Posts By Asher

0 Rockshots Records – Out Now! Australia’s NOTHING SACRED EP “Leviathan”

February 3, 2023
by Asher
· Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – February 3, 2023

Rockshots Records – Out Now! Australia’s NOTHING SACRED EP “Leviathan”

Out now! Australia’s Nothing Sacred unleash their new EP “Leviathan” via Rockshots Records to follow their first album in 30 years entitled “No Gods” released in 2021.

“The 2021 album “No Gods” was well received so we were keen to get back into the studio and follow up as quickly as possible. The new release is another mix of new tracks and older tracks that builds on what we did with “No Gods”. We think it takes things a step forward – Sacred fans will find plenty to enjoy.” adds the band.

Fans of Nothing Sacred will notice on the band’s forthcoming EP “Leviathan” that there has been a lineup change that now sees the return of Chris Stark taking the reins as lead vocalist, replacing James Davies. Stark had previously sung with the band for a number of years and has now returned in time to lay down the vocal tracks for their next monster.

The EP “Leviathan” has plenty of riffs, killer solos, and big melodies from vocalist Chris Stark. The EP also includes the song “Sudden Death”, a thrashy unreleased track that was a mainstay during the band’s live gigs in the mid-’80s plus re-recordings of a few tracks from the band’s first album “Let Us Prey” and two new songs. All the new songs were written in group sessions with everyone jamming, throwing around riffs and arrangements into the mix. Overall, the EP is a blend of old and new, and something they could get done without a follow-up taking too long.

Album order – https://bit.ly/LeviathanCD

Digital – https://bfan.link/Leviathan

Track Listing:
1. Leviathan – 3:27
2. Drone – 4:35
3. Guardian – 3:40
4. SirMegma – 3:02
5. Sudden Death – 2:29
6. DroneTrance – 4:33
EP Length: 21:49

Nothing Sacred is:
Stu Bedford – Guitar
Chris Stark – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

For more info: Rockshots.eu | Facebook.com/NothingSacredMetal | Instagram.com/nothingsacredaustralia | Nothingsacredau.bandcamp.com

About: Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the heavy metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean, and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined the short-lived Melbourne band Seizure in 1993.

Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs.

In 2012, Nothing Sacred performed a series of 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalist’s Paul Di’AnnoP/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement.

In 2015, the band decided to re-activate with a lineup of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne’s Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan (That footage was released in 2021 as a part of a 3 disc boxset), which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney.

Line-up changes again slowed the band, James Davies was recruited for vocals along with Stu Bedford on guitar. From there, the band spent most of 2019 and 2020 writing and recording, what was their first full-length in over 30 years. Entitled “No Gods”, the record witnessed Nothing Sacred‘s resurrection to the metal world. The album peaked on the Australian iTunes metal charts in October 2021 at #4 along with metal media outlets giving multiple praising reviews.

Now ready to follow up “No Gods”, Nothing Sacred has gone through another lineup change swapping singer James Davies out with the return of Chris Stark. Chris had sung with the band previously for a number of years and has now returned in time to lay the vocal tracks down on their next release “Leviathan” set for release in February 2023 via Rockshots Records.

– 30 –

Australian iTunes charts, October 2021. No Gods #4 in the Metal charts.

“The highly infectious intensity this album began with has not diminished in any way shape or form. And if you ask me – the thirty-year wait for a new album has been well and truly worth it.” – Metal Roos – 4.5 / 5 – No Gods

“Dramatic speed changes with a dense rhythm section. Powerful vocals with that speed metal scream added to the top. They are definitely very good at what they do.” – Metal Epidemic – 4 / 5 – No Gods

“Excellent production but above all the perfect rhythmic synchrony between the powerful riffs and the war machine called Sham behind the skins … A record for those who inevitably feel strong and ready to never back down. A great Job.” – Metal Wave (Italy) – No Gods

“ ‘No Gods’ is full of dark, yet energetic riffs with a vocal style that is easy to understand yet doesn’t sound whiny or too dramatically sorrowful.” – Brutalism.com

“In their decades amiss from the public NOTHING SACRED has managed to keep under wraps a form that manages to sound contemporary yet as well offers the classical indulgences of Thrash roots.” – Metal Temple

“Time may have marched on, but with ‘No Gods’, the band pick up almost exactly where they left off 30 years ago … there is a lot of quality here and a real chemistry bubbling beneath that surface.” – Metal Digest

“Overall, if you are a fan of US power metal, more melodic thrash metal and, of course, power-thrash, you should check this album out” – Metal Music Archives – 4 / 5 – No Gods

“This new album, “No Gods” is a culmination of musical experience and renewed energy … a band who have nothing to prove and are just enjoying the creativity.” – UK Thrasher

“If you ever come across this EP (“Deathwish”) , do not hesitate to get it! It’s essential listening for lovers of obscure old school metal.” – Encyclopedia Metallum

–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – France’s Manigance Unveil “All Your Excesses” Off English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

February 3, 2023
by Asher
· Manigance (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 3, 2023

Rockshots Records – France’s Manigance Unveil “All Your Excesses”

English Version of New Album “The Shadows Ball (Les Bal Des Ombres)” Out Feb 2023

France’s Manigance will be releasing an English version of their latest album “The Shadows Ball (Les Bal Des Ombres)” on February 24th, 2023 via Rockshots Records. The original francophone version was released on March 18, 2022.

Today, the band presents their next single “All Your Excesses”, a song that denounces the behaviours and human activities that lead to the progressive and rapid destruction of our environment, our planet.

“All our excesses have serious consequences. It’s our responsibility to change,” says Carine Pinto (vocals/lyrics)

François Merle (guitar) adds:

“This is the most complicated piece in terms of rhythm. The bass/drums part is very precise and an acoustic guitar solo brings a Hispanic touch. The vocals on the chorus are particularly high and very metal.”

Listen to “All Your Excesses” at the following links:

Visualizer – https://youtu.be/bITiDUggM6Y

Digital – https://bfan.link/all-your-excesses

What started out as a cover band to doing full fledge originals and being garnered “Best French Group of 2003” by Hard Rock Magazine and triumphing on the stage at Hellfest (Live video), “The Shadows Ball” is the band’s eighth studio album and first to be sung in English by new vocalist Carine Pinto who replaced Didier Delsaux in 2018. The band made the decision to do English songs as they wanted to make their music more accessible to foreign audiences in preparation for their 2023 European tour with Rhapsody of Fire in March.

“This album contains different songs from the Manigance standards. We have shortened the songs and worked on the arrangements. We think we can play a lot of these songs in our shows. It’s a sign that the fans should enjoy these songs. They are adapted to be played live. We have evolved in our writing process. The songs are still very rich, but the structure is simpler. We also listen to the latest productions to offer a modern album with a current sound.” adds guitarist François Merle.

The new album features twelve tracks that are inspired by Pinto’s lyrics from personal and intimate emotions, but also can relate to most listeners, from the betrayal of a friend, the burning of Notre Dame Cathedral (Paris – France), climate change, violence against the LBGT community, confinement during COVID, and domestic violence.

“The Shadows Ball” is recommended for fans of heavy metal and bands like Battle Beast and Accept.

Album pre-save – https://bfan.link/theshadowsball

CD pre-order – https://bit.ly/theshadowsballCD

Music Video – “The Shadows Ball” – https://youtu.be/lWoGUusvcvY

Track Listing:
1. Odyssey – 1:23
2. Cold Blood – 4:24
3. All Your Excesses – 4:28
4. End of Lock Up – 4:26
5. The Shadows Ball – 5:14
6. Death Warrant – 4:01
7. High Treason – 4:48
8. Eternity – 4:36
9. At Gates of Memory – 4:42
10. In Spite of Everything – 4:42
11. Dawn of The New Fight – 4:49
12. Forgotten Survivor – 4:34
Album Length: 52:12

For more info:
https://www.rockshots.eu
https://www.facebook.com/MANIGANCE.Official
https://www.instagram.com/manigance.official
https://twitter.com/Manigance64

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s FEED AFTER MIDNITE Release Striking Music Video For Groovy Single “False Awakening”

February 2, 2023
by Asher
· Feed After Midnite · Music News

NEWS RELEASE

Montreal, QC – February 2, 2023

Canada’s FEED AFTER MIDNITE Release Striking Music Video For Groovy Single “False Awakening”

L- R: Denis Bastien (Guitar), Sean Bolster (Drums), Yvon Gauthier (Vocals), Marc Bastien (Guitar)
Photo Credit – Feed After Midnite

Based in Ottawa, Ontario, Canada, Feed After Midnite was formed in March 2018. They recently released their debut EP “The Hunger” and have a new music video out now for the song “False Awakening”. “The Hunger” is a collection of different, unrelated stories bringing out the full groove of the band. The single is based on the films “The Matrix” and “They Live” and it relates to how life and society are ruled by the media and government and their narrative and we the people are tired of being controlled and lied to. The band continues to explain:

“It is the fastest, most aggressive song on the EP. It starts off sounding old-school Slayeresque but quickly shifts into a headbang-inducing double bass groove. It was actually the last song written for the EP. It really came to its final form as we were recording the other songs. Joe Lyko really helped us with the breakdown on this one. We were really pleased with how it turned out post-production, so we decided to make it the first single. This is the fastest tempo song out of all and really represents a new level of technical skill for us all.”

Feed After Midnite hopes listeners will appreciate their attention to groove and melody while still maintaining a level of heaviness. Each song stands on its own, but leaves you with a hunger for more. Their sound has definitely changed over the years, moving away from the hard rock/classic metal in the beginning, the newer stuff is heavier and a bit more aggressive. Closer categorized as metalcore or groove metal they are recommended for fans of Deftones, Avenged Sevenfold, and In Flames.

Watch and listen to “False Awakening”, which was self-directed by the band via its premiere on the Spaceuntravel YouTube channel – https://youtu.be/wHhiDClKjp0

“The Hunger” was released on Nov 25, 2022, via the band’s label Feed On This Records and available on Spotify, Apple Music, Feedaftermidnite.bandcamp.com.

Track Listing:
1. Shadows of the Night – 1:13
2. False Awakening – 4:02
3. Red Dead – 4:20
4. Ascending the Flames – 5:00
5. Book of the Fallen – 5:28
EP Length: 20:04

EP Credits:
• All songs performed by: Feed After Midnite
• All songs written by: Feed After Midnite
• Produced by: Feed After Midnite and Joe Lyko
• Mixed by: Joe Lyko
• Mastered by: Joe Lyko (Dark Moon Productions)
• EP Artwork by: Marc Bastien
• Member of SOCAN
• Canadian Content (MAPL)

EP Band Line Up:
Marc Bastien – Guitar/keys
Denis Bastien – Guitar
Sean Bolster – Drums
Dylan DeRepentigny – Bass
Yvon Gauthier – Vocals/keys

Live Band Line Up:
Marc Bastien – Guitar/keys
Denis Bastien – Guitar
Sean Bolster – Drums
Yvon Gauthier – Vocals/keys

For more info: Feedaftermidnite.com | Facebook.com/FeedAfterMidnite | Instagram.com/feedaftermidniteband | Youtube.com/@feedaftermidnite

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0 What Comes Around Goes Around! Saudi One Man Prog DUSK New Music Video “Karma” ft. Moe Steiger – New Album “Spectrums” Out Feb 2023

February 2, 2023
by Asher
· DUSK · Music News

NEWS RELEASE

Montreal, QC – February 2, 2023

What Comes Around Goes Around! Saudi One Man Prog DUSK New Music Video “Karma” ft. Moe Steiger

New Album “Spectrums” Out February 2023

Saudi Arabia’s one-man prog metal unit DUSK (from the mind of Meshari Sangora) is unveiling the next single “Karma” ft. Moe Steiger from the upcoming full-length entitled “Spectrums”. The album follows two previously unleashed EPs “To Where I Belong” (2021) and “Ascension” (2020) along with multiple stand-alone singles that were used to introduce the project’s music to the world in 2020.

The album’s second single talks about someone in the Saudi metal scene with whom DUSK (Meshari Sangora) crossed paths with and was less kind and more condescending towards others. DUSK goes into further detail about how the song and collaborating with More Steiger.

“I was very grateful for coming across Moe when I was looking for a vocalist with this type of energy for the track, I knew I had to look in a place that is known for being crazy in music, and where to look other than Germany! So I contacted my friend Tom Haberland who happens to be the producer I worked with in “Origin” and now the album. When I mentioned that I’m looking for artists he recommended Moe to me, and before I knew it, Moe has already followed me on my socials and sent a message to let me know that he got the news from Tom, and I swear to god it couldn’t be more perfect. Everything started to fall in place and once we had a talk about the theme for this particular song and went over a few things, Moe started writing the lyrics and the song came out to be one my favorites in the album.”

Listen to “Karma” ft. Moe Steiger” via its music video premiere on TheCirclePit – https://youtu.be/j631NPh_rAc

Digital pre-save – https://distrokid.com/hyperfollow/dusk14/karma-will-find-you-feat-moe-steiger

For “Spectrums”, DUSK recruited various many guests such as Saudi musicians Khalid C (Entropia) and Abdulrahman Elghazali (who was a featured guest on EP ‘To Where I Belong”) along with international artists such as Aron Harris of the New York death metal based band Solemn Vision and the great Jaani Peuhu, previously known as a member of Swallow The Sun and his current band Ianai. The album features 12 tracks and is a multi-lingual expression with various songs sung by its contributors in English, German, Finnish, and Arabic.

DUSK comments on the forthcoming album:

“As a musician and one of the pioneers in the local Saudi Scene, I wanted to bring more creativity to the game and make this project an inspiration standpoint to the new upcoming bands and musicians who look up to me both locally and internationally, so right then and there, I decided to make this album into two different themes, something that will speak to every music lover out there, from the heavy and raw guitar tones to the Synth-ish spacy sounds that ease the listener to a very dynamic and emotional ride.”

Once a college DJ in UAE, that time in his life lead to his rediscovery of all forms of metal and was just the beginning of creating his own music as a self-taught musician and producer. DUSK created the new album to be listened to as Side A and Side B. The first half of the album (Side A) is aggressively sounding, and more guitar-focused and has a build-up of more hostility to each track while the listener moves forward. The second half (Side B) aims for a new sound from DUSK infusing more of the electric/EDM-ish sound where it’s more focused and digitized sounding and widely more appealing to the non-metal listener, all while keeping the same aggression level building up with each track.

“I wanted to bring more to the table and make this album a possible gateway to new audiences and perhaps fans from both sides, the metal heads & the non-metal listeners. I think all people who enjoy music will be interested in it, with all that has been added and all the different genres mixed in. What I’m trying to do with this record is to make everyone experience their own feelings and their own journey, the topics for this project are big and very stretched, some of the topics deal with real issues like betrayal and disposition, Love, Hate, and Hope.” adds DUSK

Recommended for fans of Currents, Born of Osiris, Novelists, and Deftones, along with everything under the vein of progressive metal, metalcore, and djent, “Spectrums” will be released on all digital platforms including vinyl on February 17th, 2023.

The album was fully written & recorded at Dusk’s studio with the mixing and mastering done by Tom Haberland of Crushing Waves Studio. Album artwork created by Giannis Nakos from Remedy Studios.

Album pre-order – https://dusk94.bandcamp.com/

Previous single:

“Lethal Perspectives ft. Aron Harris”

Lyric Video – https://youtu.be/rcOw6G0VgKE

Digital (Spotify, Bandcamp, Apple Music) – https://distrokid.com/hyperfollow/dusk14/lethal-perspectives-feat-aron-harris

Track Listing:
1. The World We Used To Know ft. Abzy & Khalid C – 5:42
2. Digging Deeper ft. Alex Hamilton – 4:05
3. Breath In, Breath Out ft. Adnan – 4:20
4. Hatred ft. Alex Hamilton – 3:12
5. Lethal Perspectives ft. Aron Harris – 3:02
6. Agnes Of Rome ft. Abzy – 5:00
7. Burning In My Mind ft. Moe Steiger – 3:31
8. Karma Will Find You ft. Moe Steiger – 4:19
9. Someone To Trust ft. Jon Thomas – 3:38
10. Only You ft. Jaani Peuhu – 5:39
11. Celestials ft. Iman Ahmed & Abudlrahman Elghazali – 4:37
12. Absence Of Full (Album Outro) – 2:18
Album Length: 50:00

For more info:
Facebook.com/Officialdusk94
Instagram.com/official__dusk
Twitter.com/Official__Dusk

About Album Guests: Abzy, Khalid C, Alex Hamilton, Adnan, Aron Harris, Moe Steiger, Jon Thomas, Jaani Peuhu, Iman Ahmed, Abdulrahman Elghazali

1- ABZY is a Self-taught singer-songwriter who started in 2007 Located In Kuwait city. Band (WAZIN), SOLO Project (SARAI)

2 – Khalid C is an electric guitar player located in Riyadh, Saudi Arabia, and is one of the founders of the band Entropia along with his new rock solo project Astrofrog.

3 – Adnan Mryhi is a singer and a Twitch streamer located In Dubai, UAE, Adnan also helped and still helping to build the Metal Scene in the UAE since 2006. Solo Project (Unmuted)

4- Alex Hamilton is a Canadian musician who operates Nova Nine Productions and offers session musician services, mixing/ mastering, and recording. His band is Wazmo.

5- Aron Harris also known as AceSirBell is the vocalist for the band Solemn Vision and the band telochvovin666 and the founder of Visionary Booking, a booking company focused on helping out-of-town bands break into NYC, and build lasting connections through different scenes.

6- Jaani Peuhu is a Finnish musician, producer and songwriter. Jaani has worked with artists like Before the Dawn, Swallow The Sun, To/Die/For, Thunderstone, Wiidakko and Anna Eriksson. More info – https://en.wikipedia.org/wiki/Jaani_Peuhu

7-Iman Ahmed is an Arab/British singer and bass player who is the founder of Unicorn Squad – a global music community for unsigned artists and bands within the rock/ metal/alternative scene.

8-Abdulrahman Elghazali is an electric guitar player located in Riyadh, Suadi Arabia, previously featured on the “To Where I Belong EP” and a guitar player for the local thrash metal band Dune.

9-Moe Steiger is a session vocalist located in Germany. Editing and mixing engineer.

10- Jon Thomas is a singer, songwriter, guitarist, and session musician based in Canada.

11. Jonathan Hammond has solo projects Dark Horse and Thrifted Souls.

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0 EPK – Maudiir – Soliloque (2023)

January 31, 2023
by Asher
· EPKs · Maudiir

EPK – Maudiir – Soliloque (2023)

Publicist – Jon Asher – asher[@]ashermediarelations[.com]

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Band: Maudiir
EP Title: Soliloque
Release Date: April 7, 2023
Label: Self-Release

“‘Soliloque’ is a riff-driven EP with big bass grooves and corrosive vocals raging on environmental issues, mixing thrash metal, black metal and progressive elements, giving it a unique sound and feel.

‘Soliloque’ is a different EP than ‘La Part du Diable’, which was also different than ‘Le Temps Peste’. I like to think that the overall production is getting better with every release. I don’t want to repeat myself or focus on some kind of recipe. The overall sound of ‘Soliloque’ is very different from ‘La Part du Diable’; different guitar, bass, and drum sounds. I also used less effect on the vocals, a more in-your-face approach. One song was recorded with a 7-string guitar, and I dabbled with some slide guitar on another… Trying new stuff. I particularly like the bass sound that cuts through really well. Being primarily a guitar player, I‘ve really come to enjoy giving a lot of space to the bass guitar in my music. It’s the instrument that I have the most pleasure recording.” – Maudiir

Facebook.com/people/Maudiir/100063607593649 | Twitter.com/maudiir1 | Youtube.com/@maudiir356 | Instagram.com/maudiirofficial

Maudiir.bandcamp.com | Apple Music | Amazon | Spotify

Canadian College Radio Loud Charts: #1 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line.” – No Clean Singing

“Feel free to imagine Maudiir as a mix of early Metallica and Enslaved, Darkthrone, Diamond Head, Skeletonwitch, Martyrdöd, Skitsystem and fellow French Canadian technology users/abusers, Voivod. Sitting at home with no shows to attend or play for a year has provided F. the opportunity to work in isolation and create the next chapter in the Maudiir story, La Part du Diable. The five songs within continue stirring the influence pot with the result being simultaneous sweet and sourness, light and darkness, uplift and despondency.” – Decibel Magazine

“If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – The Metal Crypt

“If this is what Maudiir can achieve in only 24 minutes and 24 seconds, bring on a full-length. If you’re into Skeletonwitch, Voivod, or Ihsahn, give release this a listen!” – 4/5 Metal-Rules.com

“It’s The Crowning Hour that closes out a banger of an EP. Where the guitars blur reality and the drums hammer so hard, the brain begins to ache. The tempo is fiery, and the passionate delivery is joyfully received again.” – Games, Brrraaains & A Head-Banging Life

“The first thing you notice about Maudiir‘s new EP, La Part du Diable, is just how good the record sounds. Crystal clear production on a blackened thrash release might not be at the top of every listener’s shopping list, but here the production absolutely works for F.” – Sentinel Daily

“What’s so refreshing with this E.P. is the flourishing evolution of styles and the sheer confidence in which the music is played. Aided by the crisp and professional production, this is a genuinely exciting release.” – The Razor’s Edge

“Maudiir entertain those who like black metal but also are open to prog and old school heavy metal. The mix is pleasing and the whole thing works very well.” – CGCM Podcast

“Touches of punk add attitude to these five angry and aggressive pieces of blackened thrash metal and make it an impressive debut EP” – Loud Enough? Magazine

“Some really great tracks and precise playing makes this debut EP a note worthy event” – Absolute Underground Magazine

““Le Temps Peste” is overall an engaging listen that, as it progresses, gets even better and more complex, gradually easing you into the building mood and feel of the EP, the first couple of tracks “Product” and “Abuse The Used” build on bleak Blackened driving riffs alongside a vitriolic rasping vocal delivery, the latter also benefiting from more of a haunting melody developing, a galloping Thrashy second half and soaring lead work which really adds to the sound.” 4/5 – The Metal Wanderlust

“Métal de bord en bord, ce projet fait partie de ceux dont les sonorités sont parfaitement heavy, mais ô combien inclassables, où se mêlent habilement les influences et saveurs auditives les plus diverses. Avec Maudiir, on fusionne avec brio black, thrash et death mélodique, avec une touche de métal classique et de NWOBHM dans les acérés riffs. Le temps peste inclut tout plein de riffs aussi corrosifs que galopants, qui rendraient très fiers autant un prêtre traître qu’une vierge de fer, risquant très bien de vous donner un sale mal de cou.” – BoulevardBrutal.com

“En tous les cas, F. ne s’enfonce pas dans l’erreur des artistes qui bossent en solo, à savoir, s’enfermer dans leur monde et devenir hermétique à l’oreille lambda. Sa musique est bien orchestrée ; même si elle fait appel à du déjà connu, elle tient la route et on y aime y retourner plusieurs fois. Il y a, à la fois de l’agressivité, de la noirceur, mais aussi de la fluidité dans ce metal un peu vieille école, mais bien vivant!” – Metal France

[Download EP Cover | Download EP Lyrics]

Band: Maudiir
EP Title: Soliloque
Release Date: April 7, 2023
Label: Self-Release

Track Listing:
1. Toxic Cloud (5 :24)
2. L’Éloge du Cuivre (5 :02)
3. Residue (4 :30)
4. Regarde au Ciel (4:41)
5. CH4 (5:44)
EP Length: 25:24

EP Credits:
• All songs performed by: F.
• All songs written by: F.
• Produced by: F.
• Mixed by: F.
• Mastered by: F.
• Album Artwork by: cover artwork by bergZ, band logo by Dopesmoker
• Member of SOCAN
• Music is Canadian Content (MAPL)

EP Recording Lineup:
F. – Everything

================================================

The EP as a whole explained:
‘Soliloque’ is a riff-driven EP with big bass grooves and corrosive vocals raging on environmental issues, mixing thrash metal, black metal, and progressive elements, giving it a unique sound and feel.

Track by Track explanation:

1. ‘Toxic Cloud’ starts off with a classic metal/almost hard rock feel, then goes into a black metal frenzy with a very epic ending. The song is about the Bhopal disaster.

2. ‘L’Éloge du Cuivre’ is a very different song for Maudiir. I would describe it as Helmet/Prong meets ‘Spirit of Sulfur’ from the previous EP ‘La Part du Diable’. A result of experimenting with a 7-string guitar, I think it’s a very catchy song and I really love the instrumental thrash metal section. The song is mostly about the Fonderie Horne in northern Quebec, but also touches on any non-repenting polluting company.

3. ‘Residue’ starts off with a 90’s death metal feel, then goes into a Killing Joke-type chorus. It’s about the additives/pollutants we are forced to consume, be it through food, water, or air, and their effects on our health.

4. ‘Regarde au Ciel’ is my first try at composing a song in French Québécois, my native tongue. A fast number that starts off with an odd time signature riff then goes into a very melodic bass-driven passage and has a black metal bridge section. The lyrics are about the general state of the environment, and how we are pretty much powerless and somewhat disinterested in really doing anything about it.

5. ‘CH4’ is a black/thrash metal hybrid with a very catchy chorus and an instrumental section where I experimented with slide guitar. It’s about the landfill fires in India, and the people living around these landfills.

Maudiir – Band Photo Credit: bergZ

Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/prog/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released the debut EP “Le Temps Peste” in February 2020 and a year later unleashed the follow-up “La Part du Diable” in 2021.

Now in 2023, two years after the sophomore record, Maudiir returns with the third offering “Soliloque”, an intense and aggressive five-track record built on thrash metal foundations, flirting with prog and melodic tendencies.

“It’s not a linear EP; certainly not the same song repeated again and again. Open-minded people, step in. Those who have heard my past EPs will notice ‘Soliloque’ is different than ‘La Part du Diable’, which was also different than ‘Le Temps Peste’. I like to think that the overall production is getting better with every release. I don’t want to repeat myself or focus on some kind of recipe. The overall sound of ‘Soliloque’ is very different from ‘La Part du Diable’; different guitar, bass, and drum sounds. I also used less effect on the vocals, a more in-your-face approach. One song was recorded with a 7-string guitar, I dabbled with some slide guitar on another… Trying new stuff. I particularly like the bass sound that cuts through really well. Being primarily a guitar player, I‘ve really come to enjoy giving a lot of space to the bass guitar in my music. It’s the instrument that I have the most pleasure recording.” adds Maudiir.

“Soliloque” is due out April 7, 2023.

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

Discography:
2023 – Soliloque (EP)
2021 – La Part du Diable (EP)
2020 – Le Temps Peste (EP)

0 Feel The Instrumental “Digital Soundscape” From Vancouver Orchestral Metal Ensemble OPUS ARISE (ft. members of Svneatr, Thousand Arrows, Ysgaroth)

January 31, 2023
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – January 31, 2023

Feel The Instrumental “Digital Soundscape” From Vancouver Orchestral Metal Ensemble OPUS ARISE (ft. members of Svneatr, Thousand Arrows, Ysgaroth)

New Album “The Network” Out Now!

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Canadian orchestral metal ensemble Opus Arise (ft. members of Svneatr, Thousand Arrows, Ysgaroth) are sharing their next video for the track “Digital Soundscape” from their sophomore album “The Network” released this past December. The concept record is a cyberpunk tale that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.

As part of the album’s storyline, “Digital Soundscape” is a track that conveys the feeling of what the digital realm of the network is like. Both characters in the story plot focus on the details of their lives, listening to the ambient, distorted, pulsing sounds of the digital realm.

The video for “Digital Soundscape” can be seen and heard via its premiere on Sonic Perspectives HERE.

Vancouver’s Opus Arise‘s latest album, “The Network”, is a cyberpunk world filled with neon lights backed by progressive metal riffs and classical themes. The eight-track record was produced and mastered by Maor Appelbaum; mixed by Ryan Shepard, with the album artwork done by Daniel Reyes. The nine players on the record bring forth their skills on guitar, cello, bass, drums, violin, keyboards, viola, and contrabass in a sometimes collaborative effort, which is primarily composed and scored by Matthew Logan and Matthew Hannah. The drums were recorded in a mansion back in 2018 where the original rehearsal space was, and the same location was used to film the music videos for the singles “Reminiscence”, “Change” and “Inner Skepticism”.

“The Network” has a modern metal influence and different composers from their first album. It is best described as orchestral neo-classical instrumental progressive metal and is recommended for fans who enjoy Powerglove, Scale The Summit, and Animals As Leaders.

“The Network” is available at Opusarise.bandcamp.com, Spotify.

To watch previous music videos, please the band’s YouTube.

Track Listing:
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

– 30 –

“On its latest album, the Network, Vancouver orchestral rock crew presents a cyberpunk concept driven by cello, viola and violin as much as electric guitar. With members drawn from the ranks of local metal acts Svneatr, Thousand Arrows and Ysgaroth, the eight-track, 40-minute record is another fine release from the globally recognized and appreciated B.C. metal scene.” – Vancouver Sun

“An instrumental journey with a lot of charisma… Anyone who likes to think outside the box from time to time and likes instrumental music should definitely give “The Network” a try.” – PowerMetal.de

“… this is great progressive music… the album is strongly recommended if you’re open minded and you like your music to sound like a detailed and complex story. Great stuff!” – Metal Rules

“Sometimes there comes a prog metal act with something new or at least different than most others. And Opus Arise surely fits this description! Their songs are instrumental to begin with. But that’s far from all.” – Melodic.net

“A magnificent album, original, inventive and of great musicality.” – Pierre Davidson – A Progressive Life – CFUZ 92.9 FM – Penticton, BC

““Inner Scepticism,” shimmers through the linement of time and brings about an intricate braid.” – The Median Man

“This new record teleports the listeners to a cyberpunk world filled with neon lights punctuated with progressive riffs. The album has a modern metal influence and different composers from their first album.” – Canadian Beats

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – The “Bandits” Are Coming! BAD BONES New Album “Hasta El Final!” Out March 2023

January 31, 2023
by Asher
· Bad Bones (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 31, 2023

Rockshots Records – The “Bandits” Are Coming! BAD BONES New Album “Hasta El Final!” Out March 2023

Photo Credit – Federica Bagagiolo – Hellucination Photography

Rockshots Records is proud to announce their signing of dirty rockers Bad Bones for the release of their sixth album “Hasta El Final!” on March 17th, 2023.

Influenced by NWOBHM to the LA street rock scene, Bad Bones was formed in 2007. The band has made a name for themselves with tours across Europe along with making the move from Italy to LA in 2009 to make a foothold in the USA until returning to their home country in 2010. Over the years, the band has consistently toured the USA and Europe with appearances at events such as the Hollywood Rock Convention, Italian Gods of Metal, and Metalitalia Festival along with supporting bands like Steel Panther, Hardcore Superstar, Crucified Barbara, Entombed, Gotthard, Crazy Lixx, Strana Officina and more.

True Metal Magazine named “Bad Bones” the Best Hard Rock band of the year for 2010 along with Metal Hammer Italy awarding “Demolition Derby” the Best Album of The Year for 2016.

A musical amalgamation of blues, punk, classic rock, and heavy metal, Bad Bones’ latest offering “Hasta El Final!” is a powerful record, that shakes your bones and must be listened to in one go, in its entirety, just like taking a shot of whiskey, throw it down and then enjoy it while it warms your guts.

“Hasta El Final! hits you like a punch in the face, we thought it like this, compact and powerful, we didn’t use samples, nor quantized/triggered fake drums, everything was played live, even the overdubs were kept to a minimum, and we wanted to keep the fierce spirit of our first albums.” adds the band.

Making uncompromising rock that is meant to be loud in volume and make ya sweat in the pit, Bad Bones give listeners classic old-school rock n’ roll fun. Their lyrics reflect the things they see and hear, from memories, and life experiences, but also from movies or places they’ve been, there have many sources of inspiration that fans can clearly relate to.

Today, they share the first single “Bandits”, a song that hammers fast, between Motorhead and Iron Maiden, to sum up street life and bad intentions in the alleys of a big city.

Listen to “Bandits” at the following link:

Album pre-order – https://bit.ly/HastaElFinalCD

Track Listing:
1. Bandits – 3:13
2. Behind The Liar’s Eyes – 3:58
3. Rattlesnake – 3:54
4. Wanderers & Saints – 3:43
5. Sand On My Teeth – 3:58
6. Libertad – 4:45
7. To Kill Somebody – 3:33
8. Home – 2:14
Album Length: 29:21

Album Credits:
Recorded @ Rima Maia Studio – Dronero ( CN) – December 2022 by Riccardo Paravicini
Produced by Bad Bones
Mix & Mastering by Riccardo Parravicini @ Rima Maia Studio
Words : Steve Balocco
Music : Bad Bones
Cover Artwork: Christian Wallin
Dedicated to the memory of Andrea “Benny” Bernini a true rocker! Miss ya!

Bad Bones is:
Mekk Borra – Vocals & Guitars
Steve Balocco – Bass & Vocals
Lele Balocco – Drums

Discography:
2009 – Smalltown Brawlers (Red Pony Records)
2010 – A Family Affair ( Nadir Music)
2012 – Snakes And Bones (Bagana Records)
2016 – Demolition Derby (Sliptrick Records)
2018 – High Rollers (Sliptrick Records)
2023 – Hasta El Final! (Rockshots Records)

For more info: Rockshots.eu | Badbones.it | Facebook.com/badbonesband | Instagram.com/badbones_official

– 30 –

“Rough, Rude, dirty… simply irresistible!!! Bad Bones know how to Rock !!” – Metal Maniac

“Bad Bones are on a mission for the god of rock’n’roll!” -Rockandmetalinmyblood.it

“Bad Bones have harnessed all the great sounds of the 80’s and brought it into the present. These guys just have that element that instantly grabs people and gets you going. They have the high gain distorted guitar sound with catchy riffs full of hard rock and blues. The leads are flashy and tight as well. They have a great rhythm section and every song is packed full of melody. They have a sound that is reminiscent of Trixter, Whitesnake, Def Leppard and Mr. Big, This album is 100% awesome form start to finish. Demolition Derby is already top of my play list and with one listen it will be on the top of yours. “The Dirty Room – USA)

“Bad Bones liefert sauber eingespielten, klassischen Hardrock amerikanischer Art. Knackige Gitarren, solider halbhoher Gesang, satter Groove und dieser nicht unerhebliche 80er-Touch sorgen für Stimmung sowie Gefühlswallungen in Richtung Sunset Strip. Man kann die Herren getrost zwischen rockigen Trixter, Hardline, Firehouse und Whitesnake platzieren – und selbst dann findet sich immer noch die eine oder andere Truppe, die man ebenfalls mit dem Stil der Italiener in Verbindung bringen könnte” – Classic Rock Deutschland

” … Over the years, the Bad Bones have become the nicest thing of hard rock of our country” – Simone Sacco – Metal Hammer Italy
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 EPK – Asylence – Endanger Us All (2023)

January 30, 2023
by Asher
· Asylence · EPKs

EPK – Asylence – Endanger Us All (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We hope that everyone is ready for our greatest effort which is Endanger Us All. We couldn’t be more proud of how this album came together. Listeners who are familiar with us will hear some material they are used to and a lot of new attitudes that they have never heard before. Our first EP was merely an introduction to what we can do compared to the range this record has achieved.

We were faced with a decision on whether or not to include some of our oldest songs on this record which we never had properly recorded. After we realized how well our new and old material blended for a well-balanced experience from start to finish we really started to understand the raw energy this album radiates.

It’s heavy, it’s deadly,” – Ayslence

For fans of Arch Enemy, Devildriver, In Flames, Amon Amarth

Album Title: Endanger Us All
Release Date: February 24, 2023
Label: Self-Release
Distribution: CDBaby

Asylence.com/merch | Spotify | Apple Music

“There’s some truly fierce deathcore emerging from the Midwest. One of the most promising acts from the region is Asylence. Not only do they lean into the tropes of the genre (Gotta love that quick little bass fill before the vocals kick in!) but their brand new video, ‘Arrows For Christ’ is absolutely killer!” – Metal Injection

“Eulogy of Man features top musicianship and is a heavy, melodic, groove-laden group of songs sure to excite old-school heads as well as forward-thinking fans of modern bands.” – Ghost Cult Magazine

“Michigan metal outfit Asylence have teamed up with Metal Insider to premiere a video for their emotionally-driven new song, “Endanger Us All.” – Metal Insider

“Melodic death metal powerhouse” – Decibel Magazine

“Sometimes there’s nothing wrong with going with a classic formula and hitting it out of the park.” – Dead Rhetoric

“Nasty, angry, aggressive, and heavy. What’s not to like? Ranging from old-school death metal, black metal, and deathcore, it’s all here plus a shed load of real technical ability and attitude. The future’s bright for Asylence.” – Myglobalmind Online Magazine

“Where Asylence expand beyond normal parameters is in a song like “In Solidarity We Die” – the placement of lower register alternative / clean vocals against the heavier screams / growls allows the music to be equally twisted at a doom to mid-paced crawl, adding tension plus darker textures over the course of the arrangement. Smartly keeping the run time for Endanger Us All just under 30 minutes, Asylence approach their music from a mix of influences that include acts like Amon Amarth, Arch Enemy, Devildriver, and Jungle Rot.” – Dead Rhetoric

[Download Album Cover | Download Album Lyrics]

Album Title: Endanger Us All
Release Date: February 24, 2023
Label: Self-Release
Distribution: CDBaby

Track Listing:
1. A Call To Arms – 0:55
2. Endanger Us All – 3:53
3. The Garden of Disrespect – 3:34
4. Eternity, Please – 3:37
5. In Solidarity, We Die – 3:32
6. Arrows For Christ – 3:25
7. In This Hell – 3:47
8. Soulless – 3:32
9. A War Waging Within – 3:16
Album Length: 29:35

Album Recording Credits:
• All songs performed by: Asylence
• All songs written by: Asylence
• Produced by: Aaron Lumsden
• Mixed by: Aaron Lumsden
• Mastered by: Aaron Lumsden
• Album Artwork by: Diyaco Paymazd

Album and Live Band Lineup:
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

===================================================

Track By Track Explanation:

The album as a whole (LYRICALLY & MUSICALLY) Lyrically this album is mixed because of the timeline in which songs were written, but overall I feel like it hits the way it was meant to. I try to convey a message to our audience more than I try to shock with vulgarity, and my message is usually that of self awareness and the horrors that can occur under the guise of salvation. Musically these songs weave the emotion and intensity of our message.

Track by track (LYRICALLY & MUSICALLY).

2. Endanger Us All – This song is the perfect representation of the direction we want to continue for our music. Each of our songs is personal to me Lyrically but this one really just spilled out of me. How we all felt during the pandemic like we were dirty or some kind of contagion to be careful around others and to isolate ourselves despite how the loneliness can affect you.

3. The Garden of Disrespect – This is one of my favorite of our newer material, it just goes so hard. This song was fun to write, super morbid, and to the point. You can’t take it with you, we’re all gonna die, be humble.

4. Eternity, Please – About as dark and brooding as it gets on the album is this song. We really show some black metal roots at the start and then right into our own sound with a splash of something experimental for us, this is a bit of a ride. The lyrics tell a tale of a king who wanders his halls with no question to his reign but still he suffers. Heavy and lonely is the crown, and the years can feel like an eternity alone.

5. In Solidarity We Die – This song is Aaron’s favorite, and for good reason. The guys really put their heads together on this one, musically this song just rips with a melodic twist on the chorus. The song to me sounds like it was written by the last person on Earth, writing the final texts about the tragic failing of humankind that brought us to our doom.

6. Arrows for Christ – Arrows for Christ was inspired by the tale of an American Christian Missionary who in 2018 illegally traveled to the North Sentinel Island in an attempt to preach Christianity to the isolated Sentinelese tribe. On the third day he was killed by the tribe, and as he requested in his journal, his remains were never recovered

7. We Are The Devils – This was actually the first song we ever wrote as a band. It really shows the progression we have taken since we all started it’s all started, we still love this song and play it often. This song basically says if we are all doomed we might as well have a good time

8. Soulless – This is another oldie but a goodie. One of the heaviest songs we’ve ever written especially early on in the band. This is screaming in an addict’s face. This is how hard it is to see a loved one fade away into the depths of addiction.

9. A War Waging Within – This song goes way back but still holds its own on the album. This is an old-school angry metal song straight forward in-your-face “sick of this shit” attitude.

===================================================

BAND STORY ANGLES / FUN FACTS:

1. The ending to Soulless was actually first written off the cuff live. We screwed up how it was supposed to end and just ran with it and the crowd loved it. We did too, so we made sure to add it to the final song.

2. We found our bassist and friend Richard Olrich on Craigslist, which we are told rarely works out. We are certainly glad it did for us!

3. Ryan named the band after the now Haunted attraction and former actual insane asylum from his hometown, Eloise.

4. The A War Waging Within lyrics about a “world of shit” was inspired by the movie Full Metal Jacket and the original title for the song was Full Metal Jackass.

5. Aaron has his own production company Akuro Productions and has become the band’s main source for promo pictures and video content. Truly a jack of all trades!

L-R – Alex Aubuchon – Drums, Aaron Lumsden – Guitar, Ryan Lang – Vocals, Richard Olrich – Bass

Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

Album and Live Band Lineup:
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

Discography:
2023 – (Upcoming) Endanger Us All – LP
2020 – Eulogy Of Man – EP
2016 – Forge The Void – Demo

Shared Stage with:
Destruction, Belphegor, Archspire, Cryptopsy, Warbringer, Traitors, Origin, Signs of the Swarm, Sea of Treachery, Jungle Rot, Defeated Sanity, Widowmaker, Bury Your Dead, The Convalescence, VCTMS, Filth, Dyscarnate, Kissing Candice, Falsifier, Obliterate, The Last Ten Seconds of Life, Panzerfaust

Tours and Festivals:
2019 – Pizza Show – Warren, MI
2018 – Detroit Metal Festival – Detroit, MI
2018 – My Home Your Hell Tour – Warren, MI
2017 – North American Totenritual – Detroit, MI
2017 – Bloodletting North America XI – Westland, MI
2017 – North America Under Attack – Detroit, MI

Music Placements if any (Movies, Commercials)
Fuzz & Malloy S02E02 “The Spooky Houseguest” – https://youtu.be/gzp4AuYTcHI

0 Canada’s CATEGORY VI Streaming Title Track From New Album “Firecry” Out March 2023 via Moribund Records

January 30, 2023
by Asher
· Category VI (Moribund Records) · Music News

NEWS RELEASE

Montreal, QC – January 30, 2023

Canada’s CATEGORY VI Streaming Title Track From New Album “Firecry” Out March 2023 via Moribund Records

The first embers sparked in the frosty Canadian Tundra of Newfoundland, Canada in 2011 when CATEGORY VI released their “Vinland” Demo. This swiftly ignited their path and their debut album “Fireborn” (2013) was unleashed in a blaze of burning Metal! Those coals were never quenched, and CATEGORY VI added fuel to the fire with their 2017 follow-up Inferno “War Is Hell”.

CATEGORY VI now in 2023, they return with a full blazing firestorm with their third album and most accomplished release to date “Firecry”. From the initial flickering flame of “Firecry” to the final cinders of the absolutely combustible cover of HEART’s classic “Barracuda”, CATEGORY VI delivers true and classic 80’s heavy metal with utter perfection. “Firecry” boasts a crisp, clear, and scorching modern production that does not distract from the band’s true 80’s metal sound.

Lyrically crafted around themes of personal pride and triumph (Valkyrie, Heavy is the Crown), witchcraft persecution (Firecry), women’s strength (She Runs With Wolves) & their excellent live performances (Coven), these concepts are boldly and powerfully delivered by the soaring vocal excellence of Amanda Jackman. Bolstered and fueled by the powerful stainless steel riffs and catchy melodies of guitarist Geoff Waye, the pounding anvil bass of Keith Jackman, and the thunderous steadfast drumming of Brian Downton, CATEGORY VI brings classy and classic 1980s power – Traditional Heavy Metal into the 21st century with blazing glory.

To close out one of the best heavy metal albums of the decade, CATEGORY VI delivers an immaculate true metal, yet the radio-friendly cover of the chart-topping Heart classic “Barracuda”. With “Firecry”, CATEGORY VI unleashes a global scale climate-changing metal cyclone that just may melt the North American frozen tundra with its blazing power metal.

Single / Title track – “Firecry” – https://youtu.be/odqnpiCzCks

The album “Firecry” is due out March 24th, 2023 via Moribund Records.

Album pre-order – http://www.moribundcult.com/product/DEAD304.html

Track Listing:
1. Firecry – 6:10
2. Valkyrie – 6:05
3. The Vultures Never Came – 4:10
4. She Runs With Wolves – 4:12
5. Heavy is the Crown – 3:47
6. Coven – 4:52
7. The Cradle Will Fall – 4:53
8. Burning Bridges – 3:49
9. Barracuda (Heart) – 4:21
Album Length: 42:18

For more info: Facebook.com/CategoryVI | Instagram.com/categoryviofficial

Follow Moribund Records: Facebook | Instagram

– 30 –

“a promising band worth watching.” – Rock Hard (DE)

“the band, with their sound rooted firmly in the early 80s, play with real charisma.” – The Independent Voice

“a really nice slab of metal that should please fans of the old and new heavy and power metal genres.” – Metal Crypt –

“If you dig acts like Seven Kingdoms, Mindmaze, or Helion Prime, then I’d call this a no brainer although Category VI do separate themselves from their contemporaries with a more pugilistic edge, and a lethal injection of classic metal attitude which would call to mind Judas Priest or Mercyful Fate. Overall a solid record. You could do far worse than check this out. “ – The MetalCrypt

“So if you like your metal aggressive yet smooth, soulful while never failing to thrash, and resonating without sacrificing in that certain visceral punch, War is Hell is a must – an album that will appeal to the diehard fans of a forgotten generation of thrashers and headbangers, while bringing sufficient juice and sizzle to lure wayward fringe fans of the millennium and beyond. “ – Metalheads Forever

“This album, their second full length, is a power metal tour de force. Although I don’t think they sound like either band per say, they do give off a classic metal vibe like JUDAS PRIEST or MERCYFUL FATE. “ – Metal Temple

“Musically, Category VI are a storming True Metal band with no pretentions and no excuses made….Unlike the trend-driven sub-genres, the sound of Category VI is timeless and WAR IS HELL has already shown that they are ready to take it to the international stage.“ – Metal-Rules

0 EPK – Category VI – Firecry (2023) (Moribund Records)

January 30, 2023
by Asher
· Category VI (Moribund Records) · EPKs

EPK – Category VI – Firecry (2023) (Moribund Records)

For fans of Iron Maiden, Metallica, Judas Priest, Dio, Mercyful Fate

Band: Category VI
Album Title: Firecry
Release Date: March 24, 2023
Label: Moribund Records
Distribution: Moribund Records

Facebook.com/CategoryVI | Instagram.com/categoryviofficial | Youtube.com/CategoryVImetal

Spotify | Categoryvi.bandcamp.com/

Follow Moribund Records: Facebook | YouTube | Instagram | Spotify

“a promising band worth watching.” – Rock Hard (DE)

“the band, with their sound rooted firmly in the early 80s, play with real charisma.” – The Independent Voice

“a really nice slab of metal that should please fans of the old and new heavy and power metal genres.” – Metal Crypt –

“If you dig acts like Seven Kingdoms, Mindmaze, or Helion Prime, then I’d call this a no brainer although Category VI do separate themselves from their contemporaries with a more pugilistic edge, and a lethal injection of classic metal attitude which would call to mind Judas Priest or Mercyful Fate. Overall a solid record. You could do far worse than check this out. “ – The MetalCrypt

“So if you like your metal aggressive yet smooth, soulful while never failing to thrash, and resonating without sacrificing in that certain visceral punch, War is Hell is a must – an album that will appeal to the diehard fans of a forgotten generation of thrashers and headbangers, while bringing sufficient juice and sizzle to lure wayward fringe fans of the millennium and beyond. “ – Metalheads Forever

“This album, their second full length, is a power metal tour de force. Although I don’t think they sound like either band per say, they do give off a classic metal vibe like JUDAS PRIEST or MERCYFUL FATE. “ – Metal Temple

“Musically, Category VI are a storming True Metal band with no pretentions and no excuses made….Unlike the trend-driven sub-genres, the sound of Category VI is timeless and WAR IS HELL has already shown that they are ready to take it to the international stage.“ – Metal-Rules

Band: Category VI
Album Title: Firecry
Release Date: March 24, 2023
Label: Moribund Records
Distribution: Moribund Records

Track Listing:
1. Firecry – 6:10
2. Valkyrie – 6:05
3. The Vultures Never Came – 4:10
4. She Runs With Wolves – 4:12
5. Heavy is the Crown – 3:47
6. Coven – 4:52
7. The Cradle Will Fall – 4:53
8. Burning Bridges – 3:49
9. Barracuda (Heart) – 4:21
Album Length: 42:18

Album Credits:
• All songs performed by: Category VI
• All songs written by: Category VI
• Produced by: Category VI
• Mixed by: Category VI / Keith Jackman
• Mastered by: Keith Jackman
• Album Artwork by: Cover art by Ivan Radnic
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Amanda Marie Jackman: vocals
Geoff Waye: guitar
Keith Jackman: bass
Brian Downton: Additional drums
Jason Williams: session drums

Live Band Line Up:
Amanda Marie Jackman: vocals
Geoff Waye: guitar
Keith Jackman: bass
Brian Downton: drums

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Describe the album as a whole:

Amanda: at its core, unapologetic. The concept of this album is about the burning of witches historically, but also, how we are still being “burned” after all of these years.

Describe each song track by track:

Amanda:
Firecry- The title track of the album, a fucking battle hymn. This song is about witch burnings, but conceptually, it’s about how being “different” is still causing us to be “burned” all of these years later.

Valkyrie- Is about sexism and misogyny and my own personal experiences with this. Being told to shut up my whole life backfired. LOL 🙂 It’s about sisterhood and banding together like a bunch of powerful Valkyries against the assholes in the world!

The Vultures never came- This song was written in memory of my friend, Jill Janus from the powerhouse band, Huntress. Jill sadly passed on a few years back, and I was lucky enough to get to know her before she died. I just really looked up to her, and was honoured that she was thinking about collabing with us on a track, but sadly this did not come into fruition. This song is an homage to her strength, mental illness is no joke and has taken so many bright souls. She deserved a good send off, and I think we delivered.

She Runs With Wolves- This song is about a woman who was beaten down so badly by society, she fled into the deep woods. One night she gets abducted by aliens and they befriend her by giving her shapeshifting powers: by turning into a man eating wolf!

Heavy Is the Crown: Persistence and resilience in the face of adversity to emerge as a leader. “Heavy is the crown but she wears it like a feather.”

Coven- Bassist Keith Jackman wrote this song, and is his first lyrical contribution 🙂 This song is about our band seducing people into our witch lair and all of a sudden it turns into an oven, we essentially want to eat you up!

Cradle Will Fall- This song is about a child witnessing their mother being abused and sadly their mother turns into their abuser. It’s also about the sad realization that this child is on their own, to fend for themselves, and having to grow up at a young age.

Burning Bridges- The term, “Burning Bridges” often has a negative connotation, however, sometimes we actually NEED to burn them the fuck down. Some friends don’t deserve access to us anymore, so I wrote this song about how I unapologetically stopped talking to certain female friends that turned out to be bullies.

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Story Angles – Fun Facts:

1. The band name explained…. The Saffir-Simpson Hurricane Wind Scale is a 1 to 5 rating based on a hurricane’s sustained wind speed. There is (currently) no 6 in the scale, so we named it “Category VI” and envisioned that next level would be a huge firecane destroying everything in its path.

2. Bassist Kieth Jackman plays in an AC/DC tribute band in the role of Malcolm Young.

3. Guitarist Geoff Waye has two side projects: Triskelyon (melodic thrash) and Artach (epic black metal).

4. Vocalist Amanda Marie runs her own business – a Spa!

5. Geoff created “Metal Rules”…’nuff said!

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Hailing from the misty shores of the northeast Avalon, Category VI formed in early 2010. The band brings something new to the local Newfoundland metal scene as they are the only female-fronted melodic metal band in the province! Category VI has performed live in St. John’s actively since 2010 with other local hard rock and metal bands as well as with touring bands Including NAIL and ANVIL and to date has released two full-length albums.

The band self-released their first full album “Fireborn“ in January 2014. The album received plenty of praise and great reviews on both the local and international levels. Two music videos (“Reborn“ and “Silence befalls the crowd“) were produced for the album. “Silence befalls the crowd“ has been released 4/28/2017 on the DVD “Kill For Metal Vol. I“, a compilation of videos of label-mates on the KILLER METAL RECORDS label. The band has performed regularly for over 7 years at many venues.

Not long after the release of “Fireborn“, CATEGORY VI signed to Killer Metal Records. The band spent most of 2015 writing and perfecting material for their second album “War is Hell”. Recordings for the album took place throughout 2016 and wrapped up in June 2016 at Redhouse Recording in St. John’s, NL. Album mixing was done in the summer/fall of 2016 and mastering was completed in early January 2017 by Lacquer Channel Mastering in Toronto, Ontario. “War is hell” has been released globally as of June 9, 2017. The album was nominated for hard album of the year for Music NL and was favourably reviewed by several press outlets.

The band played several shows in 2017-2018 until pausing to write the 3rd album. Then, without a permanent drummer, and with the pandemic, the band was in hibernation. The band has now emerged from the shadows with a new drummer and with the third album FIRECRY ready to be released in 2023 via Moribund Records.

Discography:
2014 – Fireborn
2017 – War is Hell
2023 – Firecry

Shared Stage with:
Anvil, Nail, Manacle, Emblem, Devastator, Winterhearth

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