Posts By Asher

0 EPK – Lancaster – Hell Campaign (2023)

November 14, 2023
by Asher
· EPKs · Lancaster

EPK – Lancaster – Hell Campaign (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Booking – Simon Giard – Simon.giard[@]alleycatproductions[.]ca

Album Title: Hell Campaign
Release Date: October 6, 2023
Label: Self-Release
Distribution: TuneCore

“Hell Campaign was written to set the record straight. All the songs were written by the current line up and a special attention to detail was brought to the table. We wanted to hit big so we brought on some muscle with our producer Raph from Broil Music. We shut ourselves out from the world and didn’t get out of the studio until all the tracks were laid out. It took ten days but we got it done. I think the effort put in shows in the quality of the album.” – Lancaster

Linktr.ee/Lancaster metal | Facebook.com/lancastermetal | Youtube.com/@lancaster310

Lancastermetal.bandcamp.com | Spotify

“We hear a lot of death ‘n’ roll and black ‘n’ roll these days, but I’ll put Lancaster’s latest album into “heavy ‘n’ roll.” This is really fun music that could get the party going in any crowd receptive of at least hard rock music as it is quite accessible, yet hard-hitting enough to keep traditional heavy metallers interested. This is very catchy, upbeat, fast heavy metal and it’s that way throughout the album—no syrupy crap here, the band just plows ahead, delivering rocker after rocker. It’s not just heavy metal by name, this stuff is actually heavy, with a thick sound that brings the song to life. The vocals are melodic but with a slightly harsh edge, which is a good fit for the style.3.5/5″ – The Metal Crypt

“LANCASTER restera lié d’une manière ou l’autre à des groupes comme Motörhead, dont l’influence est palpable sur « Outlaw » avec des éléments narratifs parfaitement incorporés. Les membres semblent avoir délaissés quelque peu leur côté plus garage rock/metal pour une sonorité métallique pleinement assumée, Si vous aimez cette facette du groupe, vous la retrouverez sur « Diesel Punk », qui combine le meilleur des deux mondes. Pour une raison inconnue, je trouvais qu’il manquait un petit quelque chose sur les sorties précédentes afin d’amener LANCASTER au prochain niveau. Avec la sortie de ce nouvel opus, le groupe québécois est prêt à envahir – encore plus – la scène metal avec une production qui rend davantage justice à leur matériel. D’ailleurs, vous devriez réellement écouter « Something Wicked » qui représente très bien l’album avec des accroches et une bonne partie de leurs influences.” – Metal Universe 2023

“Comme toujours lors de leur performance, dès les premières notes certaines personnes du public commencent à s’agiter. C’est lors de la deuxième chanson, soit Something Wicked qu’une petite cellule de thrash s’est déclenchéePlus je vois Lancaster sur les planches et plus j’aime leur musique. Les gars ont une énergie puissante et forte sur la scène ce qui nous pousse à regarder ce qui ce passe sur celle-ci ci. Je suis le groupe depuis deux ans déjà, de concert en concert, ils ne m’ont jamais déçue!” – Eloquence Art 2023

“Les membres sont vraiment sur une lancée et avec la sortie de ce premier EP, on peut croire que ce n’est que le début ! Avec leur heavy metal et ses influences crossover/thrash metal, il nous donné toute qu’un spectacle avec une énergie contagieuse. Sur scène, ils sont intenses et ne restent pas sur place. Quoi de mieux en cette soirée de septembre ? À travers leurs compositions, le choix du nom du EP a été bien choisi, c’est une véritable bombe ! Je vous conseille de surveiller le groupe s’il passe près de chez vous !” – Metal Universe 2019

Album Title: Hell Campaign
Release Date: October 6, 2023
Label: Self-Release
Distribution: TuneCore

Track Listing
1. The Arrow – 4:42
2. Something Wicked – 2:59
3. Outlaw – 3:37
4. Tropical Nightmare – 3:25
5. Ravenstone – 4:43
6. The Dictator – 3:20
7. Diesel Punk – 2:49
8. Hell Campaign – 6:02
Album Length: 30:07

Album Credits:
All Songs performed and written by:
Simon Giard, Dave Mayot, Simon Nadeau, Rapahel Malenfant, Marc-Antoine Desjardins
Produced by: Raphael Malenfant, Marc-Antoine Desjardins
Mixed by: Raphael Malenfant
Mastered by: Ben Fecteau
Album Artwork by: Simon Giard
Canadian Content – MAPL

Album and Live Band Lineup:
Sim ”G” Giard – Guitar and Vocals
Dave “Meister” Mayot – Bass
Simon “Lefty” Nadeau – Drums

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About The Album Artwork:

The album artwork is a worked version of the trench system on the Somme, France in WW1. Showcasing the scars of the destruction of man’s war on the land.

About the album as a whole (LYRICALLY & MUSICALLY):

A dystopian perspective on the nature of war and power. Set in a “dieselpunk” heavy metal fantasy, there’s also some political philosophy inspired by the times.

Track by Track (LYRICALLY & MUSICALLY):

1. The Arrow: The re-imagining of the Canadian war plane: The Avro Arrow as a dragon of ice and its story.

2. Something Wicked: Like a witch’s incantation, we’re painting an image that’s warning of something lurking in the shadows. Witchcraft and pentagrams. Foreshadowing our arrival.

3. Outlaw: As an ex-military member, I have massive issues with the militarization of police, its role in modern society, the issues with social media, bodycams, police unions, and training.

4. Tropical Nightmare: The instrumentals inspired the lyrics. A “1981 Heavy Metal” style zombie-killing fantasy.

5. Ravenstone: Inspired by Dan Carlin’s podcast (Painfotainment) about the death penalty, torture, and execution throughout human history, “Ravenstone” is a recreation of a man sentenced to death and experiencing his execution as a state form of entertainment.

6. The Dictator: A dystopian landscape created by the nature of dictators. The verses are inner monologues, the pre-chorus speaking to troops, and the breakdown of a speech to a hypnotized and convinced crowd.

7. Diesel Punk: Like Cyberpunk, like steampunk, Dieselpunk is a setting in time. It’s a WW2 fantasy landscape intertwined with a punk setting. Anti-Nazi, Ally philosophy, political anthems of liberty, self-expression, and equality.

8. Hell Campaign: This song is about the eternal fight. As an ex-soldier, the warrior ethos has always been part of my personality. No matter the situation, you find a way, you persevere. The allegory is self-explanatory, you fight for what you want, and you do it out of an irrational love. It’s taken years, and it shows on the body, but the fight is never over.

=====================================================

Fun Facts:

We once played a show on the south shore of Quebec City, the bar was not on the “legal” side of things and had some peculiar patrons, to say the least. Besides making some new questionable friends, mid-set, there was a police crackdown, we ended up finishing the set after we had been frisked and I.D’ed by the cops who arrested a man and left the rest of us to rock it.

L-R – Simon ‘Lefty’ Nadeau – Drums, Sim ‘G’ Giard – Guitar and Vocals, Dave ‘Meister’ Mayot – Bass

Photo Credit: Simon Giard

Lancaster is an old-school heavy metal band out of Quebec City, Canada who, like their namesake, rain down indiscriminate destruction in the form of memorable riffs, high-speed solos, and thunderous drums. They have three albums out so far, the most recent being “Hell Campaign”, which debuted on October 6th of this year.

The album has a dystopian perspective on the nature of war and power. Set in a “dieselpunk” heavy metal fantasy, there’s also some political philosophy inspired by the times. The band explains how the album came together:

“Hell Campaign” was written to set the record straight. All the songs were written by the current line up and a special attention to detail was brought to the table. We wanted to hit big so we brought on some muscle with our producer Raph from Broil Music. We shut ourselves out from the world and didn’t get out of the studio until all the tracks were laid out. It took ten days but we got it done. We think the effort put in shows in the quality of the album.”

Lancaster’s themes get a lot of inspiration from guitarist/vocalist Sim ”G” Giard’s personal philosophy but also from his army background. Their lyrics often have a militaristic theme to them as they follow the band’s name. They talk a lot about the dynamics of power, the horrors of war, and the madness brought on by both. The album art for “Hell Campaign” is a worked version of the trench system on the Somme, France in WW1, showcasing the scars of destruction of man’s war on the land.

Lancaster strives to make their listeners feel powerful, energetic, excited, and hyperactive. Especially those who enjoy Motorhead, Judas Priest, and Megadeth.

“Hell Campaign” was released on October 6, 2023, and is available on all digital platforms and CD at the following link: https://linktr.ee/lancastermetal

Album and Live Band Lineup:
Sim ”G” Giard – Guitar and Vocals
Dave “Meister” Mayot – Bass
Simon “Lefty” Nadeau – Drums

Discography:
2023 – Hell Campaign – LP
2022 – MKX – LP
2019 – Bomber – EP

Shared Stage with: Ross The Boss, Dayglo Abortions, Metallian, Burning The Oppressor, Dance Laury Dance

Tours and Festivals:
Quebec Rock Contest (2019 metal winners) Qc city
Quebec Rock Fest 2020 – QC City
RockFest Pour La Santé Mental 2021 – L’épiphanie, Qc
Break Out Tour 2021 – Province of Quebec and Ontario
Gaspésienne Metal fest 2023 – Matane, Qc
Metalodon Fest 2023 – Fredericton NB

0 EPK – Kapitur – Covered In Dust (2023)

November 14, 2023
by Asher
· EPKs · Kapitur

EPK – Kapitur – Covered In Dust (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Swans, Emma Ruth Rundle, Messa, Thou

“With all the sudden shifts, I want people not to be sure of what will come next. I also hope they can relate to it at some level and let themselves be carried by the music. Covered in Dust is a personal songwriting and instrumental exploration along with it being a conceptual work. Behind it lies an arduous imperfect path to discharge fear, self-doubt, the marks of an oppressive upbringing, and the stigmas of years of interpersonal abuse.” – Bruna Wanderley – Kapitur

Band: Kapitur
EP Title: Covered in Dust
Release Date: July 21, 2023
Label: Self-Release
Distribution: Distrokid

Facebook.com/kapitur | Instagram.com/kapiturband | Youtube.com/@kapiturband

Kapitur.bandcamp.com | Spotify | Apple Music

“after hearing this gorgeous album, I knew it was something to bring my attention back. Wonderful melodic and crushing cello doom never sounded so beautiful. Heavy doom sections with blasting drums and gritty guitars. Phenomenal vocals, then they bring the gorgeous sorrow. The album deconstructs everything and makes it flourish. It tears at your emotions and soul. Blackened doom is a genre I love digging through and I found a masterpiece with this album!” – Doom Heart

“You’ll certainly fall in love for the thunderous sound of her cello, placing her among the most interesting new names of the independent scene in Canada.” – The Headbanging Moose

Band: Kapitur
EP Title: Covered in Dust
Release Date: July 21, 2023
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Nature morte (4:09)
2. The Dust in Us (6:12)
3. Amaurosis (3:11)
4. Dream of the Ants (8:20)
EP Length: (21:52)

EP Recording Credits:
• All songs performed by: Bruna Wanderley, Sam Neumann, Bruno Coe (guest), Zach Dean (guest).
• All songs written by: Bruna Wanderley Gonçalves
• Produced by: Seth Manchester, Bruna Wanderley
• Mixed by: Seth Manchester
• Mastered by: Harris Neuman
• Album Artwork by: Jamie Bucciacchio
• Member of SOCAN
• Music is Canadian Content (MAPL)

EP Recording Band Lineup:
Bruna Wanderley – Cello, Vocals
Sam Neumann – Drums
Bruno Coe – Guest Bass
Zach Dean – Guest Guitar

Live Band Lineup:
Bruna Wanderley – Cello, Vocals
Andres Arango – Guitar
Tyler Addey-Jibb – Bass
Sam Neumann – Drums

===========================================================

About The Album Artwork

The cover metaphors a scorching vomit of all self-loathing that patriarchal figures have fed to women through centuries under the disguise of kindness and self-respect. From the depths of my severe upbringing in a Pentecostal church and family, it represents the backwash of years of oppression, also symbolizing the end of my internalization and acceptance of oppression. Covered in Dust burns down everything around me which held me back, and brings myself to flourish over trauma.

About the album as a whole (LYRICALLY & MUSICALLY)

Thematically, this record speaks from personal experience. Inspired by the intrinsical struggles of exile, relationship trauma, and the safe space found in sci-fi literature, the album travels through wonder, solitude, and disillusionment. The existential themes are metaphors for the process of leaving one’s own homeland, failing to adapt, and making someone else your home to then yearn for salvation. The music moves from bleak cacophony to comforting melodies played on the cello, with warm, sorrowful tones that take you on an individual journey in a timeless space. A soul-burning amalgamation of chaos and beauty that unfold an atmosphere and pace that allows for the coexistence of tranquility and despair.

Track by Track (LYRICALLY & MUSICALLY)

Nature Morte – Nature Morte owes to the ferocity of artists like Jarboe and Myrkur, who inspired me to compose, sing, and learn gutturals. The main riff in the song came to fruition on the cello, while the other instruments were added to suit its atypical presence. NM is about post-trauma disembodiment, the feeling of dissociating from your body and emotions in order to cope. Amidst an intangible turmoil, we tranquilize ourselves in the trivial only to become passive observers. Not seeing things for what they are, we give way to madness. Lost in our disembodiment, a distressed inner voice that had been shut calls for help, to the realization of our denial and numbness. This track is the only one that follows the familiar form of verse-chorus-bridge-outro.

The Dust in Us – This was the first song I wrote, using various cello tracks layered as if using a loop. Hence why this track is rich in textures. Initially intended as an instrumental song, the lyrics complement it well. Though haunted by delirium, we accept the traps of existence. We comprehend that regardless of what happened, decay is a common end. We are not the shrunk exploited self we once were, and escaping reality isn’t a choice anymore. Our bodies and souls are one, and we come anew into the world as the embodiment of both.

Amaurosis – Probably the weirdest, most unorthodox track, Amaurosis has a simple repetitive structure and vocals that follow SATB choir scoring. Religious ideologies teach us that female bodies are dirty and sinful, our bodies are guilty of all sin. Fearing insignificance, we find solace in dogmas. Despite our devotion, we live within an inexplicable sense of fear, guided by doubtful truths. The threat of religious demise brings us to lament, and pious cries for mercy.

Dream of The Ants – This song was the hardest to work with, being redone from scratch twice. Its versatile arrangements and unexpected shifts create moods that travel from progressive synths to black metal. Inspired by the safe spaces found in sci-fi literature, it explores feelings of loneliness and disillusionment. Existence is at first regarded as a miracle but, after living through trauma in solitude, we are colonized by hopelessness and desolation. In a vulnerable position, challenged by a cosmic feeling of loneliness we run into despair, and question our own sanity. A reaction to a world with no kindness.

===========================================================

BAND STORY ANGLES / FUN FACTS:

1. After our second show someone came to us and said we’re better than BEHEMOTH!

2. We played a show at -42 C this winter. The heating stopped working, venue pipes were frozen. It was pretty unbearable, so we ended up wearing grandma sweaters for the performance.

3. Contrary to a few assumptions, our songs are recorded with acoustic cello. There’s no reason to record with an electric and miss all that body of sound!

L-R -Tyler Addey-Jibb (Bass), Bruna Wanderley (Cello, Vocals), Andres Arango (Guitar), Sam Neumann (Drums).

Photo Credit – Jeslyn Photo

Kapitur formed in Montreal in 2022 as the offspring of classical cellist Bruna Wanderley, who with empowering rage, aims to reclaim an identity shut by oppressive religious doctrines, social norms of gender, ruthless relationships, and exile. Their sense of unfettered musical exploration storms a mix of doom and post-metal.

Influenced by modern Swans, the 90’s Montreal Mile End scene, US east coast noise, contemporary classical music, death, and black metal, their sound can be bright, sorrowful, and atmospheric like a slow apocalypse. Marked by the band’s heavy instrumentation, the cello takes center with its warm voice coming naturally along the cellist’s alternatively gentle and unhinged vocals. With a lineup revealing their diverse backgrounds, Kapitur shares members with Spectral Wound, Massive Scar Era, and Ratpiss.

In 2022, their take on Sepultura’s Roots Bloody Roots was released to critical acclaim, which was then followed by their July 2023 debut EP Covered in Dust, which is the result of Bruna Wanderley’s initial one-woman band effort, drawing from her past traumas to find safe space in sci-fi literature.

Covered in Dust was mixed at Machines With Magnets by Seth Manchester, who is known for his work with Lingua Ignota, Big Brave, and The Body. Kapitur’s debut is a personal record that weaves a soul-burning amalgamation of chaos and beauty. It presents music that unfolds an atmosphere and pace allowing for the coexistence between tranquility and despair.

Discography:
2023 – Covered in Dust – EP
2022 – Roots Bloody Roots – single

Covered in Dust EP Recording Band Lineup:
Bruna Wanderley – Cello, Vocals
Sam Neumann – Drums
Bruno Coe – Guest Bass
Zach Dean – Guest Guitar

Live Band Lineup:
Bruna Wanderley – Cello, Vocals
Andres Arango – Guitar
Tyler Addey-Jibb – Bass
Sam Neumann – Drums

Shared Stage with: Tómarúm, Volcandra, Djunah

0 VORAATH Unfold A Story of Betrayal And Horror w/ “Judas Blood and Vultures” – First of Many In Music Video Series

November 13, 2023
by Asher
· Music News · Voraath

NEWS RELEASE

Montreal, QC – November 13, 2023

VORAATH Unfold A Story of Betrayal And Horror w/ “Judas Blood and Vultures” – First of Many In Music Video Series

L-R – Paul McBride – Bass, Joshua Ward – Drums, Chelsea Marrow – Vocals, Tylor Kohl – Guitar

Photo Credit – Picture by Jamie Leblanc, Art by Joshua Ward

Gearing up for a debut full-length in 2024 via Exitus Stratagem Records, VORAATH unleashes brutal horror-inspired extreme metal. Earlier this year they revealed their new vocalist Chelsea Marrow (Visitant, The Monster Factory – Death Metal Choir for the video game DOOM Eternal with the reenvisioned, remixed, and remastered version of the single and music video “Siren Head” (https://youtu.be/X0x6xRSWXeo) along with the addition of guest melodic vocals from Taylor Presnell.

Today, the band embarks on telling their next horror tale with “Judas Blood and Vultures”, the first from a series of music videos they will be offering in the coming months in support of their forthcoming album.

“We are excited to kick off our official series of music videos that encapsulate the lore of the music. We want to integrate many visual elements, from action to horror to science fantasy; this song highlights the pace of the album. The title of the song, Judas Blood and Vultures is a story of betrayal told through the lens of an action-horror. We want the audience to feel as if they are watching a first-person video game, blending our style of metal with our enthusiasm for 80’s sci-fi/horror and video games. We are excited to be working with Exitus Stratagem Records in bringing to life our musical vision. We are aiming to bring more than just metal but an entire experience, an auditory odyssey while still keeping our roots in blackened symphonic death metal.” adds Voraath band founder and drummer Joshua Nassaru Ward.

Ward co-wrote the storyline for “Judas Blood and Vultures” along with directing its video with the combined efforts of the band’s team at Eldersverse Studio.

The story of “Judas Blood and Vultures” takes place in the year 2193 – Mission: 3116 The Red Village incident: The Valewalkers are contacted by an old friend, Tobias to investigate a series of strange disappearances in a neighboring village. It is believed that a vile creature from beyond the Nexus Rift, known by the locals as Lumia is responsible for the missing villagers, among them, Tobias’ new bride and infant child. As the hunters and their forlorn guide begin their pursuit of the creature and its cultist minions, they soon discover that not all is as it seems in the ruins of the red village.

The music video for “Judas Blood and Vultures” can be seen and heard via its premiere on NoCleanSinging HERE.

Digital – https://hypeddit.com/voraath/judasbloodandvultures

Featuring members from Xael, Rapheumets Well, Implosive Disgorgence, Sweet Blood, Visitant, and The Monster Factory – Death Metal Choir for the video game DOOM Eternal), VORAATH is an otherworldly and experimental death metal band that brings together emotional yet brutal music and science fantasy appealing to both metal enthusiasts as well as those who appreciate the lore of the music. The band’s origin began with an idea to merge extreme metal with storytelling by band founder and drummer Joshua Nassaru Ward (Xael).

“I wanted to create more than just another metal band but an intricate brand with lore to explore alongside the music. We are creating a metal multiverse,” adds Ward.

Integrating science fantasy, soundscapes, and metal, VORAATH looks forward to tantalizing audiences and leaving them anticipating their forthcoming debut album in 2024.

As they tour across the American midwest, they promise an onslaught of theatrics, bringing their stories of the music to life. Atmospheric and driving, the medley of blast beats, chugging bass, and heavily distorted solos will be both intense and immersive.

“Our stage wear is directly from the lore. Each one of us is a character in the lore of our music. Tactical dystopian armor, Alien-like helmets with red glowing lights, we try to represent the vibe we are writing about.” says Ward.

Voraath is recommended for fans of Septicflesh, Cattle Decapitation, and Fleshgod Apocalypse.

Single Credits:
• All songs performed by: Voraath
• All songs written by: Voraath
• Produced Joshua Nassaru Ward
• Mixed Joshua Nassaru Ward
• Mastered by: Mike Low
• Single Artwork by: Joshua Nassaru Ward

Recording Band lineup:
Singer -Chelsea Marrow
Guitarist – Tylor Kohl
Guitarist – Daniel Presnell
Bassist – Paul McBride
Drummer/vocalist/keys – Joshua Nassaru Ward
Vocals/back up – Taylor Presnell

Live Lineup:
Singer – Chelsea Marrow
Guitarist – Tylor Kohl
Guitarist – Daniel Presnell
Bassist – Paul McBride
Drummer/vocalist/keys – Joshua Nassaru Ward

More info:

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | Twitter.com/ExsrM

Voraath.com | Facebook.com/Voraath | Instagram.com/voraath | YouTube | Tiktok.com/@voraath

Booking: Continental – Michelle Messina – michelle[@]continentaltouring[.]us

– 30 –

“Crushing Sci-Fi Death Metal” – Metal Injection

“The music (The Barrens) reaches new heights of fire-storming intensity, burning with feverish desperation, and then suddenly shifts into a classically influenced acoustic guitar and bass instrumental that’s sublime. That proves to be a segue into yet another phase of the musical narrative, one that’s glorious. The drums continue their blistering assault, but the music soars on the wings of solos of riveting splendor, heroic singing that goes sky-high, and the vast sweep of cinematic synths, which collectively end the track in a panoramic finale of stunning magnificence.” – No Clean Singing

“they are a band who’ve combined their musical and visual sides into a silver screen-worthy, sci-fi based, death metal odyssey centered around alien contact, the devastation and degradation of the environment and humanity, rule by corporate overlords and henchmen, Primitivism vs. Futurism and, of course, lots of blood, guts and killing.”- Decibel Mag

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 DEGENERATOR (ft. members All Else Fails, ex-Striker) Continues Its Fusion Experiment With “Neurotonic” Off “The Abyssal Throne” Out Nov 2023

November 13, 2023
by Asher
· Degenerator · Music News

NEWS RELEASE

Montreal, QC – November 13, 2023

DEGENERATOR (ft. members All Else Fails, ex-Striker) Continues Its Fusion Experiment With “Neurotonic”

Debut Album “The Abyssal Throne” Out Nov 24th, 2023

L-R – Jonathan Webster – Drums, Barrett Klesko – Vocals, Guitar, Bass

Degenerator is an aggressive musical powerhouse based in Edmonton, Alberta, that combines the genres of post-grunge, stoner rock, and doom into a captivating and relentless fusion. Comprised of two musicians, Barrett Klesko and Jonathan Webster who have already garnered intonation musical acclaim they are demonstrating their musical prowess in their debut album “The Abyssal Throne”. The second single “Neurotonic” takes heavy music fans deep into a unique and intriguing soundscape full of fresh energy and innovation. Klesko comments:

“Loss haunts our hearts. We must cherish our loved ones. Before they are gone. I always strive for stirring emotion, while revealing a glimpse of a mystical hidden depth. This music came from investigations of my connection with both the material and ethereal worlds, and I hope this ignites a similar reflection in others.”

“The Abyssal Throne” captures the spirit of the ’90s and ’00s goth and grunge while infusing fresh energy and innovation. The album takes listeners on a rollercoaster of emotions, navigating intricate and progressive time signatures, and balancing thunderous, distorted riffs with intricate melodies that seamlessly intertwine. Each song becomes an adrenaline-fueled journey, inviting listeners to surrender to the primal depths of their own emotions.

The project began as a trial, with Klesko reaching out to his friend Webster, with whom he had previously played in The Order of Chaos. The album started to take shape as Klesko composed to rough drum tracks provided by Webster. What began as an experiment evolved into something entirely unique, distinct from its source material. It is recommended for fans of Baroness, Torche, Smashing Pumpkins, and Sound Garden.

Watch and listen to the video for “Neurotonic” via its premiere on TheObelisk HERE.

“The Abyssal Throne” is due out November 24, 2023.

Album pre-order – https://degeneratormusic.bandcamp.com/

Previous Video – “Eternalism” at https://youtu.be/Ad7o2rmB5vQ

Track Listing:
1. Eternalism – 3:42
2. Finality – 4:06
3. The Day That Never Comes – 4:39
4. Darkness Prevails – 3:58
5. Neurotonic – 4:46
6. The Children of the Night – 3:59
7. Hiraeth – 4:06
8. The Spiral – 4:13
9. Heart Like a Hole – 4:15
10. For Every Truth – 5:38
11. A Way Out – 3:52
Album Length: 47:14

About:

Degenerator, Edmonton’s aggressive sonic titans, unleash a captivating blend of stoner, sludge, grunge, and goth rock.

Degenerator, the relentless musical force hailing from the underground scene in the city of Edmonton, Alberta, emerges from the depths to deliver a spellbinding sound that resonates with fans of Baroness, Type O Negative, The Smashing Pumpkins, Nirvana and Alice in Chains. With their captivating blend of stoner, sludge, grunge, and a touch of doom, Degenerator sets the stage for an immersive journey through explosive moods, progressive time signatures, and hauntingly unusual vocal melodies.

Driven by a collective passion for pushing the boundaries of music, Degenerator boasts an exceptional lineup featuring members from renowned bands such as Striker, All Else Fails, The Order of Chaos, Tyler Dory Trio, and The Secret Places of the Earth. Their combined expertise and unwavering dedication forge a distinct sonic tapestry that both embraces and reinvents the spirit of goth and grunge from the ’90s and ’00s.

Drawing inspiration from the genre’s most revered figures, Degenerator fearlessly invites listeners into an enigmatic soundscape where raw emotions intertwine with thought-provoking lyrics. Their music reflects the complexities of the human experience, delving into the depths of despair while simultaneously igniting a raging fire within the soul.

From the very first notes, Degenerator launches audiences into a realm where aggression surges and anticipation fills the air. With their unyielding commitment to innovation, they flawlessly navigate intricate and progressive time signatures, resulting in a sonic assault that defies convention. Each song becomes an adrenaline-fueled journey, enticing listeners to surrender to the primal depths of their own emotions.

As they traverse the sonic landscape, Degenerator masterfully balances thunderous, distorted riffs with intricate melodies that seamlessly intertwine. Their music evokes a wide range of emotions, from seething rage to cathartic release, leaving no listener untouched by its commanding power. Fans of ’90s and ’00s goth and industrial rock will find solace in the band’s fusion of familiar elements while being propelled by their fresh and unrelenting approach.

Degenerator’s journey to musical excellence is further underscored by their remarkable accolades. The band’s members have been recipients of prestigious awards, including a JUNO Award for Best Metal Album, a Canadian Music Award for Metal Recording of the Year, Edmonton Music awards, and numerous other industry honors. Their track record of success serves as a testament to their unwavering dedication and artistic brilliance.

Degenerator’s forthcoming release promises to be a revelation for music enthusiasts craving an aggressive and captivating sonic experience. With their untamed creativity, unmatched musicianship, and a proven history of award-winning success, Degenerator is poised to leave an indelible mark on the world of alternative rock.

-30-

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Pessimystic – Burnt Offering (2023)

November 10, 2023
by Asher
· EPKs · Pessimystic

EPK – Pessimystic – Burnt Offering (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Booking: pessimysticofficial[@]gmail[.]com

“With a clear vision and a cohesive entity, Pessimystic intends to compose and release EPs and albums on an annual basis, building momentum fast and spreading the Pessimystic energy far and deep.” – Pessimystic

Band: Pessimystic
Album Title: Burnt Offering
Release Date: November 24, 2023
Label: Self-Release

Facebook.com/PessimysticOfficial | Pessimysticofficial.bandcamp.com

[Download EP Cover | Download EP Lyrics]

Band: Pessimystic
Album Title: Burnt Offering
Release Date: November 24, 2023
Label: Self-Release

Track Listing:
1. Conquer the Pantheon – 4:05
2. Visions – 6:19
3. Burnt Offering – 4:25
4. Crystalline – 5:05
5. Omnipresent Malevolence – 6:50
Album Length: 26:47

Album Credits:
• All songs performed by Pessimystic
• All songs written by Pessimystic
• Recorded at Apartment 2
• Mix & Mastered by Topon Das
• Album Artwork by Misanthropic Art
• Member of SOCAN
• Canadian Content (MAPL)

EP Band and Live Lineup:
Ryan: Guitars and Vocals
Mat: Drums
Nic: Bass

=========================================================

About The Album Artwork:

The album artwork is an original piece inspired by Ezekiel 1. Instead of a vision of God’s glory, the image represents God’s judgment. Misanthropic Art was commissioned.

About The Album (LYRICALLY & MUSICALLY):

ALBUM DESCRIPTION

Blackened death metal entity Pessimystic revealed their debut album Burnt Offering; an apotropaic oblation of self-surrender through self-destruction and unity through detachment. Conceptually, Burnt Offering contemplates divine retribution and conjures the apocalyptic imagery enshrined in the human psyche.

Burnt Offering comprises five songs of avant-garde extreme music, for a total length of just under half an hour. Under its dense and dissonant shroud, it combines the wrath and fury of death metal with the intensity and melodic echoes of black metal. The album was recorded and produced by Topon Das at Apt 2 Recording (Fuck the Facts, Deformatory, Eclipser), capturing deep textures and a natural, organic energy. With its meshed layers of intricate technical details, Burnt Offering showcases both performance and dedication Pessimystic has to offer.

Track by Track (LYRICALLY & MUSICALLY)

I. Conquer the Pantheon

The opening track, “Conquer the Pantheon”, was chosen to initiate Pessimystic’s debut record, “Burnt Offering”, due to its momentous energy. It begins with a rolling and thunderous beat, accompanied by an arpeggiated guitar section, creating a primitive and rhythmic atmosphere. This builds towards an aggressive, yet melodic barrage of tremolo chord progressions and blast beats. The song has a direct structure, allowing the listener to become acquainted with the sonic landscape of the record. The lyrics and vocal delivery appropriately correspond to the primitive vibe of the instrumentation, presenting the concept that permeates the entire album; our ancient relationship to the divine. The deity is revealed as a storm theophany, responsible for our fertility and protection, and the song chronicles its evolution into the transcendent creator of the universe. “Conquer the Pantheon” serves its purpose of generating poetic and symbolic imagery of monotheism’s despotic origins.

II. Visions
The second track, “Visions”, is an apocalyptic revelation of divine retribution. It draws inspiration from the horrific events depicted in the bible, predicted by the prophets. Its narration seeks out angelic mediation for the comprehension of these unfathomable, calamitous atrocities. “Visions” is the most resonant and melodic song on the record, from a vocal standpoint. It has a purposefully straightforward composition, yet it is laden with detailed and immersive musical passages.

III. Burnt Offering
The title track, “Burnt Offering”, is the culmination of Pessimystic’s resolve and lyrical theology represented on this album. “Burnt Offering” is about sacrifice through immolation of the self and absorption into absolute unity with God. Instrumentally, this track showcases the diversity of the band’s sound; weaving tense, bewildering dissonance into ominous psychedelia, and finishing with cathartic release. This moment in the record marks the plummeting descent into lunacy, far from the uplifting elements of the first two tracks, and the last trace of melodic respite before what is to come.

IV. Crystalline
We are brought low, to the darkest depths of the record, by the warped and metamorphic intro section of the fourth track, “Crystalline”. The overall tone of this song is injected with more death metal and doom influence than all of the previous tracks combined. In stark contrast with its heavy and brooding sound, the lyrics evoke an ecstatic trance that imagines the mystical and transformative experience of seeing the light and hearing the voice of God. The unique juxtaposition of mode and message negatively charges the unstable aura emanating from “Crystalline”.

V. Omnipresent Malevolence
The monumental final track, “Omnipresent Malevolence”, concludes the album by leading us down an unsettling path toward destruction. Lyrically, this song is a lamentation directed at the almighty, concerned primarily with evil and suffering. It begs the question; why do terrible things happen to righteous people, while sinful deeds go unpunished? How can this world so abound with wickedness if it is the creation of an all-benevolent, all-knowing, and all-powerful God? The menacing instrumental fury of “Omnipresent Malevolence” is an unorthodox blackened death epic, possessed by foreboding grooves, and intensified by pummelling brutality from start to finish.

=========================================================

FUN FACTS – STORY ANGLES

1. About Pessimystic: the whole of the band comes before the individuality of its members. While there are no secret musicians or hidden stories, the band chooses to adopt a strictly minimalistic approach.

2. While the writing process and general concept for Pessimystic originated in 2022, the band came together as a three-piece in 2023.

3. The band played its first show in September 2023, opening for Sunless and Thantifaxath in Ottawa.

4. While promoting this first release, and looking forward to playing more shows, the band currently works on its second album.

5. The album was produced, recorded, mixed and mastered by Topond Das, from Apartment 2 Recording Studio (Fuck the Facts, Deformatory, Eclipser).

L- R – Nic (Bass) | Ryan (Guitars and Vocals) | Mat (Drums)

Photo Credit: Melissa Krakana

Pessimystic is an extreme metal entity hailing from Canada. They perform an experimental style of death metal possessed with a blackened atmosphere. Their sound bridges the chasm between dark, dissonant riffs and hook-focused compositions.

Band Lineup:
Ryan: Guitars and Vocals
Mat: Drums
Nic: Bass

0 Embark On A Sonic Odyssey With Video For Title Track Off Canada’s HATRED REIGNS “Awaken The Ancients”

November 10, 2023
by Asher
· Hatred Reigns · Music News

NEWS RELEASE

Montreal, QC – November 10, 2023

Embark On A Sonic Odyssey With Video For Title Track Off Canada’s HATRED REIGNS “Awaken The Ancients”

New Album “Awaken The Ancients” Out December 1st, 2023

L-R – Jeff Calder – Guitars, Adam Semler – Bass & Vocals, Neil Grandy – Drums, Mitchi Dimitriadis – Vocals

Metalheads, brace yourselves for a transcendent tech death experience as Ottawa, Canada’s Hatred Reigns prepares to release their concept album, “Awaken The Ancients” on December 1st, 2023. This captivating offering delivers more than your standard technical death metal fare as it bridges the journey from 2018’s “Realm I: Affliction” to the perilous and unrevealed “Realm II: Affirmation”. The band comments:

“”Awaken The Ancients” stands as a testament to years of unwavering dedication and unyielding determination. The album’s thematic inspiration derives from an eclectic mix of films, literature, and the visceral experience of facing a spectacular demise. Divided into two realms, “Affliction” and “Affirmation,” the album offers a profound navigation of the protagonist’s perspectives and trials as they embark on their voyage to Necropia.”

Hatred Reigns combines Jeff Calder’s face-melting riffs and licks with Mitchi Dimitriadis’s enigmatic vocals (who also recorded, mixed, and mastered the album), complemented by Neil Grandy’s grinds and gravity blasts, all anchored by Adam Semler’s thunderous low-end. The band’s untamed raw energy during live performances adds an extra layer of intensity to their already formidable sound.

Defined by their chaotic, aggressive, unpredictable, enigmatic, and orchestral approach to music, Hatred Reigns unleashes an infernal symphony of brutality and precision. Their music is a testament to the raw power and intricate craftsmanship that defines death metal. Each member brings a barrage of styles and influences that contribute to the unique twist that is Hatred Reigns. They are recommended for fans of Origin, Suffocation, and Hideous Divinity.

Watch and listen to the video for “Awaken The Ancients” via its premiere on NoCleaningSinging HERE.

Recorded, mixed, and mastered by Hatred Reigns vocalist Mitchi Dimitriadis, the album “Awaken The Ancients” is due out on December 1st, 2023, and is available pre-order / pre-save at the following links:

Digital – https://distrokid.com/hyperfollow/hatredreigns/awaken-the-ancients

Bandcamp – https://hatredreigns.bandcamp.com

Music Video – “Departing Archeron” – https://youtu.be/UkHuDhTsTWA

Track Listing:
1. Awaken The Ancients (5:20)
2. Pain Leads To Nothingness (3:16)
3. To Depths Unknown (2:40)
4. Obsolarium (2:36)
5. Ushered By Charon (5:23)
6. Planes Divide (3:47)
7. Absentia (4:58)
8. Departing Acheron (3:43)
Album Length: 31:20

Album and Live Lineup:
Mitchi Dimitriadis – Vocals
Jeff Calder – Guitars
Neil Grandy – Drums
Adam Semler – Bass & Vocals

More info: Facebook.com/hatredreignsband | Instagram.com/hatredreigns | Youtube.com/@hatredreigns1027

-30-

Metal Injection: My favorite Technical Death Metal EPs released in 2018 – Realm I: Affliction – Hatred Reigns – Article By Austin Weber

“”Planes Divide” vividly reveals the band’s ability to join together murderous brutality and impressive technical fireworks.“ – No Clean Singing (2018 – Realm I: Affliction – EP)

“And once again Canada is the country chosen to make me enjoy with the most technical death metal, this time in a more brutal and devastating side, although perhaps less surprising but much more neck-breaking.” – Necromannce (2018 – Realm I: Affliction – EP)

“The high pitched screams send shivers down our spine and the crushing finale feels as though we are slowly being dragged down into hell.“ – Spirit Level Magazine (2018 – Realm I: Affliction – EP)

“Hatred Reigns alerts us to the arrival of another innovative, brutal and exciting death metal band from Canada” – Eternal Terror (2018 – Realm I: Affliction – EP)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 MARBLE GHOSTS Introduce Themselves With Melodic And Aggressive First Single “Alone”; Debut EP Out March 2024

November 10, 2023
by Asher
· Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – November 10, 2023

MARBLE GHOSTS Introduce Themselves With Melodic And Aggressive First Single “Alone”

Debut EP Coming March 2024

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

Marble Ghosts is a fresh new band out of Ottawa, Canada, composed of a death metal drummer, an old-school metal bassist, a singer heavily influenced by 90s grunge, and a metalcore guitar player. They blend genres and generations through their music highlighted with an unapologetic lyrical approach, as they push boundaries by excoriating traditional power structures, affirming the importance of speaking truth to power. Armed with conviction, they have their first single “Alone” ready to grab listeners by the throat. This single comes off their self-titled debut which will be released next year. It has special meaning to the band as they explain:

“‘Alone’ was written seven years ago and was sitting idle on a dying laptop. Adam (guitarist) resurrected the riff, adding pre-programmed drums and bass, providing the perfect canvas for Dylan (vocalist) to provide a vocal sample. From the first listen, Dylan knew he wanted to work with Adam. This was one of the first tracks the two worked on that would eventually become the project known as Marble Ghosts. Lyrically, ‘Alone’ represents both imagined and real fear. It was originally titled ‘No one can hear you scream’, and the idea behind it is how our own minds can create scenarios to frighten us, but our minds can also save us at the same time when real danger is present.”

The band’s name is a reference to historical statues, some of which stand long past their time. Like the band’s song, ‘False Heroes’, the band asks simply, “Why do we hold them up so high? Why do we cover up the crimes?” These marble ghosts are being pulled down physically but also in the changing mentalities toward flawed historical persons. The marble ghosts are also the traditions of old including religious beliefs that have not changed with the times to accept differing views. Again, the band seeks to call out these anachronistic outmoded views that cause real harm.

The single “Alone” is out now and the self-titled debut is expected in March 2024. Marble Ghosts has its first show on November 26, 2023, at Cafe Dekcuf in Ottawa, ON (Event Details). They are recommended for fans of Alter Bridge, Shinedown, and Saint Asonia.

Listen to “Alone” at the following links:

YouTube – https://youtu.be/ujEwHkoaAeU

Digital – https://distrokid.com/hyperfollow/marbleghosts/alone

Track Listing:
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Marble Ghosts – Self-Titled (2024)

November 10, 2023
by Asher
· EPKs · Marble Ghosts

EPK – Marble Ghosts – Self-Titled (2024)

Publicist – Jon Asher jon[@]ashermediarelations[.]com

“A death metal drummer, an old-school metal bassist, a singer heavily influenced by 90s grunge, and a metalcore guitar player, Marble Ghosts blends genres and generations. Unapologetic in their lyrical approach, the band pushes boundaries by excoriating traditional power structures, affirming the importance of speaking truth to power. These are our first 5 songs and we believe they are very strong and represent our style perfectly as well as the direction we want to go in as a band.” – Marble Ghosts

For fans of Alter Bridge, Shinedown, Saint Asonia, Three Days Grace, Breaking Benjamin

EP Title: Marble Ghosts
Release Date: March 1, 2024
Label: Self-Release
Distribution: Distrokid

Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial | Spotify

“End Of The World completes the EP and no lie instantly had us drooling with its air of nagging menace veined by swarthy guitar lures and a tension of creative distraction, an imposing coaxing soon evolving into a full incitement of animated temptation and keen adventure. Grabbing favourite track honours in its greedy fists, the song prowled like a predator and roared with punk dissidence, aligning both to melodic and sonic drama.” – Ring Master Reviews

“Now we have reached our last mention, my number one recommendation for this week’s list of incredible new music from this website of ours. They have recently just emerged on the metal scene with a distinctive sound. I am talking about the Ottawa-based band Marble Ghosts. Unveiling their self-titled EP, showcasing five compelling songs that you can hear across all streaming platforms now.” – ZACH’S PICKS OF THE WEEK – MARCH 4 TO MARCH 9, 2024 – #1 Marble Ghosts – Canadian Beats

EP Title: Marble Ghosts
Release Date: March 1, 2024
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

EP Recording Credits:
• All songs performed by: Marble Ghosts
• All songs written by: Marble Ghosts
• Produced by: Adam Hansen
• Mixed by: Scott Walsh of Sound Creation Studio
• Mastered by: Scott Walsh of Sound Creation Studio
• Engineer: Cameron Dunn of Hillside Studios
• EP Artwork by:
• Marble Ghosts font: Crossfade Productions
• Statue art: Edith Fluet of Blue Blood Tattoo
• Canadian Content (MAPL)

EP and Live Band Lineup:
Dylan Gunnell – Lead Vocal and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jérôme Renaud – Drums

===================================================

About The EP Artwork:

This is a broken statue of Canada’s first Prime Minister John A. MacDonald and also the architect of the residential school’s system that was meant to solve the so-called “native problem”. Instead, it resulted in multiple generations of trauma for Indigenous people in Canada, the effects of which are still felt today. Called a cultural genocide by the Truth and Reconciliation Commission, it is the most shameful chapter in Canada’s history.

Statues like these are ‘marble ghosts’, still revered by some as pioneers and trailblazers who forged their nations, but who also committed terrible crimes. Like the band’s song, ‘False Heroes’, the band asks simply, “Why do we hold them up so high? Why do we cover up the crimes?” These marble ghosts are being pulled down physically but also in the changing mentalities toward flawed historical persons. The marble ghosts are also the traditions of old including religious beliefs that have not changed with the times to accept differing views. Again, the band seeks to call out these anachronistic outmoded views that cause real harm.

Track by Track (LYRICALLY & MUSICALLY)

1. Old School – A thrash punk medley with a biting, unforgettable chorus that acts as an anthem for the disaffected who are tired of being ruled by a vocal religious minority. Old School is not anti-religious and does not seek to call out all who believe in a higher power. The target of the song is simply those who believe in a higher power that foments hate towards LGBTQ communities and believes in stripping away a woman’s right to choose what she can do with her body. With the words, “God is love and God is hate,” speaks to the way that fundamentalists twist and pervert teachings to fill an agenda of hate. This song is the fuck you to them. Fuck any god whose believers can’t accept love in different shapes and forms and who believes they can tell a person what they can do with their body.

2. Lie to Me – This was “Cheese 2”, another riff from the same session that included ‘Alone’. ‘Alone and ‘Lie to Me’ were sent to Dylan as ‘Cheese 1’ and ‘Cheese 2’ and were used in Dylan’s demo reel for Adam to showcase what he could do with the tracks.

‘Lie to Me’ features an intricate fingerstyle bass intro that builds into a catchy, heavy intro. Despite the scream vocals in the chorus, other than ‘Alone, it is the band’s most radio-friendly track, particularly because of the contrasting harmonies in between the harsh vocals.

Lyrically, ‘Lie to me’ is a song about betrayal and about building something that was never going to succeed. It is supposed to be cathartic as the final act of betrayal frees the person.

3. Alone – Originally titled, “Cheese 1” because it was part of a guitar mess-around session that included several dad-rock riffs that were rejected, this was one of the first songs that Adam sent Dylan. It was written 7 years ago and was sitting idle on a dying laptop. Adam resurrected the riff, adding pre-programmed drums and bass, providing the perfect canvas for Dylan to provide a vocal sample. From the first listen, Dylan knew he wanted to work with Adam. This was one of the first tracks the two worked on that would eventually become the project known as Marble Ghosts.

Lyrically, Alone represents both imagined and real fear. It was originally titled ‘No one can hear you scream’, and the idea behind it is how our own minds can create scenarios to frighten us, but our minds can also save us at the same time when real danger is present.

4. False Heroes – A sludgy verse mixed with a towering harmony-laced chorus and a powerful, thundering instrumental end, False Heroes, lyrically is aimed at the institutions of old and those who continue to prop them up. Originally called Marble Ghosts, the name was changed when the band realized that it was the perfect name for the band itself.

In the current culture, where some believe we should return to a golden past, False Heroes counters that with a resounding NO. The song seeks to eviscerate male privilege, divisive hateful religious figures, but most of all, the ghosts of the past, still seen as trailblazers and nation builders. Inspired by the dismantling of controversial statutes worldwide, but specifically, the downing of the statue of John A. MacDonald, Canada’s first PM and the architect of the residential school system, False Heroes is a warning against romanticizing and celebrating figures whose mindsets were at their core harmful and led in many cases to abusive and criminal acts.

5. End of the World – The most unique track on the EP, ‘End of the World’ takes the ‘quiet’ ‘loud’ verse-chorus formula of 90s grunge and turns it on its head. The quiet verse with its detached vocals transitions into deafening double bass and heavy toms over desperate angry screams.

‘End of the World’ is cynical and angry and reflects the mentality of a millennial generation that grew up being told that their actions would make a difference in the world, and they didn’t. Late-stage capitalism dividing the rich and the poor, rampant homelessness and environmental devastation, ‘End of the World’ is the anthem for those disillusioned by the fact that greed persists despite these devastating problems and is even celebrated by the likes of Elon Musk, a man who can lose 41 billion and still be the richest man in the world.

We live in a world where billionaires invest in space tourism and multi-million dollar vanity projects when millions can’t afford housing and when the world in some cases is literally burning, and the people who can help lack the affluence and ability to do so.

Inspired by the epidemic of wildfires in Canada and specifically the devastating fires in Fort McMurray, ‘End of the World’ is a biting, cynical, and powerful takedown of the greed that is destroying our world.

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Ottawa, ON’s Marble Ghosts announce the release of their debut self-titled EP this coming March 2024.

Comprising of a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ debut self-titled EP is due out on March 1, 2024.

0 JUDICATOR Releases Power Metal Cover Of Barry Manilow’s Classic “Mandy”

November 10, 2023
by Asher
· Judicator · Music News

NEWS RELEASE

Montreal, QC – November 10, 2023

JUDICATOR Releases Power Metal Cover Of Barry Manilow’s Classic “Mandy”

Left to right: Dalton Jolley (Drums), John Dolan (Bass), John Yelland (Vocals), Chad Anderson (Guitar), Dayton Andersen (Guitar)

Photo Credit – Demii Photography

Strap on your bullet belts and gird up your loins! American power metal quintet Judicator has a sweet and sassy new track out, a cover of Barry Manilow’s “Mandy”, presented with a crimson music video. This track was recorded during the same time period as their last album “The Majesty of Decay” (Prosthetic Records) and is a majestic send-off to guitarist Balmore Lemus and drummer Jordy Elcess, who are featured in the music video and have since departed from the band. Vocalist John Yelland explains the track in more detail:

“‘Mandy’ combines the tenderness of Barry Manilow’s 1978 hit with the ominous soundscape of Panos Cosmatos’ 2018 film of the same name. I like to think of this song in terms of the relationship between Red (Nicolas Cage) and Mandy (Andrea Riseborough) in ‘Mandy’ (2018). Although the lyrics don’t totally match the circumstances of these characters, the love and regret expressed certainly relate and resonate.”

Judicator is known primarily for historical topics that stretch across seven albums since its inception in 2012. They cover everything from Napoleon Bonaparte to the renowned Byzantine general Belisarius and have, on occasion, also grappled with heavy themes like cancer, relationships, and death. Whatever they write about, the common thread in all their albums is an exploration of both the human heart and condition.

“Mandy” fits in well with Judicator’s heavy metal style, it will soothe you, make you smile, and entice you to sing along. The single artwork is very low-fi compared to what they usually release. During the filming of the music video, they took some photos that were thematic to film ‘Mandy’, and the final result features iconic items like a chainsaw and a pyramid of Cheddar Goblin mac & cheese boxes.

Whether this is the first encounter with Judicator or one of many, they are sure to impress with their brand of experimental power metal. They are recommended for fans of Blind Guardian, Scanner, and Iron Savior.

Watch the music video for “Mandy” at https://youtu.be/vgLmYdfEBu0

Digital – https://distrokid.com/hyperfollow/judicator/mandy-3

More info: Judicatormetal.com | Facebook.com/judicatormetal | Twitter.com/JudicatorMetal | Instagram.com/judicatormetal

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“The Majesty of Decay is simply one of the best power metal albums released in the last few years, and potentially, my favorite Judicator yet.” – Angry Metal Guy

“This album is guaranteed that fans of Judicator will be talking about it for years to come. There are those which will utterly hate this album as a release that has gone too far in one direction. However, this is a gamble which has paid off and ‘The Majesty of Decay’ is not only arguably one of the best albums released this year, but also debatably the best album that Judicator have ever released.” – Metal Digest

“[Judicator is] unmatched when it comes to delivering an illuminating experience that is both energized and heartfelt.” — GBHBL

“Judicator is something new, but still something excellent. And we sing along, with open shirts and fists pointing to the sky.” — Devilution

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Out Now! DISSONA’s New EP “Dreadfully Distinct” Takes A Progressive Look Into The Blade Runner Universe

November 10, 2023
by Asher
· Dissona · Music News

NEWS RELEASE

Montreal, QC – November 10, 2023

Out Now! DISSONA’s New EP “Dreadfully Distinct” Takes A Progressive Look Into The Blade Runner Universe

Chicago’s Dissona goes into uncharted territory with their new EP “Dreadfully Distinct”, a three-track homage to the gritty world of Blade Runner and the interesting characters who inhabit it. Never before have they so strictly adhered to a thematic device and allowed it to fully take the reins of the creation, however, they believe this EP is a refined distillation of their capabilities to this point and a guidepost for the future of the band. They explain further:

“This EP is the most concentrated version of our sound to date. It’s mature and focused and demands multiple interrupted listens to uncover the intriguing layers concealed within. Sit in your favorite listening environment, close your eyes, and take it in. Read the lyrics. Listen again. There are stories here that are of great value to us and we’ve done everything we can to ensure the art reflects that value. Press play and let us take you somewhere beyond, a voyage of soaring melodicism and roiling energy, violent and decisive.”

Dissona continues to share that for this EP, the three-track landscape felt right. From there, they had several conversations about which stories/characters in the Blade Runner universe felt compelling enough to have their own song and that was that. Fans are aware that their third full-length album has been in production for quite some time and those fans can rest easy knowing the entire album is recorded and will be released next year.

Adventurous and engaging, “Dreadfully Distinct” is a uniquely cinematic trip through progressive metal. It was mixed and mastered by Matt Motto with album artwork created by Karo Gasiorwoska. It is recommended listening for fans of Cynic, Opeth, and Persefone.

“Dreadfully Distinct” is now available as of November 10th, 2023 via Earache Distribution and is available at the following links:

Digital – https://earache.lnk.to/DreadfullyDistinct

CD – https://dissona.bandcamp.com/merch

Music Video – “The Prodigal Son” – https://youtu.be/RX7Inz0rN4s

Music Video – “Skinjob” – https://youtu.be/xzYitZsEg8c

Guitar/Bass Performance Video – Renaissance – https://youtu.be/IJtKF515L-4

In additional news, Dissona has signed a worldwide deal with Extreme Management Group.

Track Listing:
1. The Prodigal Son (6:27)
2. Renaissance (5:33)
3. Skinjob (3:40)

EP Recording Credits:
– All songs performed by: Dissona
– All songs written by: Dissona
– Produced by: Dissona
– Mixed and Mastered by: Matt Motto
– EP Artwork by: Karo Gasiorwoska

EP and Live Lineup:
David Dubenic – Vocals
Matt Motto – Guitars
Craig Hamburger – Bass
Drew Goddard – Drums

More Info: Facebook.com/Dissona | Instagram.com/dissonaofficial

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“Drawing inspiration from the Bladerunner movie series, specifically Agent K from Blade Runner 2049, “Skinjob” has an icy exterior musically, but definitely has the DNA of great mid-west electronica and industrial music inside of its veins. Their entire upcoming new EP Dreadfully Distinct, drops November 10th and follows this story.” – Ghost Cult Mag

“What I love about this band’s sound is the way in which the rolling riffs are mixed with some highly technical playing, but without becoming complex for the sake of complexity alone. David Dubenic has a very dramatic way of singing, utilising different ‘voices’. That usually puts me off, and can sound rather fake and overtly theatrical. But David has the ability to deliver it very convincingly.” – DPRP.net

“This EP delves into the Blade Runner universe, with each track dedicated to a character from the iconic film. The first single, “The Prodigal Son,” explores the backstory of Roy Batty, one of the original film’s central characters. While their third full-length album is also on the horizon, listeners can get an early fix with their upcoming cinematically crafted progressive EP.” – Metal Insider

“Since I wasn’t yet familiar with DISSONA, this EP was a pleasant surprise for me, offering a consistent concept, wonderfully diverse compositions and great performances from all band members. I’m digging their kind of musical story-telling, where everything seems to be in the right place, perfectly supported by the well-balanced, yet full-sounding production. With the earlier mentioned already recorded album on the horizon, it feels like a good time to dive into their backcatalogue before the new opus will be released, which is highly anticipated now!” – Mostly-Metal

“Ethnic instruments bring “Renaissance” to life, a track that finds the band take on the character of Rick Deckard as he and Rachel escape from LA. Another powerhouse performance driven home by Drew Goddard behind the kit, it strikes a wonderful balance between the embellishments of synths and orchestration. Dubenic offers up a couple of unclean vocal moments which add contrast while the thought and vision that has gone into creating something this epic is abundantly clear. There is even a moment for 90’s breakbeats in the final moments. 8/10” – Metal Noise

“The more times you listen to this EP, the more you pick up. It’s quite a fascinating release. Fans of the Blade Runner universe will get a lot more out of it than non-fans, but everyone can enjoy the imaginative prog noise Dissona create regardless. 9/10” – Games, Brrraaains & A Head-Banging Life

““Skinjob” is the shining star on the Dreadfully Distinct – walking a line between metal and brooding goth à la Depeche Mode. As David Dubenic (vocals), Matt Motto (guitars), Craig Hamburger (bass), and Drew Goddard (drums) create collaboratively, aligning to the overarching themes and narrative, their unity allows for both an aural and visual experience. Dreadfully Distinct is not dreadful but it is distinct, creative, and brilliant in its creation.” – Amplify The Noise

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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