Posts By Asher
0 Brutally Delicious – Bloodsport – “Lethal Tender” review by Dark Macek
0 Technical Music Review Premiere: Seattle’s Draemora Shares Progressive Shred With “Victorious” Guitar Playthrough
NEWS RELEASE
Montreal, QC – May 14, 2021
For fans of Wage War, Whitechapel, Periphery, Architects, Spiritbox
Seattle’s Draemora Shares Progressive Shred With “Victorious” Guitar Playthrough
Playthrough Premiere via Technical Music Review
New Album “Death Rectangle” Out June 18th
Tour Dates (July/August) w/ Hed PE
Seattle’s Draemora will be unleashing their new “Death Rectangle” on June 18th. Just this past April, they gave fans a taste of the record with the first single “Victorious” and today, they want to share the progressive shred of that track with its guitar playthrough.
Guitarist Terry Jenkins comments on the writing and playing guitar for song:
“In this playthrough of “Victorious”, and for the actual recording of the guitars, I used the same exact gear that I have been using for a while now. The guitar itself is only a few months old in this video, but everything else has been a constant for the last year, at least.
The signal chain is: ESP E-II Horizon Baritone 7 > Line 6 Helix LT (using 4 cable method) > back out of the Helix LT’s FX Loop 1 > Gojira FX Sparkle Drive > ISP Decimator II > Digitec Whammy > Back into the Helix > Back out of the Helix FX Loop into my Rev G Mesa Triple Rec and then back into the Helix so I can use the Mesa’s preamp > Back into the Helix where it is split and I have a noise gate and EQ for what you hear out of the actual cabinet. Since that side uses the power section of the Mesa, too, and the other side has a separate gate and EQ to help match the sound the amp actually makes in a room to me, that runs into an Impulse Response that gets used for our in-ears live and can go to the front of house, as well. What you are hearing in this recording is the side with an Impulse Response.
I wrote this song a few hours after purchasing this guitar. It was a little different than my other guitars and I ended up playing it for like 6 hours that night. In the course of that evening, I decided that what I was plucking around on sounded good, so I decided to record it and by the end of the night I had a full song written. I noticed right away the Fishman Moderns that were in it had such insane clarity and depth to them that I kept playing this big Major 7 chord that spanned most of the strings and I could hear all the details in there. It was kind of mesmerizing and that became the chorus. I also noticed that once I wanted to do some chugs and other techniques, the pickups allowed me a lot of freedom and that is sort of how the song came together. Pretty funny how a new sound or feel can really inspire you like that.”
The playthrough can be viewed via its premiere on TechnicalMusicReview HERE.
Fellow guitarists can follow Jenkins via his Instagram @shreddurst.
Single stream of “Victorious” can be heard at https://youtu.be/oQEigo-xLHk
Draemora was formed in November 2019 in the Seattle, USA area by Terry Jenkins (vocals/guitar) after his separation from his previous band Odyssian. Seeing it as an opportunity to take a chance and try something different, he wrote a handful of songs with lyrics and demoed them out at his house. These demos attracted the attention of soon-to-be bandmate, ex-Jesus Wears Armani drummer Jared Conelie and ex-Odyssian vocalist Taylor Wood.
After fleshing out the demos with their own personal touches on the songs, Jenkins found local guitar player Max Taylor and set out to record the 5 song EP “Awakening” that was debut during June 2020.
The EP was nothing short of heavy, melodic metal infused with honest and heartfelt lyrics. This combination worked perfectly with the band’s mission to evoke an intense emotional and spiritual experience that brings out the raw emotions that are suppressed all day in normal day-to-day lives.
With a slight pause in the band’s plans due to the 2020 COVID-19 pandemic, Draemora has just completed their follow-up full-length “Death Rectangle” to be released a full year since unleashing their introductory EP “Awakening”.
On this new album, Draemora has truly explored an evolution from their previous release. Musically, the collection of songs are mostly dark and heavy sounding. It wasn’t intentional, but when the band was writing the new record, they were all locked up and lost their jobs due to the Covid-19 pandemic, along with watching their hometown riot during George Floyd protests. The songs all have deep meaning to the band, but they strayed away from using any specific references so that the listener could make it whatever their imagination wants it to be. They think that is the best way to make a release.
The band adds:
“We are really finding our sound on this album and where we all fit together and the two singles on here were so obvious to us because they sounded so good as demos. We could tell instantly that “Death Rectangle” was a single, it’s got a catchy riff, pounding drum parts and a chorus that we hope everyone will join in on when we can eventually play it live. Our planned second single “Victorious” is exactly the same way. We were going to actually separate it from the album and let it be a song on its own, but at the last minute, we decided it was the perfect way to end the album, because it has that great classic formula in there with a twist to the parts that really puts our stamp on it in a great way. Our main goal in mind for this release was that we wanted people to enjoy it live, so we made big choruses and really big recognizable parts that made us feel great when we were writing the whole record. It’s 10 songs that we all felt were nothing but bangers, we don’t put filler on anything, if there were only 8 good songs out of 50, then the album would be 8 songs and that’s that. As far as the next thing, we’re already working out new stuff as we’ve finished this so hopefully next year we’ll be back with another full length, that’s the goal at least.”
Draemora is recommended for fans of Wage War, Whitechapel, and Periphery.
The full album “Death Rectangle” comes out on June 18, 2021.
CD pre-order here.
Digital pre-save here.
In additional news, Draemora will also be hitting the road in July and August for support dates with Hed PE.
Tour Dates: Draemora w/ Hed PE
July 24 – Liquid Joe’s – Salt Lake City, UT
July 27 – Herman’s Hideaway – Denver, CO
July 28 – The Royal Grove – Lincoln, NE
July 29 – The Back Bar – Janesville, WI
July 30 – The Forge – Joliet, IL
July 31 – Diesel Concert Lounge – Chesterfield, MI
August 1 – Music Factory – Battle Creek, MI
August 3 – Red Flag (prev. Fubar) – St Louis, MO
August 4 – Club 1175 – Kansasville, WI
August 5 – Hobart Art Theatre – Hobart, IN
Track Listing:
1. The Cleansing (6:06)
2. Slaves Until Death (4:44)
3. Death Rectangle (4:19)
4. Requiem (3:23)
5. What You’ve Become (5:00)
6. Gouge Out My Eyes (3:57)
7. Blood Moon (3:34)
8. Screaming Into the Void (3:56)
9. Metacognitive (4:08)
10. Victorious (3:36)
Album Length: 43:18
For more info:
Draemora.com
Facebook.com/Draemoramusic
Instagram.com/draemoramusic
EPK
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“Draemora’s new EP Awakening is a 17 minute melodic death metal piece with more twists and turns than your average M. Night Shyamalan movie. This is a band that doesn’t stick to the tradition melo-death sounds, instead looking to incorporate some clean singing, some progressive sections and some experimental sounds… This is an EP that incorporates many different sounds, but doesn’t have any filler… A very unique debut release from Draemora.” – Metal Injection (Review Awakening EP 2020)
“‘Guilt’ features the band’s penchant for mixing their brutal modern metal with glorious rock melodies! Think of a sound that meshes Gojira, Alien Weaponry, Faith No More, and the more recent era of Lamb of God, and you might begin to understand the group!” – Ghost Cult Mag (Review Awakening EP 2020)
“In this playthrough of their song “Guilt” we see Terry from Draemora ripping away with his Fender Telecaster. His tele is loaded with a single EMG 57 and he’s boosting that guy with an Ibanez TS9 going directly into his Mesa. The deadly tone of the 2-channel and a heavy rhythm hand are such a great combo.” – Gear Gods (Review Awakening EP 2020)
“A haunting, eerie melody opens “Home” with the an Allegaeon esq melodic moment before some DJent infused riffage takes hold and Wood delivers the kind of unclean vocals that leave you with 3rd degree burns on the inside of your throat. Jenkins interjects with a pair of clean sung verses over some almost Grungy Metalcore and you have a track with perhaps a trio of different styles in a single offering that works because of the cognitive tissue of the narrative.” – Metal Noise (Review Awakening EP 2020)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Bravewords Premiere: Canada’s THE WRING Music Video “The Light” Off Upcoming Album “The Wring² Project Cipher”
NEWS RELEASE
Montreal, QC – May 14, 2021
For fans of Rush, Fates Warning, Dream Theater, Queensryche, The Dead Daisies
Canada’s THE WRING Music Video “The Light” Off Upcoming Album “The Wring² Project Cipher”
Music Video Premiere via Bravewords
Album Guests ft. Marc Bonilla (Keith Emerson Band, California Transit Authority, Glenn Hughes),
Bryan Beller (Joe Satriani, The Aristocrats, Dethklok, Steve Vai),
Thomas Lang (Robert Fripp, Peter Gabriel, Robbie Williams),
Jason Henrie, Jason Sadites
The Wring is Don Dewulf and Don Dewulf is The Wring with a little help from some global music superstars. The progressive metal project will be releasing a new album entitled “The Wring² Project Cipher” on May 28th. The full length has something for everyone across the spectrums of classic heavy metal to prog plus features a lineup of guests that includes Marc Bonilla (Keith Emerson Band, California Transit Authority, Glenn Hughes), Bryan Beller (Joe Satriani, The Aristocrats, Dethklok, Steve Vai), Thomas Lang (Robert Fripp, Peter Gabriel, Robbie Williams), Jason Henrie, and Jason Sadites.
The Wring‘s next single “The Light” is showcased in a new music video to give a visual glimpse of the players inside a cool conceptual framework. The video was created by Wring bass player, Jason Henrie, using content clips from a couple of very talented video artists.
“The Wring² Project Cipher” was created with all hard rock and prog listeners in mind, regardless of how they approach music, as he explains:
“I love prog music, but it can be a challenging listening task. I wanted to combine the interesting bits of prog with a strong melody and composition. You can rock out or geek out to this. “The Light” is a very fun song to play. Lots of changes and riffs. This is one song where Marc Bonilla totally took the vocals in his own direction. I had a much heavier vision but he has a style that really works against the riffs and strange, shifting time signatures.”
Dewulf is proud of his music and it really shines through in the video and across the album. The video gives a great look at the technique and the passion of all of the musicians. The combined experience under Dewulf’s vision creates something truly unique, as he puts it, “if Geddy decided to shun the synthesizer and Alex became an acolyte of Dave Mustaine instead of Midge Ure, Rush might have sounded like this.”
Watch and listen to “The Light” via its premiere on Bravewords HERE.
“The Wring² Project Cipher” is seven songs with one instrumental and six vocal tracks. It’s a rock record with bits of proggy and classic rock elements showcasing the diversity of the musicians along with complementing each other and the overall vibe. It is highly recommended for fans of Rush, Fates Warning, Dream Theater, and The Dead Daisies.
“The Wring² Project Cipher” will be out on May 28, 2021.
Album pre-order – https://thewring2.bandcamp.com
Spotify pre-save – https://distrokid.com/hyperfollow/thewring/project-cipher
Band playthrough “Cipher” – https://youtu.be/440CAhcKX58
Track Listing:
1. The Light (4:10)
2. Sorceress (4:44)
3. Cipher (4:29)
4. Steelier (4:25)
5. Dissension (4:08)
6. Dose (3:27)
7. Touch (4:29)
Album Length: 29:54
For more info:
Thewring.ca
Facebook.com/thewringband
EPK
About:
The Wring is a progressive rock project created in 2015 by guitarist Don Dewulf who had compiled a large inventory of compositions that he had fully demoed, just needing players to turn the demos into songs. The project started out in a band format with local musicians and they released a debut self-titled album in 2017.
After a series of live dates sharing stages with Anvil, Diamond Head, and Dead Daisies, the band dissolved. A chance conversation with Mikael Akerfeldt inspired Dewulf to forge ahead with new material, re-connecting with bassist Jason Henrie and engaging world-renowned musicians to perform, bringing the new songs to another level.
The result of that was “The Wring 2 – Project Cipher” releasing in 2021, which will feature album guests Bryan Beller (Joe Satriani, The Aristocrats, Dethklok, Steve Vai), Thomas Lang (Robert Fripp, Peter Gabriel, Robbie Williams), Jason Henrie, and Jason Sadites.
Always starting with a riff, Dewulf builds compositions that showcase his signature blend of classic heavy rock meets prog. The lyrics come after the music is done and are usually a targeted response to an interaction that has sparked anger. The translation of emotion into words is subtle, often belying the more aggressive undertones. Expect more from Dewulf with The Wring3 already in the recording stage!
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Out Now! Calgary’s OSYRON “Kingsbane: Deluxe Edition” + Music Video “Viper Queen”
NEWS RELEASE
Montreal, QC – May 14, 2021
For fans of Nightwish, Symphony X, Dream Theater, Kamelot, Wintersun
Out Now! Calgary’s OSYRON “Kingsbane: Deluxe Edition” + Music Video “Viper Queen”
“Kingsbane: Deluxe Edition” Remixed, Remastered + Bonus Tracks) Out May 14th
L-R: Krzysztof Stalmach (Guitar) | Cody Anstey (Drums) | Bobby Harley (Guitar) | Reed Alton (Vocals) | Tyler Corbett (Bass)
Photo Credit by Ara Shimoon
Out now as of Friday, May 14th, Calgary, Canada’s Osyron are ready to reintroduce the past to the present with the reissue of their 2017 album “Kingsbane” in a Deluxe Edition. The decision to re-release plus remix and remaster the record along with three rewritten and rearranged bonus tracks for Viper Queen, Griefmaker and Razor’s Wind (Acoustic) with current drummer Cody Antsey (original recordings were with former drummer Trevor Cobb) was an easy one after the great reception the band received from new fans for their 2020 album “Foundations”.
Osyron has always sensed the sound and production could be better for “Kingsbane”, and with time on their hands during the Covid pandemic along with writing new music, they felt it was an opportunity to share a fresh take of this epic record for new listeners plus those who have been following them for years.
Drummer Cody Antsey adds:
“The world groans under the heavy burden these days which, according to our nature, should bring us all closer together. But it is precisely this feeling that is too often missing. In these times when the bands can’t get together when the fans can only experience the sweat and sound-filled nights in crowded venues in their memories; other ways of forwarding momentum have to be found. For this reason, we hope that all our fans – both old and new – can enjoy our updated and revitalized Deluxe Edition re-release of Kingsbane. We have big plans for our next record, and we absolutely cannot wait to get back to playing shows and writing together in the studio… Until then, stay safe, stay metal, and we hope to see you on the road someday soon!”
The original recordings of the bonus tracks on “Kingsbane: Deluxe Edition” were written by guitarists Krzysztof Stalmach and Bobby Harley, but for the reissue were collaborated by the whole band. The Deluxe Edition of “Kingsbane” was also entirely re-mixed by bassist Tyler Corbett and re-mastered by drummer Cody Anstey.
The music video for the bonus version of “Viper Queen”, a venomous power punch of melodic heavy metal can be watched via YouTube – https://youtu.be/S6aSsrCdfmU
The storyline for “Kingsbane” is about a hero who must reluctantly take up arms against a tyrant king in a neighbouring land. Along the way, he faces many inward, and outward challenges he must overcome to achieve his goal. Through it all, the hero learns a valuable lesson that even though they are duty-bound to stop this great evil, this great evil is also in the eye of the beholder. They discover that the weight of absolute power has the potential to corrupt absolutely – maybe not all villains are as one-dimensional as they seem from the outset.
With powerful songwriting and progressive symphonic melodies, fans of Nightwish, Dream Theater, and Wintersun can enjoy Osyron‘s “Kingsbane: Deluxe Edition” on the following platforms:
CD, Digital – https://osyron.bandcamp.com
Spotify, Apple Music, Tidal, Deezer – https://orcd.co/kingsbane
Track Listing:
1. From Ashes (2:12)
2. To War (5:55)
3. Razor’s Wind (8:15)
4. Viper Queen (7:07)
5. Griefmaker (6:41)
6. Kingsbane (7:18)
7. Empire of Dust (7:27)
8. Kingmaker (10:06)
9. Razor’s Wind (Acoustic) (5:27)
10. Griefmaker (Re-recorded) (5:27)
11. Viper Queen (Re-recorded) (6:03)
Album Length: 1:12:03
Band Line Up:
Krzysztof Stalmach (Guitar)
Cody Anstey (Drums)
Bobby Harley (Guitar)
Reed Alton (Vocals)
Tyler Corbett (Bass)
For more info:
Osyron.com
Facebook.com/osyron
Instagram.com/osyronband
EPK
About:
Osyron is a symphonic metal band based in Calgary, Alberta. The group consists of vocalist Reed Alton, guitarists Krzysztof Stalmach and Bobby Harley, bassist Tyler Corbett, and drummer Cody Anstey. Bridging the gap between traditional European metal and the music of their homegrown contemporaries, Osyron has a sound all their own.
Performing alongside numerous major acts such as Norther, Protest The Hero, Into Eternity, Threat Signal, and The Agonist, Osyron’s next goal is to take their sound across the Atlantic in the flesh (post-Covid).
Discography:
2021 – Kingsbane – Deluxe Edition – Album (Re-Recorded, Remixed, Remastered)
2020 – Foundations – Album
2017 – Kingsbane – Album
2013 – Harbinger – Album
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What the press is saying:
“Their excellent blend of melody, speed and power always hits the sweet spot and I always enjoy seeing them. Progressive Power Metal at its finest. I could see them playing in Atlanta on PowerProg one year soon!” – Metal Rules (Live Review)
“Everything about KINGSBANE is supremely well done. They are one of my new favourite Canadian bands!” – Metal Rules (2017 Kingsbane album review)
“‘Kingsbane’ Voted #17 Best of 2017” – Metal Rules
“Everything about this band is top quality and one of the most proficient, mature, classy and yet still exciting new bands in this field.” – Metal Rules (Foundations 2020)
“Get close, get warm and listen to the tales told of Canada by Osyron. 8/10” – Games, Brrraaains & A Head-Banging Life (Foundations 2020)
“From acoustic to symphonic, each song has plenty of twists and turns with potent vocals and compelling arrangements that showcase Osyron’s instrumental prowess.” – Heavy Music Headquarters (Foundations 2020)
“Foundations is an impressive, very likeable album that will no doubt strongly appeal to a diverse range of metalheads, from fans of European power metal, to prog metallers, to fans of more modern metal. Given the strong quality of this EP, I very much look forward to their next full-length album, which could really establish Osyron as a new, fresh force in the international metal scene.” – Metal Observer (Foundations 2020)
“Foundations puts the band front and center for another Canadian breakthrough to a worldwide audience. Osyron succeed in creating a musically catchy effort that also contains some interesting twists and killer interplay when necessary – and should be a band to keep tabs on.” – Dead Rhetoric (Foundations 2020)
“Seriously, it had been a long time since I had been blown away by a progressive metal release and this one does not disappoint. The production is on point and every song has its place on this EP to demonstrate what these guys are capable of. If you are looking for something different and fresh in a genre that has been known to stagnate, give this EP a nice long listen.” – Metal Temple (Foundations 2020)
“Foundations is genuinely unlike anything I’ve heard before and it’s had me going back for multiple listens precisely for this reason. The musicianship and songwriting are of high quality, but it’s the production that really sells it.” – Moshville (Foundations 2020)
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0 Scream Along With Kill The Imposter’s New Lyric Video For “Mace” Off “The Violence Sessions” Out May 28th
NEWS RELEASE
Montreal, QC – May 14, 2021
For fans of Emmure, Thy Art Is Murder, Fit For An Autopsy, Alpha Wolf
Scream Along With Kill The Imposter’s New Lyric Video For “Mace” Off “The Violence Sessions”
New Album “The Violence Sessions” Out May 28th
Florida’s Kill The Imposter has a new lyric video out for their single “Mace”, giving a glimpse into the upcoming violent, angst-filled EP “The Violence Sessions”, the third release from KTI, following 2019’s “The Decimation” and 2020 “A Strain Of Agony”.
Lyrically “The Violence Sessions” comes from a place of frustration and overall redemption for those frustrations. Highlighting world issues and also very close-to-home relationship problems. KTI truly hope the fans feel something powerful enough to move them. Guitarist Danny Arrieta shares the method in the madness:
“The lyrics drive home all the rage and anger I pour into the music to create this wave of violence that washes over you and needs release”.
Vocalist Johnny Nobody adds:
“I think the whole idea of KTI is to create something that forces a response. We like to provoke movement or thought. If it’s violent (moshing) then so be it. So as far as music affecting me lyrically I would say that if I can’t control my head from banging I would write something that accompanies that. I do write to the music as opposed to writing before I hear the song. I may jot down a phrase or something I can build off of but mostly it’s the music the affects my mood.”
KTI members have come from local and national acts with large followings and have come together as an apocalypse captured in a bottle – ready to be unleashed. They work collaboratively, steel sharpening steel, to produce a violent yet tight sound that demands attention and movement.
Brutal and raw, KTI makes no apologies with their brand of deathcore and is recommended listening for fans of Emmure, Thy Art is Murder, and Dealer.
The lyric video for “Mace” can be seen on YouTube: https://youtu.be/WLJGiyDWpJU
“The Violence Sessions” comes out on May 28, 2021.
Singles available on Spotify and Apple Music
Previous music videos:
“Dongan Hills” – https://youtu.be/nJb933KNx3c
“Mace” – https://youtu.be/4zKyMxwoHzA
“Suffer Alone” – https://youtu.be/6gK4u9a5XHE
Upcoming Dates:
May 28 – Cocoa, FL – The Crying Monk (Album release show)
Aug 20 – Winter Park, FL – The Haven Lounge – Central Florida Metal Fest w/ The Convalescence, The Crowned
Sept 5 – 9 – Danville, VA – Blue Ridge Rock Festival
Sept 26 – Orlando, FL – Rebel Rock Fest w/ Rise Against, The Used, Sevendust, All That Remains, Emmure, Miss May I, Suicide Silence, Islander
Sept 28 – Lake Odessa, MI – At The Race Track Fest w/ The Convalescence
Track Listing:
1. Broken Crown (2:36)
2. Dongan Hills (3:35)
3. Evil Ways (3:11)
4. False Prophet (3:33)
5. Mace (3:02)
6. Suffer Alone (3:46)
7. Unfit Coward ft. Taylor Barber (Left To Suffer) (2:30)
EP Length: 22:17
For more info:
Facebook.com/thelegendagency
Instagram.com/thelegendagency
Facebook.com/killtheimposter
Instagram.com/killtheimposter
EPK
About:
Kill The Imposter is an Orlando, USA-based deathcore band that was formed in late 2018. Pulling musical inspiration from everywhere, the intention of this four-piece band is to make you move in any capacity you see fit.
Coming from local and national bands, Kill The Imposter brings experience, drive, and mayhem, to the stage. The quartet banded together over a shared love for heavy and violent music, after sharing the stage for one song they knew they had something special, so they sat down together and within a week had 3 songs written and a video lined up. They haven’t stopped since that first sit down, and they won’t stop.
One of the founding members Danny Arrieta (guitar) is the primary music writer getting help with arrangement by Johnny Nobody (vocals). Nick Colvin (drums) carries the aggressive speed and heavy grooves with Wilson Bembry ( bass) definitely sharing and blending the thundering lows and technical playing between all of it.
Since they got together, Kill The Imposter has released “The Decimation” (2019), “A Strain Of Agony” (2020) and “The Violence Sessions” (2021). They have pummeled the stages of Central Florida Metal Fest and Tampa DeathFest and played alongside heavy hitters such as Nile and Terrorizer.
– 30 –
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Bravewords – Rockshots Records – AVALAND – THEATER OF SORCERY
REVIEW – https://bravewords.com/reviews/avaland-theater-of-sorcery
@bravewords666 @rockshotsrecords @avaland_metal_opera
#bravewords #avaland #rockshotsrecords #ashermedia #metal #heavymetal #heavymetalmusic #metalhead #metalheads #metalband #metalbands #metalforlife #metallife #metalmusic #metalforever #metalfan #metallove #metallover #newmetal #newmusic #newmusicalert #newmusicfriday #spotify #video #symphonicmetal #operametal #powermetal #metalopera
0 UBER ROCK – OSYRON – ‘KINGSBANE: DELUXE EDITION’ (SELF-RELEASED)
https://uber-rock.co.uk/osyron-kingsbane-deluxe-edition-self-released/
“I loved every second of this album. It is a fantastic experience. From the very first notes of the album to the last, your attention is completely captured. I even have had a hard time writing this review while listening to the album because I kept getting lost in the music. It just sucks you in. This is, without a doubt, a must-have album! You don’t want to miss out on this one. It is an experience that will become a staple of your collection. I know it will be a standout in mine. I loved every second and I know you will too.” – Uber Rock
“I absolutely love the vocal style! There is a wonderful blend of old-school power metal vocals and as well as a modern progressive tone. I definitely hear some similarities to Kamelot but with the darker edges shaved off. Honestly, I found the vocal style here more fun and that is saying a lot from me because I love Kamelot. There is just so much power to every note and they really know when to ratchet it up and when to dial it back giving a lot of evolution to the music. It never felt repetitive or lost my interest.” – Uber Rock
0 Metal Express Radio – OSYRON – Kingsbane [Deluxe Edition]
Fresh Look at a New Classic Canada’s own Symphonic Metal veterans Osyron have decided to take a fresh look at their 2017 album Kingsbane, releasing a remix/remaster of the original 7 tracks plus 3 bonus …READ MORE
0 In Solastalgia, Either Way Invite The Curious To Experience Existential Distress With Visual Encounter “Opia”; Music Video Premiere via TheProgSpace
NEWS RELEASE
Montreal, QC – May 13, 2021
For fans of Milanku, Mogwai, Godspeed You! Black Emperor, Neurosis
In Solastalgia, Either Way Invite The Curious To Experience Existential Distress With Visual Encounter “Opia”
Music Video Premiere via TheProgSpace
Hailing from Montreal, QC, In Solastalgia, Either Way is an experimental and progressive act that places an emphasis on an experience that triggers all the senses for a truly multidimensional feel.
The cinematography behind In Solastalgia, Either Way is not something that can be understated. Their music is a complete audio visual experience that dramatically intertwines progressive post-rock and vivid imagery that is best experienced live. In lieu of live events right now, In Solastalgia, Either Way conveys their messages through music videos such as the one for “Opia”.
Band founder Jean Philippe Hébert explains further:
“It’s the scenery we contemplate while driving a car in snowy weather. It all becomes a snowstorm in which the driver is both stuck but also enamoured with the beauty of nature as he sees less and less through his windshield. He stops, there is a feeling of having no control over your present but the calmness of the storm is magnificent, he waits for it to end. But it is also many other stories.”
Watch the music video for “Opia” via its premiere on TheProgSpace HERE.
Opia is the ambiguous intensity of looking someone in the eye, which can feel simultaneously invasive and vulnerable—their pupils glittering, bottomless and opaque—as if you were peering through a hole in the door of a house, able to tell that there’s someone standing there, but unable to tell if you’re looking in or looking out. This concept is portrayed through the music, frequently changing intensity, and emotions and coming in waves, there is a playful side that works with a nostalgic side.
Solastalgia is a neologism that describes a form of emotional or existential distress caused by environmental change. It is best described as the lived experience of negatively perceived environmental change. Hébert became fascinated by this concept and thus the band was born.
In Solastalgia, Either Way presents a post-apocalyptic screenshot of a non-utopic universe and is recommended for fans of Milanku, Mogwai, and GodSpeed! You Black Emperor.
“Opia” will be released on digital platforms on May 14, 2021.
The album “MORII” is expected in Autumn 2021.
More Info:
Facebook.com/In-Solastalgia-EitherWay-113534206766985
Instagram.com/insolastalgiaeitherway
EPK
About:
Jean Philippe Hébert is an academically trained guitarist. Originally from Québec City, JP was educated at Notre-Dame-De-Foy campus, a private college in the outskirts of Quebec capitol. He grew up surrounded by nature with one brother and two parents in the medical field.
As a young boy, JP would admire a guitar that had been hung on the wall of his house for ages, until he found the courage to ask for the instrument and some lessons. As a teenager, JP played a lot, concentrating his efforts towards a heavy style of music, until he started college and began studying classical and jazz. He is also a multi-instrumentalist; playing not only guitar but piano, drums and bass as well as banjo, mandolin and other specialized guitars.
His musical abilities landed him many gigs with prominent local Quebec City acts like Elliot Maginot, Lisa Leblanc and Les Soeurs Boulay to name a few. For over a decade now he has been lead guitarist on many of these projects both in-studio and live settings.
He is currently working on a solo project “In Solastalgia EitherWay”, which is the fruit of many years of work; it was built around the philosopher Glenn Albrecht idea that describes a form of emotional or existential distress caused by environmental change. This project combines JP’s love for nature and music. His influences vary from Godspeed You! Black Emperor to Goat and to heavier things like Opeth. You can hear all these worlds colliding in his music, somehow perfectly placed in chaos.
The goal is to have a 6 song EP entitled “MORII” recorded by 2021 that will then be followed by a series of concerts. The concerts themselves will be worked on as moving portraits, as he will work closely on visuals with videographers. This project is both musical and visual.
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