Posts By Asher

0 FUCK THE FACTS Shares “An Ending” Off Upcoming Album “Pleine Noirceur”, Song Premiere via NoCleanSinging

November 11, 2020
by Asher
· Fuck The Facts · Music News

NEWS RELEASE

Montreal, QC – November 11, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

FUCK THE FACTS Shares “An Ending” Off Upcoming Album “Pleine Noirceur”

Song Premiere via NoCleanSinging

New Album “Pleine Noirceur” Out Nov 20th via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

“Pleine Noirceur” is the upcoming album from Canadian grindcore champions Fuck The Facts. Set for release on November 20th via their very own label Noise Salvation, the full length follows their 2015 Juno nominated “Desire Will Rot”. “Pleine Noirceur” continues right where the band left off, offering up another slab of their patented “bastardized” grindcore full of all the twists and turns that fans have come to expect.

Leading up to the record’s deliverance, the trio has previewed songs “Ailleurs”, “Dropping Like Flies”, “Everything I Love Is Ending” and the album’s title track. Today, just days away from “Pleine Noirceur” discharging to headphones and speakers around the globe, the band is sharing their latest single “An Ending”, the second last closer on the album.

Guitarist Topon Das adds:

“This song deviates from the more grindcore and head-bashing tunes on the record to show more of our melodic side. Not referenced as often, but the early days of bands like Paradise Lost, Katatonia, Enchantment & Cemetary definitely had a strong influence on my writing as well. There’s a dark and depressing feel to the song that really embodies the theme of the whole album.”

Listen to “An Ending” via its premiere on NoCleanSinging HERE.

Fuck The Facts has amassed a respectable discography over the years, and this new offering joins the 7 LPs and 6 EPs released to date. The considerable amount of time the band has been working together shows in the natural chemistry that courses through each of the 12 tracks. Fuck The Facts comments on the album:

“We took a long break before working on this album, I feel like it’s a collection of bits and pieces; old and new, short and long. It’s us working back into the groove, just in time for a pandemic. This album also could have easily been 3 EPs, you really have to listen to the whole thing in order to fully enjoy it. It opens the door for what is next.”

What started as a basement recording project in the late 90s has blossomed into one of the most prolific bands in the Canadian extreme underground scene. Fuck The Facts have always been more about making albums than just writing songs, using what’s left over for a separate EP, but this time around they decided to put the extra songs as bonus tracks on the different physical copies of the release, so the vinyl, CD and cassette versions will each have a different bonus track that’s not available on the digital release.

The unapologetic, experimental album probably needs a few listens in order to fully enjoy. Put on some noise-canceling headphones, choose your drug of choice, close your eyes, and enjoy.

Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, “Pleine Noirceur” will be available in several different formats on November 20, 2020.

Album Pre-order HERE.

Spotify playlist add HERE.

Previous Singles:
“Ailleurs” – YouTube (Music Video)
“Pleine Noirceur” – YouTube (Music Video)
“Dropping Like Flies” – YouTube
“Everything I Love Is Ending” – YouTube

Track Listing:
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

About:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.

– 30 –

“Fuck the Facts is one of the most prolific grind-based bands in Canada’s big, weird extreme music scene.” – Noisey

“avant-garde grindcore road warriors…boundless chaotic energy and unrestrained sense of experimentation. – Exclaim

“Their formidable discography is speckled with blips and bursts of every shade of extreme metal, hardcore, punk, and noise imaginable, spearheaded by vocalist Mel Mongeon’s razor-edged larynx and mastermind Topon Das’ mad fretboard genius.” – Pitchfork

“FUCK THE FACTS brings a strong collection of extreme metal tunes, often technical and scathing, sometimes grindy and with just enough melody to digest without heartburn.” – Blabbermouth

“explosive and ferocious” – Metal Sucks

“Fuck The Facts aren’t your average grindcore band.” – No Clean Singing

“Canadian grindcore hurricane” – CVLT Nation

“It’s impossible to deny that the grindcore-meets-death-metal hybrid sound they’ve created” – Lambgoat

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 The Reticent’s New Video “Stage 3 – The Palliative Breath” Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”, Lyric Video Premiere via NewFuryMedia

November 11, 2020
by Asher
· Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 11, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s New Video “Stage 3 – The Palliative Breath”
Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”

Lyric Video Premiere via NewFuryMedia

Out Now! New Album “The Oubliette” via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent released their latest critically acclaimed concept album entitled “The Oubliette” via Heaven & Hell Records this past September. The full length was produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), and it tells the tale of man’s battle with Alzheimer’s disease.

The record follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s. He doesn’t know where he is or why he’s there. He doesn’t remember his wife is dead. He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.

To lyrically visualize the third stage of Alzheimer’s, The Reticent has put together a new lyric video for “Stage 3 – The Palliative Breath”.

Hathcock adds about the track:

“Henry has brief moments of clarity when he realizes that “holes are deepening in his mind” and he vaguely grasps some of what’s happening to him. More calm and reflective the music echoes the patience that the doctors urge. The beautiful thoughtful acoustic opening gives way to powerful progressive rock, calm folk, and driving metal all to the conclusion that Henry’s best is long behind him.“

The video for “Stage 3 – The Palliative Breath” can be watched and heard via its premiere on NewFuryMedia HERE.

The Reticent‘s new album “The Oubliette” follows the band’s2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time, every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock comments on “The Oubliette”:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience. This is undoubtedly the most ambitious record The Reticent has attempted to date. The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood. There will be moments that are soothing and there will be moments that are overwhelming. The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”

“The Oubliette” (Heaven & Hell Records) is available on Heavenandhellrecords.com (CD), Bandcamp, Spotify, Apple Music.

Music Video – Stage 2: The Captive – YouTube

Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

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“Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5 – The ProgSpace

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Autocatalytica Shares Groovy Proggy Chaos In Lyric Video “Zippler” From New Album “Powerclashing Maximalism”, Lyric Video Premiere via NewFuryMedia

November 10, 2020
by Asher
· Autocatalytica · Music News

NEWS RELEASE

Montreal, QC – November 10, 2020

For fans of Devin Townsend, Meshuggah, Protest The Hero, Dillinger Escape Plan

Autocatalytica Shares Groovy Proggy Chaos In Lyric Video “Zippler” From New Album “Powerclashing Maximalism”

Lyric Video Premiere via NewFuryMedia

New Album “Powerclashing Maximalism” Out Now!

Pictured – Guitarist/Vocalist/Producer – Eric Thorfinnson
Photo Credit: Walker Esner

Autocatalytica is a bubbling cauldron of scatter-brained prog-metal insanity helmed by guitarist/vocalist Eric Thorfinnson. The newest release for the band “Powerclashing Maximalism” was recently released last month on October 16th. The LP is the band’s third and it explores all corners of Autocatalytica’s sound in a tight 36-minute runtime over eight tracks, from the Meshuggah-esque stomp of “Borndun” to the Jazzy Math Rock of “Cheggo”. While at this time Autocatalytica exists solely as a recording project, no one knows what the future holds!

Today, in support of the album, the band is sharing their latest lyric video for the track “Zippler”. A song written about the illusion of free will, it splits down the middle in the vein of the likes of Protest the Hero and the Mars Volta, it’s zippy, groovy, and has got some chaos thrown in for good measure.

The lyric video can be viewed and heard via its premiere on NewFuryMedia HERE.

Formed as a solo project in 2009, as an expressive outlet for Thorfinnson’s abstract angst and penchant for everything over the top. Thorfinnson has always drawn inspiration from a vast collage of different artists resulting in a sound that is sure to surprise and intrigue listeners of all persuasions. For fans of Devin Townsend, Meshuggah, and Protest The Hero, Autocatalytica‘s new album “Powerclashing Maximalism” is available on Autocatalytica.bandcamp.com, Spotify, Apple Music.

Previous singles:
Lyric Video – Borndun – YouTube

Track Listing:
1. Borndun (5:18)
2. Zippler (3:33)
3. Trash Serum (5:19)
4. Cheggo (4:35)
5. Dukka Dukka (6:00)
6. Bananas Have Potassium (4:05)
7. Crawboi (6:08)
8. Graveo (2:32)
Album Length: 37:34

For more info:
Facebook.com/Autocatalytica
Instagram.com/autocatband
EPK

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“This is an album that’s just on all the time; at its core, it is a progressive metal work, with Protest the Hero as a possible cited influence. But in other places, the album also uses a copious amount of strings, wind instruments, and jazz-inflected time signatures to create a whirlwind of groove, aggression, and, here we go, maximalism. “Cheggo”, which we are proud to premiere here today, has all of that and more. From its nu-prog opening, through the more dreamy middle passages and all the way to its noisy outro, “Cheggo” is everything that’s great about Autocatalytica and Powerclashing Maximalism.” – Heavy Blog Is Heavy

“Powerclashing Maximalism is intricate, varied, and impressive. But above all else, it’s just plain fun. The kind of fun that is contagious. Some people won’t like Powerclashing Maximalism due to the sheer variety of sounds, or due to the somewhat metalcore-y moments scattered throughout. For everyone else, though, Autocatalyctica have delivered a captivating experience that should be given a chance. Their influences inform their sound, but they breathe a new life into all of their steps. 8/10” – Metal Utopia

“I’ve had a hard time tagging this one as well, but I think I’ll stick with the good ol’ catch-all “progressive metal”. Yes, it’s got mathcore; yes, it’s got deathgrind; yes, it’s got djent, so what am I to do? Find the common denominator, I guess! So, you’ll be treated with an incredibly high calibre product for all aforementioned genres (and more!) Fans of heavy music and multiple genres, jump right in and support this awesome artist!” – Can This Even Be Called Music?

“‘Powerclashing Maximalism‘ by Autocatalytica is an album that smashes all preconceived notions of rules you thought existed and brings a unique experience to the listener. There’s something for everyone here. Sure, ‘Powerclashing Maximalism‘ is progressive and heavy but it’s so much more. I don’t think there is anything similar at the moment. Each song has its own distinctive sound which is different from the rest.” – The Music Below

“Overall, this is Progressive Death Metal turned up to 11. The tight instrumentation is un-matched. 8/10” – Metal Temple

“Eric (Thorfinnson) does most of the mixing/production on every release, and with this one he has managed to give us a multitude of rock and metal styles, in eight tracks lasting a total of 37 minutes. 4/5” – The Prog Space

“if you combine the modern, masterful and unpredictable prog of Tesseract with the adventurousness and epic nature of Opeth (and make them both more intense), you get Autocatalytica. In my opinion this is a rarely flawless album and is very strongly recommended listening for all metal heads. I really can’t think of a single thing I’d change.” – The Independent Voice

“If you like complex metal with progressive hints, growl and no boundaries. Check this out.” – Melodic.net

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Hails Horns \m/\m/ Thank You Canadian MDs and DJs #15 Uncle Woe, #18 Fuck The Facts !earshot – October 2020 – top 20 loud

November 9, 2020
by Asher
· Fuck The Facts · Uncle Woe

Hails Horns \m/\m/
Thank You Canadian MDs and DJs
#15 Uncle Woe, #18 Fuck The Facts
!earshot – October 2020 – top 20 loud
https://earshot-online.com/charts/2020/October/loud.cfm

0 Canada’s Within Nostalgia Have a Cold New Album “Void and Decay” To Compliment The Oncoming Winter, Premiere Music Video “Desideratum” via NoCleanSinging, New Album “Void and Decay” Out December 18th

November 9, 2020
by Asher
· Music News · Within Nostalgia

NEWS RELEASE

Montreal, QC – November 9, 2020

For fans of Woods Of Ypres, Agalloch, My Dying Bride, Nachtmystium, Enslaved

Canada’s Within Nostalgia Have a Cold New Album “Void and Decay” To Compliment The Oncoming Winter

Premiere Music Video “Desideratum” via NoCleanSinging

New Album “Void and Decay” Out December 18th

L-R – Kye Bell (Lead Guitar/ Bass), Alyssa Broere (Rhythm Guitar, Bass, Vocals)
Photo Credit – Isaac Paul Images

As the snow begins to fall across their home country of Canada, Within Nostalgia gear up to release their second album “Void and Decay”.

Formed as a creative outlet for negative emotions, Within Nostalgia came about from the desire to look into the past for a different perspective today. The band expects this offering to be received with curiosity and hopefully with an open mind. Their music, especially this album, has an immense range of genres within it, and being a two-piece collaboration, “Void and Decay” brings on a different dynamic and feel.

The tracks on this album reflect a certain time in the duo’s lives. “Void and Decay” portrays the two extremes; the void is the destined path of our society whereas the decay represents the result of the chaos in the world we live in. The lyrics come from a personal expression that encompasses many forms of emotion and observation as well as relating these things to nature. The inspiration comes from self-reflection and the reflection of the world around us, turning negative events and emotions into something relatable.

The single “Desideratum” was written by Bell shortly after the release of the last album and is the song used for the official single video. The song features heavy guitar riffs, double bass, and harsh vocals with a break just over halfway building up into a furious bridge riff. It ends with the chorus riff into a dead stop. The band explains the single further:

“Desideratum means something that is needed or wanted and lyrically it relates to the current state of society with the pandemic and that things like this are necessary to teach us a lesson and to depopulate for the better of the earth.”

The dark and thoughtful music of Within Nostalgia is recommended for fans of Woods Of Ypres, Agalloch, and My Dying Bride.

The music video for “Desideratum” can be viewed via its premiere on NoCleanSinging HERE.

The full album “Void & Decay” comes out on December 18, 2020.

Album pre-order here.

Spotify playlist add here.

Track Listing:
1. City of Nameless Faces (5:25)
2. Beneath Unworthy Presence (5:55)
3. BlackLight (6:51)
4. Higher Than My Fears (7:31)
5. Desideratum (6:09)
Album Length: 31:53

For more info:
Facebook.com/withinnostalgia
Instagram.com/withinnostalgiaofficial
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Juliet Ruin – Dark Water (EP) (2021)

November 6, 2020
by Asher
· EPKs · Juliet Ruin

EPK – Juliet Ruin – Dark Water (EP) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Jinjer, Infected Rain, The Agonist, Butcher Babies, Once Human, Killswitch Engage

EP Title: Dark Water
Release Date: March 26, 2021
Distribution: Distrokid

JulietRuin.com | Facebook | Instagram | Twitter | Youtube

Spotify | Bandcamp | Apple Music | Amazon

“We have created a listening experience that is definitively hard-edged, but catchy with lyrics you can shout in anger and also it leans positive on message. Overall, the band’s sound has evolved into heavier territory yet again. Completely switching to the lower tuned guitars, this EP does not have any backing vocalists on it as the previous efforts have, thanks to the massive improvements Jess Ruin has made in her harsh vocal techniques.

Juliet Ruin is recommended for anyone who enjoys heavy and melodic metal with powerful vocals, especially those who already have The Agonist, Jinjer, and Killswitch Engage in rotation.” – Juliet Ruin

“If you are a fan of the likes of JINJER, INFECTED RAIN, THE AGONIST and BUTCHER BABIES then the “Dark Water” E.P is one for you to check out. The E.P opens with the title track “Dark Water” as a ferocious riff creeps in as the rhythm section sounds away. From then the band are now in full swing as the very haunting sounding vocals coming in. The song leads to a sing along chorus with a cool lead line afterwards. When the breakdown hits the vocals add a sort of dreamy feel to it until the guitar solo sections kick in. Great way to start things off.” 8/10 – Metal Temple

““Dark Water” by JULIET RUIN is a great listen and one I really enjoyed. From listening the vocals have a lot of range as Jess goes from hauntingly clean to aggressive death growls. The band has a very modern sound that is filled with great riffing and killer grooves. The songs here are great and you can hear their influences at times too. This is a band that, from listening to this, sounds like they need to be experienced in a live setting and I would love to hear more from them in the future.” – Metal Temple

“As mentioned, Juliet Ruin is not a stranger to attention and praise and can expect a lot more with Dark Water. It is their most striking offering yet and with the new evolution in the band’s already potent sound, surely the first step to greater things.” – The RingMaster Review

“Bang your heads to the new EP by this amazing Canadian Modern Metal crew, reflecting a turn to darker sounds and grittier vocals while still preserving the spirit of what makes the band who they are.” – The Headbanging Moose

“Bloody love it! One of the best EPs I’ve heard this year so far. ” – Ever Metal

[Download EP Cover | Download EP Lyrics]

EP Title: Dark Water
Release Date: March 26, 2021
Distribution: Distrokid

Track Listing:
1. Dark Water (4:47)
2. Cosmic Vertigo (4:08)
3. Fake Stigmata (4:54)
4. Might (4:16)
EP Length: 18:06

EP Credits:
• Performed and written by: Juliet Ruin
• Produced by : Juliet Ruin and Diego Fernandez
• Mixed/Mastered : Diego Fernandez
• Artwork by : Brandy Black
• SOCAN Member
• Canadian Content: MAPL

Album and Live Line-Up:
Jess Fleming – Vocals
Kent Geislinger – Guitar
Wesley Rands – Guitar
Cody Reid – Bass
Jesse Bauman – Drums

Nominated for Metal Recording of The Year – Ugly Side – Edmonton Music Awards 2018

“Every band needs to find that element which connects them with a fanbase, and Juliet Ruin has done that early on in their career.” – PureGrainAudio

“Pre-album single “Spite” that features a Sprite logo is also reminiscent of “Cloud Factory” era Jinjer with an excellent vocal range on show. Blending riffs seamlessly with gravity defying leaps between sub-genres from classic Metal to Hard Rock to Metalcore, it’s a nice twist on the conventional approach.” – Metal Noise

“If you are into Halestorm, Jinjer, Killswitch Engage you are gonna fall in love with this group not just a bit. But madly and deeply! Grab a hold of this gem of a release on the 6th of September you aint gonna regret it , cos Juliet Ruin aint gonna “Ruin” ya day they are gonna make it !! ” – The Metal Gods Meltdown

“An album full of energy, fluid, strong! Aggressive! Powerful!! Continuous, forceful!” – Darkzen Dragon Metal Angels

“From hardrock, to metalcore and everythign in between, Juliet Ruin delivers a fun and interesting record with many sounds, attitudes and emotions.” – Heavy New York

“I have been really enjoying the heck out of this album” – Craank

“For what it’s doing, I concede that Old Stardust does its thing relatively well. The transitions between tracks are smooth and natural, especially from the moody In This Flawed Flyleaf Moment alt-metal of “FTW” into the by-the-numbers beauty vs beast metalcore of “Seasons,”” – Angry Metal Guy

“Seasons- A fascinating ride through a stygian underworld in a chariot of fire driven by a demigod like being that wields both the power of life and death. With Avenged Sevenfold style instrumental phrasing, powerful dual vocal combination, and an awesome 2 verse bridge, Seasons is a scorching hell-ride. If you have a god, commit your mortal soul to him (or her) before embarking on your journey through the seasons of the underworld.” – Ginger Approved

“Juliet Ruin’s sound is comparable to a muddier version of Alexisonfire, with Ruin guiding the songs with her powerful voice while being backed up by Geislinger’s harsh screams and growls…. Juliet Ruin has been gaining more recognition after every concert with its single “Rogue Down” receiving a nomination at the Edmonton Music Awards.” – Vue Weekly (2017)

“Search no further than the Juliet Ruin playbook, it’ll teach you a thing or two. Their hard work and dedication are clearly paying off, and I predict that it won’t be too long until they become a commercial success. Yes, I’m willing to wager on it.” – Ravenkin Photography (2018)

Band Fun Facts
1. Juliet is Jess’s middle name and “Juliet Ruin” was a potential stage name she wanted to use one day. When the members forming the band heard that when deciding on a name it was decided that would be a perfect name having her as the front woman.

2. When Cody Reid joined the band in 2017, Juliet Ruin was in the middle of recording the debut EP. The plan was for Kent to do all the bass work but Cody was so gung ho he managed to nail down the material well enough to be ready to track it within just a few days. And he did a much better job than Kent would have.

3. When Juliet Ruyin played with Jinjer in Calgary they were doing their best to be very polite and stay out of the way of the main bands and crews. So polite to the point where Jess and Jesse got scolded by an exasperated crew member for saying sorry too many times.

4. Kent and Jess formed Juliet Ruin from the ashes of their previous project Fiction of Fate. This band’s style is like a precursor to Juliet Ruin and its music can be found on various streaming services.

L-R – Cody Reid – Bass and Backing Vocals, Kent Geislinger – Guitar and Vocals, Jess Ruin – Lead Vocals, Wesley Rands – Guitar, Jesse Bauman – Drums

Photo Credit to Dana Zuk Photography

Juliet Ruin was formed in 2015 from the ashes of a previous project Fiction of Fate with the desire to fuse metal sound with clean technical vocal stylings in a way that is both beautiful and beastly.

Clean and spirited, Juliet Ruin is comprised of Jess Ruin (lead vocals), Kent Geislinger – (guitar/backing vocals), Wesley Rands (guitar), Cody Reid (bass/backing vocals) and Jesse Bauman (drums); creating an original sound chock full of catchy hooks that convey a fresh and emotive feel to their heavy music.

Juliet Ruin took the obligatory first step with their debut self-titled EP in 2017 and quickly made their way through the local scene, captivating audiences with high-energy interactions that evoke emotion, vulnerability and power over various local gigs and appearing at several festivals over their flourishing career.

The next exciting step for Juliet Ruin was the release of their first full-length album ‘Old Stardust, Love and Chaos’ in 2019 that showcased more technical and heavy instrumentation, including some dabbling in low tuned 7 string guitars. The lead vocals also on that release increased in volume of screams and clean techniques with complimented pop-esque power vocals.

Fast-forwarding to 2020, the age of Covid, things have been tough, no touring, no fans to perform in front of, but not seeing it as a lost cause, Juliet Ruin came together to do what they do best, uniting their love for the music and writing new bangers for current fans and new ones to come. Juliet Ruin is very excited to be kicking off 2021 with a new EP “Dark Water” with the first single off the record and title track to be released during November 2020.

Discography:
2021 – Dark Water – EP
2019 – Old Stardust, Love, and Chaos – LP
2017 – Self-Titled – EP

Shared Stage with:
Jinjer, The Browning, Sumo Cyco, Royal Tusk, The Agonist, Wednesday 13, The Veer Union, Into Eternity, Sovereign Council, Ninjaspy, Shark Infested Daughters, Tessitura, Tides of Kharon, Black Friday, Solborn, Protosequence, Process, Bastian, WMD, New Jacobin Club, Forsaken Rite, Van Halst, Anarcheon, Kosm, The Myopia Condition, Tartar Control

Tour and Festivals:
2019 – Loud As Hell – Drumheller, AB
2018 – Days of the Dead – Red Deer, AB
2018 – Screamfest – Saskatoon, SK
2018 – Loud as Hell Festival – Drumheller, AB
2018 – Metalocalypstick Fest – Lone Butte, BC
2017 – Days of the Dead – Red Deer, AB
2017 – Metalocalypstick Fest – Lone Butte, BC
2017 – CEMR Fest – Calgary, AB
2016 – Metalocalypstick Fest – Valemount, BC

Awards:
2018 – Edmonton Music Awards – Nominated for Metal Recording of The Year – Ugly Side

Quick Facts:
EP – Old Stardust, Love, and Chaos debut #11 on the iTunes metal chart.
Bassist Cody Reid endorsed by Nordstrand Audio

Drummer Jesse Bauman endorsed by Attack Drum Heads and Los Cabos drumsticks.

0 King Ov Wyrms Have Punishing New Single “Lechery” Out Off “Lord Ov Thornes”, Track Premiere via TheCirclePit

November 6, 2020
by Asher
· King Ov Wyrms · Music News

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Morbid Angel, Bloodbath, Enthroned, Vader, Dark Funeral

King Ov Wyrms Have Punishing New Single “Lechery” Out Off “Lord Ov Thornes”

Track Premiere via TheCirclePit

“Lord Ov Thornes” Out November 20th

King Ov Wyrms comes from Tucson, Arizona and with them, brings a wave of old school death metal, intertwined with black metal, an abusive assault of aggressive music exemplified in the new album “Lord Ov Thornes” arriving on November 20, 2020.

The latest single off this upcoming release is “Lechery”, the first song that Michael Sanchez wrote under the moniker King Ov Wyrms. Sanchez cites his inspiration that comes through in the upcoming offering:

“I’ve always been a big fan of old school death metal and black metal, the pure intensity and the power it holds has always grabbed my interest. A lot of influence I drew while writing this material came from the music I listened to as a teenager which was a lot of 80s thrash metal and death metal, the satanic and brooding content of black metal, and even a bit of tech-death simply because of just how overwhelming it could be at times.”

In a spell of writing, Sanchez was unsuccessful in finding a vocalist to fulfill the vision for the album, and this is the first time his vocals have been recorded. The result is a non- stop assault on the senses, no-frills, just a pure old school death metal onslaught.

The lyrical contents for the single changed about three times before Sanchez ended up deciding on just exploring the gluttonous side of sin and ultimately lechery.

Recommended for fans of Enthroned, Vader, and Dark Funeral, King Ov Wyrms will no doubt intrigue metal fans around the world with this debut.

The third single “Lechery” can be heard via its premiere on the TheCirclePit’s YouTube channel HERE.

The debut album “Lord Ov Thornes” comes out on November 20, 2020.

Previous singles “Thorne Bearer” and “Threnody” are available for download on Kingovwyrms.bandcamp.com and stream on YouTube, Spotify.

Track Listing:
1. Threnody (5:48)
2. The Great Sleeper (7:31)
3. Hell’s Breathe (5:40)
4. From Below (5:51)
5. The Maggots That Crawled From The Wounds (8:57)
6. Lechery (4:24)
7. Thorne Bearer (4:18)
8. Ascendance Of A Continual One (8:53)
Album Length: 51:26

For more info:
Facebook.com/KingOvWyrms
EPK

About:

King Ov Wyrms is homage to classic death and black metal acts of the late ’80s/early ’90s with a touch of modern aggression.

Formed in Tucson, AZ. King came from the want of a more aggressive act when the main band of Michael Sanchez, Pain Patterns, started taking its roots in early 2015. He loved the music he was creating but felt that the band couldn’t fulfill his desire for a purely aggressive musical venture.

The project went through many different lineup changes only to be consistently held together by Sanchez. Having studied classical music and jazz to a degree while growing up, it gave him the tools to write comfortably on his own even in the concept of metal music. He starts out with a basic riff or a small melody line off of a piano and just adds on and on until it manifests into some sort of abomination of sound.

In early 2020 upon Sanchez’s departure from the power metal act Judicator, he decided to pull King out of hiatus but only as a solo effort to produce a full-length album. Over the span of several months, Sanchez was able to completely record all of the songs previously written for King as a full lineup, this time all the music was performed and written solely by him.

King Ov Wyrms will release its debut album “Lord Ov Thornes” on November 20th, 2020, and it will feature lyrical themes encompassing the occult, and a deep love for Lovecraftian horror.

– 30 –

“Fury does indeed radiate from the music in violent waves. The song (Thorne Bearer) takes flight through rapid-fire drum battery and deep, dismal, heaving tremolo’d riffing that climbs and flares in manifestations of madness and misery, and squalls in blasts of vicious, mauling cruelty. Sanchez contributes his own vocals to the melee, venting horrid growls and scorching screams, which add to the music’s enraged and ferocious striking power. The song’s urgent pace never relents, but the drum patterns morph, as do the riffs, which feverishly squirm and flail as well as jolt and jar in savage, pulsing fashion. The jet-fueled energy and barbarous intensity of the music are both intense and captivating, and they’re joined in the red zone by sensations of rage and maniacal menace.” – No Clean Singing

—

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0 FUCK THE FACTS Reveal Next Track “Everything I Love Is Ending” Off Upcoming Album “Pleine Noirceur”, Song Premiere via Consequence Of Sound

November 6, 2020
by Asher
· Fuck The Facts · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

FUCK THE FACTS Reveal Next Track “Everything I Love Is Ending” Off Upcoming Album “Pleine Noirceur”

Song Premiere via Consequence Of Sound

New Album “Pleine Noirceur” Out Nov 20th via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

Fuck The Facts return in 2020 with a new album entitled “Pleine Noirceur” due out November 20th via their very own label Noise Salvation. The full length comes five years after they unleashed their Juno nominated “Desire Will Rot”. “Pleine Noirceur” continues right where the band left off, offering up another slab of their patented “bastardized” grindcore full of all the twists and turns that fans have come to expect. With only a few weeks left before it officially drops, the band is revealing the next single off the record. “Everything I Love Is Ending”, is the second song the band wrote during their break between albums, it exploits the classic grindcore dichotomy between sludgy and grindy.

Teaming up with Consequence of Sound, Fuck The Facts is premiering the stream for “Everything I Love Is Ending” HERE.

The unapologetic, experimental album probably needs a few listens in order to fully enjoy. Put on some noise-canceling headphones, choose your drug of choice, close your eyes, and enjoy.

Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, “Pleine Noirceur” will be available in several different formats on November 20, 2020.

Album Pre-order HERE.

Spotify playlist add HERE.

Previous Singles:
“Ailleurs” – YouTube (Music Video)
“Pleine Noirceur” – YouTube (Music Video)
“Dropping Like Flies” – YouTube

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

– 30 –

“Fuck the Facts is one of the most prolific grind-based bands in Canada’s big, weird extreme music scene.” – Noisey

“avant-garde grindcore road warriors…boundless chaotic energy and unrestrained sense of experimentation. – Exclaim

“FUCK THE FACTS brings a strong collection of extreme metal tunes, often technical and scathing, sometimes grindy and with just enough melody to digest without heartburn.” – Blabbermouth

“explosive and ferocious” – Metal Sucks

“Fuck The Facts aren’t your average grindcore band.” – No Clean Singing

“Canadian grindcore hurricane” – CVLT Nation

“It’s impossible to deny that the grindcore-meets-death-metal hybrid sound they’ve created” – Lambgoat

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Florida’s NoSelf New Single “Resistance” Off Upcoming Album “Human-Cyborg Relations: Episode III”, New Album Coming 2021 via Zombie Shark Records

November 6, 2020
by Asher
· Music News · Noself (Zombie Shark Records)

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Korn, Deftones, Nothing More, Spineshank, 36 Crazyfists, Adema

Florida’s NoSelf New Single “Resistance” Off Upcoming Album “Human-Cyborg Relations: Episode III”

New Album Coming 2021 via Zombie Shark Records

Florida alternative metal outfit NoSelf have released their powerful new single “Resistance” produced by Matt Johnson at Revelation Studios. The song will be featured on the band’s upcoming album “Human-Cyborg Relations: Episode III” due out in 2021 via Zombie Shark Records.

The band comments on the track:

“We are really excited for our new single, “Resistance”. 2020 has hit the music scene hard and we are stoked to be able to put out some new music. The song itself is about the emotional road you travel when a loved one is dealing with substance abuse.”

The single “Resistance” can be heard on YouTube, Spotify.

NoSelf first inked a worldwide distribution deal with Zombie Shark Records in 2017, founded by Noah “Shark” Robertson (Motograter/Jeffrey Nothing/The Browning); shortly after releasing ‘Human-Cyborg Relations: Episode I’ and later ‘Human-Cyborg Relations: Episode II’ in 2019. The band is putting a modern twist on the nu-metal genre, similar to bands like Cane Hill, DED, My Ticket Home, and Issues. The group is heavily influenced by bands like Deftones, Spineshank, Adema, Nothingface, and Korn.

In regards to NoSelf’s third full-length release “Human-Cyborg Relations: Episode III”, Robertson comments:

“The Trilogy is complete! I’m really proud of what Zombie Shark Records and NoSelf have been able to accomplish together. The future’s looking bright! Look out for much to come in 2021!”

NoSelf is:
Dylan Hart Kleinhans
Justin Dabney
Drew Miller
Glenn Desormeaux

For more info:
NoSelf.net
Facebook.com/noself
Instagram.com/noself_official
Twitter.com/noselfofficial
Zombiesharkrecords.com

– 30 –

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Jon Asher – Music Publicist
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asher[@]ashermediarelations[.]com
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0 Out Now On Orange Vinyl + CD – Canadian Thrash Legends ANONYMUS’ First Spanish Album “La Bestia” + New Live In Studio Video “La Bestia”

November 6, 2020
by Asher
· Anonymus · Music News

NEWS RELEASE

Montreal, QC – November 6, 2020

For fans of Slayer, Testament, Voivod, Lamb Of God

Out Now On Orange Vinyl + CD – Canadian Thrash Legends ANONYMUS’ First Spanish Album “La Bestia”

New Live In Studio Video “La Bestia”

L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)

Photo Credit: Dani Rod

Canadian thrash legends Anonymus unleashed their 12th studio album “La Bestia” via label Bam&co Heavy this past June. With the end of the year nearing, the band is ready to share with fans physical copies of the full-length, now available on orange vinyl and CD as of November 6th, which can be ordered at the following link HERE.

The band adds:

“We are very happy to finally release ‘La Bestia’, we’ve added some special features when you order the vinyl that includes a 4X4 patch, 4×4 sticker, 11×11 poster, a random guitar pick from one of the axe players along with CD too with it.

We also can’t wait to hit the road to kick ass on tour once this era of Covid is over. While we wait, we have plans to release another music video, drum, and guitar playthrough plus we’re working on our next album to follow.”

In addition to “La Bestia” being available on vinyl and CD, the band is celebrating the physical release by sharing their latest live in-studio video of the album’s title track, which can be viewed on YouTube.

Known for their discography of both French and English releases, “La Bestia” is the first full length that the band offered up to metal fans that is completely in Spanish. Many metalheads and critics asked the most relevant question, why an album in Spanish? The answer… since Drummer Carlos Araya is Chilean born, and Oscar (lead vocals and bass) and Dan Souto (guitars and backing vocals) are sons of Spanish immigrants, it was only inevitable to make a record in that language that 3/4 of the band is fluent in.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE.

And for the beer lovers out there, Anonymus also launched their own IPA beer (La Microbrasserie Le Fermentor), named in honour of their first Spanish release. Info here.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK

About:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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