• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Posts By Asher

0 SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

  • January 16, 2026
  • by Asher
  • · Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – January 16, 2026

SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power metal storytellers Siege Perilous ignite the next chapter of their musical saga with the release of their first single and music video, “As the Dragon Falls”, featuring legendary vocalist Fabio Lione (Rhapsody, Angra). The track serves as the first glimpse into the band’s sweeping debut concept album, “Becoming the Dragon,” out March 27, 2026.
​
Forged from the camaraderie of live‑action roleplay and a shared love of epic storytelling, Siege Perilous has built a reputation for crafting cinematic, narrative‑driven metal that blends myth, history, and high‑fantasy adventure. Their upcoming full‑length album marks the culmination of years of collaborative writing, world‑building, and musical evolution.
​
​“As the Dragon Falls” is more than a single; it’s a milestone for the band, especially for vocalist Shaughnessy McDaniel, who has been a devoted Rhapsody fan since his teens.

“As the Dragon Falls represents a true heavy metal dream come true for all of us, but especially for Shaughnessy. Working with Fabio far exceeded anything we could have hoped for. His classic soaring vocals combined with Shaughnessy’s lower register create a really unique and cool power metal sound,” adds the band.
​
The song’s narrative twist, where slaying the dragon becomes a metaphor for the double‑edged nature of achieving one’s goals, adds a bittersweet emotional core to the track. Lione himself was drawn to the story and, according to the band, “really gave it his all.”
​
Musically, the single fuses Siege Perilous’ signature melodic power with the symphonic grandeur of classic Rhapsody, delivering a heroic anthem that darkens into something far more ominous by its final moments.

Watch and listen to the music video for “As the Dragon Falls” featuring Fabio Lione via its premiere on MetalAddicts HERE.

Add to your Spotify Playlist – pre-save – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione​

“Becoming the Dragon” is a ten‑part epic chronicling the rise, fall, and metamorphosis of the “Child of Prophecy,” a hero who must confront fate, tragedy, and ultimately his own transformation into the titular dragon. The album features guest performances from both Fabio Lione and powerhouse vocalist Kristin Starkey (Twilight Force, Temperance), who also serves as McDaniel’s vocal mentor.
​
​“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. This album represents our collective experience, skill, hopes, and dreams as musicians,” says the band.

The record showcases the band’s evolution since their earlier EPs, with more complex arrangements, expanded vocal range, and orchestration that heightens the album’s cinematic scope. Each track stands alone as a powerful metal anthem, yet together they form a cohesive narrative journey.

Their writing process is uniquely collaborative; every member contributes to the story and the music, resulting in songs that carry the DNA of the entire band. This approach, while unconventional, has become one of their greatest strengths.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

​https://siegemetal.bandcamp.com/album/becoming-the-dragon​

Track Listing:​
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal​

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

-30-

“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine​
​
​“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules​
​
​“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music​
​
​“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise​
​
​“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking​
​
​“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock​
​
​““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles​
​
​““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thank You Canadian MDs and DJs for the airplay love to kick off 2026 \m/\m/ For the Week Ending: Tuesday, January 13, 2026 !earshot – The National Loud Chart #3 Juliet Ruin, #8 Triskelyon – Moribund Records https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-01-13 ================ CIVL Radio 101.7 FM – Abbotsford Loud – #1 Juliet Ruin, #2 Triskelyon, #10 Phaeton https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 Top 30 – #10 Juliet Ruin, #12 Triskelyon https://earshot-online.com/charts/civl.cfm?dWeekOfID=2026-01-13 ================ CJLO – 1690AM – Montreal Loud – #5 Discovery Through Torment https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 ================ CJSR FM 88.5 – Edmonton Loud – #2 Juliet Ruin, #3 Merfolk, #4 Devolver, #5 Unpunished https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 ================ CJSW Radio 90.9 FM – Calgary Loud – #6 KARU – Rockshots Records https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 Top 30 – #28 Ivy Gardens https://earshot-online.com/charts/cjsw.cfm?dWeekOfID=2026-01-13 ================ UMFM 101.5 FM – Winnipeg Loud – #8 Triskelyon https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-01-13 ================

  • January 15, 2026
  • by Asher
  • · Devolver · Discovery Through Torment · Ivy Gardens · Juliet Ruin · KARU · MERFOLK · Phaeton · radio charts · Triskelyon · Unpunished

Thank You Canadian MDs and DJs for the airplay love to kick off 2026 \m/\m/
For the Week Ending: Tuesday, January 13, 2026
!earshot – The National Loud Chart
#3 Juliet Ruin, #8 Triskelyon – Moribund Records
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-01-13
================
CIVL Radio 101.7 FM – Abbotsford
Loud – #1 Juliet Ruin, #2 Triskelyon, #10 Phaeton
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
Top 30 – #10 Juliet Ruin, #12 Triskelyon
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2026-01-13
================
CJLO – 1690AM – Montreal
Loud – #5 Discovery Through Torment
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
================
CJSR FM 88.5 – Edmonton
Loud – #2 Juliet Ruin, #3 Merfolk, #4 Devolver, #5 Unpunished
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
================
CJSW Radio 90.9 FM – Calgary
Loud – #6 KARU – Rockshots Records
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
Top 30 – #28 Ivy Gardens
https://earshot-online.com/charts/cjsw.cfm?dWeekOfID=2026-01-13
================
UMFM 101.5 FM – Winnipeg
Loud – #8 Triskelyon
https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-01-13
================

0 !earshot Charts – For the Week Ending: Tuesday, January 6, 2026

  • January 15, 2026
  • by Asher
  • · Born Divided · Juliet Ruin · radio charts

For the Week Ending: Tuesday, January 6, 2026

CJSW 90.9 MHz – Calgary Loud #6 – Juliet Ruin, #10 Born Divided

https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-01-06

0 GRAVEWITCH’s New Video Summons “Damnable Evil” From Blackened Thrash Self-Titled Album Out Now! + Show Date w/ Savage Master

  • January 15, 2026
  • by Asher
  • · Gravewitch · Music News

NEWS RELEASE

Montreal, QC – January 15, 2026

GRAVEWITCH’s New Video Summons “Damnable Evil” From Blackened Thrash Self-Titled Album Out Now!

+ Show Date w/ Savage Master & Oxygen Destroyer – Feb 12th in Eugene, OR

Blackened thrash metal duo Gravewitch have released the official lyric video for “Damnable Evil,” the second single from their self‑titled full‑length album Gravewitch, which dropped this past June via Rock Sun Records.
​
Created by Kenji of Tsunami Films & Narcotic Wasteland, the “Damnable Evil” lyric video marks a first for the band, an intense visual companion that amplifies the track’s themes of psychological torment and early‑20th‑century asylum horror.

The track dives into the grim reality of early insane asylums, imagining the terror and mistreatment faced by those confined within. Musically, it blends Gravewitch’s signature blackened thrash with a heavier, groove‑driven undercurrent, an unsettling, immersive backdrop for the song’s lyrical descent into madness.
​​
“The instrumentation captures what the lyrics are explaining. It’s different from the rest of the album, but still very much us,” 
adds Chris Fleming (Guitar/Vocals/Bass).
​
Watch and listen to the video for “Damnable Evil” at https://www.youtube.com/watch?v=DWtDqR4wq8I

Formed in 2013 in the high desert shadows of Bend, Oregon, Chris Fleming (guitar/vocals) and Andrew Ingraham (drums) have spent more than a decade forging their own brand of blackened thrash, fast, melodic, atmospheric, and uncompromisingly heavy. Their sound draws from titans like Kreator, Amon Amarth, Dark Funeral, Uada, Skeletonwitch, Emperor, and Vader, while remaining unmistakably their own.
​
Their self‑titled 2025 album represents the band’s most ambitious and polished work to date. Written during the global uncertainty of 2020, the record explores a wide spectrum of dark themes, from war and witchcraft to sleep paralysis, necromancy, and the infamous serial killer H.H. Holmes. Each of the album’s ten tracks stands apart, reflecting the chaotic energy of the era in which they were created.
​​
“This is our first professional recording where listeners can truly hear the sound we’ve been striving for. Every song takes the audience on a different journey. We wanted this album to be an adventure. We’ve always been told we sound like a five‑piece band even though we’re a duo. This album shows who we are and where we’re going,”
 says Fleming.
​
Since their formation, Gravewitch have become a force in the Pacific Northwest metal scene, sharing stages with Warbringer, Goatwhore, Flotsam and Jetsam, Lord Dying, Nervosa, and more. Their reputation for ferocious, tightly executed live performances has earned them a cult following and a respected place in the underground.
​
Despite their growing success, the band has remained fiercely independent. Fleming handles the bulk of instrumentation on their releases, while both members collaborate closely on themes, structure, and songwriting. Their DIY ethos has shaped their identity from day one.
​
​Gravewitch‘s self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.

Bandcamp (CD) – https://gravewitchofficial.bandcamp.com/album/gravewitch​

Add to your Spotify playlist – https://open.spotify.com/album/7kBWr27iJzjvjOfTLP3ZgM

​Music Video – “Mistress of Hate” – https://www.youtube.com/watch?v=ppa8bA5rk0A​

In additional news, Gravewitch will be local support for Savage Master‘s tour stop in Eugene, OR, on February 12th, 2026. Info can be found here.

Show Dates:​
Feb 12 – John Henry’s – Eugene, OR – Savage Master, Oxygen Destroyer, Gravewitch

Track Listing:​
1. Damnable Evil (4:24)
2. Phantasm (4:21)
3. Mistress of Hate (4:13)
4. Ritual Reanimation (4:35)
5. Atmospheric Alterations (4:31)
6. White City Devil (4:00)
7. Woodland Trance (5:09)
8. Systematic Fallout (4:21)
9. Operation Overlord (5:27)
10. The Once Sacred Gift of Life (3:32)
Album Length: 44:38

Album Credits:​
All songs performed by: Chris Fleming & Andrew Ingraham
All songs written by: Chris Fleming & Andrew Ingraham
Produced by: Johnny Davis
Mixed by: Johnny Davis
Mastered by: Jay Maas
Artwork by: Agustinsane Iryanto

Band Lineup:​
Chris Fleming: Guitar/Vocals/Bass
Andrew Ingraham: Drums

More info: Facebook.com/gravewitch | Instagram.com/gravewitchofficial​

-30-

“Turn the ignition on this song (Mistress of Hate) and it will rev up your engine into the red zone damned fast, with drums and bass pumping like high-octane pistons, the guitars going fiery and wild, and the vocals gnashing at your throat.” – No Clean Singing

“There’s a lot to savour here as Gravewitch inserts flecks of death and thrash into their already potent formula. I’ve given this album quite a few spins now and I recommend you do too.” – Neil Arnold / Metal Forces Magazine

“A blood-soaked gore-fest, of intense proportions; ‘Gravewitch’ does just as expected; fulfilling its purpose. Brilliant technical precision’s where this is at, though structurally and tonally, it’s not that different to most others in the same genre. So mainly, it just needs to introduce some variation and original signature touches, to add to the already highly skilled craftsmanship. Melodically, there’s room for growth, but all in all, an effective album, with a lot of well showcased musicianship. 9/10” – Rock Queen Reviews

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Protected: EPK – Conflux Collective – In the Wake of Saturn (2026)

  • January 15, 2026
  • by Asher
  • · Conflux Collective · EPKs

This content is password-protected. To view it, please enter the password below.

0 Rockshots Records Signs Embrace Of Souls For New Concept Album “The Battle Of The Dead”

  • January 15, 2026
  • by Asher
  • · Embrace of Souls (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 15, 2026

Rockshots Records Signs Embrace Of Souls For New Concept Album “The Battle Of The Dead”

Rockshots Records is proud to announce its signing of Embrace Of Souls for the release of their new concept album “The Battle Of The Dead,” due out in 2026.

Founded by drummer and composer Michele Olmi, Embrace Of Souls has forged a solid identity within the Italian power metal scene by blending classic ’80s and ’90s heavy and power metal foundations with epic and symphonic influences. After the releases of “The Number Of Destiny” and “Forever Part Of Me”, the band reached a natural turning point, choosing to move forward with renewed focus, strengthened artistic vision, and fresh creative energy.

This new chapter is also marked by an updated line-up compared to previous albums. Giacomo Rossi, already involved in earlier recordings, now takes on a central role as lead vocalist, joined by Martina Mazzeo as soprano vocalist. Their combined vocal approach broadens the band’s expressive range, reinforcing the balance between driving power metal intensity and refined symphonic elegance that defines Embrace Of Souls’ current sound.

The journey continues with “Desolate Lands”, the upcoming single taken from the new concept album “The Battle Of The Dead“.

Pre-save “Desolate Lands”: https://lnk.to/7wfF6l​

For fans of: Rhapsody Of Fire, Stratovarius, Sonata Arctica, Nightwish.

BIOGRAPHY:

Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album “The Number Of Destiny” in 2021, receiving positive feedback on an international level and notable acclaim in Japan.

Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.

In 2024, Embrace Of Souls returned with their second full-length album, “Forever Part Of Me,” marking a significant step forward in terms of maturity and songwriting. This phase also introduced important changes within the line-up, bringing renewed energy and a broader musical perspective to the band’s sound.

A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.

Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica and Rhapsody Of Fire, Embrace Of Souls continue to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach with the goal of solidifying their presence on the international power metal scene.

More info: ​
​​https://www.rockshots.eu​

​https://www.instagram.com/embraceofsouls/​

​https://www.facebook.com/embraceofsoulsofficial/​

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 WACKEN METAL BATTLE USA Announces 2026 Battle Cities and Bands! One Band To Conquer Them All & Play Wacken Open Air

  • January 14, 2026
  • by Asher
  • · Music News · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – January 14, 2026

WACKEN METAL BATTLE USA Announces 2026 Battle Cities and Bands!

One Band To Conquer Them All & Play Wacken Open Air

One Band To Conquer Them All! Wacken Metal Battle USA proudly unveils the 2026 battlegrounds across the nation, where one rising independent metal band will earn the chance to perform at Wacken Open Air, one of the globe’s most iconic and influential metal festivals.

Battles will be hosted in the following cities listed below. Please note that the national final will be held in San Diego, CA, on June 13, 2026.

The 2026 WMBU champion will receive the following:
– A slot at the 2026 Wacken Open Air Festival.
– Full professional backline provided.
– $1,000 USD towards flights to Germany.
– VIP camping at the festival.

List of previous WMBU national winners: Mourning High (2025 – Southern California / Arizona), Cascade Effect (2024 – San Diego), Fadrait (2023 – San Diego), Mythraeum (2022 – San Diego), Monarch (2019 – San Diego), Voices of Ruin (2018 – Anaheim), and Corpse Hoarder (2017 – Philadelphia).

Watch – Wacken Metal Battle 2025 – Aftermovie | Have You Heard the Future of Metal? – https://www.youtube.com/watch?v=nCulXiLlaSw​

Wacken Battle Trailer Video – https://www.youtube.com/watch?v=fjMugRXEc5g​

Battle Cities

Atlanta
​
Jan 30 – Atlanta, GA – Star Bar (Round 1) – Esca, Vicki’s Dream, Death Rift, Endera, Valkyrie’s Fire, Disenthralled – https://www.freshtix.com/events/wackenmetalbattleatl
Jan 31 – Atlanta, GA – Star Bar (Round 2) – Jaeger, Red Hot Empty, Sugar Virus, Beast Mode, Dead Alive, Widow Anchor – https://www.freshtix.com/events/wackenmetalbattleatl
Feb 13 – Atlanta, GA – Star Bar (Atlanta Final)
​
​Austin
​
Feb 1 – Austin, TX – Come And Take It Live (Round 1)
March 15 – Austin, TX – Come And Take It Live (Texas Final)
​
​Brooklyn – https://www.facebook.com/events/880819674913930​
​
March 13 – Brooklyn, NY – The Monarch – Wood Shop (Round 1)
March 14 – Brooklyn, NY – The Monarch – Wood Shop (Round 2)
April 11 – Brooklyn, NY – The Monarch – Wood Shop (Brooklyn Final)
May 9 – Brooklyn, NY – The Monarch – Wood Shop (East Coast Final)
​
​Baltimore
​
Feb 7 – Catonsville, MD – Morsbergers Tavern (Round 1) – Tugboat, Casual Cruelty, Gods End, Corpse God, Reign, Ametropsa – https://www.facebook.com/events/2105141780021444/
Feb 28 – Catonsville, MD – Morsbergers Tavern (Round 2) – Eden of Fire, Illusion of Solace, Babies for Brunch, Diegression, Deadkind, Blood Zero – https://www.facebook.com/events/1530819171310018/
March 21 – Catonsville, MD – Morsbergers Tavern (Round 3)
April 11 – Catonsville, MD – Morsbergers Tavern (Catonsville Final)
​
​Concord
​
March 14 – Concord, CA – Vinnie’s (Round 1) – Embryonic Devourment, Sonus, Thares, Cardboard Ringo -https://www.facebook.com/events/2070524426817816/
March 28 – Concord, CA – Vinnie’s (Round 2)
April 18 – Concord, CA – Vinnie’s (NorCal Final)
​
​Dallas
​
Feb 7 – Dallas, TX – The Rail Club (Round 1)
​
​Houston
​
Feb 7 – Houston, TX – BFE Rock Club (Round 1)
​
​Portland​
Feb 28 – Portland, OR – Dante’s (Round 1)
TBD – Portland, OR – Dante’s (Pacific Northwest Final)
​
​Sacramento
​
March 6 – Sacramento, CA – Old Ironsides (Round 1)
March 20 – Sacramento, CA – Old Ironsides (Round 2)
April 3 – Sacramento, CA – Old Ironsides (Round 3)
​
​San Antonio
​
Feb 6 – San Antonio, TX – Rock Box (Round 1) – Aeternal Requiem, Cheese Grater Masturbation, Voltreus, Thunder Horse, Surge Corpse Pile, Life Undone, Ariah Falls, Forever Silent, Bloodmoon, Immortal Execution, Overlay, Egregious
Glorious https://www.facebook.com/events/3331767850332917
​
​San Diego
​
March 13 – San Diego, CA – Brick By Brick (Round 1) – https://www.facebook.com/events/1274721898034186/
March 14 – San Diego, CA – Brick By Brick (Round 2) – https://www.facebook.com/events/4304692073075456/
April 25 – San Diego, CA – Brick By Brick (San Diego Final)
May 23 – San Diego, CA – Brick By Brick (California Final)
June 13 – San Diego, CA – Brick By Brick (National Final)
​
​Santa Ana
​
Feb 28 – Santa Ana, CA – Stages (Round 1)
March 7 – Santa Ana, CA – Stages (Round 2)
April 4 – Santa Ana, CA – Stages (LA/OC Final)
​
​Seattle
​
Jan 16 Seattle, WA – The Funhouse (Round 1) – Trip The Wire, Ocean Ghost, Fate Defined, AC3, Serene, Wayward Shot – https://www.facebook.com/events/1182381040748946
​
​Tampa Bay
​
Feb 27 – Tampa, FL – The Brass Mug (Round 1) – Ramtha, Endurus, Roads End, Mind Virus, Parallel Motion, Coralines Collapse – https://www.eventbrite.com/e/wacken-metal-battle-florida-round-1-tickets-1979192270359
Feb 28 – Tampa, FL – The Brass Mug (Round 2) – Announce The Apocalypse, Failure Protocol, Nocturnal Dawn, Precipice, Livekill, Nibiru – https://www.eventbrite.com/e/wacken-metal-battle-florida-round-2-tickets-1979194475956
March 14 – Tampa, FL – The Brass Mug (Tampa Final)
April 18 – Tampa, FL – Tampa Metal Meeting (Southeast Final)
​
​Wilmington
​
March 7 – Wilmington, DE – Bar XIII (Round 1)
March 20 – Wilmington, DE – Bar XIII (Round 2)
April 18 – Wilmington, DE – Bar XIII (Wilmington Final)

=======================================

Last year’s 2025 WMBU national finals were held on June 21st at Dingbatz in Clifton, NJ, where Southern California and Arizona-based band ​MOURNING HIGH​ emerged as the seventh champion selected to represent the United States at the prestigious international showdown, Wacken Open Air, that took place from July 30th to August 2nd in Wacken, Germany, where over 185,000 attendees from around the world gathered.

Mourning High, crowned the West Coast Winner, competed alongside five other standout American bands: ​PRIME PROPHECY (New Jersey), ​WHAT’S WRONG (Pacific Northwest), ​PONTIFEX​ (Florida), ​FIREHAZE (East Coast), and BROKEN TIME (Texas). A panel of seasoned industry professionals, including Jeff Buttermark (FM Management), Shawn Quinn (Napalm Records/FM Management), and Rob Caggiano (formerly of Anthrax and Volbeat), ultimately selected Mourning High as the top U.S. act to perform at the International Wacken Battle.

Spotify – 2025 WMBU National Finalists Playlist – https://open.spotify.com/playlist/5q7Or6tHAsWsAGg8zQSVgZ​

For the last seven years of battles (2017-2019, 2022, 2023, 2024, 2025), Wacken Metal Battle USA has hosted battles across the country to send one independent metal band to perform at the world’s largest metal festival, Wacken Open Air in Wacken, Germany. 2019 saw the festival celebrate its 30th anniversary, but due to COVID, the 2020 and 2021 editions were both canceled. As the metal community regains its strength, Wacken Open Air 2026 will be the 35th edition of the festival and will be held from July 29th to August 1st. The 2026 event is already sold out with a line-up that includes Def Leppard, Lamb Of God, In Flames, Powerwolf, Emperor, Sepultura, and Running Wild, among others. Details here.

Wacken Metal Battle USA is part of an international competition that sees bands from across the country battle each other for the chance to win their spot among over 55 other countries’ champions, and represent the USA in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air. The battles have been hosted at the festival for over a decade and give independent bands the opportunity to showcase their talents to an international audience, along with the chance to win multiple prizes.

How it works:​
​Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter, where one band will move forward to the American national final (date and city to be determined). The winner of the national final will advance to perform at Wacken Open Air 2026 and compete against the winners of international bands from around the globe in a major international battle. All bands will be judged during battle rounds by respected local music industry representatives.

Links:​
​Metal-Battle.com​
​MetalBattleUSA.com​
​
Facebook.com/metalbattleusa​.official​
​X.com/MetalBattleUSA​
​Instagram.com/wmbusa.official​

– 30 –

Sponsors / Partners:​
Fatal Illness Management
Bravewords.com
Metal-Rules.com
V13.net
GhostCultMag.com
Come And Take It Productions
Brick By Brick
Distilled Entertainment
Piox Promotions
Tampa Bay Metal Scene
Last Light Presents
East Coast Metal Mayhem
Dean Guitars
Asher Media Relations

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Gore House Productions – Slam Titans INSECT INSIDE Unleashes “Carnal Ruins” From New Album “Reborn in Blight” Out March 2026

  • January 14, 2026
  • by Asher
  • · Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Slam Titans INSECT INSIDE Unleashes “Carnal Ruins”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Rising slam force Insect Inside are preparing to unleash their next wave of devastation with the release of “Carnal Ruins,” the newest single from their upcoming full‑length “Reborn in Blight”, arriving March 6th, 2026, via Gore House Productions. Emerging from the Eastern European underground, the band has sharpened their sound into something unmistakably their own, tight, aggressive, and drenched in the bleak atmosphere of the death metal that shaped them.

“Carnal Ruins” embodies that evolution. Described by the band as the album’s main brawler, the track delivers hardcore‑infused groove, relentless blastbeats, and a stripped‑down attack that pays homage to New York death metal icons like Soils of Fate, Internal Bleeding, and Dying Fetus. It stands as both a tribute and a declaration of the band’s place among slam’s heaviest modern acts.

The single follows the crushing momentum of “Hiveborn Abomination,” featuring Defeated Sanity’s Josh Welshman, a track that showcases the band’s ability to merge speed, groove, and suffocating atmosphere. Together, these singles set the stage for an album promising overwhelming heaviness, sharpened songwriting, and a deeper dive into the band’s dark, atmospheric tendencies.

This growth stems from a disciplined writing process shaped by distance; members living in different cities compose individually before refining ideas together. Daniel leads the songwriting, while he and Ivan craft the album’s apocalyptic lyrical vision, telling vivid stories of humanity’s extinction and the rise of an insectoid race.

Formed from a shared obsession with slamming brutality, Insect Inside evolved from casual jam sessions into a full‑fledged force featuring seasoned veterans: Bogdan (bass), Pavel (guitar), Daniel (vocals), and Ivan (drums). Their live shows are notorious for chaotic energy, relentless pits, and even fans in dinosaur costumes, a raw spirit reflected in the band’s shift toward a more visceral production style on “Reborn in Blight.”

Visually anchored by artwork the band calls gloomy and disgusting, the album delivers a grotesque fusion of groove‑based slam and dark brutal death metal across ten crushing tracks.

With “Carnal Ruins,” Insect Inside delivers another strike before the full album drops, a clear statement of intent and a promise of the brutality still to come.

Listen to “Carnal Ruins” at https://www.youtube.com/watch?v=q3wB_kSpCzY

Add to your Spotify playlist – https://open.spotify.com/album/4ZtW0SfFfeoCuA1x1zBUMy

​

and previous single “Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity at the following links:

YouTube – https://www.youtube.com/watch?v=OhaFr5xtoEo​

Drum Playthrough – https://www.youtube.com/watch?v=2sfgjF0-JVw​

Recommended for fans of Relics of Humanity, Internal Bleeding, Stabbing, Devourment, and Disfigurement of Flesh, “Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight​

Track Listing:​
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22

Album and Live Band Line Up:​
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info: ​​

​https://gorehouseproductions.com/​

​https://www.facebook.com/insectinsideslam​

​https://www.instagram.com/insect_inside​

-30-

“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Exitus Stratagem Records – Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

  • January 14, 2026
  • by Asher
  • · Matt Miller · Music News

NEWS RELEASE

Montreal, QC – January 14, 2026

Tech-Death Shredder MATT MILLER Unleashes Guitar Playthrough for “Maimed Paralyzed Dead” From Latest Album “Fiber Tormentum”

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Technical death metal visionary Matt Miller has unveiled a new guitar playthrough video for “Maimed Paralyzed Dead,” one of the most harrowing and cinematic tracks from his latest full‑band album, “Fiber Tormentum,” released through Exitus Stratagem Records. The video captures Miller’s trademark blend of precision, intensity, and melodic ferocity, offering fans a close look at the technical prowess behind one of the album’s most monstrous compositions.

“Maimed Paralyzed Dead” occupies a pivotal place in the album’s overarching sci‑fi narrative, depicting the grotesque physical consequences of alien‑engineered DNA manipulation.

“Musically, it’s something out of a monster movie. Like a zombie crawling on the floor or lumbering toward its victim.” The playthrough highlights the track’s relentless rhythmic shifts, soaring leads, and crushing atmosphere, all of which have become defining elements of Miller’s evolving sound,” explains Miller.

The release of the “Maimed Paralyzed Dead” guitar playthrough marks another step in that progression, offering fans a visceral look into the technical and emotional core of “Fiber Tormentum.” With its blend of cinematic horror, technical mastery, and thematic depth, the track stands as a testament to Miller’s commitment to crafting music that is both overwhelming and unforgettable.

Watch the playthrough: https://www.youtube.com/watch?v=FBIYWn7U8RI

“Fiber Tormentum” represents a major turning point in Miller’s career. Originally conceived as an instrumental record, the album transformed once he realized the material demanded a broader emotional and narrative range. The addition of vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett elevated the project into a fully realized band.

“I knew it needed to be a proper album with vocals and the input of other people to make it come to life. This album features the heaviest, most melodic, and most technical music in my catalog so far,” adds Miller.
​
The album blends technical death metal, power metal, progressive elements, and epic vocal hooks into a sound Miller describes as relentless, soaring, crushing, intense, and epic. Lyrically, “Fiber Tormentum” forms a loose concept album centered on an advanced alien civilization subtly reshaping human DNA to enslave humanity. The story draws influence from real‑world anxieties and the societal fallout of the COVID‑19 era, giving the record a thematic weight that matches its musical aggression.
​
The album’s artwork, created by the late Joshua Nassaru Ward (Voraath), visually captures the torment of the narrative. The central figure’s face contorts in agony as its DNA fibers are forcibly rewritten, echoing the album’s themes of transformation, invasion, and loss of autonomy. The title itself, Fiber Tormentum, references the sound a Roman ballista makes when its ropes tighten before firing, a metaphor for tension, destruction, and the inevitability of conflict.
​
Miller’s journey to this moment began in 2020, when he launched his solo project during the pandemic. After touring the United States with Rings of Saturn on the Cyber Shred Tour 2022, he assembled his current lineup and soon after embarked on a European tour supporting death metal pioneers Possessed. Each member brings a diverse musical background, ranging from metal and jazz to folk and bluegrass, resulting in a dynamic and collaborative creative process.

“We strive to offer a show that grabs everyone’s attention. We play crushing technical music, but we want everyone to sing along and bang their heads,” says Miller.
​
The making of “Fiber Tormentum” was marked by its share of memorable moments. Vocalist Biko Wright tracked his parts between filming sessions for the Discovery Channel’s Expedition Bigfoot. The band became such regulars at a local Subway during recording that staff reserved a table for them every Tuesday and Thursday night. Their attempts to record samples using high‑end pianos and harps in music stores resulted in them being banned from multiple locations. And somewhere on the album, a hidden “One Take Willy” outburst, Biko’s triumphant shout after nailing a one‑take performance, awaits listeners with sharp ears.
​
Miller’s musical evolution has been steady and relentless. From his early instrumental EP in 2017 to the 2022 release of “Monument of Velocity” and his extensive catalog of covers and original material, he has consistently pushed the boundaries of extreme music. Now aligned with Extreme Management Group and backed by a full band of world‑class musicians, he continues to expand his reach and refine his sound.
​
Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum​

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629​

Guitar Playthrough – Descent into Violence – https://www.youtube.com/watch?v=RCj0AKSkSTc​

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8​

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k​

Track Listing:​
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:​
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

​Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple
​
“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Absolute Underground Magazine – Dec 2025-Jan 2026 issue

  • January 13, 2026
  • by Asher
  • · Born Divided · Discovery Through Torment · Fallstaf · MERFOLK · Outlying

Page 9 of 1854
  • 1
  • …
  • 7
  • 8
  • 9
  • 10
  • 11
  • …
  • 1,854

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,177 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 656 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...