Posts By Asher

0 Get Ready For “Dematerialization” – Blackened Death VISITANT Unleash Debut Single w/ Music Video (ft. members Abiotic, Demon King)

December 30, 2022
by Asher
· Music News · Visitant

NEWS RELEASE

Montreal, QC – December 30, 2022

Get Ready For “Dematerialization” – Blackened Death VISITANT Unleash Debut Single w/ Music Video (ft. members Abiotic, Demon King)

Seasoned vets in their respected local scenes across various American states, blackened death metallers Visitant converged in Nashville, TN earlier this year and are now prepared to make their debut to the metal world with the single “Dematerialization” accompanied by a music video.

Visitant was formed by Matthew Brown (Demon King, ex-Enfold Darkness), Taylor Tidwell, and Chelsea Strickland (voice actor at Monster Factory), with the later addition of Terran Fernandez (ex-Mindscar) and Anthony Lusk-Simone (Abiotic).

Vocalist Chelsea Strickland explains their introduction to the extreme metal community and music video:

“Right before the idea of Visitant, I was binging all of The Haunting of Hill House and The Haunting of Bly Manor and became infatuated. I really grew an attachment to them because the emotions were relatable. My grandfather became terminally ill around the same time. My mother also became dangerously ill around the same time. I associated the series with them… The feelings I had while watching that. Were comparable to real-life events. Anyway, I was in love with how beautifully those series were written and shot. The cinematography was so superb. I was hooked… and when I moved to Nashville from Pensacola, I started Visitant with Matt. The name is another word for an apparition. I wanted to embody the intense yet heart-wrenching vibes it carried. So I felt the name was fitting. I’ve always loved ghost stories since I was a kid. Discussing the ideas and concepts of Visitant with Matt and Taylor came easily. We wanted to create a project where we could feel free to write what we wanted without it being too complicated or forced. To make it as dark and spine-tingling as we wanted it to be.”

Vicious, feral, and meshing Victorian mourning vibes with black metal, this is the path Visitant will be exploring in their sound as they plan to deliver a forthcoming EP in 2023. Even though they write from a distance, with today’s easy access to communications, they have been able to create and write from state to state.

“I think our single Dematerialization and more to follow will be well received. I honestly feel our sound is unique. We have really rad guitar lines and melodies. We just want the audience to experience the music with all senses eventually. Audibly, we just hope it makes you feel something.”

“Dematerialization” was the culmination of several months of collaboration between all members of a newly formed band. During this time they were writing other songs for the project in an attempt to create an original sound, but it wasn’t until this track’s completion that they had a firm idea as to what they would become.

Visitant is recommended for fans of Naglfar, Gojira, Goatwhore, Enslaved, and Opeth.

The music video for “Dematerialization” can be seen and heard via its premiere on Slam Worldwide – https://youtu.be/R3bGYtR2zJU

Digital – https://distrokid.com/hyperfollow/visitant1/dematerialization

For more info: Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Vancouver’s HUNTING GIANTS Goes Berserk w/ Animated Video “Remnants” Off New Album “Mythos” Out Now!

December 28, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – December 28, 2022

Vancouver’s HUNTING GIANTS Goes Berserk w/ Animated Video “Remnants”

New Album “Mythos” Out Now!

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Vancouver, Canada’s Hunting Giants have put together a very special “Berserk” inspired animated video for their track “Remnants”, which is featured on their latest album “Mythos” released this past September. From the perspective of a hero in his final moments of life, “Remnants” explores the multi-faceted emotions and mentality it takes to sacrifice oneself for those they love. While hidden under the varying chords and melodies, this song maintains a hypnotic rhythm, which persists until the very last beat. Hunting Giants delve into the idea that death is inevitable and that the only way to truly conquer the grave is to live as an example and to inspire others into courageous action.

The band explains the song in further detail:

“For ‘Remnants”, the bass sets a frantic yet forlorn mood as the endless rhythm pounds out over vocals conveying the hopelessness of a hero who has been cornered by the demons he battles. A ghost-like wail recites the melody which the guitar previously squealed, leading to a triumphant chorus that speaks of the accomplishments our hero made in his life, which brought him to this moment. As the guitar sails out into the bridge, we are met with polyrhythmic percussion and persistent bass. Following the final chorus, our hero is supported by a choir of harmonies as he sacrifices his own life for those he loves. The band lets the gallop of the drums from Daniel Beavington set an almost power metal vibe as the vocals from Stephen Atkey set the stage for the story of war and words of victory, which is to come.”

Watch and listen to “Remnants” at https://youtu.be/iPr3MmUSppo

“Mythos” new album is the crowning achievement of Hunting Giants‘ many years of musical work, writing, and recording while gigging and enduring quarantine as a band during the Covid pandemic. The members of Hunting Giants all came from, and are influenced by elements from prog, grunge rock, and various metal bands. The album’s goal is to grab listeners and amaze them with intricate woven stories, energetic riffs, and distinctive vocals. The album is meant to be an adventure, with each track having its own flavour and setting; the songs are worlds unto themselves. All of the music on the release contribute to a listening experience that is much more than the sum of its parts. The material is an addictive encounter that will keep you coming back.

“This album is musically very diverse as it ranges from intense spine-chilling metal, down to gentle instrumental tracks peppered with melodic piano and haunting cello, all the way to epic ballads tastefully complimented by choirs, strings, and bells. Mythos lyrically explores archetypes, both heroic and villainous, that affect the world around us, as well as the inevitable fates which arise when these values are heinously held and expressed.” adds the band.

Hunting Giants is recommended for those who enjoy 90s grunge, heavy rock, and prog, especially fans of Alice In Chains, I Mother Earth, Soundgarden, Tool, and Audioslave.

“Mythos” is available on CD and digital at the following links:

CD order – https://huntinggiants.com/product-category/mythos-albums/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Previous music videos can be viewed on Hunting Giants‘ YouTube channel HERE.

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13

“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords

“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show

“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos

“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 EPK – A Flock Named Murder – Garden of Embers (single) (2022)

December 24, 2022
by Asher
· A Flock Named Muder · EPKs

EPK – A Flock Named Murder – Garden of Embers (single) (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Agalloch, Neurosis, Cult Of Luna, The Ruins Of Beverast, Emperor

Single Title: Garden of Embers
Release Date: November 30, 2022
Label: Self-Release

““Garden Of Embers” is as musically elaborate as it is emotionally dramatic. It weaves and balances complex counterpoint melodies and shifting instrumental dynamics with moments of heaviness, grit, and ferocity. It is somber and then uplifting, before concluding as a story of tragedy. It’s both ethereal and crushing; exuberant in its delivery while powerful in its presentation. It’s a song that will pull you in, and won’t let you go until it decides it’s done – and when that happens, you won’t forget what it did to you.”” – A Flock Named Murder

Facebook.com/AmongTheFlock | Instagram.com/aflocknamedmurder | YouTube

Aflocknamedmurder.bandcamp.com | Apple Music | Spotify

““Garden of Embers” is a long song, allowing significant room for A Flock Named Murder to create an experience that is indeed elaborate and powerful, descending into emotional valleys and rising to peaks of intensity while not losing the thread of the song’s harrowing and often punishing narrative. The almost mystical ring of the guitar makes the music seem wistful, musing, and mesmerizing at first, but like embers given air, the song slowly begins to ignite. The heaviness of the bass rears its head and the drums tumble, the guitars begin to seethe and seem more yearning and then distraught, and the screamed vocals are shattering. The fevers and turbulence in the music crest in striking fashion. The mercurial maneuvers of the guitars and bass seize attention, but there’s a rippling and writhing riff that burrows deeper into the head as it comes, goes, and returns. The experience becomes sweeping in its panoramic scale, but confusion and anguish come through in the wailing of the guitar and the wild cries of the vocals as well, feelings that hit hard even as the rhythm section put on an electrifying show. Indeed, the whole song is electrifying, and completely immersive. There’s an extended guitar solo near the end that’s somehow both heart-breaking and spectacular, a magnificent and ultimately inspiring passage that provides the track’s true crescendo before its softer, sadder, but still beguiling conclusion. And so “Garden of Embers” isn’t just a way to fill a silence for fans of AFNM, but a significant accomplishment standing alone and a striking reminder of how easy it is to get lost in what they’re capable of doing.” – No Clean Singing

“Every now and then, we’re given a record that manages to take metal and spin it right on its head as the band in question really changes things up. It’s because of acts like YOB, Tchornobog, and the aforementioned Inter Arma that we’re able to still get unique morsels of art like this one in these times, and I’m more than happy to put A Flock Named Murder in that small yet very capable company of top-tier bands. “An Appointed Time” is a record that’s still getting my blood pressure to rise just by listening to it, and I can see it growing on me even more to become one of my favorites of the year.” – HEAD-BANGER REVIEWS

“A band that can do so much in just five tracks is just the sort of band that many of us simply flock towards. It’s thanks to acts like Tchornobog that we’re always on the lookout for bands that really toss out the idea of genre boundaries to create something unique, and A Flock Named Murder did just that with their debut. To say that “An Appointed Time” is an expansive record that feels as though it’s always reinventing itself with each track to become something bigger than a mere debut, and it couldn’t have been done better.” – HEAD-BANGER REVIEWS

“The music builds an increasingly ominous and unnerving mood and then boils over in an effusion of battering drumwork, febrile bass notes, and writhing riffery, only then to segue into vibrant strummed guitar, a gloriously spiraling solo, and a dose of big, head-moving rhythms and anthemic chords. Tumbling drums and desolate guitar reverberations draw the trip to a downcast close.” – NO CLEAN SINGING

“Fantastic blackened sludge/doom. Heavy, mesmerising, progressive. Sad. Painful. Stabbing. Yes, the record has similar artwork made by Adam Burke, to Lurk’s glorious epos from this year (artwork by the same artist) and explore similar genre. AFNM’s album is definitely among the finest releases this year. Seems to be that the blackened sludge with post- elements is getting speed.” – BLESSED ALTAR ZINE

“Nor is this a gimmick band; there’s plenty else to draw you to An Appointed Time. There are down-right groove metal influenced sections on that first track, which make us think of Gojira of all things. Elsewhere, the blackened moniker takes over, creating blistering, acidic tracks that double down on the already present grandiosity with tremolo-fast riffs and blast-beats. But what will echo through your ears as the album ends is that very specific, very hard to create feeling of classic metal; everything on display here just blends into this feeling that you only get when listening to really well made and passionate metal. Can that be a genre? It is now and A Flock Named Murder pull it off to a fascinating degree.” – HEAVY BLOG IS HEAVY

#21 out of Top 35 of 2018 at HEAD-BANGER REVIEWS

#11 out of Top 11 of 2018 from KALYMAH at METAL.IT

#29 out of Top 50 of 2018 from Count Vlad at BLESSED ALTAR ZINE

#9 out of Top 30 of 2018 from KMaN at BLESSED ALTAR ZINE

Top 50 of 2018 at ChaliceOfBlood.net

#21 out of Top 50 from West Maddox at BLACK METAL DAILY

[Download Single Cover | Download Single Lyrics]

Single Title: Garden of Embers
Release Date: November 30, 2022
Label: Self-Release

Track Listing:
1. Garden of Embers – 14:17

Single Recording Credits:
All songs performed by: A Flock Named Murder
All songs written by: A Flock Named Murder
Produced by: Roland Rodas at Cavern Of Echoes Studios
Mixed by: Roland Rodas at Cavern Of Echoes Studios
Mastered by: Roland Rodas at Cavern Of Echoes Studios
Album Artwork by: Ilyse Krivel and Bryan Bray

Recording Band Lineup:
Ryan Mueller – Guitars, Voice
Mike Wandy – Bass, Voice
Cam Mueller – Drums, Lyrics

Live Band Lineup:
Ryan Mueller – Guitars, Voice
Mike Wandy – Bass, Voice
Cam Mueller – Drums, Lyrics
Mike Binns – Guitars

Canada’s A Flock Named Murder is a driving pummeling force that weaves themes of existentialism, inner struggles, and personal conviction together with ethereal and crushing black metal. They have a new single ready for the world, the complex and powerful “Garden of Embers”. This single is a small offering for listeners to ferment on as they embark on producing their next full-length album. It’s one of the many journeys that will be embarked on throughout the album showcasing emotional peaks and valleys and its fair share of dynamic composition – instrumentally, vocally, and structurally. The band explains the single:

Lyrically, “Garden of Embers” is a post-apocalyptic tragedy exploring themes of personal desolation. It embodies a stark reflection of physical death in things we hold dear, giving way to death of the self, but as more of a dissolution than a rebirth.

The next full-length album will begin its production in the very near future, and there are plenty more ideas at varying levels of completion beyond that. Diverse, sprawling, and melodic, A Flock Named Murder is recommended for fans of Agalloch, Emperor, and Cult Of Luna.

Discography:

2018 – An Appointed Time (full length album)
2016 – Ephemeral – EP (under the moniker Sovereign)

SHARED STAGE WITH:
Oranssi, Pazuzu, Rosetta, Falls Of Rauros, Imperial Triumphant, Miserere, Luminis, Hexis, Panzerfaust, Immortal, Bird Insect, Ark, Ashbringer, Nesseria, Erimha, USA Out Of Vietnam, Uhtcearu, Drofnosura, Ischemic, Idol Of Fear, Arbor

BAND STORY ANGLES / FUN FACTS:

1. Ryan and Cameron are brothers who have been very close all their lives. Aside from playing music together, they’ve also trained in martial arts, and have both worked in woodworking and carpentry.

2. Mike joined the band when he and Ryan were driving back from a metal festival in Montreal, and Ryan played him the early mixes of An Appointed Time. A Flock Named Murder needed a bassist after Sean left the band shortly after recording, and it just so happened that Mike was a bass player.

3. The earliest incarnation of the band was known as Goliath, before going under the moniker Sovereign for many years. Personal feelings toward the name Sovereign (as well as numerous other bands sharing it) led to the band renaming themselves to A Flock Named Murder, which was originally a title for a yet-unfinished song.

0 A Familiar Star Wars Saga Takes A New Form In VIS MYSTICA’s Playthrough For “Whispering Winds of Fate”

December 23, 2022
by Asher
· Music News · Vis Mystica

NEWS RELEASE

Montreal, QC – December 23, 2022

A Familiar Star Wars Saga Takes A New Form In VIS MYSTICA’s Playthrough For “Whispering Winds of Fate”

ft. guests Ty Christian (Lords of the Trident), David Michael Moote (Operus), Jonas Heidgert (Dragonland)

– Produced by Chad Anderson (Helion Prime) –

“Celestial Wisdom” Out December 2nd

Vis Mystica comes from the mind of Pennsylvania’s Connor McCray, who is a massive fan of Star Wars: Knights of the Old Republic and its various lore. So far, all of his lyrics have been his retelling of the Dawn of the Jedi comics from Dark Horse Comics. Vis Mystica has recently debuted the album “Celestial Wisdom” upon the galaxy, and they now present a playthrough video for the single “Whispering Winds of Fate” (feat. Jonas Heidgert). McCray comments on the single:

“As the intro song and shortest song on the EP I made Winds a sort of guide to the main world in which our story takes place; Tython. This song describes the sentient world calling out telepathically to beings spread throughout the galaxy to board 9 ships and come bask in the planet’s knowledge and secrets. It was the final song written for the album and in our opinion possibly the best. All parties came together to combine catchy melodies with great vocal lines and a powerhouse effort from Jonas Heidgert”

The eight-track album is a fantastical journey into a world full of mystic powers and sprawling landscapes, with a classic “Good vs. Evil” battle and many memorable locations and detailed stories. It was produced, mixed, and mastered by Chad Anderson (Helion Prime) and the album art was done by Cody Bucher.

Despite writing all of the music himself, McCray (guitar, bass, orchestration) relies on the talents and input of drummer Dillon Trollope and vocalist Devin Dewyer to make the songs as strong as they can possibly be. McCray will think up the initial riffs on guitar, program a basic drum outline, complete a rough draft with no orchestration, send that project to Trollope, receive his refinements on the drum parts, add orchestration, and then finally write the lyrics and vocal patterns for Dewyer to breathe life into.

Epic, catchy, and technical, “Celestial Wisdom” is recommended for fans of Twilight Force, Rhapsody, and Blind Guardian.

Watch the guitar playthrough for “Whispering Winds of Fate” (feat. Jonas Heidgert) via its premiere on TechnicalMusicReview HERE.

“Celestial Wisdom” will be available on Vismysticaband.bandcamp.com, Spotify

Previous singles can be heard on the band’s YouTube here.

Vis Mystica also have a crowdfunding campaign set up for the EP – https://www.indiegogo.com/projects/help-vis-mystica-fund-celestial-wisdom#/

Track Listing:
1. Whispering Winds of Fate (feat. Jonas Heidgert – Dragonland) – 3:58
2. Legacy of the Builders (feat. David Michael Moote – Operus and Ty Christian – Lords of the Trident) – 5:29
3. The Plains of Silence – 4:42
4. Lux Et Veritas (feat. David Michael Moote – Operus) – 5:36
5. Beyond the Gates of Fury – 4:04
EP Length: 23:51

(CD Bonus Tracks)
6. The Plains of Silence (2020 Demo feat. Jesse Isadore)
7. Introitus (2016 Demo)
8. Secrets of the Maps (2016 Instrumental Demo)

EP Credits:
• All songs performed by: Vis Mystica
• All songs written by: Connor McCray
• Produced by: Chad Anderson
• Mixed by: Chad Anderson
• Mastered by: Chad Anderson
• EP Artwork by: Cody Bucher

EP Band Lineup:
Connor McCray – Guitar, Bass, Orchestration
Devin Dewyer – Vocals
Dillon Trollope – Drums

For more info:
https://www.facebook.com/vismysticaofficial
https://www.instagram.com/vismystica
Spotify

About: Lingering in the unknown regions of the galaxy for many years, Vis Mystica has returned to known space to unleash an onslaught of music that has not been seen for a thousand generations: Jedi Metal!

Learn the stories of the ancient masters and their battles against the forces of evil in the tales of Vis Mystica. For fans of: Rhapsody, Blind Guardian, Twilight Force, Symphony X, Wintersun

– 30 –

“Vis Mystica is a very interesting power metal band from Pennsylvania. Listening to this group is like finding an oasis in the middle of the driest desert. Although one of its main characteristics is that its music is based on the Star Wars universe, it is fair to say that its music shines by itself and it is not for less, since its influences are not found in its local scene, not even in its country.” – Metal-Rules.com

“Offering escapism from everyday life, Vis Mystica transports listeners into a fantastical world of magical powers and epic stories with their Star Wars: Knights of the Old Republic inspired Power Metal. Along with taking great influence from other bands, they possess a style that is unique and holds its own in the power metal landscape.” – Bloodynews.ro

0 Tentacles Industries – France’s eOn Showcase The Thrill Of Rebellion In Video For “Highlanders” Off “Kalash Blood & Bones Pt. 1” Produced by Nicolas “Ranko” Muller (ex-Svart Crown)

December 22, 2022
by Asher
· eOn (Tentacles Industries) · Music News

NEWS RELEASE

Montreal, QC – Dec 22, 2022

Tentacles Industries – France’s eOn Showcase The Thrill Of Rebellion In Video For “Highlanders”

New EP “Kalash Blood & Bones Pt. 1” Produced by Nicolas “Ranko” Muller (ex-Svart Crown)

Back in October, hardcore outfit EON, hailing from France, released a thunderous, thrashy EP “Kalash Blood & Bones Pt. 1” produced by Nicolas “Ranko” Muller (ex-Svart Crown) and unleashed via Tentacles Industries. Since then they have released two music videos for the singles “Welcome To The Pyramid” and “Come Down”; now they are releasing a third music video for “Highlanders”. With an already sizable catalog dating back to 1999, they are eager to deliver a visual element to their violent, melodic hardcore. They share their thoughts on the single, which is indeed a nod to the film:

“Musically, it begins with guitars harmonized in the style of Carcass then it goes on with modern metal and hardcore, there is a melodic guitar solo and a black metal passage. The singing style adapts to each part. Lyrically, we explain that we have been parading the fashions and some bands for years and that we are still there even more extreme than ever.”

For the writing of this record, EON felt free to break the codes and defy genre rules, they wanted to show that violence has several faces in this world through the lyrics: and they wanted to push the envelope to the extreme while keeping the melody. First and foremost, their music is made with liver performance and the energy of the pit in mind, but there are strategically placed breaths of melodic fresh air. Lyrically, “Kalash Blood & Bones Pt. 1” is uncompromising even if it may seem very violent or politically incorrect. They ask hard questions and encourage rebellion.

EON is recommended for fans of Napalm Death, Hatebreed, and Slayer.

The music video for “Highlanders” can be seen and heard below.

Album Band Lineup:
Flo (Vocals)
Ranko (Drums) (Nicolas Muller ex-Svart Crown)
Kad (Guitar)
Enzo (Guitar)
Romain (Bass)

“Kalash Blood & Bones Pt. 1” was released on October 13, 2022 via INNERCORE Prod. with distribution by Tentacles Industries, Season of Mist, and available on Tentaclesindustries.bigcartel.com, Eon-official.bandcamp.com, Spotify, Apple Music.

Previous videos:

Track Listing:
1. Come Down (3:15)
2. Welcome To The Pyramid ( 3:23)
3. Highlanders (3:49)
4. Kalash (1:47)
5. Locked In Hell (3:24)
6. Fragging (4:18)
7. Heads On Pikes (3:34)
Album Length: 23:32

Album Recording Credits:
• All songs performed by: eOn
• All songs written by: eOn
• Produced by: Nicolas “Ranko” Muller – Studio du pénitent
• Mixed by: Nicolas “Ranko” Muller – Studio du pénitent
• Mastered by: Nicolas “Ranko” Muller – Studio du pénitent
• Album Artwork by: Florent Molinier

For more info: Elementofnoise.com | Facebook.com/eOn.official.page | Instagram.com/eon_element_of_noise_official | Tiktok.com/@eon_element_of_noise

About: eOn ass destroyer since 1999. Born in the fury of the dying 90s, eOn has never been a prisoner of style. A perfect mix of punk anger, the precision of thrash, and the violence of death metal, the band’s music go further to the extreme, but the hardcore Roots still lives on. Since the band hired Nicolas Muller as their drummer (ex Svart Crown), with more and more cutting guitar riffs, eOn melts a solid technique with a wide metal culture. It’s terrifying, yet clever music, allied with really impressive live performances that push the band to a high standard level.

– 30 –

0 Tentacles Industries – Grab The New Vinyl “Strike #3” From ATOMIC TRIP To Be Immersed in Sonic Fuzz And Cosmic Riffs

December 22, 2022
by Asher
· Atomic Trip (Tentacles Industries) · Music News

NEWS RELEASE

Montreal, QC – Dec 22, 2022

Grab The New Vinyl “Strike #3” From ATOMIC TRIP To Be Immersed in Sonic Fuzz And Cosmic Riffs

L-R: Jean-Claude VanDoom (Guitar) | Gary McDoom (Guitar) | Grom Tattooer (Drums)
Photo Credit – Alispictures

France’s Atomic Trip released their third album this past October and coming up this March 24th, 2023, they will have it on vinyl available for purchase. Doomy and sludgy, “Strike #3” is a breath of sweet smoke and a head full of fuzz. Comprised of two lengthy tracks “Bomb #5” and “Bomb #6”, prepare for heavy doses of electric riffs. The band shares their excitement:

“We are so proud of our third album. We think that we have pushed all barriers to keep our motto: less is more. With a few riffs, we have made a progressive psychedelic doom masterpiece. Here the most simple becomes the most complex and every single note weighs a ton. A ton of harmonics, of resonance, of feedback. When we first played those tracks live, we were not confident and hesitated, but people reacted so well! From dark basements to the bigger stages on metal festivals, it has always been a total blast, from the top to the final drum hit. To describe Strike #3 in one sentence: like it or loathe it, you cannot ignore it.”

Fans familiar with Atomic Trip will not be disappointed in “Strike #3”; the sequel of “Strike #2” and Strike #1, it is even more crushing, and even more “in your face” than its predecessors. “Bomb #5” is full of finesse and heaviness, a fuzz apocalypse, and a cavalcade of mad drumming. “Bomb #6” interjects with penetrating feedback and toms rolls, and psychedelic heaviness. The last two last leaden minutes of it will completely twist your brain.

The album was mixed and mastered by Alexandre Borel and the album artwork was done by Jean-Luc Navette. Best served with a couple of brews and a joint, Atomic Trip is providing the soundtrack for a hazy evening and a cosmic trip so sit back and relax. They are recommended for fans of Conan, Bongripper, and Electric Wizard.

Vinyl pre-order via Tentacles Industries – https://tentaclesindustries.bigcartel.com/artist/atomic-trip

“Strike #3” can be hard via Atomictrip.bandcamp.com, Spotify.

Track Listing:
1. Bomb #5 – 24:12
2. Bomb #6 – 20:47
Album Length: 45:00

For more info: https://www.facebook.com/atomictripdoom/ | https://www.instagram.com/atomictripdoom/

About: The dope factory has exploded, inhale the smoke, and prepare to trip. First, the violent blast of fuzz hits you in the face, then you board for a journey into blurry and muzzy dreams. Plug your darkest fuzz, light your joint, uncap your booze and feel the raw power of doom. We’re all atomic zombies trippin’ on slow riffs.

– 30 –

“These DOOM warlords have created the Instrumental Doom album of the year entitled Strike #1. Over the course of 40 minutes, this band proves that they can’t be fucked with when it comes to creating riffs that kill on contact. What I love about this record is how they are able to manifest such dynamic songs without using vocals. ATOMIC TRIP’s tunes are the perfect soundscape for your mind to run wild in a HEAVY NEVER-NEVER-LAND!” – CVLT NATION – Instrumental Doom album of 2017

“Each resonating chord is literally hammered out and left ringing over a bed of resonating bass and this is a pure and simple celebration of the utter power of the riff.” – MORE FUZZ

“These gargantuan sized riffs from Atomic Trip will hit you with hypnotic waves of radiation haze, while burying you in a mushroom cloud of fallout and smoke.” – SUPER DANK METAL JAMS

“Each, drawn out chord, is encapsulated with a veil of heaving discordance as hypnotic as it is painful, self flagellation by sledgehammer. Worship at the Sepulchre of doom!” – THE SHRIEKS FROM BELOW

“Atomic Trip creates soundscapes that are heavy and powerful as mountain massifs. It is a sense of desolation and at the same time magnificent and warm. Then Atomic Trip opens up completely new audio worlds far beyond the reality. The music is bigger than everything.” – SLAVESTATE

“Atomic Trip does not go below 8 on the Richter scale. Even with the earplugs, I thought my ears would fall like two pieces of plaster.” – FEEDBACK MUSIC

“Here is a raw, cryptic, deviant doom, where everything is played on the atmosphere. This is the secret little corner, where everything is only vibration, introspection, where the notes haunt the depths of the soul.” – THE DARK LODGE

Unsubscribe | Update your profile | Montreal, QC

0 Shores Of Null Begin Another Gloomy Chapter With “Nothing Left To Burn” Off “The Loss Of Beauty” Out March 2023

December 22, 2022
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – December 22, 2022

Shores Of Null Begin Another Gloomy Chapter With “Nothing Left To Burn”

New Album “The Loss Of Beauty” Out March 2023

Rome’s Shores of Null has a fourth album coming out next year, to expand their discography of melancholic doom. “The Loss Of Beauty” goes back to the usual full-length structure with different tracks, after the immersive experience of 2020’s “Beyond The Shores (On Death And Dying)”, which consisted of a single 38-minute track. Each of the upcoming singles released in anticipation of the release are accompanied by a series of videos by Sanda Movies. The first single is “Nothing Left To Burn”, which the band comments on:

“This song was originally written in 2018 and recorded in 2019, with the intent of releasing it the next year, but then we changed our minds and released “Beyond The Shores” instead. So this song was kept secret until today, almost frozen in time, and it’s so cathartic to be finally sharing it with you, both song and video, which is by far the most complex visual piece we’ve ever done, and for this, we must thank Martina and the Sanda Movies crew for the amazing work. It is a song about the burden of life, its endless struggles, and suffering, with the awareness that our existence is only transitory”.

Watch and listen to the music video for “Nothing Left To Burn” – https://youtu.be/wuP14Dgx4F4

Those who have been following Shores Of Null from the very beginning know that their influences touch many genres, and those who loved “Quiescence” and “Black Drapes For Tomorrow” won’t be disappointed. The band considers “The Loss Of Beauty” to be the natural evolution of those records, while “Beyond The Shores (On Death And Dying)” represents a slight detour from the main road. Those who have known them from “Beyond The Shores” might find this new offering a bit different, faster in tempo, but still very gloomy and melancholic.

“The Loss Of Beauty” is melancholic dark metal with a wide range of influences, from gothic metal to doom metal and melodic black/death metal, with frequent use of vocal harmonies and deep growls. It is recommended for fans of Paradise Lost, Amorphis, and Enslaved.

“The Loss Of Beauty” is due out March 24th, 2023.

Album pre-order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty

Track Listing:
1. Transitory – 1:20
2. Destination Woe – 4:52
3. The Last Flower – 4:59
4. Darkness Won’t Take Me – 4:14
5. Nothing Left To Burn – 4:55
6. Old Scars – 4:23
7. The First Son – 2:17
8. A Nature In Disguise – 6:26
9. My Darkest Years – 4:56
10. Fading As One – 5:19
11. A New Death Is Born – 4:54
Album Length: 48:40
Bonus Tracks (CD and digital only)
12. Underwater Oddity – 4:18
13. Blazing Sunlight – 1:57

Shores Of Null is:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info: Spikerot.com/ | Shoresofnull.com | Facebook.com/shoresofnull | Instagram.com/shoresofnull | Twitter.com/shoresofnull

About: Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out three impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and finally their most ambitious work to date “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long opus which continues to prove the band’s willingness to go off the beaten path while creating their ultimate doom manifesto.

The band’s fourth album “The Loss Of Beauty”, recorded during the same sessions of “Beyond The Shores”, is expected to be released in March of 2023.

– 30 –

Shores of Null continues to impress and expand upon their doomy sound. An epic-length track worthy to sit amongst the best of these ventures (Edge of Sanity, Insomnium). Emotionally fulfilling and musically satisfying all at once.” – Dead Rhetoric (Best-of 2020)

“this album definitely is one of the best Doom Metal pieces I had the pleasure to look at in 2020. Once you plunge into its astonishing flow, there will be no escape from that majestic march through soaring soundscapes to those tear-drenched horizons.” – Rock Music Raider (Best of 2020)

“it’s certainly ambitious (video for “Beyond the Shores (On Death and Dying)”), but if you have the time, it’s worth the watch. Steeped in quality and excellent videography, it definitely deserves the attention for the amount of effort used.” – Metal Injection

“Shores of Null rolled the dice with Beyond the Shores (On Death and Dying) and delivered in a big fucking way… Shores of Null have crafted something special; a heart-wrenchingly emotive and beautiful journey of sorrow, anguish, pain, and acceptance. Beyond the Shores (On Death and Dying) is a splendidly sombre, brilliantly written opus of commanding death-doom that demands attention.” – Teeth of The Divine

“this album is phenomenal, both in terms of concept and its monumental delivery… with this magnum opus [Shores Of Null] have proved their position front and centre as depressed doom-titans…” – The Sleeping Shaman

“Beyond The Shores (On Death and Dying)” is a near perfect, monumental achievement of doom. I can’t imagine any fan of the style not finding something here to enjoy.” – Metal Temple

“An enchanting, gloomy opus.” – Moshville Times

“A single track of incredibly well-realised melodic doom metal, layered with all sorts of treats and nuanced delivery.” – Wonderbox Metal

“A piece of delicious despair, delivered on a platter of storm-ridden and excellently executed Doom Metal. A record that left anybody else in the genre in 2020 quaking in their wake.” – Rock Music Raider

“their most intricate and brooding work to date… grandiose emotional impact.” – Metal Storm

0 EPK – eOn – Kalash Blood & Bones Pt.1 (2022) (Tentacles Industries)

December 21, 2022
by Asher
· eOn (Tentacles Industries) · EPKs

EPK – eOn – Kalash Blood & Bones Pt.1 (tentacles Industries)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“For the writing of this record, we felt free to break the codes, we wanted to show that violence has several faces in this world through the lyrics: push the cursor to the extreme while keeping the sense of the melody.” – eOn

Album Title: Kalash Blood & Bones Pt. 1
Release Date: October 13, 2022
Label: Innercore Prod
Distribution: Tentacles Industries, Season of Mist

Elementofnoise.com | Facebook.com/eOn.official.page | Instagram.com/eon_element_of_noise_official | Tiktok.com/@eon_element_of_noise

Eon-official.bandcamp.com, Spotify, Apple Music

Tentaclesindustries.bigcartel.com | Facebook.com/tentaclesindustries | Instagram.com/tentaclesindustries

Twitter.com/tentaclesindus | Youtube.com/@tentaclesindustries | Tentaclesindustries.bandcamp.com

[Download Album Cover | Download Album Lyrics]

Album Title: Kalash Blood & Bones Pt. 1
Release Date: October 13, 2022
Label: Innercore Prod
Distribution: Tentacles Industries, Season of Mist

Track Listing:
1. Come Down (3:15)
2. Welcome To The Pyramid ( 3:23)
3. Highlanders (3:49)
4. Kalash (1:47)
5. Locked In Hell (3:24)
6. Fragging (4:18)
7. Heads On Pikes (3:34)
Album Length: 23:32

Album Recording Credits:
• All songs performed by: eOn
• All songs written by: eOn
• Produced by: Nicolas “Ranko” Muller – Studio du pénitent
• Mixed by: Nicolas “Ranko” Muller – Studio du pénitent
• Mastered by: Nicolas “Ranko” Muller – Studio du pénitent
• Album Artwork by: Florent Molinier

Album Band Lineup:
Flo (Vocals)
Ranko (Drums)
Kad (Guitar)
Enzo (Guitar)
Romain (Bass)

========================================================

The album as a whole (LYRICALLY & MUSICALLY):

Music made for the energy of the live in the pit as a whole, and there are some moments of melodic breaths. Lyrically, it is uncompromising even if it may seem very violent or politically incorrect.

Track by track (LYRICALLY & MUSICALLY):

The first track “Come Down” is musically a mix of thrash and power metal in the sense of groove, with spices such as death and hardcore, in terms of lyrics there is a set of questions and answers with the bassists who occasionally provide a second hardcore typed voice while the singer remains in a death metal or black metal register. The song begins with a wild solo guitar.

The second track “Welcome to the Pyramid”, musically it is anchored in 90s metal (riffs like Slayer, Pantera and Carcass ) with a modern sound, at the level of singing it is Thrash with modern screaming parts, and a chorus almost sung clear. There’s a melodic speed solo guitar part.

The third track “Highlanders” musically begins with guitars harmonized in the style of Carcass then it goes on with modern metal and hardcore, there is melodic guitar solo and a black metal passage. The singing style adapts to each part.

For the fourth track “Kalash” musically it’s Suicidal tendencies on steroids

The fifth track “Locked in Hell” musically it’s a mix of thrash punk hardcore and rock n roll.

The sixth track “Fraggin” is a crossover between black metal and neo metal.

The bonus track “Heads On pike” is a hard core song.

========================================================

BAND STORY ANGLES / FUN FACTS:

1. The guitarist makes his own deli

2. The other guitarist has a YouTube channel dedicated to electronics and chemistry.

3. It is the least physically imposing in the band who have the biggest voice.

eOn ass destroyer since 1999. Born in the fury of the dying 90s, eOn has never been a prisoner of style. A perfect mix of punk anger, the precision of thrash, and the violence of death metal, the band’s music go further to the extreme, but the hardcore Roots still lives on. Since the band hired Nicolas Muller as their drummer (ex Svart Crown), with more and more cutting guitar riffs, eOn melts a solid technique with a wide metal culture. It’s terrifying, yet clever music, allied with really impressive live performances that push the band to a high standard level.

Album Band Lineup:
Flo (Vocals)
Ranko (Drums)
Kad (Guitar)
Enzo (Guitar)
Romain (Bass)

Discography:
2022 – Kalash Blood & Bones Pt. 1 – EP
2017 – Purgatory Inherited – LP
2013 – Chaos Behind Us – EP
2009 – Unscared – LP
2004 – Brutal Awakening – EP
1999 – eOn self-titled – EP

SHARED STAGE WITH:
Sepultura, Hatebreed, Black Bomb A, Dagoba, Betraying the Martyrs, Eths,

TOUR AND FESTIVALS:
2022 – France – Marseille – Opening for Sepultura
2018 – France – La Garde – Opening for Black Bomb A
2017 – France – Marseille – Opening for Dagoba and Betraying the martyrs
2015 – France – La Valette – Opening for Hatebreed

0 EPK – Atomic Trip – Strike #3 (2022) (Tentacles Industries)

December 21, 2022
by Asher
· Atomic Trip (Tentacles Industries) · EPKs

EPK – Atomic Trip – Strike #3 (2022) (Tentacles Industries)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Conan, Bongripper, Electric Wizard, Toner Low

“We are so proud of our third album. We think that we have pushed all barriers to keep our motto: less is more. With a few riffs, we have made a progressive psychedelic doom masterpiece. Here the most simple becomes the most complex and every single note weighs a ton. A ton of harmonics, of resonance, of feedback. When we first played those tracks live, we were not confident and hesitant, but people reacted so well! From dark basements to the bigger stages at metal festivals, it has always been a total blast, from the top to the final drum hit. To describe Strike #3 in one sentence: like it or loathe it, you cannot ignore it.”

Band: Atomic Trip
Album Title: STRIKE #3
Release Date: Digital = Oct 27th, 2022 – Vinyl = March 24, 2023
Label: Doom & Doomer Records, Tentacles Industries

Vinyl pre-order via Tentacles Industries – https://tentaclesindustries.bigcartel.com/artist/atomic-trip

Atomictrip.bandcamp.com | Facebook.com/atomictripdoom | Instagram.com/atomictripdoom | YouTube | Spotify

Tentaclesindustries.bigcartel.com | Facebook.com/tentaclesindustries | Instagram.com/tentaclesindustries

Twitter.com/tentaclesindus | Youtube.com/@tentaclesindustries | Tentaclesindustries.bandcamp.com

“Each resonating chord is literally hammered out and left ringing over a bed of resonating bass and this is a pure and simple celebration of the utter power of the riff.” – MORE FUZZ

“These gargantuan sized riffs from Atomic Trip will hit you with hypnotic waves of radiation haze, while burying you in a mushroom cloud of fallout and smoke.” – SUPER DANK METAL JAMS

“Each, drawn out chord, is encapsulated with a veil of heaving discordance as hypnotic as it is painful, self flagellation by sledgehammer. Worship at the Sepulchre of doom!” – THE SHRIEKS FROM BELOW

“Atomic Trip creates soundscapes that are heavy and powerful as mountain massifs. It is a sense of desolation and at the same time magnificent and warm. Then Atomic Trip opens up completely new audio worlds far beyond the reality. The music is bigger than everything.” – SLAVESTATE

“Atomic Trip does not go below 8 on the Richter scale. Even with the earplugs, I thought my ears would fall like two pieces of plaster.” – FEEDBACK MUSIC

“Here is a raw, cryptic, deviant doom, where everything is played on the atmosphere. This is the secret little corner, where everything is only vibration, introspection, where the notes haunt the depths of the soul.” – THE DARK LODGE

Band: Atomic Trip
Album Title: STRIKE #3
Release Date: Digital = Oct 27th, 2022 – Vinyl = March 24, 2023
Label: Doom & Doomer Records, Tentacles Industries

Track Listing:
1. Bomb #5 – 24:12
2. Bomb #6 – Length 20:47
Album Length: 45:00

Album Recording Credits:
• All songs performed by: ATOMIC TRIP
• All songs written by: ATOMIC TRIP
• Produced by: ATOMIC TRIP
• Mixed by: Alexandre Borel
• Mastered by: Alexandre Borel
• Album Artwork by: Jean-Luc Navette

Album and Live Band Lineup:
Gary McDoom (Guitar)
Jean-Claude VanDoom (Guitar)
Grom Tattooer (Drums)

==========================================

The album as a whole (LYRICALLY & MUSICALLY):

You have been stunned by the first Strike and the two heavy bombs that dropped on your body and in your soul.

You have been knocked out by the second Strike and two more bombs that bombed your dizzy brain.

Get ready to get destroyed by the third Strike! Darker, louder, longer, and still more devastating.

The guitars will crush your head piece by piece, the drums will slowly smash your mind out of your body, the strident choruses will cause your death in a long, painful and unstoppable tinnitus.

Death.

That’s your only option.

Drink more booze than ever, smoke more weed than ever and wait. Wait for the end of your torment.

Track by track (LYRICALLY & MUSICALLY):

– Bomb #5 starts with a pretense, an introduction that makes you wonder if your turntable is working properly. But without warning, the tone rises, rises, rises imperceptibly. The 3 riffs follow each other and bring each their share of finesse and heaviness. And it ends in a fuzz apocalypse, which gives way to an almost tribal drumming, made of toms rolls, which conclude with a final bludgeoning of toms. In short, a play in 3 acts, but it does not end.

– Bomb #6 follows with penetrating feedback and toms rolls, before a brutal silence and the entrance of the absolute anvil, its main riff which is the summit, and the summary of the whole universe of the band. The more it goes on, the more the psychedelic heaviness sets in. And the end is just as definitive, with two last leaden minutes that twist your brain, concluded by leaking feedback and a final absolutely definitive drum hit.

==========================================

BAND STORY ANGLES / FUN FACTS:

1. Doing long tracks is really a pain in the ass, because of the vinyl’s maximum length. On one side, you can barely put in more than 20 minutes of music and for us, it’s not an option to cut our tracks. That’s why we always have to edit the song to make it fit on a 12” LP. For Strike #3, the LP version of Bomb #5 is far shorter than the CD/cassette and digital versions

2. JC hasn’t played the guitar before doing it in Atomic Trip. Basically, the first few notes he played were the first riff of Bomb #1. As he is a high-level singer and artist, it came naturally to him to play an instrument. Gary was supposed to play the bass in Atomic Trip at first, but as JC needed some guitar landmarks, Gary played guitar as well and the band went on like that.

3. Grom didn’t know anything about doom, sludge, or stoner before entering the band. He had to work hard to strike slowly as his background was fast rock and punk rock.

4. For the first album, we gave Jean-Luc Navette (international tattoo artist and illustrator) a carte blanche to draw the artwork. He did something incredible while listening to it and we instantly loved the outcome. So now, we just reproduce the same process. He listens to what we have recorded and creates imagery based on his inner feelings.

==================================================

L-R: Jean-Claude VanDoom (Guitar) | Gary McDoom (Guitar) | Grom Tattooer (Drums)
Photo Credit – Alispictures

The dope factory has exploded, inhale the smoke and prepare to trip. First, the violent blast of fuzz hits you in the face, then you board for a journey into blurry and muzzy dreams. Plug your darkest fuzz, light your joint, uncap your booze and feel the raw power of doom. We’re all atomic zombies trippin’ on slow riffs.

Album and Live Band Lineup:
Gary McDoom (Guitar)
Jean-Claude VanDoom (Guitar)
Grom Tattooer (Drums)

Discography:
2022 – STRIKE #3
2019 – STRIKE #2
2017 – STRIKE #1

0 Rockshots Records Signs France’s Manigance For English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

December 21, 2022
by Asher
· Manigance (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – December 21, 2022

Rockshots Records Signs France’s Manigance For English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

Rockshots Records is proud to announce their signing of Manigance for the English release of their latest album “The Shadows Ball (Les Bal Des Ombres)” due out on February 24th, 2023. The original francophone version was released on March 18, 2022.

What started out as a cover band to doing full fledge originals and being garnered “Best French Group of 2003” by Hard Rock Magazine and triumphing on the stage at Hellfest (Live video), “The Shadows Ball” is the band’s eighth studio album and first to be sung in English by new vocalist Carine Pinto who replaced Didier Delsaux in 2018. The band made the decision to to do English songs as they wanted to make their music more accessible to foreign audiences in preparation for their 2023 European tour with Rhapsody of Fire in March.

“This album contains different songs from the Manigance standards. We have shortened the songs and worked on the arrangements. We think we can play a lot of these songs in our shows. It’s a sign that the fans should enjoy these songs. They are adapted to be played live. We have evolved in our writing process. The songs are still very rich, but the structure is simpler. We also listen to the latest productions to offer a modern album with a current sound.” adds guitarist François Merle.

Sharing powerful music with melodies that hook with you and that are instantly memorable, fans of the band will hear lots of surprises in each song that will make you want to listen to them again and again to catch all the details. From the big riffs that make you want to move your head, to modern guitar solos, and big bass drums that roar like a V6 twin-turbo.

“I decided to do some new guitar parts that were heavier than on the previous albums. I bought new amps to be able to produce a new guitar sound for the new album. I wrote the majority of the new songs. With Carine’s new voice I proposed new structures. I preferred to shorten the instrumental parts of the solo to focus on the composition. Lionel worked a lot on guitar arrangements to bring a new and more modern atmosphere. We took advantage of the break with the covid to find new inspirations. The time allowed us to work on the melodies. We also decided to replace some keyboard parts with guitar parts to have a heavier sound than on the previous albums. As soon as the demos of the songs were finished, we started the recording process.” says band composer and guitarist François Merle.

With Carine Pinto’s voice, Manigance was able to work on new atmospheres. She has a very warm voice in the low register and can also reach high notes. This allows the band to cover a lot of melodies and to try out new structures for the new full-length. The band chose the songs that they thought were the most successful and had different moods. For example “End Of Lock Up”, which is a duet between Carine and Zaher Zorgati of Myrath (whom the band toured with across Europe in 2018), is a song with a strong focus on the chorus. They created this song mainly as a crowd-chanter during their live performances.

“As soon as the melody was built, the sound of the guitars came to reinforce the atmosphere of the song. We did a lot of guitar recordings with different amps. This created a very rich guitar sound to accompany Carine’s voice.” adds Merle.

The new album features twelve tracks that are inspired by Pinto’s lyrics from personal and intimate emotions, but also can relate to most listeners, from the betrayal of a friend, the burning of Notre Dame Cathedral (Paris – France), climate change, violence against the LBGT community, confinement during COVID, and domestic violence.

“The Shadows Ball” is recommended for fans of heavy metal and bands like Battle Beast and Accept.

Album pre-save – https://bfan.link/theshadowsball

CD pre-order – https://bit.ly/theshadowsballCD

Track Listing:
1. Odyssey – 1:23
2. Cold Blood – 4:24
3. All Your Excesses – 4:28
4. End of Lock Up – 4:26
5. The Shadows Ball – 5:14
6. Death Warrant – 4:01
7. High Treason – 4:48
8. Eternity – 4:36
9. At Gates of Memory – 4:42
10. In Spite of Everything – 4:42
11. Dawn of The New Fight – 4:49
12. Forgotten Survivor – 4:34
Album Length: 52:12

For more info:
https://www.rockshots.eu
https://www.facebook.com/MANIGANCE.Official
https://www.instagram.com/manigance.official
https://twitter.com/Manigance64

– 30 –

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