Posts By Asher
0 Protected: EPK – Volubilis – Theasterion (2026)
0 France’s HIGHWAY Turn Up the Voltage with AC/DC Inspired Single “D.K./D.C.” from New Album “Last Call for Rock’N’Roll” Out April 2026
NEWS RELEASE
Montreal, QC – March 13, 2026
France’s HIGHWAY Turn Up the Voltage with AC/DC Inspired Single “D.K./D.C.”
New Album “Last Call for Rock’N’Roll” Out April 2026
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L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums
Photo Credit – Mr. Cana Photography
France’s high‑voltage hard rockers HIGHWAY fire up the engines once again with the release of their explosive third single, “D.K/D.C”, taken from their upcoming sixth studio album “Last Call for Rock N’ Roll,” arriving April 24th, 2026, via Rock City Music and distributed physically by FTF-Music and digitally by Virgin Music.
After the anthemic road‑warrior spirit of “Hi‑Way” and the swaggering arena‑rock punch of “¡Bang Bang!”, the band now unveils one of the album’s most unifying and rebellious tracks, a song built to be shouted back by thousands of fans.
“D.K/D.C”, short for “Don’t Know / Don’t Care”, opens with a subtle, unmistakable AC/DC‑inspired picking intro, a playful wink to the band that first ignited HIGHWAY’s passion back in 1999. But the track quickly evolves into something entirely their own: a dynamic, tension‑building rocker that teases, coils, and finally erupts into one of the biggest choruses on the album.
This isn’t a full‑throttle assault from the first second; it’s a slow burn, a prelude before the explosion, a rock’n’roll tease that pays off in pure catharsis. Lyrically, “D.K/D.C” closes the motivational trilogy started with “Go! Go! Go!” and continued with “Let Me.”
This final chapter is a bold declaration of independence: Forget the haters. Forget the judgment. Forget the noise. Live your life your way. Chase your happiness; nothing else matters. It’s a rallying cry for anyone who’s ever felt held back, criticized, or boxed in. A middle finger to conformity. A celebration of personal freedom.
With its nervous, electrifying groove, massive backing vocals from new members bassist Cerise Pouillard and guitarist Florian Arnaud, and a chorus designed to shake venues to their foundations, “D.K/D.C” is destined to become a live highlight. This is the kind of song that transforms concerts into communal explosions of energy, fists in the air, voices united, sweat flying, amps roaring.
HIGHWAY themselves describe the chorus as:
“One of the great moments of the album, and one of the great moments to come on stage.”
“D.K/D.C” also showcases the band’s revitalized lineup and their most powerful sound to date. Twin guitars are back for the first time since 2007. Cerise Pouillard brings thunderous bass and soaring backing vocals. Florian Arnaud adds precision, fire, and vocal power. Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth) for a rich, organic, high‑voltage sound. This is HIGHWAY at full strength, confident, mature, and unapologetically rock’n’roll.
Listen to the music video for “D.K/D.C” at https://www.youtube.com/watch?v=8FUFvVMWXQ4
Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR
A 12‑track journey through power, melody, emotion, and pure hard‑rock spirit, “Last Call for Rock N’ Roll” marks HIGHWAY’s triumphant return to full electric force after their acoustic detour on The Journey (2022). It’s their most personal, diverse, and ambitious record yet, a rallying cry for a world losing its spark.
With over 500 shows across Europe, six albums, and a reputation as part of the new wave of European classic hard rock, HighWay have shared stages with Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more.
Recommended for fans of AC/DC, Aerosmith, Extreme, Guns N’ Roses, and Queen, “Last Call for Rock’N’Roll” is available for pre-order on CD Digipack and exclusive collector LP at https://highwayshop.sumupstore.com/
Previous Singles:
Music Video – “Hi-Way” – https://www.youtube.com/watch?v=qPYb7fBvNAU
Music Video – “¡BANG BANG!” – https://www.youtube.com/watch?v=kGpYOR4Xx20
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Track Listing:
1. Last Call (For Rock N’ Roll) – 5:13
2. Hi-Way – 4:40
3. ¡Bang Bang! – 3:47
4. Nineties Action Movie – 5:16
5. Peace Out – 5:44
6. Mayday – 4:25
7. Go! Go! Go! – 5:48
8. Let Me – 4:54
9. D.K/D.C – 3:16
10. Rat Race – 6:00
11. Action – 4:32
12. (Don’t) Look Back – 5:09
Album Length: 58:48
Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums
Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums
More info: https://linktr.ee/highway_the_band
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“With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks, we feel the hard work put in by the musicians. The production really honors it. The 9/10 is easily imposed because this album is extremely enjoyable. Only one thing to hope for, that this is not their last call for rock’n roll, and that they continue to spread the good word in this way!” – Rock Meeting
“As they say in wild west saloons soaked in rock, sweat, smoke and beer, with HighWay it plays serious!!With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks we feel the great work put in by the musicians. The production really honors it.” – Vinyl Times
“This track (Bang Bang) fires with brash confidence while questioning the cost of excess. Beneath the swagger sits a sharp self-interrogation about fame, wealth, image, and the anxiety of choosing one path over another. Repetition becomes pressure, mirroring a mind spiralling under desire and doubt. It lands as both celebration and warning, pairing arena-sized hooks with a knowing sense of consequence that gives the noise purpose rather than empty bravado and lasting emotional weight beyond the chorus. To close, this single and forthcoming album won’t gather dust in any collection, and will keep feet tapping and heads bouncing from sofa to stage. So why not clear a space, and give Highway a try for 2026. Star Rating 9/10” – Stargazer Music Magazine
“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OURMISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker
“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto
“The Journey” proves to be an album of great richness confirming HighWay’s talent.” – Music Waves (2022 – The Journey)
“We let ourselves be lulled by the ever-present groove. The American spirit allows this album, as exemplified by ” Motel in Alabama,” on which Benjamin Folch excels, accompanied by discreet backing vocalists. Here, we navigate through emotion, skill, and warmth. Surprises abound, some truly astonishing. We’re swept away to a Spanish-infused fiesta with ” In the Circus of Madness ,” a genuine gem of exquisite delicacy. Musically, we find club-like and sometimes intimate atmospheres, with light touches of violin and piano (” Have A Beer “), and captivating choirs ( “Freedom “). The finale, “The Journey,” is practically a rock opera. There’s no need to list them all here, as the title “The Journey” says it all. HIGHWAY has what it takes to hold their own against many internationally established bands, and I hope they receive the recognition they deserve. Well done!” Among The Living (2022 – The Journey)
“What 80’s lover will resist this totally festive spirit, which mixes ambition (Become Someone), love of music(I Like It, United States Of Rock’N’Roll), or sex (Mr King Size, Highway O Love) ? All the clichés of the unstoppable album are there, proud to resurrect a past that we thought had disappeared but which was in reality only asleep. Despite some sometimes approximate choruses (Breath of life), HIGHWAY manages to carry me in his luggage every time he listens. That’s why I’m getting carried away… HIGHWAY joins the exclusive club of teams capable of breaking down borders in order to explode abroad. On two conditions: tirelessly travel the roads of France and Navarre in order to convince the public and force themselves to publish a new album within the next eighteen months. Do everything, in short, so that we talk about HIGHWAY. Will promotion, distribution, financial and media resources be there ??? To be continued very, very closely…” – Metal-Integral (2022 – The Journey)
“From start to finish Ben Chambert is literally the driving force behind this album. Exploring melodies influenced by southern Blues Rock, with a heavy taste of early Guns N’ Roses, it immediately grips your attention. And the solos, though short, are very decent. Another interesting feature about Highway that really stands out is the outstanding vocals chorus done in a very Queen-like fashion, without taking the spotlight away from the lead singer Benjamin Folch. Naturally, his voice is very pure Rock oriented, with a taste of whisky to it. Harsh, yet melodic, and capable of diverse vocal arrangements, and a brilliant English fluency. This is brilliantly demonstrated in “Separate Ways”, as well as a Ronnie James Dio reminiscence in “Damned Me”. Jeff Scott Soto, longtime friend as roadrunner of the band, made a strong contribution in «Wake Up». In conclusion, “IV” is a great return from Highway and it won’t disappoint Rock fans, especially those who are already familiar with the band’s work and sonic identity. 8/10” – The Black Planet (IV – 2017)
“So yes, this latest one has been a long time coming, but the result is up to par, high-end hard rock, don’t miss it from this pancake, don’t hesitate to buy, and it more than deserves to support this group! And fingers crossed that the baby will be followed by lots of little brothers and sisters !” – Rock Meeting (2017 – The Chronicle)
“From the 1st note with the assertive blaster ‘Become Someone’ that’s followed up with the old school crackly effect mono blues starting ‘I Like It’ and later the bluesy ballad ‘Freedom’. There is also the amazing acoustic ‘Highway O’ Love’ and the AC/DC Johnson-era guitar sounding ‘On My Knees’ to get excited over. Complete proof that France has some killer bands on offer in the way of Rock!” – Metalville Zine (2011 – United States of Rock n Roll)
“In the end, another beautiful representative of the quality of hard rock in France, delivered by a happy group of friends, and led by a damn good guitarist. To listen but above all to see on stage because the energy and good humor they exude cannot leave you indifferent.” – Aux Portes du Metal (2011 – United States of Rock n Roll)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
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0 RAVENMOCKER Delivers Second Single of 2026 w/ The Native American Lore of “Where The Raven Flies”
NEWS RELEASE
Montreal, QC – March 12, 2026
RAVENMOCKER Delivers Second Single of 2026 w/ The Native American Lore of “Where The Raven Flies”
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L-R – Will Buckley – Bass, Tom Tierney – Guitar and Vocals, Dylan Suierveld – Drums, George Patmas – Guitar
Photo Credits – Kim Moran – Photographer – Darkslate Media
Southern California melodic death metal newcomers Ravenmocker have unleashed their second single, “Where The Raven Flies,” in 2026, following the strong reception of their debut track, “Infallible.” The new single continues building the band’s identity: soaring melody, cultural storytelling, and a modern take on the melodic death metal spirit once championed by acts like Children of Bodom, Insomnium, and Kalmah.
Formed in 2025 by guitarist/vocalist Tom Tierney after departing Thrown Into Exile, Ravenmocker was born from a desire to create music that honored Tierney’s Native American heritage while embracing the emotional depth and melodic aggression he had been writing for years.
“I wanted to forge my own path with songs that didn’t have a home yet. Ravenmocker became the vessel for that—something cultural, melodic, and meaningful,” says Tierney.
“Where The Raven Flies” is an anthemic, cinematic track that tells the origin story of the Raven Mocker, a cryptid from Adirondack and Cherokee lore. Known as a harbinger of death, the Raven Mocker feeds on the sick and dying, stealing the remaining years of its victims’ lives. The single paints vivid imagery of the creature soaring over forests and villages, acting as both reaper and omen.
The single’s artwork mirrors this mythology: a raven perched on a branch beneath a rising moon, its eyes glowing with supernatural intensity as a flock circles overhead. The visual directly reflects the music video filmed in Angeles National Forest, captured by Darkslate Media.
“Kim and Andrew took the song’s visceral, lofty feel and turned it into visual art. It’s beautiful, eerie, and exactly what the track needed,” explains Tierney.
Compared to “Infallible,” the band describes the new single as “loftier, more epic, and meant to feel like gliding over mountains and trees while still hitting hard.”
Ravenmocker’s lineup brings together musicians from across the Southern California metal scene: vocalist and guitarist Tom Tierney (formerly Thrown Into Exile), guitarist George Patmas (ex‑Dianthus), drummer Dylan Suierveld (Levinia), and bassist Will Buckley (Levinia, Anubis).
Their combined influences, melodic death metal, blues, prog, jazz, funk, and even classic country, shape a sound that is intricate yet accessible, emotional yet aggressive.
“We want to write songs people can sing with us at shows. Melodies that stick with you. Emotion you can feel,” adds Tierney.
The band’s writing process is collaborative and evolving. While Tierney brought the foundation of the first EP, the new material is shaped by all members. “Where The Raven Flies” itself features a key change and expanded structure suggested by drummer Dylan, an example of the band’s open, exploratory approach.
Ravenmocker’s first single, “Infallible,” quickly gained traction online, with early clips surpassing 75,000 views and drawing praise for its melodic hooks and nostalgic energy reminiscent of early 2000s melodic death metal. Fans have responded to the band’s blend of modern production, emotional lyricism, and classic melodic sensibilities.
“We want to give the scene something familiar enough to feel nostalgic, but unique enough to be refreshing. There’s beauty in simplicity and melody, and we’re leaning into that,” adds Tierney.
With “Where The Raven Flies” marking the second release of 2026, Ravenmocker is preparing to introduce their full debut EP later this year. The band promises a wide emotional and musical range, from thrashy aggression to ballad‑like atmosphere, crafted to resonate with fans of melodic death metal’s golden era while carving out a new identity of their own.
“We’re just getting started. These songs were years in the making. Now we finally get to share them,” comments Tierney.
“Where The Raven Flies” can be heard along with its music video premiere on Decibel Magazine HERE.
Spotify pre-save – https://distrokid.com/hyperfollow/ravenmocker/where-the-raven-flies/
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More info:
https://www.ravenmocker.net/
https://www.instagram.com/ravenmockerofficial
https://www.facebook.com/ravenmockerofficial
https://www.tiktok.com/ravenmockerofficial
About:
Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile). Joined by George Patmas (guitar), Dylan Suierveld (drums), and Will Buckley (bass), the band blends soaring melody with raw aggression, drawing influence from melodic death metal giants while infusing elements of country, jazz, blues, funk, and classical orchestration.
Their music explores personal struggle, emotional catharsis, cultural identity, and the resilience found in confronting darkness head‑on.
In 2026, Ravenmocker will introduce themselves to the global metal community with their debut singles “Infallible” and “Where the Raven Flies,” leading into their first EP.
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“In this song (Infallible) Ravenmocker set the hook immediately with a vibrantly darting melody that will quickly remind listeners of Finnish melodic death metal greats, and every time that high-flying (and very catchy) melody line reappears it’s an electrifying experience. But so’s the rest of the song. It’s driven by hard-charging, head-hammering drums and nimble bass lines, and by riffing that both channels a feverish pulse (one that’s a variation on that opening melodic motif) and delivers slashing savagery. The vocals magnify the song’s ferocious intensity, venting the words in an intersection of cutthroat snarls and raging screams. This will get your blood pumping, and to repeat: it’s damned catchy too.” – No Clean Singing
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Thanks You Canadian MDs and DJs for the airplay love! !earshot – January 2026 – top 20 loud #4 Triskelyon, #8 Juliet Ruin
Thanks You Canadian MDs and DJs for the airplay love!
!earshot – January 2026 – top 20 loud
#4 Triskelyon, #8 Juliet Ruin
https://earshot-online.com/charts/2026/January/loud.cfm
0 Thank You Canadian MDs and DJs for the airplay love! For the Week Ending: Tuesday, March 10, 2026 !earshot – The National Loud Chart #2 Pythonic, #5 Woodhawk | CFBX 92.5 FM – Kamloops Loud – #1 Woodhawk, #3 Born Divided | CFOU 89.1 FM – Trois-Rivieres Loud – #9 Triskelyon | CFUV 101.9 FM – Victoria Loud – #7 Outlying | CJLO 1690 AM – Montreal Loud – #3 Pythonic | CJSR 88.5 FM – Edmonton Loud – #7 Outlying | CJSW 90.9 FM – Calgary Loud – #4 Pythonic, #6 Triskelyon, #10 Cepheidae Variable | CJUM 101.5 FM – Winnipeg Loud – #8 Gravewitch | CFRU 93.3 FM – Guelph Top 30 – #26 Daidalos – Rockshots Records | CICK 93.9 FM – Smithers Top 30 – #4 Unpunished | CJLO 1690 AM – Montreal Top 30 – #15 Pythonic
Thank You Canadian MDs and DJs for the airplay love!
For the Week Ending: Tuesday, March 10, 2026
!earshot – The National Loud Chart
#2 Pythonic, #5 Woodhawk
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-03-10
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CFBX 92.5 FM – Kamloops
Loud – #1 Woodhawk, #3 Born Divided
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
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CFOU 89.1 FM – Trois-Rivieres
Loud – #9 Triskelyon
https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
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CFUV 101.9 FM – Victoria
Loud – #7 Outlying
https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
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CJLO 1690 AM – Montreal
Loud – #3 Pythonic
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
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CJSR 88.5 FM – Edmonton
Loud – #7 Outlying
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
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CJSW 90.9 FM – Calgary
Loud – #4 Pythonic, #6 Triskelyon, #10 Cepheidae Variable
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
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CJUM 101.5 FM – Winnipeg
Loud – #8 Gravewitch
https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-03-10
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CFRU 93.3 FM – Guelph
Top 30 – #26 Daidalos – Rockshots Records
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2026-03-10
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CICK 93.9 FM – Smithers
Top 30 – #4 Unpunished
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2026-03-10
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CJLO 1690 AM – Montreal
Top 30 – #15 Pythonic
https://earshot-online.com/charts/cjlo.cfm?dWeekOfID=2026-03-10
0 Toronto’s THE DIVINE PROJECT Unleashes New Video “The Revolt” + Ontario March Mayhem 2026 Tour w/ SELIAS
NEWS RELEASE
Montreal, QC – March 11, 2026
THE DIVINE PROJECT Unleashes New Video “The Revolt” + Ontario March Mayhem 2026 Tour w/ SELIAS
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TDP – L-R – Mitch Greenham (Drums) | Eric Divine (Guitar) | Ro Stevens (vocals) | Derek ‘DRock’ Boshkov (Bass) | David T.Anselmo (Guitar)
Photo by: Ivan Gaitan-Ruiz (IG: @pato.feoart)
The Divine Project stormed into November 2025 with their latest EP “Rebirth”, their heaviest, fastest, and most defiant chapter yet. The four‑track EP marks a full-scale transformation for the Greater Toronto Area metal force, introducing a sharpened lineup, a more complex sonic identity, and a renewed mission to drag the “underground” into the spotlight. Alongside the EP, the band has dropped their newest video for “The Revolt” and confirmed a run of Ontario tour dates this March with Selias, including stops in London, Oshawa, and a hometown show in Toronto (dates listed below).
The Divine Project describes “Rebirth” as a declaration, an intentional reintroduction of the band as faster, heavier, and more complex than ever before. The EP channels frustration, defiance, and emotional upheaval into four tracks that move through uprising, collapse, psychological tension, and survival.
“We set the goals to reintroduce The Divine Project to the world as a faster, heavier, and more complex band… Rebirth is our new beginning and our way of saying The Divine Project is here to stay,” adds the band.
The band’s latest music video, “The Revolt,” is the opening track from “Rebirth” and sets the tone for the EP with precision, tight, punchy drums, razor‑edged guitars, and a chorus engineered to erupt onstage. The track is both an anthem and a warning.
Lyrically, “The Revolt” confronts the hypocrisy of self‑justified power structures and the cyclical nature of uprising.
“It sounds like a battle cry on the surface, but it’s more about being self‑aware and uncomfortable. If we don’t take action now, we fall into ‘us versus them.’ We must talk about the revolt now to prevent it from occurring,” says the band.
Watch the video for “The Revolt” at https://www.youtube.com/watch?v=suxgZ3EqZtE
and their previous video “Don’t Startle The Murder” at https://www.youtube.com/watch?v=kQ3fpbeu_f8
The Divine Project will join Selias on tour this March. Fans can expect the band’s signature high‑energy, emotionally charged performance, raw, intense, and unapologetically heavy.
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March Mayhem 2026 Tour w/ Selias, The Divine Project
Ticket info – https://www.tdp-official.com/event-list
March 13 – The Richmond Tavern – London, ON
March 14 – The Atria – Oshawa, ON
March 27 – See Scape – Toronto, ON
Hailing from the Greater Toronto Area, The Divine Project blends hard rock, metalcore, djent, and alternative metal into a sound that is emotive, aggressive, and unmistakably their own. Known for their electrifying live presence, the band has shared stages with Eyes Set To Kill, Black Satellite, Awake At Last, Sumo Cyco, and Escape The Fate.
The band is already deep into their next EP, heading into the studio this April. While “Rebirth” is fueled by anger, speed, and defiance, the next release explores darker emotional territory, a lonesome story with a faint glimmer of light.
Recommended for fans of Trivium, Linkin Park, Killswitch Engage, Static-X, and All That Remains, “Rebirth,” released November 28, 2025, is available at the following links:
Add to your Spotify playlist – https://open.spotify.com/album/1ROxx7e7BhrPDtZizNhsNk
Bandcamp – https://thedivineproject.bandcamp.com/album/rebirth
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Track Listing:
1. The Revolt (3:46)
2. Ruins Of Truth (3:27)
3. Don’t Startle The Murder (4:18)
4. The Longest Night (5:53)
EP Length: 17:24
More info:
https://www.tdp-official.com/
https://www.facebook.com/thedivineproject/
https://www.instagram.com/TheDivineProject
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“… I’m simply left wanting more. Not from the track itself, but from an EP whose tracks each bring their own texturally layered elements, all melded together in an extraordinary Extended Play recording.” – Jay Broderick, LoudTO, 2025
“You know a band is special when they have a truly unique sound. Those were my thoughts when I gave this EP a listen.” – “Metal” Mike, @black_kross_zine, 2026)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
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0 Exitus Stratagem Records – MATT MILLER Shares New Tech-Death Playthrough “Abiotic Origin” Ahead of “3 Shredders Tour” w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT
NEWS RELEASE
Montreal, QC – March 11, 2026
MATT MILLER Shares New Tech-Death Playthrough “Abiotic Origin”
“3 Shredders Tour” w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT (History Channel’s Alone, Discovery’s Expedition Bigfoot)
New Album “Fiber Momentum” Out Now! via Exitus Stratagem Records
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L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)
Photo Credit – Lilly May Everett
Tech‑death guitarist and composer Matt Miller is gearing up for a high‑velocity spring with the launch of the 3 Shredders Tour, a lead‑guitar‑driven showcase featuring shred icon Rene Benton and explosive guitar virtuoso Manuel Urgiles. The tour kicks off this April and channels the spirit of legendary guitar events like the G3 Tour, only heavier, faster, and rooted firmly in the extreme‑metal world.
The run supports Matt Miller’s latest LP, “Fiber Tormentum,” a sci‑fi‑infused technical death metal journey praised for its precision, atmosphere, and relentless musicianship.
To celebrate the upcoming tour, Matt Miller has released a brand‑new guitar playthrough video for “Abiotic Origin”. The video showcases Miller’s signature blend of sci‑fi atmosphere, hyper‑technical riffing, and cinematic composition. “Abiotic Origin” stands as one of the defining tracks on “Fiber Tormentum,” capturing the album’s fusion of futuristic storytelling and extreme musicianship.
Watch the playthrough at https://www.youtube.com/watch?v=AXXx2EN21OQ
The 3 Shredders Tour unites three elite players known for pushing the boundaries of modern metal guitar. In addition to Rene Benton’s blistering lead work, fans will also see him joined by Kelly Conlon, the legendary bassist formerly of Death, who performed on the iconic album “Symbolic” and toured with the band during that era. Conlon’s presence adds a historic and unmistakable layer of prestige to the tour’s lineup.
Adding even more star power, audiences will have the chance to meet Biko Wright, Matt Miller’s vocalist and a fan‑favorite survivalist from History Channel’s Alone and Discovery’s Expedition Bigfoot. His crossover appeal continues to draw both metal fans and viewers of his television work.
“We are stoked to be hitting the road this April with Manuel Del Giudice and Rene Benton, it’s going to be a shred guitar extravaganza! Also, get the chance to meet survival expert Biko Wright from the TV shows Alone and Expedition Bigfoot,” adds Matt Miller.
With three world‑class musicians on one bill, the 3 Shredders Tour promises a night of blistering solos, technical mastery, and genre‑bending creativity. Dates listed below with more to be announced.
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The 3 Shredders Tour w/ Matt Miller, Rene Benton, Manuel, Biko Wright
April 10 – Reno’s Chop Shop – Dallas, TX
April 11 – Hi-Tone – Memphis, TN
April 12 – SK8 Bar – Kansas City, MO
April 13 – Reggie’s Music Joint – Chicago, IL
April 15 – Driftwood Charbar – Minneapolis, MN
April 16 – Boheme – Sheboygan, WI
April 17 – Alley Cat – Iowa City, IA
April 18 – Gray’s Keg – Lincoln, NE
April 19 – Rockwell Event Center – Amarillo, TX
Matt Miller’s September 2025 release, “Fiber Tormentum” on Exitus Stratagem Records, marks a major creative shift, evolving from an instrumental concept into a full band effort with vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett.
“I knew it needed vocals and the input of other people to make it come to life,” says Miller.
The album blends technical death metal, power metal, and progressive elements into his heaviest and most melodic work yet, built around a loose sci‑fi concept of an alien species rewriting human DNA, an idea shaped by post‑COVID anxieties.
The late Joshua Nassaru Ward (Voraath) created the album’s striking artwork, depicting the agony of forced transformation, echoing the record’s themes of tension and invasion. Miller’s journey to this point includes launching his solo project in 2020, touring with Rings of Saturn and Possessed, and assembling a lineup with diverse musical backgrounds. Recording the album came with memorable moments from Wright tracking vocals between filming Expedition Bigfoot to the band getting banned from music stores for sampling high‑end instruments. Hidden somewhere on the record is Wright’s triumphant “One Take Willy” shout.
From his early 2017 EP to 2022’s “Monument of Velocity,” Miller has steadily pushed extreme music forward. Now backed by Extreme Management Group and a fully realized band, he continues to expand his sound and ambition.
Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.
Digital – https://hypeddit.com/mattmiller/fibertormentum
CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629
Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8
Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k
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Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08
Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)
For more info:
https://www.exsrmusic.com/ | https://mattmillerhhakmusi.wixsite.com/mattm | https://www.facebook.com/matt.miller.96995238/ | https://www.instagram.com/mattmiller630/
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“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging
“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel
“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple
“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de
“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words
“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load
“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks
“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com
“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane
“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules
“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine
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ASHER MEDIA RELATIONS
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0 Rockshots Records – METATRONE Unveils New Single “Stato Infame” From New Album SANGUEACQUA
NEWS RELEASE
Montreal, QC – March 11, 2026
METATRONE Unveils New Single “Stato Infame” From New Album SANGUEACQUA
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Italian Christian power-prog metal band Metatrone returns with the new single “Stato Infame”, alongside an official lyric video. The track is the third preview from the band’s upcoming album “SANGUEACQUA”, scheduled for release on March 13th, 2026, from Rockshots Records, marking the group’s long-awaited return ten years after their acclaimed album “Eucharismetal“.
Following the previously released singles “Emmaus” and “Facsimile”, “Stato Infame” further reveals the musical and conceptual direction of the new record. Musically, the song combines Metatrone’s trademark blend of European power metal energy, progressive structures, and sharp thrash-driven riffing supported by the dynamic interplay between Jo Lombardo’s commanding lead vocals and the distinctive vocal contributions of keyboardist David Brown.
Lyrically, “Stato Infame” addresses the humiliation and oppression of collective identity under abusive political power. The song depicts a society where the dignity of an entire people is mocked, manipulated, and ultimately crushed by authority – a warning shaped by historical memory and moral responsibility. Within the broader concept of “SANGUEACQUA”, the track represents one of the album’s most direct and uncompromising statements about identity, freedom, and resistance.
The upcoming album “SANGUEACQUA” stands as a manifesto of identity for the band – both human and artistic. Across its eight tracks, Metatrone explores different dimensions of identity: personal, spiritual, cultural, and collective. The result is a record that merges melodic power metal roots with a sharper, more aggressive sonic approach while preserving the band’s unmistakable stylistic signature.
After years marked by lineup changes, personal challenges, and the global pandemic, “SANGUEACQUA” represents a powerful statement of resilience and rebirth for the band.
Just one day after the album’s release, Metatrone will perform at the prestigious Elements Of Rock Festival in Uster, Switzerland, on March 14th, 2026, one of the most important events in the international Christian metal scene. The appearance will mark the band’s official return to the stage with the new material.
With “Stato Infame”, Metatrone delivers a fierce and uncompromising chapter in the story of “SANGUEACQUA”, reaffirming their identity as one of the most distinctive voices in European Christian metal.
For fans of: Theocracy, Stratovarius, Angra
DIGITAL: https://lnk.to/uvhvyy
OFFICIAL LYRIC VIDEO: https://www.youtube.com/watch?v=u6Gei1yTPOI
New album “SANGUEACQUA” out March 13th, 2026 as CD / DIGITAL
PRE ORDER “SANGUEACQUA“: https://rockshots.eu/products/metatrone-sangueacqua-cd
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Track Listing:
1. Fuori dal tempio – 3:42
2. Stato Infame – 4:09
3. Emmaus – 4:19
4. Facsimile – 4:41
5. I Want Out (Helloween cover) – 4:44
6. Il mio dolore – 4:36
7. Un nome nuovo – 3:59
8. Anima Christi – 3:09
Metatrone Line-Up:
Jo Lombardo: Lead Vocals, Keyboards
Stefano “Ghigas” Calvagno: Guitars, Bass
David Brown: Keyboards, Clean Vocals, Growl
Simone Alberti: Drums
More info:
https://www.rockshots.eu | https://www.facebook.com/metatroneband/ | https://www.facebook.com/metatroneband/
BIOGRAPHY:
Metatrone is an Italian Christian power-prog metal band formed in 1997 under the name Metafora, founded by keyboardist and songwriter Davide Bruno, together with a group of musicians coming from various experiences within the Italian metal scene.
From the very beginning, the band developed a musical identity rooted in European power metal, enriched by progressive elements and a strong focus on lyrical themes. In 2001, after Davide Bruno decided to pursue the path toward the Catholic priesthood, the band redefined its artistic identity and adopted the name Metatrone, marking the start of a musical journey openly inspired by a Christian vision of life and human existence.
The band released its first full-length album, “La Mano Potente” in 2005, followed by the English version “The Powerful Hand” which received distribution in Europe and Asia. These releases helped establish Metatrone within the international metal scene and led to a growing number of live performances and festival appearances.
In 2010, Metatrone released “Paradigma”, an album that further expanded the band’s musical language by blending power metal energy with more progressive songwriting and complex arrangements. The record received strong reviews from the specialized press and strengthened the band’s reputation within the European metal community.
The next chapter came in 2016 with “Eucharismetal”, released via Rockshots Records, which brought the band to a wider audience and opened the door to important appearances at Christian metal festivals across Europe.
In the years that followed, the band went through several lineup changes and challenging periods, but the creative core formed by Davide Bruno and guitarist Stefano “Ghigas” Calvagno never stopped writing new material. After a phase marked by internal changes and the global pandemic, the band found renewed momentum with the arrival of drummer Simone Alberti and the return of longtime vocalist Jo Lombardo.
In 2026, Metatrone returns with their new studio album “SANGUEACQUA”, released ten years after “Eucharismetal“. The record stands as a powerful statement of identity, merging the band’s power metal roots with a sharper and more direct sound while preserving the melodic and thematic elements that have always defined their music.
With more than twenty-five years of activity, Metatrone remains one of the most distinctive acts in the European Christian metal scene, combining powerful metal songwriting with spiritual reflection and a strong narrative dimension.
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Rockshots Records – Finnish Dark Metal TORCHIA Unveils New Video “Nekromanteion” From Upcoming Album “They Are Born Under Rules of the Darkness” Out May 2026
NEWS RELEASE
Montreal, QC – March 10, 2026
Finnish Dark Metal TORCHIA Unveils New Video “Nekromanteion”
New Album “They Are Born Under Rules of the Darkness” Out May 2026
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Finnish extreme metal force Torchia unveil the official video for “Nekromanteion”, premiering today via Metal Insider. The single will be released worldwide on all digital platforms on March 11th.
Following the first single “Stygian Waters”, which introduced listeners to the darker sonic direction of the band’s upcoming album “They Are Born Under Rules of the Darkness“, “Nekromanteion” pushes further into the occult themes and shadowed mythology that define Torchia’s evolving artistic vision.
Hailing from Tampere, Finland, Torchia have steadily refined a distinctive style rooted in thrash-infused melodic death metal while expanding their sound with darker tonal layers and a stronger emphasis on atmosphere and narrative depth. Across their discography, the band has gradually shaped a fictional realm inhabited by old gods, arcane rituals and practitioners of forbidden arts, blending extreme metal intensity with the imagery of gothic horror.
Musically, “Nekromanteion” reveals another dimension of that evolution. Driven by ominous arrangements and a growing sense of tension, the track places greater weight on mood and atmosphere while retaining the band’s trademark guitar-driven aggression. The title refers to the ancient Greek Nekromanteion, a temple believed to serve as an oracle of the dead. In the song’s narrative, a necromancer attempts to cross into the realm of the dead, risking the perilous passage across the waters of Styx.
As the opening track of the album, “Nekromanteion” sets the tone for the record’s overall direction: a synthesis of memorable songwriting, technical intensity, and darker sonic textures supporting the album’s gothic horror narrative.
With “They Are Born Under Rules of the Darkness“, Torchia further expands the cursed world introduced throughout their previous releases, pushing their sound toward a darker and more blackened dimension while preserving the melodic sensibility and guitar-driven foundations that have defined the band since their early years.
Fans of Behemoth, Cradle of Filth, and Children of Bodom will find in Torchia a band capable of merging extreme metal ferocity with dark storytelling and memorable melodic hooks.
The official video for “Nekromanteion” is now streaming via Metal Insider HERE.
The single will be available on all digital platforms on March 11th.
Digital pre-save – https://lnk.to/uRuBjc
For fans of: Behemoth, Cradle of Filth, Children of Bodom
New album “They Are Born Under Rules of the Darkness” out on May 8th, 2026.
PRE ORDER “They Are Born Under Rules of the Darkness” as CD: https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-cd
PRE ORDER “They Are Born Under Rules of the Darkness” as LP: https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-lp
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Track Listing:
1. Nekromanteion – 4:23
2. Hellmouth – 4:08
3. Into Hell – 3:38
4. Hellstorm – 3:55
5. Die Amour – 4:12
6. The Tiamat Machine – 5:39
7. Black Cat – 3:19
8. Stygian Waters – 4:05
9. Sanguine Masquerade – 4:46
Album Length: 38:05
Torchia Line-Up:
Nox: Vocals
Villemorte: Lead guitar, Vocals
Henri von Hardy: Guitar
Vulkan: Bass Guitar, Backing Vocals
Vincent Oscar Mill: Drums
More info:
https://www.instagram.com/curseoftorchia/
https://www.facebook.com/TorchiaOfficial/
About: Formed in Tampere, Finland, Torchia has steadily carved out a distinctive identity within the extreme metal scene by blending thrash-infused melodic death metal with dark fantasy, gothic horror, and cinematic atmospheres. Since their early years, the band has continuously evolved both musically and conceptually, expanding a cursed narrative universe populated by ancient gods, occult practices, and grim mythological visions.
With each release, Torchia has pushed further into darker and more theatrical territory. While their core remains firmly rooted in guitar-driven extreme metal, their sound has grown increasingly cinematic and blackened, incorporating dramatic arrangements and a heightened sense of atmosphere without sacrificing aggression or immediacy. Elements of classic heavy and power metal melody remain a key influence shaping their songwriting approach and reinforcing their dynamic, memorable structures.
Their fourth full-length album, “They Are Born Under Rules of the Darkness“, represents a defining chapter in the band’s artistic journey. Set against a bleak, 19th-century-inspired gothic backdrop, the album brings Torchia’s storytelling to life through vivid tales of horror, superstition, and doom, uniting narrative depth with relentless musical force.
Renowned for their intense and visceral live performances, Torchia have built a strong reputation as a formidable stage act. At the center of the spectacle stands masked frontman Nox, a commanding and symbolic figure who embodies the dark curse at the heart of the band’s identity, guiding audiences deep into Torchia’s shadowed world.
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Canada’s IRON KINGDOM Announces 6th Studio Album “Shadows and Dust”; Reveal Album Artwork and Teaser + Headline Hometown Show in Vancouver!
NEWS RELEASE
Montreal, QC – March 10, 2026
Canada’s IRON KINGDOM Announces 6th Studio Album “Shadows and Dust”
Reveal Album Artwork and Teaser + Headline Hometown Show in Vancouver!
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L-R: Max Friesen (Drums) | Chris Osterman (Lead Vocals / Lead Guitar) | Megan Merrick (Lead Guitar) | Leighton Holmes (Bass)
Photo Credit – Cailin Haley
Canadian traditional heavy metal torchbearers Iron Kingdom will release their sixth studio album, “Shadows and Dust,” on June 6, 2026, marking a powerful milestone in the band’s history. The date aligns with the group’s 15th anniversary when they formed in June 2011, and the 82nd anniversary of D‑Day, a coincidence the band describes as “the planets aligned… but we will let the music speak for itself.”
Alongside the announcement, Iron Kingdom has revealed the album’s striking cover artwork by Alan Lathwell and a first-look teaser, offering fans a glimpse into their darkest and most ambitious record yet.
Album Teaser – https://www.youtube.com/watch?v=nmWn8pKOyh0
Recorded entirely in the band’s newly completed home studio, another first in their career, “Shadows and Dust” explores themes of death, hardship, impermanence, and resilience, wrapped in the band’s signature blend of classic heavy metal, power metal, and NWOBHM influences.
“A fantastic collection of songs that will really open up our live sets… it comes from a little bit more of a rock n’ roll edge overall, but there are so many elements hidden within, and I think it will be a real journey to experience it front to back. Lyrically, the album plays in quite a dark realm of topics… but I also think that’s exactly what will make this album accessible to people going through tougher times, and hopefully a place of hope, and to help them see that they are not alone,” adds frontman Chris Osterman (Lead Vocals / Lead Guitar).
Bassist Leighton Holmes also comments:
“The newly unveiled cover art draws directly from the song “Blood and Steel”, depicting an army marching across a brutal, unforgiving landscape, some soldiers falling to the elements as others push forward. The imagery was inspired by the Malazan Book of the Fallen series by Steven Erikson. Many die, many lose hope, and many don’t understand why they do what they do… Life is often like this: we have to go through things that are uncomfortable, even dangerous, to reach the position we need to be to accomplish what it is we are trying to do.”
To celebrate the release, Iron Kingdom will headline their biggest hometown show to date at Vancouver’s iconic Rickshaw Theatre on Friday, June 5, 2026, a significant milestone for the band. For more info, please visit https://orangetickets.ca/detalles_evento.php?id_evento=2127
“It is the same venue we got to open for headlining bands such as HammerFall, Angra, Sanctuary… and to feel in some way that we have worked our way up to headline a venue of that size is very exciting.”
In addition to the album launch festivities, Iron Kingdom will also appear at the 2026 editions of Armstrong Metal Fest and Loud As Hell Open Air Festival, bringing their new material to one of Western Canada’s premier heavy metal gatherings. These performances will mark some incredible highlights for the year to come.
Formed in Vancouver in 2011, Iron Kingdom has spent 15 years championing the classic heavy metal spirit of Iron Maiden, Judas Priest, Helloween, and the Scorpions. Known for their high-energy stage presence, intricate melodies, and raw, no‑backing‑tracks live performances, the band has toured across Canada, the U.S., Europe, and Brazil, sharing stages with Night Demon, Blaze Bayley, HammerFall, Angra, and more.
Their discography includes Curse of the Voodoo Queen (2011), Gates of Eternity (2013), Ride for Glory (2015), On the Hunt (2019), and The Blood of Creation (2022). “Shadows and Dust” marks their sixth full-length album.
Album pre-order (release date June 6th, 2026) available at the following links:
Official Merch store: https://www.iron-kingdom.com/shop
Bandcamp: https://iron-kingdom.bandcamp.com/music
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For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdomofficial
https://www.instagram.com/iron_kingdom
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“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation 2022)
“If you haven’t checked out Iron Kingdom’s earlier releases and you dig pure ’80s metal, grab a copy of The Blood of Creation then get ready to hunt down their earlier catalog. You will not be disappointed.” – The Metal Crypt (The Blood of Creation 2022)
“I am compelled to say that IRON KINGDOM most surely outdone themselves with “The Blood Of Creation”… A distinctively distinguished experience in Heavy Metal relishment distils at an epically entrancing adventure, should you desire it… an injection in infectiously venomous momentum most definitely deserves interest – do check it out.” – Metal Temple (The Blood of Creation 2022)
“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet (The Blood of Creation 2022)
“To put a bow on IRON KINGDOM’s The Blood of Creation, it’s dang good, borderline perfect and any fan of hard rock and heavy metal that is slathered with soaring epic vocals, dual guitar rhythm and shredding solo’s layed down on a feather bed of thunderous, galloping and filling chattering drums and bass then go, go, go get you some of this. A monster thank you to Chris for taking the time to chat me up and gift me this glorious CD. Now I need to go and get the back catalog…” – KNAC (The Blood of Creation 2022)
“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)
“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)
“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest (The Blood of Creation 2022)
“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de (The Blood of Creation 2022)
“The musicianship is solid, the lead work sharp and Osterman’s high-pitched vocals can certainly hit the heights. His soaring shrill delivery on ‘Queen of the Crystal Throne’ demonstrates that perfectly. New drummer Max Friesen makes his recording debut for the band and puts in a sterling effort with some robust and powerful performances.” – Ever-Metal (The Blood of Creation 2022)
“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider (The Blood of Creation 2022)
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Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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