Posts By Asher

0 Relive The Sleazy And Sexy Underbelly Of The Toronto DIY Punk Scene With Sean DeCory’s Photobook

June 24, 2020
by Asher
· Music News · Sean DeCory Photobook

(contact info below)

NEWS RELEASE

Montreal, QC – June 24, 2020

Relive The Sleazy And Sexy Underbelly Of The Toronto DIY Punk Scene With Sean DeCory’s Photobook

Exploring the true nature of DIY punk in 2008-2013, Sean DeCory presents a compilation of some of his favourite work that showcases many stories from famed bands, grungy venues, and the colourful people who cemented the underground of Toronto.

The book features infamous performances by renowned bands from Toronto and far beyond – Burning Love, La Dispute, S.H.I.T., Column of Heaven, Animal Faces, Monarch. The emphasis, however, is placed squarely on the spaces where these shows took place; spaces that were integral in the creation and facilitation of the modern Toronto music scene by hosting shows no one else would at a price accessible to everyone. As is often the case, these venues are gone now, and the exit wound they produced is impossible to fill.

The 180 pages, softcover book features photographs of the Toronto DIY punk scene as well as biographies of some of the most infamous DIY venues in the city: Siesta Nouveaux, the Brohaus, and Soybomb. It has over 160 full colour documentary-style photographs of wild shows, amazing bands, and the people who inhabited these spaces.

The foreword by Lance Marwood – who lived in the Brohaus, one of the spaces featured reflects on the impact and importance of what took place during that time in Toronto. The book closes with short biographies of the spaces featured as well as quotes and stories from the author’s interviews with Jay Wydra of Soybomb and Lynne Rafter of Siesta Nouveaux.

Toronto DIY (2008-2013) is an important collection of photographs and writing. Documenting places that – for a time – played a vital role in the Toronto music scene and captured a community of disaffected young adults at a time when the city around them was at peak turmoil.

Toronto DIY (2008-2013) can be ordered for $35 CAD from DeCory’s website: https://seandecory.com/2020/05/12/toronto-diy-2008-2013/

For more info:
Seandecory.com
Instagram.com/sean_decory

About:

Sean DeCory is a documentary and event photographer from Toronto, On. He has photographed professionally for major Canadian news publications and his work has been featured by Maximum Rock’n’Roll, Blog TO, Stolen Ground Publishing, and Decibel Magazine. He enjoys shooting documentary-style photos of people and culture as well as creating long-form photography projects on subjects that interest him.

Toronto DIY (2008-2013) was originally a weekend project while studying photojournalism at Loyalist College but over the years grew into a much larger collection with a much more urgent narrative as the venues were one by one forced to close.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Turbo Unleash Quarantine Music Video For “Make Bail” Off Upcoming Album “Fast As Fvck”

June 23, 2020
by Asher
· Music News · Turbo

(contact info below)

NEWS RELEASE

Montreal, QC – June 23, 2020

For fans of Motorhead, W.A.S.P., Kill Cheerleader, ZZ Top, Black Sabbath

Canada’s Turbo Unleash Quarantine Music Video For “Make Bail” Off Upcoming Album “Fast As Fvck”

Another band who has been making good use of quarantine time is Canada’s Turbo who have recorded a music video for the single “Make Bail” off their upcoming album “Fast As Fvck”.

Filmed in true DIY style, the video shows the members in each of their houses, and with a little help from filmmaker and videographer Neil Hunt, the video came together better than the band expected. The boys in Turbo definitely deserve an Oscar for their work in this music video, but in case the awards are cancelled they have prepared the following statement about the focus behind the video:

“When COVID-19 was on the rise and the quarantine hit in full-force, everyone was trapped inside and bored on a biblical scale. Shows were cancelled, tours were cancelled, and we had to come up with a fun backup-plan and fast. We decided on a DIY music video, and it only took a very short conversation and a coy laugh before we agreed that a song called “Make Bail” was almost too good of a fit for the “Stay The Blazes Home” breakout-of-your-house video we had in mind.”

As with most ideas Turbo has, the origin behind the “Make Bail” video is kind of humorous. Make Bail was the first song they ever wrote as a band at their very first rehearsal, while the idea of the band was still just a mild thought in the minds of these east coast thrashers. Bad breakups lead to the guys writing a good old fashioned “Go F*ck Yourself” getting rid of you type song.

For fans of Motorhead, W.A.S.P., and Kill Cheerleader; Turbo is like your dishevelled uncle on Christmas morning; Turbo is trashed, pissed off, sleazy, mean, and sick of your shit.

The video for “Make Bail” is on YouTube now HERE.

Previous singles:
‘Alive’ HERE
‘Burning The Wick’ HERE

Track Listing:
1. Burning The Wick (2:13)
2. Alive (3:12)
3. Living On The Line (3:26)
4. Silver Spoon (2:56)
5. Make Bail (3:25)
6. Last Call (3:41)
7. Serpents Coil (6:37)
Album Length: 25:33

For more info:
Facebook.com/TURBOFAF
Instagram.com/turboasfvck
EPK

About:

Like your disheveled uncle on Christmas morning, Turbo is trashed, pissed off, sleazy, mean, and sick of your shit. Coming at you hard and fast from the east coast of Canada, rages Turbo. An eclectic mix of rock, punk, and metal, this is what would happen if nitroglycerin had a soundtrack. High impact is the name of the game for them and they are bringing the grit to listeners around the world.

With 100% collaborative effort, the themes that fuel Turbo lyrics revolve around personal experiences or things that just come up while they’re writing the music to a particular piece. The focus is that all the bandmates are able to relate to everything they sing about. It’s real, edgy, and visceral.

The highly potent debut album “Fast as Fvck” is on the way for 2020; metal enough for the heshers, punk enough for the threshers, and rocking enough to satiate the haughtiest of purest; welcome to Turbo’s patented “Nitro-Rock”.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Dead Centuries w/ Guest Bassist Intervals’ Jacob Umansky – New Single / Music Video “Pop A Soda”

June 23, 2020
by Asher
· Music News · The Dead Centuries

(contact info below)

NEWS RELEASE

Montreal, QC – June 23, 2020

For fans of Intervals, Plini, Polyphia, Periphery, CHON

Crack A Cold Beverage And Drink Up Summer With “Pop A Soda” From The Dead Centuries Featuring Jacob Umansky (Intervals)

The Dead Centuries have a new standalone single out entitled “Pop A Soda”, it is the first track to be released from the band with guitarist Jacob McSheffrey as a writer. It’s the first step in the direction of more hook oriented, catchy songs.

“We’re extremely excited to release this track as we feel it marks a big step forward in terms of songwriting, composition, playing, and production. We think the sonic depth in “Pop A Soda” is more interesting, ear-catching, and rewarding than previous efforts from the band, and we think listeners will love the caliber of this track. The inclusion of Jacob Umansky (Intervals/JIA) on bass brings another element to the track that helped us get closer to our vision.”

“Pop A Soda” was recorded in Jacob’s home studio, with the exception of bass, which was written and performed by Jacob Umanksy of Intervals. The band reached out to Jacob via email asking if he would provide bass for the track, sent the track over and what you hear on the track is the first take that he sent them. Jacob also provided a video clip of him playing a section of the track, which highlights his unique approach to playing bass.

The Dead Centuries released an EP in 2018, “Race Against Time” and in their opinion, this single is the best material the band has released to date. It is energetic, upbeat, and technical and builds upon the foundation of “Race Against Time” to add more melody, hooks, and catchy riffs, which is what fans have come to expect from The Dead Centuries.

More is to come from The Dead Centuries, as they plan to continue to release singles to keep new fresh music coming to fans, reflecting their ever-evolving approach to music and songwriting.

For fans of Intervals, Plini and Polyphia the video for “Pop A Soda” is on YouTube – HERE.

Bass clip of Jacob Umansky (INTERVALS) – HERE.

Stream and download for “Pop A Soda” available at the following links:
Spotify
Bandcamp
Apple Music

For more info:
Facebook.com/thedeadcenturies
Instagram.com/thedeadcenturiesband
Twitter.com/deadcenturies
EPK

About:

Visionary and highly influential writer Michael Moorcock, who worked with the bands Hawkwind and Blue Oyster Cult, memorably stated that ‘it is the business of the future to be dangerous.’

Ottawa three-piece The Dead Centuries are both futuristic and dangerous…which is as it should be. Influenced by Protest The Hero, Periphery, Paul Gilbert, Sithu Aye and Intervals, The Dead Centuries can easily hold their heads up in such exalted company. In their current form, The Dead Centuries compose and perform technically precise instrumental music, rich in virtuosity, melody, compositional skills, and most importantly…they create superb music to listen to. This isn’t the sound of three musicians showing off their undoubted skills, rather they are serving their songs above all else, with every fiber of their beings, every neuron firing in their minds, every tendon in their bodies.

In a sense, it is as if the three musicians that make up The Dead Centuries have become one mind in their own music! Adam Tremblett describes the sound of The Dead Centuries as “technical, melodic, energetic, heavy, precise.” Indeed The Dead Centuries are so precise, they are like some kind of cosmic clock; they are always on time.

The Dead Centuries had a natural evolution into the special band they are now, originally consisting of two guitarists, a bassist, female vocalist, and drummer; as members leftover time, those that remained rose to the occasion and created more technical and original music.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Prog Duo JUPITER HOLLOW New Music Video “The Mill’ + Live Stream Dates + New Album “Bereavement” Out Now!

June 23, 2020
by Asher
· Jupiter Hollow · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 23, 2020

For fans of Tool, Rush, A Perfect Circle, Pink Floyd, Tesseract, Coheed & Cambria, Muse

Prog Duo JUPITER HOLLOW New Music Video “The Mill’

New Album “Bereavement” Out Now!

L-R: Grant MacKenzie (Guitar, Bass, Synth) | Kenny Parry (Vocals, Drums, Piano, Synth)
Photo Credit – Sandra Beatty

Progressive prodigy duo Jupiter Hollow are sharing with fans their latest music video for their track “The Mill” in support of their recently released album “Bereavement” to follow their two highly praised recordings “AHDOMN” (2018) and “Odyssey” (2016).

Watch the video at the following links:
YouTube
Facebook

“The music video for The Mill is a fleeting summary of the entire album’s concept. Showcasing the 2 main characters among the hundreds of others subtly embodied by Kenny throughout the live shows and various media appearances.” adds JH’s Grant MacKenzie (Guitar, Bass, Synth).

“Bereavement” is the continuation of the storyline from both previous releases. The band further explains:

“A man with unimaginable global power sends important members of his family and society away to a habitable world outside of our solar system in order to salvage humanity. As capable as this man is of salvaging humanity’s dying society on Earth, he finds more solace in the greed and power he has inherited. Victim of his lifelong internal battle with mental instability, he leaves humanity to extinction on Earth. Struggling with this outcome, he sends himself and his ship aimlessly into space, attempts suicide, and crashes on a planet in another solar system. Upon awakening, he realizes where he is, and that he will soon meet the remaining faces that have abandoned him, just as he abandoned them, and they’re hungry.”

The duo of Grant MacKenzie (Guitar, Bass, Synth) and Kenny Parry (Vocals, Drums, Piano, Synth) that form Jupiter Hollow are here to create an artistic experience unlike anything else in the industry. Inspired from the art of storytelling and adventure, they intend on taking you through an in-depth journey through their discography and encourage listeners to join them for every step along the way. Get ready as Jupiter Hollow will take you on a musical tour, from the studio to the stage, and every place in between. They are your tour guides.

You may begin the experience with Jupiter Hollow at the following link: Jupiterhollow.ca/experience

Fans can use this promo code JH.LiveStream at their “virtual merch booth” for 15% off any of their merch during the live stream tour. They have a couple of t-shirt designs, a few hats left, a handful of AHDOMN CDs along with new Bereavement CDs. Shop here: Jupiterhollow.ca/shop

Viewing for their upcoming live streams on their Facebook page Facebook.com/JupiterHollowOfficial and Instagram.com/jupiterhollow_ at the following dates:

6.23.2020 (8:00 pm – EST)
6.24.2020 (8:00 pm – EST)
6.25.2020 (8:00 pm – EST)
6.29.2020 (8:00 pm – EST)
6.30.2020 (8:00 pm – EST)
7.1.2020 (6:00 pm – EST)*
7.2.2020 (8:00 pm – EST)
* (Show on Canada Day will only be 50-60 mins)

Track Listing:
1. L’Eau du Papineau (3:58)
2. Scarden Valley (5:12)
3. The Rosedale (6:26)
4. Kipling Forest (6:06)
5. The Mill (3:59)
6. Mandating our Perception (2:29)
7. Sawbreaker (8:56)
8. Extensive Knowledge (5:41)
9. Solar Gift (12:37)
Album Length: 55:25

Jupiter Hollow is:
Grant MacKenzie (guitar, bass, synth)
Kenny Parry (vocals, drums, synth, piano)

For more info:
JupiterHollow.ca
Facebook.com/JupiterHollowOfficial
Instagram.com/jupiterhollow_

About:

We are Jupiter Hollow. Some people consider us to be alternative metal, some people consider us to be progressive rock, and some people just like what they hear. We don’t believe in genre; we believe genre is an excuse to pigeonhole our sound. For us, we prefer to keep our options open.

When you hear Jupiter Hollow you may feel an overwhelming sense of space, arrangement and instrumentation. However, behind the music there are just 2 humans: Kenny Parry and Grant MacKenzie. We met on Earth in the year of 2015 at a musical gathering, where the universe inevitably conceived Jupiter Hollow. Since then, we’ve expressed part one of a conceptual endeavor called “AHDOMN”. This story is to be continued with the release of our new record “Bereavement” on June 12, 2020.

As for what Jupiter Hollow sounds like, that’s for you to determine. We don’t care what we sound like, since we don’t have control over our destiny. Our path is written, but we must walk it. Therefore, the music has already been created in the future, and we are messengers of the present.

We are from Earth, from your future. Moving forward through time is to move forward through space. We are evolutionary descendants of our past, we evolve from our actions. Jupiter Hollow is here to share the missing link of your human existence.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Homicide – Left For Dead (2020)

June 22, 2020
by Asher
· EPKs · Homicide

Homicide – Left For Dead (2020)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

“Heavy Thrash Speed Metal”

For fans of Slayer, Motorhead, Exodus, Death, Sodom

Album Title: Left for Dead
Release Date: August 21, 2020
Label: Self-Release

Facebook.com/homicidemontreal | Homicide4.bandcamp.com

“They specialize in Old School Crossover Thrash and returning nearly 25 years later with their sophomore album “Left For Dead” they clearly have some unfinished business.” – Metal Noise

L-R – Bryan Donahue – Guitar, Mac – Bass, Scotty – Drums, and at bottom Gab – Vocals / Guitar

Formed in Montreal in the extremely vibrant metal/hardcore/crossover music scene of the early

1990’s, Homicide was, at the time, an amalgamation of members from other heavy-hitting bands on the scene who had developed strong followings and solid reputations in their own right. Gab Morency of Corrupted Youth (guitar/vocals) and Bryan Donahue of Damaged (guitar) began writing together after discovering that they had similar heavy influences and interests such as Motorhead, Slayer and Venom.

Morency had been renting a room in an extensive apartment building that also housed the jam space of local heavyweights Lizard. This is where the raucous rhythm section of Greg Mcleary (bass) and Scotty MacCulloch (drums) of Lizard heard the riffs from Morency and Donahue and decided that they had to join in on the heaviness that was transpiring.

After a period of only a few weeks, Homicide had begun recording what would be their first album “Malice and Forethought”. This catapulted them into the scene, where they played alongside and held their own with the likes of Voivod, Death and Merciful Fate just to name a few. These performances granted Homicide a reputation for one of the best live bands performing on the scene with crowd pleasers such as “Bring Back the Rope” about lax capital punishment policies and “Death Train” giving a nod to the devastation of terrorism in the poison gassing of a Japanese subway line.

With a sound that can be coined as “Apocalyptic Thrash”, Homicide went underground for many years and it was presumed that the band was no longer. However, 2020 brought the band members together again they recorded a new album “Left For Dead” which compared to the first album will be like going from light beer to moonshine. Homicide is back and fully amped to be bringing fast, aggressive to new and old fans around the world.

Homicide’s “Left For Dead” is due out August 21, 2020.

The album as a whole explained by Gabriel Morency – Vocals / Guitar:

It has a very live feel to it. It was done somewhat live. There was a flatbed that was recorded live for this and then it was layered, but not a lot of layers. It’s funny cause we’re in Metal Works studios in Toronto and you know they have done the Rolling Stones, Christina Aguilera, Alexisonfire, Guns n’ Roses. Use Your Illusion was done there. So you sort of figure obviously, we didn’t have the same producers, but you’re going to go there and it’s going to sound kind of packaged or get that kind of commercial sort of metal sound and to the credit the producer (Wayne Cochrane ) was anti. To be honest, I and Bryan, let’s add another layer and another layer. We wanted to get fancy and he was like keep it raw, keep it raw. We sort of found that balance of solid professional production and raw metal sound. Sometimes less is more. When we came in we had the amps cranked and he was like dear God! You guys have a lot of feedback and noise you don’t need. I and Bryan didn’t realize how much buzzing and humming we had. You start cranking pedals and Marshals there’s a lot of noise being made.

Track By Track explained:

1. Shot to Hell
A track about gambling addition leading to drinking and depression, it’s a powerhouse that points the finger and pity’s the fool while acting as a warning shot at the same time.

2. Point Blank Range
Increasing the tempo with “Point Blank Range”, which is a classic driving song of raw sounding old school riffs and some more solos. Who said the solo was dead? They lied. The lyrics maybe simple enough but they’re crowd fodder for chanting and will go down a storm in that regard.

3. Left For Dead
The title track is perhaps a reference to the band’s absence for the last 25 years with lyrical references to a phoenix rising from the ashes, it makes the best use of staccato riffs and jack hammer footwork to get its message across while the evil laughter in the fade will crack a smile on the face of even the most hardened of Metal Heads.

4. Enemy of The State
Taking the melodic atmospheric route before kicking in full throttle after a couple of minutes of build-up “Enemy Of The State” then goes full on Municipal Waste as Morency rants and raves about the Government making up conspiracy theories to cover up their actions. It’s a classic headbanger of a cut with short bursts of solo work to keep you on your toes.

5 Nightmares Of The Apocalypse
This is going to be a fast one and rips through like a tornado of destruction as it forewarns of a black future at breakneck speed. Who needs a neck? It’s an old school Corrupted Youth song. We were in a band Corrupted Youth before Homicide In the old station ten rising sun days. Playing with Fatal Illness before they were Grim Skunk, Fair Warning, and all those bands. This is a song we use to play that we just can’t get out of our system, so we had to record it again.

6. Scorched Earth
Sarcasm and tongue in cheek humor are dropped in favor of a frantic and frenetic riff attack. A tale of the end of days with Nuclear blasts and their fallout wiping out humanity, it’s a fierce rager

7. Scourge of God
This track gets things off to a fine start and is a reminder of just how good the storytelling style of Morency is as he delivers a tale of the wrath of God. Mid-tempo evil chugs keep things going nicely and the riffs pay homage to the Bay Area Thrash scene with a nostalgic tooth gap grin while that whammy bar drop is a nice touch. It’s one of those tracks that cut at a point when it could happily go on for another few minutes and that’s always the hall mark of quality.

[Download Album Cover | Download Album Lyrics]

Album Title: Left for Dead
Release Date: August 21, 2020
Label: Self-Release

Track Listing:
1. Shot to Hell (4:43)
2. Point Blank Range (4:15)
3. Left For Dead (4:15)
4. Enemy of The State (5:06)
5. Nightmares of The Apocalypse (2:28)
6. Scorched Earth (3:45)
7. Scourge of God (5:43)
Album Length: 30:18

Album credits:
– All songs performed by Homicide
– All songs written by Morency Donahue except Shot to Hell written by Morency Donahue Maculary, Enemy of the State written by Morency
– Produced by Wayne Cochrane and Homicide
– Mixed by Wayne Cochane
– Mastered by Chris Crerar
– Album artwork by Reisyaibrahim
– Member of Socan

Album and Live Line Up:
Gabriel Morency – Vocals / Guitar
Bryan Donahue – Guitar
Scotty Macculloch – Drums
Greg Maculary – Bass

Discography
2020: Left For Dead
1995 – Malice and Forethought

Shared Stage with:
Death, Mercyful Fate, Voivod, Killer Dwarfs, Anvil

0 EPK – The Dead Centuries – Pop A Soda ft. Jacob Umansky of Intervals (single) (2020)

June 22, 2020
by Asher
· EPKs · The Dead Centuries

The Dead Centuries – Pop A Soda ft. Jacob Umansky of Intervals (single) (2020)

For fans of Intervals, Plini, Polyphia, Periphery, CHON

Album Title: Pop A Soda
Release Date: May 29, 2020
Label: Self-Release

Publicist – Jon Asher – ashermedia(@)gmail.com

Facebook | Twitter | Youtube | Soundcloud | Instagram

Spotify| iTunes | Google Play | Bandcamp

“One of the nicest things about Pop A Soda is just how upbeat it sounds. The Dead Centuries delivering a track that is smart, progressive and so very catchy. All without a word spoken or sung. It might be my favourite thing they’ve done so far. It has got pace, it has got energy, it has got compelling rhythm and it challenges. Trying to pick apart every individual element will take time. Time you’ll be more than glad to give to this track. The very moment it ends you’ll be hitting play again… and again… and again. It’s damn clever and that damn good.” – Games, Brains & A Headbanging Life

“Entirely recorded and produced by the band themselves along with Jacob Umansky of Intervals on bass, their intention is to inject you with some life and positive vibes as the summer approaches us. Despite the upbeat tone of the song, the band members have ensured not to compromise any of their musical integrity, with “Pop a Soda” featuring a large quantity of the technicality which was unmistakable on Race Against Time.” – V13

“High energy instrumental metal, The Dead Centuries are all about massive hooks, futuristic riffs & technical melody. Opener Freddie Lounds is rich in skill, showcasing how a trio’s different abilities can combine to make something that sounds so grand & complete.” – Games, Brrraaains & A Head-Banging Life (2018 – Album Review – Race Against Time)

“Their music both hits you hard with big metal-infused riffs then provides the musical magic sponge with rich virtuoso, melodic guitar noodling, inspired by the likes of Protest The Hero, Intervals, Plini, Situ Aye, Paul Gilbert and more. It’s simply intoxicating to listen to.” – Gig Radar (2018 – Album Review – Race Against Time)

“the songs on Race Against Time are exactly what we want from instrumental prog – engaging arrangements with a perfect balance of groove, riffs, and virtuosity, and enough variation to keep us listening through all ten tracks. This is a great start for The Dead Centuries.” – Heavy Music Headquarters (2018 – Album Review – Race Against Time)

“The Dead Centuries deliver a multitude of excellent riffs across the course of this album. This band is a total hook machine, and they accomplish this over a dizzying number styles. Progressive, metalcore, melodeath harmonizing, post-metal: Race Against Time has it all.” – Metal Trenches (2018 – Album Review – Race Against Time)

“If you want a more complex and technically layered instrumental album, as well as a diverse one that you can either jam to or simply throw on as background noise, this one is for you.” – Canadian Beats (2018 – Album Review – Race Against Time)

Visionary and highly influential writer Michael Moorcock, who worked with the bands Hawkwind and Blue Oyster Cult, memorably stated that ‘it is the business of the future to be dangerous.’

In their current form, The Dead Centuries compose and perform technically precise instrumental music, rich in virtuosity, melody, compositional skills, and most importantly…they create superb music to listen to. This isn’t the sound of three musicians showing off their undoubted skills, rather they are serving their songs above all else, with every fibre of their beings, every neuron firing in their minds, every tendon in their bodies. In a sense it is as if the three musicians that make up The Dead Centuries have become one mind in their own music!

Adam Tremblett describes the sound of The Dead Centuries as “technical, melodic, energetic, heavy, precise.” Indeed The Dead Centuries are so precise, they are like some kind of cosmic clock; they are always on time.

The Dead Centuries had a natural evolution into the special band they are now, originally consisting of two guitarists, a bassist, female vocalist, and drummer; as members left over time, those that remained rose to the occasion and created more technical and original music.

(Bio written by Steve Earles)

Album Title: Pop A Soda
Release Date: May 29, 2020
Label: Self-Release

Track Listing:
1. Pop A Soda (3:19)

Album Credits:
• All songs performed by: The Dead Centuries
• All songs written by: The Dead Centuries
• Produced by: Jacob McSheffrey
• Mixed by: Anup Sastry
• Mastered by: Anup Sastry
• Album Artwork by: Jacob McSheffrey
• Member of SOCAN
• Canadian Content (MAPL) – YES

Album Band Line Up:
Bryant McNamara – Drums
Jacob McSheffrey – Guitar
Adam Tremblett – Guitar
Jacob Umansky (Intervals) – Bass

Live Band Line Up:
Bryant McNamara – Drums
Jacob McSheffrey – Guitar
Adam Tremblett – Guitar

Discography:
2020 – Pop A Soda (single)
2018 – Race Against Time – LP

Shared Stage:
Red Handed Denial, Mystery Weekend, Bird Problems, Earth’s Yellow Sun, The Parallel, Vaerisa, Living Dead Girl, Words Like Wildfire, A Scar For The Wicked, Pyramid Theorem, Dangerliker, The Slyde, The Aphelion, Fractures & Outlines, Skybound, The Frame Defect, Lycanthro, Pantomime, Arms of The Girl, Rydell, WKFLD, The Hazytones, Sovereign Council, Vesperia, Never Named, The Thirteenth Floor, Inherent, The Kindred, Halfsleeper, Ghostblade, Tribe Royal

0 Magic The Gathering Inspired Power Metal PLANESWALKER (created by Helion Prime current and former members), Debut Single “The Forever Serpent” Out Now!

June 22, 2020
by Asher
· Music News · Planeswalker

(contact info below)

NEWS RELEASE

Montreal, QC – June 22, 2020

Magic The Gathering Inspired Power Metal PLANESWALKER (created by Helion Prime current and former members)

Debut Single “The Forever Serpent” Out Now!

L-R – Sozos Michael – Vocals, Jason Ashcraft – Guitars

Inspired by Magic The Gathering card game, Planeswalker is the new power metal band founded by Helion Prime guitarist Jason Ashcraft and former vocalist Sozos Michael.

Today the band is debuting the music video for their first single entitled “The Forever Serpent”, which is based on the MTG bad boy Nicol Bolas.

Watch it on YouTube HERE.

Along with stream on Spotify and download on Bandcamp.

Jason Ashcraft explains the creation of the project:

“For those who follow Helion Prime understand that parting ways with Sozos was due to unfortunate struggles with visa issues as he lives in Cyprus, but I knew someday we’d work together again I just wasn’t sure how. I then got the idea to start a band based completely on Magic The Gathering lore because between Helion Prime and Dire Peril I think I’m good on sci-fi based material and why wouldn’t I need ANOTHER project. When I first heard the song Sozos had written for us I immediately knew it had to be about Nicol Bolas.”

Sozos Michael adds:

“I am beyond excited for the release of ‘The Forever Serpent’, our first creative output with Jason since our collaboration in Helion Prime. As you will surely notice listening to the song (and/or watching the music video), we channeled our most primal nerdiness to this endeavor, and we have no plans to slow down! We have just begun exploring the rich and deep lore of MTG, and we are excited to see where this journey will lead us.”

Planeswalker currently has no immediate plans for a full-length album but Ashcraft would like to see something in 2021.

Song Credits:
Planeswalker is:
Sozos Michael: Vocals
Jason Ashcraft: Guitar

Guest musicians on “The Forever Serpent”:
Chelsea McMasters: Bass
Alex Bosson: Drums
Alex Nasla: Keys

Mixed and Mastered by Alex Nasla at Gear Gods Studio

For more info:
Facebook.com/planeswalkermetal

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Proggers LUFEH Share New Video “The Unknown”; New Album “Luggage Falling Down” Out Now!

June 22, 2020
by Asher
· Lufeh · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 22, 2020

For fans of Rush, Dream Theater, Haken

Proggers LUFEH Share New Video “The Unknown”

New Album “Luggage Falling Down” Out Now!

Gera Penna– Keys, Duca Tambasco – Bass, Dennis Atlas – Vocals, Teo Dornellas – Guitar, Lufeh Batera – Drums

Sophisticated, progressive, and refined, Los Angeles based progressive metallers Lufeh (a band of both Brazilian and American musicians) creates an enjoyable experience, meandering through jazz styles, heavy metal foundations, and rhythmic Brazilian influences. The mind expanded sonic journey is something new and interesting to listen to.

Released in April of 2020, “Luggage Falling Down” was a trying, yet successful first recording for these recently banded musicians who lived together for two weeks throughout the process. Having lost the original singer a month before recording began, the intrepid bunch found hope with Dennis Atlas who fell in step with the rest of the band immediately. This bond between the members can be seen in their videos along with their high energy and knack for performing.

“Luggage Falling Down” is a unique melodic story that continues to be demonstrated with their next video for the track “The Unknown”. Drummer Lufeh Batera shares his thoughts on the track:

“The Unknown started as a keyboard-driven song and became perhaps the most technical and heaviest song on the album. It features every instrument, including guitar and bass shredding, a tremendously dramatic vocal melody, and great counterpoint.”

“The Unknown” can be seen on YouTube HERE.

For fans of Dream Theater, Incubus, and Hakan, Lufeh is smooth and rhythmic progressive metal; heavy chords followed by light melodies and the occasional crazy guitar solo.

The new album “Luggage Falling Down” is available for stream and download on Lufehband.bandcamp.com, Spotify, Apple Music.

Previous Videos:
‘Find My Way’ here.
‘The Edge’ here.

Track Listing:
1. Find My Way (4:25)
2. The Unknown (3:36)
3. Doors (4:06)
4. Trial of Escapade (4:24)
5. My World (4:52)
6. End of The Road (4:05)
7. Escape (4:03)
8. The Edge (4:04)
Album Length: 33:39

Album Credits:
All songs performed by:
Gera Penna – Keys;
Duca Tambasco – Bass
Dennis Atlas – Vocals
Teo Dornellas – Guitar
Lufeh Batera – Drums
All songs lyrics written by: Josh Kim
Produced by: Gera Penna
Mixed by: Adair Daumfebach
Mastered by: Adair Daumfebach
Album Artwork by: Gera Penna

Album and Live Band Line Up:
Gera Penna – Keys;
Duca Tambasco – Bass
Dennis Atlas – Vocals
Teo Dornellas – Guitar
Lufeh Batera – Drums

For more info:
LufehBand.com
Facebook.com/lufehband
Instagram @lufehband
EPK

About:
Lufeh is a musical collaboration of excellent Brazilian and American musicians brought together by drummer Batera Lufeh. Lufeh himself has had a successful career performing with many famous Brazilian bands and artists, including one of the most well known Christian rock bands of its style, Oficina G3, among others. In 2008, he recorded his first solo album “Drummed On Classics”, which uniquely combined a mix of classical pieces with progressive rock drumming.

Since moving to the U.S. in 2014, Lufeh has continued his career as a musician, starting in Florida, where he performed with Kristo Reggae and Big Pine Band. Lufeh participated in the Blue Man Group Drum-Off in 2016, where he was awarded the privilege to take part in its grand finale in Las Vegas, and chosen as one of the top five drummers in the contest. He then moved to Los Angeles, CA, where he became the official drummer of Kenny Shipman.

Now, in 2020, Lufeh is an entire unit moving forward with the addition of Gera Penna (keyboard); Duca Tambasco (bass); Dennis Atlas (vocals); and Teo Dornellas (guitar) who have proven to be a great match. The band recently released the highly-anticipated second album “Luggage Falling Down”, a solid record of Brazilian influenced groovy progressive metal, which has received great praise from reviewers, calling it a mix between Brazilian music, Rush, and Dream Theater.

The album is both melodic and highly energetic and aggressive. With a strong foundation in jazz and classical musicality, the band brings a metal edge to a unique melodic story. These progressive metal warriors have become tycoons of song structure and, throughout the album, display highly refined expertise in making music that is captivating to listen to, addictively technical, and uplifting.

“Luggage Falling Down” was released on April 17, 2020 and is available on all major digital platforms.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Seattle Progressive Melodic Death Metal DRAEMORA Share Guitar Playthrough “Legion of Scum” via TechnicalMusicReview; Debut EP “Awakening” Out June 26th via Ultra Nast Records

June 19, 2020
by Asher
· Draemora · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 19, 2020

Seattle Progressive Melodic Death Metal DRAEMORA Share Guitar Playthrough “Legion of Scum” via TechnicalMusicReview

Debut EP “Awakening” Out June 26th via Ultra Nast Records

Relatively new to the Seattle metal scene, Draemora is comprised of seasoned musicians who, despite COVID-19 slowing their debut, are ready to show the world their EP “Awakening” on June 26, 2020, via Ultra Nast Records.

The EP, lyrically, is about battling with drugs and alcohol, and the long journey out of that hell. Heavy, prodigious and heartfelt, vocalist/guitarist Terry Jenkins notes his personal attachments to the lyrics he writes:

“The lyrics come right out of the pages of my life, the things I went through, and how I got through them. Music is a huge outlet for me to dump the good times, bad times, and everything else in between. The majority of the lyrics are a culmination of direct excerpts from letters, poems, and life experiences from the period between May 2018 and August 2019. It was a very intense time in my life.”

Today, the band shares their second guitar playthrough for the last song on the EP ‘Legion of Scum’. The track is the heaviest on the release. It starts off with heavy riffs and just keeps beating you over the head till the end. This is a banger of a track and one of the band’s favorites to play.

Guitarist Terry Jenkins adds:

“If you love Mesa/Boogie Rectifiers, Fender Strats, and Metal with huge epic riffs you are going to really enjoy this playthrough! This song is so damn fun to play and I hope you enjoy the playthrough!!! If you have additional comments feel free to ask in the comments and I’ll do my best to answer them!! Word!!!”

Recommended for fans of Strapping Young Lad, Whitechapel, and Nevermore; watch the playthrough for ‘Legion of Scum’ via TechnicalMusicReview HERE.

Spotify, Apple Music, iTunes, Google Play pre-save HERE.

Draemora‘s previous singles
‘Home’ HERE.
‘Guilt’ HERE.
‘Guilt’ (guitar playthrough) HERE.

Track Listing:
1. Home (3:27)
2. Dead Inside (3:09)
3. Guilt (3:20)
4. Reckoning (3:53)
5. Legion of Scum (3:34)
EP Length: 17:25

Band Line Up:
Terry Leroy Jenkins – Guitar / Clean Vocals
Taylor Wood – Vocals
Max Taylor – Guitar
Jared Connelie – Drums

EP Credits:
– All instrument parts and Vocal parts including lyrics were written, arranged, and Produced by Terry Leroy Jenkins
– Drum performance – Jared Connelie
– Vocal Performances – Terry Leroy Jenkins and Taylor Wood
– Guitar and Bass Performances – Terry Leroy Jenkins
– Mixing – Terry Leroy Jenkins – Ultra Nast Productions
– Mastering – Erman Hemidovic / Systematic Productions
– Album Artwork – Sarah Estrella

For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK

About:

Draemora was formed in November 2019 in the Seattle, USA area by Terry Jenkins (vocals/guitar) after his separation from his previous band Odyssian. Seeing it as an opportunity to take a chance and try something different, he wrote a handful of songs with lyrics and demoed them out at his house. These demos attracted the attention of soon to be bandmate, ex-Jesus Wears Armani drummer Jared Conelie and ex-Odyssian vocalist Taylor Wood.

After fleshing out the demos with their own personal touches on the songs, Jenkins found local guitar player Max Taylor and set out to record the 5 song EP “Awakening”.

The EP is nothing short of heavy, melodic metal infused with honest and heartfelt lyrics; This combination works perfectly with the band’s mission to evoke an intense emotional and spiritual experience that brings out the raw emotions that are suppressed all day in normal day to day lives.

“This EP lyrically is all about battles with drugs and alcohol and the long journey out of that hell. I feel that it will connect with anyone who has ever had mental problems, family problems, or experienced relationships falling apart. I didn’t want to come across as disingenuous, or contrived and wrote about things that I really went through and put my life and my problems out there for anyone to interact with as they wish. I think this recording is intense and beautiful. It’s angry and sad and uplifting and I think is a reflection of a human living in modern-day society.” says Jenkins.

With a slight pause in the band’s plans due to the 2020 COVID-19 pandemic, Draemora is already working away on a full-length album to follow and getting ready for when they can pummel crowds live with their heavy melodic brand of progressive death metal.

Their debut EP “Awakening” is due out June 26, 2020 via Ultra Nast Records and will be available on all major digital platforms.

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“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag

“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear GodsKISW 99.9FM (Seattle) – BJ & Migs L&L BAND OF THE WEEK: Draemora (June 10, 2020)

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