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Posts By Asher

0 Rockshots Records – Karmic Link Posts Cyberpunk Lyric Video “The Tone of C”

  • May 20, 2022
  • by Asher
  • · Karmic Link · Music News

NEWS RELEASE

Montreal, QC – May 20, 2022

​

Rockshots Records – Karmic Link Posts Cyberpunk Lyric Video “The Tone of C”

Karmic Link return with a new cyberpunk video for the song “The Tone of C” from their album “Dark Metropolis”, which was released worldwide in 2018 by Rockshots Records.

As described by Stathis Kassios, mastermind and founder of Karmic Link:

“We are currently at SoundHouse Studios Athens where we are mixing our new, upcoming, 4th album. We are very excited about the result. The recordings of the guitars and bass took place at Twilight Cloud Studio in Nashville, Tennessee, by our guitarist Evan Hensley (ex-Nightfall, Dark Hound) and with a guest participation by ET Brown (Dark Hound).

As a necessary artistic break from the demands of our new album, we wanted to visualize one of the most alternative tracks -The Tone of C- from our previous album “Dark Metropolis”. This track does not contain any guitar solos or lead guitars on purpose. It balances sonically between dark metal, industrial, and rock ‘n’ roll, funk, electro, influences. We have been experimenting with each of our releases since 2006, the year Karmic Link was formed. We hope you will like the result! ”

Watch the new video here: https://youtu.be/mNkO1AdzSzk

Karmic Link‘s album “Dark Metropolis” was released on October 19th, 2018. The album features nine tracks of dark industrial coldness with Mediterranean energy along with atmospheric landscapes, progressive and instrumental madness, electro breakdowns plus hard rock pentatonic moments. The album is the third full length from the band to follow their two previous albums “Esoterica”(2010) and debut “No Light But Rather Darkness Visible”(2008).

Karmic Link was founded by Stathis Kassios (Nightfall, ex-System Shock) whom after a period of extensive recording and live experience wanted to give birth to a surrealistic musical project. The outcome has been a dose of dark industrial coldness with Mediterranean energy along with atmospheric landscapes, progressive and instrumental madness, electro breakdowns plus hard rock pentatonic moments.

Track Listing:
1. Random Phantom (3:09)
2. Dark Metropolis (3:39)
3. The Ton of C (3:23)
4. False Spots On The Highway (3:47)
5. Your Fire Will Burn For Centuries (4:00)
6. RiaMa (1:58)
7. Endless (4:03)
8. Lost Magic Alchemy (3:15)
9. Nostalgia (4:26)
Album Length: 31:44

Follow Karmic Link:

​https://open.spotify.com/artist/28ErhloNDDvJxkEv6rqV1L

​http://facebook.com/karmiclink

​https://karmiclink.bandcamp.com​

​https://www.rockshots.eu​

– 30 –

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ASHER MEDIA RELATIONS
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0 Rockshots Records – Out Now! SANDNESS New Album “Play Your Part” + New Video “Someone So Bad”

  • May 20, 2022
  • by Asher
  • · Music News · Sandness

NEWS RELEASE

Montreal, QC – May 20, 2022

​

Rockshots Records – Out Now! SANDNESS New Album “Play Your Part” + New Video “Someone So Bad”

Italian classic 80’s hair metal-inspired band SANDNESS fourth studio album entitled “Play Your Part” is now available via Rockshots Records as of May 20th. The album follows their two previous released records on Rockshots Records, 2020 EP “Enter Please (2020) and 2019 LP “Untamed”.

Today, to celebrate the record’s release, SANDNESS are sharing their new video for the single “Someone So Bad”.

“This is a love song, a love letter written by a musician who spends a lot of time far away from their better half while touring around the world. In the chorus you can also hear a female voice (for the first time in a Sandness song), that’s Maria Grazia Zancopè, the lead singer of Perpetual Fate.”

Listen and watch “Someone So Bad” at https:/youtu.be/O49V3MVqauc

​

SANDNESS‘ new album is produced, mixed, and mastered by Michele Guaitoli and features twelve original tracks including a bonus cover version of KISS’ “Turn On The Night”. The lyrics written for the full length give an insight into how the band kept themselves busy and entertained during the first lockdown in the spring of 2020.

“We think that our fans won’t be disappointed, we worked hard on this album, and without live gigs over the last 2 years due to Covid 19, we had a lot of time and energy to put into it. The songs are catchy and easy to listen to. We want this album to be the getaway from your typical stressful everyday life. We want people to feel good when they listen to our songs. Our music brings you to a dimension where everything is solvable with some dance moves or some headbanging. Give you the bright side of things to escape the difficult times.” adds the band.

“Play Your Part” is a different kind of animal from SANDNESS‘ previous releases, due to the lockdown, they had more time to think and work on the songs. They also worked a lot more closely with producer Michele Guaitoli, who helped them bring their music to the next level. The new album is more mature and inspired by different styles: hard rock, classic rock, heavy metal, 70’s rock n’ roll, but also pop music from different decades.

“Play Your Part” is available as of May 20, 2022.

CD – https://bit.ly/PYP_CD​

Vinyl – https://bit.ly/PYP_VINYL​

Digital – https://bfan.link/play-your-part​

Music Video – High Tide – https://youtu.be/xzT1TSfAnPU​

Music Video – No Filter – https://youtu.be/J5w8UJrgzig​

 

 

Since their first independent release in 2010, Sandness has toured Europe multiple times, playing small venues and festivals in Latvia, France, Slovakia, Austria, Germany, Poland, Czech Republic, Belgium, Netherlands and Croatia. Over the years, the band shared the stage with renowned musicians such as Adam Bomb, L.A. Guns, Tygers Of Pan Tang, Reckless Love, Nazareth and Lita Ford.

Track Listing:​
1. High Tide (3:36)
2. No Filter (3:15)
3. Someone So Bad (3:46)
4. Today Tonight (3:46)
5. Supernova (2:51)
6. All I’ve Learnt (5:23)
7. Be The One (3:28)
8. Give It All (4:20)
9. Lights On (4:04)
10. The One Who Tricked The Devil (4:16)
11. Bad Company (3:56)
12. Go With The Flow (3:15)
13. Turn On The Night (Kiss Cover – Bonus Track) (3:47)
Album Length: 49:50

 

 

 

Band Line Up:​
Mark Denkley – Bass guitar, lead and backing vocals
Metyou ToMeatyou – Drums and backing vocals
Robby Luckets – Guitars, lead and backing vocals

For more info:​
​Rockshots.eu​
​Sandnessofficial.com
​
​Facebook.com/Sandnessband/​
​Instagram.com/sandness_official​

Discography:
2022 – Play Your Part (Rockshots Records)
2020 – Enter Please – EP – (Rockshots Records)
2019 – Untamed (Rockshots Records)
2016 – Higher & Higher (Sleaszy Rider Records)
2013 – Like An Addiction (Sleaszy Rider Records)
2011 – Life Without Control – EP – (Self-Release)
2010 – Return To Decadence – EP – (Self-Release)

Sandness is endorsed by Steve Clayton USA, Liuteria 69, Dogal Strings, Handyman Custom Guitars, Evo Straps

—

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0 Saudi Melo-Death IMMORTAL PAIN Make A Triumphant Return With New Single “Unhealed”

  • May 19, 2022
  • by Asher
  • · Immortal Pain · Music News

NEWS RELEASE

Montreal, QC – May 19, 2022

​

Saudi Melo-Death IMMORTAL PAIN Make A Triumphant Return With New Single “Unhealed”

Immortal Pain, from Saudi Arabia, have been together since 2005, ripping up local stages with their take on melodic death metal. It has been a long time since they released music, but they are breaking their silence with a stand-alone single “Unhealed” via label Wall of Sound Dark Mode. The band firmly believes listeners will love this single as it will deliver an all-new original track that resembles the classic Immortal Pain vibes and energy with a modernized sound. They share the listener experience that fans can expect:

“They will be experiencing a deeply emotional story, musically speaking, with some old-school melodic death metal sounds, catchy riffs, inspirational lyrics, and limitless feelings. This will also be our first official single after releasing the original 2007 demo tracks EP “Origin Demoes” in 2021.”

“Unhealed” is a straightforward, deep track that offers motivating energy and amazing melodies. Over the years, the sound of Immortal Pain has definitely developed, as they have matured musically. They have been playing together for over a decade, and the chemistry is apparent. They continue to experiment with different sounds and techniques, but they don’t stray too far from the classic sound and style that they have become known for.

Immortal Pain’s live shows are packed with energetic, exciting fun as they consider each gig to be a celebration with their fans in a mutual love for music. They always give a 110% on the music and fan experience, as it is what they deserve. Along with playing live gigs this year, Immortal Pain will also be working on a number of singles, so fans can expect a lot more noise from the group.

Immortal Pain is powerful and melodic, adding an edge to typical melodic death metal. They incorporate personal themes to drive home the passion and emotion even more. They are recommended for fans of Iron Maiden, Metallica, and Arch Enemy.

The single ‘Unhealed” will be released on May 20, 2022, and can be streamed and downloaded on digital platforms at the following link – https://linktr.ee/immortalpainofficial​

YouTube stream – https://youtu.be/uo_t_2kF8S4

​

For more info:​
​Instagram.com/immortal_pain_official​
​Facebook.com/ImmortalPainOfficial​

About:​
Keeping the metal scene alive, Immortal Pain is a Saudi Arabian Melodic Death Metal band from Jeddah. The band was formed back in 2005 by Emad Ashor (Vocalist/Rhythm Guitarist), Rasheed (Lead Guitarist) and was later joined by Moaiyd Alshammari (Drummer) and Anan Alsabban (Bassist).
​
Their music is a mix between Thrash Metal and Melodic Death Metal and was heavily influenced by bands such as Iron Maiden, Arch Enemy, Kalmah, Metallica, and many other iconic groups.
​
The band was heavily active during the prime years of metal music in the Kingdom and continues to perform to their fans to this day. Immortal Pain released a number of demos over the years and continues to create new music and is releasing their first official single “Unhealed” in May 2022 with additional releases planned for the following months.
—
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0 EPK – Immortal Pain – Unhealed (2022) (single)

  • May 19, 2022
  • by Asher
  • · EPKs · Immortal Pain

EPK – Immortal Pain – Unhealed (2022) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Melodic Death Metal band from Jeddah, Saudi Arabia – Since 2005

Single Title – Unhealed
Release Date – May 19, 2022
Label – Wall of Sound Dark Mode

“We believe that fans will love this single as it will deliver an all-new original track that resembles the classic Immortal Pain vibes and energy with a modernized sound. This will also be our first official single to be released after releasing the original 2007 demo tracks EP “Origin Demoes” in 2021.” – Immortal Pain

Instagram.com/immortal_pain_official | Facebook.com/ImmortalPainOfficial | YouTube.com/c/immortalpainofficial

Linktree: https://linktr.ee/immortalpainofficial

Spotify | Apple Music | Anghami

Single Credits:
Artist Name – Immortal Pain
Single Title – Unhealed
Language – English
Primary Genre – Metal
Secondary Genre – Melodic Death Metal
Release Date – 19-05-2022
Recording Location – Jeddah, Saudi Arabia
Label – Wall of Sound Dark Mode
Lyrics Writer(s) – Immortal Pain
Producer(s) – Immortal Pain

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. Immortal Pain has been always active since its inception and continued to write music and perform for fans for the last 16+ years.

2. The band was also considered as the reason that ignited the metal performance scene in the kingdom after its long slumber with a number of sold-out shows in 2021 which motivated other bands to form or regroup and proved that the metal scene is still alive and well.

3. Fun Facts 1: Band members love collecting different memorabilia based on their interests and hobbies, from music inspirations to horror movies, to anime and gaming with one of the members having the biggest KISS memorabilia collection in the kingdom.

4. Fun Fact 2: Our current bassist was in attendance during the band’s first-ever live performance in 2006 (Jeddah Metal Resurrection) not knowing that he would join the band three years later.

Keeping the metal scene alive, Immortal Pain is a Saudi Arabian Melodic Death Metal band from Jeddah. The band was formed back in 2005 by Emad Ashor (Vocalist/Rhythm Guitarist), Rasheed (Lead Guitarist) and was later joined by Moaiyd Alshammari (Drummer) and Anan Alsabban (Bassist).

Their music is a mix between Thrash Metal and Melodic Death Metal and was heavily influenced by bands such as Iron Maiden, Arch Enemy, Kalmah, Metallica and many other iconic groups.

The band was heavily active during the prime years of metal music in the Kingdom and continues to perform to their fans to this day. Immortal Pain released a number of demos over the years and continues to create new music and is releasing their first official single “Unhealed” in May 2022 with additional releases planned for the following months.

Band Line Up:
Emad Ashor – Rhythm Guitar & Vocals
Rasheed – Lead Guitar
Moaiyad Alshammari – Drums
Anan Alsabban – Bass

Discography:
2022 – Unhealed – Single
2021 – Origin Demoes – EP

Shared Stage with:
Wasted Land, Grieving Age, Sound of Ruby, Creative Waste, Deathless Anguish, Breeze of the Dying, Ana N7n, Euphoria, Volfram, Talsam, Breaking the Boundaries, Engraved, Infernal Rebyrth, Banj, Santas Magoria, Crimson, Inversion, and Misanthropist.

Tour and Festivals:
2021 – Immortal Pain @ Syrup Lounge – Riyadh, SA
2021 – Makan Pro Battle of the Bands – Jeddah, SA
2021 – Immortal Pain – Night II @ Makan Pro – Jeddah, SA
2021 – Immortal Pain @ Makan Pro – Jeddah, SA
2020 – Voyage Desert Rock Night – Jeddah, SA
2019 – Jeddah Musicians: The Rock Show – Jeddah, SA
2016 – Jeddah Musicians: Rock Fest – Thuwal, SA
2013 – Hailz & Hornz II – Jeddah, SA
2012 – Hailz & Hornz – Jeddah, SA
2011 – Jeddah Musicians: Metal Night – Thuwal, SA
2010 – Immortal Pain Night – Jeddah, SA
2010 – Underground Metal Night – Jeddah, SA
2009  – Clash of the Irons II – Riyadh, SA
2008 – Underground Metal Night – Jeddah, SA
2007 – Clash of the Irons – Riyadh, SA
2007 – Underground Metal Night – Jeddah, SA
2007 – Underground Metal Night – Jeddah, SA
2006 – SA Metal II – Khobar, SA
2006 – Jeddah Metal Resurrection – Jeddah, SA

0 Thank You MDs and DJs for the thrash love! \m/\m/ #8 Hyperia – !earshot The National Loud Chart For the Week Ending: Tuesday, May 17, 2022

  • May 19, 2022
  • by Asher
  • · Hyperia
Thank You MDs and DJs for the thrash love! \m/\m/
#8 Hyperia – !earshot The National Loud Chart
For the Week Ending: Tuesday, May 17, 2022
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2022-05-17

0 M-Theory Audio – GRAVESHADOW Unveil Video ‘The Swordsman’ Off Album ‘The Uncertain Hour’ Out July 15th + Tour Dates

  • May 18, 2022
  • by Asher
  • · Graveshadow (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – May 18, 2022

​

Symphonic Metal Quintet GRAVESHADOW Unveil Video for ‘The Swordsman’

New album ‘The Uncertain Hour’ out July 15th; West Coast tour with Vintersea starting same day

The Sacramento-based quintet GRAVESHADOW – who deftly mixes symphonic/gothic metal with elements of doom, thrash and epic progressive power metal – have unveiled “The Swordsman,” the latest single from their forthcoming album, “The Uncertain Hour.” The band’s third album will be released July 15, 2022. “The Swordsman” is also special as it features guest vocals from Chelsea Murphy (Dawn of Ouroboros, Cailleach Calling, Tegmentum). GRAVESHADOW will also begin their West Coast tour on the same day at Barmadeggon in Tulare, CA, performing alongside Pacific Northwest blackened progressive-metal group VINTERSEA on “The Uncertain Hour Tour 2022” through Saturday, July 23rd at Cafe Colonial in Sacramento, CA. Full tour dates are below. In the meantime, the streaming audio visualized for “The Swordsman” can be viewed at https://youtu.be/WnFOUN9S4aw and pre-orders for CD and limited-edition (200) vinyl copies of GRAVESHADOW‘s upcoming third album, “The Uncertain Hour,” are available at www.smarturl.com/graveshadow.

“I’m really excited to release ‘The Swordsman’ which has kind of snuck up on me as another favorite off the record, explains GRAVESHADOW vocalist Rachl “Raxx” Quinn. “The interplay of the clean and harsh vocals was something I was thrilled with the outcome on. The way they support each other really adds a great dynamic to the song. As a band it was great to have Chelsea guest on the track, her performance is absolutely incredible!”

“The Uncertain Hour” – produced by Miss May I guitarist Justin Aufdemkampe (Clutch, War of Ages), mastered by Alberto De Icaza (Crobot, Zoey’s Extraordinary Playlist) and featuring artwork by Roman Ismaylov (Battle Beast, Beast In Black) – sees the new lineup for GRAVESHADOW continue to refine their enticing mix of symphonic, gothic, doom, and epic progressive-metal elements, now augmented by the newfound energy that has been brought into the band by the soaring melodic performance of new vocalist Rachl “Raxx” Quinn and the rumbling rhythm section of new bassist Luci Rae and new drummer Bones Padilla (formerly of labelmates Cultural Warfare). The returning guitar duo of William Lloyd Walker and Aaron Robitsch once again deliver a beautiful display of guitar histrionics that tastefully mixes searing shred with a warm melody. Graveshadow are back on the scene with a story to tell. Intertwining melodic highs and crushing lows to sweep listeners away on a journey of self-discovery, loss and the will to carry on.

The first taste of new music from “The Uncertain Hour” was unveiled in March 2022 with the music video for “Soldier of 34,” which can be viewed at https://youtu.be/qXDzhkfRjuM. The new lineup for GRAVESHADOW initially began to take form with the release of their May 2020 single “Gwynnbleidd.” Inspired by the Witcher series, the song showcased the return of the band with the debuts of Quinn and Rae, and can be heard here https://youtu.be/XrorDG70g3Q.

GRAVESHADOW‘s previous album, 2018’s “Ambition’s Price,” was given accolades by Metal Utopia for being “a great record with lots of great moments for fans of Nightwish and The Birthday Massacre.” Metal Nation praised “Ambition’s Price,” declaring that “GRAVESHADOW has taken what has become a somewhat complacent and stagnant style of metal and breathed fresh life into it, creating something vibrant and memorable.” The fantastical lyrical themes that were explored by the band on “Ambition’s Price” – their debut record for M-Theory Audio and the follow-up to the group’s incubatory 2015 debut full-length “Nocturnal Resurrection” – were applauded by critics and fans alike. The band followed the release of “Ambition’s Price” by winning over new audiences with extensive touring alongside bands such as Arkona, Sirenia, Exmortus, Night Demon, and Unleash The Archers.

Track Listing:​
1. Soldier of 34 (6:04)
2. Gwynnbleidd (4:18)
3. Sea of Apparitions (3:55)
4. The Swordsman (5:28)
5. Vengeance of Envy (3:57)
6. A Beautiful End (4:54)
7. The Betrayer (4:12)
8. Shadow Battles (4:19)
9. The Two Lived (6:45)
10. Damsel’s Finesse (7:05)
Album Length: 51:04
​

GRAVESHADOW/VINTERSEA Tour Dates:​
7/15 Barmageddon – Tulare, CA
7/16 The Viper Room – Los Angeles, CA
7/17 Brick by Brick – San Diego, CA with Helsott
7/19 Elbo Room Jack London – Oakland, CA
7/20 Old Nick’s Pub – Eugene, OR
7/21 Funhouse Seattle – Seattle, WA
7/22 Dante’s – Portland, OR
7/23 Cafe Colonial – Sacramento, CA

More information on GRAVESHADOW and the upcoming release of their new album, “The Uncertain Hour” will be revealed in the weeks to come by M-Theory Audio and at https://www.facebook.com/Graveshadow.

GRAVESHADOW is:
Rachl ‘Raxx’ Quinn – vocals
William Lloyd Walker – guitars
Aaron Robitsch – guitars/keyboards
Luci Rae – bass
Bones – drums
​
​VINTERSEA is:
Avienne – vocals
Riley Nix – guitars
Jorma Spaziano – guitars
Karl Whinnery – bass
Jeremy Spencer – drums

For more information:​
​www.m-theoryaudio.com​
​www.facebook.com/graveshadow​
​www.instagram.com/graveshadow​
​www.facebook.com/vintersea​
​www.instagram.com/vintersea​

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Rebel Priest – Lesson In Love (2022)

  • May 18, 2022
  • by Asher
  • · EPKs · Rebel Priest

EPK – Rebel Priest – Lesson In Love (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com 

For fans of Motörhead, ZZ Top, Rose Tattoo, Deep Purple, LA Guns

EP Title: Lesson In Love
Release Date: June 24, 2022
Label: Batcave Records
Distribution: Batcave Records/Thundermoose Entertainment

“On this EP, we really tried to lighten it up and go back to the energy and feel that got us playing in the first place, music for and adventure or memory-making music! The soundtrack for that summer you’ll never forget or that time you did that thing and you’ll always think of it when you hear this song. It’s a feel-good and takes no prisoners combo at the same time!” – Rebel Priest

Batcaverecords.com | RebelPriestofficial.com | Facebook.com/rebelpriestofficial | Instagram.com/rebelpriestofficial | YouTube 

Rebelpriest.bandcamp.com | Spotify | Apple Music

The Rebel Wolff Tour w/ Rebel Priest and Dead Wolff​
June 24 – Vancouver, BC – Have A Good Laugh Festival. *Afternoon show – Deadwolff only
June 24 – Vancouver, BC – Lana Lous
June 27 – Maple Ridge, BC – The Wolf Bar
June 28 – Kamloops, BC – Pogue Mahones
June 29 – Kelowna, BC – Missions Tap House
June 30 – Lethbridge, AB – Theoretically Brewing
July 1 – Calgary, AB – The Palamino
July 2 – Edmonton, AB – Starlite Temple

“good time high energy rock that demands a beer in hand, sweat running down the back and smiles all around…. A combination of AC/DC, Guns n Roses and Motley Crüe would be how I’d describe them, with added Motörhead to bring more flame to the fire on occasion.” – The Razor’s Edge

“Pay attention for REBEL PRIEST’s Rock ‘n’ Roll homily, because as they preach Rock ‘n’ Roll with “Lost in Tokyo”, you’ll be converted to their hard Rock cult. 9/10” – Metal-Temple

“It’s such a blast of high-powered hard rocking energy, this a fun track (Lost In Tokyo) that will make you want to visit the city and get lost.” – Games, Brrraaains & A Head-Banging Life

“For fans of bands like Mötley Crüe and the like, Rebel Priest may be the right thing and if you are looking for dirty rock with beer-loving lyrics for a night of drinking, you will find it at Rebel Priest.” – Hellfire Magazin

“Rebel Priest stand for fast and hard rock ‘n’ roll. Three of the four songs are absolute party grenades and exude unbridled joy in playing. The EP Lost in Tokyo whets the appetite for more and then screams out live from the stage.” – Soundmagnet

“Lost In Tokyo (single) –  A crunching power packed snare drum punch comes crashing through as this shredding beast comes at us full on. Shredding guitar riffs are strewn all over this cranking monster as it ramps up the energy as this fantastic track gathers momentum and brings cool bass chords that deliver a plundering beat that combines well with this fantastic killer track.” – Jace Media

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords (R’LYEH HEAVY – 2019)

“A good Rotzrock Rundling let loose the REBEL PRIEST on the listener!” – My Revelations

“Reminded me of the early Iron Maiden Days” – Metal-Temple (R’LYEH HEAVY – 2019)

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords (R’LYEH HEAVY – 2019)

“Great stuff for cracking open a cold one and blasting down the highway at an illegal rate of speed” – Rebelx

[Download EP Cover | Download EP Lyrics]

EP Title: Lesson In Love
Release Date: June 24, 2022
Label: Batcave Records
Distribution: Batcave Records/Thundermoose Entertainment

Track Listing:
1. Lesson In Love (4:05)
2. Dïvebomber (5:01)
3. Coatcheck Girl (3:14)
4. Bonfire (1:47)
EP Length: 14:08

EP Recording Credits:
• All songs performed by:Rebel Priest
• All songs written by: Rebel Priest
• Produced by: Rene Garcia and Rebel Priest
• Mixed by: Rene Garcia
• Mastered by: Rene Garcia
• Album Artwork by: Angela Grimuzza
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

======================================

The EP as a whole (LYRICALLY & MUSICALLY):

On this EP we really tried to lighten it up and go back to the energy and feel that got us playing in the first place, music for adventure or memory-making music! The soundtrack for that summer you’ll never forget or that time you did that thing and you’ll always think of it when you hear this song. It’s a feel-good and takes no prisoners combo at the same time!

Track by track (LYRICALLY & MUSICALLY):

1. Lesson In Love is a non-traditional ballad like a love song sung by a Tommy gun hahaha! It’s about the trials and tribulations of loving something and just going thru it, the ups and downs and spirals but without the direct subject being a person. It’s open-ended in that it is what you love or love doing and how it’s a journey that can always find a way home.

2. Dïvebomber is a speed rock song that came together as we were chatting about WW2 dogfights and how crazy it must have been, then we thought that nothing could be crazier than a dïvebomber so we picked up our instruments and it just bled out!

3. Coatcheck Girl is a song Nate wrote a while ago about working at nightclubs and how (most often) the woman working the door was the best looking lady in the place! It’s been in our set for a while now and is a staple for our live shows, I mean who isn’t ready to party when a song starts out with LET’S GO GET SOME BEER!

4. Bonfire is a song about the great Bon Scott and nods to his wicked wordplay and snarky attitude. He was a true original and nobody came close! With thundering drums and lightning strike guitars, this song is a punch to the gut just like how he lived his life!

======================================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. Nate is an avid RC car enthusiast and has been working on cars his whole life. Benny has been practicing Muay Thai since the pandemic.

2. On a few different tours, I rolled under a moving semi-truck, Benny free galled out of a 40 ft tree hitting every branch on the way down, Nate broke his sticks and almost took out someone at front stage, Benny broke each of his knees on stage and finished the show. Once when we were on our way to play a show in Calgary, we got pulled over and when we got out, a bunch of whiskey bottles fell out and we convinced him that they were for candle holders.

Another time we were driving thru the Rockies and we got caught in a forest fire, landslide, tropical storm (with cars and trees getting blown over) and finally almost totaled by a moose, all on the way home.

3. The band name came from a Tombstone of a Canadian Shaman, it’s said “*redacted* he was a Rebel, he was a priest, he was the storm, this will not stop him”

4. The band started out with stage attire that was Manowar meets Iron Fist era Motörhead, which we dropped early on because only one person a show would remember the outfit making it look like we were taking turns dressing up like a caveman.

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!

The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue. Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).

Now in 2022, they offering up a slab of new music in the shape of a new EP “Lesson In Love” via Batcave Records/Thundermoose Entertainment on June 24th to follow their 2021 EP “Lost In Tokyo”. The forthcoming EP “Lesson In Love” is four tracks that ready’s fans to hear the band’s NWOTHM influences along with their brand of slurry heavy Rock n Roll.

Compared to last year’s EP “Lost In Tokyo”, which was written in Japan at the very end of 2019 about their adventures in the country, “Lesson In Love” takes a new avenue as they explain:

“On this EP, we really tried to lighten it up and go back to the energy and feel that got us playing in the first place, music for and adventure or memory-making music! The soundtrack for that summer you’ll never forget or that time you did that thing and you’ll always think of it when you hear this song. It’s a feel-good and takes no prisoners combo at the same time!”

Rebel Priest is recommended for fans of Guns n’ Roses, AC/DC and Motley Crue.

Rebel Priest is:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

Discography:
2015 – Rebel Priest(self-titled) – LP
2017 – Enabler – LP
2019 – R’lyeh Heavy – LP
2021 – Lost In Tokyo – EP
2022 – Lesson In Love – EP

Tours and Festivals:
2019 – Kappunk Festival – Tokyo, Japan
2019 – Hank Von Hell – Vancouver, BC
2019 – Subhumans – Tokyo, Japan
2019 – Flotsam and Jetsam – Vancouver, BC
2018 – Diamond Head – Vancouver, BC
2018 – Dirkschneider (Accept) – Vancouver, BC
2018 – The Lazys – Vancouver, BC
2017 – Lordi – Vancouver – BC
2016 – La Chinga – Vancouver, BC

Music Placements:
2021 – Batwoman (TV Series) – season 2

Awards:
Whammy Award (Vancouver local music awards) for best rock two years in a row – 2017/18

0 THIRTEEN GOATS Serve Up A Platter Of Death Metal With “Return to Ruin” Off “Servants of the Outer Dark”

  • May 18, 2022
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – May 18, 2022

​

Thirteen Goats Serve Up A Platter Of Death Metal With “Return to Ruin” Off “Servants of the Outer Dark”

Debut Album Out July 1st, 2022

L-R – Rob Fitzgerald (Guitars, Vocals), Graham K. Miles (Vocals, Guitars), Mike Redston (Bass, Vocals)

Photo Credit – Caitlin Delaplace​
​

Vancouver’s Thirteen Goats are inspired by classic American death metal acts like Deicide and Cannibal Corpse, and they have their feast of a debut album ready for discerning metalheads the world over. “Servants of the Outer Dark” is a sonic trip that winds down the most twisted sections of extreme metal’s memory lane on a journey to wicked new horizons. The band weaves together conventions from numerous extreme metal subgenres on songs that range from topical to tongue-in-cheek—some are overtly political, while others are about things like cooking and eating your enemies. The first single off the album is “Return to Ruin”, which vocalist/guitarist Graham K. Miles explains in detail:

“Return to Ruin came from a place of deep anger with a number of institutions and systems that I feel are failing the current generation—predominantly governments and large corporations that are waging war, both literally and economically, against everyday people around the world. From the widespread mismanagement of a global pandemic to increasing wealth inequality, an ongoing environmental crisis, a rising tide of political extremism, and now a new Cold War with Russia’s ongoing invasion of Ukraine, we are living in the midst of extremely dark times—and the people who are supposed to shepherd us through them seem to be leading us to the slaughterhouse instead of towards greener pastures.

“All of the current live band members have roots in Eastern Europe—we have one Ukrainian (me), two Russians, and an Armenian. But all of us are against the war and against people who use power unjustly. This song is intended to be a call to arms—a protest anthem that invites listeners to question authority figures and the systems they’ve set up, and to burn those systems down if they’re not working so we can start over with something better. Like we say in the lyrics: “Sacrifice the ones you’re serving; ask yourself what they’re preserving.”

Heavy, hooky, theatrical, and over-the-top, Thirteen Goats takes the standard death metal recipe and turns it on its head without sacrificing raw power. They liberally add flavours from a wide range of other metal subgenres including tech death, melodeath, brutal death metal, groove metal, thrash metal, black metal, and even grindcore, resulting in a well-blended and tasty layered sound that is approachable for any metalhead.

The album was produced by the band, mixed and mastered by Diego Fernandez-Trujillo, and the album artwork was done by Jeremy Famir. It is suggested for fans of Carcass, Cannibal Corpse, and Deicide.

The single “Return To Ruin” can be heard via its premiere on NoCleanSinging HERE.

The album “Servants of the Outer Dark” will be served up on July 1, 2022.

Album pre-order – https://thirteengoats.bandcamp.com​

Track Listing:​
1. Servant of the Outer Dark (5:48)
2. Challenge the Executioner (3:18)
3. Return to Ruin (4:11)
4. Prisoner’s Anthem (3:26)
5. Sub-Being (4:16)
6. Unholy Mass (4:41)
7. Constant Torment (3:30)
8. Vacuum-Induced Head Explosion (4:33)
9. Through the Meat Grinder… The Recipe (4:47)
Album Length: 38:34

Album Band Line Up:​
Graham K. Miles – Vocals, Lead & Rhythm Guitars
Rob Fitzgerald – Lead & Rhythm Guitars, Vocals
Mike Redston – Bass, Vocals, Acoustic Guitar

Live Band Line Up:​
Graham K. Miles – Lead Vocals, Lead & Rhythm Guitars
Rob Fitzgerald – Lead & Rhythm Guitars, Vocals
Bass – TBD
Drums – TBD

For more info:​
​ThirteenGoats.com​
​Facebook.com/THIRTEEN.GOATS​
​Twitter.com/THIRTEENGOATS​
​Instagram.com/thirteen.goats​

About:​
Eclectic, over-the-top, and just a little weird, THIRTEEN GOATS takes cues from some of extreme metal’s most infamous acts (Death, Carcass, Cannibal Corpse) to create a tongue-in-cheek blend of different genre hallmarks that’s as hooky as it is heavy. This ain’t your dad’s death metal, but we kept the best parts. Horns up!

– 30 –

—
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0 EPK – Greber – Fright Without (2022)

  • May 18, 2022
  • by Asher
  • · EPKs · Greber

EPK – Greber – Fright Without (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Unearthly Trance, Man is the Bastard, Black Sheep Wall, Primitive Man, Cult Leader

Album Title: Fright Without
Release Date: September 9, 2022
Labels:
VINYL, CD, Cassette – CANADA – Ancient Temple / Nofuneral
VINYL – USA – Hibernation Release
VINYL – EUROPE – 7 Degrees / Fresh Outbreak

Pre-order – Vinyl/Cassette/CD – https://linktr.ee/greber

Tour Dates:
Sept 9 – Jack Burger – Kitchener, ON
Sept 10 – Roti – Ajax, ON
Sept 16 – Turbo Haus – Montreal, QC
Sept 17 – House of Targ – Ottawa, ON
Oct 7 – Crafts Heads Brewing – Windsor, ON
Oct 14 – Doors Pub – Hamilton, ON
Oct 15 – Onyx – Guelph, ON

“For this record, I (Marc), would get some ideas into a skeletal structure via some computer demos and then send them off to Steve to hash out some general ideas. From there we just ran the Christ out of them in our jam space and they morphed accordingly. I still get amped on hearing how Steve perceives the stuff I bring to the table. It’s never the way I hear it in my head and I couldn’t be happier with the way that we’ve evolved together over the years. It’s easy to take it for granted, but it’s something that I wholeheartedly cherish and love the dude to no end.

A big difference between Fright Without and our last record, Cemetery Preston, was that there were a lot fewer revisions. I could all too easily drive myself insane with the “make-song-better” process and I found that over time it was way too much stress and I couldn’t cope with doing it at that level anymore. Maybe if there were some clear-cut and qualitative progress made visible by the madness I would have had a harder time with the divorce but I love what we did with this record and am glad we switched up our approach.

Fright Without is a handleless staircase that disorients as much as it overwhelms. Our testament to suffering and hope, balance and woe, heaven and here. With Kurt Ballou lending his abilities to the mix we’re beyond happy with how the final product came to sound and we hope that the listener finds it to be as much of an escape as they do a confrontation.” – GREBER

Facebook.com/grebermetal | Instagram.com/grebermetal

Greber.bandcamp.com | Greber.bigcartel.com

#10 Greber – The National Loud Chart For the Week Ending: Tuesday, October 11, 2022 (earshot)

“Greber is here to do one thing, and it’s throw aural punches. The band is now streaming their new single “Into Silence” alongside a new video directed by Torin Langen, both of which are as fantastic as they are disorienting.” – Metal Injection

“Crazed and raging, it reaches fever pitches of savage rampaging. But even in a song (Tree Carving) that barely clears the minute-and-a-half mark, Greber do what they always do — shift gears and contort moods, and electrify the music with constantly changing fretwork and drum patterns. Oh yes, these dudes know how to spin heads as well as traumatize them.” – NoCleanSinging

“the riffs that power Fright Without are frequent and come in a variety of forms. Whether it’s the sludgy plod on songs like “Larkinitis” and “Rats of Subversion” or the full grindcore assault on “Fabricated Purpose” or “Into Silence”, there’s a surprising amount of variety on the record, an attention to textural detail that belies the band’s instinctual approach. While the riff may not be the most important structural element to every Greber song, it’s nevertheless the thing that first grabs the listener’s attention” – Exclaim

“the band’s forthcoming fourth album, Fright Without which grows their combining of elements of punishing sludge, doom, grind and metallic hardcore into a frantic wall of sound that reminds as much of Swans, Napalm Death and Coalesce as it does Big Business, Burnt by the Sun and Painkiller.” – Decibel Magazine

“In short – listen to “Nosebleed” and you’ll very quickly get a feel for what Greber are all about… A wholly frantic and intense listen, Fright Without will probably leave you a little disorientated, but you will feel all the better for it.” – Everything Is Noise

“Chaotic force of nature Greber are set to return with their latest full-length offering Fright Without and they’re angrier and louder than ever. The band hit the listener with a furious wall of sound that sits somewhere between grindcore, sludge and hardcore….  another solid notch in the duo’s already impressive belt ” – Cave Dweller Music 

“It goes without saying that Fright Without is an intensely oppressive record, but given that it only spends half an hour trying to suffocate you it’s definitely worth letting it have a go. If you’re a fan of the bands mentioned at the top of this review (Mastiff, Helpless, and Yautja) you should have no disappointments here, and the two-piece dynamic actually ends up working in Greber’s favour in that it sets them apart at least a touch from an increasingly crowded scene of bands devoted so proudly and exclusively to misery and mire.” – Noob Heavy

“If you know me, you know that I wouldn’t normally be one for grindcore, or powerviolence. Consider me converted, and we have Greber to thank. Fright Without further asserts them as a unique and essential player in the subgenre. Their deranged, yet intelligent approach has culminated in something truly affecting, and pretty damn awesome.” – Angry Metal Guy

“Kind of a death/grind sound going on… heavy and in your face.” – The Mosh Pit 89.9 FM (Madison, WI)

#1 Loud February 2018 on The National Loud Chart (Cemetery Preston – 2018) (Earshot)

Highlight – #7 on The National Loud Chart – For the Week Ending: Tuesday, February 6, 2018 (Earshot) (Cemetery Preston – 2018)

Highlight – #5 on The National Loud Chart – For the Week Ending: Tuesday, January 30, 2018 (Earshot) (Cemetery Preston – 2018)

“Spawned from the former bassist of legendary grind band Fuck The Facts, Greber are a deadly sludge-grind two-piece. The band take a no-frills approach to metal, with a dark tone shooting back and forth between down-low grooves and harsh blasts of noise that underground metal fans will instantly latch on to.” – Alt Press (50 rising Canadian bands by province to keep on your radar)

“Greber​ offer up their latest slab of crushing sludge- and doom-laden grind with their new album, Cemetery Preston. The duo consist of bassist/vocalist Marc Bourgon​ (ex-Fuck the Facts) and drummer/vocalist Steve Vargas​ (The Great Sabatini), who create an exceptionally raw and visceral sound with their unique approach.” – Exclaim! (Cemetery Preston – 2018)

““Obliterating” is the word that comes to mind first in reflecting on this massive marauder. The vocals are raw and unhinged; the bass riffs are hard and heavy enough to reduce tall building to tiny piles of smoking gravel; and the tumbling, battering, bone-smashing qualitis of the changing drum rhythms are seriously attention-grabbing. There’s doom and blood-thirsty violence and a healthy dose of head-nodding compulsiveness in this genre-bending song, and I’m now slobbering to hear more from Greber.” – No Clean Singing (Cemetery Preston – 2018)

“Greber’s pursuit of intricate heavy music pays off immensely. “Cemetery Preston” will be one of the most unique and layered experiences of this year.” – The Sludgelord (Cemetery Preston – 2018)

““Backhanded Interest” for your aural perusal. It’s a no-face-unpunched collision of pressure cooked lactic acid low end tone and pounding at the inside of the coffin lid drumming with just enough feedback/noise to break up the gang hanging out in the doughnut shop parking lot.” – Decibel Magazine (Cemetery Preston – 2018)

“Greber lay down sludgey power violence, noise rock, and doom with authority here on their third full-length. And it’s no surprise this band delivers unique, passionate extremity.” – Bravewords (Cemetery Preston – 2018)

“Greber has certainly created their own sound with Cemetery Preston. A medley of differing metal styles delivered in bitter fashion. The duo bring an level of intensity that walks a tight line between sludgy riffs, grinding drum beats & wild hardcore style vocals.” – Games, Brrraaains & A Head-Banging Life (Cemetery Preston – 2018)

“Greber have released one hell of a record in the form of Cemetery Preston” – Sputnik Music (Cemetery Preston – 2018)

“Cemetery Preston, their third album proper, saves its blast beats for punctuation amid its predominantly prowling tempos, harkening back to the fact that even the genre’s originators didn’t go full tilt on every track” – New Directions in Grindcore – Bandcamp Daily (Cemetery Preston – 2018)

“They tick all the required boxes and right from the offset of opener ‘Backhanded Interest’ they go for the knock-out punch. A fist in your face. This unrelenting violence continues for the entire duration of the album, nowhere do they give the listener a chance to breathe. After the last tones of ‘The Closer We Got’ you’ll have been beaten into a pulp.” – Lords of Metal (Cemetery Preston – 2018)

“On Cemetery Preston, Greber have produced some of the heaviest, super-massive black hole music, this side of Unearthly Trance.” – Hellbound (Cemetery Preston – 2018)

==========================================

BAND STORY ANGLES / FUN FACTS:

1. Not really OUR story to have but we were 2/3’s of its cast and it was so unspeakably horrible that we have the right to spin the yarn of our Tugnut 2006 Canada/USA tour. Bright-eyed and bushy-tailed, Steve and I’s old band, Tugnut got set to embark upon a 2 and a half month tour across the United States and Canada. It started out as only 2 months and grew into 2 and a half when Steve and I realized that his first show that he had booked in Vancouver (our first show back across the border into Canada) was 2 weeks AFTER our Seattle show. (Steve was booking the Canadian shows and I was booking the US ones) After the discovery was made a frantic last-minute jaunt through the big sky regions of the upper midwest began with little success. We played roughly 42 shows in 72 days. With over HALF of the days of tour being off we defaulted to sitting in whichever mall/McDonalds was the most hospitable and playing Gin Rummy for LITERALLY DAYS. DAYS!!! We ran out of money as we rolled into Vegas and everything went onto my credit card after that. Our van was broken into while we were asleep in Asheville which resulted in yours truly chasing down the thief and getting our merch bags back. Sleeping in Walmart parking lots and watching our sanity drip out our ears the onslaught of hardships were endless. I don’t think any of us would have traded that experience for anything.

2. So we played Plan B in Moncton one night and were graciously put up by a fellow rock and roller. He left his apartment to our care and said “There’s some weed over there if you guys want”. Marc pulled out his high school skills and rolled a phat joint for us to blaze. We got smonked, found an N64 and anticipated a sick night of Goldeneye. Who knows how long we tried to set it up (could have been 5 minutes, could have been 45 minutes) before deciding to watch TV. I think it was Lethal Weapon on TV but again who knows how long it took before we realized we weren’t hearing voices in our heads and that it was an assisted audio program. It was very good weed. The End.

[Download Album Cover | Download Album Lyrics]

Album Title: Fright Without
Release Date: September 9, 2022
Labels:
VINYL, CD, Cassette – CANADA – Ancient Temple / Nofuneral
VINYL – USA – Hibernation Release
VINYL – EUROPE – 7 Degrees / Fresh Outbreak

Track Listing:
1. FORM (2:21)
2. AGING DEBT (2:22)
3. FABRICATED PURPOSE (3:43)
4. INTO SILENCE (2:59)
5. BUSH CORD OF ENTRAILS (1:56)
6. LARKINITIS (3:25)
7. DARK CORNERS (2:34)
8. RATS OF SUBVERSION (4:52)
9. NOSEBLEED (3:05)
10. TREE CARVING (1:33)
Album Length: 28:55

Album / Single Recording Credits:
• All songs performed by: Steve Vargas and Marc Bourgon
• All songs written by: Greber
• Recorded by: Sean Pearson at Boxcar Studios in Hamilton, Ontario
• Mixed by: Kurt Ballou at Godcity in Salem, Massachusetts
• Mastered by: Brad Boatright at Audiosiege in Portland, Oregon
• Album Artwork by: Main Artwork by Marcos Guinoza / Text and Layout by Youth and Rust
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Steve Vargas – Drums, Vocals
Marc Bourgon – Bass, Vocals
Kevin Keegan – Vocals and Lyrics on Fabricated Purpose
Scott Miller – Vocals and Noise on Bitchin’ Shades
Mathieu Vilandre – Guitar on Larkinitis
Kàrhozat – Noise on Dark Corners
Sean Pearson – Noise on Fistful of Cancon Dollars

Live Band Line Up:
Steve Vargas – Drums, Vocals, Lights
Marc Bourgon – Bass, Vocals

Photo by Austin Gibson
Editing by Youth and Rust
Left to Right – Steve Vargas – Drums and Vocals, Marc Bourgon – Bass and Vocals

Henry Miller wrote one of the great truths of life when he said “All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.”

Such a quote could describe bass-and-drums duo Greber, save that with past and present members of Fuck the Facts and The Great Sabatini, they have a great wealth of experience to bring to the table. Inspired by the truly great bands like Neurosis and Propaghandi, but inspired not to slavishly imitate what they have already created, but to forge their own sound, to blaze new trails. To look out at the world that surrounds us and reflect what they see truthfully; as though holding up a mirror to the darkness in the hope of reflecting a glimmer of light.

They truly have gazed into the abyss and put to music what they see there; their music has huge depths and they have none of the limitations that plague so many bands. They truly are their own beast and they truly have their own sound.

Since forming in 2008, Greber has released three well-received full-length albums, four 7″ inch split singles, a split cassette with Minors, and a 4-way split LP with Cell Press, Anthesis, and Botfly along with countless shows across Eastern Canada.

As if they were morphing into a single entity, Drummer Steve Vargas and bassist/vocalist Marc Bourgon have made Greber into their own unique entity, something as important to the duo as food and air.

Now in 2022, Greber will release their new album ‘Fright Without’, with a collaboration between Ancient Temple / Nofuneral (Canada) (Vinyl, CD, Cassette), Hibernation Release (USA) (Vinyl), 7 Degrees / Fresh Outbreak (Europe) (Vinyl) with digital download directly from the band.

“For this record, I (Marc), would get some ideas into a skeletal structure via some computer demos and then send them off to Steve to hash out some general ideas. From there we just ran the Christ out of them in our jam space and they morphed accordingly. I still get amped on hearing how Steve perceives the stuff I bring to the table. It’s never the way I hear it in my head and I couldn’t be happier with the way that we’ve evolved together over the years. It’s easy to take it for granted, but it’s something that I wholeheartedly cherish and love the dude to no end.

A big difference between Fright Without and our last record, Cemetery Preston, was that there were a lot fewer revisions. I could all too easily drive myself insane with the “make-song-better” process and I found that over time it was way too much stress and I couldn’t cope with doing it at that level anymore. Maybe if there were some clear-cut and qualitative progress made visible by the madness I would have had a harder time with the divorce but I love what we did with this record and am glad we switched up our approach.

Fright Without is a handleless staircase that disorients as much as it overwhelms. Our testament to suffering and hope, balance and woe, heaven and here. With Kurt Ballou lending his abilities to the mix we’re beyond happy with how the final product came to sound and we hope that the listener finds it to be as much of an escape as they do a confrontation.” – GREBER

“Fright Without” is due out September 9, 2022.

(bio written by Steve Earles)

Greber is:
Steve Vargas – Drums, Vocals, Lights
Marc Bourgon – Bass, Vocals

Album Band Line Up:
Steve Vargas – Drums, Vocals
Marc Bourgon – Bass, Vocals
Kevin Keegan – Vocals and Lyrics on Fabricated Purpose
Scott Miller – Vocals and Noise on Bitchin’ Shades
Mathieu Vilandre – Guitar on Larkinitis
Kàrhozat – Noise on Dark Corners
Sean Pearson – Noise on Fistful of Cancon Dollars

Shared The Stage With:
Yautja, Wake, The Great Sabatini, Alaskan, Homewrecker, Malevich, Meek is Murder, Enabler

Endorsements:
Steve Vargas (drums, vocals) endorsed by Los Cabos Drumsticks
Marc Bourgon (bass, vocals) endorsed by Egan Bass Guitars

Discography:
2010 – Hometown Heroin – LP
2012 – Split 7” with Proletar
2013 – Split 7” with Hiroshima Vacation
2014 – Kiln Hardened Psalms – LP
2016 – Split 7” with Anthesis
2018 – Cemetery Preston – LP
2018 – Split 7” with The Mighty Megalodon
2019 – Split Cassette with Minors
2021 – 4-way split LP with Cell Press, Anthesis and Botfly
2022 – Fright Without – LP

0 Canada’s MY HOLLOW Shares Hell Or High Water Guitar Solo Playthrough via TechnicalMusicReview

  • May 17, 2022
  • by Asher
  • · Music News · my hollow

NEWS RELEASE

Montreal, QC – May 17, 2022
​

Canada’s MY HOLLOW Shares Hell Or High Water Guitar Solo Playthrough via TechnicalMusicReview

“Fighting The Monsters” Out Now!

​
​
L-R Angelo Giammattolo – Drums, Sean De Faria – Bass, Graham Gaudreault – Vocals, Greg Gallagher – Guitar, Matt Williams – Keyboards,
(not pictured in photo) Danio Pirrone – Guitar
Photo Credit – Brett Teskey
​

This past April, Toronto’s My Hollow marked their return to the Canadian metal scene with the release of their new EP “Fighting The Monsters”, which features guest vocals from Bjorn ‘Speed’ Strid (Soilwork). The band supported the EP with the very loved puppet video “Vultures” and a cartoon for the EP’s title track. The new record boasts the heaviest music that they have written along with the addition of keyboards to add a new layer of epic melodies.

With a cohesive mix of epic riffs, today the band is sharing their solo playthrough for “Hell Or High Water” played by guitarist Danio Pirrone. The guitar parts for the song were originally written by bassist Sean De Faria.

Watch the shred via Technical Music Review HERE.

My Hollow started via the internet many years ago and has had some lineup changes since then. As they have matured, so has the music and they are excited to share their latest version of themselves with the world. The band expects newer fans, as well as established ones, will be able to find tangible qualities to enjoy about the new EP. The new tunes don’t stray too far from their back catalogue, but they do possess more of a mature approach to the songwriting. The addition of keyboardist Matt Williams has also added a new dimension to the My Hollow sound. The band is suitable for fans of modern metal, especially those with a penchant for Fit For An Autopsy, Gojira, and Lamb of God.

“Fighting The Monsters” was released on April 8th and available on all digital platforms including https://myhollow.bandcamp.com​

Puppet Music Video – Vultures – https://youtu.be/aExduk_8XPg​

Cartoon Music Video – Fighting The Monsters ft. Björn Strid (Soilwork) – https://youtu.be/nD_lQgx1zYs​

​
​Track Listing:​
1. Vultures (4:59)
2. Fighting The Monsters ft. Björn Strid (Soilwork) (4:19)
3. Hell Or High Water (6:26)
4. Faded Through (5:17)
5. The Iron Harvest (4:40)
EP Length: 25:41

EP Recording Credits:​
• All songs performed by: My Hollow
• All songs were written by: My Hollow
• Produced by: Greg Gallagher and Sean De Faria
• Mixed by: Tyler Williams @ Monolithic Productions
• Mastered by: Tyler Williams @ Monolithic Productions
• Album Artwork by: Jennifer White
• Canadian Content (MAPL)

EP Recording and Live Band Line Up:​
Graham Gaudreault – Vocals
Angelo Giammattolo – Drums
Greg Gallagher – Guitar
Danio Pirrone – Guitar
Sean De Faria – Bass
Matt Williams – Keyboards

For more info:​
​Myhollow.ca​
​Facebook.com/myhollowband​
​Twitter.com/my_hollow​
​Instagram.com/myhollow​
​
​About:
hollow: (1) a place or area that is lower than the area around it.
(2) an empty space inside of something.

The definitions of the word hollow describe My Hollow fittingly. With intense riffs and passages seamlessly giving way to lower, heavier parts in a lock-up, chunked out style with mutes leaving empty space in an otherwise chaotic sequence.

Based out of the Toronto area, My Hollow boasts a cast of independent metal journeymen, hungry to be heavier, tighter and more engaging with every song. Applying advice and drawing experience from performing alongside some of Canada’s biggest metal exports; The Agonist, Cryptopsy, Threat Signal, Beneath The Massacre among others. My Hollow as a whole can draw from a multitude of influences, not only from metal but from other genres as well, reflected in both their recorded releases as well as their live performance. Described by Danish webzine Power Of Metal as “five pissed off Canadians ready to tear my head off!” As well as “all the subtlety of a two-ton anvil slamming down on a set of pearly whites” by US based heavy metal blog, Heavy Metal Time Machine.

My Hollow has two official releases, 2012’s ‘Cold Dark Days EP’ featuring four demo versions of songs which were reworked and reimagined on 2014’s ‘On Borrowed Time’ full length release featuring My Hollow’s most refined and focused work to date.

Like any band, My Hollow has had its highs and lows. Being selected as a finalist for the annual Wacken Metal Battle Canada 2013 solidified My Hollow as one of Toronto’s, as well as Canada’s top metal acts and announced themselves to a broader spectrum of listeners. Although narrowly missing out on a spot to perform in Germany at heavy metal’s premier festival the experience proved to strengthen the bands resolve and galvanize their confidence in the process.

While the band’s recorded releases give the listener an idea of what My Hollow is about, the live performance is where My Hollow truly shine. “With a crushing wave of energy, and sound, My Hollow filled the venue with their effervescent presence. The lads never disappoint on stage,” is how Toronto based metal publication Metal Master Kingdom described their experience.

With a new EP “Fighting The Monsters”, which includes guest vocals from Bjorn Strid (Soilwork) due out in 2022 and an ever-evolving sound and live performance, My Hollow strive to become an ever-present staple in the Canadian and global metal scene and will stop at nothing to leave you hollow, and wanting more.

Discography:
2022 – Fighting The Monsters (EP)
2020 – iSolation (Single)
2018 – And Now We Fall (Single)
2015 – On Borrowed Time (LP)
2013 – Cold Dark Days (EP)

Shared Stage with:
The Agonist, Beyond Creation, Cryptopsy, Soilwork, Unearth, Battlecross, Fit For An Autopsy, Wretched, War Of Ages, SkullFist, Neck Of The Woods, Operus, Kill Devil Hill, Vital Remains, Warbringer, Beneath The Massacre. As well as (relatively) local bands: Insurrection, Centuries Of Decay, Sludgehammer, Astaroth Incarnate, BornBroken, Lutharo, Tortured Saint, Burning The Day.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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