo Credit by Jorge Muñoz

ESHTADUR was founded in the fall of 2005 by Jorg August releasing the ‘Timo Be Timo’ Demo with a sound in the vein of At The Gates, Dimmu Borgir, and Septicflesh. Since then, they have released a pair of EP’s and a strong four albums. ESHTADUR, meaning the rebellion of angels, can be most closely likened to bands such as Septic Flesh, Behemoth, Fleshgod Apocalypse, Carach Angren, and the like. Like their scene counterparts, the band embodies a deathly melodic atmosphere that reaches into realms of darkness and despair through the decay of humanity. It seeks to rebel, in its darkened way, embracing the abject reality.

Their rich touring history includes performances across Colombia, Peru, Mexico, Germany, Netherlands, Belgium, France, Poland, Czech Republic, Hungary and Slovakia. They have shared the stage and toured with Cradle of Filth, Vader, Graveworm, Sepultura, Aborted, and Decapitated in Rock Al Parque 2016.

Their 2017 release, via Bleeding Music Records, “Mother Gray” is an expression of planetary death and putrefaction. The scathing release saw the band touring 8 countries in Europe through 2018, and then visiting the United States for the first time for the “Gray America Tour” including Mexico. Now the band has signed the latest album “From The Abyss” with Blood Blast Distribution (by Nuclear Blast) and distributed physically by Hateworks (LA).

In 2022, the band toured supporting Batushka and Diabolical, this time visiting Romania, Bulgaria, Greece, Austria, Slovenia, Italy, France, Spain, Portugal, and Switzerland.

In 2023, Eshtadur played at the 70000tons of Metal being the only band from Colombia. Eshtadur is gathering mist forces to fill your soul on their next visit with darkened despair as they set to release their new single “Umbra’ in September 2023 via Blood Blast Distribution.

Discography:
2023 – Umbra – Single
2021 – From The Abyss – Album
2017 – Mother Gray – Album
2016 – Oblivion – EP
2014 – Burning Heart – Single
2013 – Stay Away From Evil – Album
2011 – Dominated by Dummies – Album
2007 – Rebellion of Angels – EP

Shared Stage with: Graveworm, Cradle of Filth, Vader, Batushka, Diabolical, Bleeding Utopia, Sepultura, Anvil

Tour and Festivals
2023 – US Tour w/ Summoner’s Circle
2023 – 70,000 Tons of Metal Cruise
2022 – European Tour with Batushka 17 shows 10 countries
2019 – Gray America tour headlining USA and Mexico
2018 – European tour headlining 13 shows 8 countries
2016 – Rock al parque Colombia

0 EPK – Hatred Reigns – Awaken The Ancients (2023)

August 31, 2023
by Asher
· EPKs · Hatred Reigns

EPK – Hatred Reigns – Awaken The Ancients (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Unleashing an infernal symphony of brutality and precision! Our music is a testament to the raw power and intricate craftsmanship that defines death metal. Each member has their own barrage of styles and influences which created the unique twist that is Hatred Reigns. Sonically, we’ve been told we sound like Origin, Suffocation, Hideous Divinity, and much more. The face-melting riffs and licks that Jeff brings to the table, along with Mitchi’s enigmatic vocals, pairs perfectly with the aggression and agility of Neil’s grinds and gravity blasts with Adam on the low end making heads pop. Combined with their untamed raw energy from their live performances creates a formula that’s going to shift tectonic plates.” – Hatred Reigns

For fans of Cryptopsy, Suffocation, Origin, Carcass, Behemoth

Band: Hatred Reigns
Album name: Awaken The Ancients
Release Date: December 1, 2023
Label: Self-Release
Distribution: Distrokid

Facebook.com/hatredreignsband | Instagram.com/hatredreigns | Youtube.com/@hatredreigns1027

Hatredreigns.bandcamp.com | Spotify

Digital Album https://distrokid.com/hyperfollow/hatredreigns/awaken-the-ancients

“Hatred Reigns’ Awaken the Ancients is Brutality in Sound and Theme… For those of you who can’t get enough of their brutal technical death metal thematically based on What Dreams May Come, Dante’s Inferno, Milton’s Paradise Lost, and love wallowing in the murky anguish of life’s darkness, take an audio gander at the stream of the album.” – Decibel Magazine

“this is a slab of high density, very technical death metal that fans will love” – Real Gone Rocks

“Hatred Reigns’ core death metal is sturdy, with bass guitar leads and overactive blast beats giving a technical spark to the album.” – Heavy Music HQ

“Fast, barebones, guttural death metal is what Hatred Reigns offer us here, and it’s bound to awaken the ancients indeed… If you’re into death metal at all, chances are good that you’ve heard this kind of no-frills death metal before, but in this crowded genre, Awaken the Ancients is certainly worth a listen. 4/5” – The Metal Crypt

“Hatred Reigns play to their strengths on this album opener (Awaken The Ancients), delivering speed and fury, but impressive agility as well as aggression. They unleash madness in the viciously sizzling and skittering riffage and ruthlessness in the bone-smashing hammer blows that segment the frenzies, and the monstrous guttural growls expel the words in barks that are almost as fast as the backing instrumentation. But the band also switch things up, slowing the tempo and injecting weirdly swirling arpeggios and then hitting the accelerator to bring forth an even more demented and delirious escapade, this time fronted by crazed screams and screeches as well as gritty growls, and propelled to further heights of lunacy by a fret-melter of a solo and bursts of maniacal drum battery. When the band decelerate again, the chords elevate it into an otherworldly realm, both menacing and haunting, and the band also layer in a little bass solo, a few humongous bass drops, and a hulking, lurching stomp. But of course they go back into the fast lane for one last burst of high-adrenaline barbarity as the song surges to the end.” – No Clean Singing

“‘Departing Archeon’, grabs me where I didn’t expect (You can see the video for this at the bottom of this page). This time the vocal and lyrics are instantly engaging… accessible and menacing ‘Welcome… We’ve been waiting for You…’ which somehow made me smile from ear to ear. And just wait for that main riff – it’s f**king perfection. Simple, brutal and so utterly worthy of a headbang. Looking over the release notes they compare their release to ‘Origin’, Suffocation, and Hideous Divinity, but I’m getting vibes of classic Thrash and Death Metal. Think early Sepultura, Gorefest and Carcass, especially with that DIY ethos those thrown in too. It enables them to keep their influences close to their heart and do exactly what they want to. Overall, it took me a few listens to the album to appreciate how good it is. It’s a complex album that doesn’t hide behind overly technical playing … it knows how to keep the riffs simple, crunchy and heavy… Incredible stuff.” – Music Trespass

““Awaken The Ancients” is a well-built album, since when you listen to it on several occasions it offers you some different contexts to the first listeners, this implies a material riddled with nuances housed in the most brutal, technical and precise Death Metal; kind like the parents of this move like Suffocation, also if you like Cryptopsy or Aborted. This is the line of these insane Canadians who make an album quite to consider for this and upcoming releases. ¡Attentive that this looks good!” – MetalFriends

Metal Injection: My favorite Technical Death Metal EPs released in 2018 – Realm I: Affliction – Hatred Reigns – Article By Austin Weber

“”Planes Divide” vividly reveals the band’s ability to join together murderous brutality and impressive technical fireworks.“ – No Clean Singing (2018 – Realm I: Affliction – EP)

“And once again Canada is the country chosen to make me enjoy with the most technical death metal, this time in a more brutal and devastating side, although perhaps less surprising but much more neck-breaking.” – Necromannce (2018 – Realm I: Affliction – EP)

“The high pitched screams send shivers down our spine and the crushing finale feels as though we are slowly being dragged down into hell.“ – Spirit Level Magazine (2018 – Realm I: Affliction – EP)

“Hatred Reigns alerts us to the arrival of another innovative, brutal and exciting death metal band from Canada” – Eternal Terror (2018 – Realm I: Affliction – EP)

Band: Hatred Reigns
Album name: Awaken The Ancients
Release Date: December 1, 2023
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Awaken The Ancients (5:20)
2. Pain Leads To Nothingness (3:16)
3. To Depths Unknown (2:40)
4. Obsolarium (2:36)
5. Ushered By Charon (5:23)
6. Planes Divide (3:47)
7. Absentia (4:58)
8. Departing Acheron (3:43)
Album Length: 31:20

Album Credits:
All songs performed by: Hatred Reigns
All music and lyrics written by: Hatred Reigns
Orchestration created by: Hatred Reigns
Recorded at DMS Studios (May 2021 – Apr 2022)
Engineered & Produced by: Hatred Reigns
Mixed & Master by: Mitchi Dimitriadis at Dark Moon Productions (Oct – Dec 2023)
Artwork by: Pedro “Lordigan” Sena
Layout by: Neil Grandy
Canadian Content MAPL
Album and Live Line up:
Mitchi Dimitriadis – Vocals
Jeff Calder – Guitars
Neil Grandy – Drums
Adam Semler – Bass & Vocals

========================================================================

About The Album Artwork:

Pedro “Lordigan” Sena was the designer of our album’s artwork. He created a masterful piece with countless aimless souls wandering and preparing to face judgment. In many ways, the cover art represents the 9th song of the album with its vibrant color palette and depth of detailed imagery. The cover really conveys the music composed for this epic conceptual album.

The album as a whole (LYRICALLY & MUSICALLY):

Embark on a Sonic Odyssey with “Awaken The Ancients”

Prepare to be transported on an unparalleled auditory journey with Hatred Reigns’ upcoming release, “Awaken The Ancients,” set to unleash its sonic might on December 1, 2023.

“Awaken The Ancients” is not just an album, it’s a conceptual epic that traverses uncharted realms of sound and emotion. The album’s narrative follows a protagonist grappling with oppressive forces, leading to a summoning of the ancients who rise to liberate the tormented from their prolonged suffering. Plunged into an endless abyss, the tormented emerge upon a desolate shore, surrounded by aimless souls.

In a quest for liberation, the damned are ferried across by Charon who must navigate treacherous planes, confronting challenges from demons above and lurking waters below. Their odyssey takes them across the enigmatic river Styx, lured by the ancients towards Necropia, where ultimate judgment awaits.

Track by track (LYRICALLY & MUSICALLY)

Track 01: Awaken The Ancients

In a world where the forces of power wield their influence over the masses and various factions rise in rebellion, a hidden force emerges. The Ancients, beings of age-old wisdom and insight, remain concealed yet vigilant, observing the turmoil that engulfs the populace. They are attuned to the potential futures that unfold, especially those of the tormented souls who question their destined path amidst the anguish.

Track 02: Pain Leads To Nothingness

Our central character succumbs to the overwhelming forces that surround them, departing from this existence in a blaze of spectacular finality. This dramatic exit is precisely as they had wished and planned.

Track 03: To Depths Unknown

“Frantically falling, flailing to and fro,” the protagonist is caught in a whirlwind of uncertainty, grappling with the unpredictable twists of their destiny. Their ultimate destination remains shrouded in mystery as they descend into the abyss of the unknown.

Track 04: Obsolarium

The protagonist turns inward, grappling with profound existential questions. They contemplate the nature of their current state: Should they hold onto the belief that even though their physical life has ended, their ultimate fate is still malleable, waiting to be defined?

Track 05: Ushered By Charon

Awakening to a surreal reality, the protagonist finds themselves in a desolate wasteland at the water’s edge. Surrounding them are countless lost souls, adrift and purposeless. A vessel emerges on the horizon, guided by a disheveled figure at its helm—Charon, the Ferrier of souls.

Track 06: Planes Divide

Undeterred by the dangers that lie beyond the shoreline, the protagonist pays the fare required to embark on a treacherous voyage across the waters. Unbeknownst to them, their journey will lead them through realms that are far more perilous than anticipated.

Track 07: Absentia

As the vessel ventures onward, the treacherous waters prove to be a metaphorical battleground. The Ancients, masters of manipulation, distort the perceptions of the voyagers. The protagonist’s senses are tampered with, blurring the lines between reality and illusion.

Track 08: Departing Acheron

Approaching the shores of Necropia, the realm of judgment, the vessel sails closer to its destination. The Ancients intensify their efforts to deceive and ensnare the voyagers. Their intention is to imprison these souls, subjecting them to a fate dictated by the Ancients themselves, just before they face their ultimate judgment.

====================================================================

Fun Facts – Story Angles:

1. Mitchi Dimitriadis engineered and produced the album which was essential to achieving Jeff Calder’s vision for this concept album.

2. Jeff Calder and Mitchi Dimitriadis developed the orchestration soundscapes heard on the album and during our live show infusing capture percussive sounds and spoken word elements with digital sound samples.

3. Hatred Reigns was the first band to mix and master their own album at Dark Moon Productions whereby Mitchi Dimitriadis was manning the equipment with the masterful assistance of Joe “Moon” Lyko.

4. Our guitarist Adam Semler has been apprenticing with Luther Charbonneau to learn the trade and is creating custom guitars for the members of his various projects.

5. Neil Grandy moderates the band’s visuals, as well as the editing and production of our videos.

6. Hatred Reigns takes pride in being a DIY band. Each member is a valuable asset to the group outside of their role of playing their instrument.

7. This album is the collective contribution of each member to make this release possible.

Stories behind the recording sessions:

1. During a break while tracking guitars, Mitchi accidentally dropped his lighter into a hot tub that had Scuba Jeff had to dive into action and retrieve it for him. KRRR Splash!

2. Jeff is absolutely infatuated with United Cutlery The Lord of the Rings and The Hobbit memorabilia and replica collectibles. As well as being passionate about Howard Shore’s thematic scores for Peter Jackson films which may have been infused into our music.

3. The album, like many others, faced a lot of adversities in the recording process which caused a very lengthy recording process. Some of these included: COVID lockdowns, people being sick with COVID, soldering of one instrument’s electronics to disrupt their tracking, click tracks plagued the process, and Planes Riff 3 proved to be the most challenging riff of the entire album, 2nd would be the diminished riff in Ancients for Jeff to execute to all band members satisfaction.

4. The final day of tracking guitar solos proved to be quite a powerful day, literally. While on a break, the skies turned dark gray and we were sure a storm was definitely looming. While tracking the last solo of the album, the lights kept flickering. We didn’t think much of it until Jeff’s daughter and dog tore down the stairs saying the storm was violent outside. Incredibly, we managed to track the last solo without the power going out. Finishing the session we went to inspect the damage and didn’t see anything significant out back, but upon leaving the house we discovered that the front tree had been blown over but fortunately towards the pathway. While driving Mitchi home, the city was like a wasteland, as sections of roads were closed due to downed trees and snapped power lines. Mother Nature was demonstrating her power for sure.

We were grateful to the Metal Gods in order to complete tracking the album during such treacherous moments.

It’s possible that the Ancients were looming, yet extreme metal prevailed!

L-R – Jeff Calder – Guitars, Adam Semler – Bass & Vocals, Neil Grandy – Drums, Mitchi Dimitriadis – Vocals

Unveiling Hatred Reigns: Forging a Path of Extreme Musical Mastery

Introducing Hatred Reigns, an uncompromising force hailing from the Ottawa Capital Region of Ontario. With an exceptional lineup comprising Mitchi Dimitriadis on vocals, Jeff Calder on guitars, Adam Semler on bass, and Neil Grandy on drums.

Prepare to be transported on an unparalleled auditory journey with Hatred Reigns’ upcoming release, “Awaken The Ancients,” set to unleash its sonic might on December 1st, 2023.

Embark on a Sonic Odyssey with “Awaken The Ancients”

“Awaken The Ancients” is not just an album; it’s a conceptual epic that traverses uncharted realms of sound and emotion. The album’s narrative follows a protagonist grappling with oppressive forces, leading to a summoning of the ancients who rise to liberate the tormented from their prolonged suffering. Plunged into an endless abyss, the tormented emerge upon a desolate shore, surrounded by aimless souls.

The Confluence of Masterful Musicians

Hatred Reigns is a union of accomplished musicians, each with an illustrious background. Drawing from other renowned bands such as ‘A Scar For the Wicked, Harvested, Deformatory, Thalassophobia, Insyte, Misshapen, MIM and Dichotic. The band’s collective expertise creates a sonic tapestry that seamlessly weaves old-school death metal with modern technical elements.

A Labor of Dedication and Passion

“Awaken The Ancients” stands as a testament to years of unwavering dedication and unyielding determination. The album’s thematic inspiration derives from an eclectic mix of films, literature, and the visceral experience of facing a spectacular demise. Divided into two realms, “Affliction” and “Affirmation,” the album offers a profound navigation of the protagonist’s perspectives and trials as they embark on their voyage to Necropia.

Album and Live Line up:
Mitchi Dimitriadis – Vocals
Jeff Calder – Guitars
Neil Grandy – Drums
Adam Semler – Bass & Vocals

Discography:
2023 – Awaken The Ancients – LP
2018 – Realm I: Affliction – EP

Shared Stage with:
Defeated Sanity, Stabbing, Cryptopsy, Aborted, Archspire, The Agonist, Bookakee, Gland, Misshappen, A Scar For The Wicked, Jesse Leach (Killswitch Engage)

Artist Endorsements: Charboneau Guitars

0 EPK – HYPERIA – The Serpent’s Cycle (2023)

August 31, 2023
by Asher
· EPKs · Hyperia

EPK – HYPERIA – The Serpent’s Cycle (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The Serpent’s Cycle marks a new era for Hyperia. This album has some of the most aggressive thrash metal we’ve ever written paired with lots of melodic vocal and guitar work. It consists of everything Hyperia stands for shred, speed, and intricacy.

We have pushed boundaries on our music and evolved our sound into what we consider the pinnacle so far of what we’ve created. We’ve taken the elements that we’ve used in the past and brought them out even more, while at the same time creating a seamless interaction between all elements to create a signature sound for the band.

I’ve never personally been more proud of an album and can’t wait to release it to the world!” – Colin Ryley – Hyperia

For fans of Exmortus, Municipal Waste, Havok, Lost Society, Children Of Bodom

Band: Hyperia
Album Title: The Serpent’s Cycle
Release Date: November 17, 2023
Label: Self-Release

Facebook.com/Hyperiabandofficial | Instagram.com/hyperiametal

Hyperiametal.bandcamp.com | Spotify | Apple Music

#12 Hyperia – July 2022 – Top 20 – Canadian College Radio Loud Charts – !earshot

https://earshot-online.com/charts/2022/July/loud.cfm

“Hyperia Make Bolder, Darker Thrashier Moves with New Album The Serpent’s Cycle” – Decibel Magazine

“Based in Vancouver, Hyperia’s third full-length, The Serpent’s Cycle, represents their most ambitious vision yet. Whether it’s the noodling prog of Prophet Of Deceit giving way to crossover thrash, the homage to Municipal Waste-style party headbangers on Automatic Thrash Machine or the tongue-in-cheek closer Crazy On You – originally by Heart – it’s impossible to pigeonhole them. Sounds Like: A high-octane power-thrash variety show with technical flair For Fans Of: Crisix, Exmortus, Havok” – Metal Hammer UK

“Ten original tracks of intense, metallic fury are delivered with crisp precision, swathed by Colin Ryley’s dextrous lead work and spearheaded by some savage, unrelenting vocals from Marlee Ryley.” – Power Play Magazine UK

“Titled the Serpent’s Cycle, the album finds the band blending seriously aggro-thrash with complex, fluid guitar work alongside lead singer’s Marlee Ryley’s growling vocals. A frequent fan fave across such taste-making press as Metal Hammer magazine, the band formed in 2018 and has continually upped its sound with each album release and developed a healthy body of cinematic narrative music videos to go along.” – The Vancouver Sun

“On Our Radar: Hyperia’s “Automatic Thrash Machine” a clinic in plugging in and kicking ass… First reaction? Holy. Fucking. Shit. There are few things that impress more at On Our Radar than a band that plugs in and then rocks the fuck out. It’s the closest thing one gets to standing in the pit of the Cobalt, Red Gate, or Santa Ana Denny’s without leaving the house… Sonically Hyperia is beyond crazy-tight here, all relentless ride-the-lightning guitar riffage from Skyler Mills and Colin Ryley, rolling-thunder bass and drums from Jon Power and Aaron Bell. Whisky-chugging vocalist Marlee Ryley comes off, awesomely, like someone who can’t decide who she loves more: Vancouver’s 3 Inches of Blood or Austin’s mighty Die Spitz. Strap in, and hang on. As our unemployed two friends correctly note at the video’s end, “Whooa. What a sweet party, eh?” Fucking A.” – The Georgia Straight (Vancouver, BC – Weekly)

“Consistently taking that next step in establishing their own brand of melodic thrash/death with progressive tendencies, Hyperia through The Serpent’s Cycle should continue to make a bigger footprint beyond Canadian borders into international acclaim and appeal. Bang thy heads, grab your favorite denim jacket or bullet belt/studded arm band attire and get ready to slam hard to these tracks – it will leave you battered and bruised the right way.” – Dead Rhetoric

“an album which is melodic, fast, and aggressive but never sacrifices any of its integrity to be en vogue. 8/10” – Metal Digest

“I would say if you are into thrash metal/death metal then this album will certainly meet your expectations, as well as providing lots of energy and flair, so there is no way you could rate these guys too low. I did enjoy them and look forward to hearing more from them, so check them out by all means.” – Metal Temple

“With The Serpent’s Cycle, Hyperia have almost reached the ultimate zenith of thrash metal mastery. They have succeeded in delivering a ferociously wicked metallic soundscape, that frequently pushes the needle into the red zone (and beyond), but also dares to experiment with the tried-and-tested formula – all while warranting the band and its listeners a license to party and have fun. A truly incomparable achievement! 9/10” – Shield Maidens of Metal

“Hyperia do everything right. The plate rocks tremendously, the neck vertebrae hurt and you can hardly get this stupid grin out to your face. Only good thrash can do that.” – Art Noir

“Without a doubt, we have a thrash highlight from an up-and-coming Canadian band. Where I have hope, they may soon land a big deal and very soon cause the boards to burst in our part of the world. At the end of the year, Hyperia managed to create a really sophisticated thrash hit that consistently puts the competition in their place. Respect! 9.6/10” – Zephyrs-Odem

“From the opening ‘Ego Trip’ bolt cutter to the tarantula-stricken ‘Spirit Bandit’ to the final, very tasteful HEART cover ‘Crazy On You’, the song eleven reveals to us all the reasons why we actually love Thrash Metal. With razor-sharp riffs, a successful amount of melody, a penchant for the old school and that certain something extra in the form of Marlee’s vocal performance, you should write HYPERIA behind your ears as a metalhead from the world, because if the Canadian, revamped five-piece in this quantity and Above all, quality continues, nothing stands in the way of promotion to the first thrash metal league. I’m excited.8.5/10” – PowerMetal.de

“It’s a real pleasure witnessing the evolution of Hyperia through the years, carving their names in the Canadian scene and becoming one of the driving forces of the current Thrash Metal environment, with The Serpent’s Cycle definitely taking the band to new heights. ” – The Headbanging Moose

“is an excellent third outing from the band, they’ve certainly ratcheted up the intensity, power, and the complexity from the first two releases… This thrashtastic effort is well worth a listen for any metal fan, it’s fast, technical, and rather ferocious.” – UK Thrashers

“Boredom never occurs on “ The Serpent’s Cycle ”… the disc places the highest demands on the neck muscles and condition and is likely to be a welcome food for fans of dark thrash.” – Hellfire Magazin

“The band sound absolutely blistering with the lead guitar work at a very impressive level while Marlee puts in her best vocal performance to date with unhinged screams and demonic snarls mixed in with some more melodic vocals which remain aggressive and full of that unbeatable thrash attitude. “The Serpent’s Cycle” is a great thrash record which retains its old school sound whilst incorporating a melodic sensibility without diluting the aggression. Definitely the strongest material the band have released to date and a big step up for the band. Another great thrash release in what has been a very strong year for the genre.” – Ever Metal

“Hyperia play thrash that is virtuoso, melodic but also extremely aggressive, tracks such as Prophet Of Deceit are full of twin axe harmonies, shifting guitar riffs and widdly solos, it’ll have you getting your air guitar out in no time, but with Spirit Bandit they have also made sure that your neck will ache for weeks. Hammering out three albums in four years is a pretty impressive feat, especially when you consider the quality of these tracks.” Musipedia of Metal

“Hyperia are on The Serpent’s Cycle much more aggressive than in their last works and this time cannot be guided by any concept, but simply start playing. This makes the band look even more authentic and grown musically, which is not least due to the hammer voice of Marlee Ryley. 8.5 / 10” – Soundmagnet Magazin

“There’s no doubting the ability of the band, with the guitar work at times simply mind-blowing… “The Serpent’s Cycle” contains plenty to enjoy… if fast and furious is your bag, this is an album that you should spend some time with when it is released.” – Female Fronted Power

“It strikes me that this band is capable of providing so much variety as well as class, there is a lot to be interested in. So I would say if you are into thrash metal/death metal then this album will certainly meet your expectations, as well as providing lots of energy and flair, so there is no way you could rate these guys too low. I did enjoy them and look forward to hearing more from them, so check them out by all means.” – Metal Temple

“A consistent piece of work, that thrashes, bites and grabs your attention with power, hardness and a melodic under current. If you like hard hitting melodic thrash, then ‘ The Serpent’s Cycle ‘ is one to look out for. All through this record there are precise rhythm and lead guitars, hammering drums, the bass rumbling along in all the right places. The musicianship is excellent and Marlee Ryley’s vocals are brutal. The production is clear, the guitars are up front, maybe I would personally like clearer vocals, but maybe hard to have good intonation when screaming and growling. Having listened to this album more than a few times now, it is definitely a grower, these four are tight, the serpents cycle only gets better with every listen .” – The Metal Pit

“devilish energy and almost limitless power, playful skills, the outstanding performance of Fronterin Marlee Ryley, creative, improved songwriting as well as a threatening sound world of aggression and madness!” – Obliveon

“Nothing seems to be able to stop these wild and unbridled Metal maniacs, and I believe that the live campaign to follow is going to be a real butchery.” – MetalNews.fr

“HYPERIA really hit their stride with the track “Prophet of Deceit” , where the shredding guitar work is at its best. Other top tracks are “Spirit Bandit”, “Surge” and “Deathbringer”… “The Serpent’s Cycle” works pretty well as combination of classic and modern thrash metal.” – Wormwood Chronicles

“on The Serpent’s Cycle, HYPERIA play their strengths fully and create an album that definitely deserves a place on the shelf of every Thrash / Death Metal fan. Conclusion: With The Serpent’s Cycle, HYPERIA official lumberjacking is practiced in the Canadian thrash forest.” – MetalUnderground.at

“The quintet absolutely depends on the shredding and the speed, but the songs are complex. There are various rhythm changes in each song and the musicians use the complete spectrum of their skills to get variety despite the high basic pace. The song structure was quite successful, as with „ Automatic Thrash Machine “, where the drumming accents after the successful solo. The classic quote at „ Prophet Of Deceit “ is really original – there Bach’s Toccata is rooted in D minor, by far the most famous organ work by the virtuoso musician. However, „ Spirit Bandit “ is particularly intense, where the band changes from the absolute stick and vocals to the melodic thrash with clean vocals. The following „ Eye For An Eye “ is also intense and includes a technically demanding solo. The regular conclusion „ Deathbringer “ is really nasty again. After the band on the last album with their ABBA cover for „ Gimme Gimme Gimme “ have proven that they not only hear and live thrash all day, this time HEART´s „ Crazy On You “ is rooted – which loosens the album pleasantly and puts a great contrast…. The North Americans have succeeded in a varied melodic Thrash Metal album, which reflects the madness of the world with its speed, high musical standard and complexity. 12/15” – MyRevelations.de

[Download Album Cover | Download Album Lyrics]

Band: Hyperia
Album Title: The Serpent’s Cycle
Release Date: November 17, 2023
Label: Self-Release

Track Listing:
1. Ego Trip (4:41)
2. Automatic Thrash Machine (4:02)
3. Prophet of Deceit (4:16)
4. Psychosomatic (4:29)
5. The Serpent’s Cycle (5:04)
6. Trapped in Time (3:58)
7. Spirit Bandit (4:04)
8. Eye for an Eye ( 4:47)
9. Binge & Surge (3:44)
10. Deathbringer (5:31)
11. Crazy On You [Heart Cover] (5:03)
Album Length: 49:41

Album Credits:
– All songs performed by: Hyperia
– All songs written by: Colin Ryley, except Trapped in Time co-written with David Kupisz
– All lyrics by: Marlee Ryley
– Mixed by: Colin Ryley
– Mastered by: Mika Jussila
– Member of SOCAN
– Canadian Content MAPL

Album Recording Line Up:
Marlee Ryley – Vocals
Colin Ryley – Guitars
Jon Power – Bass
Ryan Idris – Drums

Hyperia Official Lineup:
Marlee Ryley – Vocals
Colin Ryley – Guitar
Jon Power – Bass
Skyler Mills – Guitar
Aaron Bell – Drums

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About The Album Artwork

The album artwork was created by our close friend Caitlin Delaplace. It portrays a shadow figure in a yellow apocalyptic, cloudy snake pit. In front of the figure is an Ouroboros, a symbol of a snake devouring its own tail representing the eternal cycle of death and rebirth. At the top is a snake’s eye in the form of a moon.

About Th Album as a whole (LYRICALLY & MUSICALLY)

This is the first album we’ve released that isn’t much of a concept album like our first 2. There are still underlying themes that recur throughout the record, but the album isn’t focused around it nearly as much as the previous releases. This album deals with different lyrical ideas such as the human condition, philosophy, psychology, partying, and much more.

Musically this album is insanely aggressive, technical, and fast. We have some of the fastest songs we’ve ever written on this album and during recording, we were all definitely pushed to, and sometimes past, our limits. In the end it all came together and I think everyone is very proud of the work they put into it.

Track By Track (LYRICALLY & MUSICALLY)

Ego Trip – This song starts off the album with a haunting clean intro and then explodes into heavy-hitting chaos. It sets the tone for the whole album, bringing lots of aggression while allowing space for melody to shine through as well. Super fast double kicks and heavy chugging are also prevalent throughout the track. Lyrics are regarding how the ego gets in the way of finding out the truth.

Automatic Thrash Machine – A tongue-in-cheek nod to our favourite party thrash songs, this is a track that shows the fun side of the band. It is also accompanied by a keg-fueled party music video that shows people what to expect when they see the band live.

Prophet Of Deceit – This track brings us back into a serious mood, starting off with blistering guitar into a full-force attack of drums. The working title for this song was “Shredlord Supreme”, which should give you an idea of what to expect. This song is about the problems we have with certain members of society and gaslighting.

Psychosomatic – This song might have one of the most complex structures of any song we’ve written. There’s lots of progression throughout, laced with a bouncy chorus and an intricate neo-classical C-Section – This song was written with the intent to express how the medical system does not take patients seriously.

The Serpent’s Cycle – This was one of the first tracks we completed and have played it at a number of shows across western Canada. It’s your typical Hyperia song, fast, thrashy, and heavy. It’s pretty balls to the wall and then releases at the chorus with a catchy melody. The title track of the album is about how we live the same life over and over again but sometimes we make a different choice which creates a new dimension.

Trapped In Time – Trapped In Time has a fairly straightforward song structure and has some pretty old-school thrash elements throughout it. It’s also the only song with pretty much all cleaner vocals and leans towards 80s heavy metal at some parts. The main character in this song gets trapped in time trying to redo their life choices.

Spirit Bandit – This song starts out with a cool classical melody that came from a random warm-up Colin used to play. It also includes the fastest vocals we’ve ever written. It’s super fast and just when you think it’s about to give up you get pounded with the next section. This song is about a narcissist that wreaks havoc wherever they go.

Eye for an Eye – This is hands-down the heaviest song we’ve ever written. The song starts with a slow death metal riff and continues its pace until the C-Section where a bass lead brings us into a more typical Hyperia riff. The antagonist of this story is being haunted by the ghost that they killed and the ghost is seeking revenge.

Binge & Surge – What’s a thrash metal album without at least 2 party songs? Binge & Surge is another insanely fast song about drinking and thrashing.

Deathbringer – Another unusual song from the band, this song has very strong black metal influences throughout. Lyrically it revolves around Maha Kali, a Hindu goddess of death and destruction.

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Story Angles – Fun Facts About The Band:

1. Singer Marlee Ryley and Guitarist Colin Ryley are married. They started the band in 2018 after returning from a 13-month honeymoon in Europe and Asia

2. This album features Ryan Idris on drums who is the touring drummer for Heathen.

3. Every Hyperia release has been almost fully produced, recorded, and mixed by guitarist Colin Ryley, whose main job outside of the band is Sound Design and Composing for TV Series and Films.

4. Hyperia moved from Calgary, AB to Vancouver, BC during Covid to reach a wider audience with their band, along with other personal reasons.

5. Much of the lyrical themes in Hyperia’s songs revolve around the psychological and mental illnesses that Marlee Ryley has experienced.

L- R – Skyler Mills – Guitar, Colin Ryley – Guitars, Marlee Ryley – Vocals, Aaron Bell – Drums, Jon Power – Bass

Photo Credit – Shimon Photography

HYPERIA is a Melodic Thrash Metal band known for their wailing vocals, shredding guitars, and fast, heavy drums. The band was formed in 2018 by husband-wife duo Colin and Marlee Ryley. HYPERIA combines elements of aggressive thrash with intricate guitar melodies alongside a wide variety of vocal styles.

In January 2020, HYPERIA released their debut full-length album “INSANITORIUM”. The band celebrated their release at a 300-person sold-out show in their original hometown of Calgary, Canada.

In 2022, HYPERIA released their sophomore album “SILHOUETTES OF HORROR”, which received rave reviews from both critics and fans alike. The album put the band on the list of Metal Hammer’s Top 10 Albums of 2022.

In June 2023, recording of their third album commenced which is scheduled to be released in November this year. HYPERIA has had the honour of sharing the stage with bands such as Soulfly, Toxic Holocaust, Omnium Gatherum, Exmortus, Paladin, and many more.

Hyperia Official Lineup:
Marlee Ryley – Vocals
Colin Ryley – Guitar
Jon Power – Bass
Skyler Mills – Guitar
Aaron Bell – Drums

Discography:
2023 – The Serpent’s Cycle – LP
2022 – Silhouettes Of Horror – LP
2020 – Insanitorium – LP
2019 – Fish Creek Frenzy – EP

Tour and Festivals:
2023 – Cosmic Horror Tour – Western Canada
2023 – Hyperspace Metal Festival – Vancouver, BC
2023 – New Year’s Winterfest – Vancouver, BC
2022 – Loud As Hell Festival – Drumheller, AB
2022 – Armstrong Metal Festival – Armstrong, BC

What the press said about Hyperia’s 2022 Album – Silhouettes Of Horror:

“If you prefer your metal loud, dark and just a touch campy (and who doesn’t?), then Calgary-turned-Vancouver rockers Hyperia are planning to deliver with Silhouettes of Horror, the follow-up to 2020’s equally furious and equally fun Insanitorium. First single “Operation Midnight” is an unrelenting barrage of riffage held down by Marlee Ryley’s throat-blistering vocals.” – Exclaim! – One of Exclaim!’s most anticipated albums of 2022

“With their second album Silhouettes Of Horror, Canadian thrashers Hyperia doubled down on the most ferocious elements of their sound to achieve a sound that owed more than a passing nod to Tetonic thrashers Kreator or Destruction. The fact vocalist Marlee Ryley can deliver blackened snarls with as much gusto as trad-metal histrionics helped them stand out from the crowd, firmly establishing Hyperia as promising up-and-comers in the wide world of thrash. RH” – Metal Hammer – The top 10 best thrash metal albums of 2022

“Recent Calgary-to-Vancouver transplants Hyperia are all about thrashing in a style inherent to ’80s basketball shoes, shredded denim, battle jackets and those studded gauntlets that may look cool, but are likely more responsible for forearm rashes than being a gateway to one-night stands. Imagine classic Megadeth, “Toxic Waltz”-era Exodus, Annihilator and Anthrax alongside Exmortus, Havok, Warbringer, Violator, Crisix and others with a new-school take on an old-school sound.” – Decibel Mag

“Energetic, melodic, fast, psychotic, and dynamic are just some of the elements that make Silhouettes of Horror an album that old and new fans of thrash, NWoBHM, and power metal will appreciate. The band even included a cover homage of Abba’s Gimme Gimme Gimme.” – Sentinel Daily

“All in all, Silhouettes of Horror gave me what I want for from a modern melodic thrash album. It’s fun, it doesn’t take itself too seriously, and it’s got cool stories to tell.” – Angry Metal Guy

“You can tell these musicians study at the foot of many legendary bands for influence – combining the intensity of Slayer, Exodus, and Death Angel with the innovative musicianship of Children of Bodom, occasionally allowing the bass play of Scott DeGruyter to garner a spotlight for “Experiment 77”. Session drummer Gord Alexander pummels his kit with controlled abandon, executing fine double kick/snare sequences that drive “Prisoner of the Mind” to swinging hair windmill tendencies, while throwing down standard thrash power principles for “Operation Midnight”. Beyond killer titles like “Hypnagogia” and “Pleonexia”, the icing on top of an already enticing package lies with the fierce clean to extreme growl/scream delivery from Marlee Ryley. Venomous and slithering, you never know when she will melt paint off the walls only to hit solid melodies from her soul.8.5/10” – Dead Rhetoric

“This is one of the most exciting thrash albums I have heard in a fair few years. Hyperia have absolutely smashed it delivering an album that just keeps giving insane quality, track after track. Silhouettes of Horror is a special album and one that is so relentless, so energetic and enthusiastic that I felt out of breath just listening to it. Amazing. Do yourself a favour an make sure you grab a preorder of this excellent release from Hyperia on Bandcamp. 9/10” – Games, Brrraaains & A Head-Banging Life

“Closing things out with an addictive-to-listen Abba cover, Hyperia ultimately showcase that while they’re here to bring all the notions of devastation and velocity to your current surroundings, they never forgot you need to have a little fun from time to time.” – The Razor’s Edge

“I have a long-running theory that any style of music can be immediately improved by making it just a little bit spookier, and Hyperia is the proof that it works for thrash. Regular thrash is all well and good, but add some spooky-ass melodies in there and it becomes instant Spear bait. The strings players are all on their A-game here, and there’s an inordinate amount of cool shit happening on the drums with regards to thrash, but the vocals are what hooked me off the bat. Marlee Ryley has a raw wail and a vicious scream that both play into this particular style extremely well, and it makes the whole package super enticing.” – Toilet ov Hell – Top Albums Ov 2022

“Silhouettes of Horror dropped early this year and quickly became one of my go-to albums for whenever I wasn’t sure what to put on. It’s an album that feels quintessentially “metal” to me, bearing all the traits that got me into the genre in the first place, distilled to their purest form and injected in perfectly measured doses. It’s riffs on riffs on riffs with tons of flashy shreds, a driving rhythm section, and some wild vocals. You’ve also got to respect them for being one of the only bands out there to put out a metal cover of a pop song that actually fucking rules.” – Tolet ov Hell

“It’s a vile concoction, but it bloody works. From the outset, introductory trio “Hypnagogia,” “Intoxication Therapy,” and “Experiment 77” righteously capture and highlight Hyperia‘s raison d’être: to regale us in tales of mental degradation, escapism by way of fermented imbibements, and inhumane clinical experiments. These three cuts slice and dice in quick, surgical slashes that will leave most listeners bleeding heavily and begging for more mauling. Thankfully, Hyperia had only onslaught in mind, as closing trio “Silhouettes of Horror,” “Operation Midnight” and “Pleonexia” close out the main story with a tempest of scalpels and scotch, infusing every moment of their horror-oriented exhibits with relentless fun and unhinged performances across the board. Even the cover of ABBA‘s “Gimme Gimme Gimme” that the band pinned to the tail of the record wins, thanks to faithful reproduction of that song’s big hook and an enthusiastic vocal delivery.” – Angry Metal Guy

“this album is the perfect blend of terror and thrash that blends well to create something uniquely familiar. It hits all the musical notes you’re after, while still indulging in a few out of this world solos and combos that are to die for. Favourite Tracks: Experiment 77, Silhouettes of Horror” – Metal Goddesses

“Classic metal / thrash / prog-ish metal, big voices, harsh thrashy stuff… great stuff!!” – The Mosh Pit 89.9FM (Madison, WI)

“this is neck-wrenchingly good riffage delivered through a neat production as tracks such as ‘Experiment 77’, ‘Terror Serum’ and ‘Operation Midnight’ show a band in full throttle having all the hallmarks of Havok and Warbringer and Exodus. Yet, there is so much more here than just another thrash album, the melodic death touches bring in elements of Arch Enemy whilst the virtuoso guitaring and powerful is a call to arms for Exmortus fans. However, what stands tall here are the banshee vocals of Marlee Ryley who brings all the energy of Noora Louhimo as well as fellow Canadian Brittney Slayes from Unleash the Archers.” – Metal Digest

“this 50-minute exercise in thrash really needs to be heard because this is some serious pummeling…. Silhouettes Of Horror is a rollicking opus and showcases the progression of the band. The stories contained herein are as thought-provoking as the musicianship, which literally strips the flesh.” – Metal Forces Magazine

“No question, the Canadians know exactly what they want and like each of the eleven tracks. The 50 minutes of playing time fly by without boredom” – Saitenkult

“HYPERIA have grit, they have fire and they have passion that you cannot buy. Their music is ferocious, at times wild to the point of anarchic but “Silhouettes Of Horror” is an album well worth checking out, especially if you like your female vocals with guts and your thrash with a dirty death metal undercurrent.” – Female Fronted Power

“She’s (vocalist Marlee Ryley) got quite the powerful screams that’ll rip your ears off at times… Overall the album is heavy and fast and packs a lot of punch…” The Metal Crypt

“Do you believe in government experiments and conspiracy theories? Are you a diehard fan of first-class Thrash Metal? If your answer is yes to one or both of these questions, then Hyperia have exactly what’s needed to put a huge smile on your face while you raise your horns to the demented music found in their excellent new album, leaving us all eager for more of their wicked creations in the nearby future. Best moments of the album: Intoxication Therapy, Experiment 77, Whitecoat and Operation Midnight.” – The Headbanging Moose

“Silhouettes of Horror offers an extreme range of musical strength, to which all musicians contribute their full strength. Vocals in the perfect alternation between growling and clean vocals complement the experimental solos and riffs to an hour of music that entertains the listener very well and leaves them with neck pain. Whopping 9 / 10” – Soundmagnet.eu

“I’m still amazed when discovering such a powerful band… the band is bringing us a very good album to set on top of the Thrash Metal pile to listen to every day.10/10” – The Metal Mag

“Silhouettes Of Horror is so damn good for me. For once no cheerful party thrash, but an old school dark, heavy album brimming with classic ingredients, each convincing for itself, and together they form a beautiful sum. As far as I’m concerned, Hyperia has done a great job” – Wings of Death

“There is a thrill, there is energy, there is a claw, and there is no shortage of interesting melodies or riffs. The album is aimed at those who long for real heavy metal power… This album is destructive and will be remembered for a long time. Hyperia has released a really thoughtful and refined album that will unite fans of heavy metal and thrash metal.” – Power Metal Warrior

“At the crossroads of thrash and death, Hyperia offers a solid album with “Silhouettes Of Horror”. The band shows great qualities and has the weapons to break through in the middle of the pack of young wolves who are candidates to take over from the old ones.” – Music Waves

0 EPK – Massive Scar Era – Metal Goes Egyptian (2023)

August 25, 2023
by Asher
· EPKs · Massive Scar Era

EPK – Massive Scar Era – Metal Goes Egyptian (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This EP possesses a distinct nature due to its special concept. It is particularly appealing to metal enthusiasts who appreciate a diverse range of folkloric influences. Fans who enjoy the fusion of metal and various folk elements will find great enjoyment in this EP. (I think maybe Myrath would the closer to this sound although the instrumentation and tuning are different they would be the closest). I want them to feel the intensity and energy of metal while being embraced by the melodic beauty and cultural nuances of traditional Egyptian Arabic music. It’s an opportunity for them to embark on a musical journey that transcends boundaries and creates a unique fusion of genres. I hope that this blend of musical elements will ignite their imagination, evoke emotions, and leave them with an experience that lingers long after the music stops.” – Cherine Amr – Massive Scar Era

Band: Massive Scar Era
EP Title: Metal Goes Egyptian
Release Date: November 3, 2023
Label: Self-Release

Facebook.com/massivescarera | Instagram.com/massivescarera |

Massivescarera.bandcamp.com | Spotify | Apple Music

“Steeped in Metal, but bridging the gap to Egyptian music, Massive Scar Era is a Metal band you need to know about in 2023. The brainchild of visionary artist Cherine Amr, their new EP Metal Goes Egyptian, the seventh release in her career, is coming out in November. Not only does the band creative a ground-breaking mix of Metal and world music, Cherine had to flee her country where “the devil’s music” is forbidden to create, let alone defying gender norms that could lead to punishment, or worse. With its unique fusion of Prog Rock, post-Grunge, Egyptian music, and Heavy Metal, the group just released a new single “Between Waves!”” – Ghost Cult Magazine

” When you’re a metal act, you either go big or you go home, and going big is what Massive Scar Era does extremely well. Today, the metal ensemble unveiled the video for their new single, “Oblivious,” off of their Metal Goes Egyptian EP. As an in-studio performance video, it’s simple but effective. It’s particularly effective due to the level of precision with which the band plays. Then you add in the orchestral elements, and you have essentially what amounts to a symphony. Beyond band founder and leader Cherine Amr, there are many minds and parties at play to bring this vision to life. Amr collaborates closely with musicians, producers, and video creators. Her goal is to combine heavy metal’s power with traditional Arabic music’s beauty and charisma. You’ll hear it all come together in perfect harmony upon Metal Goes Egyptian’s official release on November 3rd.” – V13

“As the title indicates, it’s metal with a middle eastern tone and style… mostly melodic death with clean and harsh vox.” – The Moshpit – WORT 89.9 FM (Madison, WI)

“the Egyptian-Western music cocktail has an almost hypnotic effect” – PowerMetal.de

“Through “Metal Goes Egypt”, their new EP, Canadian band Massive Scar Era invites open-minded heavy music fans to embark on a musical journey that transcends borders and creates a unique fusion of metal energy and the melodic beauty and cultural nuances of traditional Egyptian Arabic music.” – YoZone.fr

Band: Massive Scar Era
EP Title: Metal Goes Egyptian
Release Date: November 3, 2023
Label: Self-Release

Track Listing:
1. Between Waves – 3:22
2. 30 Years – 4:43
3. Oblivious – 3:46
4. Back to the Sun – 3:41
5. Color Blind – 3:14
6. Endorphins – 2:37
EP Length: 21:26

Credits:
All songs performed by: Violins: Kristin Molnar, Zoé Dumais, and Rasha Masalkhi
Viola: Omar Abou Afach
Oud: Mohamed Masmoudi
Qanun: Nizar Tabcharani
Percussions: Phyras Haddad, and Bertil Schulrabe
Drums: Julia Geaman
Bass: Etienne Tremblay
Songwriting, Vocals, Guitar: Cherine Amr
Arabic Music Arranger: Weka Soliman
Music Copyist: Hugo Mayrand
Sound Technicians: Jacob Lacroix-Cardinal, and Nicolas Pétrowski
Music Producer, mix and master: Etienne Tremblay (La Machine à Mixer)
Recorded by Nicolas Pétrowski and Etienne Tremblay (La Machine à Mixer) at Studio Mixart, Montreal, QC,
• All songs written by: Cherine Amr
• Produced by: Etienne Tremblay
• Mixed by: Etienne Tremblay
• Mastered by: Etienne Tremblay
• Album Artwork by: Biggg Rock Films

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The album as a whole (LYRICALLY & MUSICALLY):

Metal Goes Egyptian is an EP and in-studio video sessions recorded and filmed with a traditional Egyptian Arabic music orchestra in Studio Mix Art in Montreal, QC. It consists of 6 songs: 2 brand- new and a rearrangement of 4 previously released songs.

Arabic music is typically known for its monophonic nature, emphasizing melodic lines. On the other hand, metal music frequently employs the riffing technique, where chords may provide little information about the melody. This compatibility is why metal is one of the most adaptable genres for incorporating Arabic arrangements without significantly altering the core composition.

In this project, Weka, the arranger of Arabic music, played a significant role in selecting the songs that would best suit to incorporate Arabic arrangement. Our collaborative process facilitated smooth decision-making through ongoing discussions and exchanges of ideas.

We selected songs with Egyptian-flavored vocal ornaments, and these naturally facilitated the harmonious integration of the Arabic arrangement. The intention was to avoid forcibly converting metal music into Egyptian music while ensuring the song’s foundational heaviness remained intact.

Track By Track explained:

1. Between Waves

Between the Waves was the first song that we worked on. It’s one of the oldest songs for MSE that wasn’t released digitally. In this song’s intro, a heavy riff is playing in the background, consisting of just two notes. Weka was free to incorporate the Hijaz scale without constraints, and he used maqam kord as a secondary “gens, ” a modern approach to this maqam. That’s how the song began. As the song progresses, it transitions into a new section with modulation on the G note, leading into maqam Rust. Finally, the ending of the intro (“Taslim” in Arabic) concludes with a return to the Hijaz scale, creating a glamorous ending.

I wrote this song when I was very young. It was even before I moved to Cairo in 2009. I was still in the process of discovering myself as a person before a lyricist and a songwriter. While I don’t resonate with the lyrics anymore, singing this song again reminded me of an entire lifetime.

2. 30 Years
This is a rearrangement of a previously released song under the same title. I wrote it when I turned 30 when I moved to Canada. I’m used to writing songs and then jamming on them with a drummer to try out different ideas. With the move to Canada, I didn’t know any drummer to jam with, and I wasn’t ready to network yet, so I had to navigate midi and drum machine, which was a pain – still a pain! But I wrote the drumline for this song on my computer, and with this added knowledge, it gave me a tool to finally express the beats I have in my mind, even if they don’t sound great.

3. Oblivious
Also, a rearrangement of a previously released song under the same title. I altered the way I sang the chorus to match the Arabic ornament played by the orchestra. I didn’t have to do this, but I just loved it so much that I couldn’t help not singing it. It’s a personal song, and its ending always gives me goosebumps. The song explores how people can sometimes misunderstand things without realizing it, either because they don’t have all the information or because they’re busy with other parts of their lives. It also looks at how our pride can affect how we take in information and how it can be really hard to admit when we’re wrong and face our mistakes instead of avoiding them.

4. Back to The Sun

“Back to the Sun,” the fourth track in the EP and the first single, holds a special place for me. It stands out for several reasons, including the captivating chorus sung on a Maqam Rust, which incorporates microtones. The song explores the theme of returning home, where home is not just a physical place, but a feeling of warmth and nostalgia—a place of ease and belonging.

The chorus of “Back to the Sun” beautifully utilizes the Maqam Rust, incorporating a microtone between the third and fourth degrees of the scale. This musical choice enhances the emotional and melancholic impact of the song, adding depth and expressiveness. Microtones, which refer to the pitches that lie between the conventional Western musical notes, allow for subtle variations in pitch within the Maqam Rust scale.

By incorporating microtones, the song achieves a nuanced and evocative melodic quality, capturing the essence of the emotional journey back home. These subtle variations in pitch within the Maqam Rust scale add an additional layer of depth and complexity to the music, enhancing the overall listening experience.

5. Color Blind
We decided to rearrange this previously released song for inclusion in this project primarily because of its numerous delicate vocal ornaments. These ornaments provided an opportunity for an Arabic arrangement. Once the Arabic arrangement was introduced, these subtle elements became much more pronounced compared to the original arrangement.

I wrote this song after I was denied entry to the USA to play at SXSW with MSE due to the Muslim ban implemented by Trump. Although Egypt wasn’t on the banned list, the border officer was cautious about bands from our region participating, fearing it could add to the ongoing protests at the festival. Fortunately, that’s all in the past now, and I’ve been able to perform many shows smoothly in the USA since the situation has improved.

6. Endorphins
This is a fresh song I composed during the pandemic using my keyboard. Needless to say how challenging the period of isolation was challenging for everyone, and on top of that, I was living alone in Vancouver. Zoom calls, online events, and even making music had become exhausting. I was struggling with feelings of depression and isolation. My career seemed to be at a standstill, and financial concerns weighed heavily on me.

In the midst of this, the middle section in the 9/8 time signature emerged. I had recently come across the Saz VST and was experimenting with it when the arrangement for this part just clicked.

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Story Angles – Band Fun Facts:

1. When I formed this band In 2004, in Alexandria, Egypt, it was established with an all-female lineup. The reason behind this choice was the restriction imposed by my family, which prohibited me from playing music with male musicians. While some perceived it as a feminist statement, I personally experienced it as one of the most oppressive situations I had ever encountered

2. In the SWANA (Southwest Asia and North Africa) region, each country has its unique microtonal system. In the orchestra that recorded the Arabic Music, the members hailed from various backgrounds within the Arab-speaking region. However, despite their diverse origins, they all tuned in together and delivered an authentic Egyptian sound.

3. Traveling with my Egyptian passport has proven to be an extremely arduous task primarily due to the stringent visa procedures involved. In 2017, during the implementation of the Trump travel ban, MSE received an invitation to perform at SXSW. I personally had a physical appointment at the embassy, clearly stating the purpose of my travel, and providing the official SXSW invitation, I was granted the visa. However, upon reaching the borders, I faced an unexpected setback: I was denied entry, even though Egypt was not included in the travel ban list.

Massive Scar Era is the brainchild of the visionary artist Cherine Amr, who leads a collaborative journey with diverse musicians in every EP, bringing her unique vision to life. Originating from Alexandria, Egypt, and currently based in Montreal, QC, Massive Scar Era defies genre boundaries, weaving together a captivating tapestry of progressive rock, post-grunge, Egyptian music, and metal, resonating deeply with audiences across the globe.

With an impressive six albums already, Massive Scar Era is ready to present its seventh “Metal Goes Egyptian” this year. The first look at this EP is the single “Back To The Sun”, which holds a special place for Amr, which she explains:

“It’s a reflection of the warmth and nostalgia we all carry within us. The chorus, sung on a Maqam Rust with its intricate microtone, adds a touch of melancholy and emotional depth to the music. This song is an ode to the feeling of belonging and the yearning to return to a time and space where we felt at ease.”

A truly enriching musical experience, Massive Scar Era is doomy and melodic metal suitable for fans of Nawather, Merkfolk, and Aeternam.

Amr also adds:

“As the leader of this project, I am humbled and elated to witness the realization of my long-held vision. It has been an incredible journey, collaborating with an exceptional team of musicians, producers, and video creators. Together, we have crafted a musical experience that merges the power of metal with the enchantment of Egyptian traditional Arabic music. This project has expanded my horizons as a composer and creative leader, and I am grateful for the guidance and expertise that Katia Makdissi-Warren, our consultant, has provided. From the remarkable orchestral arrangements by Weka Soliman to the dedication of the sound production team led by Etienne Tremblay, every individual involved has contributed their talent and passion, ensuring a seamless and extraordinary outcome. With heartfelt appreciation, I thank everyone who has made this dream come true, and I invite you all to join us on this remarkable musical journey.”

“Metal Goes Egyptian” is due out on November 3, 2023.

More Info:

Since its inception in 2004, Massive Scar Era has been at the forefront of musical innovation, pioneering a remarkable fusion of fierce vocals, intricate violin melodies, distorted guitars, and the pulsating rhythms of Egyptian percussion. Her music reflects the cosmopolitan allure of Alexandria intertwined with the raw essence of Cairo’s urban landscape. The project’s distinctive sound and cultural influences have garnered widespread recognition, leading to its inclusion in two highly influential documentaries that shed light on the vibrant music scenes across the SWANA region: “Microphone” (2012) and “Before the Spring After the Fall” (2013).

She has embarked on extensive tours throughout Europe and North America, gracing renowned stages and captivating audiences with her magnetic presence.

Shared Stage with: Kreator, Dream Theatre, Dimmu Borgir, Septic Flesh, The Algorithm, Moonspell, Tyr

Tours and Festivals:
2019 – USA East Coast Tour
– USA West Coast Tour
– D-CAF Music Festival Cairo, Egypt
2018 – No Visa Required Cross Canadian Tour
2017 – Metalocalypstick (Lone Butte, BC)
2016 – Metalocalypstick (Valemount, BC)
2015 – SXSW (Austin, TX)
2014 – Total Metal Festival (Italy)
2014 – Inferno Metal Festival (Norway)
2013 – FreakStock Festival (Borgenstreich, Germany)
2013 – SXSW (Austin, TX)
2012 – Saxstock Festival (Germany)
2012 – Slot Art Festival (Poland)
2011 – Whiskey A Go Go (Los Angeles)
2011 – Metal Asylum, Dubai (UAE)
2011 – Cornerstone Festival, USA
2010 – Dubai Film Festival (UAE)
2010 – Cornerstone Festival (Marietta, IL)
2007 – SOS Music Festival (Egypt)
2008 – Sweden Rock Festival (Sweden)

0 EPK – Display of Decay – Vitriol (2023) (Gore House Productions)

August 25, 2023
by Asher
· Display of Decay · EPKs

EPK – Display of Decay – Vitriol (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Every song is so unique that it feels like a new experience every single track. We never go into the writing process under the expectation of writing something a certain way and I think this translates well in the songs as they flow cohesively from track to track while each having their own unique added elements.” – Display of Decay

For fans of Cannibal Corpse, Dying Fetus, Immolation, Pantera, Morbid Angel

Band: Display of Decay
Album: Vitriol
Release Date: October 20, 2023
Label: Gore House Productions

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions

Displayofdecay.ca | Facebook.com/displayofdecayofficial | Instagram.com/displayofdecayofficial | Tiktok.com/@displayofdecay

Spotify | Displayofdecay.bigcartel.com | All Links – https://linktr.ee/displayofdecay

Album Pre-Order – https://orcd.co/vitriol

“Edmonton’s long-standing denizens of death metal” – Decibel Magazine

“Should have lots of these from previous record, here are a few “This three-piece, hailing from the Canadian badlands, are an absolutely crushing ode to no-frills, old-school brutality.” – Metal Injection

‘’Perfect for fans of Deicide and Cannibal Corpse” – Bloody-Disgusting

“death metal that is surely to snap your neck and crush your skull.” – My Global Mind

“From pit anthems to intricate playing identifiable sound and raspy deep growls, every reason you love death metal is inside the tracks that lay within “Art in Mutilation.” – Metal Temple

“This is pure North American death metal with a dosage of thrash, but it’s the effective songwriting that keeps your interest from start to finish.” – Dead Rhetoric

“This is Brutal Death Metal that wastes no time on pointless intros or messing around.” – Wonderbox Metal

““Created To Kill” is a monster itself — a blazing onslaught of thrashing death with a raw, old-school tone, loaded with riff savagery and anchored by a nimble bass line and a hard-hitting drum attack. The song’s dynamic tempos are sure to be gasoline for the mosh pit, and the punchy grooves in the music should get heads moving vigorously as well. On top of all that death metal goodness, the rapid-fire vocals are as bestial as this kind of instrumental ferocity demands.” – No Clean Singing (2015 – Dust of Existence)

[Download Album Cover | Download Album Lyrics]

Band: Display of Decay
Album: Vitriol
Release Date: October 20, 2023
Label: Gore House Productions

Track Listing:
1. Malicious Motorcide (3:17)
2. The Butcher (4:26)
3. Legion of Doom (4:04)
4. Familial Feast (3:26)
5. Harbinger (3:06)
6. Hot Lead Vengeance (4:01)
7. Slaughtercast (3:54)
8. Vitriol (3:19)
Album Length: 29:36

Album Recording Credits:
– All songs written and performed by Sean Watson,
Brandon Siefert, Logan Wilson.
– Drums performed by Tyson Travnik on ‘Hot Lead
Vengeance’ & ‘Vitriol’
– All lyrics by Display of Decay & Kland Kuly
– Mixed & Mastered by Christian Donaldson
– Assistant Mix Engineer by Dominic Grimard
– Cover art by Caelan Stokkermans
– Graphic design by Logan Wilson
– Canadian Content (MAPL)
– Member of SOCAN

========================================================================

The album as a whole:

‘Vitriol,’ was born of rage and spite fueled further by the chaos and uncertainty felt worldwide over the last few years.

The lyrical content covers a variety of topics ranging from pop culture references like Diablo & Mass Effect to darker undertones of the mainstream media’s obsession with school shootings and other acts of senseless violence that are continuously looped for ratings evidently posing a risk of reproduction.

Track By Track:

Malicious Motorcide: Malicious is a wild ride from start to finish. It’s a song about driving over hordes of people in a fit of rage, the elevation in tempo and chaos felt in the song flow together perfectly with the lyrical content which was based around real events a member of our band was nearly a victim of.

The Butcher: The Butcher to me is the most dynamic song on the record. Its tempo fluctuates so much throughout to build up with the story behind the song. Initially, it started out as someone who was taken hostage and held against their will, soon to be burned alive, but we couldn’t help but draw reference to Diablo’s notorious Butcher who’s been featured in several of their games. The sheer heaviness of that intro and the catchiness of the chorus are guaranteed to turn heads and blow minds.

Legion of Doom: We have songs about serial killers, school shootings, and otherwise brutal methods of dying. Deep down, we’re just a bunch of nerds who love playing heavy music and this song really captures that. We wrote this one about the ‘Death Knight’ in World of Warcraft, because it’s badass and because we can. Musically, this song was rewritten a number of times. I can remember a few minutes before a writing session, Brandon was on his way over and I was sitting there strumming along to warm up when I plucked the notes that would eventually become the chorus, and I thought to myself did I just write the best riff ever?!” Of course, I didn’t, but it’s a pretty damn great riff. This song is definitely more ‘progressive’ than the other ones perhaps, I feel there’s a definite nod to ‘Death’ in this one, but nonetheless, it’s about slaying monsters in Azeroth. FOR THE HORDE.

Familial Feast: This was the last and most unexpected song on the record. We had another tune initially on the record we ended up scrapping late as we felt it wasn’t up to par, but we had been jamming even newer stuff between recording sessions. Familial Feast just fell into place seamlessly and unexpectedly became one of our favorite tracks to play so it was a no-brainer to throw it on the record.

The lyrical content was written about Katherine Knight, an Australian-born murderer who in the early 2000’s killed and cooked her spouse with the intent of feeding him to his children. It’s a pretty wild case that never seemed to garner as much notoriety as one would expect with such gruesome details.

Harbinger: Harbinger is definitely one of the most technically challenging songs, if not the MOST technically challenging on the record. A frenzy from start to finish, this track features a wide range of dynamics stretching from sweep picking, and octaves, to full-on chaos!

Lyrically, it’s entirely based on Mass Effect and the Reaper invasion, because as previously mentioned, nerds.

Hot Lead Vengeance: This track was written right as we came back from the ‘Decimate the West’ tour in 2019. It was based on the growing number of senseless shootings going on around the world at the time. Every time you turned on the TV, every news network was covering a mass shooting somewhere, or some other act of senseless violence. It’s definitely an experience to sit and listen through and certainly not for the faint of heart.

Vitriol: The name of the track says it all. The lyrical content in this tune was written in a time of extreme rage and with that, the music just kind of followed. To me, it’s got the most powerful chorus of the entire record lyrically and musically because it’s simple yet effective.

========================================================================

L – R – Brandon Siefert (Bass), Sean Watson (Guitar / Vocals), Logan Wilson (Drums)

Photo Credit – Display of Decay

Formed in 2007, Display of Decay is widely noted for bringing a unique blend of old-school death metal, with tinges of thrash and doom metal. Hailing from Edmonton, the band has spread their infection across Canada, sharing the stage alongside other elite acts such as Kataklysm, Cattle Decapitation, The Faceless, Origin, Beyond Creation & more. After five well-received indie releases (two EPs and 3 full-lengths), Display of Decay is unleashing their fourth album “Vitriol” featuring eight aural assaulting tracks that set the mosh pits ablaze. “Vitriol” is due out October 20th, 2023 via Gore House Productions.

Discography:
2010 – Blood Borne – EP (demo)
2012 – Display of Decay – LP
2013 – Outbreak of Infection – EP
2015 – Dust of Existence – LP
2018 – Art in Mutilation – LP
2023 – Vitriol – LP

Artist Endorsements: EMG Pickups – http://www.emgpickups.com/artist/index/view/id/884

Music / Movie Placement: Bagman – Recycle or Die (2015)

Shared Stage with: Kataklysm, Cattle Decapitation, Defeated Sanity, The Faceless, Origin, Beyond Creation

Tours and Festivals:
2013 – Farmageddon Open Air – Ryley, AB
2014 – Loud As Hell – Drumheller, AB
2014 – Farmageddon Open Air – Ryley, AB
2015 – Armstrong MetalFest – Armstrong, BC
2016 – Loud as Hell – Drumheller, AB
2018 – Hamilton DeathFest – Hamilton, ON
2019 Las Vegas DeathFest – Las Vegas, NV
2019 Loud As Hell – Drumheller, AB
2020 Decimate MetalFest – Edmonton, AB
2021 Loud as Hell – Drumheller, AB

0 EPK – Cabrakaän- Aztlán (2023)

August 22, 2023
by Asher
· Cabrakaan · EPKs

EPK – Cabrakaän – Aztlán (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Management – The Celestial Agency – Celestia Scarlett – thecelestialagency[@]gmail[.]com

For fans of Nightwish, Epica, Equilibrium, Eluveitie

Band: Cabrakaän

Album Title: Aztlán
Release Date: Nov 17, 2023
Label: Self-Release
Distribution: CD Baby

Cabrakaan.com | Instagram.com/cabrakaan_band | Facebook.com/CABRAKAAN | Youtube.com/CABRAKAAN

Cabrakaan.bandcamp.com | Spotify | Apple Music

“In the world of metal music, where genres often blend and boundaries are pushed, there emerges a band that beautifully merges traditional folk elements with the raw power of heavy metal. Enter Cabrakaän, a Mexican folk metal band on a mission to reconnect with their ancestral roots and preserve the rich cultural heritage of Mexico.” – Infrared Magazine

“CABRAKAÄN has released an amazing, fun, well-written album with influences from various folk styles aligned with Death Metal. It’s definitely one of the best releases of the year in the style and the band deserves all the attention they are getting from the media and the public. 10/10” – Metal Temple (review 2019 – Cem Anahuac My Home)

“While the band may celebrate cultures that are unknown to most Canadian metal fans, Cipäktli says live performances by Cabrakaan are an immersive experience. The band, who wear face paint and costumes to conjure up the “time of the Aztecs,” like to give audiences both a visual and sonic feast.”

-Calgary Herald: “Symphonic Metal Band Cabrakaän Brings Spirit Of Ancient Mexico To Calgary”

“The use of traditional, lesser-known instruments that rarely leave Central/South America jamming along with metal instruments – in a way that would make Ozzy Osbourne in his prime proud – is the last thing Calgary expected to experience, and yet Cabrakaän is here.”

– Calgary Journal: “Cabrakaän, Calgary’s friendly neighbourhood Mexican folk metal fusion band”

“Cabrakaan Mesmerize the Crowd” – The Phoenix (Kelowna)

Band: Cabrakaän Album Title: Aztlán
Release Date: Nov 17, 2023
Label: Self-Release
Distribution: CD Baby

Track Listing:
1. Tonantzin – 3:50
2. Fuego – 5:28
3. Tlaloc – 4:01
4. Luces y Sombras – 3:51
5. Malintzin – 5:16
6. Mictlán – 4:25
7. Yolot – 5:16
8. Xóchitl – 2:42
9. La Cigarra (featuring Reed Alton) – 5:31
10 Mictlán (English Version) – 4:25
11. Fuego (English Version) – 5:28
Album Length: 50:13

Album Credits:
– Produced by Marko Cipäktli and Cody Anstey
– All songs mixed by Cody Anstey at Clarity Recording & Mixing (Osyron, Ravenous E.H., Wu-Tang Clan)
– All songs mastered by Mika Jussila at Finnvox Studios (Nightwish, Children of Bodom, Amorphis)
– All lyrics by Pat Cuikani & Marko Cipäktli
– Member of SOCAN- MAPL

Album Band Line-up:
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

Live Band Line-up:
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar
Brendan Wilkinson, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

==========================================================================

The album explained:

Aztlán tells different stories from Mexican history, as you will see in the lyrics and track listing. This theme plays a role in both the lyrics and the music – it’s when they’re put together that the album truly becomes something special. Musically, there are many complex elements and a lot of styles are incorporated, and this represents how many influences make up who we are. Percussion is one of civilization’s first musical instruments, so we spent a lot of time incorporating different styles that helped tell the story. We also incorporated a lot of orchestration including a live string ensemble, organs, traditional Mexican folk styles, and more to truly bring the music to life.

Track by Track:

1. Intro (Tonantzín)
The album begins with an introductory song, alternatively titled Tonantzín. Tonantzín is a Nahuatl (indigenous Aztec language) word: to – “our”, nān- “mother”, tzin = honorific suffix. It’s a term often used when referring to a respected woman. In this case, Tonantzín is Mother Earth and represents the spirit and soul of our land. The track produces a peaceful atmosphere with creative percussive elements, a live string ensemble, and an emotive story through sound.

2. Fuego
Fuego is a story about premonitions and nightmares that were experienced by Aztec people about the Spanish conquest. It is based on the “First Bad Omen” of 7 that happened in the decade before the Spaniards’ arrival in 1521. In this omen, there was a fire that burned in the sky every night for a year, shaped in a way that made the sky look like it was bleeding. Musically, it is hard-hitting, melancholic, dark, and energetic all at once.

3. Luces y Sombras (English title: Shadows)
This song is about the atrocities committed by the Catholic Church committed against indigenous people in Mexico, and the efforts taken to erase pre-Hispanic belief systems, cultures, and ways of being. The creation of this song included a guest musician who performed church organs on location at a historic cathedral in Calgary, Canada. The song itself engages with a topic often seen as taboo in Mexican society today and makes an important statement about remembering their cultural history. Musically, this song evokes all the feelings we have about this topic through grand dramatic instrumentation.

4. La Cigarra
This song is a cover of a traditional mariachi song by Raymundo Pérez Soto. The lyrics represent the feelings that an artist has whenever they sing. Their love of singing is so powerful that they are willing to die for it, just like the cicada (cigarra). The song features guest vocalist Reed Alton of melodic metal band Osyron performing a verse and some harmonies, and a guest violinist James Watson. As in the original, it’s vocally powerful – but with a distinctive metal turn.

5. Malintzin (English title: Blinded)
Malintzin is about the concept of “malinchismo”, which refers to people who deny their cultural roots when assimilating into a new country and culture like the United States or Canada. The band wrote this song in reference to Mexicans who do this when they migrate, adopting a “new” citizenship. The band members conceptualized this song from their immigration experience after moving to Canada. The song fuses together orchestral, tribal, and metal elements.

6. Mictlán (pronounced mickt-lahn)
In Aztec mythology, Mictlán is the underworld and contains nine distinct levels through which the dead must overcome a series of challenges before reaching their final resting place. This song is about those levels and the tests that need to be passed in order to reach Mictlantecuhtli, the god of the dead, who allows the dead to be at rest. Musically, the song features nylon string instruments to emulate the sound of a vihuela (Spanish guitar), hompak (Mayan trumpet), and orchestral arrangements.

7. Tlaloc (pronounced tlah-lock)
Tlaloc is a song about the constant battles between civilizations for power. Tlaloc, in many ancient pre-hispanic civilizations, is the god of rain and thunder. In this song, the civilizations are battling one another in competition for respect, gifts of rain, and, fertile land for their survival. The battles are happening before his eyes. The song features an unexpected combination of Spanish guitar, choirs, growls, and atmospheric sounds that will transport the listener to an ancient civilization.

8. Yolot (pronounced yo-loteThis song depicts a love story between a Spanish soldier and an indigenous woman. Yolotl was the name of the woman. Yolotl is a Nahuatl word for “heart”. Yolotl features a string ensemble (violin, viola, and cello) to help tell the story.

9. Xochitl (pronounced show-cheetle)
This is a Nahuatl song about eternal love. The band has adapted the love song to be a lullaby. Xochitl was recorded as an acoustic, ‘unplugged’ song to evoke the emotions that it contains. The song is dedicated to Marko’s late mother.

==========================================================================

Album Facts:

1. The band collaborated with a professional organist to record organs for their song Luces y Sombraes / Shadows, which is a song that tells the story about the Catholic church’s controversial efforts to assimilate indigenous Mexicans during colonization. They recorded organs on-location at Knox United Church in Calgary, Canada.

2. The band collaborated with a string ensemble – a cellist, violinist, and violist – for multiple tracks on Aztlán.

3. The upcoming album is the first one they’ve recorded outside of Mexico.

4. Marko is a professional audio and recording engineer and collaborated with the album’s recording engineer to achieve the sound they were looking for.

5. Several songs on the album were adapted from original demos that the band recorded nearly a decade ago.

6. Some tracks will include flute samples performed by Agustín García Reyes, a researcher and expert in Mexico’s indigenous history. He hand-makes traditional flutes and ocarinas. The documentary will contain an interview and video demonstrations of traditional instruments.

Band Facts:

1. The band’s founding members, Pat and Marko, are based in Canada and are both from Toluca, Mexico. Other members (Alex and David) are currently based in Mexico City.

2. The band has two non-Mexican members: Brendan, the rhythm guitarist (Australia, currently living in Canada), and David (Colombia, currently living in Mexico City).

3. For each album the band has released, they record an adapted cover of a traditional Mexican song. For Songs of Anahuac, they recorded an adapted version of La Llorona that incorporated indigenous lyrics. For Cem Anahuac My Home, they recorded a cover of La Bruja. The upcoming album will include a cover of Linda Ronstadt’s La Cigarra.

4. Pat Cuikani, Cabrakaän’s vocalist, is classically trained as a light lyric soprano singer and has performed in Spanish, Italian, English, French, and more.

==========================================================================

Photo Credit – Angela Ambrose – Lunar Ring Sound & Graphics Inc.

Marko Cipäktli and Pat Cuikani formed Cabrakaän in 2011 in Toluca, Mexico with the initial concept of creating music that reflected and reinforced their cultural roots. Over time, they developed a sound based on their shared musical interests: death metal, classical music & opera, and traditional Mexican music, with a strong desire to express and share their country’s folklore through heavy music. The band’s name is based on a character from a Mayan sacred book, who was the god of mountains and earthquakes.

“I met Paty when I owned my studio in Toluca (Mex), and she was playing in a symphonic/ choral metal band. Originally, I wanted to make death metal. That was my main goal.”, Cipäktli explained.

“We started talking. She told me: ‘I’ve always wanted to do something using pre-hispanic elements’, and she knew someone who was interested in creating a style like this.” – that someone was Ramón, who became the band’s first rhythm guitarist. “

The band’s sound and style were initially influenced by popular metal acts like Nightwish, Amon Amarth, and European folk metal bands. Soon after, the band established a distinct sound, style, and ambition to tell the forgotten pre-hispanic folk stories, mythologies, histories, and traditions of Mexico’s sociocultural past and present. They continue to work with indigenous Mexican artists to incorporate authentic prehispanic instruments like ocarinas, flutes, percussion instruments, and more in their music. Their lyrics are sung in English, Spanish, Zapoteco, Nahuatl, and other ancient languages.

In 2014, the band made their debut with the EP “Songs From Anahuac” and displayed a mix of death, folk, and symphonic European influences with Prehispanic instruments along with storytelling of Mesoamerican mythologies (Aztec, Mayan, Tlaxcaltecan, Olmecan) plus Mexican folklore such as La Llorona, La Bruja, Day of The Dead.

In 2017, the band was invited to Metalocalypstick Fest in Lone Butte, BC where the beauty of the Canadian Rockies won them over and encouraged them to make the grand decision to relocate to Canada. They have now called Canada home since 2018, trading the heat and the beach for the cold and natural beauty of the great north.

Settled in Canada, Cabrakaän released their sophomore effort “Cem Anahuac My Home” in 2019 continuing their storytelling of Mesoamerican tales. The word Cem Anahuac means literally land surrounded by water in Nhuatl, and that’s what their Aztec ancestors used to call the Valley of Mexico before the Spanish invasion.

“Our past reflects a lot of our present and Cem Anahuac is in the heart of Mexicans since we are born, that’s the message behind the record.”

Now in 2023, post-COVID, the band is able to continue to release new music and tour the Canadian north again. The band has their sights set on sharing their first full-length and 3rd studio recording “Aztlán” this coming November.

Cabrakaän hopes to give their listeners an immersive experience that draws them into a different world. Their ultimate goal is to share themselves and a piece of their culture. Their music’s fusion of multiple genres is representative of the cultural fusion that they evoke in lyrical and musical themes.

The theme of “Aztlán” is centered on the Spanish conquest – colonization and the defeat of Mexico’s Aztec empire, Tenochtitlán. Some songs chronicle stories from before the Spaniards’ arrival in Mesoamerica, and others draw on their rich culture that transformed from centuries of cultural fusion, which makes them who they are. In Mictlán, for example, they share the Aztec myth of the underworld. In this myth, there are nine levels to reach Mictlán. There are also nine main tracks on the album as an homage to this myth.

For “Aztlán”, band founder and drummer Marko Cipäktli developed orchestral elements and arrangements with the audience in mind.

“I want them to feel the message through the music, and that is the purpose of the orchestration. Orchestration always adds a different atmosphere and a layer of emotion for the listener to feel and gain something valuable from – strings, brass, and so on – to make people feel and experience what the musicians want them to”.

Pre-hispanic instruments are a huge part of it, but the orchestration in the music will help to translate the song’s intended meaning into an emotive experience for the listener.

Audiences can expect to hear a mature, grander version of Cabrakaän’s familiar sound that interweaves metal with symphonic and folk elements. They believe that, even though their lyrics are in multiple languages, audiences of all linguistic backgrounds will hear their stories through the music itself. They hope their Mexican fans will hear this album and feel represented along with everyone else who enjoys learning about our culture and history through the power of metal!

“Aztlán” is due out November 17, 2023.

Album Band Line-up:
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar, Rhythm Guitar
David Saldarriaga Tobón – Bass, Acoustic Guitar

Live Band Line-up:
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar
Brendan Wilkinson, Rhythm Guitar
David Saldarriaga Tobón

Discography:
2023 – Aztlán
2019 – Cem Anahuac My Home
2014 – Songs from Anahuac

Members of Cabrakaän have shared the stage with Timo Tolkki (ex-Stratovarius), Sonata Arctica, and performed at Mexico’s monolithic metal festival, Heaven and Hell Festival.

Tours and Festivals:
2020 – Loud as Hell Fest – Drumheller, AB
2018 – March of the Frozen North (BC, AB, SK)
2017 – Metalokalypstick Fest, Lone Butte, BC

0 EPK – Torn The Fuck Apart – Kill.Bury.Repeat. (Gore House Productions) (2023)

August 18, 2023
by Asher
· EPKs · Torn The Fuck Apart (Gore House Productions)

EPK – Torn The Fuck Apart – Kill.Bury.Repeat. (Gore House Productions) (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Cannibal Corpse, Dying Fetus, Deicide, Suffocation, Cryptopsy

Band: Torn The Fuck Apart
Release Date: October 6, 2023
Label: Gore House Productions

“We in TTFA are extremely excited to bring you our newest album “Kill.Bury.Repeat.”, a collection of horror stories from our imagination or inspired from true events. We believe this album represents the next level of brutality that we have worked to achieve over the years not only musically but also lyrically, something that any fan of metal can enjoy.” – Torn The Fuck Apart

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions

Facebook.com/ttfabandpage | Instagram.com/ttfametal | Youtube.com/ttfametal | Twitter.com/ttfametal

Tornthefuckapart.bandcamp.com | Spotify | Apple Music

All Links- https://linktr.ee/ttfametal

Album Pre-Order / Digital Pre-Save – https://orcd.co/kill-bury-repeat

“The Kansas City brutal death dealers are incredibly good at what they do: song titles that could’ve come from the darker recesses of Jeffrey Dahmer’s mind, technical riffs, blast-happy drumming and grunted vocals.” – Emily Bellino – Decibel Magazine

“The band offer up a visceral blend of technical ferocity and rolling aggression, augmented with punishing grooves and even the occasional blood-red splash of melody.” – Wonderbox Metal

“The Kansas City-based band are known for a full-on, brutal approach, and this new track is no exception. This is the second single (A Statement of Malicious Intent) released from the anticipated full-length, and it proves the band are not slowing their roll at all, as it pummels through fast and furious.” – Decibel Magazine

“”If you’re just after some brutality and aggression, you’ll find it on ‘Kill.Bury.Repeat’ and you’ll be happy with it.”” – Metal Underground

“Torn the Fuck Apart is one of the most unpretentious band names in extreme metal, and it’s also an example of “truth in advertising”: their music delivers what the name promises. Much the same could be said for this Kansas City’s band’s new album that’s due for release next month: Kill. Bury. Repeat.” – No Clean Singing

“TTFA have a penchant for gruesome lyrical themes that match up with their name. There is indeed a maelstrom of ruinous madness in the song (Corrosive Form) itself. Operating at a full-throttle pace from the very start, the band open with a maniacally swarming riff that nevertheless includes a vivid pulse, and then switch into a whining and writhing sensation that also includes feverish jackhammering jolts. There’s equally ruinous tumult in the low end and equally manic progressions in the snare-work (though it often fires like a machine weapon), with monstrous gutturals barking the words like a huge hellhound. But as the song surges ahead, subtle changes in the rhythms and the riffing keep coming, one after another, along with sudden stops and starts, without detracting from the song’s overarching sensation of crazed cruelty. And as forecast, the song also proves to be a highly infectious disease as well as a big dose of adrenaline.” – No Clean Singing

“The new full length sees the band trimming down to a trio from the quartet from which we last heard, and the result is ten songs which are lean, mean, and designed to punch a hole in your head like the blast from a 12 gauge shotgun. Unsurprisingly, the music is uncompromisingly aggressive, the lyrical content intense, and cover art suitably intimidating.” – The Pitch (Kansas City’s independent source for news and culture)

“If you’re into any sort of extreme metal, then you will love this. It’s got all sorts going on and I can hear shades of Obituary, Cannibal Corpse, Deicide, Goatwhore and others. TTFK might be a trio but they make one hell of a noise and are as tight as a ducks butt. Death metal is in safe, but dangerous, hands with these guys and I’ll be sourcing their back catalogue ASAP.” – My Global Mind

“Classic brutal death metal, a little black metal vox, otherwise, a meaty cannibal corpse type sound” – The Moshpit – WORT 89.9 FM (Madison, WI)

“With grim and guttural intent, Torn the Fuck Apart take no prisoners here. Sticking rigidly to the brutal death metal formula, but also infusing the album with a level of horror that makes for a bloodcurdling listen.” – Games, Brrraaains & A Headbanging-Life

“If you’re into any sort of extreme metal, then you will love this. It’s got all sorts going on and I can hear shades of Obituary, Cannibal Corpse, Deicide, Goatwhore and others. TTFK might be a trio but they make one hell of a noise and are as tight as a ducks butt. Death Metal is in safe, but dangerous, hands with these guys and I’ll be sourcing their back catalogue ASAP.” – Jace Media Music

“The title track is a collation of everything here and is an absolute cracker of how they can build songs that fit within the brutal genre without being one note. Great stuff. The later songs chart similar paths but album closer sees them go full tilt with Scratch the Bone which is just storming. That tightness, the changing modes just deliver one of the best metal songs of 2023. This and the title track represent a high watermark, and they should be proud of them, just total quality. The inclusion of the Cannibal Corpse cover is welcome, but not necessary because the songs are strong enough to stand up for themselves. I would go so far as to say it detracts from the great work they have done, but that is purely a personal view. They have achieved what they set out to do, raising their game in order to move forward and sit at the table with the likes of Dying Fetus et al.” 4/5″ – Metal Epidemic

“TTFA’s musical technique is undeniable” – Amplified Magazin

“With a band name and album title like that, of course it’s some brutal death metal. I’ll tell you what, it goes hard for it’s 40+ minutes, too. Heck, even the mixing is in-your-face, with everything feeling like it’s turned up to 11 and right there at the front. If I’ve written those in a way that make them sound like bad things, they aren’t at all. I surprisingly liked this album way more than I thought I would! There are a lot of fantastic riffs throughout, and the low growls are really impressive… I’d LOVE to see these tracks live and if anyone’s into this sort of music you’ll love it!” – Overtone Magazine

Band: Torn The Fuck Apart
Release Date: October 6, 2023
Label: Gore House Productions

Track Listing:
1. Corrosive Form – 3:28
2. A Statement Of Malicious Intent – 2:32
3. Something Went Wrong – 4:06
4. Stuck In The Trunk – 4:20
5. Submerged In Human Compost – 4:26
6. Kill.Bury.Repeat. – 4:26
7. Dead But Delicious – 4:19
8. Autopsy Report (Inconclusive) – 4:19
9. Scratch The Bone – 5:43
10. Unleashing The Bloodthirsty – 3:55 (Cannibal Corpse Cover)
Album Length: 41:38

Album Credits:
Recorded, mixed, and mastered by Robert Rebeck at GFM Recording and Chapter 2 studios.
Artwork by Giannis Nakos at Remedy Art Design
Michael Langner ( Guitars / Vocals )
Brandon Mitchell ( Bass / Vocals )
Dylan Watt ( Drums / Vocals )

========================================================================

About the Album Artwork:

When it comes to art we knew Giannis Nakos was our guy. He makes the type of art so detailed that every time you look at it you notice something new. We have toured with his band Mortal Torment in the past and became brothers instantly. We trusted him to take the title, and songs and have full control over the idea and imagery he felt captured what Kill.Bury.Repeat. was about, and he knocked it out of the park. We couldn’t have been happier with the product we got back.

From the artist Giannis Nakos:
“Me and TTFA go back a few years so I was more than happy when the guys asked me to create the cover art for their new album. I already knew the guys were all about straightforward brutality so I wanted to create something massive and big, something that screams DEATH METAL from miles away. So, skulls, horns, hellfire, and all sorts of nasty visuals combined in a piece that demands the viewer’s attention. I really liked the band’s idea to add a couple of human figures, it really adds to the proportion and scale of the whole piece.”

The album as a whole:

KILL. BURY. REPEAT. is a special album for us, an album that represents the beginning of a new era. As such, the writing process was approached differently, with each member working off the other, from the bedrock all the way to the finished product. Musically and lyrically, it is our most polished and mature work to date. Instead of pushing the boundaries of our playing capabilities, we chose to identify our strong points and utilize those aspects for the music. With less focus on the technicality of the riffs, we worked on writing good songs, catchy riffs, and keeping the perspective on the song as a single piece. Our drummer Dylan has an amazing ear for writing lyrics and phrasing. Grasping the concept of the album almost immediately, he wasted no time in acclimating himself within the band and enhancing the parts that we had established. The lyrics are typically themed around horror movie tropes or inspired by true events. We’re not to be taken too seriously, and we like to bring a little humor into our lyrics and have fun with it. There is no hidden message, agenda, or opinion, just some good old-fashioned death metal with a little personal flair. This album has the best production we’ve ever had, recorded in a professional studio by a veteran engineer, Robert Rebeck. The process was an absolute blast in no small part thanks to Robert, who we couldn’t think of anyone else we’d rather work with. We feel when you listen to this album, you can hear the amount of fun it was to create. We hope this album provides an enjoyable ride from beginning to end.

Track By Track

1. Corrosive Form

The torture and disposal of victims by forms of evil twisted chemistry. Acids and Lye are the tools of choice by a deranged madman with a formidable love of destructive science. Kept in Barrels of Biohazardous waste, the remnants of the dead are now souls, liquified for eternity.

2. A Statement of Malicious Intent

A Statement of Malicious Intent is inspired by the true events of the Hollywood shootout on Feb. 28, 1997. The North Hollywood shootout was a confrontation between two heavily armed and armored bank robbers, Larry Phillips Jr. and Emil Matasareanu, and members of the Los Angeles Police Department in the North Hollywood area. More than 2,000 rounds were fired. It is considered one of the bloodiest shootouts in the history of the United States police force. Phillips was shot nearly a dozen times. His gun jammed when he was pinned down behind a car. He shot himself in the head, but an autopsy report noted the coroner could not determine whether he or the police fired the fatal shot and Matasareanu, shot several times in the legs, bled to death a short time later.

3. Something Went Wrong

A cover-up of gruesomely horrific proportions. A small confrontation at the top of a 102-story high rise ends in a free fall so high the helpless victim was vaporized on impact. Not to mention the live power lines that severed him in half. Finally, he makes repulsive contact with his fate. “He just lost his footing,” they said…

4. Stuck In The Trunk

Stuck in the Trunk is an infectious toe-tapper. A song that all fans of metal can enjoy. Nothing too complicated, just right-to-the-point death metal. A song about the horrors of being kidnapped, bound and gagged, and tossed in a car trunk by a demented menace, only to feel the momentary weightless terror as the car rolls off some cliff.

5. Submerged In Human Compost

Imagine, being dropped in the middle of a lake of decomposing bodies. Wading in absolute panic through blood and fluids squirming with maggots, as a cloud of ravenous flies attacks your every exposed office. So thick with flesh and bones you begin to sink deeper and deeper into the compost pile of human waste.

6. Kill. Bury. Repeat.

With his rusty-edged shovel, and moonlight to guide his purely evil drive to kill. One mass murderer hunts his endless victims, and dismembers the corpse by shovel blade, to fill numerous shallow graves on his secluded plot of hell on earth.

7. Dead But Delicious

By sickly black magic, a brood of rot-thirsty hogs ravages corpses. They glutinously feast on the recently deceased, trapping the souls in purgatory. The squeals of their horror are unwillingly heard by the ones next to die.

8. Autopsy Report (Inconclusive)

A perfectly preserved Jane Doe is booked into the morgue. As the autopsy is performed, the strange discoveries begin… Organs re-arranged, re-attached, and grotesquely sewn together, all filled and nearly bursting with live maggots… with not one visible entry wound or sign of foul play, how could this have happened?

9. Scratch The Bone

They’re inside, squirming and crawling through the flesh. Eating the meat below the surface. A junkie’s only escape from these parasites is the dirty old needles that sedate this living nightmare. Never seen again… and not a wonder why… in the back of a dilapidated train car, sits a pile of torn flesh and bones, scraped, and whittled unrecognizably. The demons that lead him to expiration lie deep within all of us.

10. 10. Unleashing The Bloodthirsty (Cannibal Corpse Cover)

Cannibal Corpse has always been a huge influence on TTFA. One of the first bands that got us into playing Death Metal in general. Unleashing the Bloodthirsty was not only one of our favorite albums but also one of our favorite songs. Something about the tone and attitude of unleashing the bloodthirsty is haunting, fearsome, and violent as is the nature of Cannibal Corpse.

L-R – Brandon Mitchell (Bass), Michael Langner (Guitar / Vocals), Dylan Watt (Drums)

Photo Credit – Jeffrey Sisson

Prepare for an auditory onslaught as Torn The Fuck Apart unleashes their highly anticipated fifth studio album, “Kill. Bury. Repeat.” This Kansas City death metal trio once again proves why they are at the forefront of the genre, combining technical precision, relentless brutal blast beats, and a blood-curdling storytelling that will send shivers down your spine.

“Kill. Bury. Repeat.” is a horrifying journey through the darkest corners of the human psyche. With each track, the band weaves intricate tales of murder, madness, and mayhem, immersing listeners in a world where nightmares come to life. From the guttural growls to the searing guitar work, the musicianship displayed on this album is unparalleled, showcasing the band’s mastery of their craft.

“Kill.Bury.Repeat.” is due out on via Gore House Productions on October 6, 2023.

Torn The Fuck Apart is
Michael Langner ( Guitars / Vocals )
Brandon Mitchell ( Bass / Vocals )
Dylan Watt ( Drums / Vocals )

More background info:

Since the formation of Kansas City’s Torn The Fuck Apart, the band has been busy ripping people’s faces off with a relentless onslaught of brutality. With the release of their EP, “Skinned Alive” in 2006 and consistently playing shows in and around the region, the band began to build a steady following.

In July of 2009, they released their next self recorded album, “Gods of Gore”, and embarked on an east coast tour with metal veterans Monstrosity in support of it. April 2012 saw the release of “…The Dissection of Christ”, their first full length studio effort. The band continued to grow their fan base by playing both locally and regionally in support of their new record. In the course of their campaign to bring their brand of death metal to the masses, they have had the honor to share the stage with suchacts as: Morbid Angel, Cryptopsy, Origin, Nile, Dying Fetus, Vader, Deicide, Gorgasm, 1349, Kataklysm, Belphegor, Jungle Rot, Broken Hope, Vital Remains, and many more.

In June 2014, TTFA released their second full length studio recording, “Sexually Transmitted Torture”; on Ossuary Industries, and hit the road for a west coast tour in support of the new album.

In 2018, the band released “A Genetic Predisposition to Violence” on Gorehouse Productions, and promoted the album playing festivals such as Maryland Death Fest, Full Terror Assault, and Chicago Domination Fest. They also embarked on a short tour with Origin, Defeated Sanity, and Beneath the Massacre.

As the Covid pandemic wore on, TTFA continued to write new material for their next album as a power trio. Working with esteemed music engineer Robert Rebeck (Origin), they are proud to present their upcoming album, “Kill.Bury.Repeat” on Gorehouse Productions, showcasing the next chapter in the evolution of TTFA.

Discography:
2023 – Kill.Bury.Repeat.
2018 – A Genetic Predisposition of Violence
2014 – Sexually Transmitted Torture
2012 – The Dissection of Christ
2009 – Gods of Gore
2006 – Skinned Alive – EP

Shared Stage with:
Origin / Beneath the Massacre / Defeated Sanity / Internal Bleeding / Power Trip / Aborted / Morbid Angel / Suffocation / Nile / Monstrosity / Vital Remains / Wretched / Exmortus / Deicide / Severed Savior / Arkaik / Broken Hope / Unmerciful / Dreaming Dead / Dying Fetus / Cryptopsy / Decrepit Birth / Six Feet Under / Jungle Rot

Tours and Festivals:
2009/2011/2013/2014/2015 – West Texas Death Fest
2009 – Philadelphia Death Fest
2018 – Maryland Death Fest – Baltimore, MD
2018 – Full Terror Assault – Fayetteville, IL
2019 – Chicago Domination Fest – Chicago, IL
2022 – SlamDakota – Sioux Falls, SD
2009 – Tour supporting Monstrosity w/ Dreaming Dead
2014 – Beaten & Eaten Tour w/ Troglodyte
2018 – The Road Leads to Death Tour
2019 – Tour with Atoll / Mortal Torment
2020 – Tour supporting Origin / Defeated Sanity / Beneath the Massacre

0 EPK – J.P. Krom – Luna Plutón off Astro Metal (EP) (2023)

August 17, 2023
by Asher
· EPKs · J.P. Krom

EPK – J.P. Krom – Astro Metal (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Luna Plutón calls us to the dark depths, where the most secret emotions are housed, those that burn within us looking for redemption”. – J.P. Krom

For fans of Type O Negative, Lacrimas Profundere, Paradise Lost, Moonspell, The 69 Eyes

Single Title: Luna Plutón off Astro Metal (EP)
Single Release Date: August 17th, 2023
Label: Self-Release

Jpkrom.com | Facebook.com/jpkromofficial | Twitter.com/jpkrom | Youtube.com/JPKromofficial | Instagram.com/jpkrom

Jpkrom.bandcamp.com | Spotify

“Con una impronta que él mismo define como Astrometal, uniendo todo lo relacionado a los signos zodiacales y la astrología con los sonidos más pesados, la banda mostró lo suyo en una media hora que contó con el apoyo de los primeros asistentes que llegaron al Club Chocolate. Con una buena cercanía con los presentes, el líder y sus acompañantes sacaron aplausos con su propuesta con influencias de Type O Negative o The Sisters of Mercy, entre varios otros, presentando canciones como ‘Poison Girl’, ‘Tower of Destruction’ o ‘Abstract Illusion of an Existence’, aprovechando de adelantar lo que será su próximo lanzamiento en estudio, el cual llegaría en agosto. Con mucha música todavía en el horizonte, este nombre local mostró su solidez en un evento en el que fue más que idóneo, y claramente fue una gran oportunidad para llegar a más adeptos a este estilo, siendo aprobado por quienes se apostaban en el local del barrio Bellavista”. Rockaxis.com

“El encargado de abrir el magno evento fue el músico chileno J.P. Krom, donde su banda presentó su estilo musical único conocido como “Astrometal”, el cual es una curiosa creación mezcla de signos zodiacales y astrología con sonidos potentes y riffs demoledores, los cuales cautivaron al público desde el primer momento, dejando a la gente muy atenta y poniendo atención al show del artista. La banda también aprovechó la oportunidad para dar una probadita de lo que será su próximo álbum, programado para agosto. El evento fue el marco perfecto para presentar su música a un público más amplio, y demostraron su capacidad para conectar con los fanáticos del género. Sin duda, una presentación que dejó a todos los asistentes satisfechos y contentos en el Club Chocolate, con pasadas por sus temas ya conocidos como “Tower of Destruction”, una gran canción sumamente destacable la cual fue el peak de la presentación de J.P. Krom, con armonías muy pesadas y un sello personal en cuanto a la técnica y sonoridad, combinable con una fuerte influencia a Type O Negative”. The Resistance.cl

“Puntual a las 19:00 horas, los músicos de JP Krom se suben para interpretar la primera melodía ‘Rondó Alla Torre’ seguida de ‘Luna Plótón’ donde visualizamos a varias personas grabando con sus celulares y no es de extrañar, ya que esta será parte del segundo disco de la banda, que espera salir en el segundo semestre de este año. En ‘Poison Girl’, los chicos nos hacen saber que están felices de pisar el escenario del Club Chocolate y además abriendo la jornada para Moonspell, dando así paso a ‘Tower of Destruction’, notando que los asistentes ya se ponían aún más a tono y fue disfrutada por completo junto a ‘From my Hands’.

Recalquemos que la música de JP Krom está ligada a todo lo que es el misticismo y esoterismo, por lo que sus canciones están dedicadas a los signos zodiacales, entre otros de estos temas, y es así como la última canción de su show, estaría dedicada a los de signo Leo, haciendo presencia varias personas del público al levantar sus manos y mover sus cabezas al son de ‘Omnipotent Egotist’. De esta forma, Braulio Morales, Reynaldo Catalán, Guillermo Pereira, el guitarrista invitado Diego Caniulao y el mismo Juan Pablo Piderit dieron a conocer parte de su trabajo estudio de ‘The Inner Gods’ y el EP YOD, dejando el clima preparado para el plato fuerte. “Headbangers Latinoamerica”

[Download Single Artwork | Download Single Lyrics]

Single Title: Luna Plutón
Single Release Date: August 17th, 2023.
Label: Self-Release

About The Artwork:
Luna Plutón artwork represents the woman that is on the videoclip. With a crown of a blood moon, with a halo of an eclipse, and a waxing and waning moon. These last ones are the phases of the moon, representing the full moon as the more intense moon, the halo calls all of the darkness that an eclipse brings. Reminding us of the darkness of the deepest abyss where all the hidden secrets that all of us have.

About The Track:
Luna Plutón tells us about dark family secrets, kept in the dark of our minds. Secrets that some know and use to manipulate, generating resentment and an obsession with these emotions fixed in the deep.

It seems that nothing can purge our blame, and most of the time we try to deny it.

Track Listing
Single – Luna Plutón – Length (3:55)

Single Recording Credits:
• All songs performed by:
J.P. KROM (Vocals & Guitars)
Reynaldo Catalán (Bass)
Braulio Morales (Synthesizers)
Guillermo Pereira (Drums)
• All songs written by: J.P. KROM
• Produced by: Juan Pablo Piderit Pinchon
• Mixed by: Erick Martínez
• Mastered by: Erick Martínez
• Album Artwork by: José Canales/Valeria Jara

Album Band Lineup:
J.P. KROM – Vocals & Guitars
Reynaldo Catalán – Bass
Braulio Morales – Synthesizers
Guillermo Pereira – Drums

Live Band Lineup:
J.P. KROM – Vocals & Guitars
Kagno – Lead Guitar
Reynaldo Catalán – Bass
Braulio Morales – Synthesizers
Guillermo Pereira – Drums

======================================================

BAND STORY ANGLES / FUN FACTS:

1. J.P. studied astrology for three years in two places “Escuela Quirón” and “Centro Astrológico de Chile”. He studied too Tarot in “Escuela Quirón”. J.P. used to make “astrological consultations” and he used to teach basic astrology, using his knowledge as a teacher and master of education. All of the songs of J.P. are based on astrological/Tarot concepts, translated (the most of them) to personal experiences; except for the last song on the EP 2023, called I Don’t Feel Love; which was going to be a bonus song.

2. Woman Hermit (from ASTROMETAL EP) is a song dedicated to the Tarot Card “The Hermit”, but instead to be a man it is a woman, based on his first girlfriend that represents these characteristics, as other women in J.P.’s life. Poison Girl (from YOD EP) represents a relationship he had years ago with a Scorpio (the more metalhead/dark sign as J.P. says) woman, that marked J.P., even though the relationship was short it was pretty intense. At the same time, he uses the song to develop what a Scorpio energy in a relationship could be, in a literal a non-literal way.

3. I Don’t Feel Love (from ASTROMETAL EP) is a song J.P. composed more than 10 years ago, dedicated to a girl that finished the relationship with J.P. After the end of the relationship, J.P. told her that he composed a song for her. It looks like the girl was expecting a “love song” so she can come back to J.P.’s arms, but it looks as if it was a little revenge from J.P. for ending the relationship. The song explores changes of key, using the knowledge just learned when he was studying music at University.

4. Braulio Morales is working with J.P. since “The Inner Gods” album, in one way or another, till now that is a partner in various parts of the execution of this project. He has a disability, he was born with almost half of the right side of his body with difficulties using it, so Braulio plays only with his left hand the keyboards. Besides that, he doesn’t live in the same city as J.P., so when they have a concert, he has to travel and stay in different places. As it happens when we shared the stage with Moonspell this year.

5. J.P. was part of a medieval choir. This choir was only composed of men, so J.P. could learn more about vocal arrangements and vocal techniques. But when he learned the most about vocal technique he was on speech therapy, because one of his vocal chords wasn’t closing.

A son of Poseidon, J.P. Krom is a Chilean writer/ composer, singer/guitarist, being the one or part of a few who cultivates the gothic metal style in his country. His music is a blend of astrological /esoteric metaphors/concepts with the sounds and structures of metal where the visuals/graphics are hand in hand. His story starts with a lover: a pagan mistress who gifted him with an astral chart, an irresistible invitation to the esoteric.

Kings and powerful men use this device to see into the future, but to J.P. it’s a tool for self-knowledge: every passion, every act of good and horror, can be understood with the map of the stars at the moment we are born.

OTHER FACTS

J.P. Krom majored in music –which exposed him to classical composers and new songwriting/arrangement possibilities –and even sang in a medieval choir.

His father was an artist, and J.P. has graphic design studies, which made a strong like to the arts with his music -and that is what you see in his album covers.

Even though his first album is a kind of groove metal, his penchant for the dark steered him towards Type O Negative, Moonspell, Paradise Lost, and The 69 Eyes– the final ingredient of his metal alchemy.

Shared Stage with:
Moonspell, L1bera, Morver, V Mente, Anna Frank, Alevosía

DISCOGRAPHY:

ASTROMETAL (EP 2023)

Six intense, deep, and powerful tracks conform to this new EP, an obvious evolution from YOD, affirming the gothic metal style that suits better for J.P. with his “smoke voice”. The first song composed in Spanish (J.P.’s native language), “LUNA PLUTÓN”, to bring closer Spanish-speaking audience, it’s the first single of the EP, with its own video clip and cover. The next songs are “Woman Hermit” (dedicated to a Tarot card) and “I Tried” (for Venus & Saturn), with classical sounds of gothic metal -a consolidated style for J.P.- And “Breaking the Walls”, with an epic symphonic arrangement from interlude, that takes us to the past through ancient times. “You & I” is a love song, a declaration from a father to his son, where synths take protagonism and a J.P. singing with the lowest possibilities of his range; reminding us again of the great frontman Peter Steele. From a love song, we pass to a no-love song: the experimental-electronic track “I Don’t Feel Love”. A sad and introspective tune that rules the song, combining a spoken low range from J.P., in contrast with the “harmonic” chorus of the song.

=============
YOD (EP 2021)

Four tracks together make up this extended play, using as a basis the position by a sign of three planets: Mercury in Gemini, Venus in Scorpio, and Pluto in Capricorn (at the same time a reference to 16th card of Tarot, The Tower); all
of them represented in its cover.

YOD includes four tracks inspired by astrology, with a gothic metal style, a perfect style for the voice of J.P. Krom, which is reminiscent of the great Pete Steele, from Type O Negative.

In the instrumental, YOD has a strong predominance in keyboards that range from electronic to symphonic, accompanied by heavy guitars reminiscent of great exponents of the genre such as Nightwish and Within Temptation.

“Rondó Alla Torre” is an exploration of acoustic sounds with Latin American sounds, such as cueca (a native style from Chile and Argentina), flamenco, and classical sounds. Rondó is an introduction -with his own personality- for Tower of Destruction, that is connected with themes within the musical piece, with a view to the depths of oneself with melancholy that acoustic sounds can give.

======================

THE INNER GODS (LP 2017)

Twelve relentless tracks –one for each sign of the Zodiac– looking at the archetypes feeding our primal urges from the perspective of ancient knowledge.

Two singles: the punishing “Omnipotent Egotist” (a meditation on the sign of Leo) and the hard-hitting “As you bleed for me” (an exploration of Aries).

Mixed/mastered by All Tomorrows’ Pepe Lastarria, a legend in the Chilean djent and prog. metal circuit.

Features a 16-page booklet with illustrations for each sign of the zodiac by local and international artists.

The album has received airplay in Latin America, the United States, Italy, Spain, and Germany, as well as coverage from metal publications in Chile, South America, North America, and Europe.

Page 24 of 72

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