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Posts By Asher

0 Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023; Mastered by Christian Donaldson (Cryptopsy)

  • January 16, 2023
  • by Asher
  • · Music News · Nomad

NEWS RELEASE

Montreal, QC – January 19, 2022

​

Canada’s NOMAD Combine A Ballad With Groovy Death Metal In “Revolution” Off “The Mountain” Out March 2023

Mastered by Christian Donaldson (Cryptopsy)

L-R – Josh MacDonald (Bass), Matt Johnstone (Guitar/Vocals), Bretton Melanson, (Drums/Vocals), Jeff Mabb (Guitar/Vocals)
Photo Credit – Chris Geistlinger

Nomad is a progressive death metal band from British Columbia’s Okanagan Valley in Canada who are excited to finally be releasing their debut album “The Mountain” this coming March. “Revolution” is the second single off the album and it is their most dynamic offering, featuring clean vocals and harmonies for the first half with a crushing ass kicking at the end. It’s a call to action, a challenge to take making the world a better place into your own hands. They comment on the track:

“The first half is our “ballad” with clean vocals, and the second half is rocking out to one hell of a sludge/groove riff, start light, go heavy, it’s kind of our “One”. The lyrics call for a revolution, a societal change, redistribution of wealth, symbiosis with nature, and to stop messing up the damn planet so our kids have a decent world to live in. The album title comes from the final line of the song, and the “fuck you” is directed to those that put profits over the preservation of our planet.”

Nomad is still early in their career and has cycled through different singers who have each brought their own style to the table and impacted the music in their own ways. Their new shared vocals setup, where three of the four musicians are vocalists, really lets them combine different styles taking the best of what they’ve had in the past from an old-school raw sound to a more refined modern sound.

The progressive melodic groove/death metal is recommended for fans of Lamb of God, Pantera, and Sepultura.

Listen to “Revolution” via its premiere on NoCleanSinging HERE.​

“The Mountain” is due out on March 3, 2023, and was mixed by drummer Bretton Melanson and mastered by Christian Donaldson (Cryptopsy). It is recommended for fans of Gojira, Lamb of God, and Pantera.

Album pre-order (CD, Digital) – Nomadbc.bandcamp.com​

Previous single – “Burning Alive” – https://youtu.be/N4uKBAfxc4c ​​

Track Listing:​
1. Burning Alive (4:30)
2. Haunted (6:00)
3. Revolution (6:05)
4. Relentless (6:09)
5. A Lonely Wanderer (5:08)
6. Blood Moon (9:40)
7. Rise in the Fall (6:20)
8. Processor (6:56)
9. Choke (8:52)
Album Length: 59:38

Album Credits:​
– All songs written and performed by Nomad.
– Additional writing contributions by past members:
Kasey Klassen
Lorne Valliers
Dylan Heska
Justin Kleinsasser
– Mixed by Bretton Melanson
– Mastered by Christian Donaldson
– Album Artwork by: Angela Grimmuza/ Art Of Grimmuza
– MAPL – Canadian Content

Album and Live lineup:​
Bretton Melanson: Drums/Vocals
Matt Johnstone: Guitar/Vocals
Jeff Mabb: Guitar/Vocals
Josh MacDonald: Bass

For more info: Facebook.com/nomadmetal | Instagram.com/nomadbandbc​

About: Nomad is a dynamic, progressive death metal band from the Okanagan Valley in British Columbia, Canada and consists of drummer/vocalist Bretton Melanson; guitarist/vocalist Matt Johnstone; guitarist/vocalist Jeff Mabb; plus bassist Josh MacDonald. Kickstarted by Johnstone who was looking for an outlet, he approached Melanson and since the material felt right and with their previous history playing together, the ball was rolling. Over a few years, there was a lineup flux, with each additional leaving their mark on the material. Ultimately, they then recruited Mabb as a second guitarist and MacDonald on bass, and working collaboratively, they weave their melodic, groovy death metal.

Looking to avoid the violence and gore tropes that are quite prominent in metal music, they tend to tell stories based on fictional characters, historical events, science fiction, and astrophysics. Each member adds their own flair to the songs, imprinting their distinct influences.

When they hit the stage, the audience is greeted by multiple vocalists that deliver a massive wall of layered sound, integrated sound effects, and a well-thought-out visual element. They played Canada’s prominent Armstrong Metalfest in 2016-2019 and performed alongside bands such as Kataklysm, Origin, Soulfly, and Alestorm. They are releasing their debut album “The Mountain” in 2023.

– 30 –

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Enter to win a FREE CD COPY of Iron Kingdom’s new album “The Blood Of Creation” from Metal Centre Contest ends Jan 22nd

  • January 16, 2023
  • by Asher
  • · Iron Kingdom

Enter to win a FREE CD COPY of Iron Kingdom‘s new album “The Blood Of Creation” from Metal Centre
Contest ends Jan 22nd

https://www.metalcentre.com/2023/01/enter-to-win-for-free-the-album-of-iron-kingdom-the-blood-of-creation-active/

0 Absolute Underground Mag – Dec 2022 – Jan 2023 – All Else Fails, Nihilist Deathcult, Opus Arise, Cydemind

  • January 16, 2023
  • by Asher
  • · All Else Fails · Cydemind · Nihilist Death Cult · Opus Arise

0 Rock Hard Italy – December 2022 – Tyrants of Chaos, Eternal Closure, 17 Crash, Highlord

  • January 16, 2023
  • by Asher
  • · 17 Crash (Rockshots Records) · Eternal Closure · Highlord (Rockshot Records) · Tyrants of Chaos

0 Rockshots Records – Return To AVALAND – New Album “The Legend of the Storyteller” ft. Guests From TSO, Edguy, Sortilège Out March 2023; Streaming First Single “Crimson Tyranny”

  • January 16, 2023
  • by Asher
  • · Avaland (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 16, 2023

​

Rockshots Records – Return To AVALAND – New Album “The Legend of the Storyteller” Out March 2023

Streaming First Single “Crimson Tyranny”

Album Guests Zak Stevens (ex-Savatage/TSO), Madie (ex-Nightmare/Faith In Agony), Pierre “Cara” Carabalona (Eltharia),
Ivan Castelli (Lionsoul), Angèle Macabiès, Jens Ludwig (Edguy), Bruno Ramos (Sortilège/ex-Manigance)

​

The mystical world of Avaland returns in 2023 with the fantasy symphonic power metal band’s sophomore full-length “The Legend of the Storyteller” due out on March 31st, 2023 via Rockshots Records following their 2021 debut “Theater of Sorcery”.

Compared to its predecessor, “The Legend Of The Storyteller” is heavier and is a much more epic power metal record full of anthems upon anthems for fans to chant to as they are taken on a journey over twelve theatric tracks. The record also hears double vocal duties from Adrien G. Gzagg and Jeff Kanji along with album guests that include Zak Stevens (ex-Savatage/TSO), Madie (ex-Nightmare/Faith In Agony), Pierre “Cara” Carabalona (Eltharia), Ivan Castelli (Lionsoul), Angèle Macabiès, Jens Ludwig (Edguy) and Bruno Ramos (Sortilège/ex-Manigance).

Lead by Adrien G. Gzagg (Autor/Composer/Lead Singer/Synths and Orchestrations), the album’s storyline is aprequel to the band’s first album “Theater of Sorcery” as he explains further:

“This album, as the first one, is a journey, a trip out of our world, into the universe of Avaland. We enjoy seeing Avaland as a great saga, as a movie, or series. We feel like listening to Avaland is like watching Game Of Thrones, The Lord Of The Rings, or reading comics, it’s an escape from everyday life. For this album, we took a lot of inspiration from Game Of Thrones and Arthurian Myths. We love fantasy and mythologies and we also find ourselves having a great fascination for alchemy and esoterism. Time is also a great subject, it’s mystical… in fact, time will be at the center of this saga. This new opus is showing a heavier and darker atmosphere of Avaland’s theatrical universe. Are you ready to be part of “The Legend Of The Storyteller”?”

Avaland‘s first single in support of “The Legend Of The Storyteller” is entitled “Crimson Tyranny” (feat. Cara, Madie & Zak Stevens).

“This song is the first one I composed for this album. It defines the atmosphere for this new album: darker than “Theater Of Sorcery”, but also more epic, especially with its mighty chorus (with some Blind Guardian influences). It’s a mind-sticking song, beware of this infernal hook “Crimson! Tyranny!”. The title of the song is a tribute to “In the Court of the Crimson King” by King Crimson.” adds Adrien G. Gzagg.

Listen to “Crimson Tyranny” (feat. Cara, Madie & Zak Stevens) at the following links:

​​
In additional news, Avaland will be touring Europe during spring 2023 supporting legendary bands Rhapsody Of Fire and Sortilège.
​
​Avaland is recommended for fans of Savatage, Angra, Avantasia, Symphony X, and Queen.
​
Album pre-order – https://bit.ly/StorytellerCD​
​
Album Pre Save – https://bfan.link/the-legend-of-the-storyteller​

Track Listing:
1. The Vision – 2:03
2. Crimson Tyranny – 6:45
3. Insurrection – 4:42
4. To Be The King – 4:34
5. Secret Night – 3:24
6. Kingslayer – 4:10
7. The Gift – 4:48
8. Out Of The Fog – 5:11
9. Betrayers – 5:23
10. Madness Of The Wise – 5:27
11. You’ll Be The Legend – 5:17
12. Lies – 10:29
(Bonus Track – La Folie Du Sage)
Album Length: 1:02:19

Avaland is:
Adrien G. Gzagg (Autor/Composer/Lead Singer/Synths and Orchestrations)
Jeff Kanji (Lead Singer/Additional Voices and Guitars)
Lucas Martinez (Guitars)
Camille Souffron (Bass)
Leo Mouchonay (Drums)

For more info:
​
Roc​kshots.eu​
​Avaland-themetalopera.com​
​Facebook.com/avaland.metal.opera​
​Instagram.com/avaland_metal_opera​
​Twitter.com/AvalandMetal​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – Out Now! Tolkien Inspired Power Metallers RuinThrone New Album “The Unconscious Mind Of Arda”

  • January 13, 2023
  • by Asher
  • · Music News · RuinThrone

NEWS RELEASE

Montreal, QC – January 13, 2022

​

Rockshots Records – Out Now! Tolkien Inspired Power Metallers RuinThrone New Album “The Unconscious Mind Of Arda”

Out Now! Italian fantasy power metallers RuinThrone release their J.R.R. Tolkien-inspired sophomore album “The Unconscious Mind Of Arda” via Rockshots Records.

“The Unconscious Mind Of Arda” is the follow-up to their 2013 debut album “Urban Ubris”. “The Unconscious Mind Of Arda” is composed of storied songs inspired by J.R.R. Tolkien’s poem, “Legendarium”. The band hopes the concepts they wrote can be “messengers” of reflection for their listeners, turning in a better awareness of their daily life.

“We all think that this album will be interesting for all power metal lovers but it will also give a new way of telling about fantasy in the music field. Everyone who enjoys Tolkien will find intimacy in a wide and complex world, narrated and put into music with strong attention to every detail, while trying to inspire feelings and moods that always have fascinated us.

We focused on an alternative point of view of some stories written by Tolkien. We thought it would have been interesting to explore the mind of the main villains: Morgoth, the Witch-king, and Gothmog. The main concept is to develop a poem with no need for heroes. It’s a world populated by humanized characters creating a correspondence with the listener’s life.” adds the band.

“The Unconscious Mind Of Arda” is mixed and mastered by Giuseppe Orlando (sound tech for Rhapsody of Fire) at the Outer Sound Studios.

The album is now available as of January 13th, 2023 at the following links

CD – https://bit.ly/RuinThrone_CD​

Digital – https://bfan.link/the-unconscious-mind-of-arda

​

​

​

Track Listing:​
1 – Prologue – 2:19
2 – The Dreamweaver – 5:14
3 – I Am The Night – 4:50
4 – Earendil – 4:49
5 – The Past Is Yet To Come – 8:00
6 – Where Wise Men Stop – 1:17
7 – In Penumbra – 6:38
8 – The Eldest – 5:24
9 – Blessed By Loneliness – 4:23
10 – For Those Who Remain 9:54
11 – Where You Belong – 2:34
Alum Length: 55:26
​
​RuinThrone are:
Vocals: Haedus
Drums: Francesco Comerci
Guitar: Nicolò de Maria
Guitar: Luca Grossi
Bass: Alessandro Finocchiaro
Keyboard: Giorgio Mannucci

For more info:​
​https://www.rockhots.eu​
​http://ruinthrone.altervista.org​
​https://www.facebook.com/RuinThrone​
​https://www.instagram.com/ruinthrone.official​

About:

RuinThrone was founded in 2009 in Rome, Italy by Adriano Strinati, Haedus and Alessandri Finocchiaro. Soon after, Giorgio Mannucci (keyboards), Nicolò De Maria (guitars), and Francesco Comerci (drums) joined the band. The sound of RuinThrone is inspired by German and American metal bands like Blind Guardian, Helloween, Iced Earth, and Nevermore, but they have their own distinguishable dark and modern character.​
​

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 Descend Into Hell With Canadian Deathcore APOLLO’s “Abandon All Hope” Off Forthcoming EP “A Divine Comedy” Out Jan 2023

  • January 13, 2023
  • by Asher
  • · Apollo · Music News

NEWS RELEASE

Montreal, QC – January 13, 2023

​

Descend Into Hell With Canadian Deathcore APOLLO’s “Abandon All Hope” Off Forthcoming EP “A Divine Comedy” Out Jan 2023

L-R – Kyle Prusky (Guitars, Bass), Adrian Parcioaga (Vocals)

Apollo is the creation of the dynamic duo of Kyle Prusky (guitars, bass) and Adrian Parcioaga (vocals) who, since working together in Our Last Crusade have developed excellent chemistry, which shines through in their heavy, atmospheric, progressive deathcore. They have been working away on their newest concept EP “A Divine Comedy”, which follows the classic story of Dante as he descends into hell, and the single “II: Abandon All Hope” is the first glimpse into the madness. Prusky explains further:

“This EP isn’t simply a collection of songs that we put out and see if people like it. This is a classic tale centered around the very ideas that helped shape hundreds of years of religious history in Europe. My hope is that listeners will enjoy the story of Dante venturing through the rings of Hell. My hope is that listeners will feel as if they are listening to a piece of art.”

The single is the second chapter of this epic, where the journey begins in earnest. Dante is urged to turn back or abandon all hope if he enters Hell itself. The lyrics try to communicate a feeling of disgust and horror at these initial rings of Hell, closely following Dante’s own reactions. Musically, this is when the record builds intensity, it is intended to be overwhelming, daunting at times, and chaotic so that people can feel the effects of the journey ahead.

Apollo originally started as Prusky’s solo side project, allowing him to collaborate with many talented individuals and resulting in the culmination of all his experiences. It’s a project that ended up bringing him and Parcioaga close together as a team. They hope that for listeners, this EP can be a breath of fresh air and that the listener experiences some sort of cathartic personal journey throughout. Ideally, it would have a profound impact on something they have been struggling with, and can see the beauty behind the blood, sweat, and tears that went into this concept.

Unrelenting, elegant, and atmospheric, “A Divine Comedy” is recommended for fans of Slice the Cake, Between the Buried and Me, and The Contortionist.

Listen to “II: Abandon All Hope” via its premiere on TheCirclePit – https://youtu.be/uhsV3zniPSk

​

“A Divine Comedy” will be available on January 27, 2023 on all digital platforms.

Track Listing:​
I: Dark Woods – 3:59
II: Abandon All Hope – 6:19
III: Interlude – 1:19
IV: Deeper, Darker – 6:22
V: Ascendance – 6:56
EP Length: 24:56

EP Recording Credits:​
• All songs performed by: Kyle Prusky, Adrian Parcioaga
• All songs written by: Kyle Prusky, Adrian Parcioaga
• Produced by: Kyle Prusky, Adrian Parcioaga
• Mixed by: Kyle Prusky
• Mastered by: Kyle Prusky
• EP Artwork by: Adrian Parcioaga

EP Band Lineup:​
Kyle Prusky – Guitars, Bass
Adrian Parcioaga – Vocals
Alex Rudinger – Programmed Drums
Layne Murdoch – Solo Guitar (tracks 1, 2, 3, 4)
Lucas de la Rosa – Keys (tracks 1, 2, 3, 4)

For more info: Apexaudio.ca | Facebook.com/ApolloMusicCanada | Instagram.com/apollomusiccanada​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 EPK – Apollo – A Divine Comedy (2023)

  • January 12, 2023
  • by Asher
  • · Apollo · EPKs

EPK – Apollo – A Divine Comedy (2023)

Publicist – Jon[@]ashermediarelations[.]com

“This EP has been in the works for a long time, and I could not be happier with the result. I ended up collaborating with a few new friends, and together, we achieved an impressive piece of work that really feels like art. I’m satisfied we told the story I set out to tell, and it’s expressive not only Dante’s journey, but the journey we all find ourselves on at one time or another; having to fight like Hell and make it out the other side. This EP is for those who have ever doubted themselves, have fallen apart to the demons in their head, felt like giving up, and needed guidance. Don’t give up. Keep fighting. Keep climbing. Trust the ones who stick by your side. Eventually, you’ll find your path.” – Kyle

“I think Kyle has had this EP in the works for the past 8 years, if I’m not mistaken, bringing me on to write lyrics as long as 3 years ago. The more I wrote, the more attached I grew to the vocals that would eventually be put down on this EP. The level of quality and the tones these tracks demanded forced me far outside my comfort zone, having to learn entirely new vocal techniques to do it justice. In the end, this EP is a comprehensive death metal opera, an epic that will hopefully give the listener the same growth and cathartic experience we had while writing it. Every single choice, every note, and vocal take was absolutely deliberate and meant to evoke a specific response. Throughout the journey, the listener will be presented with soaring melodic solos, sombre but beautiful keys that guide the self to introspection, crushingly heavy 8-string guitars, pounding drums, and vocals that dance with the music like a soliloquy to an audience of one”. – Adrian

For fans of Slice the Cake, Between the Buried and Me, The Contortionist, Spiritbox, Rivers of Nihil

Band Name: Apollo
EP Title: A Divine Comedy
Release Date: January 27th, 2023
Label: Self-Release

Apexaudio.ca | Facebook.com/ApolloMusicCanada | Instagram.com/apollomusiccanada | YouTube | Spotify

Track Listing:
I: Dark Woods – 3:59
II: Abandon All Hope – 6:19
III: Interlude – 1:19
IV: Deeper, Darker – 6:22
V: Ascendance – 6:56
EP Length: 24:56

EP Recording Credits:
• All songs performed by: Kyle Prusky, Adrian Parcioaga
• All songs written by: Kyle Prusky, Adrian Parcioaga
• Produced by: Kyle Prusky, Adrian Parcioaga
• Mixed by: Kyle Prusky
• Mastered by: Kyle Prusky
• EP Artwork by: Adrian Parcioaga

EP Band Lineup:
Kyle Prusky – Guitars, Bass
Adrian Parcioaga – Vocals
Alex Rudinger – Programmed Drums
Layne Murdoch – Solo Guitar (tracks 1, 2, 3, 4)
Lucas de la Rosa – Keys (tracks 1, 2, 3, 4)

===========================================================

The EP as a whole (LYRICALLY & MUSICALLY):

MUSICALLY – I would describe this EP as a journey that has its ups and downs. You feel the weight of what Dante is going through; the aggression, uncertainty, unknown, and mystery. Don’t forget an unrelenting progression that crescendos into epic highs, straight down to epic lows. – Kyle

LYRICALLY – Like several other concept records I’ve had the honour of taking part in, I tried to take a story (in this case an existing one), build out a journey, and infuse it with personal reflection in the process. It’s almost impossible to write agnostically, that is to say without letting your own ideals spill over into the material. As a result, the chronicles of Dante and the obstacles he faces should end up feeling more relatable, even with all the elevated language mimicking the original prose throughout. Here is a man who has lost and seeks to regain, but in the process he must dive further and further into madness, fear, grotesque dread, and the suffering of mankind others may be (or choose to be) blind to, and at the end, he must come out a changed person. This is the basis of any good character development and a process we undertake invisibly most of the time in our lives. Dante descends into Hell on a quest to bring back his late beloved along with his guide, Virgil. Along the way, he learns he must travel through all the rings of Hell and face the original evil in Lucifer himself. He bears witness to tragedies beyond comprehension and must consistently turn his head from the horrors or sheds tears for the doomed souls within. There are several stages at which he feels hopeless, that he is unable to continue and must turn back, but comes to the realization that the only way out is through. So he ventures on through the darkest depths and faces the terrors within and without before he is allowed to ascend into the light. – Adrian

Track by track (LYRICALLY & MUSICALLY):

MUSICALLY – I: Dark Woods. Begins with Dante waking up in the woods, not sure how he got there or where to go. I wanted to start the EP just as innocently and slowly as his journey started, adding one more element to the tapestry at a time. The track then transitions into their descent into hell, appropriately titled II: Abandon All Hope. This track is where things start to kick off. Dante is experiencing life in Limbo and the first few rings of Hell. I wanted this track to sound just as overwhelming, daunting at times, and chaotic so that people can feel the effects of the journey ahead. III: Interlude is a brief pause as Dante leans on the safety of his guide Virgil, still aware that there is a long journey ahead. Listeners should anticipate that the Interlude is but a short reprieve until we get back into the swing of things. It’s a track both beautiful, and unnerving. IV: Deeper, Darker is where we start to get into the harsh realities of this journey through Hell and all the stress endured. We start off with a symphony of guitars that make up the voices of demons and suddenly enter into a jarringly heavy passage. Up and down we go all track long, finding short moments of clarity in an otherwise surreal journey. V: Ascendance. This track is heavy riff, after heavy riff, after heavy riff. I wanted to feel Dante’s struggle to stay the course and make it out of Hell. I’ve always joked that this song is “riff city” – Kyle

LYRICALLY –

I: Dark Woods: Dante wakes in a dark forest, confused. The lyrics in this song aim to address the paranoia and uncertainty he feels confronted with this new and terrible quest laid out for him. He is unsure of his path, uncomfortable of his surroundings, and slowly thrust into a whirlwind of hellish visions. The language used is very direct and statement oriented, it is taking stock of the environment and path ahead and gives us a direct insight into Dante’s state of mind. He describes very deliberately his emotions, hopes, and fears. He yearns for the light which he has been exiled from, the sweet ecstasy of the world he has departed, and begins a descent into despair. It is only a taste of the things to come, and serves as a sort of monologue like one would find at the beginning of a play.

II: Abandon All Hope: Here, the journey begins in earnest, Dante is urged to turn back or abandon all hope if he enters Hell itself. The lyrics try to communicate a feeling of disgust and horror at these initial rings of Hell, closely following Dante’s own reactions. The heroes venture on through rings of screaming corpses whose voices get swept up by the wind and echo endlessly, toiling in agony forever, and reach the river Styx which serves as a passage for the damned further in. The legendary Charon ferries them across to a land of men who worshipped false idols, on which I provide some commentary that time had betrayed them since some had come before it was determined Christianity was to be the true religion, and as such, they are punished for sins unknown and unwillingly committed. Across the various next chapters, Dante and Virgil come across lustful lovers, adulterers, and those who wasted their lives, each ring offering carefully curated and increasingly torturous punishments.

Interlude – no lyrics

IV: Deeper; Darker: The initial shock of Hell has worn off somewhat by this point and we focus on Dante’s condemnation of the sinners within throughout this song and an increased panic that sets in as the heroes are chased further down to the very center of Hell. First, they come upon another set of dark and twisted trees, where screams of anguish once again appear to sit upon the very air surrounding them, only to learn these sinners have been turned into the living trees they walk amongst, blood seeping from broken branches and Harpies sent to feast upon them a la Prometheus’ famous punishment. Further on, another river, where souls that profaned divinity are set to burn tantalizingly out of reach of the water that would end their misery. Another circle down, ten pits of frauds and cheaters writhing in excrement and filth, constantly whipped, as well a blackened pit where souls desperately climb the walls only to be cut by waiting demons and cast down into the fires below. Dante muses on the sufferings he sees, gazing and judging through philosophical eyes, accepting what some souls have done and lamenting what others have wrought. At the end, they reach the climax of their descent, the very center of Hell.

V: Ascendance: For the final track, I wanted to invoke a sense of awe and admiration amidst the fear and dread. It is the most egregious and terrible sight that Dante has ever witnessed, the most loathsome of visions, the true form of Lucifer himself towering over his domain, inspiring nightmares of terrible proportions and bending the minds of the weak to madness. In this incomprehensible horror, however, I believe there is an admiration for the pure scale of it all in Dante. How can one gaze at something so profoundly terrifying and not be amazed at it in spite of one’s fear? As a result, the lyrics tend towards statements and descriptions that beggar belief, inspiring incredulity, and demanding worship. As the heroes climb up on the very back of the multi-headed beast that is the Lord of Darkness, they finally make their ascent out of Hell and, once reaching the surface, gaze up at the stars with fresh eyes and newfound appreciation. – Adrian

=========================================================

BAND STORY ANGLES / FUN FACTS:

1. I had surgery on my chest a while back. I had this EP 100% written and planned out, and then suddenly I couldn’t play guitar for months to recover! When I finally felt able… recording this EP become a part of my physical therapy. It meant a lot to me to finally be able to play guitar well enough to get this thing done. – Kyle

2. Adrian and I have been working together for many years now, in multiple projects and multiple bands. I actually don’t know what I would do without him. He has become an integral part of my creative process and it’s awesome to have a brother in music! – Kyle

3. Almost every single song I have done with Kyle for Apollo preceding this EP had an entirely different tone and vibe, and this EP ended up being more varied than ever before! I’d never done most of these vocal techniques prior to tracking this work and Kyle is always very open to my experimentation, which I cannot thank him for enough. The trust we share is something very dear to me and allows me to grow as a musician in every way possible, I wouldn’t be who I am without him. – Adrian

4. The vocals on this EP were re-tracked probably 7 or 8 times per song over the course of 2 years, it was an absolute product of love, passion, and hard work. – Adrian

L-R – Kyle Prusky (Guitars, Bass), Adrian Parcioaga (Vocals)

Apollo features a clever combination of beautiful melodies and earth-shattering dissonance that culminates into a powerful and unique display of metal.

Apollo is the solo side project of one Kyle Prusky who brought in the expertise of Adrian Parcioaga to create an enthusiastic, heavy, and memorable concept EP revolving around the classic story of Dante and his descent into hell. “A Divine Comedy” takes the listener on a cathartic journey through breakdowns, growls, and aggressive riffs. Prusky shares his thoughts on the release:
​​
“This EP has been in the works for a long time, and I could not be happier with the result. This EP is for those who have ever doubted themselves, have fallen apart to the demons in their head, felt like giving up, and needed guidance. Don’t give up. Keep fighting. Keep climbing. Trust the ones who stick by your side. Eventually, you’ll find your path. Every single choice, every note, and vocal take was absolutely deliberate and meant to evoke a specific response. Throughout the journey, the listener will be presented with soaring melodic solos, somber but beautiful keys that guide the self to introspection, crushingly heavy 8-string guitars, pounding drums, and vocals that dance with the music like a soliloquy to an audience of one.”
​

​
The concept record contains 5 tracks, each one a chapter following Dante’s descent into hell. It is a journey that has its ups and downs; you feel the weight of what Dante is going through; the aggression, uncertainty, unknown, and mystery. Don’t forget an unrelenting progression that crescendos into epic highs, straight down to epic lows.
​
According to Parcioaga “A Divine Comedy” is a progressive death metal opera, unabashedly dynamic and ever-shifting; and Apollo is an expression and extension of whatever comes to Kyle Prusky’s brilliant mind, regardless of genre. The EP was produced, mixed, and mastered by Prusky, with assistance from Parcioaga who also did the cover artwork. It is recommended for fans of Between the Buried and Me, The Contortionist, and Spiritbox.

“A Divine Comedy” is due out on January 27, 2023.

EP Band Lineup:
Kyle Prusky – Guitars, Bass
Adrian Parcioaga – Vocals
Alex Rudinger – Programmed Drums
Layne Murdoch – Solo Guitar (tracks 1, 2, 3, 4)
Lucas de la Rosa – Keys (tracks 1, 2, 3, 4)

Discography:
2022 – Sundowning (single)
2022 – Clarity (single)
2021 – Self-Indulgence (single)
2021 – pitygang (single)
2020 – Murderous (single)
2020 – Swarm (single)
2020 – WMD (single)
2020 – Blunt Force Trauma (single)
2015 – Peace & Quiet EP

0 ALL ELSE FAILS Presents Music Video For Their Cover Of Death’s “Crystal Mountain” Off “The Incident at Black Lake”

  • January 12, 2023
  • by Asher
  • · All Else Fails · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

 

ALL ELSE FAILS Presents Music Video For Their Cover Of Death’s “Crystal Mountain”

New EP “The Incident at Black Lake” Out Now!

L-R: – Coco Lee ( Bass / Vocals ) Nelson Collins – Lee ( Drums ) Barrett Klesko ( Vocals / Guitar ) John Saturley ( Guitar )
Photo Credit – Barrett Klesko – FadeBack Studios United

Canada’s All Else Fails have been working on their latest EP “The Incident at Black Lake” for the last two years and released it this past September. Intended to be listened to as a whole, it is a personal foray into the darkness of depression and the torment of addiction. To round the EP out, the final track is a cover of “Crystal Mountain” originally performed by Death.

According to Chuck Schuldiner, the song deals with the troubles they had with their former neighbours in Florida. Religious bigots, they lived in their ‘crystal mountain’ and stood against everyone else. While attending church regularly they disapproved and criticized all those around them. Schuldiner quips:

“Religion certainly isn’t a bad thing, but if it serves to make somebody feel better while hurting others and then go to church to beseech God for forgiveness on Sunday morning…I guess it doesn’t work very well (laugh).”

All Else Fails shares their thoughts on the track:

“This is a song we love and felt that we could cover faithfully at its core, while adding our own twists to its soundscape, to justify its existence. Lyrically it speaks to religious oppression on a personal and community level.”

Guitarist/vocalist Barrett Klesko wrote his parts while being submerged in the darkest, most distressed headspace he has ever been in resulting in the intensely dark “The Incident at Black Lake”. He cites that through the fog and sensation of reality warping around him, he somehow found clarity in his writing. He thinks this EP is beautiful, there is elegance in darkness; it’s sad because he knows the turmoil and pain it took to write it, and that it’s powerful because it’s the first time he has truly been honest in his music.

Technical, melodic, and haunting, the EP is recommended for fans of Revocation, Soilwork, and Fleshgod Apocalypse.

The video for “Crystal Mountain” can be seen and heard via its premiere on TheCirclePit – https://youtu.be/Fx5mMMgOZy0

​

The EP “The Incident at Black Lake” was released on September 30, 2022.

“The Incident at Black Lake” is available at Allelsefails.bandcamp.com, Spotify, Apple Music.

​

Music Video – I, Defiler – https://youtu.be/RwNjIFc6aPY​

Music Video – Devour the Sun ft. Seedy Mitchell – https://youtu.be/2npL3dWJifo​

Track Listing:​
1. I, Defiler (5:48)
2. Devour the Sun (8:24) ft. Seedy Mitchell
3. Flesh /Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new EP “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The EP is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

– 30 –

“The Incident at Black Lake might be “just” a four-track EP by All Else Fails, but its 25 minutes of music are absolutely intense and electrifying, proving why they’re undoubtedly one of the most important names of the Canadian Metalcore scene.” – The Headbanging Moose​
​
​“The EP itself is a cyclone of melodic metalcore fire, death metal toxicity and progressive imagination revealing ALL ELSE FAILS at their most open, intense and thrilling.” – The Ringmaster Review​
​
​“Being dark in nature, it tells the suffering that Klesko was facing and what he was seeing in his head. While very dark at times, it’s mind-bendingly beautiful to see it from this perspective. And I can’t wait to hear what else the band has to offer.” 4/5 – Metal Epidemic​
​
​“Canadian band All Else Fails are out with the EP “The Incident at Black Lake”, and this is a production that probably will be of interest to some fans of progressive metal. While a variety of a core based style of metal is at the heart of the proceedings here, the different vocal tones, the changes and alterations over to atmospheric laden and melodic metal, what might be described as thrash metal as well as some quirky instrument movements and expressive arrangement choices does add what I’d describe as a progressive spirit to the proceedings here… If metalcore with an expressive orientation and progressive aspirations sounds interesting to you, this is an EP you might consider becoming a bit more familiar with.” – Progressor​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 CRS Find Melodic Death Metal Success With New Single “The Failure”

  • January 12, 2023
  • by Asher
  • · CRS · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

​

CRS Find Melodic Death Metal Success With New Single “The Failure”

CRS – L-R – Tavo Ramirez (Drums), Kello Gonzalez (Bass), Kath Danzig (guest vocals) – Hideki Inukai (Guitar), Sir Oz (Vocals), Francisco Oroz (Guitar)
Photo Credit – Carlos Hemosillo

Hailing from Sonora, Mexico, the death metal act CRS started back in 1991, and since then has been cranking out punishing technical riffs, and evil growls. Their beginning influences were in the realm of technical death metal and death metal, but they have always sought out different song structures and embraced fusion. They have a new single featuring guest vocals from Kath Danzig coming out that takes them in a new direction toward the melodic end of the spectrum. “The Failure” talks about how we, as a human race, have failed. Not caring about tomorrow, nor the young ones, we are a failure. A disgrace to intelligence. How there is no empathy, just emptiness. The band explains further:

“CRS has always wanted to be versatile. We want to offer music that we like, we never think about music styles, but about a good metal song. In the case of “The Failure” we made an exception, we did seek to make a “melodic death metal” since we had never done it before, even though we really like that style. The single has an important message, humanity is a failure and it has screwed up the whole planet. Having a female guttural singer as a guest brings an interesting shine to the band.”

CRS has always loved clean guitar passages and melodic guitar solos, so this time we wanted to compose a full-death melodic song, at least their version. It has a comfortable structure, but without losing the intensity that they have come to be known for. It will still be recognizable for current fans and add a new dimension that will intrigue those who are hearing them for the first time.

“The Failure” wasn´t originally for CRS, but they liked it so much that they kept it. They cite that the freshness comes from the freedom in thinking it was for someone else. With both English and Spanish vocals, it stands out among other songs in the genre. It is recommended for fans of Meshuggah, Fear Factory, and Carcass.

Listen to “The Failure” ft. guest vocals from Kath Danzig via its premiere on NoCleanSinging HERE.

For more info: Facebook.com/crsmetalband | Youtube.com/@CRSBAND | Instagram.com/crsmetalband​

About: CRS is a Death Metal band from Sonora, Mexico, formed in 1991 with the name Cirrosis by Francisco “Chucky” Oroz and Sir OZ, are the only original members in the current lineup. Due to their technical capacity to adhere to progressive elements and melodic solos, CRS quickly gained notoriety in the local and national scene. Their live performances were characterized by intensity and fury, becoming a cult band. In 1996, “Joseph Lev” joined the band and they recorded their first demo “La Tierra de la Adicción” which was distributed limitedly. In 1999, CRS entered the studio and recorded the album “Reciclando Desesperación” in Spanish, offering a range of different Death Metal styles, highlighting the quality of its production.

In 2001, CRS decided to break up, and its members continued with their personal and professional projects. In 2014, Concreto Records decided to reissue the album “Reciclando Desesperación” describing it as “The maladaptive sound that disturbed a style in Mexico that can currently give lessons to current modern bands”.

In 2019, CRS returned to record their second studio album “The Collector of Truths” with Concreto Records. Two international musicians play as guests in the album, Kevin Talley (Dying

Fetus, Suffocation, Chimaira), on drums, and Linus Klausenitzer (Obscura, Alkaloid) on bass. In September 2020, CRS recorded a Live Session for the Mexican online festival “Moshfest” which became an EP called “Live in isolotation” featuring Kello Gonzalez on bass, who became an official member on December 2021.

In March 2022, they released a new single titled “The enemy has always been me”. In October 2022, CRS played live after twenty years with the Brazilian band Sepultura. On that same date, Hideki Inukai joined the band on the second guitar.

– 30 –

“Where this album shines the most is in its flow. Throughout its eight tracks, CRS manages to build momentum song after song. There are fast parts and great guitar solos aplenty. However, CRS never slip on their songwriting. It’s an album that’s just always in that groovy death zone. Even when tracks like “The Daydreamer’s Nightmare” takes us into a spaced-out, relaxed solo or others like “The Art of Breathing”, that takes the album down a notch, CRS really lose nothing. They manage to bring a lot of out of their sound. Hell, “A Better Place to Hate” and ” “Tan Lejos de Dios (Nowhere.. But Here)” both have some tasty, thrashy bits to open them up.” – Metal Injection

“Now, as we nearly enter a new decade, CRS have returned with a full-length of groove/death metal with a technical spark. This spark comes in the form of shredding guitar solos and guest spots from drummer Kevin Talley on a few songs and Obscura/Alkaloid bassist Linus Klausenitzer on “The Art Of Breathing.” Those two musicians are at such a high skill level that the listener will immediately recognize their work. Their inclusion gives gravitas to the songs they are on, though the group does fine on their own with tunes like the anthemic “Resistencia” and Meshuggah-esque “Asfixia.” – Heavy Music Headquarters

“… Fast forward to now and the band comes roaring back to life on their sophomore effort The Collector of Truths and it’s a love letter to the time they left behind. Industrial bombast, guttural death metal, and melodically progressive strains of genius all play out in equally large parts over the course of these eight tracks” – Nine Circles

“There is a wonderful sense of pervasive evil that dominates the record from tracks like album opener ‘Asfixia’ to ragers like The Daydreamer’s Nightmare. I love this sense of harsh realities and raw brutality. It gives The Collector Of Truths a sense of authenticity, showing that the band emerged from true struggle to birth this record unto the world.” – Two Guys Metal Review

“CRS, or CIRROSIS, a band that plays their own brand of simplistic, mellow Technical Death Metal. Their debut album “The Collector of Truths” is proof that the genre does not need to be as complex as possible in order to be good. You know those albums that just get better as they play? This record is exactly that, the last few tracks forming the peak, the monumental conclusion.” – Metal Temple​
​–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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