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Posts By Asher

0 The Electric Highway Festival (Calgary, AB) Announces First Round of Bands For 2024 Lineup w/ Anciients, Dead Quiet, Empress, Flashback, Buffalo Bud Buster and more!

  • January 11, 2024
  • by Asher
  • · Music News · The Electric Highway Festival

NEWS RELEASE

Montreal, QC – January 11, 2024

The Electric Highway Festival (Calgary, AB) Announces First Round of Bands For 2024 Lineup

w/ Anciients, Dead Quiet, Empress, Flashback, Buffalo Bud Buster and more!

April 4- 6 – Dickens Pub

EHF 2023 Lineup Spotify Playlist – https://spoti.fi/3ZKB9Tm​

​

The Electric Highway Festival is excited to announce the first round of bands for the 2024 edition of the festival being held in Calgary, AB on April 4, 5, and 6 at Dickens (1000 9 Ave SW).

Canadian Juno Award-winning Vancouver band Anciients will headline the whole festival. They will be joined by various Western Canadian bands including Dead Quiet, Empress, Flashback, Buffalo Bud Buster, and more.
​
​Here are all the bands included in the first-round announcement:​
Anciients (Vancouver)
Dead Quiet (Vancouver)
Empress (Vancouver)
Buffalo Bud Buster (Calgary)
Flashback (Calgary)
Pharm (Kelowna)
Owls & Eagles (Calgary)
Gnarwhal (Yellowknife)
Solid Brown (Calgary)
The Getmines (Vancouver)
Tebby and the Heavy (Edmonton)
Musing (Calgary)
Blacksmith and Brewer (BC Sunshine Coast)
Stone Spear (Kelowna)
Black Daggers (Red Deer)
Atomic Yeti (Saskatoon)
Conjure Hand (Victoria)

Limited Early Bird passes are on sale for $65 until the rest of the bands are announced or the early bird passes sell out. Regular advance passes will be available at that time. There will also be a variety of single-day tickets available as well as 2-day passes.

Festival passes are available at https://theelectrichighway.ca/festivalstore/​

Event info: https://www.facebook.com/events/327207160030277​

​The Electric Highway Festival hosts various genres that range from Desert Rock, Stoner Metal, Doom, Sludge, Trippy Psychedelic, Surf Rock, Acid Rock, Noise Rock, Fuzz Rock, Space Rock, Blues Rock, Heavy Psych, Heavy Blues, Southern Rock, Fuzzy Punk, Sludgy Hardcore bands and variations of any of the previously mentioned styles.

The 2023 edition of the festival featured Californian headliners Sasquatch, one of the event’s past favorites, laying down their brand of fuzzy, kick-ass Desert Rock & Heavy Psych with direct support from Vancouver’s La Chinga who returned for their 4th appearance on the Saturday night. Black Mastiff returned to headline the Friday night with Calgary’s Gone Cosmic and HypnoPilot headlined the Thursday show with support from Citizen Rage. These were just a few of the wicked bands that played at this past year’s The Electric Highway.

Live Video by SlimBzTV – Sasquatch at EHF 2023 – New Disguise – https://youtu.be/K8IXhd4ERY0​

Live Video by SlimBzTv – La Chinga at EHF 2023 – Beyond The Sky – https://youtu.be/P741nkfJU7w​

Live Video – by SlimBzTV – Owls & Eagles at EHF 2023 – New Expectations – https://youtu.be/G2jUjDHbp9k​
​
​For more info:

Website: TheElectricHighway.ca​

Facebook: Facebook.com/ElectricHighwayFestival​

Instagram: Instagram.com/TheElectricHighway​

Twitter: Twitter.com/TheElectricHwy​
​
​
Hashtag #BuckleUp #EHF2024

Festival Press Materials Dropbox HERE.

Business Partners/Sponsors:​
Asher Media Relations
Athena Bookkeeping Services Inc.
Black Collar Manufacturing
Calgary Metal Scene Events
The Celestial Agency
Dickens
High Voltage TV
Loud as Hell Festival
METALHEADS UNITED
New Level Brewing
​
​Travel and Tourism Partners:​
Tourism Calgary
Travel Alberta
​
​Media Partners:
Absolute Underground
Broken Neck Radio
CJSR
CJSW
Digital Distortion
Doomed and Stoned
The Obelisk
Outlaws of the Sun
Metal Devastation
Ghost Cult Magazine
Metal Rules
Trash Talk
V13
​
Business partnerships and sponsorship opportunities are available. Contact theelectrichighwayfestival[@]gmail[.]com for more information.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

  • January 11, 2024
  • by Asher
  • · Music News · The Risen Dread

NEWS RELEASE

Montreal, QC – January 11, 2023

THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

L-R – William Ribeiro (Guitar) | Marco Feltrin (Vocal) | Mat Maher (Bass)

​The Risen Dread is a metal band from Dublin, Ireland who have successfully established themselves as one of the country’s most promising metal acts in recent years.​ With an EP and a full length already under their belts, they are going to be expanding their discography in the new year, which they tease now with the sinister single and music video “Betrayal”. Guitarist William Ribeiro comments on the single:

“Betrayal, even though I had some of those riffs for a while, is the first song we wrote after the drummer left. We wanted to do the opposite of what we did for our last album, we wanted this track to be straight to the point and not only fast, we wanted it to be aggressive and heavy, with headbanging riffs as well as moshpit parts. I think Betrayal summarizes the dread that rises again from within each band member after this 2023 year. Nothing better than talking about a woman locked up by her mother. Can you imagine how she felt?”

“Betrayal” tells the true story of Blanche Monnier, a socialite who was locked in a tiny room by her mother and brother at age 25 for 25 years in a room without light. Musically, it’s a death metal song, pure and simple with heavy and catchy riffs, fast double bass, and blast beats. As far as their new material goes, this track has a bit of everything. Fans can expect a lot more where it came from, and can also look forward to new elements like the inclusion of choir and orchestra.

The Risen Dread is a powerhouse of death metal and groove metal, and they also draw upon a variety of influences from metalcore to black metal to hone their signature sound. They turn these elements into something fast, heavy, memorable, and accessible. Fans of Lamb Of God, Sepultura, and Deicide.

Watch and listen to the music video for “Betrayal” via its worldwide premiere on Decibel Magazine HERE.

More info: Facebook.com/TheRisenDread | Instagram.com/therisendread​

-30-

What the press has said:

“Silent Disease The single drives hard as hell with tons of straightforward grooves and meaty riffs, though with a very pertinent message and accompanying music video” – Metal Injection

“There is a lot for any metal fan to get their teeth stuck into with this impressive release and the fact that this is self produced by the band makes ‘Night Hag’ all the more impressive.” – The Razors Edge

“Night Hag is a banger. One with a lot more depth than you might initially think. Memorable music with all the head-banging trappings you could dream of.” – GBHBL

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Kelevra – Oneiric (2024)

  • January 10, 2024
  • by Asher
  • · EPKs · Kelevra

EPK – Kelevra – Oneiric (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“More than anything we are excited to hear how Oneiric will be received. Every track on the album contributes to a very unique product overall that is hard to categorize within a specific metal subgenre. Current fans of the band will be greeted with a familiar taste of past material while experiencing a stronger, mature sound. With this album, which was both deliberate and coincidental in the writing process, we will be providing listeners with an experience that leaves them on the edge of their seats. Each song is crafted to take the listener on a progressive metal journey from beginning to end. Despite each song being very unique from the rest, together the tracklist presents itself as a cohesive and complete package.” – Kelevra

Band: Kelevra
Album Title: Oneiric
Release Date: March 8, 2024
Label: Self-Release

For fans of Threat Signal, Chimaira, Lamb of God,  Unearth, Gojira, In Flames

Facebook.com/KelevraSK | Instagram.com/kelevraband | Youtube.com/@kelevrask1916

Kelevrasask.bandcamp.com | Spotify | Apple Music

“The music in “Cleanse With Fire” is a true sonic kaleidoscope spinning at high speed. With spidery fingers flying fast, the three dexterous string-benders whose performances you’ll see in the video execute intricate darting and swirling maneuvers with eye-popping aplomb, creating a head-spinning and uplifting listening adventure. – No Clean Singing

“Kelevra’s debut album Oneiric is an uproarious combination of progressive, groove and death metal.” – Heavy Music HQ

“Have a listen to their album and check them out live when they roll through your town. Kelevra will have you double fisting invisible oranges in a state of metal ecstasy.” – North Sask Zine

“An excellent addition to the already rich harvest of musical works in the year 2024.” – Rock Portaal

“The momentum shows no sign of slowing down, with a more melodic attack in ‘No Voice’ similar to that of Parkway Drive during their “Deep Blue” phase. Led by some scorching lead guitars and the continuing theme of ambient mid-sections, this is a winning combination for me and any other fan of melodic metalcore. Another highlight for me was that gorgeous atmospheric soundscape that opened ‘Self-Extinct’. That definitely got a few rewinds! Though if that’s aesthetic, ‘The Mad Wind’ is anything but, as there’s nothing pretty about this song, just primitive rage!” – Ever-Metal

“With Oneiric, Kelevra emerges into a new era of consciousness, pushing the boundaries of progressive music while staying true to their ferocious brutality and invites one to join them on a journey through ecstatic dreamworlds and hellscapes of the mind.” – Amplify The Noise

“The album has eight songs, and “Atoned” is first. There is a dark ease in to the heavy and aggressive sound, and the vocals are tortured screams.” -Metal Temple

“Wow, this “Oneiric” by Kelevra has many interesting things musically” – Metallerium 

“a diverse palette of aggressive excesses, but also an inescapable amount of melodies.” Zwaremetalen

“KELEVRA has put together a brutal and at the same time melodic metalcore crusher that occasionally increases its level of sophistication with progressive twists” – PowerMetal.de

[Download Album Cover | Download Album Lyrics]

Band: Kelevra
Album Title: Oneiric
Release Date: March 8, 2024
Label: Self-Release

Track Listing:
1. Atoned (5:34)
2. Cleanse With Fire (6:02)
3. No Voice (6:13)
4. The Distance (5:36)
5. Self-Extinct (6:31)
6. The Mad Wind (4:33)
7. Despite What You Owe (4:56)
8. Lifeblood (5:49)
Album Length: 45:29

Album Credits:
– Composed & Performed by Kelevra
– Produced by Kelevra & Sean Folk
– Engineered & Mixed by Sean Folk
– Mastered by Acle Kahney
– Artwork by Shane Rice Studio
– Member of SOCAN
– Canadian Content – MAPL

Kelevra is (Album & Live):
Dylan Dobrescu (Drums)
Brett Forst (Guitar)
Matt Fraser (Vocals)
Adrienne Mahoney (Bass)
Mat Yarotski (Guitar)

====================================================

About The Album Artwork:

The album is entitled “Oneiric”. Oneiric comes from the Greek word oneiros, meaning a dream. In Greek mythology, the Oneiroi, or Dreams, were the brothers (or sons, depending on the author) of Hypnos (Sleep). Depicted in the artwork is a fictional concept of dream or memory harvesting.

The album as a whole (LYRICALLY & MUSICALLY):

In general, the album is aggressive musically, yet also very epic and heartfelt at times. The lyrics aim to support this style. Song, meaningful, and personal lyrics demand a powerful and diverse sound that enforces our message and storytelling.

Track by Track:

1) Atoned

“Atoned” is a fearful revenge story, trying to convince oneself to follow through by planning on atoning for your “sin”. Song written from the perspective of someone who has had enough.

2) Cleanse With Fire

“Cleanse With Fire” describes the fall of man and the destruction of the world, specifically with reference to the growing obsolescence of humans versus mother nature. The song speaks of resentment for how humans continue to mistreat their host; taking more than what is earned and leaving the world in a desolate state of flames.

3) No Voice

“No Voice” was written as a rallying cry to anyone who feels oppressed and like they have no voice. Figuratively “ascending” onto those above you with violence, believing you have no other choice.

4) The Distance

“The Distance” is a story of hateful endings and love lost. But despite the distance they try to keep, they are still drawn to each other in an endless cycle. Only having one way out.

5) Self-Extinct

“Self-Extinct” tells the story of one’s struggle with anxiety, to the extent that worry has taken over and entirely replaced their consciousness. This consternation has become its own being in a sense. The effort required to conceal this quiet monster causes further anguish and the ability to think, act, and live independently of such inner turmoil no longer exists.

6) The Mad Wind

The Mad Wind is a song based on events of the Darfur Conflict in western Sudan in 2003. The title of the song comes from an infamous nickname that local villagers used to describe the Janjaweed, a ruthless militia group, responsible for the destruction of hundreds of villages and what has been known as a modern-day genocide of the ethnic Darfuri people. The Janjaweed, translated in English to “Devils on horseback”, would raid and burn villages, killing men, enslaving boys, and raping women and children both young and old. Terrified locals called the Janjaweed “The Mad Wind”, as they would sweep through villages causing mass destruction, as quickly as the wind blew. The song tells a fictional story from the perspective of a helpless mother living in the center of the conflict, whose village will soon be swept by The Mad Wind. With imminent death facing her and her baby son, the young mother decides that they will not be subject to pain and torture at the hands of the Janjaweed. Instead, she will travel to a nearby river where her family keeps a small paddle boat. With no hope left for the life she once knew, mother and baby will embark on a float downstream. They will soon be thrown over the treacherous falls and die peacefully together in suicide.

7) Despite What You Owe

“Despite What You Owe” is about denying the societal norms of social media, being enslaved by it, and masking who we truly are. In doing so, reclaiming our real life and trying to convince others to do the same, but doing so unsuccessfully. The blind lead the herd.

8) Lifeblood

“Lifeblood” describes the loyalty of a lasting group and how its strength lies in its unity. This fellowship does not back down when challenged.

====================================================

Fun Facts – Story Angles:

1. The band has been around for over a decade at this point, so the stories are endless. With that being said, this band has been through a lot over the last 5 years, specifically our bass player, Adrienne. She has an extremely rare autoimmune disorder that is known as EGPA (Eosinophilic Granulomatosis with Polyangiitis) or Churg-Strauss Syndrome. This disorder killed the entire left side of her heart resulting in less than nine percent heart function.

In 2017, she was flown on life support to Edmonton and it would take doctors and surgeons weeks to diagnose, treat and stabilize her in order to survive. This disorder is typically diagnosed post-mortem in an autopsy, so it was rather rare that she was still living. After undergoing multiple open heart surgeries, some bumps in the road and complications along the way, Adrienne returned to Regina with an implanted device in her heart called an LVAD (a left ventricular assist device). This machine powered her dead heart, pumped her blood and sustained her life 24 hours of the day.

Regardless of everything that had happened, Adrienne was determined to continue with the band. Kelevra embarked on a tour to the Canadian west coast that summer, merely weeks after Adrienne was cleared by doctors. Even though the rest of the band was hesitant and very worried about our mate, there was no stopping Adrienne from continuing on. That summer we played a ton of shows, each time rushing to the next venue; not to set up our gear, but to ensure Adrienne’s external batteries could be charged to keep her alive. Despite the seriousness of the situation, it was almost comical how this became so normal to us at that time. We made light of a dark time of unknowns and kept on with music.

A year and a half later, Adrienne was gifted with a heart transplant. The LVAD could not support her permanently, she required a donor’s heart. Though Adrienne’s heart transplant was a success, to this day she still faces daily complications and struggles due to her condition. The road has been tough, but she has demonstrated to everyone around her what true strength is. Adrienne is a powerhouse on stage for Kelevra and has become a true role model for young girls who aspire to be involved in heavy music.

https://www.cbc.ca/news/canada/saskatchewan/heart-transplant-churg-strauss-syndrome-1.5131979

2. Kelevra’s 2024 full-length was recorded by Kelevra and Sean Folk at Odin Sound. The album was mastered by Acle Kahney of Tesseract at 4D Sounds in the UK.

L-R – Adrienne Mahoney (Bass), Mat Yarotski (Guitar), Matt Fraser (Vocals), Brett Forst (Guitar), Dylan Dobrescu (Drums)

Photo Credit: Mac Ulmer

Formed in 2009 in Regina, Saskatchewan, Kelevra continues to supply a serious dose of progressive metal to the masses. Since releasing their debut EP “Overthrown” in 2013, and follow-up EP entitled “Lividity” in 2016, the band has developed a loyal, local fan base, and continues to spread the noise outside of their prairie hometown. A distinct and unique approach to metal, accompanied by a high-intensity live show, has provided great opportunities for the band over their existence. This includes performing at several Western Canadian music festivals, embarking on multiple Western Canadian tours, and sharing the stage with a long list of legendary acts.

Most recently, Kelevra has taken time away from performing live and touring to step back into the studio. With tons of new material, together with an ever-evolving fast-paced, melodic, and heavy sound, Kelevra is set to take Canadian progressive metal to all-new heights with a new release in 2024.

Discography:
2024 – Oneiric – LP
2016 – Lividity – EP
2013 – Overthrown – EP

Shared Stage with: The Faceless, Job for a Cowboy, Carnifex, Dying Fetus, Rivers of Nihil, Devin Townsend, Death Angel, Cryptopsy, All Shall Perish, Without Temptation, Kenmode, Revocation, Veil of Maya, Obey The Brave, Devildriver, Into Eternity, Threat Signal, Sludgehammer, Lost Nebula, Flashback, Detherous

Tours and Festivals:
Loud As Hell 2015
Calgary Extreme Metal Radio Festival 2017
Wacken Metal Battle Canada 2015
Hammering Westward Western Canadian Tour with Sludgehammer
“Tiny” Western Canadian Tours 1-5

Music Placements – “Praise” featured in Cagefighter (2020 Film)

0 EPK – Opium Death – Genocidal Nemesis (2024)

  • January 10, 2024
  • by Asher
  • · EPKs · Opium Death

EPK – Opium Death – Genocidal Nemesis (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We think Genocidal Nemesis will be received it very well. Especially the variety that the album expresses in terms of tempo dynamics, song structure flow, lyrical themes, and overall, a different experience with each track while maintaining a heavy sound through it all. We think there is at least one song that each listener will love since we dive into some subgenres like black metal, thrash metal, and death metal, and incorporate technical and progressive elements into them. It has something for everyone.

The experience we want to give to the fans is that there is a common and personal connection between these songs especially with the lyrics. We want to bring forth a sense of commonality knowing that we all have been through experiences that anger us whether direct or indirect and are in it together and showcasing a clear-cut execution of our passion for extreme music.” – Opium Death

For fans of Death, Gojira, Cannibal Corpse, Cattle Decapitation, Dying Fetus

Opiumdeathofficial.com | Facebook.com/OpiumDeathOfficial | Instagram.com/opiumdeathofficial | Twitter.com/OpiumDeathBAND | Youtube.com/@opiumdeathofficial9166 

Opiumdeath.bandcamp.com | Spotify

“It’s an angry album, focused on hubris and its role in the downfall of humankind. The album’s cover art itself draws on this theme…. The band explain that “The Condemned” isn’t really a new song, since they’ve been playing it since 2017, but it’s been re-recorded, remixed, and remastered, and tweaked to bring it more in line with their current sound. The result is a track that’s ugly, mutilating, and rabidly murderous — it shows not even a whisper of mercy to the condemned, and eventually it revels in the delirious slaughtering it metes out.” – No Clean Singing

“Death metal with a pinch of everything… melting pot “ of many sub-genres comes out. You can find quick and rough on the album Death metal, mixed with influences from the Black Metal, Prog and that Thrash the eighties. With vocals reminiscent of Deicide and Cannibal Corpse and the various influences, there is at least one song for every death metal fan that appeals to them.” – Moshpit Passion

“Opium Death is a brutal concoction of extreme metal, sent forth from the suburbs of Chicago, USA to lay waste to metalheads around the world with their first full-length album Genocidal Nemesis. The album delivers a lot of variety in terms of tempo dynamics, song structure flow, lyrical themes, and overall, a different experience with each track while maintaining a heavy sound throughout. The Condemned is a track that’s ugly, mutilating, and rabidly murderous — showing no mercy and reveling in the slaughtering. The band erupts on Vesuvius – a very nice blend of thrash and death metal a breakdown that constructs the the disaster.” – WRUV 90.1 FM – Burlington, VT

“This is an intense record. The Illinois band mixes thrash, groove, death metal, and even hardcore with a raw production for this album. On a song like the eight and a half minute “Ozymandias” I am reminded of the great Skinlab. “The Condemned” is groove oriented with shouted vocals, while “Extinction” is desperate, “Shattered” is chaotic, and “Vesuius” is absolutely relentless with those raw vocals. Opium Death deliver on this debut.” – Transcending The Mundane

“Deathy blackened metal and a bit of a techy thash thing too” – The Moshpit – WORT 89.9 FM (Madison, WI)

“Musically, there is absolutely nothing to complain about in “Genocidal Nemesis”” – PowerMetal.de

[Download Album Cover | Download Album Lyrics]

Band: Opium Death
Album Title: Genocidal Nemesis
Release: April 19, 2024
Label: Self-Release

Track Listing:
1. Cower (1:16)
2. Genocidal Nemesis I: Fear (3:01)
3. The Condemned (4:32)
4. Ozymandias (8:40)
5. Flatline (1:18)
6. Extinction (5:31)
7. Chronic (4:22)
8. Deadweight (3:28)
9. Shattered (5:36)
10. Vesuvius (3:45)
11. Fe56 (2:07)
12. Genocidal Nemesis II: Desolation (9:29)
Album Length: 53:10

Album Credits:
All songs performed by: Opium Death
All songs written by: Opium Death
Produced, Mixed, and Mastered by: Donald Nadzieja
Album Cover Artwork by: Caio Caldas at CadiesArt (www.CadiesArt.com)

Album Lineup:
Dennis Blanke – Drums
Donald Nadzieja – Bass and Vocals
Irvin Gonzalez – Guitar
William Burchfield – Guitar

Live Band Lineup:
Dennis Blanke – Drums
Donald Nadzieja – Bass and Vocals
Irvin Gonzalez – Guitar and Vocals
Luis Torres – Guitar

================================================

About The Album Artwork:

For the significance of the album artwork, to us, it represents hubristic suicide, self-end caused by something you were foolishly convinced was a good thing. Obvious heroin reference but the guy on the needle was addicted to money and power. It is a common theme that happens throughout the album and we thought this represented that very well.

The album as a whole (LYRICALLY & MUSICALLY):

Don: Genocidal Nemesis is an album that is primarily about hubris and its role in the downfall of humankind.

Track by Track (LYRICALLY & MUSICALLY)

(Don and Irvin) Genocidal Nemesis I is about the birth of the antichrist as a result of man worshipping money. Money revolves around all our lives and is constantly in our faces so we reflect this musically to start the album with a bang and have an odd-time riff that helps catch the listener’s attention which over time is something they can grab onto the rhythm real quick.

(Irvin) The Condemned – At the time that I was writing this song, especially coming up with the lyrics, there was a trend of stories coming out in the news and social media about school bullying being an increasing phenomenon amongst children and how the victims ended up committing suicide. This angered me to write a song for those victims but in a way that reflects their thoughts and feelings in the afterlife. I treated the idea of bullying as a physical figure that needs to be taken out in the same manner and fashion if not more because it infects many children’s minds and causes this terrible widespread epidemic. Musically, it is a straightforward metal track and has a groove that I hope captivates the listener to look into the lyrics to know what it is about because this bullying sickness is never taken seriously. It is talked about yes, but it is still happening. While I do not condone responding back with life-taking intent, I hope it brings forth a feeling of anger and disgust for these kinds of actions taking place in learning environments and social gatherings.

(Don and Irvin) Ozymandias is about pride and wrath and the importance of keeping them in check during your life against the inevitable decay of information over time. One of our longest songs on the album, we felt it was a track that could benefit from utilizing exotic scales and vocal layering as it comes up later in the song to bring up this sense of immortality to a concept that will forever be ingrained in our human ego.

(Don and Irvin) Extinction – Extinction is about mankind panicking and acting shocked when they get exactly what they have been striving towards. Musically, the repetitiveness of the riff helps bring this constant fight we have in ourselves and amongst other people that we want to provide a sense of urgency that needs to be resolved which I believe the chorus of the song delivers that really well.

(Don and Irvin) Chronic – Chronic is about the difficulty experienced in trying to achieve and maintain spiritual enlightenment in an increasingly superficial world. Musically, one of our mid-paced songs in the album helps the feel and pace of the album feel balanced and concise as we now have gone past halfway through the album.

(Irvin) Deadweight – Lyrically, it goes into the idea of corporate and manipulative human beings that are contributing nothing to the world but pain and suffering. They bring no sense of tranquility to the community and so they are just emotionless bodies of meat and bone. Musically, it was the most tedious track I have written on a song as it starts off pretty intense with the variation of triplet and steady-paced palm muting and tremolo picking. Going into the blast beat section before the new tremolo picking section, I wanted to build up the intensity before settling into the verse that lays out the message I wanted to deliver. This is then repeated but I break the song into an odd-time section that definitely brings out the musicianship of the band and was very happy with how it turned out. As the song progresses, you will tell how not one section is repeated until the very end with the eighth note palm muting and the blast beat underneath it. I wanted this song to be fun yet challenging as it is my philosophy that such songs should be enjoyed both listening and playing.

(Don and Irvin) Shattered – Shattered is about losing all hope and succumbing to the evil within yourself as a result. Musically, this song has the most thrash influence in it with the juxtaposition of a melodic chorus that brings this feeling of sadness and tragic defeat.

(Don and Irvin) Vesuvius – Vesuvius is a review and representation of the famous disaster in Pompeii, the themes of self-demise present in the rest of the album do not really apply here. Musically it has this very nice blend of thrash and death metal throughout the song and one of our favorite sections in the song is the breakdown that helps construct the explosion of the disaster. We are hoping it becomes a fan favorite.

(Don and Irvin) Genocidal Nemesis II – Genocidal Nemesis II is about hypocrisy and the denial of the desire to die. Our longest song in the album and powerful finisher, we are extremely proud of how this turned out and believe that the pacing and mood of the second half of the song help summarize the overall theme of the album.

================================================

L-R – Donald Nadzieja – Bass and Vocals, Luis Torres – Guitar, Dennis Blanke – Drums, Irvin Gonzalez – Guitar

Photo Credit – Michael Gonzalez

Opium Death is a brutal concoction of extreme metal, sent forth from the suburbs of Chicago, USA to lay waste to metalheads around the world with their first full-length album “Genocidal Nemesis”. The band expects it to be received positively as it brings a lot of variety in terms of tempo dynamics, song structure flow, lyrical themes, and overall, a different experience with each track while maintaining a heavy sound through it all. 

With “Genocidal Nemesis”, Opium Death wants to bring forth a sense of commonality knowing that everyone has been through experiences that anger us whether directly or indirectly, and are in it together. They showcase this relatability with a clear-cut execution of their passion for extreme music.

Opium Death was born from a wide variety of influences and they carry over into this album, they dive into subgenres like black, thrash, and death metal, and incorporate technical and progressive elements into them. It has something for everyone and is most recommended for fans of Death, Gojira, and Cannibal Corpse.

“Genocidal Nemesis” is due out on April 19, 2024 and is available for pre-order – https://opiumdeath.bandcamp.com

Discography:
2023 – Genocidal Nemesis (2nd LP)
2022 – Genocidal Demo (Demo)
2017 – Opium Death (Demo)

Shared Stage with: Crusadist, From Those Ashes, Orinoco, Triguna, Her Worst Nightmare, Cereviscera, Pantheon, Ruptura

0 \m/ \m/ Latest issue of Absolute Underground TV / Absolute Underground Magazine w/ Strigampire, #degenerator, Hatred Reigns, Cabrakaän, Black Pestilence, The Convalescence, Human Missile Crisis, Disorientation, Dirty Audio Machine, Pessimystic

  • January 10, 2024
  • by Asher
  • · Absolute Underground Magazine · black pestilence · Degenerator · Dirty Audio Machine · Disorientation · Hatred Reigns · Human Missile Crisis · Pessimystic · Strigampire · The Convalescence

\m/ \m/ Latest issue of Absolute Underground TV / Absolute Underground Magazine
https://absoluteunderground.tv/absolute-underground-magazine-issue-115/
w/ Strigampire, #degenerator, Hatred Reigns, Cabrakaän, Black Pestilence, The Convalescence, Human Missile Crisis, Disorientation, Dirty Audio Machine, Pessimystic

0 \m/\m/ Thank You Canadian MDs and DJs \m/\m Much love for the airplay support! For the Week Ending: Tuesday, January 9, 2024 #1 Strigampire – Loud – CJLO – 1690AM – Montreal, QC ====== #3 Black Pestilence, #9 #DEGENERATOR – Loud – CJSW Radio 90.9 FM – Calgary, AB ====== #3 Strigampire – Top 30 – CJLO – 1690AM – Montreal, QC ====== #22 Black Pestilence, #23 Augurium – Top 30 – CFMH 107.3 FM – Saint John, NB ====== #9 Triskelyon – Top 30 – CIVL Radio 101.7 FM – Abbotsford, BC ====== #11 Dirty Audio Machine – Top 30 – CHLY 101.7 FM – Nanaimo, BC

  • January 10, 2024
  • by Asher
  • · Augurium · black pestilence · Degenerator · Dirty Audio Machine · Strigampire · Triskelyon

\m/\m/ Thank You Canadian MDs and DJs \m/\m
Much love for the airplay support!
For the Week Ending: Tuesday, January 9, 2024
#1 Strigampire – Loud – CJLO – 1690AM – Montreal, QC
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2024-01-09
======
#3 Black Pestilence, #9 #DEGENERATOR – Loud – CJSW Radio 90.9 FM – Calgary, AB
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2024-01-09
======
#3 Strigampire – Top 30 – CJLO – 1690AM – Montreal, QC
https://earshot-online.com/charts/cjlo.cfm?dWeekOfID=2024-01-09
======
#22 Black Pestilence, #23 Augurium – Top 30 – CFMH 107.3 FM – Saint John, NB
https://earshot-online.com/charts/cfmh.cfm?dWeekOfID=2024-01-09
======
#9 Triskelyon – Top 30 – CIVL Radio 101.7 FM – Abbotsford, BC
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2024-01-09
======
#11 Dirty Audio Machine – Top 30 – CHLY 101.7 FM – Nanaimo, BC
https://earshot-online.com/charts/chly.cfm?dWeekOfID=2024-01-09

0 EPK – Novichok – Geo-Desiccant (2022)

  • January 9, 2024
  • by Asher
  • · EPKs · Novichok

EPK – Novichok – Geo-Desiccant (2022)

Publicist – Jon Asher – Jon[@]ashermediarelations[.]com

“We’re trying to give something that’s good to listen to while working out or driving.  We try to switch up the energy throughout each song so they don’t get boring.  Def keep it heavy, tempos and time sigs vary but don’t let it sound technical.” – Novichok

Band: Novichok
Album: Geo-Desiccant
Release Date: September 15, 2022

For fans of Megadeth, Pantera, Sacrifice, Iron Maiden, Voivod

Linktr.ee/novichokband | Novichok.ca | Facebook.com/NovichokMetal | Instagram.com/novichok_canadianmetal

Novichokmetal.bandcamp.com | Spotify | Apple Music

Band: Novichok
Album: Geo-Desiccant
Release Date: September 15, 2022

Track Listing:
1. Thrash Free or Die – 5:06
2. First World Poisons – 5:31
3. Tire Fire – 3:18
4. Apes with Sticks – 4:41
5. Freedom Fighters Manual – 4:59
6. Dead Weight – 3:30
7. Predicting Terror – 5:52
8. Geo-Desiccant – 7:17
9. Heat Death – 6:10
Album Length: 46:28

Album Credits:
All Songs Written and Performed by: Novichok
Produced by: Novichok
Mixed by: Novichok
Mastered by: Jamie King
Album Artwork by: Matt Saxton
Members of SOCAN
Music is Canadian Content MAPL

Album Lineup:
Vocals: Jeff MacDonald
Guitar: Lindsey Dicks
Bass Guitar: Jason Young, Brady Hallet (Dead Weight)
Drums: Andrew MacIntosh

=========================================================

About The Album Artwork:

Our German artist friend Matt Saxton listened to the album and we gave him full creative control.  The front side is a toxic elemental representing the environmental havoc mankind has brought upon ourselves, while the rear holds optimism as the spirit of Mother Earth stands ready to repair the damage once we’re ready to step back and allow it.

Track by Track (LYRICALLY  & MUSICALLY):

01 Thrash Free or Die:
This is an ode to metalheads everywhere who refuse to succumb to societal norms.  The Bridge section features Guitar and Bass Solo trade-offs which eventually combine for a frenzied duel tapping harmony.

02 First World Poisons:
People in high society will expend great effort fretting over frivolous things…this song discusses some pathetic wastes of privilege.  Musically this song is pure controlled rage.

03 Tire Fire:
Have you ever wondered what happens to old disused tires? They usually end up in massive heaps eventually to be burned for energy or by accident. Either way, an environmental disaster ensues. This short ripper features a Dimebag-inspired solo and a heavy breakdown in the middle section.

04  Apes With Sticks:
An anthem about mankind’s prehistoric urge to kill for self-gain. The song starts with a sound bite of a hominid bashing in the head while blood spatters can be heard with each blow. The chorus features a gang-style backing vox.

05 Freedom Fighter’s Manual:
The CIA deserves songwriting credits for this track; The lyrics were taken directly from American propaganda airdropped over Nicaragua in the 1980s. The FFM is a comic strip encouraging various acts of terrorism attempting to weaken the communist regime of the time.  This is “Sneaker Metal” inspired by Sepultura’s style.

06 Dead Weight
This song is the narration of an actual nightmare in which a scuba gear malfunction seals your fate as the eager sea life begins to feast even before you are dead.  Inspired by an early Cannibal Corpse, it’s thrash bordering on death metal.

07 Predicting Terror
Since day one metal bands have been telling us of impending doom.  This anthem is paying homage to their warnings and encourages the metal community to pay attention as the future unfolds.

08 Geo-Desiccant
The word “Mortgage” literally translates to “Death Pledge”.  This song is about early settlers building on hard work and hope, and how Money-lenders steal generational wealth as future generations abandon the dreams of their ancestors.  The slow tempo of this track only emphasizes the heavy weight of its riffs.

09 Heat Death
It’s theorized that the universe will eventually expand so much that matter and energy will scatter apart, eventually unraveling in an ever-lasting eventless homogenous vacuum.  All things that ever were will cease to exist and there will be no possible record of anything that has ever happened.  The song features rich percussion sections and a haunting guitar lead.

================================================

Fun Facts – Story Angles:

1.     We had a live show interrupted by Jim Lahey from Trailer Park Boys.  He came on stage mid-set wearing a Novichok hat with a big bottle of whiskey.  He berated the crowd for enjoying heavy metal, then he went into the crowd to steal people’s food.  It was hilarious.

2.     When recording the drums for Geo-Desiccant we built a full make-shift studio in our singer’s living room.  We lived here for 9 days until everything was perfect.  Our guitar player/recording engineer slept on the same couch he worked from all day.  By the end, the drummer’s hands were covered with bandages and blisters, but everything was perfect going into mixing.

3.     When filming the video for Heat Death, we had planned a bunch of shots with the room filled with a smoke machine and our Singer wearing a full scuba suit. Unfortunately, this was cut short when the building’s fire detector went off for the next 3 hours ending our filming session.  We put what we got in the video, just a short bit.

4.     The songs Geo-Desiccant, Heat Death, and First World Poisons weren’t fully written when the album started being recorded.  Some sections were rearranged for the lyrics to flow and make sense.

5. At the end of the “song Geo-Desiccant” there is a harmonica section.  When tracking this we had to pitch the album ½ step, then when mixing we had to pitch the harmonica back down to match.  We’ve since purchased a custom-tuned harmonica to play it live.

Back L-R – Adam Hersey (Drums), Lindsey Dicks (Guitar), Brady Hallet (Bass) – Front – Jeff MacDonald (Vox)

Photo Credit – Alicia Montague (thephotoninja.ca)

Halifax, Nova Scotia, Canada’s Novichok is a bunch of pissed-off salty thrashers here to narrate the collapse of the world around us. Is there still hope? Well yes, but it’s not looking good. We don’t sound like other bands but we’re heavily influenced by Megadeth, Pantera, Sacrifice, Iron Maiden, and Voivod.

Discography:
2022: Geo-Desiccant Album
2009: Novichok (Album, Self-Titled)

Shared Stage with: Sacrifice, Cryptopsy, Dayglo Abortions, Castle, The Insurrection, Mortorleague, Sanktuary

Tours and Festivals:
2023 – Merciless Metalfest (Stanley, NS)
2023 – Mayham Mountain (Pictou, NS)
2019 – Wacken Battle (Halifax, NS)
2015 – Maritime Metal & Hard Rock Festival  (Windsor NS)
2014 – Maritime Metal & Hard Rock Festival (Fox Mountain NS)
2014 – Riverfest Music Festival (Bridgewater NS)
2013 – Riverfest Music Festival (Bridgewater NS)
2011 – Winter Meltdown Music Festival (Yarmouth NS)
2010 – 2014 – Riverfest Music Festival (Bridgewater NS)
2010 – 2019 – April Assault Music Festival 2 -10 (Dartmouth NS)

0 Thank you so much CJSW Radio 90.9FM (Calgary, AB) for the airplay love! 2023 Top 20 Loud Charts! Vortex, Red Cain, The Wring, Black Pestilence

  • January 8, 2024
  • by Asher
  • · black pestilence · Red Cain · The Wring · Vortex

0 Early Bird Tickets For Canada’s Mountain Mosh Pit ARMSTRONG METALFEST On Sale Now!

  • January 8, 2024
  • by Asher
  • · Armstrong Metal Fest · Music News

NEWS RELEASE

Montreal, QC – January 8, 2024

Early Bird Tickets For Canada’s Mountain Mosh Pit ARMSTRONG METALFEST On Sale Now!

July 12-13 – Armstrong, BC, Canada

Watch the official video recap of AMF 2019 here.
(video created by Mayne Brand Productions)

Armstrong MetalFest 2023 Spotify playlist Here.

Western Canada’s largest mountain mosh pit Armstrong MetalFest has launched early bird weekend passes for their 2024 lineup being held on July 12th and 13th at the Hassen Arena in Armstrong, BC with the beautiful backdrop of the Okanagan Valley. The 14th annual gathering of metalheads will once again witness a pilgrimage of extreme metal music fans for two days of unforgettable moshing, headbanging, and camping. From iconic headliners to promising newcomers, the upcoming 2024 lineup is set to showcase the best of diverse metal genres, ensuring an electrifying experience for all.

“It’s one of the premier festivals of its kind in Canada, showcasing the biggest names in local, national, and international heavy metal music.” – Vancouver Sun

Early bird weekend passes are on sale now at the following link until Feb 29th: https://armstrongmetalfest.ca​

(All tickets provide General Admission and grant access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 12, 2023, until 12:00 PM on Sunday, July 14, 2022. Free camping is included.)

Breaking attendance records again, the 2023 edition of Armstrong MetalFest was an eclectic earth-shaking lineup that featured 28 bands performing on the two-day festival that included headliners LA thrashers WARBRINGER, San Francisco tech-death giants FALLUJAH, festival alumni Spokane, WA’s ENTERPRISE EARTH, and Los Angeles’ THE ZENITH PASSAGE, along with Denver’s H.P. Lovecraft extreme metallers VALE OF PNATH, and Edmonton’s Juno award-winning heavy metal champions STRIKER.

(Photo Credit Derrek Carr – The Zenith Passage at AMF 2023)

Since 2009 (minus pause years 2020 and 2021 due to the Covid pandemic), West Metal Entertainment and Armstrong Metalfest have not only fostered the talent of hundreds of local bands, but have imported well-known, international acts to the quiet, little Canadian town of Armstrong, British Columbia.

Each year hundreds of metalheads from Canada and the USA descend into the picturesque Okanagan Valley and under the blistering sun, they spend three days camping, taking in as much metal over two days, participating in wrestling events, scavenger hunts, and catching up with their metal family.

The festival has seen such renowned headliners as Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, and Beyond Creation as well as emerging artists from across North America. At the end of the revelry, the festival disappears without a trace, leaving the landscape as pristine as it has always been.

West Metal Entertainment is a non-profit society that not only puts on the Armstrong Metal Festival every year in Armstrong, B.C., it gives bands opportunities to play at different venues throughout the region including all-ages shows, to encourage musical passion in kids as well as adults.

Partners:​
WCMFA
Vox and Hops
Rancho Vignola
Creative BC
Province of BC
Shepherds Hardware
Askews Foods
Armstrong Coop
ACE Containers
Asher Media Relations
Armadillo Trailers
Staggs Head
Nor-Val
Exclaim!
Bravewords
Absolute Underground Mag
Broken Neck Radio
V13
Metal-Rules
Trash Talk w/ Nate
Ghost Cult Magazine
Valstar Electric
Voets

For more info:​
​Armstrongmetalfest.ca
​
​Facebook​
​Instagram​
​Twitter​

Festival Press Materials HERE.

What the press is saying:

“Armstrong Metalfest brings aggressive music to the North Okanagan” – Global BC News

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

Global Okanagan – Armstrong Metalfest brings aggressive music to the North Okanagan – Video here.

“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun
​
​
​“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

“From farm to stadium: Armstrong Metal Fest’s humble beginnings” – Info News

– 30 –

​

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Gore House Prod. – FOETAL JUICE Pummels The Masses w/ New Drum Playthrough “Gore Mountain” + UK Tour Dates For New Album “Grotesque”

  • January 8, 2024
  • by Asher
  • · Foetal Juice (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – January 8, 2024

Gore House Prod. – FOETAL JUICE Pummels The Masses w/ New Drum Playthrough “Gore Mountain”

+ UK Tour Dates For New Album “Grotesque”

(L-R): Lewis Bridges (Bass), Derek Carley (Vocals), Ryan Whittaker (Guitar), Rob Harris (Drums)

Photo Credit – Karen Carley

Unleashing their latest album “Grotesque” on Gore House Productions this past November, UK death grinders Foetal Juice have a new drum playthrough to brutalize the masses with. The second track on their latest full-length, “Mountain of Gore” features groovy drums over a simple riff. The band’s style for this one is more Exhumed and Impaled influenced with rabid drum fills everywhere.

“We wanted to change a few things up on this album and include some slower, groovier sections than we have before. The intro to the song is a result of that. We think this one includes one of the fastest bomb blasts on the album too. It is a really groovy bouncy song throughout to keep a crowd energized at live performances.” adds the band.

Watch the drum playthrough for “Mountain of Gore” via its premiere on TechnicalMusicReview HERE.

Foetal Juice’s sound is a melting pot of influences, ranging from death metal and grindcore to black metal, gore, groove, thrash, and even Enya. Their evolution as a band has brought new dimensions to their music, incorporating diverse elements while staying true to their death metal roots.

Notorious for their catalogue of unpleasantries and musical vulgarities, this album promises to be heavier, catchier, faster, and more aggressive than anything they’ve ever done before. It’s a relentless assault on the senses, and Foetal Juice is ready to claim its place in the annals of brutal death metal.

A relentless barrage of blast beats, horror and gore that will have you questioning your sanity, “Grotesque” is recommended for fans of Cannibal Corpse, Deicide, and Vomitory.

They comment on the new album:

“Everything seems to have worked amazingly on “Grotesque.” It turned out far better than we ever imagined it would. Everyone has brought their A-game to the table with this one. Then Chris Fielding (Producer) put the cherry on the top with the outstanding mixing/mastering. He really has made this album sound incredible. Due to the lockdowns during Covid, Ryan, who is the main songwriter/Guitarist, has churned out hundreds of riffs and song ideas, which has meant we could be a lot more selective with choosing the final ideas than we would normally be able to. This has really helped us to find the best riffs and ideas to use on this album.

We always write the next song as if it has to be better than the last song we wrote. This really pushes us to impress one another when it comes to our individual parts. When we recorded the last album, Lewis had only been in the band for 2 months and pretty much had to copy the guitar parts with his bass lines. On Grotesque, he has really come into his own. The bass lines have added so much to each song as it’s not just the same as the guitar riffs.

With Foetal Juice, we push each other as far as we can to get the best out of each member. This is mainly because individually, we are all really difficult to impress, so when we have to impress one another, it really takes you to the next level of performance/writing.

We are so proud of everything about this album, from the artwork and songwriting to the performance, recording, and mastering. Even if no one likes it like we do, we can all hold our heads up high with this one.” – Foetal Juice

“Grotesque” was released on November 17th, 2023 via Gore House Productions and was produced, mixed and mastered by Chris Fielding with the album artwork done by Misanthropic Art.

Album order (Cassette/ CD)/digital) at https://orcd.co/grotesque.

Lyric Video – Legion of the Grotesque – https://youtu.be/NSoU2PuPZHo​

Music Video – Ghoul Amongst the Mouldering Dead” – https://youtu.be/3aGbvw-cQL4​

Foetal Juice “Grotesque” UK Release Shows:​
Feb 2 – Manchester – Aatma
Feb 3 – London – The Underworld Camden
Feb 17 – Glasgow – Audio Glasgow
Feb 23 – York – The Fulford Arms
Feb 24 – Birmingham – TBA

Events Info can be found here.

Track Listings:​
1. Human Beach Master (3:50)
2. Mountain of Gore (3:10)
3.: Legion of the Grotesque (4:45)
4. Ghoul Amongst the Mouldering Dead (3:37)
5. Two Bongs Don’t Make a Right (1:26)
6. Cunt of the Litter (3:19)
7. Cemetery Leachate (4:39)
8. The Walking Groin (3:35)
9. Torn Apart (3:30)
10. F. K. E. O (3:59)
11. Gruesome (5:10)
Album Length: 41:06

More Info:

​​Gorehouseproductions.com​ | ​Facebook.com/GoreHouseProductionsOfficial​ | ​Instagram.com/gorehouseproductions

​Facebook.com/foetaljuice | Twitter.com/FoetalJuice | Instagram.com/foetaljuice

-30-

“Grotesque is an absolute maelstrom of sound that is satisfyingly punchy, chugging and impactful. It makes you want to hear more.” – Metal Talk​
​
​“The main impact of the album is to shoot terrific amounts of voltage straight into your brainstorm, to pump hearts, to convulse muscles, and to suck the wind from your lungs. See for yourselves.” – NoCleanSinging​
​
​““Grotesque” by name and definitely by nature this is 40 minutes of joyously twisted groovy Death Metal with hooks for days… in a year of excellent Death Metal it can still go toe to toe with the best of the bunch. This Christmas give someone you love the gift of gore. 8.5/10” – Ever-Metal​
​
​“Foetal Juice are recognized for their twisted and brutal amplification of virtuosic and violent musical assault. The album continues, said callous, promising a cataclysmic symphony of ferocity… The track (“Legion of the Grotesque”) moves more like a macabre exploration of the consequences of excessive cosmetic surgery. Despite the grim themes, Foetal Juice’s technical skillset is evident, which enhances the grotesque subjects, similar to writing a horror film. Their music, a relentless blend of grind and death metal, is unapologetic sonic devastation, recommended fans of Vomitory, Napalm Death, and Terrorizer.” – Metal Insider​
​
​“In the 3 years since the release of Gluttony, and I must say you have really seen a huge growth from the band and Grotesque is an absolute monster record, well deserving of anyone who has an interest in the genre. It has enough of the hooks and grooves which will be of interest to your more casual death metal fan whilst remaining absolutely mean with a viscous twist for those with a more hardened ear towards the underground.” – The Razor’s Edge

“Grotesque is a stonker of a record, completely worth your time and a strong contender for album of the year. Foetal Juice have made a rod for their own back now, having to try and top this with their next record, which I already look forward to. For now, another few listens to Grotesque will more than tide me over. 10/10” – Musipedia Metal​
​
​“with their intense, careening style of chaos hitting the spot time after time. Like a bludgeoning mace to your consciousness, ‘Grotesque’ is one of the more distatefully straightforward pieces of extreme music you’ll hear this year, and it’s all the better for it. A killer effort.” – The Killchain​
​
​“Your eyes will water, your ears will bleed, your muscles will ache, your sphincter will tighten, your guts will churn, and you may even vomit. It’s fucking Foetal Juice and it’s fucking Grotesque. Never change you lovable noise-mongers.” – Games, Brrraiiins & A Headgbanging Life

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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