EPK – Iron Kingdom – Shadows and Dust (2026)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
For fans of Helloween, Riot, Iron Maiden, Savatage, Judas Priest
“Our 6th studio release, ‘Shadows And Dust’, although not directly following a theme or concept, most heavily lends itself towards the themes of death and impermanence. The state of the world seems uncertain, and this record does reflect some of that. It takes on loss, pain and struggle; overall, the concepts and topics are really quite heavy and dark. From a musical standpoint, we pushed into some new territory, new modes, and feelings than on previous records, but we feel it was exactly what was needed, and allowed us to deliver something exciting and new for the band. Iron Kingdom specifically creates albums that are intended to be listened to as an album, front to back. It is how we consume music, and it’s how we package the product, so if you truly want to understand what we do best, give it a full listen, and enjoy the ride!” – Iron Kingdom
Band: Iron Kingdom
Album Title: Shadows And Dust
Release Date: June 6th, 2026
Label: Self-Release (NA), Steel Shark Records (EU)
Distribution: Indie Pool (Digital Distributor)
Genre: Traditional Heavy Metal (NWOTHM)
Location of Band: Vancouver, Canada
Note: The album is also being released in partnership with Steel Shark Records (France), which will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans.
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True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – Armstrong MetalFest
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – TBD
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlight
July 31 – Drumheller, AB – Loud As Hell Open Air Festival
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Hamilton, ON – TBC
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montréal, QC – Foufounes Électriques
Aug 9 – TBD – TBD
Aug 10 – TBD – TBD
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – TBC
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Ottawa, ON – Dominion Tavern
Aug 21 – Saskatoon, SK – TBC
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing
“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation 2022)
“If you haven’t checked out Iron Kingdom’s earlier releases and you dig pure ’80s metal, grab a copy of The Blood of Creation then get ready to hunt down their earlier catalog. You will not be disappointed.” – The Metal Crypt (The Blood of Creation 2022)
“I am compelled to say that IRON KINGDOM most surely outdone themselves with “The Blood Of Creation”… A distinctively distinguished experience in Heavy Metal relishment distils at an epically entrancing adventure, should you desire it… an injection in infectiously venomous momentum most definitely deserves interest – do check it out.” – Metal Temple (The Blood of Creation 2022)
“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet (The Blood of Creation 2022)
“To put a bow on IRON KINGDOM’s The Blood of Creation, it’s dang good, borderline perfect and any fan of hard rock and heavy metal that is slathered with soaring epic vocals, dual guitar rhythm and shredding solo’s layed down on a feather bed of thunderous, galloping and filling chattering drums and bass then go, go, go get you some of this. A monster thank you to Chris for taking the time to chat me up and gift me this glorious CD. Now I need to go and get the back catalog…” – KNAC (The Blood of Creation 2022)
“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)
“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience (The Blood of Creation 2022)
“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)
“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest (The Blood of Creation 2022)
“if you like your music to deliver heavy metal in that classic way with some heavy NWOBHM worship, then this latest offering from Iron Kingdom is a very good shout” – Metal Digest (The Blood of Creation 2022)
““The Blood Of Creation” is a 13-plus-minute epic track that covers the entire spectrum of what Iron Kingdom is and can be. There is Power, Progressive, Thrash, NWOBHM, and NWOTHM. Soaring vocals, hefty guitars, riffs, rhythms, powerful drums, and bass are all on display for this one. The composition is impressive, complex, and very coherent. The transition makes sense, feels like they are timed perfectly, and flows from one element to the next.” – Metal-Zenith (The Blood of Creation 2022)
“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de (The Blood of Creation 2022)
“The musicianship is solid, the lead work sharp and Osterman’s high-pitched vocals can certainly hit the heights. His soaring shrill delivery on ‘Queen of the Crystal Throne’ demonstrates that perfectly. New drummer Max Friesen makes his recording debut for the band and puts in a sterling effort with some robust and powerful performances.” – Ever-Metal (The Blood of Creation 2022)
“the hype is real: “The Blood of Creation” is an overdose of classic power metal, a homage to the late 80’s – 90’s power metal heroes: HELLOWEEN, GAMMA RAY, HEAVEN’S GATE, SCANNER, early CHINCHILA (remember those guys?), EDGUY with a touch of American stuff like RΙΟΤ.” – Forgotten Scroll (The Blood of Creation 2022)
“They are aiming at the classic sound from the 70s and 80s, so if you want something modern then you have nothing to pick up here. The lyrics speak of war, fear, sacrifice and pain. Luckily the music is not that dark though, but rather very uplifting and pleasant, as it’s a more melodic kind of heavy metal that we get from this band, even though there’s some more powerful tracks too…. I like what I hear.” – Hard Rock Info (The Blood of Creation 2022)
“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider (The Blood of Creation 2022)
[Download Album Cover | Download Album Lyrics]
Band: Iron Kingdom
Album Title: Shadows And Dust
Release Date: June 6th, 2026
Label:
Distribution: Indie Pool (Digital Distributor)
Genre: Traditional Heavy Metal (NWOTHM)
Location of Band: Vancouver, Canada
Track Listing:
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire
Album Length:
Album Recording Credits:
• All songs performed by: Iron Kingdom
• All songs written by: Iron Kingdom
• Co-Produced by: Chris Osterman & Megan Merrick
• Mixed by: Andy Boldt
• Mastered by: Greg Reely at the Green Jacket
• Album Artwork by: Alan Lathwell
• Member of SOCAN
• Canadian Content (MAPL) YES
Album and Live Band Line Up:
Chris Osterman – Lead Guitar / Lead Vocals
Max Friesen – Drums
Megan Merrick – Lead Guitar
Leighton Holmes – Bass Guitar
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About The Album Artwork:
This album posed a challenge when developing a cover concept. There was no one song that stood out above the rest story-wise, and only a thin through-line connecting them conceptually. The only line connecting the majority of songs was death, and in a smaller way, impermanence. The cover pulls directly from the story told in ‘Blood and Steel’, showing an army marching across an inhospitable environment as some of the soldiers succumb to the elements. The visual was inspired by a scene in the Malazan Book of the Fallen series by Steven Erikson. In the series, an army has to march across a desert to steal a march on an enemy before the enemy knows they are there. During the march, many die, many lose hope, and many don’t understand why they are doing what they are doing. The horrific gamble works, and the army is successful in getting into position in time, but success is often a small comfort to those who have to go through the trial. Life is often like this: we have to go through things that are uncomfortable, even dangerous, to reach the position we need to be to accomplish what it is we are trying to do. Often, we don’t know why until it’s over. Leighton Holmes (Bass Guitar)
About The Album (LYRICALLY & MUSICALLY):
I find this album plays in quite a dark realm of topics, lots of death and hardships. It speaks of some very low points in human emotions, but I also think that’s exactly what will make this album accessible to people going through tougher times, and hopefully a place of hope, and to help them see that they are not alone. The music, I believe, shows hope for a positive way out, and hopefully offers the listener the will to fight on.
I think this is a fantastic collection of songs that will really open up our live sets and offer a plethora of great new tunes to our fans and followers, it comes from a little bit more of a rock n roll edge overall, but there are so many elements hidden within, and I think it will be a real journey to experience it front to back. Chris Osterman (Lead Vocals / Lead Guitar)
Track by Track (LYRICALLY & MUSICALLY):
1. Defenders
Telling the story of the Battle of Gdansk. Brave Polish soldiers stood against the Nazi invaders for 7 days. The Germans expected the fight to take a couple of hours at most. Leighton Holmes (Bass Guitar)
Even though this song is fast and heavy, with great riffs, I find it very emotional as well, and I think it speaks to the courage of those who defend their families, their friends, and their way of life. I think the music shows strength and sadness, but with a strong will to carry on at all costs. I personally found a lot of inspiration from acts such as Tyran Pace and Primal Fear. Chris Osterman (Lead Vocals / Lead Guitar)
2. Line of Fire
A perspective of a guy in a firefight trying to get away, knowing that if he stops, he dies. Leighton Holmes (Bass Guitar)
Megan came into the jam space with just a ripping riff; it felt like something off of an old Megadeth album, so we knew we needed to do something thrashy and just gut-punching. It was all about fast riffs and ripping leads. Chris Osterman (Lead Vocals / Lead Guitar)
3. Eternal Emperor
About a cursed emperor, who returns to life every time he is killed, more powerful but with a more tenuous grip on his sanity. Leighton Holmes (Bass Guitar)
This one we took on more of a harmonic minor scale approach, sort of like what we did with ’Egypt (The End is Near)’, or ‘The Veiled Knight’, it felt just kind of more eerie, and it allowed for some pretty aggressive vocals. Chris Osterman (Lead Vocals / Lead Guitar)
4. Dreamless Sea
A song about regret, lost love, and the impermanence of life. Uses imagery of a decaying garden and a deadly ocean. Leighton Holmes (Bass Guitar)
This one has a few twists in it musically; there’s some very melodic guitar passages, some even get a little bit progressive, the verse is very DIO, to me, and I tried to give the voice a lot of movement across the song. Chris Osterman (Lead Vocals / Lead Guitar)
5. Deadhouse Gates
A mystical gate hidden in a deadly house can allow mortals to ascend to godhood. Based on the Malazan books by Steven Erikson and Ian C. Esselmont. Leighton Holmes (Bass Guitar)
This one is just a total rock n roll song, some great leads and melodies, and just overall, I think very catchy! Chris Osterman (Lead Vocals / Lead Guitar)
6. Blood and Steel
A story about a soldier who finds himself far away from home after a long and seemingly never-ending campaign. Think of a soldier in Alexander the Great’s army surviving all the way to India. Leighton Holmes (Bass Guitar)
Musically, we wanted this song to sort of sound like a march. We went very bass and drum heavy for the verses, and then just added some layering on top with the guitars in strategic spots. It’s a very different song for us, and I think it will add something very special and unique to our live sets. Chris Osterman (Lead Vocals / Lead Guitar)
7. Shadow of Time
A story about an entity that stands outside the flow of time, witnessing events unfold on earth and debating the consequences of getting involved. Leighton Holmes (Bass Guitar)
This one was one of the first songs we wrote for this album; in particular, I found influence from the act, Praying Mantis; it’s a mid-paced rocker with some very NWOBHM vibes. Chris Osterman (Lead Vocals / Lead Guitar)
8. Dark Demands
A cabal of nefarious warlords prey on the desperate, promising much and delivering little. Leighton Holmes (Bass Guitar)
The song was written to sort of warn against signing a bad record deal, haha, but it’s not about any particular experience, just the idea of the ‘man’, kind of coming in and taking his cut, but it’s far bigger a cut than you ever expected.
Musically, this song was Megan’s brainchild, haha, she wanted something evil and dark, and it just hit as a Judas Priest tune from Painkiller. I feel like she succeeded. Chris Osterman (Lead Vocals / Lead Guitar)
9. Starlight
A story about Gil-galad from ‘The Lord Of The Rings’, the last High King of the Noldor. He died at the hands of Sauron during the Last Alliance of Men and Elves. Without Gil-galad, the defeat of Sauron would not have been possible. Leighton Holmes (Bass Guitar)
This one came from an interesting angle. Max really wanted to do something reminiscent of Iron Kingdom’s beginnings; he took a lot of inspiration from Amanda (For those who don’t know, she was our drummer from the first 3 albums + the live EP). And I think Megan was listening to a lot of Angel Witch, haha, so it kind of blended together into what is now ‘Starlight’. Chris Osterman (Lead Vocals / Lead Guitar)
10. Sacred Fire
About the need for compassion, empathy, and for people to embody higher ideals. Especially in dark times. Leighton Holmes (Bass Guitar)
This is possibly my favourite track on the album; it feels like an epic without actually being all that long of a song (to us). There’s a sort of timeless energy to this one, and the riffs are just cool. Lots of DIO and Iron Maiden vibes, and I think it’s going to be an awesome live tune. I think we will be able to play around with the arrangement a bit live as well, I’m pretty excited about it! Chris Osterman (Lead Vocals / Lead Guitar)
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BAND STORY ANGLES / FUN FACTS:
1. The release of our 6th studio album, ‘Shadows And Dust’ [June 6th 2026], coincides with our 15th anniversary as a band [June 6th 2011]. Historically, it will be the 82nd anniversary of D-Day in WW2 [June 6th 1944], (The day that Allied forces took back the beaches of France and began liberating Europe.) You could say the planets aligned… but we will let the music speak for itself. The 6th album (06.06.26)
2. With the very recent completion of our own home recording studio and rehearsal space. This is the first album we have recorded entirely in one studio space. Every other album to date has been recorded across at least 2 unique spaces.
3. Iron Kingdom is mostly a DIY act, booking our own tours, recording our own records, building our own website, and everything in between. We pride ourselves on hard work and growth. (Of course, not everything can be done ourselves; we hire out for PR, Printing Merchandise, Mixing/Mastering, and some other tasks, but a large majority of the work is done within the group.)
4. With the release of ‘Shadows And Dust’, we will be headlining our release show at one of the larger rooms in Vancouver. ‘The Rickshaw’ (650 capacity), for us this is a monumental step forward, it is the same venue we got to open for headlining bands such as HammerFall, Angra, Sanctuary and so many others, and to feel in some way that we have worked our way up to headline a venue of that size, is very exciting, and we cannot wait to bring our biggest show yet! (The show will be happening on Friday, June 5th, the night before the official release.
5. We are thrilled to soon embark on one of the most extensive tours of Canada, definitely the largest that we as a band have ever done, and to be quite frank, probably likely to be quite rare across any live acts. We will be performing in 9 provinces, and 2 territories crossing over 20,000KM’s of travel, with shows as far North as Dawson City, Yukon, as far East as St. John’s, Newfoundland and as far West as Victoria, British Columbia. Not only will it be filled with incredible shows, bands and fans, but also an awe-inspiring journey to see our massive and beautiful country in one incredible journey.
L-R: Max Friesen (Drums) | Chris Osterman (Lead Vocals / Lead Guitar) | Megan Merrick (Lead Guitar) | Leighton Holmes (Bass)
Photo Credit – Cailin Haley
Forged in Vancouver, Canada, in 2011, Iron Kingdom has spent fifteen years carrying the torch for classic Heavy Metal with unwavering conviction. Inspired by the genre’s titans, Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush—the band built its identity on electrifying stage presence, intricate twin-guitar harmonies, and a steadfast devotion to the melodic, adventurous spirit of Traditional Metal. As the band puts it, they formed because modern Metal had “forgotten about the melody, the stage show, and the accessibility of the music,” so they chose to “pick up the torch and do it ourselves.”
Iron Kingdom began with guitarist/vocalist Chris Osterman, bassist Leighton Holmes, and drummer Amanda Osterman. After releasing their debut ‘Curse of the Voodoo Queen’ in 2011, the band toured Western Canada and even appeared on Canada’s Got Talent. Guitarist Kenny Kroecher joined shortly before the release of the debut, helping shape the heavier direction that would define their next era.
Their 2013 album ‘Gates of Eternity’ earned international attention and led to a performance at Germany’s Keep It True XVII festival, an early milestone that opened doors to extensive touring across Canada, Europe, and the United States. The band’s momentum continued with the dual 2015 releases ‘Ride for Glory’ and the live EP ‘Unleashed at the Kraken’, though the accompanying tour was marred by a near-fatal vehicle accident that marked a turning point in their lineup and resilience.
Following lineup changes, Iron Kingdom pushed forward with major North American and Brazilian tours, sharing stages with acts like Blaze Bayley and HammerFall.
Guitarist Megan Merrick joined following this period, contributing to the band’s Traditional and Power-Metal-infused sound.
Their 2019 album ‘On the Hunt’ showcased this evolution, supported by a North American tour and a European run cut short only by the onset of COVID-19. Drummer Max Friesen joined in 2020, adding to the group’s Progressive Metal edge and completing the lineup that carries the band into its current era.
In 2022, Iron Kingdom released their fifth studio album, ‘The Blood of Creation’, further cementing their identity as a modern force in Traditional Heavy Metal. The band continued to refine their collaborative writing approach, driven by a collective creative engine where “the best ideas move forward” and every member contributes to the final vision.
Now, in 2026, Iron Kingdom enters a defining moment with the release of their sixth studio album, ‘Shadows and Dust’, arriving June 6, 2026, a date that symbolically aligns with both their 15th anniversary and the 82nd anniversary of D-Day. As the band notes, “The release of our 6th studio album… coincides with our 15th anniversary… You could say the planets aligned.”
‘Shadows and Dust’ marks several firsts and milestones:
It is the first album recorded entirely in the band’s own home studio, a major step in their long-standing DIY ethos.
It showcases a darker, more emotionally charged lyrical landscape, exploring themes of death, impermanence, hardship, and resilience.
Musically, it blends the band’s classic Heavy Metal roots with new textures, progressive touches, and a renewed sense of storytelling.
Its release show will see Iron Kingdom headlining Vancouver’s Rickshaw Theatre, a venue where they once opened for their heroes, now a symbol of how far they’ve climbed.
The album’s creation reflects the band’s collaborative maturity. Songs were developed through jam-based writing sessions, where riffs, lyrics, and concepts evolved organically. As Leighton describes, lyric inspiration often comes from “books, and sometimes movies… as long as it’s thought-provoking,” while Chris emphasizes the band’s commitment to crafting albums that take listeners on a journey.
Across six albums, Iron Kingdom has transformed from a Hard-Rock-leaning young band into a fully realized Traditional Metal powerhouse. Their sound, described by Chris as “Classic, Powerful, Epic, Adventurous, Melodic”, draws from classic Heavy Metal, Power Metal, Progressive Metal, and Neo-Classical influences.
Yet despite their evolution, their mission remains unchanged: to deliver raw, energetic, no-click-track, no-backing-track Heavy Metal with the spirit of the genre’s golden age. Their live shows remain a cornerstone of their identity, “a real force on the live stage,” commanding attention with movement, musicianship, and authenticity.
Fifteen years in, Iron Kingdom stands as one of Canada’s most dedicated champions of Traditional Heavy Metal. Their journey, marked by relentless touring, lineup changes, near-disasters, and triumphant reinventions, has shaped a band that thrives on perseverance and passion.
With ‘Shadows and Dust’, Iron Kingdom enters its next era with sharpened purpose, renewed fire, and a sound that honours the past while forging boldly ahead. Their story is one of endurance, evolution, and the unbreakable power of Heavy Metal.
Discography:
2026 – Shadows And Dust – (LP)
2022 – The Blood Of Creation – (LP)
2019 – On The Hunt – (LP)
2015 – Unleashed At The Kraken (Live In Seattle) – (EP)
2015 – Ride For Glory – (LP)
2013 – Gates Of Eternity – (LP)
2011 – Curse Of The Voodoo Queen – (LP)
Artist Endorsements / Sponsors: Pete Joy – Joystix Rockade in Keokuk, IA – Sticks and Strings
Music Placements: Hockey Night in Canada (Queen Of The Crystal Throne) LIVE TV
Shared Stage with:
Sanctuary, Anvil, HammerFall, Angra, Ross the Boss (Ex-Manowar), Blaze Bayley (Ex-Iron Maiden), Metal Church, Jag Panzer, Flotsam and Jetsam, Skull Fist, Witch Cross, Girlschool, Into Eternity, Tygers Of Pan Tang, Satan, Striker, Visigoth, Riot Act, Riot City, Unleash The Archers,
Night Demon, Burning Witches, Glacier, Iron Fate, Tailgunner, Steel ShockTourts and Festivals:
2024 – Muskelrock Festival – Alvesta, SE
2024 – Horns Up Festival – Trikala, GR
2024 – Decibel Rebel Festival – Kavala, GR
2024 – Helicon Metal Fest – Warsaw, PL
2024 – Heavy Metal Thunder Fest – Pisek, CZ
2024 – GLACIER (USA) – EUROPE TOUR
2023 – British Steel Saturday Night Festival – Fismes, FR
2023 – Rising Fest – Dijon, FR
2023 – STEEL SHOCK (NL) – EUROPE TOUR
2022 – Armstrong Metal Fest – Armstrong, BC, Canada
2022 – Hyperspace Metal Fest III – Vancouver, BC, Canada
2021 – Loud As Hell Fest – Drumheller, AB, Canada
2020 – Full Metal Osthessen – Niederjossa, DE
2018 – Hyperspace Metal Fest I – Vancouver, BC, Canada
2018 – Halloween Havoc Festival – Surrey, BC, Canada
2016 – Metallion Fest III – Vanderhoof, BC, Canada
2016 – Tatuira Festival – Bento Gonçalves, Brazil
2016 – BLAZE BAYLEY (UK) – Brazilian Tour
2015 – Metallion Fest II – Vanderhoof, BC, Canada
2014 – Throwback Metal Fest – Apple Valley, CA, USA
2014 – NIGHT DEMON (USA) – USA TOUR
2014 – Keep It True XVII – Lauda-Konigshofen, DE
2014 – Warm Up Festival – Paris, FR
2014 – Very ‘Eavy Fest – Stadskanaal, NL
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