Posts By Asher

0 EPK – Candor Zealot (2026)

November 30, 2025
by Asher
· Candor Zealot · EPKs

EPK – Candor Zealot (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Since we are a new act, we are rolling out a total of 6 singles over the next few months. We hope to generate some buzz by releasing a song one at a time. No one is asking for a full-length album from an unknown band, and no one has the attention span these days to even sit down and listen to a collection of songs that we used to call “albums”. I think this will be an exciting time for progressive rock and metal fans who want something melodic and catchy.” – Nate Silva – Candor Zealot

For fans of Rush, Billy Talent, Megadeth, Dream Theater, Coheed & Cambria

Band: Candor Zealot
Single #1 Title: Lie For Country
Length: 3:30
Release Date: January 20, 2026
Label: Slyde Productions
Distribution: DistroKid (digital)
Genre: Prog Metal
Location: Ottawa, ON, Canada

““Lie For Country” is our debut single, and we wanted to introduce ourselves with breakneck speed, musical intensity, and a poignant political message. There are influences of Megadeth, Killswitch Engage, Billy Talent, and even System of a Down in this track, and it’s a song about being manipulated and politically indoctrinated without thinking critically. We are proud of this track, and we are pumped to release it!” – Nate Silva – Candor Zealot

Singles Credits:
All songs performed by: Candor Zealot
All songs written by: Nate Silva with Candor Zealot
Produced by: Nate Silva
Co-Produced by: Dino Soares, Alberto Campuzano, Chris Gagnon & Chris Ferris
Mixed by: Chris Ferris
Mastered by: Chris Ferris
Album Artwork by: Casey Shea
SOCAN member

Album & Band band line up:
Nate Silva – Lead Vocals, Guitar
Dino Soares – Drums
Alberto Campuzano – Bass Guitar, Vocals
Chris Gagnon – Guitar, Vocals

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About the track:

Lie For Country

Another politically charged song that sounds like a mix of Killswitch Engage, Billy Talent, and even a bit of Slayer. It’s a song about political indoctrination and brainwashing.

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Fun Facts – Story Angles:

1. The band name “Candor Zealot” was chosen because we wanted to convey the general intentions of our storytelling within the band name: “to be uncompromising in the pursuit of honesty and openness.”

2. Frontman Nate Silva and drummer Dino Soares have been playing music together since they were 14 years old.

3. Nate Silva, Dino Soares, and Alberto Campuzano were former members of the Toronto-based prog metal band THE SLYDE, who won the 2019 Wacken Metal Battle Canada competition and performed at Wacken Open Air in Germany.

4. Guitarist Chris Gagnon currently plays in 8 tribute bands.

5. Nate Silva wrote a thesis paper for his Master’s degree on chiptune artists who incorporate guitar playing into their music.

L-R – Chris Gagnon (Guitar, Vocals) | Nate Silva (Lead Vocals, Guitar) | Dino Soares (Drums) | Alberto Campuzano (Bass Guitar, Vocals)

Photo Credit: Ryan Stacey

For fans of RUSH, BILLY TALENT, and MEGADETH, Canadian newcomers CANDOR ZEALOT is a collective of seasoned rocker stalwarts determined to create a nostalgic take on modern progressive rock and heavy metal. Uncompromising in the pursuit of honesty and openness through their music and message, Candor Zealot does not shy away from tackling sensitive and thought-provoking topics, both political and personal.

Be on the lookout for their debut single, “LIE FOR COUNTRY,” in early 2026.

SHARED STAGE WITH:
New group, so no previous shows under the name Candor Zealot. Though individually, we have all shared the stage with notable acts. Alberto played in Annihilator for 5 years; The Slyde (which Candor Zealot is a spiritual successor of, consisting of 3 out of the 4 members of The Slyde) opened for bands like Angra and Pain of Salvation, etc.

TOUR AND FESTIVALS:
New group, so no previous tours or festivals under the name Candor Zealot. Though The Slyde performed at Wacken Open Air Festival in 2019, and did several DIY tours in Ontario and Eastern Canada.

Artist Endorsements: Nate has artist deals and endorsements with Fender, Ernie Ball, Fryette Amps, and Corrigan Pickups

0 EPK – HighWay – Last Call For Rock n’ Roll (2026)

November 30, 2025
by Asher
· EPKs · HighWay

EPK – HighWay – Last Call For Rock n’ Roll (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We think they will be blown away by this new record. After an unplugged album in 2022 (The Journey) where we experimented with lots of new stuff and atmosphere, we’re back to a true rock sound, 100% electric! Pure high voltage! But always with our own sense of melody, a lot of vocals and surprises! We loved to write and record these new songs. More personal and emotional than ever. We worked hard on pre-production with our producer, Brett Caldas-Lima, in the old-fashioned way. We worked on each detail of these songs to deliver their essential core. To deliver the best songs we could write. It was a passionate process. We’re feeling more mature, wise and effective as songwriters. The lyrics are more personal, intimate, reflecting life and stuff that we had to endure, and we wanted to share them in our new songs. We hope it will connect and resonate with a lot of people. We’re really proud of this record at each level: songwriting, sound and production.” – HighWay

For fans of AC/DC, Aerosmith, Extreme, Guns n’ Roses, Queen

Band: HighWay
Album Title: LAST CALL FOR ROCK’N’ROLL
Release Date: April 24, 2026
Label: Rock City Music
Distribution: Physical: FTF-Music / Digital: Virgin Music
Genre: Hard-Rock
Location of Band: Montpellier, France

Linktr.ee/highway_the_band | Highwayrocks.com | Facebook.com/highway.fr | Instagram.com/highway_the_band

Twitter.com/onlyhighway | Youtube.com/onlyhighway | Tiktok.com/@highwaytheband

“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OUR MISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“The Journey” proves to be an album of great richness confirming HighWay’s talent.” – Music Waves (2022 – The Journey)

“We let ourselves be lulled by the ever-present groove. The American spirit allows this album, as exemplified by ” Motel in Alabama,” on which Benjamin Folch excels, accompanied by discreet backing vocalists. Here, we navigate through emotion, skill, and warmth. Surprises abound, some truly astonishing. We’re swept away to a Spanish-infused fiesta with ” In the Circus of Madness ,” a genuine gem of exquisite delicacy. Musically, we find club-like and sometimes intimate atmospheres, with light touches of violin and piano (” Have A Beer “), and captivating choirs ( “Freedom “). The finale, “The Journey,” is practically a rock opera. There’s no need to list them all here, as the title “The Journey” says it all. HIGHWAY has what it takes to hold their own against many internationally established bands, and I hope they receive the recognition they deserve. Well done!” Among The Living (2022 – The Journey)

“What 80’s lover will resist this totally festive spirit, which mixes ambition (Become Someone), love of music(I Like It, United States Of Rock’N’Roll), or sex (Mr King Size, Highway O Love) ? All the clichés of the unstoppable album are there, proud to resurrect a past that we thought had disappeared but which was in reality only asleep. Despite some sometimes approximate choruses (Breath of life), HIGHWAY manages to carry me in his luggage every time he listens. That’s why I’m getting carried away… HIGHWAY joins the exclusive club of teams capable of breaking down borders in order to explode abroad. On two conditions: tirelessly travel the roads of France and Navarre in order to convince the public and force themselves to publish a new album within the next eighteen months. Do everything, in short, so that we talk about HIGHWAY. Will promotion, distribution, financial and media resources be there ??? To be continued very, very closely…” – Metal-Integral (2022 – The Journey)

“From start to finish Ben Chambert is literally the driving force behind this album. Exploring melodies influenced by southern Blues Rock, with a heavy taste of early Guns N’ Roses, it immediately grips your attention. And the solos, though short, are very decent. Another interesting feature about Highway that really stands out is the outstanding vocals chorus done in a very Queen-like fashion, without taking the spotlight away from the lead singer Benjamin Folch. Naturally, his voice is very pure Rock oriented, with a taste of whisky to it. Harsh, yet melodic, and capable of diverse vocal arrangements, and a brilliant English fluency. This is brilliantly demonstrated in “Separate Ways”, as well as a Ronnie James Dio reminiscence in “Damned Me”. Jeff Scott Soto, longtime friend as roadrunner of the band, made a strong contribution in «Wake Up». In conclusion, “IV” is a great return from Highway and it won’t disappoint Rock fans, especially those who are already familiar with the band’s work and sonic identity. 8/10″ – The Black Planet (IV – 2017)

“So yes, this latest one has been a long time coming, but the result is up to par, high-end hard rock, don’t miss it from this pancake, don’t hesitate to buy, and it more than deserves to support this group! And fingers crossed that the baby will be followed by lots of little brothers and sisters !” – Rock Meeting (2017 – The Chronicle)

“From the 1st note with the assertive blaster ‘Become Someone’ that’s followed up with the old school crackly effect mono blues starting ‘I Like It’ and later the bluesy ballad ‘Freedom’. There is also the amazing acoustic ‘Highway O’ Love’ and the AC/DC Johnson-era guitar sounding ‘On My Knees’ to get excited over. Complete proof that France has some killer bands on offer in the way of Rock!” – Metalville Zine (2011 – United States of Rock n Roll)

“In the end, another beautiful representative of the quality of hard rock in France, delivered by a happy group of friends, and led by a damn good guitarist. To listen but above all to see on stage because the energy and good humor they exude cannot leave you indifferent.” – Aux Portes du Metal (2011 – United States of Rock n Roll)

Track Listing:
1. LAST CALL (FOR ROCK N’ ROLL) – 5:13
2. HI-WAY – 4:40
3. ¡ BANG BANG! – 3:47
4. NINETIES ACTION MOVIE – 5:16
5. PEACE OUT – 5:44
6. MAYDAY – 4:25
7. GO! GO! GO! – 5:48
8. LET ME – 4:54
9. D.K/D.C – 3:16
10. RAT RACE – 6:00
11. ACTION – 4:32
12. (DON’T) LOOK BACK – 5:09
Album Length: 58:48

Album Recording Credits:
• All songs performed by: HighWay
• All songs written by: Ben Chambert, except NINETIES ACTION MOVIE, RAT RACE & ACTION written by Ben Chambert & Sam Marshal
• Produced by: Brett Caldas-Lima & HighWay
• Mixed by: Brett Caldas-Lima
• Mastered by: Brett Caldas-Lima
• Album Artwork by: Djo Art
• Member of SACEM (France)

Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

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About The Album Artwork:
The artwork was designed by Djo Art, a great artist living in Sete, the city where we were born in the south of France.

We always love his work, and we offer him to design his artwork for our new record. A kind of return to where it all began.

This cover embodies the power and atmosphere of the album: dark but with a light inside chaos… a scream… a unifying general call… because yes, Rock’n’Roll will save the world!

We love this artwork!

About the album as a whole (LYRICALLY & MUSICALLY):
HighWay is Back!

After the acoustic break of The Journey (2022), the French hard rock band HighWay returns louder, bolder, and more electric than ever with their sixth studio album, Last Call for Rock’N’Roll!

A true rallying cry for a drifting world, Last Call for Rock’N’Roll delivers twelve brand-new tracks that blend power, melody, and emotion in a pure, timeless hard rock spirit.

Produced and mixed by Brett Caldas-Lima (Ayreon, Devin Townsend, Megadeth, Adagio, Hypno5e…), the album was carefully refined at Tower Studio over four months to achieve a rich, organic, powerful, and dynamic sound.

From high-energy anthems to introspective moments, HighWay explores the full spectrum of human experience—the highs and lows, love and hate, joy and sorrow—turning each song into a journey through life’s contrasts.

With Last Call for Rock’N’Roll, HighWay reaffirms its unique identity: vibrant, generous, borderless, and unifying. This is hard rock music at its finest—crafted with passion, precision, and authenticity.

Don’t miss the Last Call!

Track by Track (LYRICALLY & MUSICALLY):

1. LAST CALL (FOR ROCK N’ ROLL):
A fast and catchy track with a great hook and melody. There’s an unexpected bridge turning into a crazy rock’n’roll guitar solo and an anthemic melody that the crowd can sing. It’s a play on words with “Last Call for alcohol,” which bartenders say at the end of their shift before closing time. I’ve always wanted to write a song with this title. We’d already used these words for a tour name in the past. Kind of like AC/DC with their “If You Want Blood.” First the name, then the song. The lyrics draw a parallel between the love of music and the love of a woman. The same attraction, the same power over us, and the same risks ^^!

It’s the first song we wrote for the album. We tested it live before recording, and the reaction was huge! Fans loved it! So it was obvious that it would be the opener of the album.

2. HI-WAY
The first single, Hi-Way, sets the tone perfectly: a high-octane anthem that’s both a return to their roots and the culmination of years of musical evolution. Expect unstoppable guitar riffs and solos, a captivating hook, groovy vocals and rhythm section, and those incredibly powerful backing vocals that have become the band’s unmistakable trademark.

“Hi-Way” is more than just a song; it’s an invitation to hit the road and never look back. It’s an anthem for audacious souls, where love fuels the journey without a destination and routine gets left in the dust. A call to live a sincere, free, and authentic life to the fullest… on your own Hi-Way.

3. ¡BANG BANG!
Fueled by groove, attitude, and 100% good-vibe energy, the track keeps the fire burning in the vein of our previous hit “Like a Rockstar” (2022).

Mixing infectious riffs, raw emotion, and tongue-in-cheek lyrics, ¡ BANG BANG! captures the essence of the band’s signature sound: bold, dynamic, and irresistibly catchy.

If you’re into Aerosmith, Def Leppard, or that timeless 80s arena rock spirit, you’re going to absolutely love this new tune.

Lyrically, BANG BANG! It humorously and cynically explores the inner conflict between living a fantasy-filled, superficial life or choosing a simpler path shaped by fear, judgment, and moral consequence. The result? A relatable rock anthem that mirrors life’s contradictions: pressure, desire, frustration; all wrapped in a sound that makes you want to crank up the volume and bang your head against the wall.

4. NINETIES ACTION MOVIE
A high-speed boogie inspired by Van Halen, ZZ Top, Status Quo or even Extreme.

The lyrics are a tribute and a celebration of the action movies we grew up with in the 90s, where everything was simpler, more naive, lighter, and easier! And that’s sorely lacking these days! Think about Arnold, Sylvester or Bruce Willis! Our heroes!

5. PEACE OUT
A rock anthem with a great guitar riff, a catchy melody and an unforgettable chorus between Aerosmith and Bon Jovi.

Lyrically, it’s a song about the end of a long relationship, and how hard it is to let it go for different reasons. Autobiographic and intimate track. A musical conversation.

6. MAYDAY
The ballad. A melancholic duet voice/guitar reminiscent of Simon & Garfunkel. A poignant song relating to the death of a loved one. Not another power ballad. Just an authentic scream of pain filled with love and sadness. A difficult and unavoidable passage in one’s life.

7. GO! GO! GO!
A fast rocking track filled with fun and good vibes! One listen, and you just want to join us singing “GO!!!”

This song is a motivational one which puts everyone to go forward and fulfil their dreams. Law of attraction in one song!

8. LET ME
The Heavy Metal track of this record. Fast, groovy with a catchy chorus and an unexpected epic final!

Lyrically, it’s the follow-up to Go Go Go! And it’s about unleashing its anger and following its path to live its own life.

9. D.K/D.C
For “Don’t Know / Don’t Care”. As you can see, the name of the song is a nod to AC/DC as the guitar intro is picking. It’s followed by a nervous and unifying chorus. Concerning the lyrics, it’s the end of this trilogy with Go Go Go & Let Me about: f.ck the haters, f.ck the others, f.ck the lesson givers! Live your dream on your own! One goal, happiness!

10. RAT RACE
Music was written by Sam Marshal (bass player), a great classic rock song, that wants to make your head bang and your face smile! Old-fashioned way, but always surprising!

Lyrics co-written by Sam & Ben talk about the world in which we live, a look at people livin’ like rats in their wheels running for nothing and for an unachievable quest of what?

11. ACTION
This song is pure speed heavy rock’n’roll written by Sam during the COVID era, when the world was shut down.

It’s all about the desire to get out, plug his amps and play rock music loud again! Take Action and headbang!

A bit of Motorhead inside!

12. (DON’T) LOOK BACK
An unclassifiable and epic song that closes this album.

One of the most mature, intense and diverse of the band.

It’s thoughts of mid-life and how to deal with shit that happens, and how to see the light, which is always there to guide us toward happiness. One key…Don’t Look Back…A musical journey that closes the album with an outstanding epic guitar solo.

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STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. We initially had two guitar players in the band from 99 to 2007. Then we didn’t find the good one, so we kept on working as a quartet for more than 15 years! Now in 2025, we finally find the chosen one with Florian and twin guitars in live are back!

2. The new song “Peace Out” has brought a new greeting sign between us and those around us: now we say hello and goodbye with the V sign made with our fingers. We even say it when we go to pee (peece out haha!)

3. During a concert in Paris on the IV tour, the owner of a venue came to jam with us on a blues-rock classic, “Sweet Home Chicago,” at the end of our set. He was a crazy old rocker. At one point, he got down on his knee to sing in front of me, so I imitated him, except I squashed his balls with my knee, and he started screaming while singing—it was so rockin’, haha! I couldn’t get up because the stage was so small! He was in a lot of pain, but it’s a funny memory on tour, haha!

4. I met our new bass player, Cerise, 15 years ago in the queue of an AC/DC show. We talked about how many fans we were. She didn’t live in our city, Montpellier, but in the north of France. I told her about my band HighWay, then she became a fan! She moved later to Montpellier and started his career with the “Ladies Ballbreaker” and had a lot of success in France. She also made a video for us in 2011, the video clip of the song “I LIKE IT”, shot while we opened for Gotthard. Then she was often are our shows around or took photos. In early 2025, the Ladies Ballbreaker stopped, and at the same time, Sam decided to leave de band, so planets were aligned. We asked Cerise if she was interested in joining the band, and she jumped immediately into the car on our HighWay! It comes full circle!

5. Florian, our new guitar player, is Cerise’s boyfriend! And we didn’t know it first, haha! Florian made Sam’s bass replacement during the past two years when Sam wasn’t available for some shows, and we loved him at each level. Then we learned he was Cerise’s BF, so we took the package haha! It rocks more than ever! A band filled with love and the power of music!

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From left to right: Ben Chambert: Lead guitar, Backing vocals, Florian Arnaud: Rhythm guitar, Backing vocals, Benjamin Folch: Lead Vocals, Cerise Pouillart: Bass Guitar, Backing vocals, Romain Chambert: Drums

Photo Credit – Mr. Cana Photography

“HighWay”: Authentic, passionate, heartfelt Hard-Rock that unites and transcends borders.

With six albums and over 500 European shows under their belt, “HighWay” has sold their souls to the demons of Rock to make you headbang, stomp your feet, and feel the raw, living spirit of true Rock ‘N’ Roll: alive and organic!

With influences drawn from legends AC/DC, Whitesnake, Queen, KISS, Guns ‘N’ Roses, and Aerosmith, HighWay has developed his own style, a clever blend of the best of the 80s and 90s, while blending authenticity and sincerity that resonates deeply with its fans.

After sharing some of the greatest European stages, supporting international acts such as Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, Electric Mary, and Enuff Z’ Nuff, HighWay is now recognised as a part of the “new wave of European Classic Hard-Rock”!

With “Last Call for Rock ‘N’ Roll,” the band delivers their 6th album, passionately crafted under the leadership of producer Brett Caldas-Lima (known for his work with Ayreon, Devin Townsend, Megadeth, Adagio, Hypno5e…). The opus features 12 brand new tracks, intense, powerful, melodic and irresistibly catchy, delivering a breath of fresh air with their classy, melodic, free-spirited Hard Rock’N’Roll, a secret that only “HighWay” holds.

Let yourself be carried away into their world and see you on tour!

Don’t miss “the Last Call For Rock’N’Roll”!

Discography:
2026 – LAST CALL FOR ROCK’N’ROLL
2022 – THE JOURNEY
2017 – IV
2011 – UNITED STATES OF ROCK’N’ROLL
2005 – GOODBYE MONEY
2002 – HAVE A BEER! (E.P)

Shared Stage with:
MSG (Michael Schenker Group) – Tour support in Europe
JEFF SCOTT SOTO – Tour support in Europe
ENUFF Z’ NUFF – Tour support in Europe
GOTTHARD
KISSIN DYNAMITE
ELECTRIC MARY
MYRATH
NASHVILLE PUSSY
French famous acts: NIGHTMARE, SATAN JOKERS, ADX, BLACK RAIN…

TOURS AND FESTIVALS:
w/ ENUFF Z’ NUFF – Tour support in Europe 2022
w/ MSG (Michael Schenker Group) – Tour support in Spain 2017
w/ Michael Schenker Temple of Rock – Tour support in Europe 2015
w/ JEFF SCOTT SOTO – Tour support in Europe 2014

0 Rockshots Records – Australia’s IMPERATORE Shares Music Video “My Life” From New Album “The Lionspirit” Out Dec 2025

November 28, 2025
by Asher
· Imperatore (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – November 28, 2025

Australia’s IMPERATORE Shares Music Video “My Life” From New Album “The Lionspirit” Out Dec 2025

Australian rock visionaries IMPERATORE continue their ascent with “My Life”, the second single from their upcoming album “The Lionspirit“, out December 19th, 2025, via Rockshots Records. Released together with its official music video, the track expands the album’s core themes, resilience, reflection and the power to rise from personal chaos.

Blending heavy rock, progressive elements and operatic intensity, “My Life” stands as one of the most emotional and introspective songs of the record. Built on amazing orchestration, expressive vocal lines and a dramatic arrangement, the track portrays the struggle of confronting life’s darkest moments and finding clarity through self-awareness. If their first single, “Be A Man”, called listeners to courage, “My Life” invites them into the storm, only to emerge stronger on the other side.

The lyrics follow a journey from disorder to renewal, echoing the Stoic ideas that inspired the album. Founder, vocalist and guitarist Zoran Cunjack explains:

“‘My Life’” reflects those moments when everything feels out of rhythm, when chaos overwhelms harmony. But through introspection, we can reshape our inner melody and regain control. This song is about turning pain into clarity and reclaiming your own path.”

Like the previous single, “My Life” showcases IMPERATORE’s evolving sound: heavy, cinematic and unapologetically emotional.

Produced by Zoran Cunjack, recorded and mixed by Rodion Farafontov and mastered by Simon Jovanovic, the track reinforces the band’s trademark blend of metal power, orchestral depth and expressive operatic vocals.

“My Life” marks the next chapter in “The Lionspirit“’s epic narrative, an album shaped by strength, inner awakening and the unbreakable human spirit.

Watch and listen to the music video for “My Life” – https://youtu.be/5DkqbaJLWak

Add to your Spotify playlist – https://lnk.to/8oW1WY

Recommended for fans of Nightwish, Kamelot, Symphony X, Powerwolf and Queen, Imperatore‘s new album “The Lionspirit” is out December 19th, 2025.

PRE ORDER – https://rockshots.eu/products/imperatore-the-lionspirit-cd

Music Video – “Be A Man”: https://youtu.be/o5zZdq_MKL4

Track Listing:
1. Ides Of March – 02:11
2. Be A Man – 04:40
3. Orion – 04:58
4. My Life – 04:49
5. Treachery – 04:13
6. Between The Worlds – 03:58
7. Men Of Pain – 05:14
8. All Of Us – 04:01
9. Australian – 04:35
10. Il Gladiatore – 04:09
Album Length: 41:58

Band Line Up:
– Zoran Cunjack – Vocals, Guitars
– Sean Allsopp – Drums
– Daniel Marijanovic – Bass Guitar

Guest appearance:
– Leon Todd – Lead Guitar (guest)

More info:
https://www.rockshots.eu

Facebook: https://www.facebook.com/imperatoreband
Instagram: https://www.instagram.com/imperatoreband

BIOGRAPHY:

IMPERATORE is a rock and metal band from Perth, Australia, blending the power of heavy riffs, progressive structures, and operatic emotion into a cinematic sound that’s both modern and timeless. Founded in 2022 by Zoran Cunjack, Imperatore was born from a vision to unite the strength of metal with the grandeur of classical and symphonic music, creating an experience that transcends genre boundaries.

The project began as a creative outlet for Zoran’s compositions and quickly evolved into a full-fledged band featuring Daniel Marijanovic on bass and Sean Allsopp on drums, with occasional guest contributions such as Leon Todd on lead guitar. The sound is epic, dramatic, and profoundly emotional – one that evokes the storytelling power of opera while retaining the intensity of modern metal.

In 2023, Imperatore released their self-titled debut album “Imperatore“, which received critical acclaim and a nomination for Song of the Year by West Australian Music (WAM). The album established their trademark blend of symphonic rock and theatrical metal, earning praise for its originality and depth.

A year later, the band followed with “Nations, Rise!” (2024), a record that expanded their symphonic and conceptual direction while reinforcing the philosophical dimension of their music. With their third release, “The Lionspirit” (2025), Imperatore takes a bold creative step forward – combining metal energy, orchestral power, and Stoic-inspired themes into an emotionally charged journey through courage, endurance, and self-mastery.

The band’s live performances amplify this vision through immersive visuals and cinematic projections that transform each show into a full sensory experience. With its unique fusion of rock, opera, and philosophy, Imperatore stands as one of the most distinctive voices in today’s metal scene, appealing to fans of Nightwish, Kamelot, Symphony X, Powerwolf, and Queen.

-30-

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis + BC Show Date with ANCIIENTS

November 27, 2025
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – November 27, 2025

PHAETON Unleash Playthrough Video “Augmented” in Support of New Album Neurogenesis

+ BC Show Date with ANCIIENTS

ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

Instrumental progressive metal quartet Phaeton has released its latest playthrough video, “Augmented,” in support of its brand-new album, “Neurogenesis,” released on October 24, 2025. The release marks another bold step forward for the band, following their acclaimed sophomore album Between Two Worlds (2020).

The new playthrough video spotlights “Augmented,” a track inspired by humanity’s drive to transcend survival through technology, yet haunted by the dystopian possibilities of merging man and machine.

“This song was written to convey the mechanical unease and robotic inhumanity awaiting us in the near future, and how we must be on our guard,” the band explains.

Watch the playthrough via its premiere on Decibel Magazine HERE.

Formed in 2017 in Kimberley, BC, PHAETON blends neo-classical melodicism, crushing riffs, tornado percussion, and contrapuntal basslines. Their lineup includes Kevin Thiessen (guitars, keyboards; ex-Azsension, ex-Datura), Daniel Airth (guitars; ex-Chaos Logic), Ferdy Belland (bass; ex-Bif Naked), and Colin Righton (drums; ex-Chaos Machine).

Described in five words as Interplanetary Psychedelic Hyper-Melodic Metallic Prog, PHAETON’s sound is a kaleidoscope of influences ranging from Devin Townsend, Rush, Haken, Intervals, and Scale the Summit to the jazz-fusion pioneers Weather Report and Mahavishnu Orchestra. Their music blends prog-metal, tech-death, thrash, and djent into a visceral yet cerebral listening experience.

With “Neurogenesis,” the band sharpened their songwriting into concise, dynamic arrangements without sacrificing imagination. The album’s seven tracks form a connected anthology, while its themes explore the technological singularity and humanity’s uneasy march toward cybernetic augmentation. Engineered and mixed by guitarist Kevin Thiessen at The Cube in Kimberley, BC, and mastered by Jamie Sitar at Outtatown Sound in Winnipeg, MB, the album features artwork by Calgary-based artist Matt Semenok and a guest appearance by prog legend Derek Sherinian (Dream Theater, Planet X, Sons of Apollo) on the track “Isochron”.

“We’ll carry you away to the nebulae and you’ll enjoy every light-minute of it,” adds the band.

PHAETON’s journey began with their self-titled debut, establishing their technical virtuosity and adventurous spirit. Their sophomore offering, “Between Two Worlds”, expanded their sound with heavier, more emotionally impactful compositions. Now, “Neurogenesis” refines their approach with compact, hook-laden tracks that balance clarity with complexity.

Fans can expect more ambitious projects following “Neurogenesis” as the band plans to release a 22-minute epic, “Clouds of Mercury”, slated for 2026, and a fourth full-length album, “Quartum”, projected for 2027.

In additional news, the band will be opening for Vancouver prog masters Anciients in Cranbrook, BC, on November 29th, as part of their “Infinite Eclipse Tour”. Phaeton plans to deliver a heavier, crunchier, thrashier experience than their polished recordings suggest, surprising audiences with their dual identity.

“We don’t growl and shriek as if we’re imitating demons from the Ninth Level of Hell. We let the guitars and keyboards do the singing,” the band adds.

Upcoming Show Dates:
Nov 29 – Cranbrook BC – Shotties Nightclub w/ ANCIIENTS – info

“Neurogenesis” is available now on digital platforms via INB Music. Vinyl editions arrive later this year.

Spotify – https://open.spotify.com/album/46CVWFcd3u2pSRt0D9pSrV

Bandcamp – https://phaetonband.bandcamp.com/

Previous Singles:

Band playthrough – Arachnid – https://youtu.be/QxyU0U-vSOc

Isochron ft. Derek Sherinian – https://youtu.be/Ri8wXGYJcJg

Tethys Rising – https://youtu.be/mjehuUQS9G8

Track Listing:
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial

– 30 –

“”Neurogenesis” one of the hottest tips of the running season. At least when it comes to instrumental prog, the band has reached the top of the annual list!” – PowerMetal.de

“Explore the sonic evolution of PHAETON in their album Neurogenesis, blending melody and heavy instrumentation for a unique experience.” – Bass Musician Magazine

“Neurogenesis is a crushing and cerebral listen from a band that has sharpened its sound to a fine point. Phaeton confidently bridges the gap between melody and pure, unadulterated musicianship. They fuse the ferocious compositions of modern metal with the ambitious spirit of classic prog rock, creating a unique and thrilling sound that stands alone.” – AltYegMusic

“Oh prog-metal how we love thee…case in point, the new single ‘Isochron ft. Derek Sherinian’ from Phaeton. This dandy little slice of modern prog-metal is not only exceptionally recorded but is jammed full of stabbing riffs, fluid bass lines, drum rolls galore and of course keyboard wizardry courtesy of the legendary Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). Keep an eye out for the new album “Neurogenesis” from PHAETON set to drop on Oct. 24th and to tide you over listen up for ‘Isochron’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“I’ve always maintained that instrumental bands have to work harder at their craft, because the lack of vocals is one more thing they have to find a replacement for. Lead guitar breaks can take the place of vocals, as can keyboards. They do a solid job of this on the album… They have the chops, that’s for sure.” – Metal-Temple”Neurogenesis“ is a work that combines virtuosity, atmosphere and emotion in extraordinary balance.” 4/5 – MetalUnderground.at

“PHAETON’s Neurogenesis: Where Prog-Meets-Precision, and Machines Whisper to the Riffs” – Papy Jeff Metal

“Phaeton’s sound is a kaleidoscope of progressive sounds, tech-death, thrash and djent… The album opens with the song “Tethys Rising” has in it’s a lot of austerity, but you can hear perfectly strong and expressive here sound and style. Song “Discontinuum” also holds the right one level and very exciting. The dynamics and rhythm are impressive here. Piece “Isochron” with the guest participation of Derek Sherinian, he enriches and has in great riffs, but there are also Middle Eastern elements, which it also increases the effect. Number “Synethesia” it emphasizes even more the intensity and complexity of sounds with a lot of power and energy. Track “Arachnid” he has a lot of neoclassical playing, but he doesn’t forget about it crushing playing with lots of thrills. Song “Augmented” it also has a specific level to it. Title piece “Neurogenesis” he crowns the album with pride and precision. You can hear perfectly balanced music here, which has a claw, feistiness and focuses on diversity and versatility. 4/5″ – W-Mgnieniu-Rocka

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0 Protected: EPK – Ravenmocker – Where the Raven Flies (2026)

November 25, 2025
by Asher
· EPKs · Ravenmocker

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0 Rockshots Records – Australia’s GREYSTONE CANYON Unveils Next Single “Stealing Our Freedom” From New Album “Something Borrowed…Something New” Out Dec 2025

November 24, 2025
by Asher
· Greystone Canyon (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – November 24, 2025

Australia’s GREYSTONE CANYON Unveils Next Single “Stealing Our Freedom”

New Album “Something Borrowed…Something New” Out Dec 5th, 2025

Australia’s hard rock renegades fire off their most explosive original track, “Stealing Our Freedom”, from their forthcoming album, “Something Borrowed…Something New,” due out December 5th, 2025, from Rockshots Records, marking their most authentic and organic release to date.

“Stealing Our Freedom” is a protest-anthem with teeth: rootsy acoustic intro, a razor-sharp riff that hits like mid-90s Megadeth, and lyrics that call out political distrust, land exploitation and personal liberties slipping away. Recorded fully live at Black Lodge Studio, no click, no edits, no digital makeup, just four guys in a room turning frustration into rock’n’roll fire. Crank it loud!

Listen to “Stealing Our Freedom” at the following links:

YouTube – https://youtu.be/6SSd6fzgwhU

Add to your Spotify playlist – https://shorturl.at/ZEJBI

Produced by the band and engineered by Joel Taylor at Black Lodge Studio (Melbourne), “Something Borrowed…Something New” represents a turning point in Greystone Canyon’s journey. As the title suggests, it’s a hybrid record – a mix of new original songs and hand-picked classics from the bands that shaped their sound, including Thin Lizzy, Led Zeppelin, ZZ Top, UFO, and Neil Young. The album bridges past and present, combining heartfelt tributes with fresh, road-worn originals such as “Drives Us,” “Friend of the Fox,” and “Stealing Our Freedom”.

Vocalist/guitarist Darren Cherry comments:

“This is our most honest record so far, real instruments, real performances, all captured live in one room. We wanted to remind listeners of the warmth and punch that only true rock bands can create together. It’s pure, old-school energy, and we had an absolute blast making it.”

Following the success of “Iron & Oak” (2024), which reached #18 on the Australian iTunes Hard Rock chart and earned multiple 10/10 media scores, the band is poised to bring their music to a new global audience with a record that’s equal parts homage and evolution.

Recommended for fans of Led Zeppelin, Thin Lizzy, and ZZ Top, Greystone Canyon‘s new album “Something Borrowed…Something New” is out December 5th, 2025

PRE-ORDER of “Something Borrowed…Something New” – https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd

Single – Doctor, Doctor (UFO cover) – https://shorturl.at/5UtaO

Music Video – Suicide (Thin Lizzy cover) – https://youtu.be/VLNaHClXKc0

Track Listing:
1. Doctor, Doctor (UFO cover) – 04:16
2. Just Got Paid (ZZ Top cover) – 03:35
3. Drives Us – 05:06
4. Immigrant Song (Led Zeppelin cover) – 02:21
5. Friend of the Fox – 03:57
6. Suicide (Thin Lizzy cover) – 05:14
7. Hey, Hey, My, My (Into the Black) (Neil Young cover) – 03:22
8. AAF – 1:47
9. Stealing Our Freedom – 04:26
Album Length: 33:54

More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official

About: Greystone Canyon is an Australian hard rock band formed in Melbourne, known for their timeless blend of classic rock, heavy metal, and blues-infused energy. Their music draws on the spirit of 1970s and 1980s legends such as Led Zeppelin, Thin Lizzy, Ozzy Osbourne, and UFO while infusing modern depth, dynamic arrangements, and heartfelt storytelling.

The band released their debut album “While the Wheels Still Turn” in 2018, earning critical acclaim from both Australian and international press. The record was named “Debut Album of the Year” by Australia’s national TV program The Hard Rock Show, and received outstanding reviews across the board – including 10/10 from Rock ’n’ Load Magazine and 99/100 from The Metal Mag. Supported by multiple singles and videos amassing over 450,000 views, the album firmly established Greystone Canyon as one of Australia’s most promising rock acts.

Their sophomore record, “Iron & Oak”, followed in 2024, entering the Australian iTunes chart at #18 for Hard Rock and #82 across all genres, as well as reaching #1 on CFUR North American college radio. The album was praised by the international rock media, with several 10/10 scores, and produced over 250,000 video views within weeks of release. The band also performed alongside US heavy metal pioneers The Rods, further cementing their reputation for powerful and emotionally charged live shows.

After years of honing their craft and refining their sound, Greystone Canyon return in 2025 with their third full-length album, “Something Borrowed…Something New” – a record that captures the raw, organic essence of a real rock band performing live together. Recorded at Black Lodge Studio in Melbourne with producer and engineer Joel Taylor, the album was tracked entirely live in one room, without click tracks or digital edits. The result is a vibrant, honest, and deeply musical release that mixes brand-new Greystone Canyon originals with hand-picked classic covers from the artists who shaped their identity, including Thin Lizzy, ZZ Top, Led Zeppelin, UFO, and Neil Young.

Frontman Darren Cherry, who also performed with Paul Di’Anno’s (ex-Iron Maiden) Australian touring band in 2024, leads the lineup featuring Richard Vella (guitars, vocals, keyboards), David Poulter (bass), and Sham Hughes (drums, keyboards, mastering). Together, they embody the spirit of traditional rock music – played with authenticity, precision, and passion.

With “Something Borrowed…Something New“, Greystone Canyon pays tribute to the golden age of rock while reaffirming their identity as a band devoted to tone, feel, fire, honesty, and organic sound. It’s a record that reminds listeners of what real rock ’n’ roll is meant to be — alive, human, and timeless.

-30-

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0 Protected: EPK – Siege Perilous – Becoming The Dragon (2026)

November 23, 2025
by Asher
· EPKs · Siege Perilous

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0 Rockshots Records – Out Now! Finnish Symphonic Death KARU’s New Album “Perdition”

November 21, 2025
by Asher
· KARU · Music News

NEWS RELEASE

Montreal, QC – November 21, 2025

Out Now! Finnish Symphonic Death KARU’s New Album “Perdition”

Finnish symphonic death metal force KARU unleash “Perdition”, their most cinematic and ferocious work to date. A journey deep into a mythical Japanese wilderness, where towering riffs, icy orchestral layers, and raw emotion collide. Northern aggression meets ancient mysticism, and the result hits hard and stays with you.

With Niko Hienonen (vocals/orchestrations), Kalle Pöyskö (guitars), and Toni Tieaho (Crystalic, ex-Mors Principium Est), “Perdition” pushes KARU’s sound to new heights where brutality and beauty finally meet.

Recommended for fans of Wintersun, Nightwish, and Children of Bodom, “Perdition” is available worldwide as of November 21st, 2025.

ALBUM ORDER – CD / DIGITAL – https://lnk.to/VsIw0G

Album Stream – https://www.youtube.com/watch?v=04IM5g4-TSI

Lyric Video – Shadow War – https://youtu.be/kmaz_NyPDOo

Lyric Video – Alone In The Dark – https://youtu.be/Dq1qj6B-ukE

Track Listing:
1. Shores of Mist and Blood
2. Shadow War
3. Alone in the Forest
4. Embers in the Skies
5. Trail of Fire
6. Path of the Unforgiven
7. Perdition

Karu Line Up:
Niko Hienonen – Vocals, Production, Orchestrations
Kalle Pöyskö – Guitars
Toni Tieaho (ex-Mors Principium Est, Crystalic) – Guitars

More info:

https://www.rockshots.eu

https://www.instagram.com/karu_band/

https://www.facebook.com/KARUbandofficial

ABOUT:

KARU was formed in 2017 by Kalle Pöyskö and Niko Hienonen as a studio project. In 2020, the boys came out with the first EP “KARU,” which paved the way for the future of the band. The EP introduced the driving metal force of the band as well as the beautiful orchestrations that would be more prominent in the band’s future releases. In 2023, KARU was formalized as a proper live band, and two singles were released from the upcoming album. In April 2024, the band’s first full-length concept album, “HYDRA,” was released. The album gathered attention from critics and received critical acclaim for its unique atmosphere and attitude towards conjoining brutal metal and beautiful orchestras.

The band started to work on the next full-length album already before “HYDRA” was released. The concept started as an epic journey through the wilderness of a fantasy-themed Japan, drawing inspiration from the Japanese spiritual world, where all the forests have a spirit of their own. The band finished the album in the summer of 2025, only a year after their last album was released. The band went through some lineup changes, and the newest lineup is the founders Pöyskö and Hienonen, as well as the lead guitarist virtuoso Toni Tieaho (Crystalic, Existence Depraved, ex-Mors Principium Est). With the new lineup, the band’s sound evolved to wholly new levels, and “Perdition” is a testament to the band’s new sound.

With “Perdition,” the band aims to bring their music and energetic live show to new audiences within and outside of their native Finland.

-30-

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0 IN VIRTUE Unveils Music Video “Karma Loop” ft. Charlotte Wessels (ex-Delain) For Release of New Album “Age of Legends”

November 21, 2025
by Asher
· IN VIRTUE · Music News

NEWS RELEASE

Montreal, QC – November 21, 2025

IN VIRTUE Unveils Music Video “Karma Loop” ft. Charlotte Wessels (ex-Delain) For Release of New Album “Age of Legends”

Album Guests – Dave Davidson of Revocation, Chaney Crabb of Entheos, Charlotte Wessels

Rising Los Angeles progressive power metal band In Virtue has unveiled their brand-new music video for “Karma Loop”, the latest single from their highly anticipated album “Age of Legends,” out now as of November 21st. The video marks a powerful introduction to the record’s sweeping concept and emotional depth, while showcasing the band’s unique sound that blends heavy riffs, melodic hooks, and cinematic textures.

The new single “Karma Loop” was the final track written for the album and quickly became a favorite. Featuring guest vocals from Charlotte Wessels (ex-Delain), the song is a dialogue between Sisyphus and a guiding figure known as The Catalyst. Together, they explore the idea that punishment is often self-inflicted and that redemption begins with self-worth. Built around a guitar lick Trey originally wrote for a demo years ago, the track evolved through collaboration with former drummer Mazen Ayoub, guitarist Rami Khalaf, and keyboardist Alex Nasla, resulting in one of the album’s most dynamic and emotionally resonant pieces.

The lyrics even weave in cultural references from the Kingston Trio’s “M.T.A.” to Hunter S. Thompson’s famous line, “Buy the ticket, take the ride”, adding layers of meaning to the song’s exploration of cycles, consequences, and liberation.

Watch “Karma Loop” ft. Charlotte Wessels (ex-Delain) at https://youtu.be/XGuhgWqx7n4

Digital Single – https://www.submithub.com/link/karma-loop

“Age of Legends” is more than just a collection of songs; it’s a fully realized concept album that tells the story of a flawed protagonist inspired by the myth of Sisyphus. Through themes of guilt, redemption, and self-forgiveness, the album mirrors frontman Trey’s own journey of catharsis and transformation.

“This is a day 10+ years in the making, the album that almost wasn’t. Born from pure force of will against all odds, it’s a testament to rebirth and an iron vision. What you’ll hear is a direct feed from my soul,” Trey explains.

Musically, the album balances heavy, groove-driven foundations with orchestration and synths that elevate the songs without overshadowing them. Vocals range from soaring cleans to guttural growls, while guitar and keyboard solos punctuate the narrative without overstaying their welcome. It’s a record designed to be experienced in full, an immersive journey best heard start to finish.

The cover art for “Age of Legends” was created by Niklas Sundin (ex-Dark Tranquillity), depicting Sisyphus breaking free from his eternal punishment. The imagery perfectly complements the album’s lyrical themes of release, redemption, and transformation.

Formed out of a love for power metal but a distaste for its escapist clichés, In Virtue set out to create music that was heavy, fast, catchy, melodic, and groovy, yet grounded in real human experiences. Their sound draws influence from bands like Soilwork, Amaranthe, Shinedown, Symphony X, and Sonata Arctica, while carving out a distinct identity that avoids prefabricated genre formulas.

Known for their engaging live performances, In Virtue brings audiences into the experience with big harmonies, sing-alongs, and an energy that defies the “arms-crossed” stereotype of metal shows. With members connected to acts like Witherfall and The Mourning, the band continues to evolve, refining their vision into a cohesive and powerful voice in modern metal.

Fans can expect an emotional deep dive, a rollercoaster of textures and colors, but ultimately a cohesive journey that rewards both casual listeners and those willing to explore its deeper narrative.

“Age of Legends” is available worldwide as of November 21st, 2025, at https://orcd.co/agofle

Music Video – Gunslingers of the New American Desert – https://youtu.be/eWYl7bdKCxo

Music Video – Desolation Throne – https://youtu.be/rXv06-7rg2w

Track Listing:
1. Ascent Glorious (00:36)
2. Sisyphus Awakening (4:55)
3. Karma Loop (ft. Charlotte Wessels) (3:35)
4. Push That Rock (2:46)
5. Purgatory (4:39)
6. Exposed (3:27)
7. Scream (3:40)
8. Where The Edges Meet (3:16)
9. Gunslingers of the New American Desert (4:42)
10. Desolation Throne (3:03)
11. Thoughts in Freefall (ft. Dave Davidson of Revocation) (4:10)
12. The River (2:24)
13. Tempus Fugue (ft. Chaney Crabb of Entheos) (8:05)
14. Descent Limitless (1:22)
Album Length: 50:40

More info: Facebook.com/invirtue | Instagram.com/invirtue

About:

Los Angeles, California’s In Virtue is a band forging a new path, abandoning outdated conceptions of what heavy music is to redefine metal for a new era. Although In Virtue was initially formed in 2004 in California’s Bay Area, the band’s rebirth in 2015 is where the real story begins.

That’s when founding guitarist Trey Xavier made the difficult decision to take over lead vocals, move south to LA, and start the band over with a new lineup. This was the catalyst they needed, and the band’s final form took shape. Adding keyboardist Alex Nasla (The Mourning, ex-Witherfall), guitarist Rami Khalaf, and bassist Jamie Hush, their new sound was freed.

“I was tired of other people singing what I was writing,” says Trey (who you may know from his popular YouTube channel). “We had some pretty good singers, but it always felt like a compromise. It was pretty scary – I was 28 and I had never seriously sung before. But all the work I put in paid off, because now I can create my music as I envision it.”

And what a vision it has become – the band’s forthcoming album Age of Legends, due out in 2025, tells a haunting tale of Sisyphean struggle and redemption through a modern lens. This new era of In Virtue brought their first new music, 2019’s single “Purgatory”, which gave the world a brand new sound. Combining elements of power metal, groove, progressive metal, and pop, but somehow sounding like none of the above, “Purgatory” defined the sonic future of the band.

The singles “Where The Edges Meet” and “Scream” followed soon after to expand on the story, each moving the story forward and bringing new life to the characters and their pain.

With way more to come on Age of Legends, In Virtue is looking forward to the next chapter and bringing their story to the world.

-30-

“Entirely self-released, this is a full-blown concept album that weaves together towering riffs, cinematic textures, and deeply personal storytelling.” – Metal Injection (2025)

“What has me jumping for joy even more is the fact that even though this is a concept album, and it does show from time to time, every song and every tune on “Age of Legends” has its own identity. You have the impressive build up in “Push That Rock”, the deep and profound lyrics in “Exposed” and “Where The Edges Meet”, the beautiful structure in “Sisyphus Awakening” and “Gunslingers of the New American Desert”. I could go on like this until I’ve mentioned every song on this “Age of Legends” album, but I feel that you need to find out how good this version of IN VIRTUE is yourself. I myself am extremely glad I took that leap of faith. 8.10″ – Metal Temple

“Built on powerful riffs, intricate melodies, thunderous drums, and commanding vocals, this single and forthcoming album captures the struggle, transformation, and defiance that define In Virtue’s essence. To close, this single and forthcoming album won’t gather dust in any collection, and will keep feet tapping and heads bouncing from sofa to stage. So why not clear a space, and give In Virtue a try for 2025. Star Rating 9/10” – Ian Davies International Music Journalist – Stargazer Music Magazine

“What happens when virtuosity meets vision? IN VIRTUE from Los Angeles deliver with “Age of Legends” an album that answers this question impressively. After more than a decade “Embrace the Horror” Proves the quartet around Mastermind Trey Xavier (Gear Gods) impressively shows that technical demands and emotional depth do not have to be opposites…. Sound is “Age of Legends” a lesson in modern metal production: crystal clear, detailed, yet organic. As producer, Trey Xavier has created a sound design that allows every note to breathe. The orchestrations and synth layers in particular take the songs to an almost cinematic level – without stifling the raw energy of the guitars.” – Festival Stalker

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0 PYTHONIC Unleashes First Single “Guiltfeeder” From Sophomore EP “Decomposition” Out Dec 2025 + Show Dates w/ INTO ETERNITY and SLAUGHTERFEST 2025

November 21, 2025
by Asher
· Music News · Pythonic

NEWS RELEASE

Montreal, QC – November 21, 2025

PYTHONIC Unleashes First Single “Guiltfeeder” From Sophomore EP “Decomposition” Out Dec 2025

+ Opening For INTO ETERNITY in Saskatoon (Nov 21) and Playing SLAUGHTERFEST 2025 in Edmonton (Dec 6)

Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)

Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )

Photo Credit – Carsen Warriner

Saskatoon, Canada’s rising metal force, Pythonic, has announced the release of their first single, “Guiltfeeder”, a blistering preview of their highly anticipated sophomore EP, “Decomposition,” set to drop on December 19, 2025.

“The intro riff just makes it the perfect fit for the lead spot. The sick new lyrics tell of backstabbing friends, the emotional toll it causes, and the unmasking of those backstabbers. A story most people can relate to. The ending of the song definitely is the best part, though. You have the grouped up vocals that transition right into Ryan’s solo. That solo is so masterfully clean you’ll want to just keep replaying it. You also have the rhythm behind it all, which just keeps your head bobbing along. Mix it all together and you’ve got a certifiable banger on your hands,” the band adds.

Listen to “Guiltfeeder” at the following links:

YouTube – https://youtu.be/dgyNSQOIcak

Spotify – https://open.spotify.com/track/513i3UQI2c132OTeAzt5qg

Pythonic’s forthcoming EP “Decomposition” marks a bold step into heavier, death‑metal territory, pushing the band’s sound to new extremes. The tracks have been “decomposed”, stripped down, sharpened, and rebuilt to spotlight the commanding presence of new vocalist Morgan Warriner and the band’s refined direction. Songs like “Liturgy” showcase their intensified death metal edge, while “Pills” captures Warriner’s versatility as he shifts seamlessly from frantic cadences to bone‑chilling screams. By breathing new life into older material, “Decomposition” revitalizes Pythonic’s catalogue, transforming solid songs into devastating anthems. With Warriner’s guttural power, Max Hiske’s thunderous bass, and Jayden’s relentless drumming, the band reaches its tightest and most ferocious form yet. Mixed and mastered by Reid Paraszczynec of Lucid Distortion Audio, the EP strikes the perfect balance between raw aggression and polished production, delivering a true sonic onslaught.

“These songs needed their fair chance, and Morgan has given them that through his vocal performance. Reid’s mixing brought the next chapter of Pythonic to life the right way,” says guitarist Vincent Kohut.

Lyrically, “Decomposition” explores themes of corruption, drug addiction, toxic relationships, and summoning the devil. Written primarily by Warriner, with contributions from former bassist Alex Conley, the lyrics are raw, personal, and vividly dark.

The EP artwork, created by Danya Lawton, continues the visual legacy of Pythonic’s debut release. Lawton “decayed” the original design with authentic mushroom imagery and a haunting central eye, symbolizing the band’s transformation and heavier direction.

The band will also celebrate the EP with two major live appearances: opening for Canadian metal legends Into Eternity on November 21st at Black Cat Tavern in Saskatoon, and storming the stage at Slaughterfest in Edmonton on December 6th at The Starlite Room.

Upcoming Shows:
Nov 21, 2025 – Saskatoon, SK – Black Cat Tavern (w/ Into Eternity)
Dec 6, 2025 – Edmonton, AB – Starlite Room – Slaughterfest (w/ Display of Decay, Brain Stem, Ages of Ashes, A Modern Prometheus, Cell) – info

Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” will be available on digital platforms on December 19, 2025.

EP pre-order – https://pythonic.bandcamp.com/album/decomposition

Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54

EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton

EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums

More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband

About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows has been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.

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““EP 1” is a testament to Pythonic‘s dedication to their craft and their refusal to be confined by sub-genre limitations. Each song is a blend of technical prowess and raw emotion, offering listeners a chance to experience the full spectrum of the band’s capabilities. It is recommended for fans of Machine Head, Trivium and Pantera.” – Metal-Rules (EP01 – 2024)

“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool (EP01 – 2024)

“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews (EP01 – 2024)

“Overall I’m a pretty big fan of this record. If you want something that sounds maybe like an Anthrax or a Slayer record then you really want to check this out. The most dynamic and unique part of this EP, in particular is the vocals are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious (EP01 – 2024)

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