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Posts By Asher

0 EPK – Cavedweller – Slow Death (single) (2021)

  • January 26, 2021
  • by Asher
  • · Cavedweller · EPKs

EPK – Cavedweller – Slow Death (single) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Every Time I Die, Norma Jean, The Chariot, Chelsea Grin, Whitechapel, Traitors

Facebook.com/CavedwellerNB | Instagram.com/Cavedwellernb | Twitter.com/CavedwellerNB

Cavedweller506.bandcamp.com | Spotify | Youtube

“We’re just four homies from a small town that play groovy riffs, and crushing breakdowns. Come show us what you’ve got in the pit.” – Cavedweller

Release Date: February 5, 2021
Label: Self-Release

Track Listing: 1. Slow Death (2:39)

Single Credits:
• All songs performed by: Curtis Bonvie, Alex Sturgeon, Sam Brown, Brad Kenny
• All songs written by: Curtis Bonvie, Alex Sturgeon, Sam Brown, Brad Kenny
• Produced by: Tyler Chambers, Gabe Charron (video)
• Mixed by: Tyler Chambers
• Mastered by: Tyler Chambers
• Single Artwork by: Gabe Charron
• Canadian Content (MAPL): Yes

Single Band Line Up:
Cujo Bonvie – Vocals
Alex Sturgeon – Bass
Sam Brown – Drums
Brad Kenny – Guitar

Live Band Line Up:
Cujo Bonvie – Vocals
Alex Sturgeon – Bass
Sam Brown – Drums
Alex Crotty – Guitar

Discography:
2021 – Slow Death (single)
2020 – Primal – EP
2019 – Free-Sushi  – Demo

Cavedweller is four homies from the small town of Fredericton, New Brunswick, Canada that play groovy riffs, and crushing breakdowns.

Cavedweller is Cujo Bonvie (vocals), Alex Sturgeon (bass), Sam Brown (drums), and Brad Kenny (guitar), four guys who have known each other from the local scene for years. Brown and Sturgeon used to play together in local act Blueprints, and Bonvie was a regular attendee to local shows, and played in a number of local bands, including Dumpster Mummy, Panda Bee Catastrophe, and The Mind Unleashed. Once the four of them started jamming, the chemistry was evident and the rest is history.

In 2019, the band recorded their demo “Free-Sushi” which was followed up in 2020 with the EP “Primal”. The EP was mixed and mastered themselves; guitars were recorded in Sturges room, drums at a friend’s place, and mastered at Kenny’s place. During the recording process at Sturges, a lightsaber battle broke out between Sturge and Kenny to determine whose masters would be the ones released. It was a long and intense battle, but Kenny was ultimately the victor.

There is a wide range of influences coursing through the blood of the band including hardcore, punk, deathcore, and a little bit of prog-metal, and the final result is best suited for fans of Chelsea Grin, Whitechapel, and Traitors.

Cavedweller has played with several bands in their short history and expects to have a full length out by the end of 2021.

Don’t be shy, come show us what you’ve got in the pit!

0 Descend Into Chaos And Doom With “Inverted Illusion” Off Scepter of Eligos’ Upcoming Album “Inverted Illusions”, Song Premiere via Decibel Magazine

  • January 26, 2021
  • by Asher
  • · Music News · Scepter of Eligos

NEWS RELEASE

Montreal, QC – January 26, 2021

For fans of Crowbar, Incantation, The Black Angels, Acid Bath, Celtic Frost, Grave

Descend Into Chaos And Doom With “Inverted Illusion” Off Scepter of Eligos’ Upcoming Album “Inverted Illusions”

Song Premiere via Decibel Magazine

“Inverted Illusions” Out Jan 29th, 2021


L-R – Andrew -Guitar/Vocals, Frank – Drums, Chris – Bass – Photo Credit by Alvino Salcedo

Formed in 2012, Denver’s Scepter of Eligos has been conjuring up heavy, sludge doom metal that is ravaged with death metal overtones and highlighted with psychedelic groove. They are releasing their first full-length album “Inverted Illusions” in 2021 and are tantalizing listeners with a second single, “Inverted Illusion” off the record.

Coined as “psychedelic metal of death”, Scepters of Eligos blur the lines between genres, creating a sound that is powerful, dissonant, and heavy as hell. According to the band, the single “Inverted Illusion” is a sonic injection of adrenaline and LSD: they continue with their take on the album:

“We wanted this collection of songs to represent all the various influences as well as our own individual style which we feel that we are developing. This album is a cohesive representation of the band’s sound, using our favorite elements of various metal subgenres.”

Taking notes from influential bands in a variety of sub-genres including psychedelic rock, death and black metal, Scepter of Eligos formed thanks to having similar ideas of what they wanted from a band, the ability to be fully creative and not have to stick to a strict formula. The result is songs that are always loud and punishing and interesting enough to keep even the most fastidious metalheads enthralled.

Ever entertaining live as well as recorded, Scepter of Eligos is a band to watch; they intend to release more music in the future. Scepters of Eligos are recommended for fans of death metal, doom metal and in particular Disfear, Ufomammut, and Acid Bath.

The single for “Inverted Illusion” can be heard via its exclusive stream on Decibel Magazine HERE.

“Inverted Illusions” comes out on January 29th and available for pre-order on Scepterofeligos.bandcamp.com


Track Listing
1. Reabsorbed (5:46)
2. Biological Possession (5:53)
3. Starless Chasms (4:46)
4. Inverted Illusion (3:24)
5. Procession of Spectres (10:20)
Album Length: 30:10

Album Credits:
All songs written and performed by Scepter of Eligos
Tracks 1-4 Mixed and Mastered by:
Jamie Hillyer at Module Overload Studio
Track 5 Mixed and Mastered by: Felipe Patino at Green Door Recordings
Cover art by: Christina Hunt of Heavy Metal Talisman
Layout by:S.Wyatt Houseman of Hidden Hand Extreme Music Marketing
Logo by: Dennis Lee Hughs of Cythraul Art

For more info:
Facebook.com/scepterofeligos
Instagram.com/scepterofeligos
EPK

About:

Hailing from Denver, Colorado, Scepter of Eligos crashes into listeners in a wave of death, doom, and psychedelic sludge. An amalgamation of heavy styles with an unique spin, Chris Candelario (bass), Frank Candelario (drums), and Andrew Sares (vocals/guitars) work collaboratively to flesh out what they describe as “Psychedelic metal of death”. To accompany their punishing music they craft lyrics based on Sares’ occult practices and readings. They take their name from Aleister Crowley’s description of Eligos; a Goetic demon that is said to appear on a winged horse holding a scepter and a serpent.

Since their conception in 2012, the musical careers of the power trio have been a whirlwind of gigs both on the local and national levels playing with bands such as The Chasm, Manilla Road, Lycus, and Bongripper garnering attention from a variety of metalheads. Thus far they have 3 releases to their name; a demo from 2013, the 2017 single “RIP Martin Eric Ain” and the 2018 EP “MMXVIII”. Pushing onward with grit and determination they will be releasing the full-length “Inverted Illusions” in 2021.

Boasting live performances that are as varied and intriguing as their music, one can expect to be overtaken by the energy and succumb to the gritty, cryptic psychedelic doom Scepter of Eligos channels from the stage.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records Signs Greece’s Illusory For New Album “Crimson Wreath” Out May 2021

  • January 25, 2021
  • by Asher
  • · Illusory (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 25, 2021

For fans of Iron Maiden, Queensryche, Savatage, Jag Panzer

Rockshots Records Signs Greece’s Illusory For New Album “Crimson Wreath” Out May 2021

Rockshots Records is proud to announce their latest signing of Greece’s Illusory for their third full length “Crimson Wreath” planned for release May 2021. Having opened for such legendary acts Blue Oyster Cult, Warrel Dane, Geoff Tate, and Gus G, the heavy metallers new album is the next step in their widely praised evolution to follow 2016’s Polysllabic (7hard/7us) and 2013’s “The Ivory Tower” (The Leaders Records).

Melodic, riffy, cerebral, and complex “Crimson Wreath” is a very emotional and melodic release, yet heavy and strong at the same time. Both new fans and ones who have been listening to the band for years will indulge themselves in this latest offering of classic, progressive, epic, and thrashy performances. Lyrical themes found on “Crimson Wreath” are mostly anti-war, but the full length also includes a thematic unit consisting of three songs that deal with human loss.

The band comments:

“The band is thrilled! When we look back, from the first minute to the last one, from the moment we pressed “record” on the very first drum tracking, to the latest addition and album wrap-up, we can’t stop thinking about all the things we set and done during those recordings and the long hours of arranging every little album detail. “Crimson Wreath” has become a member of our discography and our most recent brainchild. And we are totally proud of it!”

 

For fans of Iron Maiden, Queensryche, Savatage, Jag Panzer, an album trailer for “Crimson Wreath” can be viewed on Rockshots Records YouTube channel here.

ILLUSORY is:
Dee Theodorou – Vocals
George Papantonis – Guitars
Greg Bakos – Guitars
Niki Danos – Bass
Makis Vandoros – Keyboards
Costas Koulis – Drums

For more info:
Rockshots.eu
Illusoryband.com
Facebook.com/illusoryband
Instagram/illusory_band
Twitter.com/illusoryband
Youtube.com/IllusoryTheBand
Spotify

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thanks for the support Metallian \m/\m/ #albumreviews Nov-Dec 2020 – Without Mercy, Fuck The Facts, Protokult, Within Nostalgia, King Ov Wyrms

  • January 23, 2021
  • by Asher
  • · Fuck The Facts · King Ov Wyrms · Protokult · Within Nostalgia · Without Mercy
Thanks for the support

Metallian

\m/\m/

#albumreviews Nov-Dec 2020
http://metallian.online/produit/metallian-magazine-n121/
Without Mercy, Fuck The Facts, Protokult, Within Nostalgia, King Ov Wyrms

0 Brazil’s Rage In My Eyes Drummer Shares Playthrough For “The Core” Off Latest Album “Ice Cell”

  • January 22, 2021
  • by Asher
  • · Music News · Rage In My Eyes

NEWS RELEASE

Montreal, QC – January 22, 2021

For fans of Helloween, Symphony X, Iron Maiden

Brazil’s Rage In My Eyes Drummer Shares Playthrough For “The Core” Off Latest Album “Ice Cell”

L-R: Magnus Wichmann – Guitar, Pedro Fauth – Bass, Jonathas Pozo – Vocals, Leo Nunes – Guitar, Francis Cassol – Drums
Photo Credit by Mariana Mantovani

Rage In My Eyes drummer Francis Cassol is sharing his latest playthrough video for “The Core”. The track is off their latest 2019 album “Ice Cell”. The video showcases the velocity and technicality Cassol applies in this high speed fist-pumping classic metal sounding song.

Watch the playthrough video here.

Being from southern Brazil, Rage In My Eyes shows a side of the country most people don’t know about. Blending heavy/prog metal with elements of MILONGA (folk music from southern Brazil, Uruguay, and Argentina) to their music along with accordion, the band presents a distinctive brand of metal that is their own. The band’s first album “Ice Cell” was released in August 2019 and was recorded partially in Los Angeles and in their native Porto Alegre, Brazil. The album was produced by Magnus Wichmann at Magneto Studio (Brazil) and Daufembach Studio (USA). It was mixed and mastered in Los Angeles by the renowned Brazilian producer Adair Daufembach. The cover was designed by Tiago Masseti, who has worked with Hibria, Luis Kalil and Daydream XI. The band has also been an opening for Iron Maiden in Porto Alegre, Brazil in October 2019,

The band comments about “Ice Cell”:

“In summary, Ice Cell is a manifesto against the superficiality, inertia, coldness of the human being, his indifference, and his corruptible character. An album that seeks this sincere connection with the truth and musicality of each member, explaining their diverse influences in heavy metal and their South Brazilian and South American roots.”

Prior to their new band name of Rage In My Eyes, the group spent 17 years under the moniker of Scelerata, which had a huge history in the Brazilian heavy metal scenario. The band had three albums released worldwide, including the acclaimed album “The Sniper” – partially recorded in Germany, at the Blind Guardian studio – that featured guest appearances from Paul DiAnno (former Iron Maiden) and Andi Deris (Helloween).

Scelerata was also Paul DiAnno’s official Brazilian backing band from 2009 to 2014, playing 50+ shows with this heavy metal icon.

With this huge background, the musicians are now aiming for the future.

Recommended for fans of Iron Maiden, Helloween, and Symphony X, Rage In My Eyes brings an icy new edge to traditional power metal.

“Ice Cell” is available on Spotify, Apple Music, Amazon.

Music Videos:
Hole In The Shell – YouTube (Live Video Opening for Iron Maiden – Porto Alegre, Brazil)
Death Sleepers – YouTube
Winter Dream – YouTube


Track Listing:
1. Winter Dream (4:46)
2. Surrounded By Black Mirrors (4:16)
3. Dive Deep (4:14)
4. Hole in the Shell (4:35)
5. Death Sleepers (5:02)
6. Inner Fate (3:45)
7. Blank (5:23)
8. The Core (3:39)
9. Soul Gatherer (4:19)
10. Burn The Throne! (4:43)
11. Draft of Illusions (5:03)
Album Length: 49:50

Album Band Line Up:
Jonathas Pozo – Vocals
Magnus Wichmann – Guitar
Leo Nunes – Guitar
Pedro Fauth – Bass
Francis Cassol – Drums
Special Guest on tracks 1, 4 & 5:
Matheus Kleber – Accordion
Special Guest on track 11: Vinícius Möller

For more info:
RageInMyEyes.com
Facebook.com/rageinmyeyes
Instagram.com/rageinmyeyes
Twitter.com/rage_in_my_eyes
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Diner Drugs – As Is (2019)

  • January 22, 2021
  • by Asher
  • · Diner Drugs · EPKs

EPK – Diner Drugs – As Is (2019)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Management / Booking: Manager, Kate Butler, She Said Feck Records – shesaidfeckrecords[@]gmail.com

Album Title: As Is
Release Date: September 13, 2019
Label: Self-Release

For fans Red Fang, Cancer Bats, Alexisonfire, The Bronx, Heart Attack Kids

SheSaidFeckRecords.com/diner-drugs-epk | Facebook.com/DinerDrugs | Twitter.com/DinerDrugs | Youtube | Instagram.com/DinerDrugs

DinerDrugs.Bandcamp | Apple Music | Amazon| Spotify 

“Jack Of All Trades” uses clever drum timing between guitar riffs which assaults the senses in different ways and rattles your eardrums like an off-balanced washing machine. The skate punk style writing of this track will have you wondering if NOFX and Suicidal Tendencies had a baby.” – Sarah Hellingwerf, The East 

“Diner Drugs is one of those “f&*k all” bands that play heavy, fast and dirty rock.” – Jamie Robash, Divide and Conquer Music 

[Download Album Cover | Download Album Lyrics]

Album Title: As Is
Release Date: September 13, 2019
Label: Self-Release

Track Listing:
1. Under Fire (4:18)
2. Need Time (3:57)
3. Gump Truck (3:58)
4. Jack of All Trades (3:08)
5. Medicine (2:37)
6. Rotten Eggs (4:46)
7. Back on the Blues (2:36)
8. Cell Maid (4:43)
Album Length: 30:17

Album Credits:
• All songs performed by: Diner Drugs
• All songs written by: Diner Drugs
• Produced by: Kyle McDonald
• Mixed by: Kyle McDonald
• Mastered by: Kyle McDonald
• Album Artwork by: Brock Jorgensen
• Member of SOCAN
• Canadian Content – MAPL

Album and Live Band Line Up:
Jackson Landry – Guitar/Vocals
Chris Lee – Bass/Vocals
Jordan Fournier – Guitar/Vocals
Jesse Briggs – Drums

 L-R: Jackson Landy (Guitar/Vocals) | Jesse Briggs (Drums) l Chris Lee (Bass/Vocals) l Jordan Fournier (Guitar/Vocals)

Photo Credit – Brock Jorgensen

Diner Drugs is a four-piece stoner metal punk crew, born out of a desire to defeat the boredom of east coast living. Diner Drugs is fast, loud and is always keen to turn up the heat with catchy choruses and deep vocal harmonies while sticking to their deep stoner metal roots.

They’ve developed a reputation for their live performances, keeping themselves steadily on the road, and are now certified road dogs lending east coast support for Cancer Bats and Dead Quiet along with Maritime, Ontario and Quebec support several times over for Heart Attack Kids and local support for heavy hitters Mokomakai and Red Fang.

With two albums under their belts As Is (2019) recorded by Kyle MacDonald of Zaum and their self-titled EP (2017) they have gained immense support and several accolades from their peers and were recipients of the MNB Loud Artist of the Year Award in 2018 and were nominated for MNB Video of the Year Award in 2019.

Since 2009 members of Diner Drugs have been foundations of the Moncton metal scene as former members of Bong Jovi, The Human Comedy, and Savage Young. Diner Drugs as always have no signs of slowing down and already planning for their next record in 2021.

*Their upcoming spring tour with Woodhawk and spring shows in Newfoundland was subsequently canceled due to Covid 19 but with hopes to reschedule for later in 2020/21.

Artist Endorsements:
PENSION Clothing Company

Discography:
2019, As Is (LP)
2017, Self Titled (EP)

Shared Stage with:
Cancer Bats, Mokomakai, Red Fang, Dead Quiet, Heart Attack Kids, Iron Giant, Zaum, Hard Charger Motherhood

Tours and Festivals:
2019 – Cancer Bats East Coast Tour w Dead Quiet
2019 – Mud City Meltdown Festival w Red Fang – Moncton, NB
2019 – Heart Attack Kids East Coast/ON/QC Tour
2018 – Heart Attack Kids East Coast Tour
2018 – She Said Feck Records East Coast Tour
2017 – Mokomaki – East Coast Support

0 Canada’s As We Suffer Challenge Truths With Invocative Title Track From Upcoming “The Fallen Pillars”, Track Premiere via NewFuryMedia

  • January 21, 2021
  • by Asher
  • · As We Suffer · Music News

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans of Machine Head, Propagandhi, Death by Stereo

Canada’s As We Suffer Challenge Truths With Invocative Title Track From Upcoming “The Fallen Pillars”

Track Premiere via NewFuryMedia

L-R – Ryan Caldwell (Bass), Jason Yocom (Guitar), Matt Caldwell (Vocals), Derik Roblin (Guitar), Chris Nunn (Drums)
Photo Credit – Laura Collins-Music Photography

Ottawa’s As We Suffer are releasing their debut album “The Fallen Pillars” in April of 2021. The preview track for this upcoming release is the title track, which is the most melodic song on the album, but doesn’t sacrifice heavy as it includes a djent vibe, along with aggressive riffs. As We Suffer play with pure passion, which echoes out clearly through their music.

“We cap the record off with our first single and title track. We end the album with this track to symbolize the end of an era of As We Suffer and the advancement into new territory. The Fallen Pillars takes the listener on a journey of the observer, witnessing the chaos all around them, and instead of joining, they decide to venture on a quest of inner truth, even as death brings its pestilence and war. A song of death and destruction but also of growth and rebirth.”

The album is an amalgamation of several heavy subgenres rolled into one. Hovering between metal-infused punk, hardcore, groove metal, and even a little hard rock, listeners go on a journey through each track. The track listing for the album was picked with diversity in mind. Each song stands out in contrast to the last.

The concept album’s theme revolves around the pillars of truth. Each song deals with destructive concepts and beliefs that we, as a society/people, should not prop up as truths. It is a journey of unhealthy and damaging thoughts/emotions that explore existentialism, politics, religious fanaticism, and truth through different styles of heavy music.

Recommended for fans of Machine Head Propagandhi and Death by Stereo, can be heard via its premiere on NewFuryMedia HERE.

Spotify pre-save here.

The complete album will be available in April 2021.


Track Listing:
1. Caustic Paradigm (2:58)
2. Malicious Compliance (3:24)
3. An Open Letter (to the Bleeding Hearts) (2:41)
4. Fucking Relentless (2:28)
5. Invade The Host (3:21)
6. The Great Leveler (3:51)
7. High Tide (3:32)
8. Scatter The Herd (2:25)
9. Shadows Caste In White (4:44)
10. Concrete Fist (2:59)
11. The Fallen Pillars (5:17)
Album Length: 37:46

More Info:
Facebook.com/aswesuffer
Instagram.com/aswesuffer
EPK 

About:
Ottawa, Canada’s As We Suffer started out as a cover band, but quickly delved into writing original material. In the early days they focused on a more metal-infused skate punk vibe with major influence stemming from Pennywise, Strung Out, and NOFX but it very quickly took on a more metal feel. Since 2020, the sound has further morphed into a more metalcore vibe along the lines of early Killswitch Engage and Bullet for my Valentine, while still maintaining a distinct hardcore style.

Four of the original band members have known each other for a long time, with two of the members, vocalist Matt Caldwell and bassist Ryan Caldwell being cousins; together with their long-time friends drummer Chris Nunn and Jason Yocom. The band officially established in 2018 picking a name that represents unity in the existential suffering we all experience. Eventually, they were joined by guitarist Derik Roblin.

The long time comradery between the members enables them to write music organically, trading off who is the primary songwriter for each track. All lyrics are written by M. Caldwell, who aims to tell a story and deliver a message without being too literal or specific, allowing the audience to interpret on their own. Themes are largely infused with existentialism, civil and political unrest.

This organic flow continues to benefit the band when they play, the passionate stage presence is heightened by M. Caldwell’s intensity, R. Caldwell’s slick bass licks, Roblin’s powerful energy, and Nunn’s technical prowess. They bring a unique back-to-basics flavor to each performance, especially through the dynamic nature of each of the band members.

As We Suffer released a demo in 2018 and will follow it up with “The Fallen Pillars” in April 2021.

– 30-

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Prog Power RED CAIN Streaming New Album “Kindred: Act II”, Album Stream Premiere via MetalInsider

  • January 21, 2021
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans of Kamelot, Symphony X, Amaranthe, Powerwolf

Prog Power RED CAIN Streaming New Album “Kindred: Act II”

Album Stream Premiere via MetalInsider

Album Out January 22, 2021


L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography

Canada’s progressive power gothic metal band Red Cain will be unleashing their new album “Kindred: Act II” digitally on Friday, January 22, 2021 with the CD physical release out via Sliptrick Records at a later date this year.

Before it officially drops, the band is sharing with fans its exclusive full stream premiere via MetalInsider HERE.

Described as a vehicle of “Melancholy and Rage” and born out of the emerging music scene of Calgary, AB, 2017 YYC Awards Metal Recording of the Year winner Red Cain is a power/progressive metal project with Russian roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and elements of Slavic myth and Russian paganism in the storytelling tradition of the cult of Veles, Red Cain champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience.

The forthcoming sophomore full-length continues and ends the band’s storytelling of their Kindred saga, which began with their 2019’s “Kindred: Act: 1”. Offering a mix of melodies and metallic styles in power, progressive and goth metal, Red Cain continues to deliver epic adventurous songs with tracks like Sunshine (Blood Sun Empire)”, “Demons”, “Kindred” and “Varyag and The Shrike”.

Vocalist Evgeniy Zayarny comments:

“Step forward in the ranks of the Varyag Mstislav, hear the chilling call of the Nameless Exarch, and stand shoulder to shoulder with the Aztec warrior Zalcoatl in the depths of an ancient Ziggurat. Experimental, aggressive, yet melodic and recognizably Red Cain, the second act in the “Kindred” saga sets the bar even higher in the hybrid prog/power style we have made our own.

Inspired by the age-old Slavic rites honouring the Sun and continuing the storytelling tradition of Veles, this album is an amalgam of myths, genres, and emotions – and we could not be more proud to be able to share it with you.

All stories must come to an end – but this is one where the action and intensity is at its peak. This is a story where the stakes are lethal, where the music is loud and the melodies cut deep – where the frozen North wind chills the land and an eldritch specter hangs over the horizon. Above all, this is a story of humanity reaching out toward the Sun, come what may. This is our story of “Kindred” – and we are absolutely fired up to bring you with us on this mad ride.”

Recommended for fans of Kamelot, Symphony X, and Amaranthe, Red Cain is giving fans seven custom pieces of digital art designed by the band along with an immediate download of their goth-rock headbanger“Demons” with album pre-order via their Bandcamp HERE.

Spotify
Lyric Video – “Sunshine (Blood Sun Empire)” – YouTube


Track Listing:
1. Kindred (5:06)
2. Demons (4:40)
3. Precipice of Man (5:18)
4. Baltic Fleet (4:53)
5. Varyag and The Shrike (5:54)
6. Sons of Veles (5:01)
7. Sunshine (Blood Sun Empire) (5:49)
Album Length: 36:45

For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy
EPK

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“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal.  With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage.  I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“Kindred: Act II is a solid offering. It straddles a number of different styles and influences without committing 100% to any of them… any metalhead with a taste for the dramatic should find something rewarding in here.” – The Independent Voice

“an atmosphere between anger and melancholy are exactly what the band is all about. “KINDRED: ACT II” is definitely a really strong album and one only regrets that it ends so early. But as the saying goes : Quality is more important than quantity!” – Metal-Heads.de

“This new album is opened by KINDRED, a brilliant tune with different influences, from power/prog to electro-rock. It’s enriched by an interesting solo, a well-groomed production and cinematic mood.” – HardRockHeavyMetal

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th, Streaming Singles “The Apotheosis” and “The Return”

  • January 21, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th

Streaming Singles “The Apotheosis” and “The Return”

Out on January 29, 2021, “Technotheism” is the second full-length album from the band who also have two EPs in their catalogue. For those already familiar with their music, the creative blend of industrial and orchestra continue in “Technotheism”, albeit being even more technical and expansive than the previous releases. The band maintains that this will be the flagship album for them.

The two singles from the album “The Apotheosis” and “The Return” have already been released and are now streaming.

“The Apotheosis” – YouTube (Music Video), Spotify

“The Return” – YouTube (Lyric Video), Spotify

The singles are respectively the second oldest and second newest tracks on the album, and the bulk of the album lands somewhere in the middle in terms of writing and sound. “The Apotheosis” is two minutes packed full of everything The Design Abstract is capable of, and “The Return” is a more open and whimsical track revisiting some of the elements that made the earlier releases work. The band remarks on the singles:

“They were carefully chosen to show the scope of the album at large. “The Apotheosis” was written with the explicit purpose of showing off everything the band could do in one two minute whirlwind. The synth in this track is something very unique and indicative of the character of the band, and the structure is a fresh take on the genre. “The Return” is a triumphant song, littered with innovative, instrument layering and crunchy synth sounds. We really wanted to turn the contrast up so to speak: the guitar work is noticeably more death metal, but the vocals and orchestral passages are more soaring than ever. The outro features a notably unique synth solo, followed by the anthemic chorus.”

The Design Abstract crosses all the lines of the musical spectrum, darting from harsh industrial, soaring orchestral, melodic death complete with guttural screams contrasted with crystal clean singing finished off with a generous serving of synth. Each element is worked into the songs in a unique and comprehensive way.

Recommended for fans of Septicflesh, Scar Symmetry, and Dimmu Borgir, “Technotheism” is suitable for a variety of music fans.

“Technotheism” is out on January 29, 2021. Album pre-order – https://design.bandcamp.com/

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
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0 \m/\m/ Hails Horns! Thank You Canadian MDs and Djs! #1 – Cell Press, #6 – Fuck The Facts !earshot The National Loud Chart For the Week Ending: Tuesday, January 19, 2021

  • January 20, 2021
  • by Asher
  • · Cell Press · Fuck The Facts
\m/\m/ Hails Horns! Thank You Canadian MDs and Djs!
#1 – Cell Press, #6 – Fuck The Facts
!earshot The National Loud Chart For the Week Ending: Tuesday, January 19, 2021
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2021-01-19
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