Posts By Asher

0 Exitus Stratagem Records – MATT MILLER Drops a Holiday Metal Rendition of Bach!

December 24, 2025
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – December 24, 2025

MATT MILLER Drops a Holiday Metal Rendition of Bach!

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Guitarist and composer Matt Miller is closing out the year with a spirited new holiday release that blends classical elegance with high‑energy metal flair. His latest track and accompanying video, “December, Joy of Man’s Suffering in the Holiday Spirit 2025,” offer a playful reinterpretation of a classic Bach composition, transformed into a modern, riff‑driven celebration of the season.

The video, filmed with a humorous, tongue‑in‑cheek approach, features festive characters and a warm holiday atmosphere. Miller and band emphasize that the visuals are created purely in good fun and in the spirit of the season, noting that they do not claim ownership of any characters portrayed.

“This piece was all about having fun with something timeless. We wanted to take a Bach classic and give it a metal twist while keeping the holiday mood light, joyful, and a little mischievous,” says Miller.

The track showcases Miller’s signature blend of technical precision, melodic creativity, and genre‑bending experimentation. By pairing baroque‑inspired lines with modern metal textures, the release offers something fresh for fans of classical crossover, instrumental metal, and holiday music alike.

As 2025 comes to a close, the video also carries a message of gratitude and optimism. “There’s a lot to be happy about and a lot to look forward to in 2026. Eat, drink, and be merry. Cheers from all of us to all of you!” Miller shares in the video description.

“December, Joy of Man’s Suffering in the Holiday Spirit 2025” is now available to watch on YouTube at https://www.youtube.com/watch?v=39p10iPW6SY

This past September 2025 marked Matt Miller’s first full-band album after years of performing as a solo artist. Originally conceived as an instrumental record, the album entitled “Fiber Tormentum” evolved into a full-scale concept piece with vocals and contributions from the entire lineup. Lyrically, the record tells a loose sci-fi narrative of alien invaders manipulating human DNA to enslave humanity. Musically, it blends technical death metal, power metal, progressive death, and symphonic elements into a relentless yet melodic assault.

The album artwork, created by the late Joshua Nassaru Ward (Voraath), reflects the album’s core theme: a tormented face mid-transformation, symbolizing the manipulation of human DNA. The title “Fiber Tormentum” is inspired by Roman history, the sound of a ballista’s ropes tightening before release, a metaphor for the tension and release found throughout the album.

“We set out to make the best possible record that we could and push ourselves to our best performances. We never settled and always reached higher. We explored all options and left no stone unturned. Fiber Tormentum was the most ambitious project I had ever worked on, and I wanted to make an album that not only belongs alongside the bands and songs that I hold in such high regard but also adds something new to the genre and brings something unique. A technical death metal album with clean vocals and intricate over-the-top guitars locked in step, and in those moments, they don’t back off but accelerate. If anything, it adds a hint of theatricality and makes the songs memorable, or I dare say catchy, with guitar and vocals entwined. One of the key elements of the album is its human feel. Yes, we used some modern production techniques, but this album still retains its human element while remaining focused and airtight. At the very least, this was the next step in my ever-changing musical evolution and expanding horizons, which only means that the next release will be more ambitious while providing a glimpse into our lives, because isn’t that what art is and does?” says Miller.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Guitar Playthrough – Descent into Violence – https://youtu.be/RCj0AKSkSTc

Music Video – Effecively Neutralized – https://youtu.be/hJDoR9JL9b8

Band Playthrough – Summoned – https://youtu.be/5FJxxg_dd2k

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

—
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0 Rockshots Records – SECRET RULE Shares New Music Video “Lost In Paradise” ft. Marco Pastorino (Temperance/Serenity)

December 23, 2025
by Asher
· Music News · Secret Rule (Rockshots Records)

NEWS RELEASE

Montreal, QC – December 23, 2025

SECRET RULE Shares New Music Video “Lost In Paradise” ft. Marco Pastorino (Temperance/Serenity)

10th Studio Album “X” Out Now!

Secret Rule releases “Lost in Paradise” today, December 23rd, 2025, on all digital platforms, accompanied by an official music video. The song represents the final release of 2025, taken from the band’s tenth studio album “X“, available since October 24th.

After a series of singles focused on inner conflict and resistance, “Lost in Paradise” shifts the emotional perspective inward. The track unfolds as a melancholic modern metal ballad, centered on the quiet realization that something once deeply familiar has been lost and on the strength required to face that absence without surrender.

Rather than dwelling in regret, the song channels loss into awareness and resolve. Its lyrics reflect on memory, distance, and emotional disconnection, capturing the fragile space between what was and what still deserves to be fought for. This tension is mirrored in the song’s progression, where restrained atmospheres gradually expand into a powerful emotional peak.

Musically, “Lost in Paradise” blends heavy yet controlled guitar work with layered arrangements and an expressive vocal interplay. The track features a triple-vocal performance by Angela Di Vincenzo, Andy Menario, and special guest Marco Pastorino, whose contribution adds a distinctive tonal depth and amplifies the song’s emotional impact without overpowering its intimate core.

“‘Lost in Paradise’ digs into the pain of irreplaceable loss but transforms it into a form of defiant hope,” explains vocalist Angela Di Vincenzo.

Producer and guitarist Andy Menario adds: “This ballad allowed us to explore vulnerability in a very direct way, letting emotion guide both the arrangement and the performance. Marco’s voice gave the song an extra layer of intensity.”

Produced, arranged, mixed, and mastered by Andy Menario, the single once again reflects Secret Rule’s fully independent creative approach. Within the broader narrative of “X“, “Lost in Paradise” stands as one of the album’s most introspective chapters, emphasizing emotional clarity over confrontation.

With this release, Secret Rule closes 2025 by reaffirming their ability to evolve through nuance as much as power, offering a song that speaks quietly but resonates deeply.

Listen to the single: https://lnk.to/n9d2EKuI
Music Video: https://www.youtube.com/watch?v=TUGG7HhpUYE

For fans of Amaranthe and Within Temptation, “X” is an album that bridges melody and power.

ALBUM ORDER from Rockshots Records store / Digipack – https://rockshots.eu/products/secret-rule-x

Track Listing:
1. The Answer
2. Walking Down The Street
3. In The Silence
4. Echoes of Earth
5. Eternal Symphony
6. Silent Pain
7. Collapse
8. Lost In Paradise
9. Destiny Reloaded
10. Just A Sacrifice
11. The Storm
Album Length: 42:30

ANGELA DI VINCENZO: Vocals
ANDY ‘MENARIO’ MENARINI: Guitar
SOFIA BASILI: Bass
ANDREA MIAZZETTO: Drums

More info:
https://www.rockshots.eu

Website: https://www.secretrule.it
Facebook: https://www.facebook.com/secretruleband
Instagram: https://instagram.com/secret_rule_official

ABOUT SECRET RULE:

Formed in 2014 by vocalist Angela Di Vincenzo and guitarist/producer Andy Menario, Secret Rule has emerged as a powerhouse in the symphonic modern metal scene. Now joined by Andrea Miazzetto (drums) and Sofia Basili (bass), the band seamlessly blends crushing metal riffs, cinematic symphonic layers, and cutting-edge electronic elements, all elevated by Angela’s commanding and emotive vocals. Hailing from Italy, Secret Rule has attracted audiences worldwide with their unique sound and high-energy performances.

With nine studio albums, the band has continually pushed the boundaries of the genre, crafting richly layered compositions and thought-provoking lyrics. Their dedication to musical innovation has earned them a global following and a reputation as trailblazers in modern metal.

Career Highlights:

Extensive Touring – Secret Rule has performed in over 20 countries, sharing the stage with renowned acts like Delain, Serenity, Visions of Atlantis, Rage, Xandria, Kobra and the Lotus, and Semblant. They have also delivered electrifying performances at major festivals such as Barcia Metal Fest, Metal Fest Event – Femme, Camorock Festival, Rock Castle Open Air, Rock Fest Prague, and Festo Die Hydra.

Critically Acclaimed Discography – Albums like “The Key to the World” (2017), “Against” (2020), and “The Resilient” (2022) have garnered widespread praise for their innovative soundscapes and polished production. In May 2019, “The 7 Endless” was ranked 20th among the best imported albums in Japan’s esteemed BURRN! Magazine.

Streaming & Video Success – With millions of streams across Spotify, YouTube, and digital platforms, Secret Rule’s music continues to reach a growing global audience. Their hit “The Song of the Universe” has amassed over 2 million views, highlighting their international appeal.

High-Profile Collaborations – Secret Rule has worked with iconic musicians from Within Temptation, Sonata Arctica, Delain and Firewind, further cementing their status as a dynamic force in the genre.

Chart Success – Their singles have hit the Top 10 on iTunes rock/metal/all-genre charts in Finland, Japan, Italy, Canada, and Norway.

-30-

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0 Canadian Thrash TRISKELYON Unleashes Mind-Blowing Cover Video “Major Tom” ft. CATEGORY VI’s Amanda Jackman

December 22, 2025
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – December 22, 2025

Canadian Thrash TRISKELYON Unleashes Mind-Blowing Cover Video “Major Tom” ft. CATEGORY VI’s Amanda Jackman

4th Studio Album “Maelstrom of Chaos” Out Now! via Morbibund Records

Canadian thrash metal force TRISKELYON has blasted into the stratosphere. The relentlessly creative project helmed by guitarist Geoff Waye (Artach, Category VI) has unveiled a ferocious metal reimagining of Peter Schilling’s “Major Tom,” accompanied by a new video showcasing guest vocals from Amanda Jackman (Category VI).

Their trademark left‑field cover approach shines again, with Amanda Jackman’s soaring voice propelling the iconic 80s synth‑pop track into the dark expanse of high‑velocity thrash.

Drawn from their fourth full-length album, “Maelstrom of Chaos,” this track is the climactic finale to a record that signals a deeper dive into savage speed and death-thrash elements, all while retaining the melodic hooks TRISKELYON is known for. Geoff Waye’s blistering compositions balance the savage speed of 80s thrash legends with complex, modern melodicism, making the project a required listen for fans of Testament, Forbidden, and Death Angel.

ALL SYSTEMS ARE GO: WATCH THE VIDEO FOR “MAJOR TOM” NOW! at https://youtu.be/3jxPAbUVK68

Formed in 2021 by guitarist Geoff Waye of the acclaimed True Metal band Category VI, Triskelyon came roaring out of the gate with their self-titled EP and landed a deal with Moribund Records for their chart-crushing debut, “Downfall” (2022). They followed with the bone-splitting “Artificial Insanity” (2023), dominating radio for six weeks, followed by the apocalyptic “Shattered Elysium” (2024). Each release bigger, faster, heavier… and now comes the ultimate Thrash onslaught “Maelstrom of Chaos”.

For “Maelstrom of Chaos,” mastermind Geoff Waye once again summons an all-star cast of metal warriors from the Canadian scene and from the global scene. Enlisting the vocal talents of guests Liv Jagrell (Liv Sin), Amanda Jackman (Category VI), James Delbridge (Lycanthro), Carolina Padrón (Tribus, Bloodrain), Dale Drew (Sea Dogs), and Pete Healey (Marshall Law, Ex Oberon), this album reigns as a true Thrash Metal masterpiece. On drums, the thunder is split between Raul Marques (Burning Torment) and Nicole Trinchero (Chaos Rising, Acroma), while bass devastation comes courtesy of Dwayne Pike (Afterforever), Rick White (Within the Realm, Exorcist), and Darrin Pope.

In true Triskelyon fashion, expect more than Thrash; this is a molten fusion of Thrash, Speed, Power, Death-Thrash, and Traditional Metal. Wild and impressive, explosive riffs, razor-sharp solos, and skull-crushing rhythms resurrect the glory of the ‘80s while forging it into something bigger, louder, and deadlier for today.

In keeping with Triskelyon‘s tradition of closing their albums with an iconic cover, this release delivers the heaviest Metal rendition of Peter Schilling’s mega-hit “Major Tom” that the world will ever hear!

“Maelstrom of Chaos” is not just an album – it’s a Thrash Metal supernova. Brace yourself.

CD order (released Nov 28th) – https://www.moribundcult.com/product/DEAD336.html

Add to your Spotify playlist – https://open.spotify.com/artist/5eHXL3FTFpLVOJTIcViEIW

Single – Blood Drowned Prophecy (ft. guest vocals Liv Jagrell from Liv Sin) – https://youtu.be/FikcpI8IGBE

Lyric Video – Of Dust and Divination – https://youtu.be/x_Qf8t2XmUk

Track Listing:
1. Of Dust and Divination (4:49)
2. The Winter Tsar (4:02)
3. Maelstrom of Chaos (4:24)
4. Unit 684 (4:21)
5. Blood Drowned Prophecy (4:10)
6. Death Racer (4:24)
7. Blame Game (4:27)
8. Divide and Dissent (3:53)
9. Cretin (5:08)
10. Major Tom (cover) (5:22)

Follow TRISKELYON:
Facebook | Bandcamp

Follow Moribund Records:
Moribund Website | Facebook | Instagram | Bandcamp

– 30 –

“One of my favorite albums of the year” ~Brutally Delicious Podcast

““Hellbound Hellions” follows and is just a great tune. That scream in the beginning and I knew immediately that Pete Healey was back for another album with Waye. The last of the opening trio and it is a slayer. Killer thrash riffs and Healey’s soaring vocals and a really sick solo makes this one of my favorites on the album.4.5/5” – Metal Rules

“It’s refreshing, for once, to discover a thrash band that aren’t geared towards utter devastation but, rather, crafting a record that an audience can simply put on and vibe to. With more than forty-five minutes to work with, the band still stuck to their guns and applied songwriting that saw every minute feel earned and needed for what their performance entailed.” – The Razor’s Edge

“Waye has shown he can write in any metal style and the guys he got together to perform are world class. The production is pretty big too so, if you like Megadeth, Agent Steel, Exodus, Overkill, etc. then there will be something on here that you like. Me? I liked it all! Hopefully, Canadian metal will be taken a bit more seriously with this release.” – My Global Mind

“classical Thrash Metal tracks and many 80s vibes.” – Metal-Temple

“Heavy, pounding, in-your-face, power metal-laced thrash” – Metal Crypt

“A who’s who of musicians in the Canadian Thrash scene! Riffs and soloing are nothing short of fantastic!” – MetalNoise

“Powerful at the right point but also epic, with sharp and anthemic vocal parts” MetalHead.it

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability.” – FFM-Rock

“Minimal filler and maximum melody!” – Heavy Music HQ

“Tighter than a shark’s arsehole and shows that Triskelyon are continuing to do what they do best.” – Metal-Digest

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0 Rockshots Records – Italian Melodic Death KARMIAN New Single “Beastmaster Of The Void” From Upcoming Album “Horror Vacui” Out March 2026

December 19, 2025
by Asher
· KARMIAN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – December 19, 2025

Italian Melodic Death KARMIAN New Single “Beastmaster Of The Void”

New Album “Horror Vacui” Out March 20th, 2026

Italian melodic death metal force KARMIAN open a new and uncompromising chapter with the release of their first single, “Beastmaster of the Void”, taken from the forthcoming full-length “Horror Vacui“. The track arrives accompanied by an official visualizer published on the Rockshots Records YouTube channel.

VIDEO for “Beastmaster Of The Void”: https://youtu.be/-NhBZGSShJE

DIGITAL: https://lnk.to/PMCdGh

“Beastmaster of the Void” stands among the album’s most direct and unrelenting compositions – a surge of sharp riffing, relentless pacing, and psychological intensity. Drawing from the real-life crimes tied to the Bestie di Satana case, the song transforms adolescent alienation, obsession, and spiritual distortion into a violent descent through the existential void that defines the entire record. Here, the band channels the chaos, confusion, and moral collapse at the heart of the narrative, turning true events into stark allegory.

The single also offers a first glimpse into the conceptual breadth of “Horror Vacui“: a collection of nine songs, each inspired by a different Italian murderer, revealing how psychological emptiness, social disintegration, and spiritual vacuum mutate into violence. Rather than glorifying crime, the album examines the roots of human collapse – the internal abyss that corrodes empathy, identity, and meaning. Musically, it merges the ferocity of melodic death metal with narrative tension and introspective depth, confirming the band’s distinctive approach to extreme music.

“Horror Vacui” was recorded, mixed, and mastered by Luca Cocconi and Simone Sighinolfi at Audiocore Studio, with artwork and the new Karmian logo created by Sheila Franco. All songs were written by Andrea Baraldi and Nicholas Badiali, with lyrics by Andrea Bertolazzi and arranged collectively by Karmian.

With a career stretching from their early beginnings in 2005 to their present incarnation, Karmian have become one of the most distinctive voices of Italian melodic death metal, known for merging aggression, drama, and conceptual storytelling. Their upcoming full-length marks their most mature and introspective work to date, deepening the psychological and existential focus that has defined their evolution.

For fans of: The Haunted, Kataklysm, Heaven Shall Burn, At The Gates, early Dark Tranquillity, and early In Flames.

New album “Horror Vacui” out March 20th, 2026.

PRE ORDER “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd

Track Listing:
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:

https://rockshots.eu/

https://www.instagram.com/karmian_official/

https://www.facebook.com/KarmianBand/

BIOGRAPHY:

Originating from Modena, Italy, Karmian stands as one of the most consistent and distinctive voices in Italian melodic death metal, forging a sound that blends raw aggression, melodic nuance, and strong conceptual depth. Their music draws from the sharp-edged intensity of the Swedish tradition while embodying a uniquely Italian sense of drama, history, and emotional resonance.

The band’s earliest incarnation dates back to 2005, when founders Andrea Baraldi, Mauro Leone, and Nicholas Badiali formed a project under the name When the Storm Broke. Though the group disbanded in 2009 after several lineup changes, the experience laid the foundations for what would later become Karmian. In 2011, the founding members revived the project with the addition of vocalist Andrea Bertolazzi, giving rise to the definitive identity of the band and solidifying their path within melodic death metal.

Karmian debuted in 2012 with the EP “Ways of Death”, a conceptual release exploring psychological decline and the “ways of death” – themes that would become central to the band’s artistic identity. Years of touring across Italy and Europe further strengthened their presence within the extreme metal scene, leading to their first full-length album, “Surgere et Cadere” (2018). Rooted in historical and mythological narratives, the album recounts the struggle of the Celtic Boii tribe against the Roman Empire, showcasing the band’s lyrical ambition and intricate musicianship.

Following extensive touring, including performances with Dying Fetus, Mortuary Drape, and Venom Inc., Karmian released “Live at Slaughter Club” (2022), a testament to their intensity and authenticity on stage. After the pandemic years, the lineup evolved with the arrival of Luca Marmi (bass) and Michele Perla (guitars), marking the beginning of a darker, more elaborate creative phase.

This evolution culminates in their most ambitious work to date: the 2026 full-length “Horror Vacui”, recorded at Audiocore Studio with Luca Cocconi and Simone Sighinolfi. The album explores the psychological and existential void behind real acts of Italian murder and madness, transforming nine true-crime cases into allegorical portraits of emptiness, collapse, and human frailty. Musically, “Horror Vacui” expands the band’s soundscape through intricate dual-guitar writing, powerful rhythmic structures, and Bertolazzi’s blend of guttural intensity and narrative expressiveness.

Across their discography, Karmian have built a reputation for merging conceptual storytelling with extreme metal intensity. Whether navigating historical epics or psychological abysses, their work is defined by a commitment to exploring the deeper forces that drive human behavior – resistance, decline, obsession, and the void within. “Horror Vacui” stands as the culmination of this journey: a mature, uncompromising statement of artistic vision, philosophy, and melodic death metal identity.

-30-

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0 EPK – Nightwraith – The Candlelight (2025)

December 19, 2025
by Asher
· EPKs · Nightwraith

EPK – Nightwraith – The Candlelight (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Nightwraith
Single Title: The Candlelight
Release Date: December 19, 2025
Label/Distribution: Self-Release
Location: Denver, CO, USA
Genre: Blackened Progressive Death

“‘The Candlelight’ has a straightforward black n roll sound, and is extremely catchy. While it lives in a space closer to ‘classic heavy metal’ than ‘death metal’, we think our fans will appreciate the hooky songwriting and abundance of harmonized guitar riffs. We wanted this single to be something that is revisited multiple times, rather than something that is listened to once and moved on from. To accomplish this, we took great care in crafting a song that has somewhat of a pop-structure, but blackening it enough that it can be regarded as a great standalone heavy metal track.” – Nightwraith

For fans of Tribulation, Kvelertak, Mastodon, Enslaved, Judas Priest

Nightwraithband.com | Facebook.com/nightwraithband | Instagram.com/nightwraithband | Youtube.com/@nightwraithband5142 | Twitter.com/nightwraithband

Nightwraith.bandcamp.com | Spotify | Apple Music | Soundcloud.com/nightwraithband

Band: Nightwraith
Single Title: The Candlelight
Release Date: December 19, 2025
Label/Distribution: Self-Release
Location: Denver, CO, USA
Genre: Blackened Progressive Death

Single Recording Credits:
• All songs performed by NightWraith
• All songs written by Benjamin Pitts and NightWraith
• Produced/Engineered by: Jacob St. Amand
• Additional production by Van Labrakis at 210 Studios, San Francisco
• Mixed/Mastered by: Van Labrakis at 210 Studios, San Francisco
• Album Artwork by: Nate Burns
• Layout by: Rob Burelson

Band Line Up:
Benjamin Pitts: Vocals/Guitar
Isidro ‘Spy’ Soto: Drums
Igor Panasewicz: Guitar
Lauren Vieira: Keyboards/Synthesizer
Jacob St. Amand: Bass

==============================================================

About The Single Artwork:

The artwork was created by Nate Burns (@revoltingworship), a talented tattoo artist and illustrator based in Columbus, OH. For ‘The Candlelight’, he drew an other-worldly woman who is conjuring some Bacchanalian ‘party’ magic. The piece is done all in pen and looks incredible, especially in the details of the hands and dagger. Then our friend Rob Burelson put the finishing touches on the layout, making it really stand out as a dark and engaging piece of art.

About the single as a whole (LYRICALLY & MUSICALLY):

“The Candlelight” showcases a different side of NightWraith. It’s lean and hook-forward, but still carries the ‘blackened’ sound that they’re known for. Lyrically, it’s a snapshot from a wild and carefree era in Ben’s life, when he lived in DIY punk houses. Instead of nostalgia for nostalgia’s sake, the song treats his memories like honest postcards, so the emotion still lands even if the listener doesn’t carry the same experiences.

Musically, it moves with a confident, mid-tempo swing. The drums are driving and heavy with lots of double bass, the guitars deliver ear-grabbing harmonies, and there’s a melodic theme you’ll find yourself humming for hours later. There’s some grit around the edges, too, namely in the vocal lines that cut through with some bite. The arrangement carries momentum with evolving keyboard melodies in the verses, a chorus that really sticks, and an ending that crescendoes into an instrumental 3-part harmony.

Born in Ben’s memories and sharpened in a room with the full band, “The Candlelight” stands on its own as a sing-along ripper, with a payoff that will call for multiple spins.

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STORY ANGLES / FUN FACTS ABOUT THE BAND:

1: NightWraith has over 100 years of combined musical experience, because we’re all old, haha!

2: One time, someone tried to break into our van through the side window, but the joke was on them because the door was busted and did not open! Unfortunately, we had an out-of-town show a few days later, and the exhaust system clogged up on our way home. So we were moving at a max speed of 35 mph all the way home, with a broken window, at night, in the dead of winter. It was so cold that Igor and Caleb had to pull out the emergency blanket to stay warm, which was actually kind of adorable.

3: Ben and Spy used to play together in a legit Dethklok tribute band! And Joey (Wayfarer), who did the guitar solo on our song ‘Invocation’, was the ‘Swisgaar’ of the band and executed all of those leads note-for-note – super impressive!

4: Lauren has perfect pitch. It can be argued that this is a meaningless talent, but it is impressive nonetheless!

5: Igor runs several restaurants around Denver/Boulder named Quiero Aerepas, and serves authentic Venezuelan street food. Igor is also the only member who previously made a living as a professional musician – in South America!

===================================================

L-R – Benjamin Pitts – Vocals/Guitar, Lauren Vieira – Keyboard/Synth, Jacob St. Amand – Bass, Igor Panasewicz – Guitar, Isidro “Spy” Soto – Drums

Photo Credit – Josh Massara – @permanent_ephemera_photo

NightWraith is a melodic death metal band from Denver, CO that explores the genre with an eclectic and intuitive approach. Their music encompasses poignant themes: seeking the sublime in nature, being genuine in a deceptive world, and living with the idea of death – concepts that unite us all as people. Using haunting melodies and triumphant anthems, NightWraith offers listeners a sonic pilgrimage into the heart of being human.

The band was formed in 2016 (Benjamin Pitts, Isidro Soto, and Igor Panasewicz) without any preconceived notion of genre, allowing them to develop their sound organically. The members of NightWraith had already been musical companions for over a decade in the Denver scene, but their lineup achieved its own unique approach to aggressive music – inspired by, but not limited to, the past. After releasing a self-titled album in 2019, Nightwraith gained notoriety but were still developing their sound and being called to a new musical frontier.

Pulling inspiration from a wide array of bands and genres, NightWraith refined their sound into something unique by adding a full-time keyboard player (Caleb Jose Tardio). “Writing new material with keys in mind made us want to sound like we were taking all the heavy parts from bands like Carcass and Enslaved, and combining it with the warmth of classic bands like Thin Lizzy and Blue Oyster Cult”, explains Ben. NightWraith released their sophomore album, Offering, in the spring of 2022, which received praise from critics and was supported by a number of live performances.

As NightWraith continued to evolve, the engineer for Offering (Jacob St. Amand) entered the band on bass, and they refined their sound even further. Fall of 2024 saw the release of their 3rd full-length studio album, ‘Divergence’. This new iteration of songs captured their vision more closely and cleverly used analog synthesizer tones to give the album a ‘film score’ type of quality. Ben explains: “Musically, the songs on Divergence are melodic and emotional. But the drums are fast with lots of big rock fills, double bass, and blast beats, so it has a driving pace and ‘classic’ metal tone. The keyboards and synths are the icing on the cake, though, and really color the album in a nostalgic, 80s type of way.”

With the addition of keyboard player Lauren Viera (Dreadnought) in 2025, NightWraith is excited to be releasing their new single “The Candlelight”, capturing a sound that is melodic black ‘n roll with a classic heavy metal nod. They are currently writing their 4th full-length album, which is being described as the most mature writing and darkest songs of their almost decade-long career.

Discography:
2025 – The Candlelight (single)
2024 – Divergence – LP
2022 – Offering – LP
2019 – Self-Titled – LP
2017 – Demo – cassette

Shared the stage with:
Allegeon, Khemmis, Venom Inc., Orbit Culture, Abigail Williams, Warbringer, Nite, Vale of Pnath, Bewitcher, Glacial Tomb, Xoth, Of Feather and Bone, Green Druid, Cyborg Octopus

What the press has said about Nightwraith:

“ Few American melodeath bands can hang their hats on a record that’s as creative, engaging, and just plain fucking fun as Nightwraith has done with Divergence. These guys are going places.” – NoCleanSinging (Album Divergence 2024)

“As you’ll quickly discover, in its opening phase it (Whispers of Dragonflies) presents an unusual amalgam of futuristic swirling keyboards and full-throttle blackened ferocity replete with raking chords, hammering drums, and scalding vocals. But it does begin changing, like a musical chameleon. Those changes include a beautifully ringing guitar melody backed by shimmering synths, musing bass tones, and gripping drum fills, and fronted by somber and melancholy singing with a bit of grit in the gears. That phase is a sublime experience, made even more sublime by a guitar solo that sounds like a beguiling prog-rock throwback. The intensity builds again, but without sacrificing the music’s increasingly head-spinning beauty, and that paves the way for the afore-mentioned concert-flute solo, which is flat-out mesmerizing. As also mentioned, the song then loops back to its beginning — hammering, slashing, scalding, and swirling once more, fierce but also glorious. The song is presented with a beautifully filmed video of the band performing the music. Enjoy!” – NoCleanSinging (Whispers of Dragonflies off album Divergence 2024)

“One thing that has done better than nearly all of their musical peers was throwing convention out the window and running it over a few times with their truck. This album stands out as one of the most unusual I’ve ever heard. It masterfully blends the raw intensity of fierce Black Metal with the soothing presence of smooth keyboards and intricate guitar harmonies. The contrast between the harsh vocals and the melodic, atmospheric layers creates a unique listening experience that feels both powerful and unexpectedly harmonious, pushing the boundaries of what music can offer. 10/10″ – Metal Temple – Album – Divergence 2024)

“The tracks from the band’s upcoming album, Divergence, which What’s Left Records is releasing on September 13, are a mix of blackened death metal and prog. Caleb Jose Tardio’s (keyboards and synthesizer), Igor Panasewicz (guitar), Isidro “Spy” Soto (drums), Jacob St. Amand (bass) and Benjamin Pitts (vocals and guitar) have been at it since 2016 and call what they do “blackened dad rock.” But NightWraith isn’t your father’s metal.” – Denver’s Westword (Album – Divergence 2024)

“Denver’s Nightwraith seems to get labeled as a melodic death metal band everywhere, but the sounds you’ll find on their third album “Divergence” are so much more diverse and bountiful, with proggy dashes of synths alongside a healthy dose of black metal in a rather folky, airy Enslaved-style. Add to that some cool guest parts like the baritone sax in ‘One Flower’ or Dreadnought’s Kelly Schilling adding a mesmerizing touch to ‘Whispers of Dragonflies’ with her flute, and you’ve got a diverse and unique cocktail that’s inherently Nightwraith. Don’t miss out on the Bandcamp/CD only bonus track either – a very surprising rendition of Pink Floyd’s ‘Us and Them’. ” – The ProgSpace (Album – Divergence 2024)

“As far as melodic death metal goes, NightWraith have to be one of the nerdiest bands on the block. Granted, the subgenre is already the geeky nephew of the acne-ridden linebacker that is death metal, but Divergence takes it even further by embracing progressive rock and heavy metal. It gets to the point that songs like “Whispers of Dragonflies” and the title track edge closer to the melodic and emotive progressive rock of the ’70s, albeit with tighter runtimes and the looming promise that NightWraith can crank up the aggression at any moment. They adopt the mindset that jam sessions can happen whenever and build their tracks around that potential. Therefore, songs tend to begin slowly and unspectacularly, but then venture down the tri-forked path of harmonic noodling, death metal riffing, and big metal energy without a compass. Divergence is September’s most unassuming album, easily.” – Consequence Heavy (Album – Divergence 2024)

“An album to seek out if you are curious about a band that ebb and flow between extreme metal oriented passages and a variety of what might be described as atmospheric laden and highly melodic progressive rock.” – Progressor (Album – Divergence 2024)

“‘Divergence’ is a smorgasbord of musical influences that takes a core of black metal and shapes into something melodic and progressive. It’s great for sitting down and listening to in full, but if you don’t have the time (or the patience) for that, there’s still tracks that you can dip into without losing the magic that NightWraith have worked hard to create here. For me, I can see myself coming back to this for more listens in the future and ‘Perpetual Night’ in particular is likely to get played to death over the next few weeks for sure!” – Uber Rock (Album – Divergence 2024)

“Faster than a speeding bullet, more powerful than a locomotive and able to leap tall buildings in a single bound, NightWraith cross Metal sub-genres with consummate ease. 8.5/10″ – Metal Noise (Album – Divergence 2024)

“Hailing from the Mile High City, Colorado natives Nightwraith have returned with their third death metal masterpiece Divergence. Even with the addition of more melodic elements and themes than their 2022 album Offering, Nightwraith have still kept to their simplistic yet brutal nature. When it comes to the genre, we know what to expect: heavy guitars, fast drums and a melting bass line. Nightwraith have managed to break these expectations very subtly such as having a saxophone solo in “One Flower,” or having a John Carpenter-style synth intro in “Whispers of Dragonflies.” The musical range in Divergence is vast enough to keep things fresh and interesting all while still keeping the classic elements of the genre. 4/5” – Heavy Music HQ (Album – Divergence 2024)

““Divergence” displays everything you’d want from a really pleasurable easy listening, Proggy rock album. Lovely rhythms, guitars that tell a story, harmonies, easy does it on the overdrive, and just generally satisfying music, in The Allman Brothers Band style… but with thundering drums, and Death Metal growls straight out of the “How To Sing Like David Vincent” handbook!” – Ever Metal (Album – Divergence 2024)

“Fruitless let us know immediately what this technically very knowledgeable band has to offer. Light experimental guitar work, nice soloing, well-thought-out rhythm parts, ugly screams, clean vocals and virile keyboard playing already culminate on this opening track. It strengthens my mind and it is also my firm belief that this band will still be recorded by a (groter) label. Listen to the opening measures of the very good Perpetual Night. It does something to me Borknagar in their heyday thinking. What a solitary work too, wonderful to see that blast in between. Great!’ – Zware Metalen (Album – Divergence 2024)

“When you think of melodeath and meloblack, you normally think of Scandinavia, right? You don’t normally think of…Denver? Well, the 3rd album from this Colorado outfit is some of the best I’ve heard in those genres in 2024. Featuring past and present members of In The Company of Serpents, Primitive Man, and Ashen Horde; the band takes their influences and creates an album unlike what you’ve heard before. I can hear the likes of Dissection, Insomnium, Novembers Doom, Nightingale, and much more throughout all while feeling like this was the album they wanted to create. It’s a journey of an album that you never know what direction it is going to take and those are always my favorite kinds of albums. This is one of those albums that could easily stand the test of time. Give it a shot now to make sure it will be remembered as it should, a groundbreaking masterpiece.” – Heavy Debriefings (Album – Divergence 2024)

“Please, do not take the shrill album cover as a one-to-one representation of NightWraith’s music. The painted satyr in an post-apocalyptic city speaks nothing of the expansive and precise metal on Divergence. Layered between blackened death metal passages are melodic, synth-heavy segues that form a mature offering from the Denver group.” – Invisible Oranges (Album – Divergence 2024)

“The ringing guitar and keyboard instrumental that opens the song (Beguiler) is magically inviting, but only one feature of a richly tapestried piece that moves through many moods and musical variations. As the song ebbs and flows, twists and turns, it crosses through shade and sun, traversing the gloom of sorrow, seething with tension, and spinning the mind with extended guitar jams that dart and dance, slither and swirl, and become trippy, bluesy, and occult. While all that happens, the rhythm section are putting on their own show. The bass hums and pulses, meanders and invigorates, and the drumming ranges from neck-snapping back-beats to open-handed blasts, with plenty of electrifying fills in the spaces between. Variations mark the vocals as well, which veer from rasping blackened snarls to guttural growls.” – No Clean Singing (Nightwraith – Offering 2022)

“Nightwraith brings their own unique blackened heavy metal to the table with their new record Offering. It’s an extremely cool listened rife with throat-shredding vocals, classic rock organs, and of course dizzying stringwork.” – Metal Injection (Nightwraith – Offering 2022)

““Genesthai” opens with quiet echoey guitar picking and synth washes before gradually building in intensity and reaching full blast-beat fury. Throughout the six-minute track, NightWraith—vocalist/guitarist Benjamin Pitts, drummer Isidro Soto, guitarist Igor Panasewicz, keyboardist Caleb Jose Tardio and bassist Jerry Hilger—shift comfortably between more extreme death- and black metal-influenced passages and a more classic metal gallop, all while maintaining a strong melodic sensibility. It’s dynamic, intricate and, well, it flows.” – Decibel Magazine (Nightwraith – Offering 2022)

“The ‘Blackened Dad Rock’ of Denver’s NightWraith A new metal subgenre.” Westword (Denver) (Nightwraith – Offering 2022)

0 Out Now! Saskatoon Groove‑Death Metal PYTHONIC Unleashes New EP “Decomposition”

December 19, 2025
by Asher
· Music News · Pythonic

NEWS RELEASE

Montreal, QC – December 19, 2025

Out Now! Saskatoon Groove‑Death Metal PYTHONIC Unleashes New EP “Decomposition”

Pythonic – Back Row – L to R: Max Hiske (Bass) | Morgan Warriner (Lead Vocals) | Vincent Kohut (Rhythm Guitar & Backing Vocals)

Front Row – L to R: Jayden Warriner (Drums) | Ryan Hunter (Lead Guitar )

Photo Credit – Carsen Warriner

Saskatoon groove‑death metal force Pythonic return with a vengeance today as they release their long‑awaited sophomore EP, “Decomposition,” a reimagining and reinvention of their earliest catalogue, rebuilt, rewritten, and reborn with the band’s heaviest lineup to date.

“When we parted with our original singer and started reworking these songs, it really sparked something in the band. These songs were always decent, but now we believe they’re great. They finally got the justice they deserved,” says guitarist and founder Vincent Kohut.

“Decomposition” marks a pivotal turning point for the band. With the addition of vocalist Morgan Warriner, bassist Max Hiske, guitarist Ryan, and drummer Jayden, Pythonic have evolved into a tighter, more aggressive, and more cohesive unit than ever before.

Morgan’s guttural range, praised for its blistering highs and cavernous lows, has transformed the band’s sound. At the same time, Max’s thunderous bass lines and Jayden’s ferocious, metal‑driven drumming have injected new life into every track.

The EP was mixed and mastered by Reid Paraszczynec of Lucid Distortion Audio, a longtime friend of the band known for his sharp ear and meticulous production style.

“He really helped bring in the next chapter of Pythonic the right way,” the band says.

Rather than simply re‑recording old material, Pythonic tore their songs apart and rebuilt them from the ground up, shortening structures, shaving riffs, tightening arrangements, and amplifying the aggression.

“We made our original tracks more digestible. Some songs got a huge facelift, others stayed close to the originals, but the difference a proper vocalist and bass performance makes is monumental,” says Kohut.

Lyrically, the EP is more focused and personal than anything Pythonic has released before. Written primarily by Warriner, with contributions from former bassist Alex Conley, the themes explore corruption, addiction, toxic relationships, betrayal, and occult horror.

The opening track, Guiltfeeder, is a furious anthem about betrayal and two-faced “friends,” sped up and sharpened from its original form. The track ends with a soaring Ryan Hunter solo that seals the emotional blow. Conceit, penned by Alex Conley, confronts narcissistic abuse head‑on. Thrash‑driven drums and a tightened recording elevate the track far beyond its earlier version. Pills is a visceral depiction of addiction, told with unsettling clarity. Morgan’s delivery captures the frantic highs and skin‑crawling lows of substance dependency. Liturgy, the band’s unanimous favourite, is a ritualistic, blood‑moon summoning set to tremolo riffs, eerie spoken word, and a crushing new chorus riff. Morgan’s highs and Vincent’s lows collide in a devastating finale. Collateral, the EP closer, is a triumphant call to reclaim autonomy, featuring one of the EP’s most infectious chants. Max’s bass absolutely dominates the intro and outro, giving the track its marching, war‑drum pulse.

The EP’s artwork, created by returning artist Danya Lawton, visually “decays” the imagery from Pythonic’s first EP. Drawing inspiration from real tree‑growing fungi and occult symbolism, the art mirrors the band’s process: decomposing old material to create something heavier, darker, and more authentic.

2025 has been a landmark year for Pythonic. The band opened for 200 Stab Wounds, YEGG, Beguiler, Art of Attrition, and closed the year on the main stage of Edmonton’s Slaughter Fest. Their live performances have been so tight that fans have mistaken them for touring acts from Toronto.

“This lineup is the tightest we’ve ever conjured. It’s an absolute sonic onslaught,” says the band.

With “Decomposition” now unleashed, Pythonic are already deep into writing new material. Fans can expect at least two more albums from the band, each pushing further into the death‑metal‑leaning, groove‑driven territory that defines their new era.

“Everyone in Pythonic is dedicated to this project. We’ve got tons of killer new tunes on the horizon,” says Kohut.

Recommended for fans of Lamb of God, Morbid Angel, Devildriver, and Black Dahlia Murder, “Decomposition” is available on digital platforms as of December 19, 2025.

Bandcamp – https://pythonic.bandcamp.com/album/decomposition

Add to your Spotify Playlist – https://open.spotify.com/album/3p5LA4XnzVn391PXvHFNYY

Single – Liturgy – https://youtu.be/Q4xyAdUDen4

Single – Guiltfeeder – https://youtu.be/dgyNSQOIcak

Track Listing:
1. Guiltfeeder (4:23)
2. Conceit (4:00)
3. Pills (3:09)
4. Liturgy (3:42)
5. Collateral (3:38)
EP Length: 18:54

EP Recording Credits:
All songs performed by Pythonic
All songs written by Pythonic with Alex Conley
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
EP Artwork by Danya Lawton

EP and Live Line-Up
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums

More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband

About: Born in Saskatoon, SK, Pythonic is a death‑groove metal powerhouse that fuses the ferocity of Lamb of God, Black Dahlia Murder, and Cryptopsy with its own raw, uncompromising vision. Conceived by guitarist Vincent Kohut as a project free from subgenre boundaries, the band embraces the philosophy that “metal is metal.” Together with lead guitarist Ryan Hunter, Kohut carved out a sound that is aggressive, groovy, thick, and unapologetically dirty, a sonic identity that refuses to be confined. The addition of Morgan Warriner on vocals and Max Hiske on bass has solidified Pythonic’s most devastating lineup to date. Warriner’s guttural range, soaring highs, and earth‑shaking lows have been praised as transformative, while Hiske’s thunderous bass lines add depth and weight to every track. Anchored by Jayden’s relentless drumming, the band operates as a tightly locked unit, delivering a crushing live experience.

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“A nice blast of heaviness to see out the year. Pythonic throw their all into delivering a memorable showcase of thrashing death metal. An EP of five tracks that shows off plenty of creativity, has moments of exciting flair, and undeniably delivers the hefty ‘one-two’ punch of death crossed with thrash metal. 8/10” – Games, Brrraaains & A Head-Banging Life

“I’m not sure why, but Canada has an embarrassment of riches when it comes to bands grafting groovy metalcore onto their sound: Neck of the Woods, Truent, Apollyon (RIP), and The Hallowed Catharsis come to mind, with Pythonic joining the ranks with their new EP. Preview tracks “Guiltfeeder” and “Liturgy” fuse punchy, hardcore drumming with melodic tremolo riffs for a sound that’s both comfortably nostalgic and aggressive enough to appease listeners who usually shun melodeath. Vocalists Morgan Warriner and Vincent Kohut trade mid-ranged barks and metalcore shrieks with aplomb (there are some impactful instances of layering as well), and there’s even a dispassionate spoken word segment (“Liturgy”) that’s equal parts Vastum weirdness and tough-guy hardcore. I cordially invite you to a clobbering when Decomposition releases this Friday.” Toilet Ov Hell

“The first thing that grabs you about this second stab in the dark from Pythonic is Warriner’s shrill screams which are as nasty as a low budget horror movie from the 1980’s but in a good way. That’s not to say he doesn’t have a death growl of course but it’s not all that deep, his preference being to shred your ear canals as he screeches like a lunatic awaiting asylum on opening gambit “Guiltfeeder“. A track with a sinister urge and classy bit of lead towards the end from Hunter, it’s something that has that classic Morbid Angel about it while there can be little doubt the band love a bit of Swedish Death Metal.” – Metal Noise

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0 Rockshots Records – Out Now! Norway’s ALIEN ORCHESTRA ALIEN ORCHESTRA Unveils New EP “Under My Pale Skin”

December 19, 2025
by Asher
· Alien Orchestra (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – December 19, 2025

Out Now! Norway’s ALIEN ORCHESTRA ALIEN ORCHESTRA Unveils New EP “Under My Pale Skin”

Oslo-based cinematic metal project ALIEN ORCHESTRA unveils its new EP “Under My Pale Skin”, a deeply personal and emotionally charged release that brings together the full artistic and conceptual arc previously introduced through the singles “Inside The Worn Shell”, “The Last Horizons”, and “Svært Mysterium”.

Written in the aftermath of founder Jan “EpicAlien” Batista Mojdis’ battle with leukemia and subsequent bone marrow transplant, “Under My Pale Skin” stands as a sonic chronicle of near-death experience, recovery, and renewed purpose. The EP captures a fragile yet powerful emotional spectrum where sorrow, resilience, and hope coexist within a carefully sculpted cinematic metal framework.

Musically, Alien Orchestra blends orchestral arrangements, ambient textures, and evocative “alienscapes”, creating soundscapes that feel equally suited to introspective listening and cinematic storytelling. Each track represents a different emotional stage of the journey: from isolation and inner struggle to reflection, healing, and forward momentum.

The EP features an acclaimed lineup of collaborators, including Simen Sandnes (Evergrey, Shining, Temic) on drums and percussion and Mats Haugen (Circus Maximus) on lead guitars for “The Last Horizons”. All songs were written by EpicAlien, with production handled by Drop RMX at Downtone Studio in collaboration with EpicAlien himself, ensuring a cohesive and deeply atmospheric sound.

With “Under My Pale Skin”, Alien Orchestra further defines its identity as a studio-focused project, where ambient elements are enriched by cinematic soundscapes. The EP also serves as a tribute to those who fought similar battles and did not survive, with a particular emotional dedication to children affected by serious illness.

This release not only completes the narrative introduced by the recent singles but also lays the foundation for Alien Orchestra’s next chapter, anticipating a more expansive full-length album currently in development.

“Under My Pale Skin” is available now on all digital platforms.

LISTEN to“Under My Pale Skin”: https://lnk.to/W4p0ay

Music Video – The Last Horizon – https://youtu.be/axo2XZjI8gA

Visualizer – Svært Mysterium – https://youtu.be/O6-WN7v2-xw

TRACKLIST:
1. Inside The Worn Shell
2. The Last Horizons (Radio Edit)
3. Svært Mysterium
4. The Last Horizons

Credits:
Songwriting:
All songs written by EpicAlien
Simen Sandnes – drum parts on “Inside The Worn Shell” and “The Last Horizons”
Mats Haugen – lead guitar writing, and performance on both versions of “The Last Horizons”
Production:
Mixed and mastered by Drop RMX at Downtone Studio and EpicAlien
Line-up:
EpicAlien – guitars, bass, alienscapes, orchestration

More info: https://www.rockshots.eu | https://www.facebook.com/alienorchestraofficial | https://www.instagram.com/alienorchestraofficial

ABOUT:

ALIEN ORCHESTRA is an Oslo-based cinematic metal project founded in 2014 by Jan Batista Mojdis, known artistically as EpicAlien. Initially conceived as an experimental studio act, the project quickly evolved into a unique blend of heavy metal, cinematic orchestration, ambient, and trailer music, merging the intensity of metal with the grandeur and emotion of film scores.

Alien Orchestra’s music often draws inspiration from science fiction, cosmic exploration, underwater worlds, and the vast Nordic landscapes, transforming these themes into soundscapes that feel both otherworldly and deeply human.

The project’s early releases, including the debut EP Fall of Mars and the single Dark Nordic Dramæ, established its distinctive atmosphere and storytelling approach. In 2021, EpicAlien returned to writing after a long battle with leukemia and a bone marrow transplant, channeling his experience of struggle and rebirth into a new creative cycle.

The result is the new mini album Under My Pale Skin — a deeply personal work that narrates a journey through pain, healing, and hope. Featuring renowned guests such as Mats Haugen (Circus Maximus) on guitars and Simen Sandnes (Evergrey, Shining, Temic) on drums, the EP marks a turning point where Alien Orchestra solidifies its identity as a metal-driven yet cinematic act.

As EpicAlien himself describes it, Alien Orchestra represents “the meeting point between the human spirit and the cosmic unknown — where heavy metal riffs collide with orchestral emotion and alien soundscapes.”

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0 Calling All Metal Bands and Metalheads! BE THE FIRST to Claim Your Spot on The Circle Pit’s all New Website, Interactive Database and Metal Community today!

December 19, 2025
by Asher
· Music News

NEWS RELEASE

Montreal, QC – December 19, 2025

Calling All Metal Bands and Metalheads! BE THE FIRST to Claim Your Spot on The Circle Pit’s all-new Website, Interactive Database, and Metal Community today!

TheCirclePit.com Launches All-New Interactive Design

Calling all metal bands and metalheads!

The Circle Pit has an all-new metal database and community crafted just for you!

Be the first and claim your spot today! Whether you’re looking to boost your band, support your friend’s band, or show your favorites, all metal is welcome here at www.thecirclepit.com

Key Features:

• Contribute to an Interactive Metal Database: Be the first to claim a spot for any band, album, or single and earn direct first credit on the band’s page and your personal profile, where you can build a collection completely unique to you. Every post, every review, every action has an impact on the website’s greater ecosystem and rankings. These placements get your own band, your friend’s band, or favorites a greater impact on the website, and potentially listed for web searches, etc, through a known domain. www.thecirclepit.com/find-music/

• Get your Band + Favorite Music Ranked in The Top 360: Now is the best time to get your band or your favorites ranked among the top artists listed on the website through the all-new (and currently unpopulated!) Top 360 page! www.thecirclepit.com/top-360-bands/

• Earn Points and Climb the Leaderboard: Engage by posting, reviewing, and interacting to earn points (aka ‘laps run in the circle pit’ with a ‘distance run’ stat) to ascend the competitive ranks of the leaderboard. www.thecirclepit.com/circle-pit-leaderboard/

• The Community Pit: Interact with other metalheads and share any metal music, including your own, on the front page of the website at any time! www.thecirclepit.com/activity/

• Represent your Favorite Music: Set what you’re ‘Currently Listening To,’ and it will be shown everywhere you post or claim on the website. Build your ‘Top 10 Bands’ and ‘Music Collection’ on your personal profile + more!

• Playlists: All music from The Circle Pit YouTube channel has been sorted by genre through a playlist page with additional easy access to the Spotify playlists. www.thecirclepit.com/youtube-playlists/

• Services: Beyond all the free promotion options here, it’s now easier than ever to access the variety of services we provide. This includes consideration for video launches on our YouTube / social networks (currently with 340,000+ followers combined), video production, website creation, buying album artwork directly from artists (plus potentially selling your own artwork!), and getting band logos made. www.thecirclepit.com/services/

All of that and more is now part of this interactive, immersive metal experience!

After 10+ years of blood, sweat, and mosh… The Circle Pit has really opened. Join us now and start moshing at www.thecirclepit.com.

Links:

Official Website: https://www.thecirclepit.com/
YouTube: https://www.youtube.com/TheCirclePitTV
Facebook: https://www.facebook.com/TheCirclePitWebsite
Instagram: https://www.instagram.com/thecirclepitofficial/
Spotify: https://open.spotify.com/user/8usbauzjs90wnk2xmtnl7hnvy
TikTok: https://www.tiktok.com/@thecirclepit
Bandcamp: https://the-circle-pit-compilation.bandcamp.com/
Twitter: https://twitter.com/TheCirclePit

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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Tweet @AsherMedia

0 Sit By “The Candlelight” And Listen To NIGHTWRAITH’s New Black n’ Roll Anthem To Welcome Lauren Vieira (Dreadnought) To Line Up

December 18, 2025
by Asher
· Music News · Nightwraith

NEWS RELEASE

Montreal, QC – December 18, 2025

Sit By “The Candlelight” And Listen To NIGHTWRAITH’s New Black n’ Roll Anthem

+ Announce Lauren Vieira (Dreadnought) To Line Up

L-R – Benjamin Pitts – Vocals/Guitar, Lauren Vieira – Keyboard/Synth, Jacob St. Amand – Bass, Igor Panasewicz – Guitar, Isidro “Spy” Soto – Drums

Photo Credit – Josh Massara – @permanent_ephemera_photo

Denver, CO’s NightWraith returns with a powerful new standalone single, “The Candlelight,” a hook-forward black n roll anthem that marks a bold sonic shift and a new chapter for the band. Alongside the release, NightWraith proudly announces the addition of Lauren Vieira (Dreadnought) as their full-time keyboard and synth player, further expanding the band’s dynamic soundscape.

Formed in 2016 by longtime friends Ben Pitts, Spy, and Igor, NightWraith emerged from Denver’s underground metal scene with a mission to break genre boundaries. With roots in technical death metal and a shared love for melodic Swedish metal, the band has evolved into a force of musical sophistication and emotional depth. Their sound? Melodic, melancholy, musical, unique, and thought-provoking.

Originally written during sessions for their previous album “Divergence,” “The Candlelight” didn’t quite fit the mold, so the band saved it for something special. The result is a mid-tempo, riff-heavy track that leans into classic heavy metal while retaining NightWraith’s signature blackened edge. With harmonized guitar leads, driving double bass, and evolving keyboard melodies, the song builds to a crescendo of instrumental harmony that begs for repeat listens.

Lyrically, “The Candlelight” is a romantic ode to a wild, creative era in frontman Ben Pitts’ life, specifically his time living in Denver’s legendary punk house, The Yellow Bordello. It’s a snapshot of youthful abandon, DIY shows, and fleeting romances, rendered with honesty and grit. Rather than indulging in nostalgia, the lyrics treat memory like postcards, personal, vivid, and emotionally resonant.

“It can be hard to take a leap of faith and think outside the box, but if an artist won’t take risks, then nothing new is ever going to happen. I hope listeners will understand our vision for ‘The Candlelight’ and are receptive to the risks we’ve taken by releasing a non-traditional sounding heavy metal song,” adds vocalist/guitarist Benjamin Pitts.

The single’s artwork, illustrated by Nate Burns (@revoltingworship), features an otherworldly woman conjuring Bacchanalian party magic. Done entirely in pen, the piece is rich in detail, especially in the hands and dagger, and evokes a dark, mystical energy. Rob Burelson completed the layout, making the final presentation a striking visual companion to the music.

The track was recorded at The Band Cave (Denver, CO) and mixed/mastered by Van Labrakis (NITE) in the Bay Area.

“The recording process was quick and easy, allowing everyone’s natural performances to shine. It was my third time engineering music with NightWraith, so we were all familiar with the process and each band member’s recording style. Because of our comfort level, we took a more creative and natural approach,” says Jacob St. Amand (bass, recording engineer).

While “The Candlelight” stands strong on its own, it’s also a harbinger of what’s to come. NightWraith is currently deep in the writing process for their fourth full-length album, which promises to be their darkest and most cohesive work yet. With a renewed collaborative energy and a lineup firing on all cylinders, fans can expect music that’s both emotionally resonant and musically daring.

For fans of Tribulation, Opeth, Mastodon, Kvelertak, and Ghost, NightWraith offers a fresh yet familiar take on heavy music, one that’s steeped in European melodic metal and driven by heartfelt storytelling.

“The Candlelight” can be heard via its premiere on Decibel Magazine HERE.

Single pre-save (out Dec 18th) – https://distrokid.com/hyperfollow/nightwraith/the-candlelight

Bandcamp – https://nightwraith.bandcamp.com/

More info: Nightwraithband.com | Facebook.com/nightwraithband | Instagram.com/nightwraithband | X.com/nightwraithband

-30-

“Striking a delicate balance between the baroque stylings of a band like Dimmu Borgir and the more grandiose melodies of Inexorum, Denver’s NightWraith brilliantly capture the majesty of black metal on new single Perpetual Night. Drawing lyrical inspiration from 1927 sci-fi movie Metropolis – clips of which pop up in the music video – the track is a showcase of bald ambition and songwriting craft, playing up to the underground’s most aspirational aspects, hinting at bigger things to come on new album Divergence, out September 13.” – Metal Hammer (Perpetual Night off album Divergence 2024)

” Few American melodeath bands can hang their hats on a record that’s as creative, engaging, and just plain fucking fun as Nightwraith has done with Divergence. These guys are going places.” – NoCleanSinging (Album Divergence 2024)

“As you’ll quickly discover, in its opening phase it (Whispers of Dragonflies) presents an unusual amalgam of futuristic swirling keyboards and full-throttle blackened ferocity replete with raking chords, hammering drums, and scalding vocals. But it does begin changing, like a musical chameleon. Those changes include a beautifully ringing guitar melody backed by shimmering synths, musing bass tones, and gripping drum fills, and fronted by somber and melancholy singing with a bit of grit in the gears. That phase is a sublime experience, made even more sublime by a guitar solo that sounds like a beguiling prog-rock throwback. The intensity builds again, but without sacrificing the music’s increasingly head-spinning beauty, and that paves the way for the afore-mentioned concert-flute solo, which is flat-out mesmerizing. As also mentioned, the song then loops back to its beginning — hammering, slashing, scalding, and swirling once more, fierce but also glorious. The song is presented with a beautifully filmed video of the band performing the music. Enjoy!” – NoCleanSinging (Whispers of Dragonflies off album Divergence 2024)

“One thing that has done better than nearly all of their musical peers was throwing convention out the window and running it over a few times with their truck. This album stands out as one of the most unusual I’ve ever heard. It masterfully blends the raw intensity of fierce Black Metal with the soothing presence of smooth keyboards and intricate guitar harmonies. The contrast between the harsh vocals and the melodic, atmospheric layers creates a unique listening experience that feels both powerful and unexpectedly harmonious, pushing the boundaries of what music can offer. 10/10” – Metal Temple – Album – Divergence 2024)

“The tracks from the band’s upcoming album, Divergence, which What’s Left Records is releasing on September 13, are a mix of blackened death metal and prog. Caleb Jose Tardio’s (keyboards and synthesizer), Igor Panasewicz (guitar), Isidro “Spy” Soto (drums), Jacob St. Amand (bass) and Benjamin Pitts (vocals and guitar) have been at it since 2016 and call what they do “blackened dad rock.” But NightWraith isn’t your father’s metal.” – Denver’s Westword (Album – Divergence 2024)

“Denver’s Nightwraith seems to get labeled as a melodic death metal band everywhere, but the sounds you’ll find on their third album “Divergence” are so much more diverse and bountiful, with proggy dashes of synths alongside a healthy dose of black metal in a rather folky, airy Enslaved-style. Add to that some cool guest parts like the baritone sax in ‘One Flower’ or Dreadnought’s Kelly Schilling adding a mesmerizing touch to ‘Whispers of Dragonflies’ with her flute, and you’ve got a diverse and unique cocktail that’s inherently Nightwraith. Don’t miss out on the Bandcamp/CD only bonus track either – a very surprising rendition of Pink Floyd’s ‘Us and Them’. ” – The ProgSpace (Album – Divergence 2024)

“As far as melodic death metal goes, NightWraith have to be one of the nerdiest bands on the block. Granted, the subgenre is already the geeky nephew of the acne-ridden linebacker that is death metal, but Divergence takes it even further by embracing progressive rock and heavy metal. It gets to the point that songs like “Whispers of Dragonflies” and the title track edge closer to the melodic and emotive progressive rock of the ’70s, albeit with tighter runtimes and the looming promise that NightWraith can crank up the aggression at any moment. They adopt the mindset that jam sessions can happen whenever and build their tracks around that potential. Therefore, songs tend to begin slowly and unspectacularly, but then venture down the tri-forked path of harmonic noodling, death metal riffing, and big metal energy without a compass. Divergence is September’s most unassuming album, easily.” – Consequence Heavy (Album – Divergence 2024)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Thank You Canadian MDs and DJs for the airplay love! !earshot – The National Loud Chart For the Week Ending: Tuesday, December 16, 2025 #1 Juliet Ruin, #6 Triskelyon – Moribund Records | 92.5 FM CFBX “the X” – Kamloops Loud – #3 Woodhawk, #6 Ivy Gardens | CFUV 101.9 FM – Victoria Loud – #5 Juliet Ruin | CIVL Radio 101.7 FM – Abbotsford Loud – #1 Triskelyon, #3 Juliet Ruin, #9 Phaeton | CJSR FM 88.5 – Edmonton Loud – #6 Juliet Ruin, #8 Devolver, #9 Ancient Thrones | CFBX 92.5FM – Kamloops Top 30 – #20 Merfolk, #30 Woodhawk | CFRU 93.3 FM – Guelph Top 30 – #20 Merfolk | Smithers Community Radio CICK 93.9 – Smithers Top 30 – #15 Z-Cocoon | CIVL 101.7 FM – Abbotsford Top 30 – #9 Triskelyon

December 17, 2025
by Asher
· Ancient Thrones · Devolver · Ivy Gardens · Juliet Ruin · MERFOLK · Phaeton · radio charts · Triskelyon · Woodhawk · Z-Cocoon

Thank You Canadian MDs and DJs for the airplay love!
!earshot – The National Loud Chart
For the Week Ending: Tuesday, December 16, 2025
#1 Juliet Ruin, #6 Triskelyon – Moribund Records
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2025-12-16
====================
92.5 FM CFBX “the X” – Kamloops
Loud – #3 Woodhawk, #6 Ivy Gardens
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
====================
CFUV 101.9 FM – Victoria
Loud – #5 Juliet Ruin
https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
====================
CIVL Radio 101.7 FM – Abbotsford
Loud – #1 Triskelyon, #3 Juliet Ruin, #9 Phaeton
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
===================
CJSR FM 88.5 – Edmonton
Loud – #6 Juliet Ruin, #8 Devolver, #9 Ancient Thrones
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2025-12-16
===================
CFBX 92.5FM – Kamloops
Top 30 – #20 Merfolk, #30 Woodhawk
https://earshot-online.com/charts/cfbx.cfm?dWeekOfID=2025-12-16
===================
CFRU 93.3 FM – Guelph
Top 30 – #20 Merfolk
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2025-12-16
===================
Smithers Community Radio CICK 93.9 – Smithers
Top 30 – #15 Z-Cocoon
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-12-16
==================
CIVL 101.7 FM – Abbotsford
Top 30 – #9 Triskelyon
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2025-12-16

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