Thank You Canadian MDs and Djs for the airplay love! \m/\m/
!earshot – The National Loud Chart
For the Week Ending: Tuesday, May 27, 2025
#7 phear
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2025-05-27
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92.5 FM CFBX “the X” – Kamloops – Loud
#4 Derev
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-05-27
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CFRU 93.3 FM – Guelph – Loud
#3 Symbiotic Growth, #10 Vortex Band
https://earshot-online.com/charts/cfru.cfm?intChartTypeID=6&dWeekOfID=2025-05-27
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CIVL Radio 101.7 FM – Abbotsford – Loud
#4 MUTANK Boonsdale Records, #5 phear, #9 Derev
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2025-05-27
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CJSW Radio 90.9 FM – Calgary – Loud
#4 phear, #7 Sin Of God Exitus Stratagem Records, #10 Vortex Band
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-05-27
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CFRU 93.3 FM – Guelph – Top 30
#15 Symbiotic Growth
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2025-05-27
Posts By Asher
0 Thank You Canadian MDs and Djs for the airplay love! \m/\m/ !earshot – The National Loud Chart For the Week Ending: Tuesday, May 27, 2025 #7 phear | 92.5 FM CFBX “the X” – Kamloops – Loud #4 Derev | CFRU 93.3 FM – Guelph – Loud #3 Symbiotic Growth, #10 Vortex | CIVL Radio 101.7 FM – Abbotsford – Loud #4 MUTANK Boonsdale Records, #5 phear, #9 Derev | CJSW Radio 90.9 FM – Calgary – Loud #4 phear, #7 Sin Of God Exitus Stratagem Records, #10 Vortex | CFRU 93.3 FM – Guelph – Top 30 #15 Symbiotic Growth
0 Rockshots Records – HELLFOX Unveils Music Video “Atlas” Off New Album “The Spectrum of Human Gravity” Out June 2025
NEWS RELEASE
Montreal, QC – May 28, 2025
HELLFOX Unveils Music Video “Atlas”
New Album “The Spectrum of Human Gravity” Out June 2025 via Rockshots Records
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Following the haunting release of “Seaweed Braids,” Italian all-female melodic death metal band Hellfox returns with a powerful new chapter: “Atlas,” the second single from their upcoming album “The Spectrum Of Human Gravity,” due out via Rockshots Records.
Combining heavy melodic death metal foundations with modern textures and acidic synths, “Atlas” is a crushing and introspective anthem. Lyrically, the song draws on the myth of the Titan condemned to bear the weight of the sky — a metaphor for the emotional burdens we carry and the silent expectations imposed by society. “We have no control over what happens around us,” the band explains, “but letting go of that weight may be the most liberating act of all.”
Hellfox’s music thrives on contrast: dual female vocals (melodic and growled), distorted layers, and atmospheric electronics merge into an emotional and immersive sound. With influences ranging from Amorphis and In Flames to Dark Tranquillity, the band has forged a distinctive identity that breaks away from traditional tropes, embracing vulnerability, rage, beauty, and discomfort in equal measure.
“The Spectrum of Human Gravity” is a conceptual journey into the depths of the human psyche. It explores difficult yet universal emotions—loneliness, self-doubt, alienation—through allegorical storytelling and striking visual metaphors. Each song gives voice to a different “face of the self,” capturing the chaos and coherence that define our inner worlds.
With “Atlas“, Hellfox once again demonstrates their ability to balance emotional weight with sonic power, delivering a track that is as crushing as it is cathartic.
Visually intense and emotionally charged, the video captures the psychological depth and inner conflict that define the song. With a dark and cinematic aesthetic, it mirrors the suffocating stillness of insomnia and the emotional weight we often carry in silence.
“We wanted the visuals to reflect that moment when everything feels heavy — and yet something inside pushes to break free,” the band explains.
The video reinforces Hellfox’s core message: embracing vulnerability without fear and finding power in the act of letting go.
Watch the official video for “Atlas“: https://youtu.be/qJYCHriZ5sk
Digital – https://lnk.to/3WfvHe
Due out June 6th, 2025, album pre-orders are now available at the following link: https://bit.ly/3EsNGWd
First Single – “Seaweed Braids”
LISTEN: http://lnk.to/VWMn1P
VIDEO: https://youtu.be/IVGYAixzUOU
To celebrate the release of “The Spectrum of Human Gravity,” HELLFOX will perform a series of live shows. The first two dates have already been announced, and many more are on the way. Stay tuned for a full tour schedule that will soon be revealed!
06/06/2025 Release Party at Dedolor Music Headquarter, Rovellasca (Co), Italy
07/06/2025 with Folkstone and Vallorch at Tatoo Nerd Fest / Fiera di Parma, Italy
07/07/2025 with Broken By The Scream at the Legend Club, Mila,n Italy
18/07/2025 with Genus Ordinis Dei at Have A Drink On Me Day 5 Fest, Brembate di Sopra (Bg), Italy
06/09/2025 Alchemica Music Club / Bologna, Italy
28/09/2025 Druso / Ranica (Bg), Italy
17/01/2026 Arci Tom / Mantova, Italy
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TRACK LISTING:
1. Nautilus – Seaweed Braids
2. Empty
3. Water On The Ceiling
4. Pareidolia
5. Atlas
6. Six Times Lighter
7. The Centipede
8. The Warrior, The Child, The Healer
9. Voices
Hellfox Line Up:
Greta Hammonia Antico: vocals
Priscilla Poe Foresti: bass and vocals
Gloria Naflekt Kaps: guitars
Federica Fedi Piscopo: drums
CREDITS:
Recorded at Eden Studio by Alessio Lucatti
Mixed and Mastered by Domination Studio by Simone Mularoni.
Cover art by Eva Marabotti.
ABOUT:
HELLFOX is an ALL FEMALE alternative metal (alt-metal) band with melodic death tendencies. Despite the four completely different musical backgrounds, we share a common inspiration to Amorphis, In Flames, Dark Tranquillity as far as composition is concerned, while for the choice of sounds we intended to move away from the Symphonic, recognizably feminine scenario to include acid and distorted synths so that we could create modern atmospheres that more closely met our tastes and better married the pop timbre of the melodic vocals. The dualism of HELLFOX is not meant to be understood on a conflicting level, it is instead the result of different voices within the human soul, different faces if you will, that mingle and generate the person itself, in its entirety, that although they seem to struggle, they coexist and create harmony and balance. We don’t use masks to conform to a mass, nor do we want to stand out at all costs, we just want to be ourselves in a society where normality is only a surface, the abyss instead is made up of so many facets of personality, both for the group and especially for the individual human being. Ours is a message within everyone’s reach, in which one can recognize oneself: that little voice in the head that either draws you in or drives you away… Because for us, nothing is normal, nothing is different.
More info: https://www.rockshots.eu | https://www.instagram.com/hellfoxofficial | https://www.facebook.com/HellfoxOfficial
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 EPK – Z-Cocoon – Angels (2025)
EPK – Z-Cocoon – Angels (2025)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
“We are extremely excited to release our new EP, Angels, to the world! It’s the first recordings that were performed as a band, and everything recorded was mixed in-house at Casa Cocoon. Very proud of the outcome. We got a lot more music coming after this EP and can’t wait to keep this cocoon train rolling. If you’re into the classics such as Dio, Sabbath, Deep Purple, or blues guys such as Hendrix, Trower, Stevie Ray, or just dig stoner rock/ doom metal but are looking for something a little different, THEN TAKE A LISTEN AND PUT IT LOUD!”” – Z-Cocoon
For fans of Black Sabbath, Jimi Hendrix, Stevie Ray Vaughan, Pentagram
All Links – https://linktr.ee/zcocoon
EP Pre-save – https://earache.lnk.to/Angels
Facebook.com/ZCocoon | Instagram.com/z_cocoonmusic | Youtube.com/@z-cocoon9351
Spotify | Z-cocoon.bandcamp.com | Apple Music | Soundcloud.com/z-cocoon
“Z-Cocoon is firmly grounded in blues-heavy stoner rock, it also shows an awareness of other sides of rock and hip-hop that often the sub-genre completely walls itself off from. Little things like short interjections from the backing vocals, a willingness to put vocals ahead of guitars, and a thick-as-fuck kick drum sound — tweaks like that combine with the Sabbathian riffs and dynamic vocals for a pretty addictive listen.” – Invisible Oranges
“This EP does a great job of showcasing Zolla’s chops as a songwriter and as a performer. I personally find Zolla to be a great vocalist, and each of the tracks on here allow him to flex his mid-to-high range voice and sort of nasally cadence. I love the way he adds a rasp into his voice.” – Where Strides the Behemoth
Second song – Just Tell Me – has an “Audioslave” quality to it with Marc’s vocals and some of the music that appears at the start. However, Marc switches things up a bit and plays some classic “Hard Rock” melodies and superb vocals for the standout song on the EP. – Outlaws of the Sun Blog
Band: Z-Cocoon
EP Title: Angels
Release Date: June 6, 2025
Label: Self-Release
Distribution: Earache Record Digital Distribution
Track Listing:
1. Dr. Crane – 4:17
2. Truth Don’t Matter – 3:42
3. For My Life – 6:37
Album Length: 14:36
EP Credits:
Recorded and mixed by Marc Zolla.
Mastered by Kent Stump (Crystal Clear Sound/WoFat)
EP artwork by Camille Grenier.
Member of SOCAN
Canadian Content – MAPL
Band Lineup:
Guitar/Vocals: Marc Zolla
Bass: John Burton
Drums: Michel Paradis
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About The EP Artwork:
I really love collecting comics, so I wanted something similar to Batman. My girlfriend Camille Grenier is very good at drawing and designing tattoos, so I mentioned I wanted a bat/gargoyle looking down on the city with a Fender Strat, sort of like the gargoyle is coming back from the dead to show the city what he’s got waiting to show his music. The dark/gothic aesthetic fits in with how the music feels. A mix of comic/dark/gothic aesthetic and the guitar is put on the cover to pay homage to most blues album covers, where they’re holding their guitar or a Fender Strat that always looked cool.
About The EP:
It’s a mix of heavy blues meets doom metal, meets rock n roll. Heavy grooving riffs and dark vocals with slashing swinging solos. Lyrically inspired by comics and personal experiences.
Track by Track:
1. Dr. Crane: heavy bluesy song about Dr.Crane, aka The Scarecrow (one of the villains in the Batman Universe)
2. Truth Don’t Matter: exactly what the title says. Very Pentagram-inspired riff, but then catchy. I was actually listening to a lot of Biggie Smalls to get the inspiration to cut instruments so the vocals stand out in the “truth don’t matter” hook.
3. For My Life: Fiction about protecting my home from invading demons, spirits, and vampires. I would say inspired by horror movies and comics in general. Long song with a heavy doom metal style riff and a breakdown section to mix it up a little bit, and obviously a nice guitar solo.
L to R: Marc Zolla (Guitar/Vocals), Michel Paradis (Drums), John Burton (Bass)
Z-Cocoon originally started as solo project by Marc Zolla in 2017 with many self released EPs and singles. It is now a power trio mixing elements of stoner rock, heavy blues and classic heavy metal. The new EP Angels recorded by Zolla, Johnny B and Michel in studio features 3 new songs. Electrically-charged heavy music with savage guitar jabs, rockin’ blues and hot solos!
Discography:
2017 – Alienation – EP – Pink Cocoon
2020 – No Control – single
2021 – Dark – EP
2021 – X Ray Eyes – single
2022 – Fake Smiles/ Sonny Boy – single
2025 – Angels – EP
Shared Stage with: Witch Mountain, Telekinetic Yeti, The Well, Castle, A Pale Horse Named Death
Tours and Festivals
2022 – Summerdaze Festival 2022
2019 – Tour NYC
2019 – 7-day East Coast USA
2018 – Eargasm festival
2018 – Robfest
2018 – 6-day tour East Coast of Canada
2017 – Basin Fest
0 WOODHAWK Announce Performance At LOUD AS HELL OPEN AIR FEST w/ REVOCATION, FIRST FRAGMENT and more! + New Album “Love Finds A Way” Out June 2025
NEWS RELEASE
Montreal, QC – May 27, 2025
WOODHAWK Announce Performance At LOUD AS HELL OPEN AIR FEST w/ REVOCATION, FIRST FRAGMENT and more!
+ New Album “Love Finds A Way” Out June 6th, 2025
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L to R: Kevin Nelson (Drums), Turner Midzain (Vocals/ Guitar), Mike Badmington (Bass/ Vocals)
Portrait by Mark Kowalchuk
Calgary, Canada’s fuzz rock trio Woodhawk announces they are performing on August 3rd, day three of this year’s LOUD AS HELL OPEN AIR FESTIVAL in Drumheller, AB alongside Revocation, Cyborg Octopus, Beguiler, Thirteen Goats, Famous Strangers, and more! Full details on LAH can be found at www.loudashell.ca.
“We are stoked to be playing Loud as Hell this year. And the same day as Revocation, no less! Such an awesome festival in Drumheller, and we are looking forward to bringing a nice afternoon rock n’ roll set to the festival,” adds the band.
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Woodhawk is playing in support of their third studio album, “Love Finds A Way”, and their first full-length release in six years, following 2019’s “Violent Nature”. Woodhawk‘s distinctive fusion of classic hard rock and modern stoner metal continues to captivate audiences and earn them a devoted fan base who enjoy Black Sabbath, The Sword, Priestess, and Red Fang.
“Love Finds A Way is a journey through the last couple of years. All of us went through some hard times, and to no surprise, the pandemic wasn’t much better! We weren’t sure if we would continue being a band or not. But we prevailed and are stronger than ever. It’s about love and friendship. And getting through things together. Checking in on your loved ones and friends,” says the band.
Woodhawk has shared two singles, “Relapser” and “Strangers Ever After,” to build momentum for the June 6th release of “Love Finds A Way”, via Grand Hand Records. “Strangers Ever After” showcases the band’s signature blend of classic hard rock sensibilities and modern stoner metal influences, delivering the infectious grooves and memorable hooks that have earned them a devoted following since their formation in 2014. “Relapser” is an explosive track that showcases the band’s evolution while staying true to their foundations in heavy, riff-driven rock. It’s got the heaviness their fans expect, but with the emotional honesty that’s become increasingly important in their songwriting. This song especially captures that journey of struggling, falling back into old patterns, but ultimately fighting to move forward.
Listen to the singles at the following links:
“Relapser”:
YouTube – https://youtu.be/30HZOF1hRlk
Spotify – https://spoti.fi/3RQO83S
“Strangers Ever After”:
YouTube – https://youtu.be/zCYCia-rPFo
Spotify – https://spoti.fi/4jmbEkW
Album pre-order: https://woodhawk.bandcamp.com
Show Dates:
June 13 – Edmonton, AB – The Buckingham (Album Release Show) – info
June 14 – Calgary, AB – The Palomino (Album Release Show) – info
Aug 3 – Drumheller, AB – Loud As Hell Open Air – info
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Track Listing:
1. Grave Shaker – 4:41
2. Strangers Ever After – 4:24
3. Truth Be Told – 7:21
4. White Crosses – 6:10
5. The Unholy Hand – 5:21
6. No Place For Hate – 5:18
7. Love Finds a Way – 6:16
8. Relapser – 4:52
9. Killing Time – 8:37
Woodhawk is:
Turner Midzain – Guitar & Vocals
Mike Badmington – Bass & Vocals
Kevin Nelson – Drums
More info:
https://www.woodhawkriffs.com
https://www.instagram.com/woodhawkriffs
https://www.facebook.com/woodhawkriffs
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“Their brand of this style sounds far more refreshing and has a modern rock ‘n roll kind of aura to go along, slightly ringing in signs of alternative influence. The end result is as if Black Sabbath and Thin Lizzy had a child born in the age of Chevelle. With that said, this is immaculate. ” – Indy Metal Vault (Violent Nature – 2019)
“this is really the kind of rock that fans of classic U.K. metal in the ’70s will be instantly taken with. Sounds really good turned-up really loud, which is always a good test.” – Vancouver Sun (Violent Nature – 2019)
“Violent Nature kicks off with the slithering riffs of “Snake in the Grass,” which comes crawling up slowly before striking with a venomous fuzz-riffy attack, and a soaring, fist-raising chorus. “Weightless Light” gets my head nodding right away with a solid stoner rock riff, while giving off a pretty decent Monster Truck vibe in the chorus – I can see why they made it the pre-release single.” – Hellbound (Violent Nature – 2019)
“This is what music is about. When you put yourself out there, you connect with others on a deeper level and that’s always a win.” – The Music Below (Violent Nature – 2019)
“Violent Nature surpasses their debut and then some; the Rocky Mountain trio have harnessed the best of the past, given it a fresh coat of paint, made me smile and just enjoy rock and roll in its purest form…” – The Sleeping Shaman (Violent Nature – 2019)
“going by the lead single “Weightless Light” it seems like whatever they’re making the songs about, Woodhawk still bring the same sense of songcraft to their material, which is always good to know.” – The Obelisk (Violent Nature – 2019)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Reminder – Vancouver – May 31st – WACKEN METAL BATTLE CANADA 2025 National Final w/ KILLOTINE, SOULTHIEF, BEYOND SUFFERING, YEGG – One Band To Rule Them All & Play Wacken Open Air
NEWS RELEASE
Montreal, QC – May 27, 2025
Reminder – Vancouver – May 31st – WACKEN METAL BATTLE CANADA 2025 National Final
w/ KILLOTINE (Ontario), SOULTHIEF (Eastern Canada), BEYOND SUFFERING (Alberta), YEGG (BC)
– One Band To Rule Them All & Play Wacken Open Air –
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WMBC 2025 Final Spotify Playlist – https://spoti.fi/3Z55AFy
There can only be one! Wacken Metal Battle Canada 2025 national final will be held on Saturday, May 31st in Vancouver, BC, at the Rickshaw Theatre where one unsigned Canadian band will be crowned champion and perform at one of the world’s most prestigious and largest already sold-out metal festivals Wacken Open Air (July 30th – August 2nd) (Attendance of over 80,000 people in Wacken, Germany for over 30 years).
After multiple battles across the country that began in January of this year, the final four Canadian bands will bring their onslaught of metal and be judged by a panel of music industry judges that include BRITTNEY SLAYES (Unleash The Archers), CLAINE GORGOTH LAMB (The Hallowed Catharsis, Misyrion), JJ TARTAGLIA (Canadian Organizer of Wacken Metal Battle Canada), JJ CAITHCART (Founder of SCRAPE Records and Host of Different Stages Radio), KRIS SCHULZ (Founder of Empower Through Music and Owner of Horizon School of Music), ABELARDO MAYORAL (Founder, Owner, and Operator of The Invisible Orange and OrangeTickets), STAN SCHINNERS (Owner of Broken Neck Radio), CHRIS GONDA (V13.net), JUSTIN DOBBIN (Owner and President of Main Stage Rehearsal Studios). Door Time at 6 pm PST. Tickets available at https://orangetickets.ca/detalles_evento.php?id_evento=1914
“Once again, we are at our Finals for the Metal Battle, and it’s a very special one this year, as we host them in Vancouver for the first time! What a testament to Canadian talent we have, showcasing some of the top metal acts from across our great country, all leading to this final showdown in VanCity. Stoked to make the trek to attend and can’t wait to see who our champions bound for Wacken Open Air will be,” comments WMBC national organizer JJ Tartaglia.
British Columbia WMBC promoter Abelardo Mayoral adds:
“There has been a lot of excitement about the Metal Battle Canada taking place in Vancouver throughout the different elimination rounds. The response and attendance to each round have been outstanding. I know Vancouver is ready to welcome bands and fans from all over the country, and of course, to showcase the talent, strength, and unity that the metal scene in all of BC has.”
Winning their territorial battles respectively, the final four are the following:
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Hamilton, ON’s KILLOTINE is the hammer that falls without warning—relentless, unforgiving, and all-consuming. Their riffs shred through the air like jagged steel, solos burn with a fury that can’t be tamed, and blasts hit like an explosion in your chest. They don’t care about trends or softening the blow. Every note is a direct attack, every show a brutal assault. Headbanging is inevitable, the adrenaline is relentless, and the chaos is total. This is metal in its rawest, most savage form. With their “take everything, leave only metal” mentality, Killotine isn’t here to play nice. They deliver exactly what the maniacs demand—pure, unfiltered aggression. No filler, no fake. Just a full-throttle, all-out assault that doesn’t let up, leaving you wrecked and addicted to the chaos. KILLOTINE IS COMING. STAY OUT OF THE WAY OR GET DESTROYED.
Video – Epic Live Set at the Whiskey Pit: Killotine Shreds Like Never Before! – https://youtu.be/AkuL8nbk8XE
https://linktr.ee/killotinemetal
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Ottawa, ON’s SOULTHIEF is a crossover band known for their powerful and fun sound that combines elements of melodic hardcore, thrash metal, beatdown, slam, and punk. Formed in early 2021, the band has garnered a reputation for its intense live performances and dynamic songwriting.
Their discography includes several notable releases, with their albums “Citadel” and “The Bad Kind of Wet” receiving praise for their energy and musical depth. Tracks like “You Could be my Gwen Stacy” and “Rupture” are often highlighted as fan favorites, showcasing the band’s ability to craft memorable hooks and crowd-engaging lyrics.
Soulthief has built a loyal following through their extensive touring and energetic live shows. They have performed at various venues and festivals, earning a reputation for delivering high-impact performances that resonate with audiences. Playing with bands like Stick to Your Guns, Within Destruction, MadBall, Get the Shot, Left to Suffer, Guilt Trip, Sworn Enemy, Hoods, Vctms, Teeth, and many more
Soulthief has continued to evolve and push the boundaries of their craft. Their dedication to their musical performance and their passionate fanbase have cemented their place in any music scene they show up in.
Music Video – You Could Be My Gwen Stacy – https://youtu.be/eRnfHx-FvGY
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Calgary, AB’s BEYOND SUFFERING is a five-piece melodic metal band with roots in thrash and metalcore. With founding member and lead guitarist Rob Vargo, they blend intense riffs and rhythmic complexities of deathcore with melodic hooks and emotional depth of hardcore. Their recent pre-release demo, “Buddha,” is a great buildup to the upcoming “Darkness” and subsequent response “Light” EPs later this year.
Song Stream – Buddha (Demo) – https://youtu.be/Menz1YSu_pI
https://www.facebook.com/BeyondSuffering
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Nanaimo, BC’s old school death metal YEGG is a band that stays true to their roots. Drawing inspiration from iconic bands like Death, Obituary, Morbid Angel, and Cannibal Corpse, YEGG delivers a relentless assault of pure, unadulterated old school Death Metal. Their live shows are a sight to behold with intense energy and a ferocious wall of pure aggression that will.
Song Stream – Offal Offering – https://youtu.be/7s0WVh-JXd4
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WACKEN METAL BATTLE 2025: CANADA FINAL
Event Info – https://www.facebook.com/events/2015740435614140
Sat, May 31, 2025 – 6:00 PM PST
Rickshaw Theatre
254 East Hastings Street
Vancouver, BC, V6A 1P1
About:
Wacken Metal Battle Canada is part of an international competition that sees bands from across the country battle each other for the chance to win their spot among 30 other countries’ champions, and represent Canada in an international battle of the bands at the world’s largest outdoor metal festival: Wacken Open Air. The battles have been hosted at the festival for over a decade giving independent bands the opportunity to showcase their talents to an international audience, along with the chance to win multiple prizes.
How it works:
Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter, where one band will move forward to the Canadian national final (date and city to be determined). The winner of the national final will move on to perform at the Wacken Open Air 2025 and compete against the winners of 29 other countries in a final global battle. All battle rounds are judged by respected local music industry representatives.
Rules for participation: https://www.metal-battle.com/rules/
Links:
Metal-Battle.com
Facebook.com/WMBCanada.official
Twitter.com/MetalBattleCan
Instagram.com/MetalBattleCanada.Official
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Media Partners:
Bravewords.com
Metal-Rules.com
Absolute Underground Magazine
BrokenNeckRadio.com
V13.net
MetalDevastationRadio
Rich Embury (internationally syndicated DJ)
GhostCultMag.com
Rocknroam.ca
Vox & Hops Podcast
The Metal Voice
Montréal Métal (CIBL 101.5 FM)
Promoter Partners:
Boonsdale Records
Dungeonworks Productions
The Invisible Orange
Big Nate Productions
ConcertWorks
Asher Media Relations
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Rockshots Records – Out Now! Italian Folk Metal AEXYLIUM’s New Album “Myth of Mankind” + Music Video “Hexe”
NEWS RELEASE
Montreal, QC – May 26, 2025
Rockshots Records – Out Now! Italian Folk Metal AEXYLIUM’s New Album “Myth of Mankind” + Music Video “Hexe”
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Italian folk metal band Aexylium proudly returns with their third studio album, “Myth of Mankind,” out now via Rockshots Records. With this new chapter, the band takes a decisive step forward in style and substance, offering their most mature and focused work.
Formed in 2014, Aexylium has always stood out for its ability to merge the raw intensity of modern metal with the warm, evocative tones of traditional instruments, building a sound that is both powerful and atmospheric. With “Myth of Mankind,” the band pushes that blend even further, refining every aspect of their songwriting and production while exploring deeper, more introspective themes. The album moves away from the more mythological narratives of the past, instead embracing abstract reflections on the human condition, identity, and the complexity of existence in the modern world.
Musically, “Myth of Mankind” is an intense yet melodic journey, built on technical guitar work, immersive orchestration, and the interplay between aggression and elegance. The album also marks a turning point in the band’s lineup, introducing vocalist Sam Biganzoli, whose expressive and multifaceted vocal range brings new emotional depth and narrative strength. Alongside him, drummer Alberto Mezzanotte (ex-Frozen Crown, Nekomata, Apple Sauce) and guitarist Luca Perrone (founder of Apple Sauce) contributed to a renewed creative energy that flows through every track on the record.
To celebrate the album’s release, Aexylium has also unveiled the official music video for the track “Hexe”, available now on YouTube here: https://youtu.be/AAx3n bFgl8I
“Hexe” perfectly represents the spirit of the album—a high-impact, rhythm-driven song that combines rich melodic lines with a powerful vocal performance from Sam Biganzoli delivering intensity and momentum without ever losing the folk essence that defines the band’s DNA. Visually and sonically, the video amplifies the track’s energy and emotion, offering a powerful introduction to the album’s vision.
With previous albums “Tales from This Land” (2018) and “The Fifth Season” (2021), Aexylium laid the groundwork for their identity within the folk metal genre. But with “Myth of Mankind”, they go further, crafting a sound that is not only rooted in tradition but shaped by modern sensibilities, progressive elements, and a cinematic scope. The result is an album that speaks both to long-time genre fans and to those seeking a richer, more evolved take on folk metal.
Aexylium’s music draws inspiration from acts like Eluveitie, Korpiklaani, Amorphis, Folkstone, Alestorm, and Mago de Oz, yet remains unmistakably their own. With “Myth of Mankind”, the band reaffirms its place as one of Italy’s most promising names in the scene, ready to leave a mark far beyond national borders.
The album was recorded by Davide Tavecchia at Twilight Studio and features stunning artwork created by the renowned artist Gustavo Sazes (Arch Enemy, Machine Head, Amaranthe).
ALBUM ORDER (Release Date May 23, 2025): https://lnk.to/koGz58
LISTEN to the previous single and album title track “Myth Of Mankind”: lnk.to/XApTSY
Aexylium will present “Myth of Mankind” live on stage at the following dates:
May 31st – Centrale Rock Pub (Erba – CO) – Release Party
June 8th – Strigarium Festival (BG)
More shows to be announced soon!
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Track Listing:
1 – Fontes et Omnia
2 – The Queen
3 – Hexe
4 – Into Oblivion
5 – In Sorrow
6 – Myth of Mankind
7 – Eclissi
8 – Wild Hunt
9 – Surrender
10 – Northern Lights
11 – Eternity
BAND LINEUP
SAM BIGANZOLI – Vocals
ARIANNA BELLINASO – Vocals
FABIO BUZZAGO – Guitar
LUCA PERRONE – Guitar
GABRIELE CACOCCIOLA – Bass
ALBERTO MEZZANOTTE – Drums
FEDERICO BONOLDI – Violin
LEANDRO PESSINA – Flute
STEFANO COLOMBO – Keyboards
ALBUM CREDITS:
Main Music Composer: Fabio Buzzago
Lyrics: Fabio Buzzago, Gabriele Cacocciola, Samuele Biganzoli
Orchestrations: Fabio Buzzago, Stefano Colombo
Production: Davide Tavecchia, Buzzago Fabio, Stefano Colombo, Alberto Bernasconi
Recording, Mixing, Mastering: Davide Tavecchia (Twilight Studio)
Graphics: Gustavo Sazes
ABOUT:
Aexylium was formed in 2014 in Italy, merging the distinctive sound of traditional instruments with the modern intensity of metal.
The band has performed at many renowned European festivals including Dong Open Air, Tanzt!, Mead & Greed, Montelago Celtic Festival, Malpaga Folk & Metal, Druidia, and more. During these events, Aexylium shared the stage with several notable bands such as Blind Guardian, Elvenking, Wind Rose, Týr, Vision Divine, Furor Gallico, Temperance, and others.
Their debut album, ‘Tales From This Land’ (2018), was released through Underground Symphony Records. It was recorded at Twilight Studio by Davide Tavecchia and mastered by Simone Mularoni (Elvenking, DGM, Secret Sphere, etc).
In 2021, Aexylium signed a deal with Rockshots Records for their second album, ‘The Fifth Season’. The album was recorded at Twilight Studio with the artwork designed by Jan Yrlund of Darkgrove Design (Testament, Manowar, Korpiklaani). To date, the band has released six music videos as singles.
Compared to the last studio album, the band has welcomed Alberto Mezzanotte (drums), Luca Perrone (Guitar) and the frontman Sam Biganzoli into its lineup.
Aexylium’s partners include Solar Guitars, Footblaster, Liuteria Cocopelli, and Firebird Strumenti Musicali.
AexyliumLine Up:
Sam Biganzoli: vocals
Arianna Bellinaso: vocals
Gabriele Cacocciola: bass
Federico Bonoldi: violin
Alberto Mezzanotte: drums
Fabio Buzzago: guitars
Luca Perrone: guitars
Leandro Pessina: flute
Stefano Colombo: keyboards
More info:
https://www.rockshots.eu
FOLLOW:
https://www.instagram.com/aexylium_official
https://www.facebook.com/aexylium
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 EPK – Augurium – Faith & Death Pt. I. (single) (2025)
EPK – Augurium – Faith & Death Pt. I. (single) (2025)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
For fans of Lorna Shore, Septicflesh, Belphegor, Decrepit Birth, Cannibal Corpse
Single Title: Faith & Death Pt. 1
Release Date: May 17, 2025
Label: Self-Release
Distribution: Distrokid
Facebook.com/AuguriumSK | Instagram.com/auguriumband
Augurium.bandcamp.com | Spotify | Apple Music
[Download Single Cover | Download Single Lyrics]
Single Recording Credits:
• All songs performed by:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars & Orchestra arrangement
Reid Paraszczynec – Bass & Orchestra arrangement
Taylor McDonald – Drums
• All songs written by:
Cejay Carnochan, Dylan Suppes, Logan Barlow, Reid Paraszczynec, Taylor McDonald
• Produced by: Logan Barlow, Reid Paraszczynec, James Ivanie
• Mixed by: Reid Paraszczynec
• Mastered by: Reid Paraszczynec
• Single Artwork by: Mark Erskine – Erskine Design
Single Band Line Up:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars & Orchestra arrangement
Reid Paraszczynec – Bass & Orchestra arrangement
Taylor McDonald – Drums
Live Band Line Up:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars
Reid Paraszczynec – Bass
Taylor McDonald – Drums
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About The Single Artwork
The artwork was created by Mark Erskine, who also did the Unearthly Will cover art. It strongly resonates with the track’s concept. The song itself is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil.
About the single as a whole (LYRICALLY & MUSICALLY)
Faith and Death Pt. I is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light.
Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death.
L-R – Cejay Carnochan (Rhythm Guitars) – Taylor McDonald (Drums) – Logan Barlow (Lead Guitars) – Reid Paraszczynec (Bass) – Dylan Suppes (Vocals)
Photographer: Savannah Bagshaw – Paradox Visuals
Unleashing their third studio release “Unearthly Will” in 2023 and 2024 single / video ”Morningstar”, Regina, Canada’s symphonic death metal outfit Augurium returns with their first taste of new music in 2025 for fans in the lead up to their opening support for progressive death masters and hometown heroes Into Eternity on May 17th. (details below).
Fans of the band are in for a positive surprise. It’s still the same Augurium they’ve been listening to since Unearthly Will, but this song taps into a more emotional side.
“For us as a band, it represents a sort of new Augurium, still within the same style we’ve been playing since 2021, yet naturally evolving. The goal was to create a dramatic listening experience—almost like the progression of a film. There are highs and lows, emotionally driven sections, movements that depict scenes in a hero’s journey, and crushing, deafening moments. This is the first half of a sonic saga portraying the struggle between opposing forces,” adds guitarist Cejay Carnochan.
Entitled “Faith & Death Pt. I.”, the track is the first chapter of an epic two-part symphonic death metal series. The song is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil, which resonates in its artwork created by Mark Erskine, who also did Augurium’s Unearthly Will cover art.
“‘Faith and Death Pt. I’ is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light. Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death,”
Recommended for fans of Shadow of Intent, Septicflesh, and Mental Cruelty.
0 CHÜZO Shares Ontario Aggro-Tour 2025 Documentary In Support of EP “M.T.M.D (Maximum Threshold, Minimum Decay)”
NEWS RELEASE
Montreal, QC – May 23, 2025
CHÜZO Shares Ontario Aggro-Tour 2025 Documentary In Support of EP “M.T.M.D (Maximum Threshold, Minimum Decay)”
Produced by Kevin Jardine (Slaves On Dope)
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L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)
Photo Credit @stutteringuzii (Instagram)
Grinding the road over the past few months across Eastern Canada, Montreal’s aggro-metal CHÜZO is sharing with fans a three-part video mini-documentary of their adventures during their 2025 ONTARIO AGGRO TOUR in support of their EP “M.T.M.D (Maximum Threshold, Minimum Decay)” released this past November and produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio).
Capturing the behind-the-scenes and live performances in Oshawa, Toronto, and Hamilton, the videos were taken by CHÜZO drummer Carlos Gutierrez.
“This was an amazing little tour! We would like to thank Karina at Neurotic Entertainment and everyone involved in all three shows. We went, we conquered; and we take a bow to all of you who came to our shows, gave us your support, and purchased some of our merch, to those who moshed, and to those who gave your support to all the bands and your support for original live music. We trudged through the Maximum Threshold of touring, coming out the other side with minimum decay upon our bodies, minds, and souls. We enriched our inner selves with amazing experiences, meeting new people, and laying down the Aggro in three amazing cities in Ontario, Canada. An unforgettable experience all around, thanks once again to everyone involved; until we ride and meet again; Stay Aggro!” adds the band.
CHÜZO – ONTARIO AGGRO TOUR 2025 – “Maximum Indigestion, Minimum Decay”
Part I (Oshawa) – https://youtu.be/QIBDXP-wGMA
Part 2 (Toronto) – https://youtu.be/bsY1cQgtSgo
Part 3 (Hamilton) – https://youtu.be/Po1EynZk87U
CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.
“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets,” adds guitarist Cristian S.
CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.
The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all the bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge, despite your own life and sanity. Brutal Social Justice.
For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.
EP Stream links are below:
Bandcamp – https://chuzomtl.bandcamp.com
Digital (Spotify) – https://distrokid.com/hyperfollow/chzo/mtmd
Music Video – “Brand New Cell” – https://youtu.be/CPvB0BhDxbQ
Music Video – “Bruised and Broken” – https://youtu.be/0mVkPAsgN3k
Lyric Video – “Brutalator” – https://youtu.be/F9JUMbKcWzs
More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band
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Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.
“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine
““Bruised and Broken” is definitely a rager. Mischa and Christian belt out the words in a tandem of furious screams and monstrous roars. Behind them, the song discharges high-speed percussive obliteration and punk beats, a violent churn of high-grit riffage, and bowel-loosening bass-quakes. The band also work in mean-eyed slashing chugs, a brutalizing breakdown that seems to get more thuggish but no less head-hooking as the seconds pass, an explosion of boiling and battering grindcore mayhem, and another hardcore beatdown that’s probably a sure-fire mosh trigger in a live show — with Mischa‘s screaming voice still coming for your throat with no-holds-barred intensity. Just this one song proves that for Chüzo the label “Aggro Metal” isn’t false advertising. It’s a gut-slugging, bone-smashing, vocally blistering, and viciously eviscerating outburst, and it also proves to be a pretty addictive piece of rage-fueled catharsis too. Speaking of live shows, the video gives a good sense of what the band’s live sets are about, and a good sense of how much fun they had beating the shit out of things in that rage cage.” – No Clean Singing
“After years of shifting lineups and stylistic tug-of-war, the Montreal-based quartet found the right chemistry with their “Mark III” formation. CHÜZO’s latest EP M.T.M.D (Maximum Threshold, Minimum Decay) is the first real statement from this version of the band. It’s sharp, pissed-off, and personal.” – IDIOTEQ
“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy
“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise
“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise
“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine
“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 New York’s ARC Takes A “Dark Road” In New Lyric Video Off EP “Awaken The Machine”
NEWS RELEASE
Montreal, QC – May 23, 2025
New York’s ARC Takes A “Dark Road” In New Lyric Video Off EP “Awaken The Machine”
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Seamlessly fusing the brutality and melody of extreme metal with retro-futuristic synth-wave electronica to create an all-out assault on the senses, New York’s ARC, riding the release of their latest EP, “Awaken The Machine,” is sharing their next lyric video, “Dark Road,” which tells an exaggerated story of overcoming insecurities.
Watch and listen to “Dark Road” at https://youtu.be/m5IslgXbxos
ARC is currently in the works on new music and upcoming show dates to follow their two recent support tour dates with Visions of Atlantis at the end of April in Mechanicsburg, PA, and Brooklyn, NY. Their frenetic live shows are meticulously planned with choreography, custom costumes, specialized stage lighting, props, synchronized on-screen visuals, and the band’s relentless energy in a performance experience that must be witnessed to be believed. Check out their tour recap video at https://youtube.com/shorts/tc4Oi8STM4o
Ambiguously mysterious, ARC is energy and machines. They are human interpretations are on stage playing the music, however, ARC is all around us. Information being transmitted from.. Somewhere in parts of your brain, you didn’t know you had.
Founded on visionary Sonny Angell’s ambition to create a performance-based band with boundary-pushing music, ARC has rapidly established itself as one of the most innovative acts in modern metal. The band’s philosophy, ‘ARC EVOLVES,’ drives their constant reinvention and elevation of their sound and stage presence. Their latest EP, “Awaken The Machine,” released in November 2023, is based on the mind and how a human can process experiences. Some songs explain occurrences of the deep psyche, id, ego, and superego reactions.
Recommended for fans of Rammstein, Dark Tranquility, Dance with the Dead, Children of Bodom, and Scar Symmetry, “Awaken The Machine” is available at the following links:
Bandcamp – https://arc-evolves.bandcamp.com
Spotify – https://spoti.fi/4jmK1bb
Lyric Video – “Ghost Lights” – https://youtu.be/ImcuPCKPLK4
Lyric Video – “Magnitudes” – https://youtu.be/2bKnil2vlFw
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Track Listing:
1 – Dark Road – (3:44)
2 – Ghost Lights – (4:22)
3 – Magnitudes – (4:08)
4 – Shadow Life – (5:55)
5 – Kingdom for my Corpse – (4:25)
6 – The Deep End – (3:43)
Album Length: 26:19
More info: https://linktr.ee/arcmetalnyc
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Out Now! (Self-Made Records/Earache Distro) MARBLE GHOSTS’ New EP “The Greatest Divide” + Music Video “Trafficked (The Devil Inside)”
NEWS RELEASE
Montreal, QC – May 23, 2025
Out Now! MARBLE GHOSTS’ New EP “The Greatest Divide” + Music Video “Trafficked (The Devil Inside)”
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L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)
Photographer Credit – Lisa Thompson (Dark Moon Productions)
Ottawa, Canada’s Marble Ghosts’ sophomore EP “The Greatest Divide” is now available as of May 23rd, 2025, via Self-Made Records L.L.C. with digital distro from Earache Records.
The band is a boundary-pushing ensemble known for its distinctive blend of metal, grunge, and punk influences. Emerging in 2023 onto the Canadian music scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts is a band with a message.
Their second EP, “The Greatest Divide,” is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP, these next five songs in their catalog highlight their diverse influences and styles and seek to lift the marginalized through powerful messaging.
With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.
For the EP’s release day, Marble Ghosts is sharing their new music video for their track “Trafficked (The Devil Inside)”. Featuring one of the band’s signature earworm guitar riffs and as close to a pop chorus as the band will likely ever get, Trafficked’ would be radio-friendly except for the disturbing and dark lyrics.
The song addresses a very serious topic, human trafficking in Canada, a growing problem with no part of the country untouched by this horrendous crime. The majority of the victims are young women between the ages of 18 and 25, but some can be as young as twelve years old. It is a crisis in indigenous communities, who make up 50% of all human trafficking victims in Canada.
The band comments:
“The lyrics and pieces were brought by Paul, our bassist. He wanted to write a song that flowed musically in the same way as “Alone” from our first EP. The song is inspired by human behaviour and how inherently cruel and sadistic our species can be. It’s basically a story about how our worst fears can come true- a child disappears and is never found.
In reality, some of these missing children are circulated in human trafficking rings, and they are subjected to the most horrific conditions. The song details the plight of one of these children, capturing how the child is being broken physically and emotionally, but at the same time, there is a singular voice in the night, asking for the child to have courage and show strength, that there will be someone to bring them home. The great divide for most is to simply acknowledge that this shadowy problem exists. The song aims to create awareness to fight this vile practice that is quickly becoming a global pandemic.”
Watch and listen to the music video for “Trafficked (The Devil Inside)” at https://youtu.be/bkI_YAkWPpg
Recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace, Marble Ghosts’ sophomore EP “The Greatest Divide” is available at the following links:
Digital pre-save (all platforms) https://earache.lnk.to/TheGreatestDivide
Vinyl – https://kunaki.com/vinylRecord.ASP?ProductId=px00i1dshl
CD – https://kunaki.com/Sales.asp?PID=PX00F6J7AV&PP=1
Bandcamp – https://marbleghosts.bandcamp.com/
Music Video – “Eat The Rich” – https://youtu.be/pfka0QU68ug
Spotify – https://spoti.fi/40D2I4h
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Album Artwork by:
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet
Track Listing:
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26
Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums
Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums
More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial
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“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine
“We are living in pretty divided times and this is explicitly displayed right from the get-go with the single “Distance Between” A strong opening, it is heavy, furious, and sets the mood for the rest of the record. An intense album you can listen to over and over and still find cathartic release of angst, anger and outreach. This is a solid brand of high-octane alternative rock mixed with an old school metal vibe. 8/10” – Metal Temple
“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise
“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll
“get these guys in your ear holes” – Rock-N-Review
“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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