Type: video

0 Washington D.C.’s Aaron Holt Shares Lyric Video “Set Free Your Sorrow” Off Forthcoming Album “In The Palace”

January 7, 2021
by Asher
· Aaron Holt · Music News

NEWS RELEASE

Montreal, QC – January 7, 2021

For fans of Dream Theater, Tremonti, Rush, Avenged Sevenfold, Porcupine Tree

Washington D.C.’s Aaron Holt Shares Lyric Video “Set Free Your Sorrow” Off Forthcoming Album “In The Palace”

Releasing the first single “Set Free Your Sorrow” this past December from the upcoming 2021 album “In The Palace”, Aaron Holt is sharing with prog fans the lyric video for the track, which can be viewed and heard on YouTube HERE.

“Set Free Your Sorrow” is the first song on the forthcoming album and a fantastic stage set for what is to follow. Like many people going through an incredibly rough time in 2020, this song was written as motivation to “loosen the ties, set free your sorrow”.

The soundtrack to these lyrics portrays the dark and heavyweight that many people carry around on themselves. With so many things going wrong, there has to be some sort of direction we can all look towards to ensure a happy ending. The rest of the album features lyrical ideas around this and follows through letting go of the agony we all have trapped inside. The band really explored creating darker sounds out of their instruments, graduating to more full time 7 string guitar parts, large recording spaces, and soaring vocals mixed nicely on top. Holt comments on the album:

“I think anyone who has heard my work before will be pleasantly surprised at the results we’ve managed to create in the more non-ideal recording locations. I strived to focus more on writing towards a mindset around “no one cares about the snare on a song that no one wants to listen to”. We really just tried to flip the production phase more from sounds and tones to the actual material that’s being performed on the instruments and as a whole in the group. I was constantly chasing that catchy riff, melody, or rhythm.”

Natural, authentic and heavy, “In The Palace” will be the third from Aaron Holt, following “My Burdened Mind” (2018) and “The Unknown” (2017). Aaron Holt is recommended for fans of Dream Theater, Tremonti, and Trivium.

The single “Set Free Your Sorrow” is available on all digital platforms at the following link: https://distrokid.com/hyperfollow/aaronholt/set-free-your-sorrow

“In The Palace” will be ready for ears in 2021 (release date to be revealed at a later date).

Track Listing:
1. Set Free Your Sorrow
2. Castles In My Skies
3. Once Again
4. Fortress In My Mind
5. Entrapped
6. The Other Side
7. Trapped Inside
8. Eternally

For more info:
Facebook.com/aaronholtmusic
Instagram.com/aaronholtartist
EPK

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About:
Aaron Holt’s musical journey started on the George Mason University campus where he was asked to play bass guitar for a local church’s grand opening. It was there that he met drummer and percussionist TJ Maistros who would grow to become a lifelong friend and amazing collaborative partner.

The album My Burdened Mind was a very long and labored writing, recording, and mixing project that ended up taking way longer than originally estimated to create the finished product at 47:36 minutes. The long story short is that the album My Burdened Mind was another grand learning experience for Aaron as a producer especially in terms of recording source material that was worthy of being shared with the world.

After the album’s release, vocalist Eric confirmed he would no longer participate in the project and would not want to participate in any live shows. Short of a bassist and vocalist Aaron and TJ anxiously sat on the release and hoped that anyone would listen. Enter album 3, the endeavor where Aaron is truly making every effort to improve upon everything he didn’t quite get right before.

He signed on the incredible help of local vocalist Sujit Kumar who in his own right stands on pretty high shoulders in the local DC music scene as well as making a name for himself across the globe. Sujit agreed to meet and record a few demo tracks, one older song that Eric originally recorded and another new song that would eventually go on to be the single “Set Free Your Sorrow” for a full-length album.

Fast forward to 2020 and Aaron with the immense help of TJ and Sujit has completed a 3rd album clocking in at 58 minutes with 10 songs. The production is solid, all instruments hold their own, and everyone listening has great smiles on their faces with absolute relief that everything has come together so well and polished compared to older works. The new album “In The Palace” features a lot of emotional baggage associated with past relationships, differences in opinion among close friends, thoughts on dealing with incredibly stressful daily life, and also a bit of fantasy writing as well in the longest prog ballad written by the group to date. You can expect to hear a large mix of guitar-oriented music such as straight-ahead rock, classic metal riffs, and intricate progressive lines that flow through each section seamlessly.

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0 Alexi Laiho Tribute Video Posted by Members of Immortal Guardian, Helion Prime, Oceans of Slumber

January 7, 2021
by Asher
· Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – January 7, 2020

Alexi Laiho Tribute Video Posted by Members of Immortal Guardian, Helion Prime, Oceans of Slumber

The metal world was shocked and saddened earlier this week by the news of the passing of metal guitar legend, Children of Bodom’s Alexi Laiho. As one of the most influential guitarists of his generation, the loss of his unquestionable impact is felt around the globe by metal musicians who he inspired.

Members of Immortal Guardian are just a few of those who admired and were impacted by Laiho‘s musical leadership.

In recognition of his monumental career and effect on them as fans and songwriters, Immortal Guardian guitarist Gabriel Guardian, vocalist Carlos Zema and drummer Justin Piedimonte along with friends Mary Zimmer (Helion Prime), Semir Özerkan (Oceans of Slumber), and Rex VanCandy are sharing a tribute video covering Children of Bodom’s track “Downfall”.

Gabriel Guardian comments:

“This is our tribute to one of the greatest metal guitar players who ever lived: Alexi Laiho. This man influenced me in ways no other guitar player ever has. Alexi set the bar for all of us! Him and Santana are my top 2 favorite guitar players of all time. I watched all his live videos/DVDs religiously as a kid and was so influenced by all the legendary music Children of Bodom and Sinergy made to be like them. Those dual guitar/keyboard leads set the vibe/bar for me for many many years learning how to play music. I’m so sad to see the world has one less guitar legend. His music helped me get through some of my darkest days and he inspired me to make metal music from day one.

Big thanks to my friends who collaborated with me to make this tribute happen. We are all Bodom fans and had so much fun making this video. We are all so saddened by the news and we coped with it by doing what we do best, playing music. I hope where ever Alexi is, he can hear our tribute and feel the infinite amounts of love all his fans have for him. Until we meet again… RIP Alexi Laiho (WildChild)”

The video can be viewed on YouTube here.

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

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0 Plague Weaver Prepares An Unholy Crusade With “Nothing Is Sacred” Off Upcoming Album “Ascendant Blasphemy” Out Feb 26th, Lyric Video Premiere via MetalInjection

January 6, 2021
by Asher
· Music News · PlagueWeaver

NEWS RELEASE

Montreal, QC – January 6, 2021

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Plague Weaver Prepares An Unholy Crusade With “Nothing Is Sacred” Off Upcoming Album “Ascendant Blasphemy”

Lyric Video Premiere via MetalInjection

Album “Ascendant Blasphemy” Out Feb 26th, 2021

Canada’s Plague Weaver embodies the frigid national landscape in their upcoming album “Ascendant Blasphemy” due to be unleashed in early 2021.

The first single from this formidable black metal act is the album opener, “Nothing Is Sacred”. This song starts off with a low-mid tempo, as it attempts to welcome the listener. The track quickly explodes into the verse sections with a faster tempo and more energetic vocals. The bridge introduces some extra guitar leads, and prepares the listener for the repetitive outro vocals, repeating the phrase ‘Nothing is Sacred’. Let it be done.’ Plague Weaver shares their expectations for the record’s reception:

“We think fans who have heard the previous EP will enjoy this album. ‘Ascendant Blasphemy’ is an evolution, no doubt. Definitely more aggressive, and more riff-driven overall, without abandoning Plague Weaver’s doom-inspired roots on songs like ‘In Exitium Caeli’ and ‘..of Quivering Doves’.”

“Ascendant Blasphemy” is a sure shot in its musical direction. It’s a journey from start to finish that is not without its own heaps and valleys. Vocalist JC explains that the lyrics are a loose concept that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional idea he has been throwing around for a while.

Punishing and grim, Plague Weaver is ideal for old school black metal fans and those who are particularly fond of Dissection, Rotting Christ, and (old) Samael.

“Nothing Is Sacred” can be heard via its premiere on MetalInjection HERE.

The entirety of “Ascendant Blasphemy” will be revealed on February 26, 2021.

Album pre-order via PlagueWeaver.bandcamp.com

Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

More Info:
Facebook.com/plagueweaver
Instagram.com/plagueweaverband
Twitter.com/plagueweaver
EPK

About:

Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.

Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.

“Ascendant Blasphemy” is due out February 2021.

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“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing (2020 Review – Through The Sulfur Eyes)

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple (2020 Review – Through The Sulfur Eyes)

“Through The Sulphur Eyes takes the best from Death, Black and Post Black and uses that metallic cocktail shaker from hell to greatest effect. The outcome is a fiery Extreme Metal piece that made us go for seconds a few times in a row. A true, blazing hot slab of alloy that will please the sturdiest of metalheads.” – Rock Music Raider (2020 Review – Through The Sulfur Eyes)

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles (2020 Review – Through The Sulfur Eyes)

“Through crawling malignancy is how Plague Weaver approach their art, and these songs are filled with grim mood and malevolent auras” – Indy Metal Vault

“There’s a darkness running throughout Through the Sulphur Eyes that is quite powerful… The riffs are weighty, drenched in a toxic malaise, yet also possessing the razor-sharp cutting edge of underground black metal. It’s a captivating combination, that moves forward at a steady, relentless pace. What really lingers though is a feeling of uncleanliness; this music is corrosive, carrying with it a taint of infection and, well, plague.” – The Sound Not The Word (2020 Review – Through The Sulfur Eyes)

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0 Malice Divine Debut Single “In Time” Off Forthcoming Self-Titled Album Out February 19th, Single Premiere via NoCleanSinging

January 6, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 6, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Debut Single “In Time” Off Forthcoming Self-Titled Album

Single Premiere via NoCleanSinging

Self-Titled Album Out February 19, 2021

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Hailing from Toronto, Canada, one-man act Malice Divine is revealing the debut self-titled, full-length release coming February 19, 2021. Today, the first single “In Time” premieres on NoCleanSinging HERE.

Empowering and assertive, a lot of lyrical content found in Malice Divine’s work comes from a personal place and is a catalyst for overcoming struggles. The music is his personal take on an amalgamation of the styles that bands of the past have already pioneered. The styles of bands such as Dissection, Death, Wintersun, Immortal, etc. have been blended together to result in a pretty unique take on the melodic black and death metal genres. Ric Galvez explains in his own words:

“The listening experience I am trying to give the fans with this album is a highly dynamic one that maintains the listener’s interest with hard-hitting riffs, catchy and aggressive vocals, epic guitar solos that range from being very melodic to an all-out frenzy of shred, and the occasional moments of beautiful and captivating classical guitar sections.”

The single “In Time” is one of the darkest songs on the album along with “Into Subconscious Depths”, while still retaining a strong sense of catchiness. Lots of lead guitar work throughout the song, probably more so than any other song on the album. The second half of the song is quite a bit different than the first half. There’s also a very dark classical guitar section at the end of the song.

Most of the album’s music was composed while Galvez was a member of Astaroth Incarnate as well as a music major at York University. After Galvez parted ways with Astaroth Incarnate, he finished the rest of the album by writing the guitar solos and the lyrics.

Malice Divine is recommended for metal fans of all varieties especially those who are fans of Dissection, Skeletonwitch, and Death.

The single “In Time” will be available on all digital platforms on January 8, 2021 here.

The full album “Malice Divine” drops on February 19, 2021.

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, spirituality, and divination, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

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Jon Asher – Music Publicist
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0 FUCK THE FACTS Team-Up With Director David Hall For New “Dropping Like Flies” Music Video

January 6, 2021
by Asher
· Fuck The Facts · Music News

NEWS RELEASE

Montreal, QC – January 6, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

FUCK THE FACTS Team-Up With Director David Hall For New “Dropping Like Flies” Music Video

Video Premiere via MetalSucks

New Album “Pleine Noirceur” Out Now! via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

Unleashing the latest slab of their patented “bastardized” grindcore with their new album “Pleine Noirceur” this past November, Fuck The Facts have a new music video for the track “Dropping Like Flies”. The song is a face-punching, fist-pumping smorgasbord of 90’s death metal, crust punk, and weirdness. Lyrically, the track was written by vocalist Mel Mongeon to tackle the reality of drug addiction and the opioid epidemic in certain parts of Canada pre-covid times.

“The infection is spreading
Like a field infested with insects, with pests that multiply
Unable to treat the infection, it’s becoming larger…

…We hear you say you’re concerned, that you understand
But nothing is done
State of emergency; where are the resources?
It’s all talk
Help isn’t on the way

Communities will remain under strain
Pushed to the breaking point
Everyone is scrambling to save lives
As long as you feel their lives do not matter, they will keep dying”

Fuck The Facts has once again teamed up with director David Hall, who has been making videos for each of their albums since the release of “Stigmata High-Five” back in 2006.

“His unique approach to making videos has always been inspiring to us and we’ve always given him carte blanche (just watch our video for “Everywhere Yet Nowhere”). For the “Dropping Like Flies” video Dave manages to give the viewer an uncomfortable and satirical look at the devastating opioid epidemic. Highlighting just how much this issue is not taken seriously enough.” says FTF’s Topon Das.

Director David Hall adds:

“The main inspiration for the video for “Dropping Like Flies” came directly from Mel’s lyrics. She eloquently sings about addiction as an epidemic and society’s response: “help isn’t on the way.” I wanted to present a vision of hopelessness, the brutal ravaging of addiction, the pervasiveness of prescription meds, the economic forces that conspire, and show some faces not commonly presented as addicts: white people, senior citizens, the middle and upper class. Addiction transcends all demographics. God sends flies to wounds he should heal. Pills rain down from heaven.”

The video for “Dropping Like Flies” can be viewed via its premiere on MetalSucks HERE.

Fuck The Facts has amassed a respectable discography over the years, and the new offering of “Pleine Noirceur” joins the 7 LPs and 6 EPs released to date. The considerable amount of time the band has been working together shows in the natural chemistry that courses through each of the 12 tracks. Fuck The Facts comments on the album:

“We took a long break before working on this album, I feel like it’s a collection of bits and pieces; old and new, short and long. It’s us working back into the groove, just in time for a pandemic. This album also could have easily been 3 EPs, you really have to listen to the whole thing in order to fully enjoy it. It opens the door for what is next.”

Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, Fuck The Facts‘ new album “Pleine Noirceur” is available in several different formats listed below.

Album Stream – YouTube
Spotify playlist add HERE.
Album order HERE. (CD, Vinyl, Cassette, Digital)

Track Listing:
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

About:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.

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“The album opens with arguably the best Fuck the Facts song of all time in “Doubt, Fear, Neglect” — a song with some of the heaviest riffs ever made by the band… Fuck the Facts’s Pleine Noirceur is the most perfectly heavy record one could ask for. For a band that has been together for over 20 years, Fuck the Facts continue to make some of the most important heavy music around, and Pleine Noirceur is their finest achievement to date.” – Exclaim!

“It’s no secret I love the Canadian death/grinders in Fuck The Facts, and I couldn’t be happier to hear after 5 years of radio silence, they’re back and better than ever! Their new album, Pleine Noirceur, is set for release on November 20th via the band’s very own Noise Salvation label and today we’re premiering the title track off the release. It’s as vicious as it is warm and heartfelt, twisting and turning with new surprises while retaining the FTF brand we love over the years.” – Metal Injection

“Instrumentally, Pleine Noirceur is crushingly heavy but full of melody and atmosphere and unexpected twists and turns, and vocally, Melanie Mongeon is at her most emotive. These are soaring, impassioned songs that really make you feel something.” – Brooklyn Vegan

“The first thing that will strike you about Pleine Noirceur is just how fucking big it sounds; the production on this record is absolutely thunderous, boasting a crisp, punchy sound and one of the most rich, full-bodied guitar tones they’ve ever had.” – The Quietus

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0 Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

January 5, 2021
by Asher
· Maudiir · Music News

NEWS RELEASE

Montreal, QC – January 5, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

Single Premiere via NoCleanSinging

New EP “La Part Du Diable” Out February 19, 2021

Coined as ‘blackened thrash metal’ F of Maudiir takes advantage of complete creative control and effortlessly moves between styles, adding infusions of punk, focused guitar solos, and clean production to the classic black metal vocals and chunky bass riffs.

The first single “The Slumber” off Maudiir forthcoming 2021 EP “La Part du Diable” starts on a big bass riff flirting with drone guitars and explodes into an epic instrumental black metal section. The song is about the worst personality traits we have seen awaken in some people, and that might have stayed dormant if not for the current situation. Maudiir comments on the EP as a whole:

“I had great reviews for the first EP “Le Temps Peste”. I think the new EP “La Part du Diable” expands on the first one and brings more progressive elements to the songs. I also managed to get the bass guitar at the forefront of the songs, which is not so common in modern metal, so I’m really happy about that. All in all, it’s a pretty interesting and unique listen.”

Creating an intensely dark sound, “La Part du Diable’‘ was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. This second offering from the band goes in a slightly more progressive and thrash direction than the first, F has also added distortion to the bass guitar giving a Voïvod-esque feel to the songs. It’s a riff-driven EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

Recommended for fans of Skeletonwitch, Darkthrone, and Voivod, “The Slumber” can be heard via its premiere on NoCleanSinging HERE.

The single will be available on all digital platforms on January 8, 2021 and the full EP “La Part du Diable” is out on February 19, 2021.

Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Bandcamp
EPK

About:

Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released their debut EP “Le Temps Peste” during February 2020 and now returns exactly a year later with the follow up “ La Part du Diable”
due out February 19, 2021.

Creating an intensely dark sound, “La Part du Diable” was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. It’s a riff-driven EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

“I would say that with “La Part du Diable”, I’m going into a slightly more progressive and thrash sound than on the first EP. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs.”

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

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“Touches of punk add attitude to these five angry and aggressive pieces of blackened thrash metal and make it an impressive debut EP” – Loud Enough? Magazine

“Some really great tracks and precise playing makes this debut EP a note worthy event” – Absolute Underground Magazine

““Le Temps Peste” is overall an engaging listen that, as it progresses, gets even better and more complex, gradually easing you into the building mood and feel of the EP, the first couple of tracks “Product” and “Abuse The Used” build on bleak Blackened driving riffs alongside a vitriolic rasping vocal delivery, the latter also benefiting from more of a haunting melody developing, a galloping Thrashy second half and soaring lead work which really adds to the sound.” 4/5 – The Metal Wanderlust

“Métal de bord en bord, ce projet fait partie de ceux dont les sonorités sont parfaitement heavy, mais ô combien inclassables, où se mêlent habilement les influences et saveurs auditives les plus diverses. Avec Maudiir, on fusionne avec brio black, thrash et death mélodique, avec une touche de métal classique et de NWOBHM dans les acérés riffs. Le temps peste inclut tout plein de riffs aussi corrosifs que galopants, qui rendraient très fiers autant un prêtre traître qu’une vierge de fer, risquant très bien de vous donner un sale mal de cou.” – BoulevardBrutal.com

“En tous les cas, F. ne s’enfonce pas dans l’erreur des artistes qui bossent en solo, à savoir, s’enfermer dans leur monde et devenir hermétique à l’oreille lambda. Sa musique est bien orchestrée ; même si elle fait appel à du déjà connu, elle tient la route et on y aime y retourner plusieurs fois. Il y a, à la fois de l’agressivité, de la noirceur, mais aussi de la fluidité dans ce metal un peu vieille école, mais bien vivant!” – Metal France

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0 Follow The Shadow With Grimmreaper’s New Single “North Star” Off “The Tragedy of Being”

January 4, 2021
by Asher
· Grimmreaper · Music News

NEWS RELEASE

Montreal, QC – January 4, 2021

For fans of Trivium, In Flames, Meshuggah, Dragonforce, Devin Townsend

Follow The Shadow With Grimmreaper’s New Single “North Star” Off “The Tragedy of Being”

The third single leading up to the release of Grimmreaper’s debut album “The Tragedy of Being” is upon us; “North Star” comes forward as a cold, calculated, and meticulously crafted and can be heard via its premiere on SpaceUntravel’s YouTube channel HERE.

“The Tragedy of Being”, resulted from personal events in Logan Grimm’s life in which he saw his mind being blown to the cosmos, and found that he was drifting. In that drifting, this initial record was created. The drive to carry on against all odd is the theme for the single, as he explains:

“You need to rekindle yourself to move forward in life. Aim toward the highest thing you can conceptualize. You will not get it right the first time, but you must have an aim. You may think of aiming yourself towards a guide in the sky, the north star. But you’re not smart enough to know where the north star is, so you’ll aim for the south because of your ignorance. This is still a good path moving forward because you have decided to move. Your aim will come more into focus as you move.”

It has been a long process to get this solo record ready, and Grimm couldn’t be more excited to finally get it into the ears of metal fans everywhere. The album is a concept album that goes through the default conditions of life, tragedy, and suffering, and the options they present, nihilism and resentment, or transcendence and courage.

“The Tragedy of Being” is Grimmreaper’s debut album, and the solo project has been described as mixing technical styles like those of Dragonforce and Meshuggah with mainstream styles like Bullet For My Valentine and Five Finger Death Punch. It’s a dark record with many twists and turns, but never boring. The album is a journey through different tastes of metal, and while it’s meant to be enjoyed from start to finish, each song stands strong on its own.

The planetary and abstract album art represents the chaotic nature of the psyche, unknowable. Recommended for fans of Meshuggah, Dragonforce, and Devin Townsend.

The full release of “The Tragedy of Being” is out in March 2021.

Previous Singles:
“Catastrophe of the Tragic Melancholies” – YouTube
“Resent” – YouTube (Music Video)
Spotify

Track Listing:
1. Mind’s Mirrors Meshing Together
2. North Star
3. Prison
4. Resent
5. The Land I Will Show You
6. Catastrophe of the Tragic Melancholies
7. Road of Resistance
8. Happy Times
9. The Tragedy of Being

For more info:
Facebook.com/GrimmreaperOfficial
Instagram.com/grimmreaperusa
EPK

About:

Logan Grimm is an ambitious young artist seeking to take on the world, and the creator of Grimmreaper. He has developed an intense backstory for a multimedia project that explores the very human realities of tragedy and suffering, and the choices they present, from nihilism and resentment to transcendence and courage. In the process of this, he has crafted music that fuses the influences of highly technical bands like Dragonforce and Meshuggah with the work of more mainstream names such as Five Finger Death Punch and Bullet For My Valentine.

The project, which will start to see release in the early half of 2021, will center around an album entitled The Tragedy Of Being. The record explores noble and contemptible ways to respond to the conditions inherent to human consciousness. Since it is wholly a solo project, Grimm will perform on the record as each ‘band member.’ He will also represent each member in the videos released for the project, each hidden behind a black hood with a different appearance. The Tragedy Of Being will be accompanied by a documentary of the creation process featuring the twin personalities of the business-minded Logan and the poetic artist, Grimm. It will embody his sense of humor, split personas, and inspirations.

Representing himself as the embodiment of his lyrical themes, Logan Grimm has built a strong visual presence for the project. Instantly recognizable and endlessly ambitious, there are a lot of interesting twists and turns presented in the work of Grimmreaper. With a bright future painted before him featuring everything from forming a DIY label to endless touring, Logan Grimm has the ambition and the vision to match. Poised to be the next great force in metal, Grimmreaper look boldly into the future.

– 30 –

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Jon Asher – Music Publicist
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0 EPK – Jeff Pennachio – Setting The Stage (EP) (2021)

January 2, 2021
by Asher
· EPKs · Jeff Pennachio

Jeff Pennachio – Setting The Stage (EP) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Plini, Dream Theater, Trans Siberian Orchestra

EP Title: Setting The Stage
Release Date: January 22, 2021
Label: Self-Release
Distribution: Distrokid

Jeff Pennachio (wixsite.com) | Facebook | Instagram.com/voidboi2032

“You really have to admire what instrumental wizard Jeff Pennachio is doing on his new song, “Interposition”. A multi-instrumentalist that does indeed record every instrument himself (guitars, bass, drums, programming), his new solo EP Setting The Stage drops later this month… While relatively short at under 4 minutes long, the new song does a good job of offering what Jeff is all about – instrumental and progressive goodness that straddles the line between progressive rock and progressive metal with ease.” – New Fury Media

Jeff Pennachio – Photo Credit – Jason Checkla Photography

Jeff Pennachio comes from New York State in the USA and besides being known for his guitar playing in Design The Void, he is also releasing his own solo work.

Between 2016 and 2018 he wrote the solo material while in a cover group titled The Stay. The group did not steer in the direction so much of original music, but the inspiration was there to start composing music of this sort. He began working on the tracks as a small compilation for potential future work. After a couple of years had passed, Pennachio has finally taken the time to release this music to the public.

Pennachio writes and records all guitars, drums, bass, and orchestrations and will be continuing on composing music that takes inspiration from soundtracks. He also finds inspiration in bands such as Dream Theater, Plini, and Trans Siberian Orchestra. His debut solo EP “Setting The Stage” is due out January 22, 2021.

EP Title: Setting The Stage
Release Date: January 22, 2021
Label: Self-Release
Distribution: Distrokid

Track Listing:
1.Wilson Theater (5:29)
2.Interposition (3:34)
3.The Voyager (4:27)
EP Length: 13:32

EP Credits:
• All songs performed by: Jeff Pennachio
• All songs written by: Jeff Pennachio
• Produced by: Joshua Johnson
• Mixed by: Joshua Johnson
• Mastered by: Joshua Johnson
• Album Artwork by: Entruvia

Album Band Line Up:
Jeff Pennachio – Guitars, Drums, Bass, Orchestrations, Programming

0 EPK – Malice Divine – Self-Titled (2021)

December 29, 2020
by Asher
· EPKs · Malice Divine

EPK – Malice Divine – Self-Titled (2021)

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: Malice Divine
Release Date: February 19, 2021
Label: Self-Release

Facebook.com/malicedivineband | Instagram.com/malicedivineofficial | YouTube

Malicedivine.bandcamp.com | Spotify | Apple Music

Canadian College Radio Loud Charts:
#9 – National Loud Chart – For the Week Ending: Tuesday, May 4, 2021 (Earshot)
#6 – National Loud Chart – For the Week Ending: Tuesday, March 2, 2021 (Earshot)
#12 on Top 20 – National Loud Chart for February 2021 (Earshot)
#5 – National Loud Chart – For the Week Ending: Tuesday, February 23, 2021 (Earshot)
#3 – National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

“While “Triumphant Return” is one of the more upbeat tracks on the album, it’s still packed with deliciously heavy riffs, blast beats, and demonic vocals, all from the mind of Ric.” – Gear Gods

“Throughout, it is sufficiently complex and convoluted to keep your attention with no shortage of impressive leadwork bursts.There are several standout tracks for me, the insanely driving but majestic ‘Quantum Manifestation’, the dark and intense ‘Malicious Divinity’, the darkly melodic ‘Triumphant Return’ and the dark driving ‘In Time’ with its soaring leads. ‘Malice Divine’ should appeal to fans of Dissection, Immortal and Wintersun. With stunning cover artwork that reflects the colour and mood of that previously mentioned album, Dissection’s Storm of the Light’s Bane, hinting as to what to expect from the contents… This is yet another inspiring example of time during the COVID-19 pandemic being put to good use by a skilled and dedicated Metal musician.” – Metal Talk

“It’s a very impressive album and has to do a lot to catch my attention who isn’t into a ton of black metal. The songs are bigger, packed with more atmosphere and instrumentation (like the classical guitar interludes on this track) and are obviously heavy songs. This track (“Into Subconscious Depths”) is no different and takes no prisoners encompassing on a wild journey that will take you to places you never expected to.” – Technical Music Review

“Fans of death, thrash and black metal will find enough to feast on, with the likes of ‘Quantum Manifestation’ and ‘Malicious Divinity’ serving up a white-hot cornucopia of fast riffing and fretboard mania. The severity of Galvez’s harsh vocal delivery deserves mention here as an unexpected delight. His throat abrasions take the head voice of black metal and the rasp of a death metal guttural and always sound urgent and expressive… There’s no doubt Ric Galvez passes with flying colours as a multi-instrumentalist on his debut album.” – Scream Blast Repeat

“Whether it is in the form of a sharp, icy riff or expressive and flamboyant lead solo, Galvez knows what he is doing and delivers some juicy material in the process. I also love the inclusion of some classical guitar sections, albeit sparingly used to ensure maximum impact… In summary, ‘Malice Divine’ is an incredibly solid and charming record that I have liked getting to know in some detail. Ric Galvez is not the finished article by any means but the music on this debut solo effort demonstrates that he has the skill and talent to take this project even further and garner plenty more fans in the process. I have a soft spot for melodic blackened death metal and this is one of those records that firmly reminds me just why that’s the case.” – Man of Much Metal

“Malice Divine still has a solid mission statement of a debut album, with a composure to its songwriting and ear-catching nature to the riffs that should be a welcome addition to the collections of those who worship at the altar of old-school melodic black metal.” – Metal Bite

“The eponymous album is a mesh of black and death metals with a lot of impressive guitar work, including a guitar tone as crisp and clean as the rural winter air that invaded my Sanctuary of Sweat.” – Brutaltopia

“a shreddy melodic form of polished, surgical, blackened, technical death metal that’s in line with the likes of Inferi and such.” – Teeth of The Divine

“There’s just so much to enjoy in this one (In Time). Guitar solos? Check. Awesome death metal riffs? Check. Classical guitars? Also check. This is a really well-crafted track that will keep you engaged throughout it’s 8 minute runtime.” – Abrasive Noise

“Thrillingly speedy, highly emotional acoustic or melancholically indulgent – with MALICE DIVINE every note is in the right place and despite the overlong songs, there is never the slightest bit of boredom, because captivating, brilliantly presented Black/Thrash/Death with an experimental or slightly progressive flavor reigns here. This first (fire)work comes as a surprise and heralds the year 2021 with a bang!” – Nocturnal Hall

“MALICE DIVINE lays a playful elegance on the scales that suggests great things.” – My Revelations

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Malice Divine’s self-titled debut album is due out February 19, 2021.

Album Title: Malice Divine
Release Date: February 19, 2021
Label: Self-Released

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

Album Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez • Produced by: Ric Galvez & Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Lasse Lammert
• Album Artwork by: Pzycho Eka (Pzychopart)
• Canadian Content (MAPL)

Album Band Line Up:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

Discography:
2021 – Self-Titled LP

0 EPK – Plague Weaver – Ascendant Blasphemy (2021)

December 22, 2020
by Asher
· EPKs · PlagueWeaver

EPK – Plague Weaver – Ascendant Blasphemy (EP) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Album Title: Ascendant Blasphemy
Release Date: February 26, 2021
Label: Self-Release

Facebook.com/plagueweaver | Instagram.com/plagueweaverband | Twitter.com/plagueweaver | YouTube

Plagueweaver.bandcamp.com | Spotify | iTunes

“Through crawling malignancy is how Plague Weaver approach their art, and these songs are filled with grim mood and malevolent auras” – Indy Metal Vault

Download Album Cover | Download Album Lyrics

Album Title: Ascendant Blasphemy
Release Date: February 26, 2021
Label: Self-Release

Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

Album Credits:
• All songs performed by: Plague Weaver
• All songs written by: RM/JC
• Produced by: RM
• Mixed by:RM
• Mastered by:RM
• Album Artwork by: Gustave Dore
• Canadian Content (MAPL)

Album Band Line Up:
JC – voc
RM – guitars/bass/keyboards

Discography:
2019 – “Plague Weaver” EP
2020 – “Through the Sulphur Eyes” EP
2021 – “Ascendant Blasphemy” LP

=====================================================================

The album described as a whole by the band:
Ascendant Blasphemy is a pretty cold journey from start to finish. The album’s tracks are quite diverse in terms of tempo, and sonic tone. There are equal parts mid and fast-paced tracks, with a couple of slow, doomy ones near the end, to help bring everything to a close. This album confidently pulls the listener in a few choice directions. With confident composition, the instrumentals lay a framework for powerful, diverse, and seemingly uncontrolled vocals. The riff-driven style is bound to attract some death metal listeners in addition to BM heads looking for something grim to bang their heads to.

Track by track explained by the band:
1 – Nothing Is Sacred
The album opener. This song starts off with a low-mid tempo, as it attempts to welcome the listener. The track quickly explodes into the verse sections with a faster tempo and more energetic vocals. The bridge introduces some extra guitar leads, and prepares the listener for the repetitive outro vocals, repeating the phrase ‘Nothing is Sacred. Let it be done.’

2 – Lay Fire
‘Lay Fire’ is a great example of just how fast, mean, and cold Plague Weaver can be. The main riffs ‘run’ at a comfortable pace along with the vocals, eventually winding down into a darker, wider-sounding bridge, complete with ambient screams. This tempo and mood carry the song to its end.

3 – Blood Runs Not
This song is a mid-tempo crusher! A consistent blastbeat carries the main riffs, with vocals that creep slowly, maintaining a powerful tone that really aids the sonic space in the verse sections. The bridge is a slower, more punishing section. Vocals here were delivered especially raw. This part is revisited at the end of the song, with lyrics aiming to condemn someone/something – “Blood runs not. Your neck spills lies, instead.”

4 – Seek to Betray
Starting fast and grim, then transitioning to a satisfying mid-tempo roll. The two main riffs of this song compliment each other perfectly. The vocal writing and recording process was particularly fun. There are a lot of rhythms and tonal changes here that don’t show up in the other tracks.

5 – Upheaval and Arson
Another great fast-mid tempo song. This is one of the more exciting tracks on the album. Lots of power in the low growls, with the intention of creating a ‘sharper’ tone in the verse sections. These vocals are just angry. Musically, this song is one of the more satisfying ones. With trading riffs and a tasteful solo to help bring the track to a close, it stands with ‘Lay Fire’ and ‘Deicidal Usurper’ as one of the faster, meaner songs.

6 – ..of Quivering Doves
Hello doom. This is one that hearkens back to the previous EP’s doomier songs – A definite evolution of that style. This song should signal to the listener that the album is nearing a close, as it (along with the final track) aims to illustrate some kind of aftermath. It was also the perfect sonic aesthetic to attach the image of ‘quivering doves’ to. This song is a desolate winter, where doves lay and quiver, helplessly dying along with the hope that they represent.

7 – Deicidal Usurper
Aaaaaand we’re back to fast, grim, and mean! Deicidal Usurper grabs the listener right out of the gate, reminding them of the earlier tracks. This song has another ambient bridge section, which hangs on just long enough to thrust the listener back into the main riff for the next verse-chorus. The solo in this song is tasteful and proud, with ambient screams feeding the atmosphere behind it. The outro is a bit of a victory-verse feel, winding down into a harpsichord section that introduces the final track.

8 – In Exitium Caeli
The final track is hypnotic doom and gloom. ‘In Exitium Caeli’ is a second imagining of the aesthetic ideas left with the listener in ‘..of Quivering Doves’ – the final realization of those ideas. It seemed perfectly fitting to introduce such a song with the line “There is nothing.” – Sometimes the most basic imagery feels the best. The song continues on, with a repeating riff and a consistent drumbeat. The song ends with hypnotic guitar leads along the vocals chanting “Exitio Caeli” – “Destroy the sky” or in this case, “Destroy heaven”.

L-R – JC – Vocals, RM – Guitars/Bass/Keyboards

“Ascendant Blasphemy” is due out February 26, 2021.

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