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Posts By Asher

0 SUPER MONSTER PARTY New Single “Nights Into Dreams” – 80’s Synthwave Meets Metal Inspired By The Popular Sega Video Game

  • February 24, 2025
  • by Asher
  • · Music News · Super Monster Party

NEWS RELEASE

Montreal, QC – Feb 24, 2025

SUPER MONSTER PARTY New Single “Nights Into Dreams” – 80’s Synthwave Meets Metal Inspired By The Popular Sega Video Game

L-R – Andy Alvarez (Guitar), Rei Sega (Vocals), Emilio Martinez (Bass)

Photo Credit: David Venegas

Coming off their exciting performance at 70 Tons of Metal this past January, SUPER MONSTER PARTY (SMP) has a new single and video entitled “Night Into Dreams”. The track is an 80’s synth wave meets metal and is inspired by the popular Sega video game of the same name. It features guest artists, Lacey Johnson, a popular VGM artist, and the members of Lame Genie on drums, bass, and guitar.

“I wrote this song to capture the essence of the game, Nights Into Dreams — a realm where the magic of flight, matches the pulse of the joystick, and every riff powers you through a level of chaos and triumph.” adds vocalist Rei Sega.

The single is also their first taste of new music since releasing their latest album “Rage Quit“ this past November.

Watch and listen to the video for “Night Into Dreams” at https://youtu.be/BJjqK25Mu6s

​Spotify – https://spoti.fi/41fdbSd

​

SUPER MONSTER PARTY is a band for all video game nerds, jump’n’run enthusiasts, metalheads, 90s kids, weirdos, and everyone in between – a metal band that’s all about video games, singing from the heroes or villains introspective point of view. Rocking together since 2020, SUPER MONSTER PARTY have already gathered a lot of XP, having a bunch of achievements under their belt, with 4 albums: Rage Quit (2024), Game Genie (2023), Side Quest (2020), Permadeath (2020) and an EP Up Up Down Die (2022). The band is the concept of Singer/Songwriter Rei Sega and features notable members Emilio Martinez (Yngwie Malmsteen) on bass, Fern Lemus (Lions at the Gate) on the drums, Andy Alvarez (Irras One) on rhythm guitar, and Oleh Andrievsky as lead guitarist.

Their intense, melodic, catchy, and heavy sound shows influences of The Misfits, Rhapsody, Slipknot, NOFX, and Van Halen. The variety of different influences and genres, worshiped by the band, means that they can find the right metal sound for all game themes – each video game universe is authentically set to music, while the skills of the masterful musical chameleon that is SUPER MONSTER PARTY cannot be pinned down to one genre. No two songs sound the same, but one thing is for sure – they all rock hard.

More Info:

​http://www.supermonsterparty.com

​https://www.facebook.com/profile.php?id=61561209445950​

​https://www.instagram.com/supermonsterparty/​

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“Super Monster Party Gotta Go Fast in Their Tribute to Sonic the Hedgehog, “Blue Hurricane”” – Metal Sucks​
​
​“Super Monster Party’s Single “This Is Doom!” is a Love Letter to the Gore-Filled First-Person Shooter” – Metal Sucks

““Okay,” grins livewire Super Monster Party frontman Rei Sega. “Now we’re gonna do something different…” It’s one of the understatements of the weekend as the video game-obsessed crew oversee an incredibly unhinged flash flood of colour and chaos. Based out of Miami, they’re the closest thing to local favourites that 70K has on offer and a packed-in audience throw everything into seeing them steal the whole damn show. Punters chucking Mario Kart shells at each other across the room. Dozens of special outfits, from a black metal Pikachu to Ronald McDonald and Grimace. Some giant pink monster, possibly an obscure Pokémon, ‘laying its eggs’ in the middle of it all. There are circle-pits, conga lines, punters crowdsurfing in inflatables from the pool and more chaos than you can wave a controller at. And SMP have the songs to match, from bonkers bops like Dance Dance Revolution (Til The Death) to Blue Hurricance (a speed metal banger about Sonic The Hedgehog) and smashing closer This Is Doom!. The games have just begun.” – Kerrang (2025 – 70 Tons of Metal Live Review)

“Rage Quit is just so much fun. Very much one which suits the metal community as so many of us are also gaming nerds, and the tunes aren’t throwaway crap either…. played well, tongue firmly in cheek, and rounded off well with the interludes. Very much one to look forward to.” – Moshville Times

“Rage Quit balances heavy riffs, melodic hooks, and varied styles to pay tribute to video game culture. It feels cohesive yet unpredictable, each track a carefully crafted homage that never loses the adrenaline-charged atmosphere of the album. From the crushing bass lines to the soaring guitar solos, each hits with maximum impact. Rage Quit is an invitation to relive gaming’s glory days through the lens of modern metal. With its flawless integration of game references and electrifying soundscapes, Super Monster Party has crafted a release that’s not only enjoyable but also groundbreaking in its dedication to celebrating the shared love of music and video games.” – Amplify The Noise

“SUPER MONSTER PARTY’S “RAGE QUIT” Album Is A Masterpiece Of Epic Proportions” – Horror Patch

“Video game nerds unite! Metal band Super Monster Party have just released their new album “Rage Quit” and if you love your metal heavy and fast (aside from one ballad) with intermittent narration between tracks for the full-on concept experience, well your day has arrived. Each track is centered on old school classics like Mortal Kombat, Doom, Sonic The Hedgehog, Zelda, Mario Bros & Castlevania among others. The perfect soundtrack while conquering the pixelated universe.” – WJOE – Findlay’s Home for Rock & Roll

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Romanian Folkcore DIRTY SHIRT Celebrates 30 Years w/ New Video “FOMO” and 2025 EU Tour Dates

  • February 24, 2025
  • by Asher
  • · Dirty Shirt · Music News

NEWS RELEASE

Montreal, QC – February 24, 2025

Romanian Folkcore DIRTY SHIRT Celebrates 30 Years w/ New Video “FOMO” and 2025 EU Tour Dates

Top L-R: Cristi (Guitar), Mihai (Keyboards), Vlad (Drums), Dan (Guitar), Pali (Bass)

Bottom L-4: Cosmin (Violin), Rini (Vocals), Robi (Vocals)

Widely regarded as one of the most original and successful rock bands in Eastern Europe, Romania’s Dirty Shirt is celebrating 30 years of creating and performing music with the release of their first single of 2025 “FOMO” accompanied by a music video along with announcing 2025 EU tout dates (listed below).

“FOMO” is the first single from Dirty Shirt‘s upcoming seventh album (titled to be revealed at a later date) to follow “Get Your Dose Now!” (2022). Musically, it is a journey through different moments and places, blending various genres: from 80s disco to Balkan music, all built on a metal foundation. It’s a catchy song, with a chorus that sticks in your mind, radiating big positive energy. Lyrically, the song addresses one of the issues of modern society—the fear of missing out (FOMO). This phenomenon has become widespread with the rise of social media, where people constantly compare themselves to others and feel pressured to be part of every trend or experience.

Watch and listen to music video for “FOMO” at https://youtu.be/tyloBE8YbqY

​

Digital (Spotify, Bandcamp, Apple Music) – https://ffm.to/qbjlkrb​

Over their 30 years, Dirty Shirt has embarked on several successful international tours, both as supporting artists and headliners, amassing over 700 shows in 17 countries. The band’s signature style blends modern rock/metal heaviness with the vibrant energy of East-European traditional music, drawing from influences including world music, industrial electro, hardcore, and funk to create a dynamic sound that resonates with audiences globally. With catchy and danceable songs, Dirty Shirt‘s music appeals to a broader audience beyond just metal fans. Their albums have received widespread acclaim, featured in well-respected magazines such as Metal Hammer (DE, HU), Rock Hard (DE, FR, IT, SLK), Metalsucks (USA), Angry Metal Guy (USA), Hard Rock Mag (FR), Terrorizer (UK), Metalized (DK), and more.

In recent years, the band has enjoyed international recognition through their participation in several major European festivals such as Electric Castle (Ro), Hellfest Open Air (Fr), Pol’And’Rock (Pl), Dong Open Air (De), Maximum Rock Festival (Ro), Wacken Open Air (De) among many more!

Recommended for anyone looking for something interesting and lively, Dirty Shirt is for fans of Skindred, Bloodywood, Alestorm and The Hu.

DIRTY SHIRT – 30 YEARS ANNIVERSARY TOUR:​
Feb 28 – Bucharest (RO) – EERA Tour – Quantic
March 1 – Brasov (RO) – EERA Tour – Centrul Reduta
March 2 – Cluj Napoca (RO) – EERA Tour – Form Space
March 13 – Prague (CZ) – EERA Tour – Rock Café
March 14 – Bratislava (SK) – EERA Tour – Majestic Music Club
March 15 – Trenčín (SK) – EERA Tour – Piano Club
March 16 – Budapest (HU) – Dürer Kert
March 22 – Grenoble (FR) – L’Ampérage
March 23 – 2 Alpes (FR) – Snow Fest
April 4 – Wrocław (PL) – EERA Tour – Stary Klasztor
April 5 – Krakow (PL) – EERA Tour – Kwadrat Klub
April 6 – Warsaw (PL) – EERA Tour – Proxima
April 18 – Bistrita (RO) – Soho Music Hall
April 25 – Bacau (RO) – Valhalla Pub
April 26 – Iasi (RO) – Underground Pub
April 27 – Suceava (RO) – Art Rock Cafe
June 7 – Arad (RO) – Flex
June 8 – Timisoara (RO) – În Spatele Casei
June 26-28 – Mangalia (RO) – Odyssea Festival (26-28.06)
June 26-28 – Snina – (SK) – Rock Pod Kameňom (26-28.06)
July 17 – Bontida (RO) – Electric Castle (17-20.07)
July 18 – Neukirchen-Vluyn (DE) – Dong Open Air (17-19.07)
Aug 3 – Rasnov (RO) – Rockstadt Extreme Fest
Aug 7 – Corbu (RO) – Wild Experience Fest (7-10.08)
Aug 14 – Domeniul Cantacuzino (RO) – LaRock 2025 (14-17.08)
Aug 22 – Prešov (SK) – Hel’fest
Oct 10 – Angers (FR) – Omega Sound Fest (10-11.10)

For more info:​
​Dirty-Shirt.com​
​Facebook.com/DirtyShirtRomania​
​X.com/dirtyshirtband​
​Instagram.com/dirtyshirtband​
​Tiktok.com/@dirtyshirtband​

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“Long time readers will know by now that I am partial to the weirder side of heavy music. Dirty Shirt certainly has my attention this week. They’re like a mix of 6:33, Russkaja, and Turisas. This is bombastic, fun metal with Romanian folk mixed in. ” – Metal Injection

“Dirty Shirt, Your New Favorite Transylvanian Folk-Core Band ” – Metal Sucks

“DIRTY SHIRT only sound like DIRTY SHIRT.” – Metal Temple

“Is it catchy? Yes. Is it fun? Yes. Is it utterly mental? Yes. Highly recommended” – Metal Observer

” “…you’ve never heard anything quite like this before”” – Sonic Abuse

“This album is buoyant, blistering and bolshy; you certainly want to get your dose now!” 8/10 – Powerplay Magazine (2022 – Get Your Dose Now!)

“”Whoa! ‘Get Your Dose Now!’ is definitely not your average metal album. It’s simply something that you won’t hear anywhere else. Dirty Shirt is the real deal with extraordinarily talented musicians and a uniqueness that sets them apart from the crowd. If you’re in the market for some new music, this band offers something for everyone, from hardcore metal and thrash to tribal and traditional. It’s like your grandmother’s goulash recipe, a little of this and a little of that, with the end result being magical and inimitable.” – Uber Rock (2022 – Get Your Dose Now!)

“Dirty Shirt did a good job again and ‘Get Your Dose Now!’ is a very nice album to listen to and it deserves a listen.” – Folk-Metal.nl (2022 – Get Your Dose Now!)

“with DIRTY SHIRT you have joy in life and fun in music. They ignite a light in the currently dark world. A good mood is guaranteed. So get your dose today, now, get vaccinated against sadness and depression. before it’s too late. – Saitenkult (2022 – Get Your Dose Now!)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Gore House Prod. – Inhuman Slam Grind NECRAMBULANT Unleashes Warhammer 40k-Inspired Track “Pestilential Ascendancy” + New Album “Upheaval of Malignant Necrambulance” Out March 2025

  • February 24, 2025
  • by Asher
  • · Music News · Necrambulant (GoreHouse Productions)

NEWS RELEASE

Montreal, QC – Feb 24, 2025

Inhuman Slam Grind NECRAMBULANT Unleashes Warhammer 40k-Inspired Track “Pestilential Ascendancy”

New Album “Upheaval of Malignant Necrambulance” Out March 2025 via Gore House Productions

L – R – Andy “Bonemeat” York – Vocals & Lyrics, Ron Clark – Guitars, Matt Riena – Drums, Trent Pittard – Bass

Photo Credit: Matt Riena

Phoenix, Arizona’s slam death metal titans Necrambulant have a new offering to earworm its way into your head. Entitled “Pestilential Ascendancy”, this is the second Warhammer 40k-inspired song on the album. The focus of this one is the traitor Death Guard / Plague Marines.

“In my opinion, the second most “death metal” faction in the 40k universe, as they are literally Death personified. Mutated, rotting, stinking, undead harbingers of plague and pestilence who aim to conquer the galaxy in the name of their god, Nurgle.” adds vocalist Andy “Bonemeat” York.

Listen at the following link – https://youtu.be/PDQBq2k5644

​

Necrambulant will be coronating their second full-length “Upheaval of Malignant Necrambulance” via Gore House Productions on March 7th, 2025. With a relentless barrage of slamming brutal death metal, the record presents an anthology of all that they represent, horror, gore, and slamming brutal death metal. Incorporating a full arsenal of death metal and slam to further define their self-described sound of “Inhuman Slam Grind”, “Upheaval of Malignant Necrambulance” has something to offer on many levels of thematic brutality; zombies, serial killers, cannibals, sci-fi, and Warhammer.

“We strived for a no-bullshit / no-filler tracklist that will just pummel the listener with heaviness. We hope this new album is something that fans of our earlier material will appreciate and something fresh for the newer fans as well. Expect a full audial assault of horror, gore, and guttural slamming sickness the Necrambulant way.” says the band.

Recommended for fans of Devourment, Kraanium, Cephalotripsy, Cannibal Corpse, and Abominable Putridity, Necrambulant’s “Upheaval of Malignant Necrambulance” is available for pre-order on CD, Cassette, and Digital at https://orcd.co/uomnecrambulance​

Music Video – “Sentenced to a Gluttonous Pit” – https://youtu.be/TPw1dU37VRA

​Music Video – “Chunked Pus Chowder” – https://youtu.be/7qXIxWeTZ58

​Spotify – https://spoti.fi/3ZpLKWm​

Album Art by Nev (Gruesome Graphx)

Track Listing​
1. Amalgamation of Gresome Curdling Ambonination – 3:09
2. Inhumane Creophagus Repulsion – 3:14
3. Catastrophic… / Epoch 0 – 3:14
4. Barbarian Brute Force Annihilation – 3:47
5. Sentenced to a Guttonous Pit – 2:59
6. Pestilential Ascendancy – 2:53
7. Ineffable Tormenting Possession – 2:24
8. Chunked Pus Chowder – 3:04
9. Upheaval of Malignant Necrambulance – 2:01
10. Coffin Meat – 2:50
11. Self-Biologic Carnivorous Cannibalism – 3:00
Album Length: 32:35

More info: ​Gorehouseproductions.com​ | Facebook.com/necrambulantaz | Instagram.com/necrambulant | Tiktok.com/@necrambulant​

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“This record is slammy, gory, and ultimately heavy” – Decibel Magazine (2025 – Upheaval of Malignant Necrambulance)

“the songs on Necrambulant’s comeback release, A Feast of Festering Flesh, are excellent slam filled sludge… The ep cover is also gruesome and nasty… if you’re looking for slam-filled sludge in the vein of Sanguisugabogg, Cephalotripsy and all the Russian slam bands combined get this ep. It’s fun, heavy and slamming. Brutal shit!!” – Teeth of the Divine

“Necrambulant exists as a means to get drunk and turn out fascination of gore, violence, splatter, and zombie flicks into what some define as the coining term for Necrambulant; “INHUMAN SLAM GRIND”. Ya dig?”’ – Brutalism

“It will intimidate and dominate as the harsh sounds unmercifully take hold but with more than just a warm embrace! It’s eagerly challenging and forthright and the band have held on to their reputation, although showing similarities in the tracks there is only so much you can do whilst snorting to a barrage of unruly riffs and tight drumming – so fair’s fair I think its absorbing and definitely worth a listen or sixteen! ” – Brutalism

“Well well. If this isn’t one of the heaviest starts to one of the heaviest songs ever. Epoch of Nihilistic Cosmic Failure has quite the opening. US band Necrambulant play Brutal Death Metal of the Slammiest Slam variety that ever did Slam. Or something. You get the idea. The sound of this début album is absolutely huge. You can almost feel the zombies pressing into your flesh like a physical presence. The riffs are so fat, bloated and outright heavy it’s amazing that the speakers don’t sink into the floor just by transmitting these festering, dense sounds. The tracks are all about finding the heaviest and most brutal ways to play Death Metal, and everything else is of secondary concern. That’s not to say that all of the other elements to the songs are unimportant or poor, it’s just not the priority here. I mean, they even find ways to sound heavier than normal when going fast. Most of this album is a complete chug-fest though, and it would sound boring if it weren’t for the fact that it’s just done so well… All I can do is recommend that you turn the volume up enough to make your ears bleed and sit in a darkened room until the music just takes you. Once infected by their zombie-plague you’ll be bouncing around like a motherfucker with the rest of us. ” – Wonderbox Metal​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 ART OF ATTRITION Pummel The Senses w/ Blackened Technical Deathcore Single “Subserviate & Decay” + “The Subservient Bloodletting Tour” w/ Beguiler

  • February 21, 2025
  • by Asher
  • · Art of Attrition · Music News

NEWS RELEASE

Montreal, QC – February 14, 2025

ART OF ATTRITION Pummel The Senses w/ Blackened Technical Deathcore Single “Subserviate & Decay”

“The Subservient Bloodletting Tour” w/ Beguiler

L-R – Jack Sutherland (Guitars), back Johnny VanderRoest (Guitars), front Joshua Hahn (Vocals), L-R – Greg Smith (Drums)

Photo Credit – Obscene Productions

Red Deer, AB extreme metal outfit Art of Attrition unleashes their latest single “Subserviate & Decay”. The track showcases the band’s signature blend of relentless brutality and melodic complexity while pushing into bold new territory.

“Subserviate & Decay” delivers the classical Art of Attrition sound that fans have come to expect – a devastating combination of 8-string guitars, gravity blast beats, and guttural vocals – before taking an unexpected turn after the bridge breakdown. The band expands:

“It is modern primitive. It embodies all you love about Art of Attrition and then slaps you in the face with a caveman club. We loved writing this song, recording the parts, and developing its uniqueness in our catalog. It serves as a visceral reminder of the necessity of internal self-love and confidence.”

Since their formation in 2019, Art of Attrition has carved out their niche in the extreme metal landscape; their 2023 debut album “The Void Eternal” and 2024’s “…And It Will All End Forever” established them as a force in the technical deathcore scene. The single represents a conscious step outside the band’s comfort zone, incorporating elements from other genres they love. It is especially recommended for fans of Lorna Shore, Aversions Crown, and Kublai Khan.

Watch and listen to the video for “Subserviate & Decay” via TheCirclepit at https://youtu.be/55K4q_d0znQ​

Spotify – https://spoti.fi/4gREec7

​

In additional news, Art of Attrition along with 2024 Wacken Metal Battle Canada Champions, Toronto, ON’s Beguiler be hitting the road across Canada, east to the west this May for “The Subservient Bloodletting Tour” (dates listed below). This cross-country trek marks a new chapter for both bands as they expand their reach, unleashing their most punishing sets to date along with new songs to unveil. Enter the moshpit for these two bands’ audio assaults of some good ol’ extreme sonic carnage!

Poster Design: @j.disco | @deathhymn

The Subservient Bloodletting Tour w/ Art of Attrition, Beguiler​
May 2 – La Source de la Martinière- Quebec City, QC
May 3 – Piranha Bar – Montréal, QC
May 4 – Taverne Royale – Trois Rivières, QC
May 7 – The Union – Kitchener, ON
May 8 – Queens Nightclub – Barrie, ON
May 9 – Dominion House – Windsor, ON
May 10 – Sneaky Dee’s – Toronto, ON
May 11 – Dominion Tavern – Ottawa, ON
May 14 – SideStage – Winnipeg, MB
May 15 – Black Cat Tavern – Saskatoon, SK
May 16 – The Vat – Red Deer, AB
May 17 – Dickens – Calgary, AB
May 23 – Starlite Temple – Edmonton, AB
May 24 – The Cobalt – Vancouver, BC

Art of Attrition is:
Jack Sutherland – Guitars
Johnny VanderRoest – Guitars
Joshua Hahn – Vocals
Greg Smith – Drums

More info: http://artofattrition.com | https://www.facebook.com/ArtofAttrition | https://www.instagram.com/artofattrition​
​

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Canadian College Radio Charts 2024 – !earshot – October 2024 – top 20 loud – #12 Art of Attrition

Canadian College Radio Charts 2024 – !earshot – September 2024 – Top 200 – #183 Art of Attrition

“Since the speed is incredibly fast, you get the feeling that every song is a 10-minute epic, but they are all in the 5-minute plus/minus direction. But epic is a good keyword, because every single piece has such technical power that you really need several runs to understand, what’s actually going on and that’s what brings tears of joy to the eyes of every metal fan who loves the technical hidden refinements. A small highlight is probably the last of the four songs, as well as the title song “…And It Will All End Forever”, which expresses the band’s entire range and makes it clear to everyone, what is meant by “Technical Deathcore”.9.5/10” – Hellfire Magazin

““…And It Will All End Forever” rises to the surface with the speed and dexterity of bands like Archspire. Mesmerising lead guitars shine brightly above the powerhouse rhythms, momentary silences between anvil heavy sections giving fleeting respite. A gargantuan monolithic breakdown is the last thing you might expect to hear on a track with such stunning lead guitars but the band brought it and it is nothing short of brutal, contrasted perfectly the delicate piano fade out. It’s hard to fathom how this band are not on a major label because this record is sublime [9/10]” – Metal Noise

“Blackened technical deathcore… brutal and pissed off too” – 89.9 WORT FM – The Moshpit (Madison, WI)

“But then the EP’s ending title track. Holy fuck do they knock it out of the park with 6 minutes of killer melodies, a killer chorus and key/choirs, and a massive breakdown that make it an absolutely killer track, maybe one of the year’s best in the genre” – Teeth of The Divine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Montreal Aggro-Metal CHÜZO Announces Ontario Tour Dates + New Video “Bruised and Broken” Off Latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)”

  • February 21, 2025
  • by Asher
  • · CHUZO · Music News

NEWS RELEASE

Montreal, QC – February 21, 2025

Montreal Aggro-Metal CHÜZO Announces Ontario Tour Dates + New Video “Bruised and Broken”

New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Montreal aggro-metal troupe CHÜZO will be hitting the road in March for weekend warrior dates in Ontario for shows in Oshawa, Toronto, and Hamilton. The tour dates are in support of their latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” unleashed this past October and produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio) (dates listed below).

The band recently released their latest knock-out music video “Bruised and Broken”, which can be seen and heard at https://youtu.be/0mVkPAsgN3k

​

“This track is about being pushed, provoked, and instigated to the point of no return. When in life one encounters certain individuals whose existence is to only make you angry and enraged; to bully you and disrespect you beyond aggravation, and the inevitable result that losing your temper and seeing red does to the individual being provoked and instigated is what this track is about. The utter destruction and devastation that awaits the foolish person who dares to provoke a person who has been pushed to the edge of human insanity; fuck around and find out!” adds the band.

CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.

“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets.” adds guitarist Cristian S.

CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.

EP Stream links below:

Bandcamp – https://chuzomtl.bandcamp.com

​

Digital (Spotify) – https://distrokid.com/hyperfollow/chzo/mtmd

​

EP Stream – https://youtu.be/jqCdfYwDev4

​

Music Video – “Brand New Cell” – https://youtu.be/CPvB0BhDxbQ

​

TOUR DATES​
March 7 – Piranha Bar (Wacken Metal Battle) – Montréal, QC – info​
March 14 – The Atria – Oshawa, ON – info​
March 15 – Duffy’s Tavern – Toronto, ON – info​
March 16 – Doors Pub – Hamilton, ON – info​

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band​

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Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.

“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine

““Bruised and Broken” is definitely a rager. Mischa and Christian belt out the words in a tandem of furious screams and monstrous roars. Behind them, the song discharges high-speed percussive obliteration and punk beats, a violent churn of high-grit riffage, and bowel-loosening bass-quakes. The band also work in mean-eyed slashing chugs, a brutalizing breakdown that seems to get more thuggish but no less head-hooking as the seconds pass, an explosion of boiling and battering grindcore mayhem, and another hardcore beatdown that’s probably a sure-fire mosh trigger in a live show — with Mischa‘s screaming voice still coming for your throat with no-holds-barred intensity. Just this one song proves that for Chüzo the label “Aggro Metal” isn’t false advertising. It’s a gut-slugging, bone-smashing, vocally blistering, and viciously eviscerating outburst, and it also proves to be a pretty addictive piece of rage-fueled catharsis too. Speaking of live shows, the video gives a good sense of what the band’s live sets are about, and a good sense of how much fun they had beating the shit out of things in that rage cage.” – No Clean Singing

“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy
​
“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise
​
“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise
​
“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine
​
​
​
​“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine

—
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0 Rockshots Records – Out Now! Finland’s AITHEER’s Debut Album “The Serpent” Pushes Boundaries of Extreme w/ Prog and Cinematic Depth

  • February 21, 2025
  • by Asher
  • · AITHEER (ROCKSHOTS RECORDS) · Music News

NEWS RELEASE

Montreal, QC – February 21, 2025

Out Now! Finland’s AITHEER’s Debut Album “The Serpent” Pushes Boundaries of Extreme w/ Prog and Cinematic Depth

Photo by Andrea Ferrantelli

Rockshots Records is proud to announce the release of “The Serpent”, the highly anticipated debut full-length album from Aitheer, set to arrive today February 21st, 2025. Following their 2020 EP “Sleeper”, the Finnish progressive metal band expands its sonic vision with an album that pushes boundaries, blending extreme metal intensity with intricate progressive arrangements and cinematic depth.

Formed in 2017 by Niko Löfman (vocals, guitars), Antton Kasslin (drums) and Roope Kytölä (bass), Aitheer has evolved from a jam-based project into one of Finland’s most daring progressive acts. “The Serpent” represents a culmination of years of musical exploration, recorded, mixed, and mastered by Harri Petjakko at Studio UG in Finland between 2020 and 2024. The album’s sound is vast and unpredictable, combining black metal aggression, jazz-infused complexity, classical influences, and ethereal ambient textures into a singular, ever-shifting experience.

At its core, “The Serpent” is a theatrical and immersive journey, moving through moments of chaos and serenity, heaviness, and melody, all bound by Aitheer’s uncompromising artistic vision. Tracks like “The Dance of Twins” exemplify the band’s ability to weave extreme metal with folk-inspired acoustic passages and jazz-laden saxophone solos, while pieces such as “Law” blend haunting piano arrangements with explosive, math-rock-inspired climaxes. Instrumental interludes like “Prologue”, “East” and “Flame” introduce rich atmospheric elements, adding depth and contrast to the album’s progressive structures.

For fans of Meshuggah, The Ocean, King Crimson, and Vangelis, “The Serpent” offers a challenging yet deeply rewarding listening experience that defies categorization. The band embraces a cinematic approach, creating an album that flows like a soundtrack—each track unfolding with unpredictable twists, rich textures, and emotional depth.

With its genre-bending sound and fearless composition, “The Serpent” is more than just a debut—it is a statement. Aitheer solidifies its place among the most forward-thinking acts in progressive metal, delivering an album that demands exploration and rewards those willing to embark on its sonic journey.

“The Serpent” will be available on all streaming platforms and in physical formats from February 21st, 2025 via Rockshots Records.

Album Order – https://rockshots.eu/products/aitheer-the-serpent-cd​

Digital (Spotify, Apple Music) – https://lnk.to/zPFXXP

​

Single Stream- “The Serpent” – https://youtu.be/VOz76T4xOWA

YouTube Album Stream – ​https://bit.ly/3EJrua8

​

(Album Cover – Aitheer – The Serpent)

Track Listing:​
1. Prologue
2. The Dance of Twins
3. East
4. Law
5. Clairvoyance
6. The Serpent
7. Flame

Band Lineup:​
Niko Löfman: Vocals (studio, live), Guitar (studio, live), Bass (studio), Keyboards (studio)
Lassi Enqvist: Guitar (studio, live), Keyboards (studio)
Toni Paananen: Drums (studio, live) / Toni Paananen – Drums (studio, live)
Andrea Ferrantelli: Bass (live)

Album Artwork Credits:​
Art of the front cover painted by Iiris Astraya.
Graphic Design by Jarmo Sainio.
Photography by Niko Löfman, Lassi Enqvist, Roope Kytölä, Andrea Ferrantelli, and Anssi Kippo.
Logo by Niko Löfman.

​For more info:

​https://www.rockshots.eu​
​https://www.facebook.com/Aitheer​
​

– 30 –

—
ASHER MEDIA RELATIONS
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0 Saudi Prog Metal DUSK Teams Up w/ Kuwait’s ABZY For New Single “Sleepwalker”

  • February 20, 2025
  • by Asher
  • · ABZY · DUSK · Music News

NEWS RELEASE

Montreal, QC – February 20, 2025

Saudi Prog Metal DUSK Teams Up w/ Kuwait’s ABZY For New Single “Sleepwalker”

L-R – Gilbert Hadad – Drums, Abzy – Vocalist, DUSK – Guitarist

Saudi Arabia’s one-man prog metal unit DUSK (from the mind of Meshari Sangora) has teamed up with Kuwaiti modern metal artist ABZY and drummer Gilbert Hadad to release their unified single “Sleepwalker”. Fresh, creative, and powerful, the track is about the struggle one has with their mental health.

“As I work on my follow-up music to 2023 Spectrums, I think fans will love this first taste of the new album I’m working on, and they will appreciate the beauty of my maturity when it comes to songwriting and what experiences can do to a creative session. I’m trying to touch base on more realistic subjects such as mental health, but I always like to show the other side of the conversation,” adds DUSK.

Once a college DJ in UAE, that time in his life led to his rediscovery of all forms of metal, and it was just the beginning of his creation of music as a self-taught musician and producer. DUSK released its first full length” “Spectrums” to follow two previously released EPs “To Where I Belong” (2021) and “Ascension” (2020) along with multiple stand-alone singles that were used to introduce the project’s music to the world in 2020.

“Spectrums” garnered praise as it was named Album of The Year in 2023 by Metal Pedia and Metal Has No Borders along with reaching listeners in over 90+ countries on Spotify.

This album further solidified his place in the international metal community, featuring 12 tracks sung in multiple languages, including (English, German, Finnish, and Arabic). Spectrums also included collaborations with both local Saudi artists and international metal musicians, such as Aron Harris from Solemn Vision and Jaani Peuhu, formerly of Swallow the Sun.

Beyond his music career, DUSK is an influential figure in the Saudi Arabian and broader GCC metal scenes. He has played a crucial role in supporting local artists by offering marketing consultations, providing studio recording services, and helping to manage and promote the “Riyadh Inferno” festival, an important event for the region’s growing metal community. As the festival’s key liaison, DUSK connects local venues with regional bands, further strengthening Saudi Arabia’s position as a destination for metal acts.

With a deep commitment to his craft and his role in the development of the metal music scene in Saudi Arabia and beyond, DUSK continues to shape the future of heavy music along with the CEO and Founder of Heavy Arabia “GIGI ARABIA”.

“Sleepwalker” is recommended for fans of Currents, Spiritbox, and Killswitch Engage, along with everything under the vein of progressive metal, metalcore, EDM, and djent.

Listen at the following links:

Lyric Video – https://youtu.be/5vEs75RmCao

Digital (Spotify) – https://distrokid.com/hyperfollow/dusk14/sleepwalker​

Single Artwork by Jon Toussas

For more info:

​Officialdusk.com​

​Facebook.com/Officialdusk94​

​Instagram.com/official__dusk​​

​Twitter.com/Official__Dusk​

– 30 –

“A gargantuan and epic undertaking from Dusk, even before you consider the array of guests that complement the overall progressive metal experience. Spectrums is incredibly ambitious and eccentrically pleasing, as the best progressive metal should be.” – Games, Brrraaains & A Headbanging-Life (2023 – Spectrums)

“The album is adventurous, but met head on. They also assembled a great cast of supporting guests that bring a variety to the album, such that you never know what sound might be coming next. The description of styles mentioned in the beginning reflect how diverse the album really is. Each song is performed meticulously, thoughtfully, and confidently.” – Metal-Temple (2023 – Spectrums)

“Be all this as it may, it’s clear that Sangora is a talented musician and producer who can write an effective hook. “Breath In, Breath Out Ft. Adnan Mryhi” is a fist-pumping metalcore anthem with a big chorus over a melodic riff and progressive guitar flourishes. “Agnes Of Rome Ft. Abzy” makes the best use of guest vocals, featuring an almost sultry delivery that includes an especially affecting stretch in Arabic. The real standout is “Someone To Trust Ft. Jon Thomas,” which places a chillwave chorus with vocorder-like vocal filters in a metalcore frame that effectively fulfills the promise of Dusk’s electronica metal approach… Meshari Sangora is a talented musician who is likely to find an audience for his slightly progressive, slick EDM metal. I’m a bit surprised to see metal from Saudi Arabia reaching this site but seeing the guest spots here by other Saudi and Kuwaiti musicians, it’s obvious there’s a community in the Middle East that deserves some exposure.” – Angry Metal Guy (2023 – Spectrums)

“If you are into the likes of Architects, Deftones and Born Of Osiris, you will find much to enjoy – other influences I can hear are Coheed And Cambria in some of the arrangements, SOAD in some of the delivery of lyrics and some of the clean lyrics on some of the songs are super-Emo-sounding (‘Burning In My Mind’ I’m looking at you…) and then there is a HARD left turn and it suddenly appears that Dusk are the Arabian version of Seething Akira on ‘Karma Will Find You’ with some extra throat ripping brutality from Moe Steiger.” – Ever-Metal (2023 – Spectrums)

“Spectrums is the debut full-length which features 10 guest vocalists by Saudi and Kuwaiti musicians… The talent and arduous work that was put into this album collectively is impressive. The international flavors and languages in which each song is performed I find irresistible. I am a person who enjoys all genres of metal and if the piece of music in question is well done even better. I don’t shy away from diving into metalcore or any other genre to experience and digest a piece of music. This album is uniquely designed with multiple genres, styles, and influences… The whole album is worth digesting.” – Metal Lair (2023 – Spectrums)

“This has a melodic metalcore thing going on, a bit heavier in parts, some great harsh vox and shouts along with a higher pitch clean vox.” – WORT 89.9FM – Madison, WI (2023 – Spectrums)

“There are plenty of good ideas and superb music here, and a number of excellent songs (opener “The World We Used to Know” and “Only You” are particular standouts)” – Heavy Music Headquarters (2023 – Spectrums)

“Meshari Sangora drives the one-man project Dusk with an abundance of ambition. Spectrums may appear to be a meditation onthe spectrum of djent, however there’s further merit under the skin. The record gathers a multitude of contributors… an impressive feat in not only banding together artists with vastly different styles, but also of different language (English, German, Finnish, Arabic). Additionally, we discover EDM, jazz, pop, industrial, and ambient fusion finessed within the overall extravagant gallery of modern progcore.” – Metal Has No Borders (2023 – Spectrums)

“This is very much and inclusive and sprawling production, and an album worth a check by those who tend to enjoy a contemporary and unpredictable variety of progressive metal that ventures forth into landscapes where not too many others have contemplated going before.” – Progressor (2023 – Spectrums)​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 EPK – DUSK – Sleepwalker ft. ABZY (2025) (single)

  • February 20, 2025
  • by Asher
  • · DUSK · EPKs

EPK – DUSK – Sleepwalker ft. ABZY (2025) (single)

For fans of Currents, Spiritbox, Killswitch Engage

​OfficialDusk.com | ​Facebook.com/Officialdusk94 | ​Instagram.com/official__dusk | ​Twitter.com/Official__Dusk

Dusk94.bandcamp.com | Spotify | Apple Music | Soundcloud | Anghami.com/artist/7640038

[Download Album Cover | Download Album Lyrics]

Band: DUSK ft. ABZY
Single Title: Sleepwalker
Release Date: February 20th
Label: Self-Release
Track Length: 6:48

Single Credits:
Track performed and written by: Meshari Sangora (DUSK)
Produced by: Meshari Sangora (DUSK)
Mix and mastered by: Billy Pfister
Artwork done by: Jon Toussas

About the single artwork: It signifies the struggle the person is going through.

==============================================

“A gargantuan and epic undertaking from Dusk, even before you consider the array of guests that complement the overall progressive metal experience. Spectrums is incredibly ambitious and eccentrically pleasing, as the best progressive metal should be.” – Games, Brrraaains & A Headbanging-Life (2023 – Spectrums)

“The album is adventurous, but met head on. They also assembled a great cast of supporting guests that bring a variety to the album, such that you never know what sound might be coming next. The description of styles mentioned in the beginning reflect how diverse the album really is. Each song is performed meticulously, thoughtfully, and confidently.” – Metal-Temple (2023 – Spectrums)

“Be all this as it may, it’s clear that Sangora is a talented musician and producer who can write an effective hook. “Breath In, Breath Out Ft. Adnan Mryhi” is a fist-pumping metalcore anthem with a big chorus over a melodic riff and progressive guitar flourishes. “Agnes Of Rome Ft. Abzy” makes the best use of guest vocals, featuring an almost sultry delivery that includes an especially affecting stretch in Arabic. The real standout is “Someone To Trust Ft. Jon Thomas,” which places a chillwave chorus with vocorder-like vocal filters in a metalcore frame that effectively fulfills the promise of Dusk’s electronica metal approach… Meshari Sangora is a talented musician who is likely to find an audience for his slightly progressive, slick EDM metal. I’m a bit surprised to see metal from Saudi Arabia reaching this site but seeing the guest spots here by other Saudi and Kuwaiti musicians, it’s obvious there’s a community in the Middle East that deserves some exposure.” – Angry Metal Guy (2023 – Spectrums)

“If you are into the likes of Architects, Deftones and Born Of Osiris, you will find much to enjoy – other influences I can hear are Coheed And Cambria in some of the arrangements, SOAD in some of the delivery of lyrics and some of the clean lyrics on some of the songs are super-Emo-sounding (‘Burning In My Mind’ I’m looking at you…) and then there is a HARD left turn and it suddenly appears that Dusk are the Arabian version of Seething Akira on ‘Karma Will Find You’ with some extra throat ripping brutality from Moe Steiger.” – Ever-Metal (2023 – Spectrums)

“Spectrums is the debut full-length which features 10 guest vocalists by Saudi and Kuwaiti musicians… The talent and arduous work that was put into this album collectively is impressive. The international flavors and languages in which each song is performed I find irresistible. I am a person who enjoys all genres of metal and if the piece of music in question is well done even better. I don’t shy away from diving into metalcore or any other genre to experience and digest a piece of music. This album is uniquely designed with multiple genres, styles, and influences… The whole album is worth digesting.” – Metal Lair (2023 – Spectrums)

“This has a melodic metalcore thing going on, a bit heavier in parts, some great harsh vox and shouts along with a higher pitch clean vox.” – WORT 89.9FM – Madison, WI (2023 – Spectrums)

“There are plenty of good ideas and superb music here, and a number of excellent songs (opener “The World We Used to Know” and “Only You” are particular standouts)” – Heavy Music Headquarters (2023 – Spectrums)

“Meshari Sangora drives the one-man project Dusk with an abundance of ambition. Spectrums may appear to be a meditation onthe spectrum of djent, however there’s further merit under the skin. The record gathers a multitude of contributors… an impressive feat in not only banding together artists with vastly different styles, but also of different language (English, German, Finnish, Arabic). Additionally, we discover EDM, jazz, pop, industrial, and ambient fusion finessed within the overall extravagant gallery of modern progcore.” – Metal Has No Borders (2023 – Spectrums)

“This is very much and inclusive and sprawling production, and an album worth a check by those who tend to enjoy a contemporary and unpredictable variety of progressive metal that ventures forth into landscapes where not too many others have contemplated going before.” – Progressor (2023 – Spectrums)

L-R – Gilbert Hadad – Drums, Abzy – Vocalist, DUSK – Guitarist

Biography DUSK – Meshari Sangora, known professionally as DUSK, is a Saudi Arabian musician, producer, and songwriter who has made a significant introduction of himself in the metal and progressive music scenes, blending the genres of progressive metalcore, djent, and electronic elements (EDM), DUSK’s unique sound has resonated with listeners over 90+ countries according to the 2023 and 2024 Spotify wrapped data.

DUSK’s musical journey began in 2012 under the name ASTROBEAT, where he initially established himself as a DJ in the UAE from (2013 – 2018) During this period, he produced a total of 49 tracks, varying between singles and EPs, exploring a wide array of genres such as EDM, hip-hop, pop, jazz, soul, and rock. However, his lifelong passion for heavy music eventually led him to focus on metal, marking the shift from ASTROBEAT to DUSK.

In 2020, DUSK released his 6 instrumental track debut EP Ascension which included the fan-favorite tracks “Ascension” and “Shadows Among Us”. The following year saw the release of multiple singles, including “Enrapture” “Particles of Shapes” and “Rotten Roots”, as well as the “To Where I Belong” EP (2021), which featured collaborations with Saudi metal musicians Madani Zakri and Abdulrahman Elghazali.

In 2022, DUSK started to gain widespread recognition with the release of “Origin” a single that featured Bratt Anspach on vocals from the Pennsylvania-based deathcore band Monument Of A Memory & the band Ultraviolet. This collaboration marked a significant milestone in his career. 2023 proved to be a defining year for DUSK with the release of his debut self-produced album “Spectrums” which was later on picked up and distributed by Wormhole Death Records.

This album further solidified his place in the international metal community, featuring 12 tracks sung in multiple languages, including (English, German, Finnish, and Arabic).

Spectrums also included collaborations with both local Saudi artists and international metal musicians, such as Aron Harris from Solemn Vision and Jaani Peuhu, formerly of Swallow the Sun. The album has been recognized as one of the top metal albums of 2024 by various music publications.

Beyond his music career, DUSK is an influential figure in the Saudi Arabian and broader GCC metal scenes. He has played a crucial role in supporting local artists by offering marketing consultations, providing studio recording services, and helping to manage and promote the “Riyadh Inferno” festival, an important event for the region’s growing metal community. As the festival’s key liaison, DUSK connects local venues with regional bands, further strengthening Saudi Arabia’s position as a destination for metal acts.

With a deep commitment to his craft and his role in the development of the metal music scene in Saudi Arabia and beyond, DUSK continues to shape the future of heavy music along with the CEO and Founder of Heavy Arabia “GIGI ARABIA”.

– Album Of The Year 2023 Winner by Metal Pedia – Spectrums
– Album Of The Year 2023 Winner by Metal Has No Borders – Spectrums
– Breath In, Breath Out Ft Adnan (Unmuted) – Song of the Year nominee by the Musivv Awards – 2023

Discography:
2020 – Ascension – EP
2020 – Enrapture – Single
2021 – Particles Of Shapes – Single
2021 – Rotten Roots – Single
2021 – To Where I Belong- EP
2022 – Origin Ft. Brett Anspach – Single
2023 – Spectrums – LP
2025 – Sleepwalker ft. ABZY (single)

PERFORMANCES
2021 – Joy Ruckus Lunar New Year Festival 2021 – Joy Ruckus Club 4
2022 – Riyadh Inferno first edition 2023 – Desert Inferno DUBAI
2023 – The first band to conduct and headline a GCC tour: Jeddah, Doha, Bahrain, and Riyadh, sharing the stage with Wasted Land, Winterburn, Motor Militia, Hellionight, Shamal, Ryth, Kolahal
2023 – Dubai Metal Festival 2023 2023 – XPMUSIC features showcase
2024 – Riyadh Music Week First Metal Act to get inducted Part of the inaugural event organized by the Saudi government to boost the local heavy music scene.
2025 – Bangalore Open Air Festival 2025

Shared Stage with:
Unfathomable Ruination – UK
Reprobate – UAE
Abeastmality – UAE
Wastedland – KSA
WinterBurn – QTR
Motormilitia – BH
Hellionight – BH
Shamal – KSA
Ryth – BH
Kolohal – BH
Wicked Earthlings – QTR
Pain – SE
Black Sonic Pearls
Septicflesh – Greece
Nervecell – UAE
Licence to Kill – PH
Dune – KSA
Sound Of Ruby – KSA
Kryptos – IND
Skreen – IND

0 Rockshots Records – BRAVERIDE Unveils New Video “Executioner” Off Upcoming Album “The Great Awakening” Out April 2025

  • February 20, 2025
  • by Asher
  • · Braveride (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – Feb 18, 2025

BRAVERIDE Unveils New Video “Executioner” Off Upcoming Album “The Great Awakening” Out April 2025

Epic power metal warriors Braveride return with “Executioner”, the first single from their upcoming album “The Great Awakening” set for release on April 18th, 2025, via Rockshots Records. A battle hymn of unstoppable force, “Executioner” delivers soaring melodies, galloping riffs, and a thunderous rhythm section embodying the band’s signature blend of symphonic and epic power metal.

Alongside the release, Braveride has unveiled an official lyric video, allowing fans to immerse themselves in the song’s powerful themes while following the evocative storytelling of the lyrics. Designed to bring the narrative and emotion of “Executioner” to life, the lyric video enhances the track’s epic and cinematic nature, reinforcing the battle-driven intensity of the song. With striking visuals and a compelling lyrical flow, the video serves as the perfect gateway into the world of “The Great Awakening”, setting the tone for the album’s mythical journey.

Blending the grandiosity of symphonic orchestrations, classic guitar finesse, and a relentless drive, “Executioner” is a perfect showcase of Braveride’s artistic vision—where raw power meets intricate composition. As part of “The Great Awakening”, the track fits seamlessly into the album’s overarching fantasy concept where every song contributes to a mythical world of battles, heroes, and destiny.

With this new chapter, Braveride further solidifies its place in the epic power metal scene, making “Executioner” the perfect introduction to an album set to resonate deeply with fans of Rhapsody of Fire, Blind Guardian, and Manowar.

Listen (Spotify) – https://lnk.to/5FIzow​
​Music Video – https://youtu.be/rkHjW4eCUT0​

ALBUM PRE ORDER – https://rockshots.eu/products/braveride-the-great-awakening-cd​

Track Listing:​
1. Twilight
2. Executioner
3. Nightmares are Real
4. Souls are Marching
5. Temple of the Unholy Reign
6. The Gate
7. Delfekor
8. Gionis
9. Unspoken Terror
10. The Final Confrontation
​
Braveride Line Up:
Marios Christakis: Guitars, Orchestrations, Lyrics and all music compositions
Marcello Vieira: Vocals and Vocal Additional Arrangements, Additional Lyrics
Antonis Gerogiorgos: Drums
Wolf De Iuliis: Bass
​
Guests:
Gaby Koss: Soprano Vocals and arrangements

​More info:​
Label: https://www.rockshots.eu​
Website: https://braveride.com/​
Facebook: https://www.facebook.com/braveride​
Instagram: https://www.instagram.com/braveride.band/​

ABOUT BRAVERIDE

Founded in 2004 by Marios Christakis, Braveride was created with the vision of blending epic power metal with symphonic elements and a cinematic approach to storytelling. Over the years, the band has evolved refining their sound from the raw energy of their debut “Heroic Deeds” (2006) to the grandeur, more complex compositions featured in “The Great Awakening” (2025).

Inspired by fantasy literature, sword-and-sorcery tales, and epic battles, Braveride’s music transports listeners into mythical worlds. With soaring vocals, galloping rhythms, intricate orchestrations, and classical guitar passages, their sound stands out as a powerful force within the epic power metal landscape. Their ability to balance complexity and melody, creating both immersive full-album experiences and standalone anthems, has earned them a dedicated following among fans of Rhapsody of Fire, Blind Guardian, and Manowar.
​

– 30 –

—–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Streaming Now! Canadian Stoner Psych Desert Rock SWEETBEAST’s Debut Album “Illusions”

  • February 20, 2025
  • by Asher
  • · Music News · SweetBeast

NEWS RELEASE

Montreal, QC – February 20, 2025

Streaming Now! Canadian Stoner Psych Desert Rock SWEETBEAST’s Debut Album “Illusions”​

L-R – John Hermary – Vocals/Guitar, Alex Graham – Backup Vocals/Bass, Colton Schofield – Drums, Eric Gorzynski – Vocals/Guitar

Blending the cosmic dimensions of psychedelic, stoner, and desert rock, Kelowna, BC, Canada’s SweetBeast‘s debut album “Illusions” invites you to lose yourself in their fusion of heavy, low-tuned guitars and melodic, psychedelic riffs.

Aiming to give fans a fully immersive listening experience, the band transports the deep, heavy grooves and layered, psychedelic soundscapes as if you’re on a journey through the mind or some otherworldly place. Each track is designed to pull the listener in with dynamic shifts, powerful riffs, and moments of reflection, creating a balance between intensity and space.

SweetBeast comments on the record’s release:

“We couldn’t be more excited to share our debut album Illusions. Since forming in 2018, we’ve faced our share of ups and downs, from lineup changes to lost tracks, but we’ve always pushed forward. With each challenge, our sound has evolved into something we’re incredibly proud of—something that blends the raw energy of Queens of the Stone Age and Kyuss with the spacey, psychedelic textures of Pink Floyd. It’s been a long journey building this body of work, and we couldn’t be more proud to share it with fans new and old. SweetBeast thrives on keeping things unpredictable, with odd time signatures, tempo shifts, and mood swings that keep the listener guessing.

Each track represents different aspects of life, consciousness, and the illusions we create for ourselves. This album digs deep into personal experiences and the strange journey of self-discovery. Over the last few years, we’ve found new meaning in our music and channeled that energy into these songs.

This album holds a special place in our hearts, and it is dedicated to our late friend and mentor, Jay Scott, who believed in us from day one. Jay, a legend in the music scene who toured with bands like D.O.A. and No Means No, gave us the push we needed to keep going. His support and encouragement helped us stay the course, and we were lucky enough to have him in the music video for our track ‘Illusion’. This one’s for you, Jay—until we meet again.”

Due out on February 21st, 2025 from Humalien Records, “Illusions” can be heard in full before it officially drops via its album stream premiere on Outlaws of The Sun HERE.

Recommended for fans of Queens Of The Stone Age, All Them Witches, Kyuss, and Alice In Chains, “Illusions” is available for pre-order at https://sweetbeastrock.bandcamp.com/​

Music Video – Illusion ft. Space Queen – https://youtu.be/ApFf3TDSuf0

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Music Video – “Plastic People” – https://youtu.be/by6W1-pNhE8

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Track Listing:​
1. 70/30 – 7:57
2. Thunder – 4:01
3. Dream Eater – 5:29
4. Midnight – 4:38
5. Plastic People – 6:41
6. Illusion ft. Space Queen – 11:26
Album Length – 40:12

More info: SweetBeast.ca | Facebook.com/SweetBeastFuzz | Instagram.com/sweetbeastfuzz | Tiktok.com/@sweetbeastfuzz​

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“The record (Illusions) is characterized by heavy grooves, memorable licks, and catchy, heavy, doomy goodness. Any lovers of the groove will definitely be fans of this one.” – Decibel Magazine

“Grungy heavy rock with fuzzy psychedelic twists win the day in ‘Illusions’ (2025), tapping a similar vein to bands like Queens Of The Stone Age, Stone Temple Pilots, All Them Witches, Kyuss, and Alice In Chains. While standing distinctly on their own turf, SweetBeast dishes out addictive grooves and punchy lyrical moments.” – Doomed and Stoned

“Illusions is built upon excellent production values that has a certain resemblance to the seedy backdrop of 1970’s Doomedelic Rock and the swagger of the 1990’s Grunge/Stoner Rock scene. SweetBeast have released an outstanding debut album that should see the band gain a significant following within the underground scene to make themselves more well known. Overall, Illusions is a spectacular record that everyone should own right now.” – Outlaws of The Sun

“How about some brand new heavy-duty stoner rock?! The new single “Dream Eater” from SweetBeast is pretty amazing. “Dream Eater” meanders and bubbles beneath the surface until erupting with a wicked heavy solo and then falls back to its broody state. All in all, it’s a psychedelic journey that you won’t want to miss” – WJOE – Findlay’s Home for Rock & Roll

“SweetBeast creates tunes akin to an acid trip in the 70s — ideal for headbanging and perfect for getting lost in.” – Kelowna Now

“Making their first appearance on stage in Vancouver after making the trek from Kelowna, something I always appreciate. Shows the band believes they have something more people need to hear and are willing to live the road life to spread their sound. With this confidence comes a great live show, exactly what we got last night. Still grooving in the stoner/psych rock vein, SB leaned into the psychedelic direction a little more. Some great damn rock songs in here lead by a great singer armed with a voice that fit the vibe/sound so well. Fuzz heavy guitars shredding away and more than a few great little solos gave this set its flavor. Got some heavy 70’s era psychedelic vibes with all the wonderful squeals and squeaks coming from them. Just beautiful. Far and away though, the sexiest part of this offering were those drums. With the drummer exuding confidence in their ability, they gave us a great set full of wonderful licks and fills. Always in command on each song they were a blast to watch, full of fun grooves to dance to.” – Elder God Productions (Live Review – RED GATE 22/11/03 – Vancouver)

Video Endorsement from Dave Catching (Queens of the Stone Age / Eagles of Death Metal / Rancho De La Luna recording studio): Dave Catching Intro For SweetBeast at Tune It Down Turn It Up 2020​

“They have beautiful harmonies and great melodies, I can’t wait to get them down here to make the album they deserve to make and unleash it upon the world..” – Dave Catching

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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