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Posts By Asher

0 Reminder – NARCOTIC WASTELAND Kicks Off “Praise the Beast North American Tour 2026” w/ BELPHEGOR, INCANTATION, HATE

  • February 18, 2026
  • by Asher
  • · Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – February 18, 2026

NARCOTIC WASTELAND Kicks Off “Praise the Beast North American Tour 2026” w/ BELPHEGOR, INCANTATION, HATE

Extreme metal juggernaut NARCOTIC WASTELAND kicks off the “Praise the Beast North American Tour” with BELPHEGOR, INCANTATION, and HATE for February and March 2026, continuing their relentless assault on stages worldwide. This marks the band’s third major run in less than a year, following the “Annihilation of Wasteland Tour” across the U.S. in September 2025 and their headlining “Annihilation of Europe Tour” in November and December 2025.
​
Fronted by guitarist/vocalist Dallas Toler-Wade (ex-Nile), Narcotic Wasteland has built a reputation for uncompromising brutality, technical precision, and lyrical themes that confront addiction, corruption, and societal decay. Their recent tours have drawn packed venues and critical acclaim, cementing their place as one of the most ferocious acts in modern death metal.
​
​“The energy we felt from fans in both North America and Europe has been incredible. We’re coming back harder than ever in 2026. Expect a setlist that spans our catalog, new material, and the kind of intensity that defines Narcotic Wasteland,” says Toler-Wade.
​
The tour will see the band storm through major cities across the U.S. and Canada, dates and venues listed below. The tour is a crushing lineup, making this one of the most anticipated metal tours of early 2026.

Tickets for the “Praise the Beast North American Tour” with BELPHEGOR, INCANTATION, HATE, and NARCOTIC WASTELAND are available at https://www.narcoticwasteland.com/tour

Music Video – Introspective Nightmares – https://www.youtube.com/watch?v=jOBq_a4bFGs

​Add to your Spotify playlist – https://open.spotify.com/artist/5IQ8MRD09PzTIzldUag7rD

​

Narcotic Wasteland has carved out its place as a dominant force in the modern metal scene, unleashing a punishing fusion of razor-sharp technicality, feral aggression, and raw intensity. At the helm is guitarist and vocalist Dallas Toler-Wade, celebrated for his tenure with Nile, whose unmatched precision and commanding stage presence drive the band’s sonic assault.
​
Behind the kit, newly added drummer Austin Vicars (also of Casket Robbery) delivers high‑octane precision, combining razor‑sharp blast beats with a commanding, theatrical stage presence. His blend of technical finesse and showmanship makes him a standout force in today’s extreme‑metal landscape.
​
Anchoring the low end, Kenji Tsunami injects depth and texture with inventive, hard-hitting bass lines. His formidable musicianship and commanding presence add another layer to the band’s overwhelming wall of sound, amplifying the ferocity of their live performances.
​
Together, Dallas, Austin, and Kenji form a unit that is both unstoppable and uncompromising, captivating audiences with explosive performances and boundary-pushing compositions. With their collective skill and vision, Narcotic Wasteland stands tall as one of the most formidable powerhouses in extreme music today.

Praise the Beast North American Tour 2026​
​w/ BELPHEGOR, Incantation, Hate, Narcotic Wasteland

Feb-19 – Brooklyn, NY – Brooklyn Monarch
Feb-20 – Lowell, MA – Taffeta Music Hall
Feb-21 – Montreal, QC – Le Studio TD
Feb-22 – Toronto, ON – Lee’s Palace
Feb-23 – Lakewood, OH – Mercury Music Hall
Feb-24 – Joliet, IL – The Forge
Feb-26 – Denver, CO – HQ
Feb-27 – Albuquerque, NM – Launchpad
Feb-28 – Haltom City, TX – Haltom Theater
Mar-1 – Houston, TX – Scout Bar
Mar-2 – San Antonio, TX – Paper Tiger
Mar-5 – Mesa, AZ – The Rosetta Room
Mar-6 – San Diego, CA – Brick by Brick
Mar-7 – San Francisco, CA – DNA Lounge
Mar-8 – Roseville, CA – Goldfield Trading Post
Mar-9 – Los Angeles, CA – 1720
Mar-10 – Anaheim, CA – The Observatory

More info: https://linktr.ee/narcoticwasteland​

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

—
ASHER MEDIA RELATIONS
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0 Gore House Productions – Slamming Death Metal INSECT INSIDE Unshackle The Savage Single “Fragments” From New Album “Reborn in Blight” Out March 2026

  • February 17, 2026
  • by Asher
  • · Insect Inside (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – February 17, 2026

Slamming Death Metal INSECT INSIDE Unshackle The Savage Single “Fragments”

New Album “Reborn in Blight” Out March 2026 via Gore House Productions

Slamming death metal force Insect Inside has announced the next single from their upcoming full‑length “Reborn in Blight,” set for release March 6th, 2026, through Gore House Productions. The new track, “Fragments,” arrives as the band’s most concise and chaotic offering yet, an explosive preview of the raw, atmospheric brutality that defines the album.
​
Short, savage, and deliberately unrelenting, “Fragments” distills everything Insect Inside loves about death metal into one violent burst: chaos, groove, and a sinister, suffocating atmosphere. Though brief, the track serves as a mission statement for the band’s evolved sound, leaner, darker, and more visceral than ever.
​
​“It’s one of the short tracks, but that’s for the better. Here we organically fit everything we like in death metal—chaos, groove, and a sinister atmosphere,” the band explains.

Listen to “Fragments” at https://www.youtube.com/watch?v=TAFogrHeAtk

​Add to your Spotify playlist – https://open.spotify.com/album/7d8Bz11aiZNYq83KOVL8Iy

​​
​“Reborn in Blight” marks the band’s second full‑length album and their most ambitious work to date. Written remotely across multiple cities, the record is the result of a highly collaborative process, with nearly every member contributing to its creation. The band describes the album as a symbiosis of groove‑driven slam and dark brutal death metal, wrapped in a gloomy, oppressive atmosphere.
​
Lyrically, the album continues Insect Inside’s signature world‑building: short, apocalyptic stories about humanity’s extinction and the rise of an insectoid race. The tone shifts with the music; more atmospheric tracks draw out more poetic, abyss‑gazing imagery.
​
The album also features standout guest appearances, including Mr. Ochoa (Cephalotripsy) on the crushing single “Abhorrent Landscape” and Josh Welshman (Defeated Sanity) on the devastating “Hiveborn Abomination”.
​
Alongside “Fragments,” the album’s previously released singles showcase the range of brutality fans can expect: “Hiveborn Abomination,” one of the album’s most powerful tracks, is fast, atmospheric, and sharpened by Josh Welshman’s (Defeated Sanity) unmistakable guest-vocal assault. “Carnal Ruins”, a tribute to the New York death metal lineage, Soils of Fate, Internal Bleeding, Dying Fetus, built on hardcore groove and no‑frills violence.
​
Formed out of the Eastern European underground, Insect Inside emerged from the Chelyabinsk death metal scene with a simple goal: play tight, aggressive slam. What began as cover sessions quickly evolved into original material, shaped by influences like Disentomb, Relics of Humanity, Cryptopsy, Defeated Sanity, and Vulvectomy.
​
The lineup includes several veterans of the brutal death metal circuit: Bogdan (bass) (Cold Blooded Murder, Traumatomy), Pavel (guitar) (Ocean In My Bath), Daniel (vocals) (Nauseating, Morphogenetic Malformation), and Ivan (drums) (Nauseating).
​
With “Reborn in Blight,” Insect Inside pushes deeper into darkness, delivering a record built for mosh pits, gym sessions, and anyone craving oppressive, atmospheric brutality. And with more material already in the works, the swarm is only beginning.

Recommended for fans of Internal Bleeding, Stabbing, Devourment, and Disfigurement of Flesh, “Reborn in Blight” will be available March 6, 2026, via Gore House Productions.

Pre‑orders are now live on Digital, Vinyl, CD, and Cassette: https://orcd.co/reborn-in-blight​

Previous Singles:

“Hiveborn Abomination” with guest vocals from Josh Welshman of Defeated Sanity – https://www.youtube.com/watch?v=OhaFr5xtoEo

​“Carnal Ruins” – https://www.youtube.com/watch?v=q3wB_kSpCzY

​

Track Listing:​
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22

Album and Live Band Line Up:​
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

More info: ​​

​https://gorehouseproductions.com/​

​https://www.facebook.com/insectinsideslam​

​https://www.instagram.com/insect_inside​

-30-

“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 THE DIVINE PROJECT Unleash Video “Don’t Startle The Murder” Off New “Rebirth” EP + Ontario March Mayhem 2026 Tour w/ SELIAS

  • February 17, 2026
  • by Asher
  • · Music News · The Divine Project

NEWS RELEASE

Montreal, QC – February 17, 2026

THE DIVINE PROJECT Unleash Video “Don’t Startle The Murder” Off New “Rebirth” EP

Ontario March Mayhem 2026 Tour w/ SELIAS

TDP – L-R – Mitch Greenham (Drums) | Eric Divine (Guitar) | Ro Stevens (vocals) | Derek ‘DRock’ Boshkov (Bass) | David T.Anselmo (Guitar)

Photo by: Ivan Gaitan-Ruiz (IG: @pato.feoart)

Canadian metal act The Divine Project has officially re‑emerged with “Rebirth,” a ferocious and emotionally charged EP that marks the beginning of a new chapter for the band. Faster, heavier, and more complex than anything in their catalogue, “Rebirth” is a declaration of intent, a sharpened, revitalized version of The Divine Project that refuses to be ignored.
​
The band is sharing their latest music video for “Don’t Startle The Murder”, as well as a run of March tour dates across Ontario with SELIAS, bringing their high‑energy, pit‑starting live show to fans new and old (dates listed below).
​
​“Rebirth” is a four‑track journey through resistance, collapse, danger, and endurance. Written as the band’s official relaunch, the EP blends modern metal, groove, djent, metalcore, and cinematic aggression into a sound that fans struggle to categorize, but instantly recognize.
​
The EP was built on a strict philosophy: If the five of them can’t play it live, it doesn’t go on the record. Every sound on “Rebirth” is performed live without essential backing tracks.
​
Pre‑production was done entirely in‑house, with demos so polished that Eardrum Valley Records used the original guitar and bass tracks in the final mix. Only drums and vocals were re‑recorded in the studio.
​
The band has released a new music video for “Don’t Startle The Murder”, the EP’s most volatile and cinematic track. The song’s title is intentional wordplay; a “murder” is a group of crows, and the lyrics explore the predatory nature of self‑righteous authority figures. A fun fact about the track is that the Latin‑inspired bridge features percussion recorded using children’s toys, a plastic maraca, and a clapper, after the band realized they had no Latin instruments on hand during vocal tracking.
​
The video amplifies the song’s tension, psychological pressure, and explosive energy, capturing the essence of The Divine Project’s new era.

Watch and listen to the music video “Don’t Startle The Murder” at https://www.youtube.com/watch?v=kQ3fpbeu_f8

​

Hailing from the Greater Toronto Area, The Divine Project blends hard rock and metal into a sound that is raw, emotive, and aggressively modern. Their electrifying live performances have earned them direct support slots for Eyes Set To Kill, Black Satellite, Awake At Last, Sumo Cyco, and Escape The Fate.
​
Each member brings a distinct musical background, from djent and deathcore to nu‑metal, funk, prog, and 80s metal, creating a signature sound that fans say reminds them of Trivium, Linkin Park, Killswitch Engage, Static‑X, and All That Remains, while still being unmistakably TDP.​
​
The band is already deep into their next EP, heading into the studio this April. While “Rebirth” is fueled by anger, speed, and defiance, the next release explores darker emotional territory, a lonesome story with a faint glimmer of light.
​
​“Rebirth,” released November 28, 2025, is available at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/1ROxx7e7BhrPDtZizNhsNk​

Bandcamp – https://thedivineproject.bandcamp.com/album/rebirth​

Track Listing:​
1. The Revolt (3:46)
2. Ruins Of Truth (3:27)
3. Don’t Startle The Murder (4:18)
4. The Longest Night (5:53)
EP Length: 17:24

The Divine Project will bring “Rebirth” to the stage this March with a series of Ontario shows featuring their signature high‑energy, crowd‑driven performance. Known for jumping into the pit, starting mosh circles, and feeding off fan energy, the band promises a live experience that is intense, immersive, and unforgettable.

March Mayhem 2026 Tour w/ Selias, The Divine Project​
Ticket info – https://www.tdp-official.com/event-list​
March 13 – The Richmond Tavern – London, ON
March 14 – The Atria – Oshawa, ON
March 27 – See Scape – Toronto, ON

More info:

https://www.tdp-official.com/​

https://www.facebook.com/thedivineproject/​

https://www.instagram.com/TheDivineProject​

-30-

“… I’m simply left wanting more. Not from the track itself, but from an EP whose tracks each bring their own texturally layered elements, all melded together in an extraordinary Extended Play recording.” – Jay Broderick, LoudTO, 2025

“You know a band is special when they have a truly unique sound. Those were my thoughts when I gave this EP a listen.” – “Metal” Mike, @black_kross_zine, 2026)

—–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
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0 THUNDEROR Shares New Video “One Chance” From Rock‑Opera Album “Bleed For It” Out April 2026 + Canada Tour w/ BURNING WITCHES + EU Tour w/ CHRIS HOLMES (W.A.S.P.)

  • February 17, 2026
  • by Asher
  • · Music News · Thunderor

NEWS RELEASE

Montreal, QC – February 17, 2026

​THUNDEROR Shares New Video “One Chance” From Rock‑Opera Album “Bleed For It” Out April 2026

+ Canada Tour w/ BURNING WITCHES + EU Tour w/ CHRIS HOLMES (W.A.S.P.)

Thunderor L-R: Brycen Gunn (Bass) | JJ Tartaglia (Vocals, Drums, Keys) | Jonny Nesta (Guitar)
Photo Credit – Rae Chatten

Canadian arena‑rock heavy metal power trio THUNDEROR ignites the next chapter of their high‑flying saga with the release of their brand‑new single “One Chance”, accompanied by an official music video. The track serves as the next glimpse into their upcoming concept album, “Bleed For It,” arriving April 17, 2026, via Boonsdale Records.

The band will support the release with a full Canadian tour alongside Swiss heavy metal titans Burning Witches, followed by a European run with Chris Holmes (W.A.S.P.), bringing THUNDEROR’s arena‑sized energy and rock‑opera theatrics to stages across two continents (dates listed below).
​
​“One Chance” leans into the band’s heavier roots while keeping their unmistakable melodic punch. Frontman JJ Tartaglia explains:
​
​“Feeling good about announcing the album with this track. It’s showing a little more of our Skull Fist roots, leaning more on the heavy metal side, while still having that big hook chorus. This one’s about romance, wanting that one chance with the one you want.”
​
​
The single’s video ties directly into the album’s overarching narrative, expanding the world of THUNDEROR’s rock‑opera universe.
​
Watch and listen to the music video for “One Chance” at https://www.youtube.com/watch?v=rnajB7jTY_Q

​

Add to your Spotify playlist – https://open.spotify.com/track/0WGK25nDTYwLRd6ZKvfNrH​
​
​“Bleed For It” serves as the official soundtrack to Thunderor The Musical, the band’s ambitious rock‑opera production that debuted at the Toronto Fringe Festival in 2025. Its artwork captures scenes from the stage show, setting the mood for a sweeping tale of adventure, danger, and heart. Set in an alternate 1992, the story follows Bowen, a washed‑up musician and biker, who finds renewed purpose through romance and one last grasp at glory. Joined by best friends Kenzie and Sheenah, along with a local friar, he’s pulled into a whirlwind of rival biker gangs, love triangles, and life‑or‑death choices, all told with the wild, youthful spirit of classic arena rock. Across its nine tracks, the album blends heavy metal, hair metal, and rock‑opera flair, from the explosive opener “Pump Up The Volume” and the anthemic title track “Bleed For It,” to the road‑trip escapades of “Take Me To The Show” and the pro‑wrestling‑fueled “Get ’Em Counted.” Emotional depth comes through in the heartfelt tribute “Cape Breton Home” and the Springsteen‑inspired “Streets of Fire,” while the heavy‑metal romance single “One Chance” adds longing to the journey. The instrumental “DreamQuest” builds toward the dramatic finale, “In The Fire O’ The Heat,” a powerful closer exploring heartbreak, betrayal, and resilience.

Tartaglia adds:
​
​“The vocals are a vast improvement from the first album, and the songwriting has matured with more big anthem choruses. I hope this album inspires listeners to follow their dreams, let it be a soundtrack to your unbridled life adventures.”​
​
​THUNDEROR was formed in 2020 by multi‑JUNO‑nominated musicians JJ Tartaglia and Jonny Nesta (both known for their work in Skull Fist) to deliver hook‑driven anthems inspired by the golden age of arena rock. Their debut album, “Fire It Up” (2022), hit #1 on Earshot’s National Loud Chart, propelling the band onto international tours across Europe, Canada, Mexico, and South America alongside acts such as Airbourne, U.D.O., Enforcer, and Night Demon.
​
Their 2024 single “Get ’Em Counted” surpassed 230K YouTube views, building momentum toward their next evolution: a full‑scale rock opera. The 2025 debut of Thunderor The Musical introduced fans to a new narrative universe, one now fully realized on “Bleed For It.”​
​
With improved vocals, bigger choruses, and a cinematic concept, “Bleed For It” promises to be THUNDEROR’s most ambitious and emotionally charged release yet. If you crave escape, adventure, romance, and danger, the band invites you to ride with them into the storm.

Recommended for fans of The Darkness, Skull Fist, Ghost, and Night Flight Orchestra.

Due out on April 17th, 2026, via Boonsdale Records, “Bleed For It” is available for Vinyl pre-order and digital pre-save at the following links:

CAN/ Worldwide – https://boonsdale.bigcartel.com/​

Europe – LP/CD – https://www.cruzdelsurmusic.com/​

Track Listing:​
1. Pump Up The Volume (3:42)
2. Bleed For It (4:06)
3. Take Me To The Show (4:09)
4. Get ‘Em Counted (3:19)
5. Cape Breton Home (3:33)
6. Streets Of Fire (4:16)
7. One Chance (3:40)
8. DreamQuest (1:29)
9. In The Fire O’ The Heat (4:19)
Total: 33:11

Album and Live Band Line Up:​
JJ Tartaglia – Vocals, Drums, Keys
Jonny Nesta – Guitar
Brycen Gunn – Bass

Canada Tour 2026 with Burning Witches​
​
April 20 – Piranha Bar – Montreal, QC
April 21 – La Source De La Martiniere – Quebec City, QC
April 22 – Rainbow Bistro – Ottawa, ON
April 23 – The Garrison – Toronto, ON

Scandinavia Tour 2026 with HOLMES (The Sound of WASP)​
May 15 – Nordic Noise – Copenhagen, Denmark
May 16 – Godset – Kolding, Denmark
May 21 – Willemeen – Arnhem, Netherlands
May 22 – Iduna – Drachten, Netherlands
May 23 – South of Heaven – Bilzen, Belgium
May 27 – The Abyss – Gothenburg, Sweden
May 28 – Muskelrock – Blädinge, Sweden
May 29 – Lokstallet – Skövde, Sweden
May 30 – Gjerdrum Rock Club – Gjerdrum, Norway
May 31 – Sjøboden Live Scene – Mandal, Norway

For more info:

​https://boonsdalerecords.com/thunderor/​

​https://www.facebook.com/ThunderorOfficial​

​https://www.instagram.com/thunderor_official/​

– 30 –

“There must be room somewhere between Steel Panther, The Darkness and The Night Flight Orchestra!” – Metal Hammer

“Thunderor are back with a new fist pumping anthem, the single ‘Pump Up The Volume’ is here and it’s the first track from their forthcoming album “Bleed For It” coming in March. Speedy riffs with plenty of energy to match, ‘Pump Up The Volume’ also pulls in those classic metal vibes and you can almost smell the studded leather. Mix in a blistering 6-string solo and what more could you ask for? Catch it right here on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“The bottom line for THUNDEROR is that a listen is urgently required. Those who like the singing will have a lot of fun with the CD” – Vampster
​
“If you’re looking for a solid rock record that’s equal parts pop and metal, Fire It Up could be your jam. The songs are well crafted, catchy and fun road companions. Take it on your next drive or spin it at Saturday’s kegger. Thunderor takes not being serious very seriously. They recaptured the spirit of 80s rock staples like Ozzy to Journey but also managed to put their own stamp on it. Not many throwback NWOTHM acts succeed in putting this much character in their sound.” – Angry Metal Guy

“The moment I first heard “How We Roll,” I knew I was in trouble…and instantly hooked. Other numbers like “All or Nothing,” “On the Run,” “We Can Make It,” and the epic title track, infuse multiple sub-genres like thrash, power, and synth metal, and are the type of adventurous anthems that make life still feel like it’s worth living even on its darkest of days.” – Rewind It Magazine

“The spirit of the glorious 80’s is omnipresent on the debut, those who like authentic 80’s sound should definitely check out.” 8/10” – Rock It!

“The good mood album of the season comes from Canada. Crisp, consistently catchy songs with excellent guitar work, sometimes enhanced with appropriate keyboard sounds.” 8,5/10” – Deaf Forever

“There must be room somewhere between Steel Panther, The Darkness and The Night Flight Orchestra!” – Metal Hammer

“Thunderor the Musical is infectious, hard-rocking comic book fun that blows the roof off the place – I smiled my way through the whole show – I bet you will, too.” – Sesaya Arts Magazine

“Thunderor the Musical is raucous fun with shredding guitars and driving drums… filled with catchy anthems, flawlessly performed by powerhouse musicians.” – Grind Mag

“I’m always impressed when a drummer handles lead vocals, especially in metal, where the physical demands of drumming are intense. JJ Tartaglia nailed it, delivering flawless vocals without missing a drum beat.” – Allfather Metal

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
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0 EPK – Thunderor – Bleed For It (2026) (Boonsdale Records)

  • February 17, 2026
  • by Asher
  • · EPKs · Thunderor

EPK – Thunderor – Bleed For It (2026) (Boonsdale Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I hope that this album will inspire listeners to follow their dreams, let it be a soundtrack to your unbridled life adventures.” – JJ Tartaglia – Thunderor

For fans of The Darkness, Skull Fist, Ghost, Night Flight Orchestra

Band: Thunderor
Album Title: Bleed For It
Release Date: April 17, 2026
Label: Boonsdale Records
Genre: Heavy Metal
Location: Toronto, ON, Canada

Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official | Youtube.com/@BOONSDALE | Musicnovascotia.ca/artist/thunderor/

Thunderor.bandcamp.com | Spotify | Apple Music 

Canada Tour 2026 with Burning Witches​
​April 20 – Piranha Bar – Montreal, QC

April 21 – La Source De La Martiniere – Quebec City, QC
April 22 – Rainbow Bistro – Ottawa, ON
April 23 – The Garrison – Toronto, ON

Scandinavia Tour 2026 with HOLMES (The Sound of WASP)​
May 15 – Nordic Noise – Copenhagen, Denmark
May 16 – Godset – Kolding, Denmark
May 21 – Willemeen – Arnhem, Netherlands
May 22 – Iduna – Drachten, Netherlands
May 23 – South of Heaven – Bilzen, Belgium
May 27 – The Abyss – Gothenburg, Sweden
May 28 – Muskelrock – Blädinge, Sweden
May 29 – Lokstallet – Skövde, Sweden
May 30 – Gjerdrum Rock Club – Gjerdrum, Norway
May 31 – Sjøboden Live Scene – Mandal, Norway

“Thunderor are back with a new fist pumping anthem, the single ‘Pump Up The Volume’ is here and it’s the first track from their forthcoming album “Bleed For It” coming in March. Speedy riffs with plenty of energy to match, ‘Pump Up The Volume’ also pulls in those classic metal vibes and you can almost smell the studded leather. Mix in a blistering 6-string solo and what more could you ask for? Catch it right here on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“The spirit of the glorious 80’s is omnipresent on the debut, those who like authentic 80’s sound should definitely check out.” 8/10” – Rock It!

“The good mood album of the season comes from Canada. Crisp, consistently catchy songs with excellent guitar work, sometimes enhanced with appropriate keyboard sounds.” 8,5/10” – Deaf Forever

“There must be room somewhere between Steel Panther, The Darkness and The Night Flight Orchestra!” – Metal Hammer

“Thunderor the Musical is infectious, hard-rocking comic book fun that blows the roof off the place – I smiled my way through the whole show – I bet you will, too.” – Sesaya Arts Magazine

“Thunderor the Musical is raucous fun with shredding guitars and driving drums… filled with catchy anthems, flawlessly performed by powerhouse musicians.” – Grind Mag

“I’m always impressed when a drummer handles lead vocals, especially in metal, where the physical demands of drumming are intense. JJ Tartaglia nailed it, delivering flawless vocals without missing a drum beat.” – Allfather Metal

[Download Album Cover | Download Album Lyrics]

Band: Thunderor
Album Title: Bleed For It
Release Date: April 17, 2026
Label: Boonsdale Records
Genre: Heavy Metal
Location: Toronto, ON, Canada

Track Listing:
1. Pump Up The Volume (3:42)
2. Bleed For It (4:06)
3. Take Me To The Show (4:09)
4. Get ‘Em Counted (3:19)
5. Cape Breton Home (3:33)
6. Streets Of Fire (4:16)
7. One Chance (3:40)
8. DreamQuest (1:29)
9. In The Fire O’ The Heat (4:19)
Total: 33:11

Album Recording Credits:
• Songs written by: JJ Tartaglia, Jonny Nesta
• Vocals, Drums, Keys: JJ Tartaglia
• Guitars: Jonny Nesta
• Bass (tracks 1,2): Brycen Gunn
• Bass (tracks 3-7,9): Oscar Anesetti
• Additional Keys (tracks 3,4,7): Anthony Pannozzo
• Fiddle (track 5): Colin Grant
• Produced by: JJ Tartaglia
• Mixed by: Chris Snow
• Mastered by: Kristian Montano
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
JJ Tartaglia – Vocals, Drums, Keys
Jonny Nesta – Guitar
Brycen Gunn – Bass

====================================================

About The Album Artwork:

The album art shows different scenes of the story of ‘Thunderor The Musical’

About the album as a whole (LYRICALLY & MUSICALLY):

The whole album is somewhat of a concept album as it tells the story of ‘Thunderor The Musical’: a tale of adventure and romance in the face of mortality, hearkening back to the glory days of arena rock, wild and restless, as a young group of would-be rockers head out on an impromptu adventure in a time of danger and hope.

The year is 1992, in a tumultuous alternate universe, Bowen, a has-been musician and biker, finds himself inspired by romance and gives one more shot at glory. Joined by love-hungry best friends Kenzie and Sheenah, and a local friar, they find themselves in the face of a rival biker leader, and thrown into an unexpected journey. Through danger, good times, and love triangles, the troupe are thrown into the trials of life, riding against the wind and never looking back.Track by Track (LYRICALLY & MUSICALLY): 

1. Pump Up The Volume – This one is a fun track, a good pump-up song before a night out or a big event. The middle section is really meant for live, to get the audience pumping.

2. Bleed For It – This song is the essence of the album; it all revolves and comes back to this theme of bleeding for something. It’s a real anthem with some Twisted Sister vibes.

3. Take Me To The Show – Simply about friends travelling to go to a rock/metal show and all of the adventures that come with that.

4. Get ‘Em Counted – This one’s about pro wrestling! Mainly written for my brother Remy, aka Clash Kincade, who also stars in the music video.

5. Cape Breton Home – Wrote this one as a tribute to back home, Cape Breton Island. Features the great Colin Grant on the fiddle.

6. Streets Of Fire – A soundtrack for revolution. Danger, chaos, clashes in the streets, the people rallying together. Some Bruce Springsteen influence shining through here.

7. One Chance – Leaning more on the heavy metal side here, lyrically, it’s about romance, wanting that one chance with the one you want.

8. DreamQuest – Instrumental bit meant as an epic intro leading to the final song, the climax.

9. In The Fire O’ The Heat – This final opus is about being in Hell. Not physically, but mentally. Love gone wrong, choices gone wrong, betrayal, left alone with the pieces. Albeit still with a glimmer of hope, resilience.

Thunderor L-R: Brycen Gunn (Bass) | JJ Tartaglia (Vocals, Drums, Keys) | Jonny Nesta (Guitar)
Photo Credit – Rae Chatten

Formed in 2020 by multi-JUNO-nominated musicians JJ Tartaglia and Jonny Nesta (also known for their work in Skull Fist), THUNDEROR delivers hook-driven anthems to the caliber set by their arena-rock predecessors, infused with elements of heavy metal, hair metal, and rock opera.

Their debut album, FIRE IT UP (2022), charted at #1 on Earshot’s National Loud Chart in Canada, quickly establishing the band as a rising force in the global metal scene. Extensive tours across Europe, Canada, Mexico, and South America followed, with Thunderor sharing stages alongside major acts such as Airbourne, U.D.O., Enforcer, and Night Demon.

In May 2024, the single “Get ‘Em Counted” amassed over 230K views on YouTube, further fueling anticipation for the band’s next chapter. In the summer of 2025, Thunderor unveiled Thunderor the Musical at the Toronto Fringe Festival—a bold rock opera production featuring a full cast and unreleased material that now forms the backbone of their forthcoming sophomore album.

Set for release in April 2026, the new album will feature the high-energy singles such as “Pump Up The Volume” and “One Chance” that embody the band’s uplifting spirit and theatrical flair. With improved vocals, bigger anthem choruses, and a concept-driven narrative, the record promises to be both a soundtrack to the musical and a standalone heavy metal experience.

If you’ve ever felt a longing for escape, a thirst for adventure, wrapped in romance and danger, allow THUNDEROR to be your soundtrack!

Discography:
2026 – Bleed For It – LP
2022 – Fire It Up – LP

Artits Endorsements: Pearl Drums, Ahead Drumsticks

Shared Stage with: Airbourne, Enforcer, Night Demon

Upcoming Festivals:
May 15, 2026 – Nordic Noise, DK
May 28, 2026 – Muskelrock, SE
June 2026 – NXNE – Toronto, ONUpcoming Tours:Canada Tour w/ Burning Witches
April 20 – Piranha Bar – Montreal, QC
April 21 – La Source De La Martiniere – Quebec City
April 22 – The Brass Monkey – Ottawa, ON
April 23 – The Garrison – Toronto, ONEurope Tour w/ HOLMES (The Sound of WASP)
May 15, 2026 – Nordic Noise, DK
May 16, 2026 – Godset – Kolding, DK
May 21, 2026 – Willemeen – Arnhem, NL)
May 22, 2026 – Iduna – Drachten,
May 23, 2026 – South Of Heaven – Bilzen, BE
May 27, 2026 – The Abyss – Gothenburg, SE
May 28, 2026 – Muskelrock – Bladinge, SE
May 29, 2026 – Lokstallet – Skovde, SE
May 30, 2026 – Gjerdrum Rock Club – Gjerdrum, NO
May 31, 2026 – Sjoboden – Mandal, NOPast Festivals:
July 3-12, 2025 – Toronto Fringe Festival, ON
May 8-9, 2025 – ECMA, St. John’s, NL
May 4, 2024 – Gladbeck Metal Bash, DE
Jun 9, 2023 – NADA Fest, PT
July 31, 2022 – Loud As Hell, AB
June 5, 2022 – Muskelrock, SE
May 27, 2022 – Metalheadz Open Air, DEPast Tours:Canada Dates 2025 w/ Wildstreet
20.11.25 Bovine, Toronto
21.11.25 Piranha Bar, MontrealEurope Tour 2024 w/ Tytus
01.05.24 Putzer Bikerfest – Natz-Schabs, IT
02.05.24 Schwarzer Keiler – Stuttgart, DE
03.05.24 South of Heaven – Bilzen, BE
04.05.24 Gladbeck Metal Bash Open Air, DE
05.05.24 Sound Dog – Breda, NL
06.05.24 Logo – Hamburg, DE
07.05.24 Reset Club – Berlin, DE
08.05.24 Black Label – Leipzig, DE
09.05.24 Paunchy Cats – Lichtenfels, DE
10.05.24 Escape – Vienna, AT
11.05.24 Gustaf Pekarna- Maribor, SI
12.05.24 Meskio Bar – Caneva, ITEurope Tour 2023 w/ Kryptos
04.06.23 Fredagsmangel – Stockholm, SE
05.06.23 HM Army Rockclub – Sandviken, SE
06.06.23 Oceanen – Gothenburg, SE
07.06.23 Bastard Club – Osnabrück, DE
08.06.23 Bambi Galore – Hamburg, DE
09.06.23 NADA Fest – Beja, PT
10.06.23 Sala Silikona – Madrid, ES
11.06.23 Razzmatazz 3 – Barcelona, ES

South America 2023 w/ Enforcer
22.02.2023 – Midas Music, Montevideo
25.02.2023 – Hangar 110, Sao Paulo

Canada Tour 2022 w/ Night Demon
20.09.22 – Montreal, QC @ Piranha Bar
21.09.22 – Ottawa , ON @ Brass Monkey
22.09.22 – Toronto, ON @ Rockpile
23.09.22 – St. John’s, NL @ Columbus Hall

Mexico Tour 2022 w/ Airbourne
03.09.2022 – C3 Stage, Guadalajara
04.09.2022 – Café Iguana, Monterrey
06.09.2022 – Circo Volador, Mexico City

Europe Tour 2022 w/ Traveler
27.05.22 – Metalheadz Open Air [DE]
28.05.22 – MKNZ – Ilirska Bistrica [SI]
05.06.22 – Muskelrock Festival [SE]
07.06.22 – Copenhagen – Stengade [DK]
08.06.22 – Weimar – Kasseturm [DE]
09.06.22 – Kassel – Goldgrube [DE]
10.06.22 – Oberhausen – Emscherdamm [DE]
11.06.22 – De Verlichte Geest – Roeselare [BE]
12.06.22 – Hamburg – Bambi Galore [DE]
13.06.22 – Pisek – Divadlo Pod Carou [CZ]
14.06.22 – Vienna – Escape [AT]
15.06.22 – Selb – Rockclub Nordbayern [DE]

0 EPK – The Divine Project – Rebirth (2025)

  • February 15, 2026
  • by Asher
  • · EPKs · The Divine Project

EPK – The Divine Project – Rebirth (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We set the goals to reintroduce The Divine Project to the world as a faster, heavier, and more complex band. We made sure we came out swinging and wrote music intended to punch everyone in the face. We were determined, focused, and angry when we made this EP, and we didn’t give a damn what people thought of us. It’s a blend of the music we love, while telling stories of the life we hate. Rebirth is our new beginning and our way of saying The Divine Project is here to stay.” – The Divine Project

For fans of Trivium, Linkin Park, Killswitch Engage, Static-X, All That Remains

Band: The Divine Project
EP Title: Rebirth
Release Date: November 28, 2025
Label: Self-Release
Distribution: DECM Records
Genre: Modern/Alternative Metal
Location of Band: Toronto, ON, Canada

TDP-Official.com | Facebook.com/TheDivineProject | Youtube.com/@TheDivineProject | Instagram.com/TheDivineProject

Thedivineproject.bandcamp.com | Spotify | Apple Music | Tidal

“… I’m simply left wanting more. Not from the track itself, but from an EP whose tracks each bring their own texturally layered elements, all melded together in an extraordinary Extended Play recording.”  – Jay Broderick, LoudTO, 2025

“You know a band is special when they have a truly unique sound. Those were my thoughts when I gave this EP a listen.”  – “Metal” Mike, @black_kross_zine, 2026)

March Mayhem 2026 Tour w/ Selias, The Divine Project​
Ticket info – https://www.tdp-official.com/event-list​
March 13 – The Richmond Tavern – London, ON
March 14 – The Atria – Oshawa, ON
March 27 – See Scape – Toronto, ON

[Download EP Cover | Download EP Lyrics]

Band: The Divine Project
EP Title: Rebirth
Release Date: November 28, 2025
Label: Self-Release
Distribution: DECM Records
Genre: Modern/Alternative Metal
Location of Band: Toronto, ON, Canada

Track Listing:
1. The Revolt (3:46)
2. Ruins Of Truth (3:27)
3. Don’t Startle The Murder (4:18)
4. The Longest Night (5:53)
EP Length: 17:24

EP Recording Credits:
• All songs performed by: The Divine Project
• All songs written by: The Divine Project
• All lyrics written by: Eric Rivera, Roman Petryga
• Produced by: David T. Anselmo, Mitchell Greenham
• Mixed by: David T. Anselmo, Caleb Hyde
• Mastered by: Caleb Hyde
• Album Artwork by: David T. Anselmo, Roman Petryga
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Ro Stevens – Vocals
Eric Divine – Founder/Guitar
David T. Anselmo – Guitar
Derek ‘DRock’ Boshkov – Bass
Mitch Greenham – Drums

===============================================

About The EP Artwork:

(David – Guitar)
The name “Rebirth” is inspired by our new line-up and era for The Divine Project. We wanted to avoid the cliche of “reincarnation of a phoenix from the ashes”-style imagery, but still have this sort of fantastical, “Final Fantasy-esque” element to the artwork for our first EP. That’s when Ro brought us the idea of the angel, which checks the boxes and also aligns more closely with the theme of our band. (Divine, ergo Angel, you get it.) This is why the angel is forming up from dust, holding up the staff, kind of breaking through the void. We’ve yet to start working on the design or title for our follow-up EP, but based on the feelings we get from the music itself, you can expect it to be dark, lonesome, and a bit uncomfortable.

Another fun fact: for Rebirth, the staff that the angel is holding is somewhat a 3D rendering of an idea that we had for a band emblem. We figured that’s what it would look like in ‘real life’.    About the EP as a whole (LYRICALLY & MUSICALLY):

Rebirth is a heavy, emotionally-charged EP that moves through resistance, disillusionment, danger, and ultimately endurance. Across the four tracks, we blend our love for all genres of metal while trying to create music that hits with real weight but still feels built for connection and release. The EP’s emotional thread is transformation through conflict. It begins with defiance and uprising (“The Revolt”), descends into fractured belief and emotional ruin (“Ruins of Truth”), spikes into volatile psychological tension (“Don’t Startle The Murder”), and closes with a long-form survival anthem that tells a story of a final turning point (“The Longest Night”). For us, Rebirth ultimately lives up to its name. Not as a clean reset, but as a hard-earned return for The Divine Project; fighting our way through the collapse of old truths, and emerging with something stronger, sharper, and more alive.

Track by Track (LYRICALLY & MUSICALLY):

1. The Revolt
Musically – The Revolt launches the EP with urgency and a kick in the ass. It’s a modern metal track driven by tight, punchy drums and aggressive guitar work that feels both militant and anthemic. With a balance of heaviness with clarity and a chorus that is made to hit live – big, propulsive, and emotionally direct. The Revolt is made to please the crowd and to incite an epic mosh pit.

Lyrically – The Revolt is a song about the powers to be trying to hold us down. It’s about the hypocrisy of violent, ‘self-justified’ power structures that bring the cyclical nature of revolution. It sounds like a battle cry on the surface, but it is more about being self-aware and uncomfortable, forcing us to open our eyes and see what’s happening around us. It’s not a simple ‘rise up’ anthem; it’s a warning. If we don’t take action now to prevent this life cycle from repeating, we will fall into a state of “us versus them.” When this happens, we must fight for a change, knowing that change may bring destruction. We must talk about The Revolt now, to prevent it from occurring.

2. Ruins of Truth
Musically, Ruins of Truth shifts into a darker, more atmospheric space. It is less about pure momentum and more about tension, weight, and emotional gravity. The guitars, bass, and drums lock into a heavier groove and create a sense of collapse and aftermath while the vocals carry a haunted intensity. We would call this our “nu-groove metal” type of song, which will help get the heads nodding.

Lyrically, Ruins of Truth is about false leaders and their imposing their beliefs onto us. It’s about a society in moral, psychological, and ideological collapse. We are trapped between extremes, manipulated to slowly surrender our humanity through division; yet somehow, there are people out there who follow. Even today, as a country, we are forced to cooperate with our neighbours while their leader only shows us tyranny.

3. Don’t Startle The Murder
Musically, Don’t Startle The Murder is the EP’s most volatile and striking track. It is sharp, unpredictable, and charged with menace. It leans into a more aggressive and cinematic edge, with riffs and rhythmic turns that feel like they are constantly tightening the screws, and a bridge that takes the listener in a totally new direction and genre. The vocals are meant to move between restraint and explosion, giving the song a sense of danger and psychological pressure. It’s djent, it’s trash, it’s fucking heavy!

Lyrically, Don’t Startle The Murder is a story from the perspective of someone who has been attacked by those who call themselves righteous. They watch as these people prey on the weak and vulnerable, as they are ‘easy’ targets – like a crow that only feeds on what’s already dead or dying. This person sees what the righteous are capable of doing, but also watches as their way of life slowly destroys them from the inside. For them, greed, not God, is the real driving force, but every action has a reaction, and consequences are inevitable. It is the moment when you realize the situation is not just broken; it is actively threatening. This is an angry song, but not a reckless one. The anger is controlled, aimed, and ethical. It speaks for the victim, not the executioner, and refuses to let the righteous ones hide.

4. The Longest Night
Musically, The Longest Night was designed to close out the EP. It is our most expansive and emotionally sweeping song. It takes its time, building from a tense, introspective mood into something larger and more anthemic, blending heaviness with a sense of endurance and calmness. We wanted to create something that leads into a wide, cinematic arc, that feels like that moment when you let go of that breath you’ve been holding on for so long. The vocals are less confrontational and more like survival; raw, exhausted, and determined. With a drum rhythm that’s designed to make you dance and guitars that showcase our love for 2000’s metalcore, The Longest Night is a collective favourite of all of us.  

Lyrically, The Longest Night is a war-type story told from the perspective of ‘a soldier’. The song is about being used by their ‘leader’ (a higher power) and realizing too late that the cause that they fought for was a lie. This story is to help paint a picture that sometimes we do things we are told are right but end up being wrong. We are told to fight for what is just, but in fact is just a ploy. It shows that we are all human, all vulnerable, and sometimes can fall on the wrong side of history. It is a call back to yourself when you are disappearing inside the weight of everything. This isn’t a pro-war song, or a simple anti-war song – it’s a post-war reckoning. It honours the instinct we all have to protect each other, while telling the story of someone who fell for the system that exploits this instinct.  
===============================================

STORY ANGLES / FUN FACTS ABOUT THE EP “Rebirth”:

1. All the pre-production/demo for Rebirth was done internally. We all have some sort of ‘home studio’ to make music, and David and Mitch are graduates from Metalworks Institute (Mississauga, Ontario) with diplomas as audio engineers. This allowed us to put together high-quality demos, which, in fact, were so well done that our engineer, who helped mix and master the EP (Eardrum Valley Records), was able to use the guitars and bass from the demos in the final production. Only drums and vocals were re-recorded in a live studio session.

2. Everything heard on the EP is performed live. Right now, we aren’t keen on making music that couldn’t be expressed properly with only the 5 of us on stage, so we avoided writing music for Rebirth that needs essential backing tracks to play live. Our motto was ‘if it can’t be played on our instruments, then we don’t do it’.

3. For the track ‘Don’t Startle The Murder’, during the bridge, you will hear additional percussion being played in the background. We decided during the vocal recording sessions that we wanted to add something to build the ‘Latin’ vibe that the bridge had. Unfortunately, we didn’t have access to any Latin instruments of sorts, so Derek brought in toys that his kids use for the percussion. This included a toy maraca and a clapper of sorts. We used these to make the background percussion sounds that you hear in the recording.

4. A lot of people have approached us asking if DSTM is actually supposed to be ‘Don’t Startle The Murderer’. The title is intentional as it’s a play on words. A group of crows is called a murder, and the chorus of the song screams out, ‘the crows will carve you out’. The title ‘Don’t Startle The Murder’ is a warning not to provoke these people (the crows), who tend to be in a higher place of authority.

5. The Longest Night wasn’t called that until the day before we submitted the EP for release. For the longest time (heh), it was called Wake Up, but we felt it didn’t properly express what we wanted to convey in a title. It’s definitely the favorite track in the EP amongst all the band members, so we wanted to find a really meaningful and profound name for it. After some hemming and hawing, we finally bit the bullet and finally settled on the tried and true “Name-the-song-after-the-significant-words-in-the-chorus” method and called it The Longest Night.

BAND STORY ANGLES / FUN FACTS:
1. Our mission is to bring music that’s considered ‘underground’ or ‘too heavy’ to the forefront of the industry.
2. Started as a solo project by Eric Divine, The Divine Project is now a staple in the Toronto music scene.
3. David T. Anselmo and Mitch Greenham are both graduates of Metalworks Institute.

===============================================

L-R – Mitch Greenham (Drums) | Eric Divine (Guitar) | Ro Stevens (vocals) | Derek ‘DRock’ Boshkov (Bass) | David T.Anselmo (Guitar)

Photo by: Ivan Gaitan-Ruiz (IG: @pato.feoart)

Hailing from the Greater Toronto Area, The Divine Project is a powerful fusion of talent spanning the spectrum of hard rock to metal, igniting your ears with a sound that’s raw, emotive, and aggressive in style. With a mission to bring music that’s considered ‘underground’ or ‘too heavy’ to the forefront of the industry, The Divine Project is a force to be reckoned with. Energetic and charismatic, their one-of-a-kind live performance has found them as the direct city support for the likes of Eyes Set To Kill, Black Satellite, Awake At Last, Sumo Cyco, and Escape The Fate.

The Divine Project is recognized as a staple in the Ontario music scene. In 2025, TDP re- emerges to reach even greater heights, as founding guitarist Eric Divine leads the band with an all-new roster composed of frontman Ro Stevens, fellow guitarist David T. Anselmo, bassist Derek “DRock” Boshkov, and drummer Mitch Greenham.

Meet The Band

The Voice
Rø Stevens – Frontman
With nearly two decades of experience and 17 years commanding the frontlines, Ro Stevens is a powerhouse vocalist known for his undeniable stage presence and relentless energy. A true passion for metal fuels his music, but Ro’s versatile voice has led him through almost every genre, always with one goal in mind: to make the crowd lose themselves in the moment.

Ro’s dynamic performances are more than just music—they’re an experience. With the ability to ignite raw emotion and power from the first note, he creates a connection with his audience that’s felt deep in the soul. His voice is both fierce and captivating, demanding attention and giving back nothing less than pure energy in return.

The Divine Project stands as the embodiment of that energy, blending hard-hitting sound with an intense passion that only Ro can lead. This is no ordinary performance—this is the kind of show that leaves an imprint, every time.

The Founder
Eric Divine – Rhythm Guitar
As the founder of The Divine Project, Eric is “The Man with the Plan” and the driving force that has kept TDP alive year after year. A love-hate relation with his art, he leaves every ounce of emotion in the music he creates. Born to 80’s metal and raised in the nu-metal era, Eric brings his love of melodic, hard-hitting, intricate guitar playing to his own sound. With more stories to tell, he will not stop until The Divine Project is a name found in every household music collection.

The Engine
Mitch Greenham – Drums
With over fifteen years of drumming experience, Mitch is the rhythmic backline for The Divine Project. Evolving from the instrumental entity known as 1. O.M with lead guitarist David Anselmo, Mitch brings his expertise as a trained audio engineer alongside his musicianship, stemming from personal inspirations of Travis Orbin, Dan Presland, and Sebastian Lanser. Influenced by progressive metal, tech/ symphonic death metal, and avant-garde metal, Mitch aims to find an optimal blend of technicality and groove to create a unique but memorable musical experience.

The Muscle
Derek “DRock” Boshkov – Bass
As a child of the MuchMusic era, Derek draws inspiration from metal, pop-punk, nu-metal, grunge, and industrial, infused with Latin and Balkan influences from his own cultural upbringing. His unique bass tone blends deep, pulsing grooves with a high-energy edge, laying a powerful rhythmic foundation for The Divine Project. With over a decade of experience performing in the Toronto area with Swixblade, Zen in Chaos, and Be Kind, Rewind, he now channels his passion into creating music that is both crushingly heavy and beautifully intense, pushing sonic boundaries with raw energy, depth, and unfiltered power.

The Wings
David T. Anselmo – Lead Guitar
The Lead Guitarist for The Divine Project, and the brain behind the musical entity known as 1.O.M., whether on a fretboard or in a DAW, David is a font of creativity who strives to inject a wide variety of influences into his craft. A lover of heavy riffs and sonorous leads, but an avid fan of all things catchy, David favours synergizing the slick stylings of neo-soul and funk with a foundation of post-hardcore, metal-core, and instrumental rock to create music that’s compelling yet fun.
The Divine Project enters the next chapter of its story; More ferocious, more passionate, more determined. The Divine Project is coming.

…Will you be ready?

Discography:
2025 – Rebirth – EP
2017 – In The Eyes Of Chaos – LP (physical copies only)

Shared Stage with: Jupiter Hollow, Night of The Snakes, Vulpecula, Lubbock Lights, Dog Whistle, Operus, Devil Witch, Solarus, Killotine, Dead Beyond Fear, Polarity, Cevilain, I See Aura, Dawn Vally, Duskwalker, Drop Top Alibi, Stuck In Neutral, Sewn, Mind Swell, Constrain, Falstaff, Napoleon  

Local Support for Bands touring through Toronto: Escape The Fate, Sumo Cyco (Initiation Tour), Black Satellite, Eyes Set To Kill (The Attention Tour), Awake At Last. All The Time Everywhere.

Tours and Festivals:
2026 – March Mayhem 2026 Tour – London, Oshawa, Toronto, ON.
2026 – Wacken Metal Battle Toronto Round 1 – Toronto, ON.
2025 – Music Day In Canada – Mississauga, ON.

0 GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage + Debut Album Out March 2026

  • February 13, 2026
  • by Asher
  • · GraveMass · Music News

NEWS RELEASE

Montreal, QC – February 13, 2026

West Coast Death Metal Titans GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage

Debut Album “This Is The Way” Out March 6th, 2026 via End Game Records

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

West Coast death metal juggernaut Gravemass has officially announced the release of their highly anticipated debut album, “This Is the Way,” arriving March 6, 2026, via End Game Records. To mark the occasion, the band has unleashed the album’s crushing title track alongside a brand‑new music video featuring explosive live footage captured during their 2025 performance at Armstrong Metal Fest.
​
​“This is the title track of our debut album!! THIS IS THE WAY!!!! Footage from our Armstrong Metal Fest 2025 performance! Hails to our Gravemass Family!!! \,,/\,,/” the band shared in their announcement.
​
Formed by long‑time veterans of the Vancouver metal scene, Gravemass is a supergroup built from decades of collective experience. Its members have performed in some of the most influential and notorious bands on the West Coast, including Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers.
​
The lineup includes Lord Heathen – Vocals (Zimmers Hole, Mechanism), Mayan Hate – Guitar (Savannah, Just Cause, Dialed), Murderer of Colonizers – Guitar (Process, Punch Drunk, Savannah), Bowels of Hell – Bass (Subversion, The Golers, Zucckuss), Destroyer of Souls – Drums (Zimmers Hole, 3 Inches of Blood, Revocation). Together, they channel a sound described by the band as “brutal, angry, fast, dark and evil.”

Gravemass’ formation, as guitarist Mayan Hate explains, was a natural extension of decades‑long friendships within the Vancouver metal scene. He wrote the foundation of the debut album over two months between other projects and shared it with vocalist Lorde Heathen, who immediately signed on. From there, the rest of the lineup, fellow West Coast metal veterans they had all known for years, fell into place. The writing process remained intentionally raw and instinctive: riffs first, lyrics second, and only the material that felt right survived. True to their no‑nonsense ethos, Mayan Hate believes fans of extreme music will embrace the new material, stating simply that “if you like brutal, you will dig it.”

Lyrically, Lorde Heathen draws from the chaos and decay of the modern world, channeling that bleakness into the band’s sinister sound. Musically, Gravemass pulls from the lineage of extreme metal’s greats, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, while shaping their identity through decades immersed in death, black, and speed metal. With their second album already in early writing stages and set to be a more collaborative effort, the band emphasizes that their true power is unleashed onstage, where their live performance brings every element of Gravemass together in a full‑force assault meant for the masses.

Watch the newly released music video for “This Is the Way” as it captures that ferocity firsthand, showcasing the band’s commanding presence at Armstrong Metal Fest 2025.

Music Video – This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

​

Add to your Spotify playlist – https://open.spotify.com/track/0JPFvvKR06w1ofDskaoeE4​

Previous Singles:

Music Video – Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs​

Music Video – Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo​

Music Video – Slaves to Pain – https://www.youtube.com/watch?v=9cW-Rk9koq0​

Digital singles available at https://gravemass.bandcamp.com/​

Track Listing:​
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line Up:​
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

Album Recording Credits:​
• All songs performed by: Gravemass
• All songs written by: Mayan Hate and Lorde Heathen
• Produced by: Tim Creviston
• Mixed by: Tim Creviston
• Mastered by: Tim Creviston
• Album Artwork by: Gravemass
• Member of SOCAN
• Canadian Content (MAPL)

More info:

​https://endgamerecords.com/​

​http://www.gravemass.com/​

​https://www.facebook.com/people/Grave-Mass/61556695854887/​

​https://www.instagram.com/gravemass1/​

-30-

“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 EPK – Gravemass – This Is The Way (2026) (End Game Records)

  • February 13, 2026
  • by Asher
  • · GraveMass

EPK – Gravemass – This Is The Way (2026) (End Game Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Slayer, Venom, Napalm Death, Watain, Morbid Angel

Band: Gravemass
Album Title: This Is The Way
Release Date: March 6, 2026
Label: End Game Records Inc
Distribution: DistroKid
Genre: Black Metal
Location of Band: Vancouver, BC, Canada

Endgamerecords.com | Gravemass.com | Facebook.com/people/Grave-Mass/61556695854887/ | Instagram.com/gravemass1 | Youtube.com/@Gravemass

Gravemass.bandcamp.com | Spotify

“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

[Download Album Cover | Download Album Lyrics]

Band: Gravemass
Album Title: This Is The Way
Release Date: March 6, 2026
Label: End Game Records Inc
Distribution: DistroKid
Genre: Black Metal
Location of Band: Vancouver, BC, Canada

Track Listing:​
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Recording Credits:
• All songs performed by: Gravemass
• All songs written by: Mayan Hate and Lorde Heathen
• Produced by: Tim Creviston
• Mixed by: Tim Creviston
• Mastered by: Tim Creviston
• Album Artwork by: Gravemass
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

======================================

About The Album Artwork:

Visual representation of a crushing wall of sound. It’s a signal of what you can expect inside. Heavy riffs and hellish gutturals, a feast for a true black/death metal fan.

About the Album:

Brutal guttural vocals, high-speed assault, extreme aggression, unyielding sonic violence. 

=====================================

True Canadian Black Metal

Emerging from the depths of the West Coast metal scene, Gravemass is a death metal behemoth forged from the collective fury of its veteran members. With members that read like a who’s who of West Coast metal legends, GraveMass unites alumni from Zimmers Hole, Punch Drunk,3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, and The Golers.

With decades of experience and a shared passion for sonic brutality, these metal stalwarts have conjured a sound that embodies the very essence of evil. Sinister, heavy riffs collide with death metal vocal power, unleashing a maelstrom of aural annihilation.

Their stage presence is a masterclass in intensity, a testament to their collective prowess. This is no mere band – it’s an assembly of warriors, united in their quest for sonic domination.

Prepare to succumb to the onslaught, as these West Coast metal veterans unleash their evil, sinister sound upon the world. The masterclass in death metal has begun.

GraveMass is:
Vocals – Lord Heathen
(Zimmers Hole – Mechanism)
Guitar – Mayan Hate
(Savannah – Just Cause – Dialed)
Guitar – Murderer of Colonizers
(Process – Punch Drunk – Savannah)
Bass – Bowels of Hell
(Subversion – The Golers – Zucckuss)
Drums – Destroyer of Souls
Zimmers Hole – 3 Inches of Blood – Revocation

Discography:
2026 – This Is The Way – Debut Album
2025 – Luciferian Reign – EP
2024 – Spitting Hell – Demo
2024 – Slave to Pain – Demo
2024 – Gravemass – Demo

Shared Stage with: Pear Mave, Tatara, Lucerator, Juliet Ruin, Die Another Day, God Fall, Famous Strangers, Without Mercy, Exit Wound, The Browning, Scallding, Shattered Throne,  Drowning in Blood, Virvum, Riot City, Havok, Born of Osiris

0 Rockshots Records – Italian Power Metal Veterans HIGHLORD Welcomes New Vocalist Andrea Racco (Soundstorm) w/ Video “Resurrection”

  • February 13, 2026
  • by Asher
  • · Highlord (Rockshot Records) · Music News

NEWS RELEASE

Montreal, QC – February 13, 2026

Italian Power Metal Veterans HIGHLORD Welcomes New Vocalist Andrea Racco (Soundstorm) w/ Video “Resurrection”

Rockshots Records proudly presents “Resurrection”, the new single from Italian power metal veterans Highlord, a track that signals a decisive new compositional chapter in the band’s long-standing career.

“Resurrection” introduces the renewed lineup featuring Andrea Racco (also known for his work with Sound Storm) as the new frontman and immediately establishes a sharper, heavier sonic direction while preserving the unmistakable epic DNA that has defined Highlord for decades.

Thematically, the song captures the fragile equilibrium of modern society, a world suspended between tension and transformation, and translates the urgent need for change into the metaphor of rebirth. “Resurrection” is conceived as a surge of energy breaking through instability: not escapism, but reaction; not nostalgia, but renewal.

Musically, the band embraces a more aggressive and compact approach. The guitar work is tighter and more percussive, built around driving riff structures and dynamic harmonic layering that reinforce the song’s sense of forward momentum. The rhythm section delivers a precise, explosive backbone balancing double-kick propulsion with controlled groove passages that heighten the track’s impact without sacrificing clarity.

Andrea Racco’s performance stands at the center of this evolution. His gritty, powerful vocal delivery, recalling the dramatic intensity associated with classic European power metal, injects a raw, assertive edge into the band’s sound. Yet despite the increased weight and attack, Highlord retain their hallmark melodic sensibility: expansive, emotionally charged choruses open the arrangement into wide harmonic landscapes, ensuring that the song’s epic character remains intact.

Production once again plays a crucial role. “Resurrection” was produced by bassist Massimiliano Flak at Evolution Recording Studios in Turin, resulting in a massive, modern mix that emphasizes punch and definition. The guitars cut with sharp articulation, the low end remains firm and controlled, and the vocal layers sit prominently without overpowering the instrumental interplay. The overall sonic architecture is polished yet forceful – contemporary in impact while rooted in traditional power metal aesthetics.

With “Resurrection”, Highlord does not simply introduce a new lineup; they redefine their expressive coordinates. Heavier, more immediate and rhythmically explosive, yet still melodic and anthemic at heart, the single represents a statement of intent, a rebirth forged in steel, melody and conviction.

DIGITAL: https://lnk.to/rSuR3c​
​VIDEO: https://www.youtube.com/watch?v=iWRAEAngyaw

​

For more info:​
​https://www.rockshots.eu​

​https://www.facebook.com/highlordmetalband​

​https://www.instagram.com/highlorditalia/​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Quebec’s NOVA SPEI Unveils “Renaissance,” Introducing New Vocalist and Marking the Beginning of Their 2026 Era

  • February 13, 2026
  • by Asher
  • · Music News · Nova Spei (Bam&Co. Heavy)

NEWS RELEASE

Montreal, QC – February 13, 2026

Quebec’s NOVA SPEI Unveils “Renaissance,” Introducing New Vocalist and Marking the Beginning of Their 2026 Era

L-R – Nova Spei Current Line Up | Dany Soucy (Founder, Rhythm Guitarist) | Cédrick Charland (Lead Guitarist) | Emmanuelle Desbiens-Dubois (Vocal) | Julien De Carufel (Drums) | Nicolas Dumais-Brouillette (Bass, Vocal)

Photo Credit – Joe Weller (Joe Lacerte)

Trois-Rivières, Quebec modern‑metal force Nova Spei launches a bold new chapter with the release of their explosive new single and video, “Renaissance,” the first glimpse into their upcoming 2026 album “TRINITAS,” due this fall. The track marks the official debut of vocalist Emmanuelle Desbiens‑Dubois, whose arrival signals a powerful rebirth for the band both sonically and creatively.
​
Formed in 2012 by guitarist Dany Soucy (Dook, Legion, Trois-Rivières MetalFest), Nova Spei has carved out a unique place in the francophone metal landscape with their djent‑infused, modern, and melodic approach. After more than 100 shows across Quebec and Ontario, two albums, and a series of lineup evolutions, 2026 represents a full resurgence, one that “Renaissance” captures with visceral clarity.
​
Musically and lyrically, “Renaissance” embodies the band’s renewed fire. The track channels the obstacles Nova Spei has faced, the rebuilding that followed, and the determination to return stronger than ever.
​
​“We’re confident listeners will connect with this new chapter of the band, a rebirth shaped by the shift to a more powerful, feminine vocal presence, yet still carrying even greater intensity. The sound feels more organic than our previous album, and we want people to feel the passion and pure joy we pour into creating this music. Releasing Renaissance first made perfect sense. It’s the song that speaks to our fall and our return, so what could be more logical than starting with the track that tells that story?” says the band.

The single’s artwork, created by Filip Ivanovic, visually captures this rebirth, an emergence from a world full of pitfalls, transformed and unbroken.
​
The addition of Emmanuelle Desbiens‑Dubois in 2025 marks one of the most significant shifts in Nova Spei’s history. Her vocal presence brings a fresh intensity and emotional range, redefining the band’s identity while staying true to their modern metal roots.
​
Her arrival completes the current lineup with Dany Soucy (Guitar), Nicolas Dumais-Brouillette (Bass), Julien De Carufel (Drums), and Cédrick Charland (Lead Guitar). Together, they’ve forged a sound that is heavier, more organic, and more dynamic than ever.
​
While Nova Spei’s previous albums were recorded in their own studio, “TRINITAS” marks their first time entering a professional recording environment, an experience that reshaped their entire sonic direction. Producer Francis Perron (Voivod, Martyr) pushed the band toward a more raw, organic sound, shifting their initial modern‑sequenced approach into something more alive and human. Mastering legend Maor Appelbaum (Faith No More, Halford, Yes) unexpectedly joined the project, an opportunity the band describes as surreal and humbling. The result is a sound that blends djent, modern metal, prog, and industrial influences, yet feels more authentic and emotionally charged than anything they’ve released before.

Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects, the music video for “Renaissance” can be seen and heard via its premiere on TheCirclePit YouTube channel at https://www.youtube.com/watch?v=FagxvgWJTes

​Add to your Spotify playlist – https://open.spotify.com/track/65AqzF6nYrkUrzhx32udbl

​

For more info:

​https://www.novaspei.com/​

​https://www.facebook.com/NovaSpei​

​https://www.instagram.com/novaspei​
​

About: Since their debut in 2017, launched as the opening act for Anonymus on a Quebec tour—Nova Spei has steadily grown into one of the province’s most distinctive francophone metal acts. Their songs have been featured on RadioX 98.1FM and even blasted through the Bell Centre during Montreal Canadiens games.
​
Their second album, Sequentis, released in 2021 after pandemic delays, expanded their reach and solidified their reputation for high‑energy, modern metal with a francophone edge.
​
Now, with TRINITAS on the horizon in 2026, Nova Spei is ready to reclaim the stage with renewed purpose.
​
Known for their dynamic, high‑intensity performances, Nova Spei prides itself on delivering maximum energy with no downtime between songs. Fans can expect the upcoming tour cycle to reflect the same spirit of rebirth that fuels “Renaissance.”

– 30 –

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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