Thank You Canadian MDs and DJs for the airplay love! \m/\m/
September 2024 – Top 20 Loud
#7 Culled, #16 Atomis
https://earshot-online.com/charts/2024/September/top200.cfm#1
Posts By Asher
0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ September 2024 – Top 20 Loud #7 Culled, #16
0 Yellowknife’s GNARWHAL’s New Video “War / Nothing More” Speaks of Survival From Their Hometown Wildfires; New EP “Altered States” Out Now!
NEWS RELEASE
Montreal, QC – October 31, 2024
Yellowknife’s GNARWHAL’s New Video “War / Nothing More” Speaks of Survival From Their Hometown Wildfires
New EP “Altered States” Out Now!
|
|
From the far reaches of the Canadian North in the Northwest Territories, Yellowknife’s award-winning (Best New Single at the 2022 Music NWT Awards) Gnarwhal unleashed their doomy stoner sludge rock sound to the masses with their latest EP “Altered States” this past May.
Today, the quartet presents its new music video for the track “The War/Nothing More”. The video depicts the real-life chaos of wildfires and evacuations that the band experienced first-hand last year in Yellowknife creating this unsettling strangeness in real time.
“It was a messy, scary, disturbing, wild, incomprehensible, maddening, dangerous, and disorienting experience for an entire territory. We wanted to represent a fever dream version of our new reality as an act of personal catharsis that speaks to our reality that wildfires act as nature’s regenerative agent and bring forth rebirth. Sometimes, only through brutality and pain does life start new,” says the band.
For the music video, Gnarwhal teamed with their friends from Yellowknife’s amazing Artless Collective studio.
“They were totally into undertaking this creative journey with us. The Creative Vision is a fever-dream assault on the senses, The War Nothing More tells the surreal experience of the band in the sudden throes of fighting for their northern home, burning to the ground by wildfire. Close to Yellowknife reality in 2023 but based in a strange alternate “Yellowknife”, this world is full of smoke, black charred forests, and strange illusions. Apocalyptic, surreal, and vibrating with strange energy. After spitting out of the belly of a narwhal, the men are in possession of the last 4 ‘seeds’ available to mankind (not revealed til the end) and they must travel towards their demise across the desiccated landscape, surviving a dangerous and surreal journey to ‘plant’ the last ‘seeds’ in a specific location. There they will pay the ultimate sacrifice to initiate the regrowth of their charred world in a hot and searing fever dream. Paying loose homage to the surreal style of Alejandro Jodorwosky films like Holy Mountain and El Topo, and utilizing new AI technology to raise the visual bar, mixing live action on a 360 8K camera that allows for maximum shooting ease, this is a visual journey that is to be felt/understood more on an emotional/subconscious level.” adds the band.
Watch the music video for “The War / Nothing More” via its premiere on MetalInsider HERE.
|
|
The band’s sophomore record, “Altered States” represents a significant evolution in Gnarwhal‘s musical journey, offering a darker and heavier atmosphere compared to their debut release. From the haunting melodies of “Tides” to the introspective depth of “From Her Hands”, each track on the EP contributes to a cohesive and immersive listening experience.
The creation of the EP was not without its challenges, as the band navigated the uncertainties of the pandemic and unforeseen obstacles during the recording process. Despite these hurdles, Gnarwhal remained steadfast in its commitment to delivering a powerful and authentic musical statement. “Altered States” was produced and mixed by Dan Ponich, mastered by David Collins, and the album artwork was done by Jonah Cutler.
“We hope our progression as a band and as songwriters appeals to our fans and listeners. The Altered States EP is a bit darker and maybe heavier than our first one. Conceptually and thematically, the songs on the EP fit together better as a package and we hope this is conducive to a front-to-back experience for listeners.” says guitarist Benji Srtaker.
Recommended for fans of Kyuss, Mastodon, Truckfighters, and Elder, “Altered States” was released on May 24, 2024, and is available at https://gnarwhalband.bandcamp.com
and Spotify – https://spoti.fi/3YHlaro
Previous singles:
Lyric Video – “Altered States” – https://youtu.be/yLtXbxLuFrY
Lyric Video – “Tides” – https://youtu.be/ix726UB1FKU
|
|
Track Listing:
1. Tides (3:37)
2. The War / Nothing More (6:36)
3. From Her Hands (3:46)
4. Altered States (3:19)
More info: Gnarwhalband.com | Facebook.com/gnarmusic | Instagram.com/gnarwhalsounds
-30-
“Gnarwhal moves along at its own Fuzzed Out Stoner pace with its style of Hard Rock and slightly Doom tinged grooves. Taking cues from bands such as Mastodon, The Sword, Elder and King Buffalo, these guys walk a fine line between Classic and Modern day Stoner sensibilities especially with the Proggy Spaced out vibes. There’s a HEAVY METAL beast waiting to escape from the cleaner grooves that Gnarwhal plays and when it does escape from its cage, Gnarwhal becomes a more exciting creative unit.” – Outlaws of the Sun
““Tides,” a brutal, stormy track that meshes fuzzy, downtuned vibes with unrelenting proggy rhythms. Forlorn vocals that seem to prophesy the inevitable collapse of civilization, as illustrated by the single art.” – Doomed And Stoned
“Altered States follows Canadian four-piece Gnarwhal‘s 2023 self-titled debut full-length with four songs that effectively bring together atmosphere and impact in the six-minute “The War Nothing More” — big build in the second half leading to more immediate, on-beat finish serving as a ready instance of same — with twists that feel derived of the MastoBaroness school rhythmically and up-front vocal melodies that give cohesion to the darker vibe of “From Her Hands” after displaying a grungier blowout in “Tides.” The terrain through which they ebb and flow, amass and release tension, soar and crash, etc., is familiar if somewhat intangible, and that becomes an asset as the concluding “Altered States” channels the energy coursing through its verses in the first half into the airy payoff solo that ends.” – The Obelisk
“With their innovative sound and thought-provoking lyricism, Gnarwhal continues to push the boundaries of heavy music and establish themselves as a formidable force in the Canadian rock landscape and Altered States is a testament to Gnarwhal‘s ability to seamlessly blend diverse influences into a cohesive sonic tapestry.” – Amplify The Noise
“To Canada, Yellowknife to be precise, and the fuzzed-up, whacked-out goodness of Gnarwhal. The band has not long since released a nice little EP, Altered States, that simply oozes class. At times they inject a bit of space rock quirkiness – that should probably be quarkiness, given that first track Tides carries more than a whiff of Hawkwind about it – but for the most part this is wholesome, fuzzy doom of the highest order.” – Sentinel Daily
“rich in beautiful qualities in a vein that is both granite and catchy, these four titles confirm that Gnarwhal a group to follow closely. ” – Music Waves
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 RED CAIN Unleashes Reimagined Goth Rock Banger “Demons II” For Halloween!
NEWS RELEASE
Montreal, QC – October 31, 2024
RED CAIN Unleashes Reimagined Goth Rock Banger “Demons II” For Halloween!
|
|
L-R: Taylor Gibson (Drums), Oman Costa (Guitar), Samuel Ridout (Guitar), Evgeniy Zayarny (Vocals)
Photo Credit Zak Kelly
Power prog storytellers RED CAIN have unleashed a reimagined goth rock version of their track “Demons” from their 2020 album “Kindred: Act II”. The track has been djentified, revocalized, injected with bigger drums, and metalized!
Vocalist Evgeniy Zayarny elaborates on “Demons II”:
“Stand with your demons and own them. A lethal and heavy encounter with your demons awaits you in the succinctly titled “Demons II’ – Red Cain’s reimagining of their 2021 goth rock hit. With all-new, heavier, djentier guitars, revised drums, and vocal performance to die for, this is a quintessential Halloween headbanger.
We are all defined by our battles with our demons – each of us fighting our own private war every day to remain ourselves and wrest control of this sense of self from the things that afflict us, drag us down, attempt to change us, and bring us into discomfort and malcontent.
This lurid tale of a deadly dance with your demons captures that struggle, yet ultimately carries a message of acceptance and control of one’s own flaws and imperfections, and an elevation of these into pure strength.”
Watch the music video for “Demons II” at https://youtu.be/7VViLOrFfQ8
Spotify – https://spoti.fi/3NMW83L
|
|
Earlier this year, Red Cain also shared “Firestarter”, the first single of 2024 that is loosely based on the lore of the action role-playing game “Elden Ring: Shadow of the Erdtree”. The band spent a lot of their time this year playing this fantastic release. Elden Ring is not only a brilliant game and a visual masterpiece, but also a storytelling phenomenon that deliberately has lore gaps to let fans and players create their own stories and interpretations of the lore. This strongly resonates with Red Cain‘s approach as musicians, as they always write music for their fans to read in unique ways and weave into their mythology.
“Firestarter” is also a new statement for Red Cain, as they continue to embrace a modern sound and reinvent their songwriting. You will hear a lot more groove and synth backing on this one, along with the same anthemic hooks, technical riffs, and vocal layering they are known for.
Listen to “Firestarter” at the following links:
Lyric Video – https://youtu.be/aKnOVyjRT6o
Spotify – https://spoti.fi/4e4bFap
Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I”, “Kindred: Act II” and “NÄE’BLISS”. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.
Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitar
Oman Costa – Guitar
Taylor Gibson – Drums
For more info: Redcain.ca | Facebook.com/redcainofficial | Instagram.com/redcainarmy
– 30 –
“NAE’ BLISS is a fine example of world-class Metal. With every album they grow in statue and status they can stand shoulder to shoulder with the titans of the genre.” – Metal-Rules (2023 – NÄE’BLISS)
“Red Cain continue their evolutionary path with NÄ̈E’BLISS, taking us all on a fantastic and metallic journey that will surely help them carve their name even deeper into the metal scene worldwide.” – The Headbanging Moose (2023 – NÄE’BLISS)
“they come up with elements of melodeath, symphonic-, prog- and powermetal, melted together by the expressive vocal performance of singer Evgeniy Zayarny, who convinces with his full tone and an impressive range… “Näe’bliss” is well written, varied and dynamic, telling the stories about a common “good” against an “evil” antagonist in a great way.” – The Prog Space (2023 – NÄE’BLISS)
“What a masterpiece! In my last review, I gave my first 10/10 and called it my album of the year. That place has already been overtaken.” – Musipedia of Metal (2023 – NÄE’BLISS)
“Canadians Red Cain took on the mammoth task of turning Robert Jordan’s works of the Wheel of Time series into an album… Needless to say the Power Prog band delivers an ambitious album filled with twists and turns that will keep you on your toes!” – Belgian Jasper (2023 – NÄE’BLISS)
“Red Cain has made by far the best Wheel Of Time-related piece of art that I’ve seen or heard since before November 18, 2021. Sour grapes aside, this is some energetic power metal worthy of the source material.” – Metal Utopia (2023 – NÄE’BLISS)
“Red Cain combine with clean singing and growling vocals on opener “Fisher King.” Much of Nae Bliss has a fresh modern sound (“Blight” and the gothic “The Great Hunt”) and some modern groove (“Sightblinder”)… The modern metal here reminds me of Iced Earth and Nevermore which has some excellent clean vocals. ” – Transcending the Mundane (2023 – NÄE’BLISS)
“this is an album to explore if you tend to enjoy a more theatrical and bombastic variety of progressive metal.” – Progressor (2023 – NÄE’BLISS)
“If you’re into the symphonic side of metal, then this is a must have album.” – Smorg Magazine (2023 – NÄE’BLISS)
“As such Red Cain uses Näe’bliss to showcase the slickest noodling and power grooving of their career… Red Cain hasn’t yet made an album for the ages in this modern expression of classic prog/power exuberance, but each record thus far has swung for the fences and landed in good graces—stop sitting around and spin some Red Cain!” – Angry Metal Guy (2023 – NÄE’BLISS)
“you’ll still feel the mighty pull of Power Metal all over the record. But the progressive parts now start to encroach on soundscapes bands like Haken or Caligula’s Horse3) usually usurp. And that leaves us with an uncannily savvy power prog mix with an unholy urge for unusual extreme metal undercurrents on full display. And that led – yet again – to overheated turntables over at the RMR office tower. Red Cain are back and in full swing yet again, feisty as ever. And as well they should be. So, where’s that bookshop? Robert Jordan’s fantasy lore’s beckoning us.” – Rock Music Raider (2023 – NÄE’BLISS)
“With Näe’bliss, Red Cain has created their own progressive metal epic fantasy that is fuelled with blast beats, howling guitars, wailing vocals, and rumbling bass. The intricate lyrics tell their own tales and have captured the essence of the adversaries and nemesis of the story. Perhaps for me, storyline aside, is the wonderful vocal dynamic between Evgeniy Zayarny and Kalie Yan and how they play off each other in a beautiful tit for tat of clean versus harsh and singing versus operatic as if they were the protagonist and antagonist. Let the chaos reign supreme, crank Näe’bliss to 11.” – Amplify The Noise (2023 – NÄE’BLISS)
““Fisher King,” is a monstrous opening, a song that tempts the deliverance and brings the power of brilliance and chaos of the whirlwind…. “Fires of Heaven,” is bombastic, powerful, enchanting and downright haunting. A song that smashes through everything.” – The Median Man (2023 – NÄE’BLISS)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Rockshots Records – DYING AWKWARD ANGEL Shake Up The Pit w/ New Single “The Magical World of the Dead”
NEWS RELEASE
Montreal, QC – October 31, 2024
DYING AWKWARD ANGEL Shake Up The Pit w/ New Single “The Magical World of the Dead”
|
|
Dying Awkward Angel is back to shake up the metal scene with their latest single, “The Magical World of the Dead”!
This intense and dark track dives into the boundary between life and death, taking listeners on a sonic journey filled with haunting melodies and powerful riffs—a true homage to Swedish melodic death metal! Featuring a dramatic dialogue between a man and Death, Dying Awkward Angel creates a dark, contemplative atmosphere that captures the beauty and tension of humanity’s inevitable fate.
LISTEN NOW on all digital platforms – https://lnk.to/SBtKsD
Youtube – https://youtu.be/IQKnB3ZoQb0
|
|
More info: https://www.rockshots.eu | http://www.dyingawkwardangel.com
-30-
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Rockshots Records – VICTORIA K Pays Tribute To Origins w/ “Humanity XXIV”
NEWS RELEASE
Montreal, QC – October 31, 2024
VICTORIA K Pays Tribute To Origins w/ “Humanity XXIV”
|
|
Rockshots Records is proud to announce the release of “Humanity XXIV” by Victoria K, which is now streaming on all digital platforms!
Single – https://victoriak.lnk.to/HumanityXXIV
Youtube – https://youtu.be/dqGL_6lMMUE
This re-recorded fan-favorite track from their debut album “Essentia” captures a refreshed intensity, featuring new vocals from Victoria Knight herself – a powerful leap from the original recording.
This release is part of Victoria K’s journey of both reflection and evolution, looking forward to a third album in 2025. Known for pushing the boundaries of their sound, Victoria K’s last album, “Kore”, embraced a conceptual approach inspired by Greek mythology. But with “Humanity XXIV” (and the upcoming “Lacuna XXIV”), Victoria K pays tribute to their origins, infusing these tracks with matured skill and spirit.
These tracks are only the beginning, marking a new era in Victoria K’s Gothic Metal legacy, and follow the band’s recent chart-topping success with their “Frozen” cover, which reached the top 10 on Metal Contraband charts. As the anticipation builds for the 2025 album, “Humanity XXIV” serves as a powerful reminder of their journey from a rising name in the Melbourne metal scene to a band opening for legends like Eluveitie, Blind Guardian, and Katatonia.
|
|
More info:
Rockshots.eu
Victoriakmusicofficial.com
- 30 –
“I have always loved a good concept album being a Prog head at heart and there are lots of progressive metal records floating around the constant stream of modern metal. But for me, none so well produced, performed and as inspired as this one. If you’re looking to dip your toes into the waters of concept albums this is most defiantly the one to try. It’s not dry or heavy going like some and you don’t need to have a degree in Astrophysics to enjoy it. Long gone the image of thick-rimmed glassed music professors in flares noodling around in impossible time signatures. Now there is new blood, new energy and WHAT a voice, it truly has left me with goosebumps. This young talent from Melbourne Australia is really going places. And I for one will be really keen to see quite how far she can go.” (Kore) – Metal Roos
“a really enjoyable record (Kore)” – Sentinel Daily
“Victoria K. are refreshingly different and very profound on “Kore”. Symphonic Metal gets a breath of fresh air here, both lyrically and musically.” (Kore) – Dark Divas
““A Divine Revelation”, is one of my favorites off this album. Victoria’s depth of character and love for this story can be felt with every note she sings. She is “alive” in this story as if it were real. You can feel it in her vocal delivery. So much time and effort was put into delivering the lyrics and story in just the right way. I take my hat off to her and the band for trying to bring such a powerful story to life with music. She sings in Greek to add to the authenticity of this masterpiece.” (Kore) – Progressive Rock Central
“How nice it is that the power in her voice does not decrease, but increases. No high warbling but pure power. Just listen to ‘A Divine Revelation’ for example. Do you like bands with their own sound and who know how to bring something new? Then put this on.” (Kore) – Arrow Lords of Metal
“Lovers of symphonic metal listen up… because Victoria K is about to put Australia on the map.” – Heavy Magazine
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 The Perfect Devil’s Night Soundtrack! Canada’s GRAVEMASS’ (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) New Music Video “Spitting Hell”
NEWS RELEASE
Montreal, QC – October 30, 2024
The Perfect Devil’s Night Soundtrack! Canada’s GRAVEMASS’ (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) New Music Video “Spitting Hell”
|
|
GraveMass L-R – Mayan Hate – Guitar, Destroyer of Souls – Drums, Lord Heathen – Vocals, Bowels of Hell – Bass, Murderer of Colonizers – Guitar
Photo Credit – Whytewolf Photography
Just in time for Devil’s Night! and your Halloween scares! Canada’s newest black / death metal demons GraveMass (ft. members from Zimmers Hole, West of Hell, The Golers, Punch Drunk, 3 Inches of Blood, Revocation) are unleashing their next single and music video “Spitting Hell”, which will be featured on their forthcoming debut album in 2025. The full-length, written by Mayan Hate and with lyrics by Lorde Heathen, promises to be a masterclass in extreme death metal, capturing the true spirit of Canadian black metal.
Watch and listen to the music video for “Spitting Hell” at https://youtu.be/r477FZl1VFo
Emerging from the depths of the Canadian West Coast metal scene, GraveMass is set to redefine extreme death metal and black metal with their fierce and unrelenting sound. Embodying the essence of sonic brutality with their sinister riffs, bone-crushing rhythms, and unholy vocals. Drawing inspiration from legends like Slayer, Venom, Morbid Angel, Watain, and Napalm Death, GraveMass is a relentless onslaught of evil, guaranteed to leave a lasting impact on any listener. With decades of experience between its members, they have united to create a sound that is both devastating and true to the roots of black metal.
Prepare yourself for the extreme sonic assault of GraveMass – this is just the beginning.
Previous Single:
Music Video – “Slave to Pain” – https://youtu.be/9cW-Rk9koq0
Digital singles available at https://gravemass.bandcamp.com/
More info: Gravemass.com | Facebook.com/people/Grave-Mass/61556695854887/ | Instagram.com/gravemass1
-30-
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Canadian Thrashers MUTANK Return With New Album “Think Before You Think” Out End of November 2024 via Boonsdale Records
NEWS RELEASE
Montreal, QC – October 29, 2024
Canadian Thrashers MUTANK Return With New Album “Think Before You Think” Out End of November 2024 via Boonsdale Records
|
|
L-R – Ahmed Saad (Drums), Stephen Reynolds (Bass, Vocals), Costa Skoulikas (Guitar), Chris Nascimben (Guitar)
Photo Credit – Kat Dydyk
Canadian thrash maniacs MUTANK return with their newest collection of bangers and first taste of new neck-breaking tunes in seven years since releasing their mosh heavy EP “W.H.A.T.S.T.H.A.T.” in 2017 via Boonsdale Records.
Entitled “Think Before You Think” will be released once again on Boonsdale Records on November 29th, 2024, and features ten volcanic thrash tracks to blaze a new path to jackhammer a pure audio assault. Live favourites such as “Running Reds”, “Abortron”, and “Thrash Primordial” are sure to please die-hard fans for easy repeat listens.
Vocalist/bassist Stephen Reynolds comments:
“We want this album to energize people and make them feel the way we do when we listen to some of our favourite artists. This album is the most material we have ever put out! 50 minutes of pure metal across 10 tracks. The songs really picked themselves as we kept writing tracks we really enjoyed playing.”
With a passion for classic thrash and a desire to play radical riffs, MUTANK made a deservedly big splash on the Canadian metal scene with their debut EP “M.E.C.H METAL” and a performance at Wacken Open Air after being declared champions of the 2014 Wacken Metal Battle Canada competition.
Live Video – MUTANK at Wacken Open Air 2014 – https://youtu.be/yQrLaG8BPL4
With their distinctive sound, the band moved forward in 2017, touring across Canada supporting ANNIHILATOR alongside Australia’s MASON in support of their EP “W.H.A.T.S.T.H.A.T” (Boonsdale Records). Metal Injection also named the band “1 of 8 Hidden Gems in Canadian Metal You Need To Know” (Read here).
2024 will be a tour de force for MUTANK with the launch of “Think Before You Think”. Fans of D.R.I., Suicidal Tendencies, Havok, Megadeth, Overkill, and Exodus are sure to join them in the pit when it releases on November 29th, 2024 on Boonsdale Records.
CD Pre-Order (Limited to 250 copies) – https://boonsdale.bigcartel.com/product/mutank-think-before-you-think-cd-pre-order
Spotify – https://spoti.fi/3NLOS88
|
|
Track Listing:
1. Illuminatus – 6:14
2. Payback – 5:24
3. All Against All – 4:43
4. Channel Change – 5:11
5. Bad Magnitude – 5:30
6. Abortron – 3:37
7. Groundbreaker – 2:08
8. Metalheads For Hire – 5:37
9. Running Reds – 6:27
10. Thrash Primordial – 4:40
Album Length: 49:38
More Info: Boonsdalerecords.com | Facebook.com/bonebrainsnotdemolishers | Instagram.com/mutank_or_die | X.com/MUTANK
-30-
Highlight: #2 – Canadian National Loud Chart – August 2017 – Top 20 Loud (Earshot)
“they play good-natured thrash a la Overkill and Exodus… perfectly serviceable and enjoyable, definitely more effective when they are playing fast.” – Decibel Mag
Metal Injection named MUTANK 1 of 8 Hidden Gems in Canadian Metal You Need To Know – Read here.
“Based out of (arguably) the metal hub of the nation, Montreal, Mutank are a ferocious and frenzied crossover-thrash band that infect its listener with an ear worm that no amount of Michael Buble ballads can remedy. The 2014 winners of the Wacken Metal Battle Canada contest have churned out consistently crushing thrash riffs for years and have all the tools and check off all the required boxes to make a major play in the global metal market. For first time listeners, check out “Corporate Child” from their 2014 album M.E.C.H. Metal and the pulverizing headbanger “D.E.A.T.H.” from their 2017 EP W.H.A.T.S.T.H.A.T” – Metal Injection
“Montreal punk/thrash crossover act MUTANK has quickly become my favourite new discovery in the world of metal. They’re fast, funny, and equal parts smart and stoopid, with lyrics like “Who do Mu Tank you are?” and a band name that gets likened to a cross between a “mutant” and a “tank”. MUTANK’s music hearkens back to vintage Suicidal Tendencies, D.R.I., or the more metal moments of the Dayglo Abortions or SNFU.” – Georgia Straight
“Killer drumming, awesome bass hooks, great rhythm & furious sounding vocals. It’s a statement of intent from Mutank. That they are not to be underestimated & written off as just another ‘thrash throwback’.” – Games, Brains & A Headbanging Life
“They have a lot of thrashing songs that have abbreviated titles, and they kick some serious ass with their old school music and hardcore attitude.” – The Headbanging Moose
“Mutank have gotten creative with each song on the album, by coming up acronyms to fit the title of the album, they describe their sound as a “T-rex skateboarding down a volcano”. If your a fan of old school Overkill, Megadeath or Exodus or if you just want a fast and thrash album check it out” – Canadian Beats
“Fast riffs, Heavy tempos crazy yelling.. its got all you’ve asked for. A mix of Suicidal Tendencies Punk/Thrash debut, Nuclear Assault fast moshing killer speed assault…a great funny and entertaining mini album for all beer drinkers fans of Tankard and ready to get into the moshpit 100/100.” – The Metal Mag
“grab you battlejack, studs and spandex trousers and feel like you are back in 1985.” – Lords of Metal
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 EPK – Mutank – Think Before You Think (2024) (Boonsdale Records)
EPK – Mutank- Think Before You Think (2024) (Boonsdale Records)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
For fans of D.R.I., Suicidal Tendencies, Havok, Megadeth, Metallica, Faith No More, Motorhead, Pantera, Slayer, Anthrax, Overkill, Exodus
Facebook.com/bonebrainsnotdemolishers | Instagram.com/mutank_or_die | X.com/MUTANK | Youtube.com/@mutube3701
Mutankthrash.bandcamp.com | Spotify | Apple Music
Band: MUTANK
Album Title: Think Before You Think
Release Date: November 29, 2024
Label: Boonsdale Records
“If peppy, energetic thrash in the vein of Slayer, Exodus, Overkill, DRI, Suicidal Tendencies and Anthrax is your bag, then give MUTANK a whirl. They’re certainly full of vim, vigor and energy.” – Decibel Magazine
“Think Before You Think offers enough modern flair to stand apart in today’s metal landscape. Mutank have delivered a thrilling ride that cements their place in the global thrash scene. With Think Before You Think, they aren’t just revisiting the past. They’re shaping the future of the genre.” – Amplify The Noise
“Variety. It might not be an aspect many expect to experience across this album, but that’s Mutank for you, and right up to the end, they find inventive ways to keep the listener engaged. First, by delivering an anthem for all head bangers around the world with the excellently titled Metalheads for Hire. Then by getting even more artistic with Running Reds, a track with some intriguing progressive touches. Before Mutank’s impressive return is capped off with an absolute cacophony of thrashy noise via Thrash Primordial. The record ending as it begun, with heads being banged hard.” – Games, Brrrains & A Head-Banging-Life
“The quartet from Montreal in fact has the ability to make the compositions interesting and unpredictable by expertly mixing thrash assaults with the impetuosity of hardcore, without giving up melodic cues of classic metal extraction and adding the immediacy of punk, permeating songs of that variety capable of intriguing the listener without ever getting bored. “Illuminatus” opens the dance with a sulphurous and threatening start and then settles on a thrashy and rocky mid tempo, all seasoned with unpredictable tempo changes and excellent solos… An album that may not rewrite the history of thrash metal, but which will help the genre evolve while remaining anchored to its origins. Rating: 9/10.” – MetalHead.it
“The result here is some chunky, old school thrashcore which kicks off with the six-minute ‘Illuminatus’, a song that plods like a doomy Slayer before the combo embarks on a steady moshing groove. It’s relatively simple punk-laced thrash with strong choppy vocals that wouldn’t be out of place on some mid-80s obscure metal record…. ‘Channel Change’ begins like some cool traditional metal offering with a sweet crisp solo before resorting to a maniacal punky thrust of jabbing riffs and vocal retorts.” – Metal Forces Magazine
What the press said about 2017’s “W.H.A.T.S.T.H.A.T”:
Highlight: #2 – Canadian National Loud Chart – August 2017 – Top 20 Loud (Earshot)
“they play good-natured thrash a la Overkill and Exodus… perfectly serviceable and enjoyable, definitely more effective when they are playing fast.” – Decibel Mag
Metal Injection named MUTANK 1 of 8 Hidden Gems in Canadian Metal You Need To Know – Read here.
“Based out of (arguably) the metal hub of the nation, Montreal, Mutank are a ferocious and frenzied crossover-thrash band that infect its listener with an ear worm that no amount of Michael Buble ballads can remedy. The 2014 winners of the Wacken Metal Battle Canada contest have churned out consistently crushing thrash riffs for years and have all the tools and check off all the required boxes to make a major play in the global metal market. For first time listeners, check out “Corporate Child” from their 2014 album M.E.C.H. Metal and the pulverizing headbanger “D.E.A.T.H.” from their 2017 EP W.H.A.T.S.T.H.A.T” – Metal Injection
“Montreal punk/thrash crossover act MUTANK has quickly become my favourite new discovery in the world of metal. They’re fast, funny, and equal parts smart and stoopid, with lyrics like “Who do Mu Tank you are?” and a band name that gets likened to a cross between a “mutant” and a “tank”. MUTANK’s music hearkens back to vintage Suicidal Tendencies, D.R.I., or the more metal moments of the Dayglo Abortions or SNFU.” – Georgia Straight
“MUTANK is like a Coffee Crisp bar: crunchy as hell, and without any gooey center.” – Bucket List Music Reviews
“their hybrid thrash, traditional, speed metal makes for a great heavy experience” – We Love Metal
“Killer drumming, awesome bass hooks, great rhythm & furious sounding vocals. It’s a statement of intent from Mutank. That they are not to be underestimated & written off as just another ‘thrash throwback’.” – Games, Brains & A Headbanging Life
“They have a lot of thrashing songs that have abbreviated titles, and they kick some serious ass with their old school music and hardcore attitude.” – The Headbanging Moose
“Mutank have gotten creative with each song on the album, by coming up acronyms to fit the title of the album, they describe their sound as a “T-rex skateboarding down a volcano”. If your a fan of old school Overkill, Megadeath or Exodus or if you just want a fast and thrash album check it out” – Canadian Beats
““W.H.A.T.S.T.H.A.T.” is one of those records that you seem a band jamming out in their garage and eventually an audience just gathers because their thrash, punk, and a bit of tongue-in-cheek causes the listener to pay attention to what Mutank has to say.” – MUEN Mag
“Fast riffs, Heavy tempos crazy yelling.. its got all you’ve asked for. A mix of Suicidal Tendencies Punk/Thrash debut, Nuclear Assault fast moshing killer speed assault…a great funny and entertaining mini album for all beer drinkers fans of Tankard and ready to get into the moshpit 100/100.” – The Metal Mag
“grab you battlejack, studs and spandex trousers and feel like you are back in 1985.” – Lords of Metal
====================================================
About The Album Artwork:
Stephen: “The idea for the artwork came to me from the title “Think Before You Think”. It depicts some poor guy’s brain exploding out of his skull sporting a wicked grin. I drew it in the style of 90’s comic books since I feel like that style really suits the music.”
About The Album:
Stephen: “The album musically is fast and heavy with lots of solos and riffs. Lyrically we cover a lot of ground from the economy to time travel.”
MUTANK Track by Track
1. Illuminatus
Costa: “The intro sets the tone for the album with its strong riffs and songwriting continues the MUTANK tradition of elaborate riffs and ripping solos!”
Stephen: “Lyrically Illuminatus (which gets its title from the 1975 novel) is about power and how it takes the souls of those that desire it the most.”
2. Payback:
Costa: “A vulgar display of hard riffs with some excellent drum work!”
Stephen: “Lyrically Payback is about the pressure money puts on individuals and how it can drive people to the edge.”
3. All Against All
Costa: “The mob is coming for you!”
Stephen: “Lyrically All Against All is about the direction our world is heading, how we are all being divided into arbitrary groups and pitted against each other.”
4. Channel Change
Costa: “By far the most challenging song to play, it absolutely rips!”
Stephen: “Channel Change is about media melting your brain and your choice to either form something new from it yourself or let them do it for you.”
5. Bad Magnitude
Costa: “Stretch your neck and bang away to the best instrumental you’ve ever heard!”
Stephen: “This is an easy one: there are no lyrics.”
6. Abortron
Costa: “Elon Musk is jealous he didn’t invent this robot who sucks the lives out of your uterus!”
Stephen: “The lyrics for Abortron are disgusting and no one should read them.”
7. Groundbreaker
Costa: “MUTANK goes back to their crossover roots with a short and heavy killer!”
Stephen: “Groundbreaker is a song about taking your destiny into your own hands and serves to encourage those looking to blaze their own path.”
8. Metalheads for Hire
Costa: “Just what every metalhead needs… a job! We are for hire!”
Stephen: “Lyrically Metalheads for Hire is about working a 9 – 5 while thrashing on the side.”
9. Running Reds
Costa: “The only song that features a slow breakdown. The main riff is pure heavy and fast which will make you run every red.”
Stephen: “Lyrically Running Reds is about going on a joyride-bloodbath ending in disaster.”
10. Thrash Primordial
Costa: “The continuation of ‘Thrashback to the Past’ off our first album. It blasts you in the face with the opening riff and continues on blasting, finishing off with some guitar duels. Good luck trying to put your melted skin back on your face!”
Stephen: “Lyrically it’s a sequel to the final track from our first album where we return to the future from prehistoric times to discover metal has been destroyed and we need to bring it back!.”
[Download Album Cover | Download Album Lyrics]
Band: MUTANK
Album Title: Think Before You Think
Release Date: November 29, 2024
Label: Boonsdale Records
Track Listing:
1. Illuminatus – 6:14
2. Payback – 5:24
3. All Against All – 4:43
4. Channel Change – 5:11
5. Bad Magnitude – 5:30
6. Abortron – 3:37
7. Groundbreaker – 2:08
8. Metalheads For Hire – 5:37
9. Running Reds – 6:27
10. Thrash Primordial – 4:40
Album Length: 49:38
Album Credits:
All songs performed by MUTANK
All songs written by MUTANK
Produced and Mixed by: Olivier St-Pierre and MUTANK
Mastered by: Tony Colgan and Stephen Reynolds
Album Artwork by: Stephen Reynolds
Album Band Line Up:
Stephen Reynolds – Bass and Vocals
Ahmed Saad – Drums
Costa Skoulikas – Guitar
Chris Nascimben – Guitar
Song Credits
1. Illuminatus – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
2. Payback – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Steven Been
3. All Against All – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Chris Nascimben
4. Channel Change – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
5. Bad Magnitude – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Chris Nascimben
6. Abortron – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
7. Groundbreaker – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
8. Metalheads For Hire – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
9. Running Reds – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Steven Breen
10. Thrash Primordial – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
Live line-up:
Stephen Reynolds – Vocals/Bass
Ahmed Saad – Drums
Costa Skoulikas – Guitar
Left to Right: Ahmed Saad (Drums), Stephen Reynolds (Bass, Vocals), Costa Skoulikas (Guitar), Chris Nascimben (Guitar)
Photo Credit – Kat Dydyk
Canadian thrash maniacs MUTANK return with their newest collection of bangers and first taste of new neck-breaking tunes in seven years since releasing their mosh heavy EP “W.H.A.T.S.T.H.A.T.” in 2017 via Boonsdale Records.
Entitled “Think Before You Think” will be released once again on Boonsdale Records on November 29th, 2024, and features ten volcanic thrash tracks to blaze a new path to jackhammer a pure audio assault. Live favourites such as “Running Reds”, “Abortron”, and “Thrash Primordial” are sure to please die-hard fans for easy repeat listens.
Vocalist/bassist Stephen Reynolds comments:
“We want this album to energize people and make them feel the way we do when we listen to some of our favourite artists. This album is the most material we have ever put out! 50 minutes of pure metal across 10 tracks. The songs really picked themselves as we kept writing tracks we really enjoyed playing.”
With a passion for classic thrash and a desire to play radical riffs, MUTANK made a deservedly big splash on the Canadian metal scene with their debut EP “M.E.C.H METAL” and a performance at Wacken Open Air after being declared champions of the 2014 Wacken Metal Battle Canada competition.
With their distinctive sound, the band moved forward in 2017, touring across Canada supporting ANNIHILATOR alongside Australia’s MASON in support of their EP “W.H.A.T.S.T.H.A.T” (Boonsdale Records). Metal Injection also named the band “1 of 8 Hidden Gems in Canadian Metal You Need To Know” (Read here).
2024 will be a tour de force for MUTANK with the launch of “Think Before You Think”. Fans of D.R.I., Suicidal Tendencies, Havok, Megadeth, Overkill, and Exodus are sure to join them in the pit when it releases on November 29th, 2024 on Boonsdale Records.
Discography:
2024 – Think Before You Think – LP
2017 – W.H.A.T.S.T.H.A.T. – EP
2014 – M.E.C.H. Metal – LP
Shared stage with:
Annihilator, D.B.C., Dayglo Abortions, Skull-Fist, Lich King, Entropy, Mason, Screamer, Fatality, Warsenal
Tours/Festivals:
2017 – Main support on Annihilator tour – Canada
2014 – Wacken Open Air, Wacken, Germany
0 EPK – Mad Parish – The Dust of Forever (2025) – Out January 31st
EPK – Mad Parish – The Dust Of Forever (2025) – Out January 31st
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
“The album is a departure from our traditional sound, however, the singalong choruses are very much intact as well as elements of the first album in an expanded form. This is a full concept album, which transports the listener to another universe through the story, and enables new aspects to be discovered in repeated listens due to the layering of sounds and textures throughout all the songs.” – Mad Parish
For fans of Iron Maiden, Virgin Steele, Camel, Rush, Rainbow
Band: Mad Parish
Album: The Dust of Forever
Release Date: January 31, 2025
Label: Self-Release
Madparishmetal.com | Facebook.com/madparishmetal | Youtube.com/@MadParishMetal | Instagram.com/madparishmetal
Madparish1.bandcamp.com | Soundcloud.com/madparish | Spotify
“where some bands call the lyrics the story and leave it at that, not Mad Parish. They’ve actually made a full comic book as well to go along with the record” – Decibel Magazine
“We all know the prog metal genre is still overflooded by bands from all parts of the world. I stopped trying to keep updated in the genre many years ago, but sometimes there are bands that impress on me – or at least bring something different to most other bands in the genre. Montreal (Canada) band Mad Parish is a band I’d like to bring to your attention. They have a sound that comes closer to the end of the 80’s and early 90’s, which I like a lot. And the lead vocalist Josh McConnell has a very interesting voice, a bit like an early Ozzy Osbourne. Futhermore, they are not as progressive as your ’average’ prog metal act, and some songs can be described as ’hard rock with hints of prog’ – where others are true prog metal songs… well worth checking out, as this album offers something a little different to many bands.” – Melodic.net
““The Dust of Forever” is filled with material that will grab you right away but your appreciation will continue to grow with each additional spin. As I sit here writing this review and listening to the title track unfold (which btw is the last “song”), I’m already looking forward to hitting that repeat button to start this metal opera again. While I admit there is no one track that stands out, I’m realizing that the whole record stands out and works best when listened to from start to finish. This record may have taken many years to complete but it is worth it. 2025 is starting off with a bang and “The Dust of Forever” is a great way to usher in the new year.” – Wormwood Chronicles
“Progressive with classic riffs and a voice reminiscent of Ozzy. Overall, an interesting record that takes some getting used to ( because of the many interludes, but should not be underestimated. I find 8 out of 10 Hellfire points Canadians are allowed to attach themselves to their album.” – Hellfire Magazin
“For the Mad Parish comic, I must say that this booklet has certainly scored a more than enough score; the story, a fanciful epic with an entertaining mix of sci-fi and religious ingredients is a great pleasure, and the drawings may be somewhat “-easy” modern, but still of such quality, that really makes it worth taking a seat.” – Rock Portaal
“Josh McConnell’s vocals are a ray of hope because the singer exudes a lot of charisma and partly reminds me of a young Ozzy Osbourne… fine compositions such as ‘Ouen Formation’, which does it quite convincingly, to combine the prog page of IRON MAIDEN with GENESIS in the early Collins phase and even give you a good catchy tune.” – PowerMetal.de
“Somewhere between the melodic prog rock a la Asia to Rush, and the spicier NWOBHM of something in the direction of Praying Mantis; that’s how the music of The Dust Of Forever comes across to me. Names such as BOC, Boston or Iron Maiden can also sometimes appear. Mad Parish seems to belong to the NWOTHM movement; or the New Wave Of Traditional Heavy Metal. Very catchy, beautiful pieces with harmonic melody lines… The compositions are absolutely of top level, as are the appropriate and melodic ( often high) vocals and I also really need to mention the guitars. The technical interpretation of the rhythm section may not be as clear as, for example, the aforementioned Rush, but this is also just fine. With so much keyboard available, I had a completely different scene in mind for the title Transmission #2 Will Of God, but no (kerk) organ or gospel; We hear a wonderful jazz-freaky Fripp-like piece of work. This album is well put together and also contains some surprises.” – Rock Portaal
“A traditional and original album at the same time, whose intensive listening and acquisition should be added to the list of your good resolutions for the year 2025.” – Music In Belgium
“These Canadian trad metallers take us deeper into the story of their forthcoming concept album – and comic book – with a song which very much draws from how Black Sabbath recorded ‘Paranoid’, in that it was thrown together as a last-minute album filler but could become one of their defining musical moments’ – Uber Rock
“an ambitious heavy metal album that offers a mix of complex musicality and concept-oriented lyrics.” – MetalUnderground.at
“the album weaves an original story through a tapestry of Heavy Metal, following the journey of Joe, an immortal protagonist caught in a universe-threatening cataclysm, promising to transport listeners to another realm, with layered sounds and textures that reveal new aspects with each listen… Fans can look forward to an immersive album experience… one of the most innovative bands hailing from Montreal.” – The Headbanging Moose
“This one is red hot folks, the new album “Dust of Forever” from Mad Parish arrives today and it’s impressive. Track after track of ‘New Wave of British Heavy Metal’ that melds with progressive rock and in the end you have one kickin’ album man. Catch tracks from Mad Parish & “Dust of Forever” on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll
“A balenottero of one minute that is articulated in as many as twenty-one chapters, the new album by the Canadians Mad Parish, moreover accompanied by a proper comic book. An ambitious and certainly demanding undertaking in terms of resources put in play, which however seems to have all the cards in order to satisfy those who decide to give a chance to the bizarre North American sextet. From a stylistic point of view, we are faced with a metal work in every respect, which takes root in the dictates of prog and develops organically leveraging the aesthetics dear to the pioneers of NWOBHM: starting from this assumption, we encounter the cosmic adventures of an immortal hero who throughout his journey in space finds himself facing apocalyptic disasters and daunting challenges. Events that unfold alongside the musical dimension, which becomes a real soundtrack accompanying a series of brilliant and well-structured insights. The plots developed by the group are decidedly valid from a qualitative point of view: the interpretation of the ensemble is virtually flawless in its exaltation of experimental phrases and dramatic impactful moments.” – Rock Hard Italy
“There are quite a lot of songs on the album, and a lot to discover, because MAD PARISH is very diverse. The mixture of classic rock and classic metal styles works really well on this Space Rock Opera concept album, which comes along with a lovely comic book that tells the story you can hear on the album. In case you’re not familiar with any of the aforementioned bands, I could easily go for a description like IRON MAIDEN meets HAWKWIND, but that wouldn’t be fair, because MAD PARISH has a sound on their own that mixes classic rock, space rock and classic metal into an exciting long journey you need to experience yourself if you’re able to get the vinyl edition of the album. Check out this sensational band. 8.5/10 ” – Strutterzine
“MAD PARISH threw open the flood gates with their brand of high octane Heavy Metal in the spirit of the old guard and seeing them open for Grim Reaper on a smaller stage not long ago, it is clear that a bigger space is exactly what the band needed! Loads of onstage prancing and members’ charisma gave the audience a jolt to quickly “get in the groove”! Hook laden and punchy, the songs are such that they stay in the headspace long after they’re played. “A Stitch in Crime” and “To Build a Fire” (among others) struck a chord as singer, Josh McConnell’s confidence and onstage appeal made it easy for fans to sing along. Gyrating in unison, the players playfully performed their hearts out without missing a beat, harkening back to a time when the NWOBHM was just getting into full swing!” – Ondes Chocs (Live Review 2014 opening for Skid Row in Montreal)
“Montreal’s MAD PARISH kicked off the festivities with a strong performance, harking back to the early 80`s tradition, both in terms of sound and look! Singer, Josh McConnell appeared like an untamed Heavy Metal wrestler, flaunting traditional 80`s style black spandex and belting out a vicious scream under long locks of curly hair (ala. Chuck Billy of TESTAMENT)! Meanwhile the three guitars raged behind, accompanied by a rhythmic bass and drum tempo that kept the energy high. Wasting no time in « delivering the goods », MAD PARISH certainly have synchronized their performance from headbanging in unison to dual vocal harmonies with the guitarist to including a dry ice effect that may have been a bit too thick at times. Nevertheless, the band played a flawless set with the players clearly having the time of their lives!” – Ondes Chocs (Live Review 2014 opening for Grimm Reaper in Montreal)
“Darkness Befalls This Cursed Land, Without Chains, Red Baron and the title track, just to name a few tracks from this collection of songs, will make you want to dust off old records now left in the hands of dust, a sign of a time that passes inexorably, hit to the heart by melodic solos, choruses to scream to the sky and rhythms as hard as steel, forged in the sacred temple of hard and heavy, which turn into lethal weapons in the hands of the Canadian band. A great job, absolutely to be rediscovered for lovers of old school metal.” – Iye Zine (Album – 2014 – Procession)
““Procession” is a solid album for what it is and certainly worth a listen to if you’re want an easy listen to whether you want to get into some kind of metal or maybe just progressive metal itself. It has a really good sound to it that is something that I would personally listen to casually whenever I needed something different to fill my ears, and Mad Parish is perfect for that for me. For other’s this is something you’d jam to all day every day simply because you think it is the absolute shit. But either way, “Procession” is definitely a noteworthy album to check out if you’re looking for something different and interesting.”- Headbanger Reviews (Album – 2014 – Procession)
“. A good album to turn on in the evening over a cold beer and forget about the problems” – Gloria Metalus (Album – 2014 – Procession)
Best of Montreal (Montreal Mirror) Heaviest Local Act 2009, 2010, 2011 (in the top 3)
Radio CJLO number 1 song “Stitch In Crime” for 3 months(Album – 2014 – Procession)
Heavy Metal Gems top 20 metal albums of 2014 (17 out of 20)(Album – 2014 – Procession)
[Download Album Cover | Download Album Lyrics]
Band: Mad Parish
Album: The Dust of Forever
Release Date: January 31, 2025
Label: Self-Release
Track Listing:
1. Prophecy – 1:30
2. Defecther – 4:32
3. Possess The Child – 4:45
4. Outerest In Irisius – 1:34
5. Ouen Formation – 6:35
6. Hunted – 1:51
7. Astra T.R.A.Z (Tower Reformatory Asteroid Zone) – 4:42
8. Transmission #1 Dream On – 1:40
9. Resistius – 6:44
10. Aeternal – 1:44
11. An Age To Quell – 4:05
12. Transmission #2 – Will Of God – 2:04
13. Loched – 3:24
14. Cathedron Wakes – 5:37
15. Book of Rites – 1:06
16. Bishop’s Tomb – 3:32
17. Transmission #3 – Baz Raa Luum – 1:46
18. The Experience Hunter – 5:04
19. Trajectory: Tantus – 2:02
20. The Dust Of Forever – 5:11
21. Hail To The Hunter – 1:01
Album Length: 1:10:40
Album Recording Credits:
• All songs performed by: Mad Parish
• All songs written by: Josh McConnell & Bob Eaglesham
• Produced by: Mad Parish
• Mixed by: Andre Bisson, Josh McConnell, Bob Eaglesham
• Mastered by: Phillipe Gagnon
• Album Artwork by: Niall Skinner
• Member of SOCAN
• Canadian Content (MAPL)
Album Band Line Up:
Josh McConnell – Lead Vocals, Guitars, Bass (Track 8)
Bob Eaglesham – Guitars, Vocals, Bass (Track 18), Drums (Track 18), Keyboards (All Tracks except 8, 12, 15, 18, 19)
Andre Bisson – Keyboards (All Tracks except 1, 4, 6, 10, 12, 17, 21), Piano (Track 15)
Peter Mika – Keyboards (2nd keyboard solo on Resistius Track 9)
Patrick Latreille – Bass (All Tracks except 8, 18)
Paskal Belanger – Drums (Track 2,3,5,7,9,13,14)
Gopal Devanathan – Drums (Track 11, 16, 20)
Tony Spina – Drums (Track 12)
Jeff Louch – Piano (Track 12)
Josh McConnell – Lead Vocals, Guitars, Bass (Track 8)
Bob Eaglesham – Guitars, Vocals, Bass (Track 18), Drums (Track 18), Keyboards (All Tracks except 8, 12, 15, 18, 19)
Andre Bisson – Keyboards (All Tracks except 1, 4, 6, 10, 12, 17, 21), Piano (Track 15)
Peter Mika – Keyboards (2nd keyboard solo on Resistius Track 9)
Patrick Latreille – Bass (All Tracks except 8, 18)
Paskal Belanger – Drums (Track 2,3,5,7,9,13,14)
Gopal Devanathan – Drums (Track 11, 16, 20)
Tony Spina – Drums (Track 12)
Jeff Louch – Piano (Track 12)
Live Band Line Up:
Josh McConnell – Vocals
Bob Eaglesham – Guitar, Vocals
Aaron Carbray – Guitar
Andre Bisson – Keyboards
Gino Laposta – Bass
Max Rex – Drums
Comic Book Credits:
Story – Josh McConnell
Artwork – Niall Skinner
Editing – Rahl Stafford
Design – Maximus Rex
==================================================
About The Album Artwork
About the album as a whole (LYRICALLY & MUSICALLY)
The album is an original story written by Mad Parish that is told through the tapestry of a soundtrack that chronicles the journey of Joe, the protagonist. Through events beyond his control, he discovers that he is immortal and that cataclysmic events are about to take place endangering the universe in which he lives. He also finds out that he has an important role in this process, through an ancient text prophecy hidden for eons. The story is told through the music of Mad Parish, rooted in traditional heavy metal with embellishments in new textures and sounds.
Track by Track (LYRICALLY & MUSICALLY)
1. Prologue – The prophecy is spelled out in short form, spoken by Cathedron, and the music sounds like Angelo Badalamenti was commissioned to compose the music for the next Zelda game.
2. Defecther – The ‘Lasters’ decide to execute the newborn female child (Arla) which is against their religion – however, Bishop Cadfael who is aware of a hidden prophecy steals her away and escapes. Musically its Van Halen’s ‘Jump’ deciding to gallop instead.
3. Possess The Child – Cadfael returns to and ancient mining planet (Earth) and performs a ritual on a human female. Musically there is a ‘Band On The Run’ influence which also includes action such as Cadfael’s ship crashing.
4. Outerest In Irisius – Cadfael’s moment of tranquility after the significant events that have just taken place. Musically, right out of Camel’s playbook of 70s folk-prog.
5. Owen – Formation – Cadfael settles on planet Owen, and raises Arla at the same time guiding Joe through the transmissions of a sonic blue light. Musically, this has echoes of a classic 80s ballad, with some heavier Metallica-esque elements from ‘One’.
6. Astral T.R.A.Z (Tower Reformatory Asteroid Zone) – Joe wakes up in Astrat.R.A.Z, a massive prison constructed on a comet. Musically, its John Carpenter who listened to too much Jethro Tull.
7. Hunted – Incidental music illustrating the chase that occurs after Joe escapes from Astrat.R.A.Z with the help of Arla. Musically its pure John Williams a la Empire Strikes Back.
8. Transmission #1 Dream On – The first of three intercepted transmissions Joe and Arla receive through their makeshift radio, this one coming from Earth. Musically, it sounds like a Jimmy Buffett residency at an old age home.
9. Resistius – Joe and Arla’s radio signal is intercepted by a rogue gang of space pirates who attempt to capture them for a bounty. Musically, its as if Exodus decided they wanted to be Rush.
10. Aeternal – Joe feels a moment of despair in knowing he will live forever and cannot bear to be alone. Coincidentally, shortly after Joe and Arla start a physical and emotional relationship, much to Joe’s relief. Musically, this is Pet Sounds in space.
11. Transmission #2 – Will Of God – The second transmission received by Joe and Arla’s radio, also from Earth. Musically, this is an apocalyptic cult chanting for the end to come, on top of a Jazz inspired version of Resistius.
12. An Age To Quell – Joe and Arla are forced to go their separate ways to fulfill their individual quests under impending galactic shifts. Musically, its Highway Star on steroids.
13. Loched – Joe finds himself back on Earth being pursued by the Executioner and he must resurrect an ancient Cathedron, hidden in the bottom of a Canadian lake. After witnessing events that reveal the validity of the hidden prophecy, the Executioner decides to help Joe. Musically, Candlemass would have been proud to see Mad Parish’s headbanging crowd.
14. Cathedron Wakes – The Cathedron, a robotic colossus and the last of its kind is awakened by Joe’s amulet, and the Executioner has now given the book of rites to him. Musically, this is a thrash song that all robots would love. The music attempts to recreate the machinations of a colossal machine.
15. The Bishop’s Rite – A piano intro foreshadowing the Bishop’s Tomb. Musically, it’s a solo piano intro.
16. Transmission #3 – Baz Raa Luum The third and final transmission received, this comes from deep within the Laster’s region. Musically, this is Laster’s devotional music.
17. Bishop’s Tomb – The Executioner desires to absolve herself of the crime of killing Bishop Cadfael, and does this by declaring her death site sacred and also his resting place. She also gives Joe the book of rites which is crucial to fulfilling the prophecy. Musically, a cinematic banger.
18. The Experience Hunter – On the precipice of the climax of the story, Joe has a moment of reflection on the events that have shaped and brought him to this crucial moment in time. Musically, Judas Priest’s Point Of Entry.
19. Trajectory: Tantus – Joe, piloting Cathedron travels through a series of wormholes to arrive at the site of the celestial battle that decides the fate of all. Musically, the Edison Twins dropped acid and plugged all their computers in at the same time.
20. The Dust Of Forever – The climax and conclusion of the story and the album. A new child is born, and order has been restored to the universe and the Laster’s are finally defeated. Musically, a NWOBHM bastard child matures into a power metal adult, in chapter form.
21. Hail To The Hunter – The victorious chant of the liberated masses heard across the newborn galaxy.
==================================================
BAND STORY ANGLES / FUN FACTS:
1. One of the main themes on this album is triumph over adversity, even when all seems hopeless. To find the inner strength to carry on in the face of seemingly insurmountable odds is central to the main characters. Oddly enough, even though the story was written a few years ago it feels as though it resonates more in today’s world – a world of instability, uncertain outcomes and a general mood of anxiety and hopelessness. The message we want to convey is that there is almost no limit to the untapped strength of the human spirit, to remain strong and steadfast in the pursuit of righteous endeavor.
2. The album in a way serves as the soundtrack to the story, which is why we included several interludes and intrumental pieces as well. We’re hoping this will give the album a flow to it, where periodically the metal stops and the music shifts gears, clearing the palate so to speak. It also gives the album peaks and valleys which is essential to any good narrative storytelling.
3. The recording process was about as chaotic as the events that occur in the story. It was recorded in several locations: Some drums were tracked at Breakglass Studios, at a jam space, and at Studio B-Son. Guitars were recorded direct and re-amped at Studio B-Son. Vocals were recorded at 2 separate home studios and everything has spent time traveling to various places through the internet and back.
4. For a time, we joked about this album being our version of ‘Chinese Democracy’ by Guns ‘N’ Roses because it took so long to finish. However, that isn’t really accurate because of the events that delayed the work – notably, the process survived a member having a heart attack, the global pandemic, files disappearing, equipment failures, cross platform sync issues, and busy members’ schedules. Undeterred, we soldiered on, and the results made it all worth it. Having said that, we probably won’t make an album like this ever again, but we can at least say we did it, and we did our best. In the end, its all about the songs.
5. Some years ago we drove out to Halifax in February to do a few shows. It was very cold, and on the way there the trailer blew a tire. We realized the jack for the van didn’t extend enough to lift the trailer, so we literally scavenged the area for pieces of wood to stack under the jack so we could change the tire. Later on we realized we were running out of gas and all the gas stations were closed. We drove for about 50 kilometres with the ‘Empty’ light on the gas gauge, putting the van in neutral to coast down hills and save every drop of gas. Somehow we made it to a gas station, and cheers erupted. The shows we did that weekend were some of the best to date, likely because we were all happy to be alive. On the way home, the other tire on the trailer blew out. To this day, we avoid doing any out of town shows in February.
==================================================
Mad Parish is a heavy metal band that hails from Montreal, Quebec. In existence for over 10 years, the band’s reputation as a formidable live act is well-established within the Montreal heavy music scene. Possessing a truly unique songwriting style, they effortlessly fuse NWOBHM styles with progressive rock and catchy sing-along melodies.
After releasing their debut album “Procession” in 2015 to very positive reviews, the band found itself in a rebuilding phase. Undaunted, they opted to recruit a roster of top-notch musicians already well-known to the music scene in their own right. To further up the ante, they decided that the new album would be expanded into a full concept album, complete with a story and a companion comic book. The ultimate plan is to launch the new album in a live setting with costumes, set pieces, and visual effects.
Mad Parish has a unique set of influences within its ranks. While heavy metal is the end result, the ingredients are extremely varied. Brewing beneath the surface of their music there are traces of NWOBHM, progressive rock, 70’s rock, 80’s new wave, punk, pop music new and old, classical, and jazz. The band, with their energetic stage show, has impressed audiences while opening for such acts as Skid Row, Grim Reaper, Udo Dirkschneider, Ripper Owens, Blaze Bayley, Steel Panther, Cauldron, Priestess, Off!, Cauldron, Holy Grail and Skull Fist.
Francais:
Mad Parish est un groupe de heavy metal originaire de Montréal, au Québec. Existant depuis plus de 10 ans, la réputation du groupe en tant que formidable groupe live n’est plus à faire au sein de la scène musicale heavy montréalaise. Possédant un style d’écriture vraiment unique, ils fusionnent sans effort les styles NWOBHM avec du rock progressif et des mélodies entraînantes.
Après avoir sorti son premier album « Procession » en 2015 avec des critiques très positives, le groupe se retrouve dans une phase de reconstruction. Intrépides, ils ont choisi de recruter une liste de musiciens de premier ordre déjà bien connus de la scène musicale. Pour monter encore plus haut, ils ont décidé que le nouvel album serait étendu en un album concept complet, accompagné d’une histoire et d’une bande dessinée d’accompagnement. Le plan ultime est de lancer le nouvel album dans un décor live avec costumes, décors et effets visuels.
Mad Parish possède un ensemble unique d’influences au sein de ses rangs. Même si le résultat final est du heavy metal, les ingrédients sont extrêmement variés. Sous la surface de leur musique se cachent des traces de NWOBHM, de rock progressif, de rock des années 70, de new wave des années 80, de punk, de musique pop nouvelle et ancienne, de classique et de jazz. Le groupe, avec son spectacle énergique, a impressionné le public en première partie d’actes tels que Skid Row, Grim Reaper, Udo Dirkschneider, Ripper Owens, Blaze Bayley, Steel Panther, Cauldron, Priestess, Off!, Cauldron, Holy Grail et Skull fist.
Discography:
2024 – The Dust Of Forever – Album
2014 – Procession – Album
Shared Stage with:
Jan.8th, 2017 – Udo Dirkschneider (from Accept)
Oct.27th, 2016 – Ripper Owens (from Judas Priest)
Sept.24th, 2016 – Blaze Bayley (from Iron Maiden)
Aug.6th, 2016 – Gr3 Nascar in Trois Rivieres with Alcoholica
Jul.14th, 2016 – Quebec City with Steel Panther (Festivale D’Ete)
Priestess (Katacombes, Mavericks, Café Campus)
Off! (Bovine Sex Club) secret show during CMW 2014
Skid Row (Corona Theatre)
Grim Reaper (Katacombes)
Cauldron (Katacombes)
Holy Grail (Il Motore)
Anvil (Katacombes)
Jan.8th, 2017 – Udo Dirkschneider (from Accept)
Oct.27th, 2016 – Ripper Owens (from Judas Priest)
Sept.24th, 2016 – Blaze Bayley (from Iron Maiden)
Aug.6th, 2016 – Gr3 Nascar in Trois Rivieres with Alcoholica
Jul.14th, 2016 – Quebec City with Steel Panther (Festivale D’Ete)
Priestess (Katacombes, Mavericks, Café Campus)
Off! (Bovine Sex Club) secret show during CMW 2014
Skid Row (Corona Theatre)
Grim Reaper (Katacombes)
Cauldron (Katacombes)
Holy Grail (Il Motore)
Anvil (Katacombes)
0 Canada’s LIVA Unveils Epic Orchestral Metal Music Video For “Samson & Dalila I” Off New Album “Ecce Mundus”
NEWS RELEASE
Montreal, QC – October 29, 2024
Canada’s LIVA Unveils Epic Orchestral Metal Music Video For “Samson & Dalila I”
New Album “Ecce Mundus” Out Now!
|
|
L-R – Martin Tremblay – Bass, Nadine Guertin – Soprano, Pier Carlo Liva – Death Vocals, Tenor Vocal, Guitars, Electronics, Claude Lacroix – Drums
Photo credit: Karine Couillard
Liva, the pioneering Canadian metal band known for their unique fusion of classical and heavy metal, has released a captivating music video for “Samson & Dalila I”, from their latest album “Ecce Mundus” released on CD in November 2023 and digitally January 2024. The band’s fourth full-length marks Liva‘s triumphant return to its roots, featuring medieval poetry and Latin texts set against a backdrop of majestic orchestral metal. The album explores timeless themes from antiquity, including the glory of Rome, the tale of Samson and Delilah, and enduring human flaws such as greed, corruption, and hypocrisy. Vocalist/guitarist Pier Carlo Liva comments on the single:
“This is the flagship song of the album. This song has all the elements that are to be found in the Liva style. It’s about the old story of Samson & Dalila. To avenge her people, Dalila cuts off Samson’s hair, thus weakening him.”
The “Samson & Dalila I” video is a visual feast that complements the band’s expansive sound, featuring more developed orchestrations and heavier guitar parts than ever before. It offers fans a glimpse into the lyrical experience and otherworldly atmosphere that defines Liva‘s music.
Watch the music video for “Samson & Dalila I” at https://www.youtube.com/watch?v=jzZpTdceBqE
Formed in Sherbrooke, Québec in 1997, Liva has been at the forefront of blending classical music with metal in Canada. The band’s unique sound features extensive sonic explorations, grandiose orchestrations, and powerful vocal performances that transport listeners to another world. They are recommended for fans of Therion, Nightwish, and Leaves’Eyes.
Their latest album “Ecce Mundus” was released on CD on November 17, 2023, and digitally on January 12, 2024, via Stoke Records with distribution by Outside Music (Canada) and Orchard (US).
CD and digital – https://livametalband.bandcamp.com/
CD – https://www.livaband.com/merch/
Spotify – https://spoti.fi/3NyGqcp
|
|
Track Listing:
1. De avaritia et luxuria mundi – (9:30)
2. Materiae summa – (6 :33)
3. Ecce mundus demundatur – (5 :06)
4. Sunt – (3 :34)
5. Samson & Dalila I – (5 :29)
6. Samson & Dalila II – (5 :19)
7. Obscura – (7 :31)
8. O Roma nobilis – (6 :57)
9. Silence – (6 :04)
Album Length: 55:51
Liva is:
Pier Carlo Liva (tenor vocal, death vocal, guitars, electronics)
Nadine Guertin (soprano vocal)
Martin Tremblay (bass)
Claude Lacroix (drums)
More info: Livaband.com | Facebook.com/www.livaband | Instagram.com/livametalband
-30-
“There are fewer rules in metal nowadays, and fellow Francophones Liva have taken the ones that remain and stomped them to dust. The mix is raw and yet warm. The hook finds you it won’t let go. 8/10” – Brave Words (Ecce Mundus)
-« (…) le compromis parfait entre puissance et mélodie. Un voyage au travers de sonorités lointaines et saisissantes. Le groupe a apporté un soin particulier à créer une atmosphère enivrante. Tout simplement splendide, transcendé. Il est évident que Liva est un groupe au potentiel énorme. Sublime ! » 9/10, Rock Hard (France) (Ecce Mundus)
”This is a fantastic album. Highly recommended.” Powerplay Magazine (Ecce Mundus)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
ashermediarelations.com 