Posts By Asher

0 Decibel Magazine – Video Premiere – Canadian Thrashers HYPERIA Get Shreddy w/ Guitar Playthrough “Experiment 77” + New Album “Silhouettes of Horror” Out Now! + Alberta Show Dates – Edmonton – April 8 + Calgary – April 9

April 7, 2022
by Asher
· Hyperia · Music News

NEWS RELEASE

Montreal, QC – April 7, 2022

Canadian Thrashers HYPERIA Get Shreddy w/ Guitar Playthrough “Experiment 77”

New Album “Silhouettes of Horror” Out Now!

Alberta Show Dates – Edmonton – April 8 + Calgary – April 9

L-R – David Kupisz – Rhythm Guitar, Colin Ryley – Lead Guitar, Marlee Ryley – Vocals, Scott Degruyter – Bass
Photo Credit – Derek Carr of Visions in Pixels Photography

Canada’s HYPERIA, formerly of Calgary, AB, and now residing in Vancouver, BC recently unleashed their second full-length album “Silhouettes of Horror” on March 18th. The record is a fast, melodic, and heavy-hitting thrasher that lyrically explores parapsychology, night terror hallucinations, and inhumane government experiments.

Today, in support of the album, Hyperia premiere their latest shredtastic guitar playthrough video for the track “Experiment 77” along with an interview with husband and wife members Colin and Marlee Ryley via Decibel Magazine HERE.

“Silhouettes of Horror” was produced by guitarist Colin Ryley with mastering done by Mika Jussila at Finnvox Studios in Helsinki, Finland (Children of Bodom, Nightwish, Battle Beast). The album features ten original songs and a cover of ABBA‘s classic hit “Gimme Gimme Gimme”. Old and new fans of thrash, NWOBHM, and power metal will appreciate this 50-minute mosher. From its relentless opening track “Hypnagogia” to the super melodic and anthemic “Prisoner of The Mind” to the punchy and hard-hitting “Operation Midnight”, there’s something for every denim patch wearing metalhead to enjoy.

They also recruited good friend and session drummer Gord Alexander (Tessitura, Tides of Kharon, Immunize) for its recording, and for the album’s artwork, they enlisted once more Andrei Bouzikov (Municipal Waste, Skeletonwitch, Toxic Holocaust).

Album order – Hyperiametal.bandcamp.com

Spotify – https://spoti.fi/3jlXG5n

Music Video – Operation Midnight – https://youtu.be/GKo-GVzZ3o8

Lyric Video – Prisoner of The Mind – https://youtu.be/Ii2Z9c1wlU0

Upcoming Show Dates:

April 8 – Edmonton, AB – Shakers Roadhouse – w/ Rising Sun, Tower Hill, Arcane Tyrant

April 9 – Calgary, AB – The Gateway – w/ Syryn, Osyron, Volition, Balrogath

Track Listing:
1. Hypnagogia 4:17
2. Intoxication Therapy 4:38
3. Experiment 77 4:28
4. Severed 4:20
5. Prisoner Of The Mind 4:18
6. Terror Serum 4:51
7. Whitecoat 3:31
8. Silhouettes of Horror 3:54
9. Operation Midnight 4:22
10. Pleonexia 6:59
11. Gimme Gimme Gimme (ABBA Cover) 4:29
Album Length 50:13

Album Recording Credits:
• All songs performed by: Hyperia
• All songs written by: Colin Ryley, Marlee Ryley, David Kupisz
• Produced by: Colin Ryley
• Mixed by: Colin Ryley
• Mastered by: Mika Jussila
• Album Artwork by: Andrei Bouzikov
• Member of SOCAN
• Canadian Content (MAPL)

Album Recording Band Line Up:
Marlee Ryley – Vocals
Colin Ryley – Lead Guitar
David Kupisz – Rhythm Guitar
Scott Degruyter – Bass
Gord Alexander – Drums

Live Band Line Up:
Marlee Ryley – Vocals
Colin Ryley – Lead Guitar
David Kupisz – Rhythm Guitar
Scott Degruyter – Bass

For more info:
Facebook.com/Hyperiabandofficial
Instagram.com/hyperiametal

About:
HYPERIA (originally from Calgary, AB now based in Vancouver, BC) is a Melodic Thrash Metal band known for their wailing vocals, shredding guitars, and fast, heavy music. Formed by Colin and Marlee Ryley in September 2018, they found 3 members from the local metal community and hit the ground running. Since the release of their debut EP “FISH CREEK FRENZY” in 2019, HYPERIA has been thrashing venues and taking the Western Canadian metal community by storm.

In April 2019, HYPERIA announced their signing SLIPTRICK RECORDS, who released their debut full-length album “INSANITORIUM” in January 2020. The band celebrated their release to a 300 person sold-out show in their hometown of Calgary, Canada.

Later that year, the band announced the departure of their previous drummer Jordan Maguire, while at the same time revealing the commencement of their second record “SILHOUETTES OF HORROR” with session drummer Gord Alexander (Tessitura, Tides of Kharon, Immunize). The album was completed in June 2021 and is due out in March 2022.

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“If you prefer your metal loud, dark and just a touch campy (and who doesn’t?), then Calgary-turned-Vancouver rockers Hyperia are planning to deliver with Silhouettes of Horror, the follow-up to 2020’s equally furious and equally fun Insanitorium. First single “Operation Midnight” is an unrelenting barrage of riffage held down by Marlee Ryley’s throat-blistering vocals.” – Exclaim! – One of Exclaim!’s most anticipated albums of 2022

“Energetic, melodic, fast, psychotic, and dynamic are just some of the elements that make Silhouettes of Horror an album that old and new fans of thrash, NWoBHM, and power metal will appreciate. The band even included a cover homage of Abba’s Gimme Gimme Gimme.” – Sentinel Daily

“All in all, Silhouettes of Horror gave me what I want for from a modern melodic thrash album. It’s fun, it doesn’t take itself too seriously, and it’s got cool stories to tell.” – Angry Metal Guy

“an addictive brand of primal thrash” – Dead Rhetoric

“This is one of the most exciting thrash albums I have heard in a fair few years. Hyperia have absolutely smashed it delivering an album that just keeps giving insane quality, track after track. 9/10” – Games, Brrraaains & A Head-Banging Life

“Closing things out with an addictive-to-listen Abba cover, Hyperia ultimately showcase that while they’re here to bring all the notions of devastation and velocity to your current surroundings, they never forgot you need to have a little fun from time to time.” – The Razor’s Edge

“Marlee Ryley has a raw wail and a vicious scream that both play into this particular style extremely well, and it makes the whole package super enticing.” – Toilet ov Hell

“this album is the perfect blend of terror and thrash that blends well to create something uniquely familiar. It hits all the musical notes you’re after, while still indulging in a few out of this world solos and combos that are to die for. Favourite Tracks: Experiment 77, Silhouettes of Horror” – Metal Goddesses

“Classic metal / thrash / prog-ish metal, big voices, harsh thrashy stuff… great stuff!!” – The Mosh Pit 89.9FM (Madison, WI)

“No question, the Canadians know exactly what they want and like each of the eleven tracks. The 50 minutes of playing time fly by without boredom” – Saitenkult

“an album of extreme power and passion… Be warned! This is seriously furious thrash metal with an unusual vocal twist…” – Female Fronted Power

“She’s (vocalist Marlee Ryley) got quite the powerful screams that’ll rip your ears off at times… Overall the album is heavy and fast and packs a lot of punch…” The Metal Crypt

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 TURBO LOVERS Reflect On Past Mistakes With Rockin’ Video “Should’ve Known Better”

April 7, 2022
by Asher
· Music News · Turbo Lovers

NEWS RELEASE

Montreal, QC – April 7, 2022

TURBO LOVERS Reflect On Past Mistakes With Rockin’ Video “Should’ve Known Better”

New Album “Lettin’ It Fly” Out Now!

L-R: Christian DeSantis (Drums) | B.J. Lisko (Guitar/Vocals) | Keith Dougherty (Bass/Backing Vocals)
Photo credit – Gary Leininger

With the latest release “Lettin’ It Fly!” available for listeners around the world, Ohio’s Turbo Lovers are continuing to deliver extraordinary rock done extraordinarily well. This latest album is fresh and full of the most completed and focused material that the band has written so far. For the new record they employed producer Dave Piatek and for the first time, they had another set of ears for the full-length, which pushed them to a whole new level. Today, they present their latest music video for the single “Should’ve Known Better”.

“When it came time to do the video, we didn’t want to do a literal interpretation of the song, so we did a fun video game throwback to the days of the original Nintendo Entertainment System. We included some of our favorites from the original NES and made the video about getting pissed off at the games, which I think everybody can relate to if they were ever a gamer at any point.

Musically, it’s a super anthemic, up-tempo, and catchy tune. Lyrically, a lot of people will probably think that it references being in a bad relationship, and the lyrics could certainly read that way. It’s actually a really hooky tune about getting hooked on drugs, something that happened to me (and that’s happened to about a billion other people), after a bad car accident and more than a year’s worth of ultra-cheap painkiller prescriptions. It was pretty awesome until the drugs ran out. Then it was a total pain in the ass being hooked on something you once needed but now we’re also physically dependent on.” adds B.J. Lisko (Guitar/Vocals).

Watch “Should’ve Known Better” via its premiere on SonicPerspectives HERE.

Turbo Lovers began as a recording side project back in 2003 for guitarist/singer B.J. Lisko to express his love for rock, arena rock, and 80s rock, and to fill a regional need for a band of that style in Northeast Ohio. They are named after the Judas Priest song and sometimes get confused as a Judas Priest tribute band, especially when playing with tribute acts. What they are… is down-to-earth rockers looking to provide the soundtrack for a great time. They have a blast when they play live, and the audience easily picks up that vibe when they hit the stage.

Recommended for fans of Danko Jones, Backyard Babies, and AC/DC, “Lettin’ It Fly!” was released on February 4, 2022, and is available for download at Turbolovers.bandcamp.com, Apple Music, and Spotify.

Music Video – Reasons That We Rhyme – https://youtu.be/UybVZFgO-Bk

Music Video – Too Cocky – https://youtu.be/Z3uOVkk1kkY

Track Listing:
1. Should’ve Known Better (4:26)
2. Reasons That We Rhyme (3:19)
3. Too Cocky (4:27)
4. Lettin’ It Fly (3:45)
5. Gave Me A Sign (3:50)
6. Almost Great (3:22)
7. Finally Home (3:22)
8. Under Pressure (3:46)
9. Rockers Extraordinaire (4:23)
Album Length: 34:42

Album Recording Credits:
• All songs performed by: Turbo Lovers
• All songs written by: Turbo Lovers
• Produced by: Dave Piatek
• Mixed by: Dave Piatek and Keith Dougherty
• Mastered by: Dave Piatek
• Album Artwork by: B.J. Lisko
• Member of ASCAP

Album and Live Band Line Up:
B.J. Lisko – Guitar/Vocals
Keith Dougherty – Bass/Backing vocals
Christian DeSantis – Drums

For more info:
Facebook.com/theturbolovers
Instagram.com/turboloversyo
Twitter.com/turboloversrock

About:

Turbo Lovers is a rock ’n’ roll power trio from Youngstown, Ohio that’s equal parts bravado, swagger and fun. Often chastised for taking their name from what some consider the worst Judas Priest album in history, the band’s sound is more akin to AC/DC, The Wildhearts, and Kiss than the New Wave of British Heavy Metal Gods. But yeah, there’s a little Priest in ‘em, too.

“Lettin’ It Fly” is the band’s new 9-track album, and it’s straight-up, infectious, and unpretentious rock.

“We’re sort of like AC/DC and Danko Jones in that with each album we’ll have a few surprises here and there, but it’s reliable working-class rock ’n’ roll,” said guitarist/singer B.J. Lisko. “It’s all about hooks and solid songs, and we feel like we’ve got plenty of those on the new album.”

The band’s steady stream of support shows opening for the likes of Warrant, Kix, Loverboy, Sebastian Bach, Slaughter, Reverend Horton Heat, Blaze Bayley, and Stephen Pearcy, among others, has netted it a solid fan base, and the racket made by three Ohio rock lifers has turned quite a few heads, as well.

The band originally started as a recording project for Lisko before morphing into somewhat of a revolving door of drummers and bass players. Bassist Keith Dougherty and drummer Christian DeSantis joined the band in late 2011, and have been in tow ever since.

“Turbo Lovers didn’t really become Turbo Lovers, officially, until these guys joined,” Lisko said. “It’s a cohesive unit now, and I couldn’t imagine doing this with anybody else.”

– 30 –

“These never-say-die soldiers are the sole sleazers in their luckless mid-US town, yet they make a genre-hopping trucker metal juggernaut that easily straddles The Supersuckers and Y&T in the same goddamn song. – Classic Rock Magazine

“The pride of Youngstown, Ohio. Their headbanging take on AC/DC, shit-kicker country and 80s metal is low-brow and rabble rousing. – Classic Rock Magazine

“Aging rock ‘n’ roll lifers from the guts of Ohio use their arena rock illusions to create an impressively overblown collection of balls-out chug, sort of like Guns N’ Roses with male pattern baldness, bills to pay, and a flabby with that won’t stop bitchin’ at them. Desperation rock lives. Here’s the proof. – Classic Rock Magazine

“Turbo Lovers are, officially, from the worst town in America: Youngstown, Ohio, known far and wide for its off-the-charts unemployment and high school dropout rates, to say nothing of the subsequent crime sprees such circumstances foster. Naturally, they sound like a trailer park Judas Priest robbing a gas station.” – Classic Rock Magazine

“Youngstown’s Turbo Lovers shake rock ‘n’ roll to its very foundation and deliver it in its most basic and timeless form. – Cleveland Free Times

“Fun rock that is light-hearted and unpretentious. Oozing bravado, you can’t help but enjoy the music from this extremely likeable trio.”– Powerplay Magazine

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Canada’s MY HOLLOW Are Now Streaming Pivotal New EP “Fighting The Monsters”

April 6, 2022
by Asher
· Music News · my hollow

NEWS RELEASE

Montreal, QC – April 6, 2022

Canada’s MY HOLLOW Are Now Streaming Pivotal New EP “Fighting The Monsters”

“Fighting The Monsters” April 8, 2022

L-R Angelo Giammattolo – Drums, Sean De Faria – Bass, Graham Gaudreault – Vocals, Greg Gallagher – Guitar, Matt Williams – Keyboards,
(not pictured in photo) Danio Pirrone – Guitar
Photo Credit – Brett Teskey

For the last few months, Canada’s My Hollow has been teasing their new EP “Fighting The Monsters” with a handful of singles. Now listeners can be satiated with the full stream of the record. My Hollow delivers a hard-hitting product that will leave you wanting more. They have a signature style of structuring each song in an unconventional way making them more interesting and less formulaic.

A cohesive mix of epic riffs interspersed with keyboard melodies and groove, “Fighting The Monsters” is five tracks, each containing its own struggle and perseverance. The main focus of each song was to have its own battle and its own victory. Bassist Sean De Faria shares some of the processes behind the creation of the EP:

“This EP is a pivotal recording for us, we’ve had a lot of these songs for a while, so the writing process wasn’t an issue, but when you get a bunch of adults together and factor in their schedules and personal commitments then things can take a while to materialize. Factor in band member changes and new additions and the process takes even longer and becomes more arduous. For the first time in a while, it feels like we have some traction again, like the fire is back and we have something tangible to offer. This EP is a testament to our determination as a group, as a band, and as brothers. We have a lot more left to offer and this EP is only the prelude to our next chapter.”

My Hollow started via the internet many years ago and has had some lineup changes since then. As they have matured, so has the music and they are excited to share their latest version of themselves with the world. They are suitable for fans of modern metal, especially those with a penchant for Fit For An Autopsy, Gojira, and Lamb of God.

“Fighting The Monsters” is streaming right now via its premiere on NewFuryMedia HERE.

The EP officially releases on Friday, April 8th.

EP pre-order – Myhollow.bandcamp.com/

Puppet Music Video – Vultures – https://youtu.be/aExduk_8XPg

Cartoon Music Video – Fighting The Monsters ft. Björn Strid (Soilwork) – https://youtu.be/nD_lQgx1zYs

Visualizer – Hell Or High Water – https://youtu.be/eDR154lLLfo

Track Listing:
1. Vultures (4:59)
2. Fighting The Monsters ft. Björn Strid (Soilwork) (4:19)
3. Hell Or High Water (6:26)
4. Faded Through (5:17)
5. The Iron Harvest (4:40)
EP Length: 25:41

EP Recording Credits:
• All songs performed by: My Hollow
• All songs were written by: My Hollow
• Produced by: Greg Gallagher and Sean De Faria
• Mixed by: Tyler Williams @ Monolithic Productions
• Mastered by: Tyler Williams @ Monolithic Productions
• Album Artwork by: Jennifer White
• Canadian Content (MAPL)

EP Recording and Live Band Line Up:
Graham Gaudreault – Vocals
Angelo Giammattolo – Drums
Greg Gallagher – Guitar
Danio Pirrone – Guitar
Sean De Faria – Bass
Matt Williams – Keyboards

For more info:
Myhollow.ca
Facebook.com/myhollowband
Twitter.com/my_hollow
Instagram.com/myhollow

About:
hollow: (1) a place or area that is lower than the area around it.
(2) an empty space inside of something.

The definitions of the word hollow describe My Hollow fittingly. With intense riffs and passages seamlessly giving way to lower, heavier parts in a lock-up, chunked out style with mutes leaving empty space in an otherwise chaotic sequence.

Based out of the Toronto area, My Hollow boasts a cast of independent metal journeymen, hungry to be heavier, tighter and more engaging with every song. Applying advice and drawing experience from performing alongside some of Canada’s biggest metal exports; The Agonist, Cryptopsy, Threat Signal, Beneath The Massacre among others. My Hollow as a whole can draw from a multitude of influences, not only from metal but from other genres as well, reflected in both their recorded releases as well as their live performance. Described by Danish webzine Power Of Metal as “five pissed off Canadians ready to tear my head off!” As well as “all the subtlety of a two-ton anvil slamming down on a set of pearly whites” by US based heavy metal blog, Heavy Metal Time Machine.

My Hollow has two official releases, 2012’s ‘Cold Dark Days EP’ featuring four demo versions of songs which were reworked and reimagined on 2014’s ‘On Borrowed Time’ full length release featuring My Hollow’s most refined and focused work to date.

Like any band, My Hollow has had its highs and lows. Being selected as a finalist for the annual Wacken Metal Battle Canada 2013 solidified My Hollow as one of Toronto’s, as well as Canada’s top metal acts and announced themselves to a broader spectrum of listeners. Although narrowly missing out on a spot to perform in Germany at heavy metal’s premier festival the experience proved to strengthen the bands resolve and galvanize their confidence in the process.

While the band’s recorded releases give the listener an idea of what My Hollow is about, the live performance is where My Hollow truly shine. “With a crushing wave of energy, and sound, My Hollow filled the venue with their effervescent presence. The lads never disappoint on stage,” is how Toronto based metal publication Metal Master Kingdom described their experience.

With a new EP “Fighting The Monsters”, which includes guest vocals from Bjorn Strid (Soilwork) due out in 2022 and an ever-evolving sound and live performance, My Hollow strive to become an ever-present staple in the Canadian and global metal scene and will stop at nothing to leave you hollow, and wanting more.

Discography:
2022 – Fighting The Monsters (EP)
2020 – iSolation (Single)
2018 – And Now We Fall (Single)
2015 – On Borrowed Time (LP)
2013 – Cold Dark Days (EP)

Shared Stage with:
The Agonist, Beyond Creation, Cryptopsy, Soilwork, Unearth, Battlecross, Fit For An Autopsy, Wretched, War Of Ages, SkullFist, Neck Of The Woods, Operus, Kill Devil Hill, Vital Remains, Warbringer, Beneath The Massacre. As well as (relatively) local bands: Insurrection, Centuries Of Decay, Sludgehammer, Astaroth Incarnate, BornBroken, Lutharo, Tortured Saint, Burning The Day.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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0 EPK – Helsott – Will And The Witch (2022) (M-Theory Audio)

April 6, 2022
by Asher
· EPKs · Helsott

EPK – Helsott – Will And The Witch (2022) (M-Theory Audio)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans Amon Amarth, Ensiferum, Moonsorrow, Finntroll, Arkona

Album Title: Will And The Witch
Release Date: May 20, 2022
Label: M-Theory Audio
Distribution: The Orchard/Sony, PHD

M-Theory Audio | Helsott.com | Facebook.com/helsott | YouTube | Instagram.com/Helsott

Helsott.bandcamp.com | Apple Music | Spotify

Album Pre-Order – http://smarturl.com/helsott

California’s Helsott will be unleashing their forthcoming concept album “Will and the Witch” on May 20, 2022 via M-Theory Audio. The album is mixed and mastered by J-F Dagenais (Kataklysm, Ex Deo) and features special guests Tim “Ripper” Owens (ex-Judas Priest), Vladamir Reshetnikov (Arkona), Freddie Vidales (Ashes Of Ares), Lethien (Elvenking), Kevin Storm (Kalmah, Shining), Bjorn Friedrichsen, Mikey Muller, and Whistlin’ Rick Story.

Upcoming HELSOTT Live Performances:

06/16 – Viper Room – Hollywood, CA*

06/17 – The Black Rat – Concord, CA*
06/18 – Den of Sin – Sacramento, CA*
06/19 – Dante’s – Portland, OR*
06/20 – The Fun House – Seattle, WA*
06/22 – The Shredder – Boise, ID*
06/23 – Aces High Saloon – Salt Lake City, UT*
06/24 – Brick By Brick – San Diego, CA*
06/25 – Starlight Lounge – Glendale, AZ*
07/09 Ramona Mainstage – Ramona, CA*
12/03-12/04 HRH Vikings – Sheffield, England
* w/ Malphas

Since their incarnation in 2019, Helsott has amassed a respectable discography including two EPs and two full-lengths. They have toured throughout North America and Europe along with performing on several festivals including Wacken Open Air.

On their new record “Will and the Witch”, Helsott goes back to their roots along with adding orchestrations composed by the band. Overall, “Will and the Witch” will have more thrashy elements and fewer orchestrations than their previous work, which results in a bit less complexity than earlier albums, yet keeps the essence intact while catching listeners off guard with new influences befitting of the album’s theme, but maintains the group’s underlying core that definitely is still Helsott. Vocalist Eric Dow explains further:

“The album is a concept recording. It’s basically a fan fiction story about how Billy The Kid became the fastest gunfighter in the wild west. There are southern vibes with banjo and fiddle. There are Native American vibes with hand drums and flute. There is thrash metal, power metal, death metal, and even acoustic campfire parts. We think there are enough flavors on this album to keep any listener engaged and wanting to listen over and over again. The title track explores the relationship between the two main characters on the album. Musically it’s melodic and thrashy, but also catchy and fun so I think this is a great song to introduce the listener to the full-length.”

Heavy, and eclectically enchanting, Helsott weave tales from mythology and history and are recommended for fans of Amon Amarth, Ensiferum, and Moonsorrow.

Album Title: Will And The Witch
Release Date: May 20, 2022
Label: M-Theory Audio
Distribution: The Orchard/Sony, PHD

Track Listing:
1. I’ll Make Ya Famous (3:41)
2. Southern Shine (3:30)
3. Will And The Witch (4:19)
4. Independence Night (5:38) ft. guest vocals Tim ‘Ripper’ Owens
5. Skin Out (9:45)
6. Babylon: Scarlett’s Saloon (4:41)
7. Everything Hurts (3:35)
8. Spit Bucket Brawl (3:41)
9. Navajo Crow (6:08)
10. Welded As One (7:09)
11. Reap The Whirlwind (3:54)
12. Regulators (5:50)
Album Length: 1:01:55

Band Recording and Live Line Up:
ERIC DOW – VOCALS/ORCHESTRATIONS
MARK DOW – GUITARS/VOCALS
COOPER DUSTMAN – DRUMS/VOCALS/ORCHESTRATIONS
PETE TRUAX – GUITARS/VOCALS

Album Recording Credits:
WRITTEN AND PRODUCED BY HELSOTT
EXECUTIVE PRODUCER MICHAEL BEAULIEU
RECORDED AND EDITED BY MIKEY MULLER
DRUMS, VOCALS, GUITARS, AND BANJO RECORDED AT TRENCH STUDIO
ORCHESTRATIONS RECORDED BY COOPER DUSTMAN
MIXED AND MASTER BY J-F DAGENAIS
COVER ART BY FELIPE MACHADO FRANCO

SESSION/GUEST MUSICIANS:
BJORN FRIEDRICHSON – BASS ON TRACKS 1-4,6-11
FREDDIE VIDALES – BASS ON TRACK 12
MIKEY MULLER – BASS ON TRACK 5
TIM “RIPPER” OWENS – VOCALS ON TRACK 4
VLADIMIR RESHETNIKOV – FLUTE ON TRACK 9
LETHIEN – VIOLIN ON TRACKS 2 AND 5
KEVIN STORM – SOLO GUITAR ON TRACK 11
WHISTLIN’ RICK STORY – BANJO ON TRACKS 2 AND 8

Artist endorsements:
Axis Percussion, Soultone Cymbals, Dunlop USA, ESP Guitars, Solar GuitarsDiscography:2022 – Will And The Witch

2020 – Woven (Remixed and Remastered)
2018 – Slaves And Gods
2017 – The Healer EP
2014 – Woven
2012 – Folkvangr EP

Shared Stage with: Epica, Nevermore, Nile, Ensiferum, Finntroll, Moonsorrow, Tyr, Trollfest, Heidevolk, Arkona, Korpiklaani, Eluveitie, Skyforger, Finsterforst, Fear Factory, I Am Morbid, Necrophagia, Goatwhore, Woods Of Ypres, Ex Deo, Possessed, Firewind, Warbringer, Keep of Kalessin, Exmortus, Lich King, Death Angel, Hate, Rotting Christ, Melecesh, Rotten Sound, Barren Earth, Destruction, Heathen, Kill Devil Hill, Steel Panther, Vreid, Kampfar, Mayhem, Blayze Bayley, Alestorm, Huntress, Cattle Decapitation, Decrepit Birth, Rings Of Saturn, Origin, Aborted, Vital Remains, Metsatoll, 3 Inches Of Blood, Gene Hoglan Experience, Deicide, Abysmal Dawn, SepticFlesh, Carach Angren, Helstar, Green Jello, Nekrogoblikon, 1349, Insomnium, Omnium Gatherum, Evergrey, Sonata Arctica, Fleshgod Apocalypse, D.R.I., Primal Fear, Luca Turilli’s Rhapsody, Leaves Eye’s, Immolation, Dark Tranquillity, Dark Funeral, Thy Antichrist, Krisiun, Dirkschneider, Orphaned Land, Kalmah. Ashes Of Ares.

Tours and Festivals
2021 – Dragon Rojo Fest – Tijuana, Mexico
2021 – Torture Fest – Anaheim, California
2019 – Pagan Warriors Across Europe
2019 – Wacken Open Air – Germany
2019 – Cernunnos Pagan Fest – France
2019 – Wacken Winter Nights – Germany
2019 – Ashes of Ares West Coast US Tour
2018 – Folk Metal Superstars West Coast Tour with Arkona and Korpiklaani
2018 – The Healer North American Tour PT 2
2018 – Maryland Folk Metal Festival – Ottobar – Baltimore, MD
2017 – The Healer Tour with Tengger Cavalry and Felix Martin
2017 – Euro Tour with I Am Morbid and Necrophagia
2015 – PAGAN REBELLION PART 1: NORTH AMERICA w/ ARKONA / HEIDEVOLK
2015 – WOVEN ACROSS AMERICA
2013 – Paganfest IV with Ensiferum, Tyr, Heidevolk, and Trollfest

0 M-Theory Audio – PAGAN METAL PIONEERS HELSOTT UNVEIL MUSIC VIDEO FOR “INDEPENDENCE NIGHT” ft. TIM ‘RIPPER’ OWENS

April 6, 2022
by Asher
· Helsott · Music News

NEWS RELEASE

Montreal, QC – April 6, 2022

M-Theory Audio – PAGAN METAL PIONEERS HELSOTT UNVEIL MUSIC VIDEO FOR “INDEPENDENCE NIGHT”

New single featuring Tim ‘Ripper’ Owens from the new record, ‘Will and The Witch; Pre-orders available now

HELSOTT – America’s leading pagan metal band – has unveiled the music video for “Independence Night,” the new single featuring guest vocals from Tim “Ripper” Owens, from their upcoming concept album, “Will and The Witch.” The group’s newest album will be released by M-Theory Audio on Friday, May 20th. Pre-orders for CD, limited-edition gold double vinyl, and digital editions of “Will and The Witch” are available now at http://smarturl.com/helsott. The visualizer video, created by Raf Ortega (Ayreon, Subterranean Masquerade) for “Independence Night” can be viewed at https://youtu.be/5Iq3yGT6Zrg.

Says Dow, “’Independence Night’ is a dark and heavy song. We have Tim ‘Ripper’ Owens doing guest vocals for us on this song and we couldn’t be happier with how it turned out. Besides the opening money shot ‘Ripper scream’ we think you will be pleasantly surprised with the vocal performance by ‘Ripper.’ I have been a fan of his ever since I heard ‘Bullet Train’ from Judas Priest before the ‘Jugulator’ album was released. I know how hard it must have been to replace someone like Rob Halford and I felt like ‘Ripper’ killed it. It’s definitely surreal to be screaming alongside him in this awesome track. Enjoy!”

Says Owens of his guest appearance on the song, “I gotta say I had a blast doing this awesome tune with HELSOTT, anytime I can show off the wide range of my vocals, it’s a blast and doing the heavy-ass aggressive vocals are some of my favorite. I am ready for more.”

HELSOTT has also announced a flurry of live performances along the West Coast coming up in June 2022, alongside Symphonic Black Metal mystics Malphas from Philadelphia. Full tour dates are below.

Tim ‘Ripper’ Owens is only one of the numerous guests on HELSOTT‘s newest album, “Will and The Witch.” The band’s latest effort – mixed and mastered by J-F Dagenais (Kataklysm, Misery Index, Ex Deo) and featuring artwork by Felipe Machado Franco (Blind Guardian, Rhapsody, Gamma Ray) – is augmented by a who’s who of heavy hitters. In addition to Owens, HELSOTT is joined on “Will and The Witch” by percussionist Vladimir Reshetnikov (Arkona, Imperial Age), guitarist/bassist Freddie Vidales (Ashes of Ares, Iced Earth), violinist Lethien (Elvenking), guitarist Kevin Storm (Heidevolk, Autumn, Fleetburner), guitarist Bjorn Friedrichsen (Withered Moon, Sanguineus) and Whistlin’ Rick Storey.

HELSOTT‘s new album, “Will and The Witch,” is a concept record that tells a fictional story about how Billy The Kid became the fastest gunfighter in the wild west. The first taste of music from the new album was recently unleashed with a visualizer video for the title track, which can be viewed at https://youtu.be/Gok7aEiO1Ys. The band returns to its musical roots on their latest record with heavier thrash overtones and less orchestral work than their prior record, while catching listeners off-guard with new influences befitting of the album’s theme. Thrash metal, power metal, and death metal all converge with acoustic campfire segments, Southern banjo and fiddle, and Native American-inspired hand drums and flutes. The end result is a record that is musically ambitious while remaining melodic, heavy, and true to the underlying sound of HELSOTT.

Since their formation, the California-based HELSOTT – whose name means “fatal illness” in Old Norse – has paid homage to pagan cultures, mythology, and history while keeping true to their American influences. The group’s unique mix of folk metal, death metal, symphonic metal, thrash, classical and rock was first unveiled to the world with the 2012 release of their debut EP “Fólkvangr.” The band soon caught the attention of audiences on a larger scale during the 2013 Paganfest North American tour, where they performed with Ensiferum, Tyr and Trollfest. That tour set the stage for the 2014 release of “Woven,” which was supported with tours alongside Arkona and Heidevolk.

In the years since the original release of “Woven,” HELSOTT signed with M-Theory Audio, released another EP (2017’s “The Healer”) and a second full-length (2018’s “Slaves and Gods”) and logged many touring miles worldwide with artists including Korpiklaani, Arkona, I Am Morbid, Necrophagia, Tengger Cavalry, Ashes of Ares, Felix Martin, Skyforger and Finsterforst. In addition, the band performed at major European festivals such as Wacken Open Air and Cernunnos Pagan Fest. “Woven” was also remixed, remastered, and re-released by M-Theory Audio in November 2020 in celebration of the group’s 10th anniversary.

This year will not just see the release of HELSOTT‘s new album, “Will and The Witch,” but will also see the band’s return to the live stage. American fans along the West Coast will get an opportunity in June 2022 to experience the band’s power live with performances alongside Philadelphia’s Malphas. HELSOTT have also been confirmed to play England’s HRH Vikings 2022, with more to come throughout 2022.

More information on HELSOTT‘s new album, “Will and The Witch,” will be revealed in the weeks to come by M-Theory Audio and at www.facebook.com/helsott.

Upcoming HELSOTT Live Performances:

06/16 – Viper Room – Hollywood, CA*

HELSOTT is:
Eric Dow – Vocals
Mark Dow – Guitar
Peter Truax – Guitar
Cooper Dustman – Drums

For more information:
www.facebook.com/helsott
www.instagram.com/helsott
www.twitter.com/helsott
www.helsott.com
www.m-theoryaudio.com

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0 “Apathetic” Is A Brutal Look Inwards From Canada’s HARVESTED, First Single Off Debut S/T EP Out May 2022

April 6, 2022
by Asher
· Harvested · Music News

NEWS RELEASE

Montreal, QC – April 6, 2022

“Apathetic” Is A Brutal Look Inwards From Canada’s HARVESTED, First Single Off Debut S/T EP

EP Out May 7th

Photography Credits: Dark Moon Productions
Current Line-up: L – R: Eric Forget – Bass | Jacob Collins – Drums | Adam Semler – Vocals | Mitchi Dimitriadis – Guitar

Live Line-up: Eric Forget – Bass | Jacob Collins – Drums | Adam Semler – Vocals | Mitchi Dimitriadis – Guitar | Miguel Marcheterre – Pina – Guitar

Canada’s Harvested is a fresh new death metal band from Ottawa, ON in the vein of Suffocation, Dying Fetus, and Deicide. Also giving nods to slam, brutal, and technical death metal, they intend to induce nostalgia that came from the late 90’s/Early 2000s with a hint of a modern touch. Eager to share their sound with the world, they have a self-titled debut coming out this year, the first single of which is “Apathetic”.

Each of the five tracks on the EP revolves around mental illness and is heavily inspired by horror and thriller movies/shows. The single “Apathetic” is about narcissism and lacking empathy in a collective society. The band explains it musically:

“We found “Apathetic” to be one of our more brutal tracks, the length of time was very appropriate for a music video. We shot our video in an abandoned complex in a small town in Ontario. The lyrics can be interpreted controversially however all the lyrics and music were written in 2019. Starts off abruptly, leading to a very double bass-heavy riff. which then transitions into the main part of the song, building up to the main riff and keeping the energy consistent.”

Harvested doesn’t look to follow any formulas, their approach is one that magnifies the death metal edge with modern productions. Noting that they are influenced by heavyweights in the genre, they add their own personal touch and are confident they will not be pigeonholed into a certain niche.

The debut EP is a heavy barrage of death metal combined with heavy topics that offer a cathartic release for the band and listeners alike. It is recommended listening for any fan of solid riffs and headbanging and especially for those who already listening to Cannibal Corpse, Deicide, and Suffocation.

The single “Apathetic” and its video directed by Joe Lyko of Dark Moon Productions can be heard at https://youtu.be/-jN21Du9WEY

The self-titled EP is being released on May 7th, 2022.

EP pre-order – https://harvested.bandcamp.com

Track Listing:
1. Apathetic (3:11)
2. Bludgeoned (3:33)
3. Incognitive (3:17)
4. Delirium (3:19)
5. Bereavement (3:10)
EP Length: 16:33

EP Recording Credits:
• All songs performed by: Harvested
• All songs written by: Harvested
• Produced by: Harvested
• Mixed by: Dark Moon Productions
• Mastered by: Dark Moon Productions
• Album Artwork by: Harvested
• Canadian Content (MAPL)

EP Band Line Up:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Line Up:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Eric Forget – Bass
Jacob Collins – Drums
Miguel Marcheterre-Piña – Guitars

For more info:
Harvested.bandcamp.com
Instagram.com/HarvestedBand
Facebook.com/harvested666

About:

Harvested is a death metal group with members from Ontario and Quebec. Taking influences from classic death metal legions with a modern touch. The members are ‘Mitchi Dimitriadis’ on guitars. ‘Eric Forget’ on bass, ‘Adam Semler’ on vocals, and ‘Jacob Collins’ on drums. Mitchi is a local Ottawa producer. He’s also taken on engineering the EP and finalized pre-production for the release. Drums were recorded at Silver Wing Studios in Montreal. Guitars, bass, and vocals were officially recorded, all instruments mixed and mastered at ‘Dark Moon Productions’. Adam Semler has been a household name in the Ottawa, ON metal scene taking the world by storm with his groundbreaking projects. Includes but is not limited to A Scar For The Wicked, Misshapen, Hatred Reigns, and Harmoniaq. Harvested is ready to make its debut on May 7th, 2022. Keep an eye out for their upcoming music video release “Apathetic”.

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“Viciously Brutal, Goes well with my morning coffee” – Paul Collins

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

“The EP is quite awesome and I’ll find myself listening over and over again! They sound like Cannibal Corpse/Dying Fetus and many more. The day Harvested has a show in Montreal you can expect to see me in the pit.” – William Biron

“Presenting Harvested: Hailing from Ottawa is one of Canada’s finest emerging death metal bands. Their debut E.P. brings that good ol’ churning feeling in your stomach like you just chugged a 40 of malt liquor and fell down a hill! Dangerous, disorienting brutal fun. The way death metal should be. If you’re into Cannibal Corpse, Immolation, and Morbid Angel or just having an all-around good time, look no further.” – Brandon Aitchison

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0 Rockshots Records – BERIEDIR “Rain” Down New Music Video Off New Album “AQVA”

April 6, 2022
by Asher
· Beriedir (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – April 6, 2022

Rockshots Records – BERIEDIR “Rain” Down New Music Video Off New Album “AQVA”

Releasing the new album “AQVA” this past January via Rockshots Records, progressive power metal legion Beriedir is sharing with fans their latest music video for the track “Rain”.

“Under a faint rain, in the early morning through an old city, this track makes us face the effects of regret, guilt, and nostalgia. Despite seemingly hostile, the suffocating roads of that place turn into an unlikely embrace, while the now pouring rain hides our tears. Anger suddenly adds to the mix, directed both outwards and inwards, while everything fades into a downpour after a hymn to that city.” adds the band.

“Rain” can be viewed at the following link – https://youtu.be/3H_QqhSVdtk

Beriedir‘s second full-length “AQVA” features ten tracks of progressive, power, and melodic death metal that were mixed and mastered by Simone Mularoni (Domination Studio).

“AQVA”, despite not being a real concept album with a story articulating itself throughout the tracks, touches its various topics through the many forms in which water manifests, be it a river, a storm or tears. The album deals with rather introspective matters, trying to give a new perspective on situations that Biriedir thinks their listeners will find relatable and hoping that they will maybe take shelter in their audio experience, using them as their own voice when only music can speak for us.

“We think AQVA will positively surprise our older fans and lead new ones, this record is much more diverse and has definitely matured in songwriting. The main goal of AQVA as a whole is to figuratively “submerge” the listener with a spectrum of themes, both musical and lyrical, related to water and its shapes. Water is the element of flow, it’s the substance that conceals, preserves, and washes all away. The lulling nature of a silent shore or a rapping rain is juxtaposed with the fearsome imagery of the undertow, riptides, and tidal waves. We tried to convey these atavistic sensations differently from track to track. The singles were chosen to showcase the variety of approaches to this theme.” adds band founder Stefano Nüsperli.

Recommended for fans of Vision Divine, Dream Theater, Dark Tranquillity, Pain of Salvation and Katatonia, “AQVA” is available for pre-order at the following links:

CD – https://bit.ly/AQVA_DIGICD

Digital – https://bfan.link/aqva

Lyric Video – Stormbound – https://youtu.be/MNy9uxdtGVc

Music Video – At Candle Light – https://youtu.be/Wr9K7sOvC5I

Track Listing:
1. At Candle Light (4:38)
2. Departure Song (6:05)
3. The Dove and the Serpent (6:46)
4. The Angel in the Lighthouse (6:10)
5. The Drowned (5:33)
6. Stormbound (4:19)
7. Arkangelos (6:58)
8. Of Dew and Frost (4:57)
9. Rain (6:46)
10. Moonlight Requiem (5:12)
Album Length: 57:29

Album Credits:
All music by Beriedir
Artwork by Ludovico Cioffi
Recorded by Stefano Nüsperli
Mixed and mastered by Simone Mularoni at Domination Studio
Lyrics by Stefano Nüsperli

For more info:
Rockshots.eu
Facebook.com/BeriedirOfficial
Instagram.com/beriedirofficial

About:

Beriedir (from the Sindarin word for “Guardians”) is a progressive melancholic power metal act based in Bergamo, Italy. The five-member band was founded by Stefano Nüsperli and began its live career in 2015 with the release of “The Line”, their first demo. Their first full-length album “The Path Beyond the Moon” was unveiled in 2018, which launched them to perform on multiple musical events such as Fosch Fest (Italy) along with sharing the stage with bands such as Korpiklaani and Pathfinder. After the 2020 release of the EP “Lullabies Beyond the Moon”, which contained three tracks from their debut album rearranged in an acoustic key, they are now ready to launch their new album “AQVA” in 2022.

– 30 –

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0 EPK – Our Dying World – Hymns Of Blinding Darkness (2022)

April 5, 2022
by Asher
· EPKs · Our Dying World

EPK – Our Dying World – Hymns Of Blinding Darkness (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Hymns of Blinding Darkness is an exceptional album of melody, personal experience, and the dedication to trying to push ourselves to our furthest limit. Lyrically, it speaks of many walks of life: sorrow, loss, hopelessness, but also empowerment, triumph, and solitude. There’s something for everyone to relate to in the wake of current times and cultural status. Musically, the record is attempting to stand out with its sophisticated arrangements, catchy hooks, and heavy melodies. It feels like a massive step up from where we were with Expedition and we think it’ll present itself as such.” – Our Dying World

For fans Children Of Bodom, Nightwish, Lamb Of God, Wintersun

Album Title – Hymns Of Blinding Darkness
Release Date: June 24, 2022
Label: Self-Release
Distribution: N/A

Facebook.com/ourdyingworldofficial | Instagram.com/ourdyingworld | Youtube | Twitter.com/ourdyingworld11

Spotify | Apple Music | Ourdyingworld.bandcamp.com

“We’ll make you a solemn promise: Whatever condition you happen to be in now (unless you’re in a coma), the song and video we’re about to present will make you feel orders of magnitude more alive, accelerating your heart-rate, igniting your fast-twitch muscles, and spinning your head like a glorious top. And for those of you who want your music to attack like a pack of rabid dogs, it fills that need, too. The song is “Veil of the Reaper“, and it comes from Hymns Of Blinding Darkness, the forthcoming album by the Los Angeles band Our Dying World. The new album marks a significant departure from the music on their debut, Expedition, moving in directions that may spawn memories of such bands as Children Of Bodom, Nightwish, and Dimmu Borgir, and you’ll get a vivid understanding of that when you hear “Veil of the Reaper“.” – No Clean Singing

“Hymns of Blinding Darkness is an intricate album with lofty pursuits featuring a stunning band makeover.” – Decibel Mag

“As with many great evolutions, Our Dying World took all their best parts and made it huge. This album paces brilliantly and delivers in spades. An overall epic release of their own brand of hard rocking hymns.” – Heavy Mag

“Closing with the excellent Melodic Death Metal-esque piece “Veil of the Reaper”, Our Dying World manages to keep the listener’s attention with soaring guitar melodies, engaging keyboards, and overall solid songs that are well crafted but need more of a personal identity. There are definitely plenty of excellent things about this release that fans of the genre will greatly appreciate, so don’t be afraid and check out this band.” – Infernal Masquerade

“Fans who appreciate equal doses of orchestra and mosh pit will likely dig this passionate full-length debut.” – Angry Metal Guy

“One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.” – Metal Temple

“this first effort is every heavy metal enthusiast’s lottery win and is assured to gain a growing fanbase for the band” – Powerplay Magazine – 2019 – Expedition

“The band does a great job with mixing several different metal styles. Primarily, they channel Groove Metal, Thrash Metal, and Melodic Death Metal. They take all these approaches and blend them damn near seamlessly with enough intensity to level your ears.” – The Circle Pit – 2019 – Expedition

“The last 9 months working with Our Dying World on their release EP has been a wonderful journey that has had about every twist and turn you could imagine while making a record. Some were typical to the actual recording process, and some were a part of the personal journey that one finds themself in when baring their soul to the world.” – Ultimate Studios Inc. – 2019 – Expedition

“Some metal bands in this era just tackle the genre just for the sake of it. Because the “scene kids” are into it and screaming is all the hype. But then, you run into a band like Our Dying World, proving one record at a time that true metal is a genre that isn’t going to die anytime soon, thanks to bands like them and others of their caliber.” – Artist Reach Official

“this first effort is every heavy metal enthusiast’s lottery win and is assured to gain a growing fanbase for the band” – Powerplay Magazine

Photos Credit – Jamie Kaufman

L-R – Austin Mitrofanis (Guitar), Graham Southern (Keyboards and Orchestration), Tom Tierney (Drums), David Ainsworth (Vocals), Raymond Sanchez (Guitar), Nick Laux (Bass)

Over the last few years, Los Angeles’s Our Dying World has gone through a tremendous evolution of sound from thrashy death metal of their debut EP Expedition to the symphonic and melodic keyboard-oriented stylings of bands like Children Of Bodom, Nightwish, and Dimmu Borgir.

Formed in 2018 by drummer/guitarist Tom Tierney (ex-Whiplash), the group has played shows all over the USA in their short time together, bringing their sound from the fabled Sunset Strip in Hollywood to the New Jersey Metalfest where they opened for Metal Mike of Halford.

One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.

Discography
2022 – Hymns Of Blinding Darkness (LP)
2019 – Expedition (EP)

Shared Stage with:
Metal Mike of Halford, Swallow The Sun, Abigail Williams, Wilderun

Festivals and Tours:
2021 – Moonflowers Tour – Hollywood CA, Local Support
2019 – New Jersey Metalfest – Teaneck NJ

Our Dying World is:
David Ainsworth – Vocals
Raymond Sanchez – Guitar
Austin Mitrofanis – Guitar
Graham Southern – Keyboards and Orchestration
Nick Loxx – Bass
Tom Tierney – Drums

=========================

Story Angles – Fun Facts:

1. Survivor contains the only clean vocals that Tom has performed since his days at the school that the song is written about. When we began writing the song, there was talk about putting clean vocals in and we agreed that we should try to see how they turned out. What you hear in the beginning of the songs that sound like choir clips are of Tom’s high school choir and a trio he sang in his final months at the school. Up until this song, he has only been tracked with growls or screams.

2. Graham was found on a Facebook group randomly while searching for a drummer. The band had always been looking for a keyboard player but Graham showed up due to a postscript on the advertisment sarcastically asking for a keyboard player while they were “Asking about unicorns in the scene”. Graham showed up at the rehearsal room, warmed up with Mourning Palace by Dimmu Borgir and Angels Don’t Kill by Children Of Bodom, and instantly got the job.

3. Ray performed the solo for Post Mortem, our debut single, long before he was actually in the band. Years down the road, Tom and Ray ran into each other while moving a friend into his new home, and while catching up, Ray told Tom that he had some extra time on his hands due to a project breaking up. He’s been in the band ever since.

4. Diary Of A War Dog is based on true events as told by Tom’s uncle, Daniel J Tierney, an Air Force veteran of Vietnam. He’s published a book of his memories and experiences called Diary Of A Talking War Dog and after reading it, Tom and Dan decided that having those memories put into a listenable format might be a really great collaboration. Daniel resides in New York City and plans on visiting California with the family to visit his nephew and the band soon.

=========================

The album as a whole explained by the band (LYRICALLY & MUSICALLY):

Hymns of Blinding Darkness is an exceptional album of melody, personal experience, and the dedication to trying to push ourselves to our furthest limit. Lyrically, it speaks of many walks of life: sorrow, loss, hopelessness, but also empowerment, triumph, and solitude. There’s something for everyone to relate to in the wake of current times and cultural status. Musically, the record is attempting to stand out with its sophisticated arrangements, catchy hooks, and heavy melodies. It feels like a massive step up from where we were with Expedition and we think it’ll present itself as such.

Track by track explained by the band (LYRICALLY & MUSICALLY):

1. Ads Moriendi – Our intro track is the introduction of our maestro Graham Southern, who states his claim with some very dark and percussive orchestration dropping the listener into a hectic and almost frantically ominous tornado of strings and brass. There is a sense of urgency before throwing the listener into a triumphant wall of choirs announcing the return of a new and massive sound.

2. Everything We Know Is Gone – The opening keyboard and guitar melody have a strangely positive spin before vocalist David Ainsworth tears into a darkened riff with lyrics of the lies of a transcended being and lifestyle, once idolized, now known to be a fraud – deadly and unsatisfying. The chorus echoes with words of a past but current life, now lost in the knowledge of a newfound realization of truth. A ripping keyboard solo from Graham Southern follows up his ominous realization; everything we know is lost! The second verse tells of the darkened knowledge forming a reluctant but certain decision to turn the tide and strengthen the self to deal with the realities of this malignant situation to avoid any more pain. A breakdown followed but a sweeping solo from Ray Sanchez takes the grim mood and soars it to new heights. The third verse focuses on determinedly fixing the self before a strangely peaceful drop representing a breath before the final chorus; the subject has had his realization and is on the way to transformation. Ray and Graham take the song out with an incredible duet, only to foreshadow the rest of the record to come.

3. Under The Hunter’s Blade – The song starts with an almost folk-style string and bell set, giving the illusion of a mountainous and forest-like landscape before the guitars and drums come in with almost a tribal-esque beat. David tells the tale of a dethroned king of the mountain, now returning to his domain to reclaim his place. Ray and Graham interlude the song up to0 a beautiful segment to set the certainty of where the mood is going. The second verse introduces the prey of the hunter; his challenge to win his throne by the blood of the one who exiled him. The song then takes us down to a dark place where the hunter has his eyes locked on his adversary and the song devolves to blast beats and guttural vocals, representing the primitive essence of the kill; Ray’s shredding solo plays us through the moment of the death of his adversary and the realization of the king’s victory. The third verse describes the river of blood running from the neck wound to his hands and as the song reverts briefly to a calm instrumental, we can almost see the new king’s adrenaline fading, the majestic reclamation of his title, as the chorus once again hails his coming; he has returned to the mountain and has taken back his throne with a divine fire of life.

4. Survivor – The song starts with clips of a joyful choral arrangement of Tom’s high school choir before Jon Martin Crawford, who appeared before the New York Supreme Court in order to disclose child abuse from said school, echoes his final words of the testification. The song breaks into a heavy and slower riff clearly completely changing the mood. Tom tells the story of his younger self being left in the woods of upstate New York at a school filled with cultists. The song breaks down to an acoustic guitar, some clean singing, and strings and guitar. The song picks back up and David comes back in with his growls, conveying to the audience how lost and alone the young boy feels. He desperately prays to his deceased father to give him guidance. The second verse comes back to the clean singing and the lyrics portray the same boy, now released, back in the world feeling like there’s something wrong that no one will ever understand. The bridge switches to Tom’s screams, hearing that his fellow alumni are slowly dying off, and with everything he has in him, he dedicates this song to them. Ray’s solo comes in; the listener can almost feel the weeps and cries in his notes and bends. Tom says his final goodbyes to his fallen friends in the following section before David comes back in with desperation and emotion we haven’t yet heard in previous choruses before the song leads out on the notes it came in on.

5. Path Of The Nomad – The song comes in on a slightly quicker beat and is followed by choirs singing over the notes. Graham sweeps majestic strings over the guitars and drums as David describes a man traveling across the world; he is truly free from the world but at what cost? He has everything he owns in his hands, he is free from the trials of life but he has no family to warm him at night. We feel a natural and almost folk-metal style feel from the chord progressions before Graham comes in with a solo balancing his feel for melody and skill. The song takes a turn to a tremolo-picked riff that reminds us of something darker; never knowing the value of unity or knowing where you will sleep at night. The chorus picks up one last time, showcasing the beauty and sadness of life without tethering to worldly possessions and walking through life in solidarity.

6. Diary Of A War Dog – The band tells the musical story of Daniel J Tierney, an air force veteran of the Vietnam war, basing the song off of a book of his experiences, Diary Of A Talking War Dog. the song begins with a marching beat that sounds strangely ominous before dropping into a speedy thrash riff. David immediately screams of the horrors and trials of war, the consequences of the return, and the never-ending memories resulting. The chorus aggressively tells of the darkened mind space and the way the world looks after returning to life at home. The following guitar and keyboard lead carry us through the minefield of dark riffs and add some melody where previously there was little. David tells us of trying to bury the memories but with little success before the marching intro comes back in with more intensity. The song slows down, and Graham plays almost a peaceful piano segment, almost as a breath of fresh air after returning home…The final chorus brings us back to the place we always were and David reaffirms in the chorus that the memories of war and the subsequent feelings remained. The outro riffs are slower and feel reflective and thoughtful as they play us out; a heavy memory but scattered with the blight sounds of piano hovering above.

7. Valediction – Graham takes us into another world as his strings slowly build from a single violin to a whole section in what feels like a distant memory. A sudden 808 drop changes the tone to something a little more hesitant and fearful and the brass takes us to a darker and darker place until string and orchestral hits announce the final track on the record.

8. Veil Of The Reaper – The song starts immediately; pounding double bass and guitars flood the soundscape as the first verse comes in. David tells us of the process of dying. His eyes go dark, he’s pushed life too far and now he’s about to die. The breakdown signals the coming of the revelation with an almost alarm-like guitar lead. The second verse comes in with a layer of synths, telling of the silence that comes; the reaper stands before him reaching out his hand as if to say, “Come with me”. The pre-chorus comes in with a beautiful lead from Graham and we hear David tell the listener that the veil of death has been lifted. Gang vocals, almost referring to the voices are the dead, chant the lyrics with David as he realizes the anthem of all who pass from this life as the melodies of the chorus culminate in a catchy melodic chorus. Ray and Graham then show the insane skill and intensity of their musicianship with a unified and harmonized lead, that soon reverts to dueling solos; sweeps, arpeggios, and shredding showcase the uncompromising dedication of the two as they lead back into the chorus with a key change and a double chorus with the catchy melodies that make this song a staple of the album. The song leads out with a rough and heavy breakdown, forsaking orchestration and bringing back the heavy and grueling riffs that started Our Dying World in 2019.

Album Title – Hymns Of Blinding Darkness
Release Date: June 24, 2022
Label: Self-Release
Distribution: N/A

Track Listing:
1. Ads Moriendi (1:46)
2. Everything We Know Is Gone (4:42)
3. Under The Hunter’s Blade (7:33)
4. Survivor (7:32)
5. Path Of The Nomad (4:58)
6. Diary Of A War Dog (6:31)
7. Valediction (1:50)
8. Veil Of The Reaper (4:37)
Album Length: 39:32

Album Credits:
– All songs written and performed by Our Dying World
– Produced, Mixed, and Mastered by Alex Crescioni at Stygian Sound
– Album Artwork by Nick Laux
– Album Band Lineup:
David Ainsworth – Vocals
Raymond Sanchez – Guitar
Austin Mitrofanis – Guitar
Graham Southern – Keyboards and Orchestration
Nick Loxx – Bass
Tom Tierney – Drums

0 EPK – Sinnery – Black Bile (2022) (EXSR)

April 5, 2022
by Asher
· EPKs · Sinnery (EXSR)

EPK – Sinnery – Black Bile (2022) (EXSR)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Writing Black Bile we knew more than anything that we just want the listeners to feel what we felt while writing the album. The album contains many different styles of play all while sticking to what we love about metal the most, heavy and melodic fast parts. We really tried to explore further into our inspiration’s inspiration and see where the sounds that we love came from, we mixed everything that we like to give the album a sound that is 100 percent Sinnery. All of the songs mean a lot to us, they all speak about our perspective dealing with different stuff about the world that we live in or our own minds and personal life.” – Sinnery

For fans of Metallica, Gojira, Testament, The Haunted, Sylosis

Album Title: Black Bile
Release Date: September 16, 2022
Label: Exitus Stratagem Records (EXSR)
Distribution: Sony/The Orchard

Facebook.com/SinneryBand | Instagram.com/sinnerybandofficial | YouTube

Spotify | Apple Music | Deezer

“I’ve said this many times in the past, but one of the many things I love about this business is following the progress of bands as they come of age, mature and get better at their craft. What’s not to love about paying early witness to a bunch of folks gelling and heading on an upward trajectory as they make the move towards proverbial world domination? Israeli thrashers Sinnery are one such band. Gathering their Exodus, Testament, Gojira, The Haunted and post-St. Anger Metallica influences, the quartet from Herzliya, Tel Aviv will soon be releasing their second full length, Black Bile via Exitus Stratagem Records. This new tasty little rager pops the clutch and pumps the gas on modern thrash with a grizzled edge that improves upon the roots planted with their 2016 debut A Feast of Fools and their 2013 demo, Showing Teeth.” – Decibel Magazine

“Sinnery [Israel] Proves Thrash is NOT Dead in Groove-Oozing Cesspit of ‘Black Bile’” – Metal Has No Borders

““Death thrash” is the simplified genre description for what Sinnery do, but it’s the strong melodies and the variations among and within the songs that make the album such an adventure to experience from start to finish. Compared to the debut all those years ago, which was entirely written by vocalist/guitarist Alon Karnieli back when he was about 16-17 years of age, these tracks are more elaborate, more sophisticated, more reflective of different moods, while at the same time being more brutally extreme.” – No Clean Singing

“You just gotta love a band that knows exactly what the hell they wanna be. Sinnery bow to no one, instead turning heel to scissor kick you in the temple with battering ram riffs, suplexing drums, and neck-twisting vocals. You know the opening of Back to the Future where Marty McFly plays a single guitar chord on Doc Brown’s hyper amplifier and goes flying across the room from the resulting sound? “The Burning” provides the same effect regardless of the size of your chosen sound output device – you will be ragdolled and tossed around like a frisbee in a college quad by the quartet’s supreme rippage.” – Everything Is Noise

“I am old enough to have seen the likes of Metallica, Anthrax and others perform live at small venues in London. I’m also a huge fan of the new wave of thrash like Dust Bolt, Lost Society, etc. Sinnery is welcome inclusion with their aggression, energy, and obvious hunger. They might verge on Death Metal a tad with the vocals but that’s ok. With Matt Hyde (Machine Head, Trivium, Slipknot) having mixed and mastered this beast you know the sounds are gonna be right in your face. An excellent sophomore effort – please just keep thrashing!” – My Global Mind

“Sinnery straddle those lines between conventional thrash and modern/groove metal with enough solid musicianship and heaviness to align well with a multitude of touring possibilities.” – Dead Rhetoric

“So, what do Sinnery bring to the table? For starters, the album ripples with energy. You can feel the vibes pulsing through opening track ‘The Burning’ which leads straight into the title track. Alon Karnieli’s delivery is savage, a gritty, raging roar that combines the bruising aggression of Krysthla’s Ade Mayes with the power of ex-Onslaught frontman Sy Keeler.” – Ever Metal

“Black Bile is a thrash metal record that departs from many conventionally established thrash tropes and performs all the better because of it. This is a record whereby the band went into the writing process with a clear head and had a strong idea of what they wanted to accomplish; their first album in six years it’s evident they want Black Bile to the thrash album they can be proud of and I hope they are, because it really is an excellent ride. By departing from so many expected thrash tropes, relaxing the pace and aggression at which many of their songs play at, they enable their songwriting to bleed through with all the more memorability. Sinnery understand coherently that speed doesn’t necessarily equate quality, their songwriting for many of their tracks is testament to that axiom. The resulting, steadier pace of this record gives us time to absorb and appreciate all this album can offer and we only want the album to go on for longer as their songwriting is given the time to flesh itself out. On the whole I thoroughly enjoyed Black Bile, rendering Sinnery as a thrash band Israel can be deeply proud of sporting.” – The Razor’s Edge

“For those that just want to bang heads and go nuts, there are songs like “The Burning,” “Who Will Be Eaten First,” and “Anti Tribe.” “Hanged From The Sun” and “Holes” flesh out their thrash by either toning down the speed or putting an emphasis on melody.” – Heavy Music Headquarters

“Those of you who are hungry for some taut, frenzied Thrash metal with its nose pressed up against an actual battlefield should look no further than the Israeli four piece’s debut” – Edwin Mcfee – Metal Hammer July 2016

“…must be heard by anyone who is looking for any good aspiring thrash bands, you will absolutely find plenty of enjoyment out of this piece, and that I can promise you.” – Vintered – Metal Addicts

“It’s like we could fuse the dirty and raw aggressiveness from bands as NUCLEAR ASSAULT with the melodies presented on old works from METALLICA, and with some bits of raw power from bands as M.O.D., and a personal touch the makes “A Feast of Fools” tasteful.” – Metal Temple (2016)

“Sinnery is not about the usual metal but more about interesting and original combinations that infuse the clean with the rough while keeping it all high energy” – (Translated from Hebrew) Yoni Oren on a Sinnery live show for Metalist July 2021

“straightforward, old school, thrash worship… From its opening moments, A Fest Of Fools is utterly brimming with palpable enthusiasm for all things thrash—and that isn’t just a turn of phrase. Sinnery consistently manage to hit an impressive amount of recognizable benchmarks of the traditional thrash sound throughout their debut record.” – Metal Observer (2016)

“A Feast of Fools is a good album that shows a band full of youthful energy.” – Angry Metal Guy (2016)

“the band’s first full-length album shows off a band full of hunger and energy. The music, at its best, thrashes hard and shows off a commitment to making music that is hard and intense. Check out the way the band struts its stuff on “Built to Kill.” Other highlights include “Holy Grounds” and “Mad Dog.”” – Sea of Tranquility

================================

BAND STORY ANGLES / FUN FACTS:

1. Up until mid recording the album Black Bile, Sinnery thought it was going to be named Hanged From The Sun, that was the first song they wrote for the album and they loved the title so it just stuck as the name of the record for a long time, but was questioned a lot about how it relates to their concept. Upon looking at all the songs they agreed that Black Bile will suit the concept better and also is a song more fitting to be a title track.

2. When Sinnery toured Russia in 2019 they played in a town called Tver and while jumping off the stage Saar broke his bass mid-gig. They were in the middle of a town they never heard of before and they didn’t know what to do, how can they continue the tour if Saar can’t play? They found a really small guitar shop on google, it was a sketchy empty street and they were the only ones there, getting lost looking for a guitar shop in the middle of heavy snow not knowing a single word in Russian. They don’t remember the guitar store name, but the guy who managed it really saved their asses, he fixed the bass in an hour’s work and charged close to nothing for it. That guy is a hero for them.

3. Carlos’s name isn’t really Carlos, it’s Matan, they can’t remember how it started, but they never called him Matan since he joined them. It’s always weird to hear people call him Matan, it feels strange for him too.

4. Yuval Kramer who produced Black Bile with the band has been a friend of theirs ever since they started, back then he used to play in a cool local Israeli Thrash metal band called Dark Serpent. They were so good that Sinnery asked him to help them to become a better band. They never knew why Yuval helped them so much since he was older than them (they were a sorry bunch of 16-year-olds). He drove hours to some of their rehearsals, answered a lot of phone calls when they asked for advice, compose orchestras for their debut album, and came to their shows. When Sinnery did Black Bile it was mutually just known that he was going to be a part of it.

5. Sinnery once opened for a big local band in a big club, they didn’t get to play a lot of big shows back then and it was really important for them to get to more of those. Only the day before the show, Alon’s commander told him that he can’t go to the show and he has to stay late at his army base. After a lot of fighting Alon just decided to leave the army base early without his commander knowing and went to the show anyway.

Album Title: Black Bile
Release Date: September 16, 2022
Label: Exitus Stratagem Records (EXSR)
Distribution: Sony/The Orchard

Track Listing:
1. The Burning (4:39)
2. Black Bile (4:56)
3. Who Will Be Eaten First (2:38)
4. Sever (6:03)
5. Anti Tribe (3:48)
6. Mouthful Of Nails (5:46)
7. Hanged From The Sun (5:39)
8. Bleak (4:42)
9. Here Below (4:39)
10. Holes (06:08)
Album Length: 49:07

Album Recording Credits:
• All songs performed by: Sinnery
• All songs written by: Sinnery
• Produced by: Sinnery and Yuval Kramer
• Mixed by: Matt Hyde
• Mastered by: Matt Hyde
• Album Artwork by: Travis Smith

Album Band Line Up + Live Band Line up:
Alon Karnieli – Vocals & Guitars
Idan Kringel – Guitars
Saar Tuvi – Bass
Matan Carlos Mandelbaum – Drums

=============================================

The album as a whole (LYRICALLY & MUSICALLY) explained by the band:

Black Bile is a journey, our journey. Realizing the worst of us and how we use that to be better. Black Bile was a hard chapter in our lives, traveling deep into our minds and pulling out everything that makes us feel bad, depressed or anything of the sort and putting it out in the open for everyone to see. While writing the album we understood the power we have when we use that bad energy for good.

It’s not about replacing bad energy with good, that’s not possible because we are who we are, it’s more about using bad energy to let some good come in. So that is the main idea behind the feel of the album and the lyrics.

Musically we tried to let the songs reflect those themes sonically, keeping it heavy and hard-hitting like a tantrum, like someone losing his shit when he feels like nothing. There are slower moments and faster ones, it’s all a part of the rollercoaster that it is to be alive in this day and age.

Track by track (LYRICALLY & MUSICALLY) explained by the band:

The Burning –
The Burning is probably the most popular song with the fans even before it comes out, the fans chant the “God bless the human race” on every show so it was a no-brainer picking it out to be the first single off of the album.

The Burning is an upbeat thrash song with many heavy and groovy moments it was perfect for the beginning of the album, to start with a bang, no introductions or orchestral intros just straight up metal from the get-go.

Lyrically the song’s full name was The Burning of Mt. Sinai and so it’s easy to know this song is an anti-religious song, coming from Israel, religion is a big part of the atmosphere where we grew up, and we are not very fond of those establishments that are more about power and money than the lessons in those books they sell.

Black Bile –
Black Bile was picked to be our title track since the whole concept of the album is being represented in the lyrics, it talks about killing the worst in yourself, all while keeping the finger pointed at the one who’s to blame – yourself.

While musically Black Bile also represents what we love about modern metal and the essence of what our music turned out to be. Heavy, upbeat banger that keeps attacking you right until the very end of the song.

Who Will Be Eaten First –
We don’t touch politics with our music, at least didn’t do it until now.
WWBEF might sound like it’s pointed at specific events but it’s more about the grim reality of that it doesn’t really matter who we chose to sit up there on the throne we, will still call it rain when he pisses right on all of us.

Musically the song was supposed to be a thrash metal banger, keeping it short and fast from start to finish, kind of a song that keeps the mosh pit fueled and intense.

Sever –
We used to joke around and call Sever the ballad of the album (Well, until Holes was written). Sever is a song about being at the lowest point that you can be in and musically we wanted it to reflect that by being heavy in a different way than other songs, in a more slow-paced way.

We searched for those specific harmonies for a lot of time writing the song, so it’ll feel exactly the way it should and will sound very grim and dark to emphasize how we felt. In the end, there’s a true climax, a turning point in the life of the narrator where everything goes a bit faster and the song ends in a kind of incomplete way.

AntiTribe –
The Anti Tribe is a part of the whole Sinnery concept. It’s about the people that share our strive to be better. All while Black Bile for us is the bad voices inside our heads that keep testing us trying to keep us lazy/depressed/not productive etc. The anti tribe is all the people who like us are actively fighting those emotions and are using them as fuel to be better. No one is held accountable. No one is to blame, not God, not our families, not anyone. We are responsible for our own fate. And so the song itself is an open letter from one to itself calling himself out on all the things that he does, not letting any of the shame go to waste.

Musically it reflects just that – the fast riffing and fast pace of the song feels like an unrelenting attack, again with harmonies and melodies that we’ve written to reflect the grimness that we feel.

Mouthful of Nails –
Mouthful of Nails came out as some sort of a catchy anthem, it was the 2nd song we wrote for the album and so it had a lot of versions.

Going into the studio we felt like Mouthful of Nails might be the weakest link in the album setlist but after working on it in the studio with Yuval Kramer it really all clicked together and we realized it was just a diamond in the rough. Mouthful is a more melodic take on modern metal with fast drums and riffing but also a catchy chorus to go along with it.

Lyrically the song is about being silenced by family or environments and is sort of payback for that.

Hanged From The Sun –
Hanged from the Sun was the first song we wrote for Black Bile, for a couple of years it was even the title track of the album before the concept really took shape.

Hanged from the Sun is more of a storytelling song, the story is about a ruler or god that fell from grace and decided to paint the sky with his blood to spite his former supporters, and so he hangs himself from the sun for all to see.
The concept of the song can be seen in the artwork of the album.

Musically the song is a rollercoaster, sometimes slow and more often than not very fast and heavy. The song evolves with the lyrics as it explodes in the solo when by the story the character hangs itself from the sun. It’s the only song not sung from our perspective but from a character’s one.

Bleak –
Bleak is a song about us, but unlike the others, Bleak is about the intense and complex dynamics we have as a group, pushing each other to the limits and going through highs and lows, always sticking together in a very very close relationship that sometimes makes it hard on us to be friends.

Musically it is probably the “black sheep” of the album, being weirder and more experimental for us while writing it.

It’s a heavy song and more complex in its riffing but we really tried to use the right melodies and harmonies to make the listener feel what we feel, how dark it can get when you’re doing something that intensely for so many years with your friends, it can get dark.

Here Below –
Here Below always felt like some collage of everything on the album. Very fast, very heavy, moving from one part to the next pretty quickly and using almost every tool we had for writing back in those days so it has a lot of melody in it.
Lyrically the song is about existential questions, it’s about asking yourself how much you’re worth and what lies ahead for you to discover. Does it all matter if everything of your past is burnt? The conclusion of the song is that nothing really matters and the sun will set on you and me alike. We are all nothing and so we are equal in our nothingness.

Holes –
Holes is a song about rebirth, it was a different take for Alon about the death of his father saying he had learned how to use his “Black Bile” to grow outside of his private hell. And so generally the song is about growing into something better than what we are. It was the last song that was written for the album and so symbolically it also closes it, as it’s a closure for the album’s concepts and it feels like the walk to the open grave at a funeral (As our producer Yuval Kramer used to say).

Musically the song is slower yet heavy (probably takes the title of the ballad of the album?) it keeps in line melody-wise with the entire project, keeping everything dark and grim so it can hit the listener right in the guts.

L-R – Sinnery- Saar Tuvi (Bass), Alon Karnieli (Guitars and Vocals), Idan Kringel (Lead Guitar), Matan Carlos Mandelbaum (Drums)
Photo Credit – Or Shankerman

Forged by the love for metal and hatred for anything else, Sinnery formed in late 2012 in Herzliya, Israel. The four-piece toured Israel nonstop while entering the studio with Israeli producer Eli Pikover to record their first album “A Feast of Fools”.

In 2016, the band signed with Pitch Black Records and together released Sinnery’s debut LP “A Feast of Fools”, getting the band to play in Cyprus’s biggest metal festival “Power of The Night Fest 2017”. AFOF gained the band many new listeners receiving great praise worldwide.

In 2019, the band toured with legendary German thrashers, Tankard.

Fast forward to 2022, The band has completed production on their highly anticipated new album “Black Bile”, mixed and mastered by Matt Hyde (Machine Head, Trivium, Slipknot, Bullet For My Valentine). The album is set for release on Sept 16th via label Exitus Stratagem Records (EXSR).

Sinnery is set to conquer new grounds and get on tour starting with Romanian Festival and date in the UK in September and October.

Shared stage with:
Tankard, Oliver/Dawson Saxon, Betzefer, Shredhead

Tours and Festivals
2017 – Power of the Night fest – Nicosia, Cyprus
2018 – United Under Hate Tour – St. Petersburg, Moscow, Tver, Ivanovo, Yaroslavl, Rybinsk – Russia
2021 – IMF – Tel Aviv, Israel
2022 – Rockstadt Festival – Romania

Discography:
2022 – Black Bile – LP
2016 – A Feast of Fools – LP

0 Seventh Station (Dream Theater, Subterranean Masquerade members) Stare Down Tyranny With Single “All Hail the Moustache”

April 5, 2022
by Asher
· Music News · Seventh Station

NEWS RELEASE

Montreal, QC – April 5, 2022

Seventh Station (Dream Theater, Subterranean Masquerade members) Stare Down Tyranny With Single “All Hail the Moustache”

L-R: Eren Basbug, Jure Lopatic, Davidavi Dolev, Dmitri Alperovich, Grega Plamberger

Seventh Station, led by guitarist Dmitri Alperovich and featuring keyboard player Eren Başbuğ (mostly known for his work with Jordan Rudess and Dream Theater) along with Davidavi ‘Vidi’ Dolev (frontman of Subterranean Masquerade) are ready to release their first single in five years. “All Hail the Moustache” blurs the line between reality and hallucination and is especially relevant to present world events. Along with reaching a new level of musicality and artistic expression, the band hopes that listeners will gain something from listening to it and find all the hidden messages in the music.

According to them, the single is a manic track portraying the grandiosity of a tyrant, a power trip that is getting out of hand, an active volcano hoping for some sort of immortality, spiraling out of control under waves of paranoia. Ironically, at the same time, it could also portray the minds of some artists. They chose the Moustache as a symbol of an ever-growing force of dark leaders in recent history, and though the current tyrants are shaved, we all know what goes under their skin. Guitarist Dmitri Alperovich explains the track and the accompanying video further:

“Through the intense music and the shocking video, we call people to respect each other and say no to any kind of war or dictatorship around the world. The animation was done by the great Finnish animator, Mika Tyyska, who worked on Dream Theater’s ‘Octavarium’ animation and he managed to put his unique input into our ideas. Slovenian actor, Anton Strojin, is starring in the first part of the video and is bringing his colorful acting to the surreal script, prepare yourself, this is a strange one.”

“All Hail the Moustache” is just the beginning, the tip of the iceberg of what to expect next from Seventh Station who has other singles in the works which will eventually lead to the full, concept album.

Theatrical magic on steroids, Seventh Station passionate storytellers, and classically trained musicians/composers are recommended for fans of Dream Theater, Pink Floyd, and Opeth.

The music video for “All Hail the Moustache” can be seen and heard at https://youtu.be/-upgWRhKqz0

For more info:
Seventh-station.com
Facebook.com/SeventhStation
Instagram.com/seventhstationofficial

About:

Slovenian-based progressive metal band Seventh Station is back with its second album “Heal the Unhealed” and it’s heavier, faster, and more artistic than ever. Led by guitarist Dmitri Alperovich, “Heal the Unhealed” is an album inspired by the events of the 20th century, focusing on the Second World War and the Soviet Union, reflected in the eyes of Alperovich, who was born in Minsk, Belarus, immigrated to Israel and eventually found his way to Slovenia. The album is an hour-long surrealistic epic, harnessing the band’s virtuoso abilities in order to express Kafkaesque situations, juxtaposing dictatorship’s disorders with the personality disorders of an artist.

The album was recorded during 2020, between Ljubljana, Slovenia, and Boston, Massachusetts, and is also featuring keyboard player Eren Başbuğ (mostly known for his work with Jordan Rudess and Dream Theater), singer Davidavi ‘Vidi’ Dolev (frontman of Subterranean Masquerade, etc.) and is engineered mixed and mastered by Slovenian producer Matej Gobec (Laibach, Fishbone, Dub trio, etc.). These days, Seventh Station is label shopping, looking for a home for “Heal the Unhealed”, working on a film concert in Turkey, and is in the process of booking a tour after COVID-19. We invite you to listen to “All Hail The Moustache”, the band’s first single in 5 years.

– 30 –

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