Thank You Canadian MDs and DJs for the airplay love! \m/\m/
!earshot – The National Loud Chart
For the Week Ending: Tuesday, March 24, 2026
#3 Juliet Ruin
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-03-24
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CFBX 92.5FM – Kamloops
Loud – #8 Cepheidae Variable, #10 Born Divided
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-03-24
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CIVL 101.7FM – Abbotsford
Loud – #6 Juliet Ruin, #7 Phaeton
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-03-24
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CJSW 90.9FM – Calgary
Loud – #4 Juliet Ruin, #7 Pythonic, #8 Phaeton, #9 Merfolk
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-03-24
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CICK 93.9FM – Smithers
Top 30 – #20 Unpunished
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2026-03-24
Posts By Asher
0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ !earshot – The National Loud Chart For the Week Ending: Tuesday, March 24, 2026 #3 Juliet Ruin | CFBX 92.5FM – Kamloops Loud – #8 Cepheidae Variable, #10 Born Divided | CIVL 101.7FM – Abbotsford Loud – #6 Juliet Ruin, #7 Phaeton | CJSW 90.9FM – Calgary Loud – #4 Juliet Ruin, #7 Pythonic, #8 Phaeton, #9 Merfolk | CICK 93.9FM – Smithers Top 30 – #20 Unpunished
0 Canada’s Raunchiest Rock n’ Roll Carnivores SONS OF BUTCHER Release New EP “Skids” + Video ‘Denim Dreamin'” + Tour Dates
NEWS RELEASE
Montreal, QC – March 27, 2026
Canada’s Raunchiest Rock n’ Roll Carnivores SONS OF BUTCHER Release New EP “Skids” + Video ‘Denim Dreamin'”
Ontario / Quebec Tour with B.A. Johnston
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L-R – Doug Borski – Bass/Vocals, Joey Salami – Guitar, Crissy Stixx – Drums, Ricky Butcher – Lead Vocals/Guitar
Photo Credit – Evan Thompson
After a decade‑long hiatus, the band behind Teletoon’s cult animated series is officially back in the butcher shop with their most polished, unhinged, and radio‑ready material to date. Canada’s raunchiest rock‑and‑roll carnivores, Sons of Butcher, have unleashed “Skids, a brand‑new four‑song EP and their first batch of fresh cuts since 2020. Released today, March 27th, 2026, the EP arrives alongside the new music video for “Denim Dreamin’,” the follow‑up to their first single “Makin’ Bacon.”
Known for fusing vulgar absurdist comedy with heavy riffs and chaotic live antics, Sons of Butcher first carved out their legacy as the real‑world extension of their Teletoon animated series, building a cult following through spandex‑clad performances, pepperette‑throwing, and unapologetically ridiculous rock theatre. Forged in the grease‑splattered heart of Hamilton’s mock‑rock scene, “Skids” marks a new chapter, one that slices away from their animated origins and dives headfirst into a raw, unfiltered batch of comedy‑rock anthems.
“This EP marks the first time we’ve written songs that don’t have a direct connection to the cartoon storyline, except for Peppercorn Steak. Instead, this EP is an honest batch of comedy songs from the grease‑clogged hearts of a band of has‑been butchers,” adds frontman Ricky Butcher.
Produced by longtime collaborator Jordon Zadorozny (Meatlantis, Rise & Fall of the Steaks) at Skylark Park in Pembroke, ON, “Skids” is a loud, unapologetic love letter to skid‑life: cheap meat, denim devotion, and the gritty charm of back‑alley ambition. The EP also features drumming by Kellii Scott of the acclaimed band Failure, a full‑circle moment for Ricky Butcher, who first discovered Zadorozny’s work through Scott’s playing.
Musically, “Skids” pushes Sons of Butcher into their most radio‑ready territory yet, without losing the filthy heart that made them cult icons. Opening track “Denim Dreamin’” is a surprisingly wholesome, socially acceptable anthem celebrating denim as a lifestyle. Catchy, bouncy, and tailor‑made for anyone who’s ever bought a patch or band tee. “Makin’ Bacon” is a metal‑forward, riff‑heavy ode to the universal love of bacon. Chaotic, catchy, and dangerously addictive. “Steeltown Handy” is a pop‑rock earworm exposing the underbelly of Hamilton’s gritty streets, raunchy, melodic, and impossible to forget. And EP closer, “Peppercorn Steak,” is a return to classic SOB absurdity. Originally featured in an independently created third‑season pilot of the cartoon, now fully realized with soaring vocals and chunky riffage.
The EP’s cover features a live photo from the band’s first show after their ten‑year hiatus, Ricky Butcher and Doug Borski locked in a triumphant rock pose. The image has become symbolic of the band’s rebirth and renewed momentum.
To celebrate the release of the new EP, SOB‘s newest music video brings “Denim Dreamin’” to life with a tongue‑in‑cheek celebration of denim culture, matching the track’s upbeat swagger and infectious chorus. It follows the success of the EP’s first single, “Makin’ Bacon,” which kicked off the new era of Sons of Butcher with a blast of high‑energy mock‑metal.
“This is the first clean‑cut Sons of Butcher track we have ever written! With a catchy refrain and bouncy riff, the song proudly declares that denim isn’t just a fashion choice, it’s a full‑blown way of life. Anyone who’s ever bought a patch or a band tee will feel this one in their soul,” says Ricky Butcher.
Watch the video at https://www.youtube.com/watch?v=iZNUtzaO8IY
With “Skids,” the band isn’t just back, they’re carving out a new chapter in their meaty legacy.
Recommended for fans of Tenacious D, Spinal Tap, Psychostick, and Steel Panther, “Skids” is available now as of March 27th, 2026, at the following links:
Add to your Spotify playlist – https://open.spotify.com/album/7M0suHkgLiADLzbMXegRjV
Bandcamp (CD and Digital) – https://sonsofbutcher.bandcamp.com/album/skids
Music Video – “Makin’ Bacon” – https://www.youtube.com/watch?v=4lnsb7uWp4g
In additional news, Sons of Butcher are gearing up for a handful of Spring 2026 tour dates, including five shows with Hamilton’s beloved skid‑icon B.A. Johnston.
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Show Dates:
April 2 – Honey Dip – London, ON – opening for B. A. Johnston
April 3 – L’Hemisphere Gauche – Montreal, QC – opening for B. A. Johnston
April 4 – House of Targ – Ottawa, ON – opening for B. A. Johnston
April 17 – The Corktown – Hamilton, ON – opening for B. A. Johnston
April 18 – Baby G – Toronto, ON – opening for B. A. Johnston
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Track Listing:
1. Denim Dreamin’ – (3:05)
2. Makin’ Bacon – (2:37)
3. Steeltown Handy – (2:21)
4. Peppercorn Steak – (1:42)
EP Line Up:
Ricky Butcher – Lead Vocals, Guitar
Doug Borski – Vocals, Bass
Kellii Scott – Drums
Jordon Zadorozny – Lead Guitar
Brandon Wars – Lead Guitar
Live Band Line Up:
Ricky Butcher – Vocals, Guitar
Doug Borski – Vocals, Bass
Crissy Stixx – Drums
Joey Salami – Lead Guitar
More Info:
https://www.sonsofbutcher.ca/
https://www.facebook.com/therealsobs
https://www.instagram.com/therealsobs/
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“You can have fun with the SONS OF BUTCHER… solid entertainment awaits you.” – PowerMetal.de
“Sons Of Butcher prove that after all these years they are still masters at combining sleazy rock, chaos, and pure fun. Anyone who loves dirty guitars, rattling rock, and a hefty dose of self-mockery is in the right place here. The gas pedal stays pressed – and fortunately so.” – Musika
““Skids” stands out as a release with a clear entertainment-driven focus… an immediate and thoroughly enjoyable listening experience.” – Metalwar.gr
“Lockdown In Steeltown is a cheeky account that belongs with all historical records, as a kind of sly reminder when the next pandemic hits. Although it should probably be kept in the same section with Spinal Tap, “Weird” Al Yankovic, and pretty much every Dr. Demento show. I give this EP two Purell-sanitized thumbs up!” – Boston Rock Radio (2020 – Lockdown in Steeltown)
“the EP manages to lift the spirits of one or another rock fan with heavy music and silly jokes when they’re feeling cooped up, it has fulfilled its purpose. In any case, we’re not going to let a virus ruin our good mood.” – PowerMetal.de (2020 – Lockdown in Steeltown)
“Thing is, if there’s a word or a sentiment that could sum up 2020 is there one better than “FUCK!”?. As such, this could well be the album of our times. Crank it up, grab a beer, laugh at the childishness of it all and let twenty minutes or so more of the damn year slip by forever.” – Moshville Times (2020 – Ricky Butcher – Fuck! The Album)
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ASHER MEDIA RELATIONS
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0 Wacken Celebrates Global Warm-Up Party! “One World One Stage,” 35 Shows Will Take Place In 35 Countries On A Single Day!
NEWS RELEASE
Montreal, QC – March 27, 2026
Wacken Celebrates Global Warm-Up Party!
“One World One Stage,” 35 Shows Will Take Place In 35 Countries On A Single Day!
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On April 18th, 2026, 35 Wacken warm-up concerts will rock the globe! Almost 24 hours will pass between the first show in Japan and the last in Mexico, all of them filled with the best heavy metal music, with celebrating fans coming together for this special event. A live experience carried by the legendary Wacken spirit.
The worldwide party is being organized by various promoters from the global community of the Wacken Metal Battle, the festival’s own band competition, which now includes 102 participating nations. Promoters from 35 of these countries have joined forces for the Wacken anniversary to celebrate the worldwide warm-up party.
“The core idea is to bring the world together and unite it through what we love most: music! That’s what the Metal Battle community stands for, that’s what we stand for, and that’s what Wacken Open Air has represented since day one,” emphasizes festival founder Thomas Jensen.
In Germany, the warm-up will be celebrated at Hamburg’s Betty club starting at 8 p.m. The Boston-based band Lansdowne will bring their hook-driven, energetic rock to the Hanseatic city. The international event “One World One Stage” is being organized by Salman U. Syed, who is responsible for the Metal Battle at W:O:A and has been shaping the global networking of the scene for years.
“The sense of unity within the metal scene is strong worldwide, and bands as well as promoters in the individual countries immediately threw themselves into setting a powerful sign of unity while celebrating 35 years of Wacken Open Air together with us!”
The event in Hamburg on April 18th, therefore, seamlessly joins the global chain of parties. The event stands for unity, passion, and heavy metal without borders.
Tickets and further information about the warm-up parties around the globe are available here.
Additionally, impressions from the shows in all participating countries will be shared during the day via the social media channels of the Wacken Open Air. #oneworldonestage
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Each country will present bands in a club selected by the local Metal Battle promoters.
For example, in Canada, Toronto, ON’s The Garrison will host the 2018 Canadian battle champions, Centuries of Decay as guest headliners for the Ontario Final along with Toronto round winners Dawn Vally, Gravearth, and Misothronos. More info here.
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And in the USA, Tampa Bay, FL’s The Brass Mug will host the Southeast Regional Final with Endera (Savannah, GA), Nocturnal Dawn (Orlando, FL), Esca (GA / SC), ENDURUS (Tampa, FL), Dead Alive (Nashville, TN), Ramtha (St. Petersburg, FL) with guest co-headliner Psykotribe (Tampa, FL) and headliner Malevolent Creation (Tampa, FL). More info here.
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In Tokyo, Phantom Excaliver will perform alongside three other Japanese bands. The musicians won the Wacken Metal Battle in 2023 and joyfully accepted their prize, after their singer briefly fainted. “The line-up at our warm-up party brings together the history, present, and future of the Japanese metal scene,” says Yutaro Shindo, Japan’s Metal Battle promoter.
Organizer Raúl Saavreda from Bogotá is also eagerly anticipating the event in his hometown: “Our warm-up party will be insane! With Tribute2Wacken, the first tribute band dedicated to a festival will perform — playing only songs devoted to the Wacken Open Air.” Additional tribute bands will perform highlights of British Heavy Metal. Saavreda is also the founder of Wacken Latinos, an association of Latin American fans who visit the Holy Ground in northern Germany every year. “A year without W:O:A is unimaginable for me,” he states. “When I first went there in 2019, Wacken changed my life. On the fields, I recharge my batteries — it’s a special time when I reunite with friends and fully devote myself to metal. The festival is my religion.”
Stjepan Juras from Zagreb confirms that most globally active promoters share similarly close ties to W:O:A. The respected music manager, author, and Iron Maiden expert represents Wacken Open Air and Metal Battle in his native Croatia, where he also organizes the warm-up party. “Wacken is not just a festival. The spirit and the community set it apart from other festivals. That’s also thanks to founders Thomas Jensen and Holger Hübner, who celebrate among their fans, maintain close contact with visitors, and are truly part of the scene.”
Since the very beginning, the motto of both W:O:A organizers has been “By fans for fans!” — and that naturally applies to the 35 warm-up shows on April 18, 2026, as well. “Normally, Wacken welcomes the world,” says founder Holger Hübner. “On this day, it’s the other way around: the world welcomes Wacken — and together we celebrate a global heavy metal party.”
Tickets for the Wacken Open Air are available here.
Further press materials, including a list of all participating countries, short interviews with selected Metal Battle promoters, and short biographies of selected bands, can be found here.
About Wacken Open Air:
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 “The Saint” of Mosh Pits! Vancouver’s WITHOUT MERCY Unleashes Explosive Video For New EP “Infinite Loss” Out May 2026
NEWS RELEASE
Montreal, QC – March 26, 2026
“The Saint” of Mosh Pits! Vancouver’s WITHOUT MERCY Unleashes Explosive Video For New EP “Infinite Loss” Out May 2026
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Top – L -R – Alex Friis – Vocals, Matt Helie – Drums, Ryan Loewen – Bass
Bottom – DJ Temple – Guitars
Photo Credit: Shimon Photo – http://www.shimonphoto.com
Vancouver, Canada’s extreme groove metallers Without Mercy return with “Infinite Loss,” a new three‑track EP arriving May 8th, 2026, marking the group’s most focused and intentional work to date. Alongside the announcement, the band is unveiling the EP’s first single, “The Saint,” accompanied by a new music video.
Recorded after uprooting their lives and spending ten days living inside the studio environment, “Infinite Loss” captures a period of intense pressure, creative risk, and uncompromising honesty. For the first time in their career, the band left home to make a record, crossing borders, abandoning routine, and committing fully to the process.
“There was no comfort, no distance, and no way to step away. That isolation mattered. It stripped everything down to what was essential. This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right,” says guitarist DJ Temple.
“The Saint” marks the band’s boldest departure yet. Shaped collaboratively between the band and their producer, John Douglass, the track pushes Without Mercy into unfamiliar territory while remaining grounded in the identity they’ve built since 2007.
The song explores the question at the heart of artistic evolution: How do you grow without abandoning the foundation that brought you here? Rather than discarding their roots, the band tests their flexibility, stretching them to the breaking point.
Lyrically, “The Saint” confronts the idea of being enslaved by the land, “all the different whips, and all the different backs.” Musically, it leans into space, tension, and unpredictable movement, challenging the band’s established direction and ultimately earning its place on the EP by expanding its emotional range.
“Infinite Loss” is built around three songs that the band describes not as singles, but as statements. Each track was chosen only after surviving months of scrutiny, revision, and honest critique, both internally and from its producer. Lyrically, the EP centers on the feeling of being hunted repeatedly by shifting, modern pressures: economic strain, identity, expectation, time, and survival. There is no single antagonist. The threat changes shape, but never disappears.
Musically, the record mirrors that tension through weight, repetition, and restraint. Riffs sit long enough to suffocate. Rhythms feel physical and deliberate. The aggression is controlled rather than explosive, creating a sense of inevitability rather than chaos. The result is a release that is confrontational without theatrics, an unfiltered snapshot of a band choosing discipline over convenience and honesty over expectation.
The EP’s artwork was created in collaboration with longtime friend Diego Gedoz de Souza, who helped refine the visual direction after early concepts fell short. The final image, a desolate forest with a massive void carved into the earth, reflects the EP’s emotional core: inevitability, loss, and the pull toward something inescapable.
Recommended for fans of Meshuggah, Alluvial, Decapitated, Fit For An Autopsy, and Gojira, watch and listen to the video for the first single, “The Saint,” via its premiere on NoCleanSinging HERE.
Due out on May 8th, 2026, EP “Infinite Loss” is available for pre-save at https://ffm.to/infiniteloss
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Track Listing:
1. Infinite Loss – (4:15)
2. The Saint – (3:39)
3. Glass – (3:16)
EP Length: 11:11
EP and Live Band Line Up:
Alex Friis – Vocals
DJ Temple – Guitars
Ryan Loewen – Bass
Matt Helie – Drums
Formed in 2007, Without Mercy is Alex Friis (vocals), DJ Temple (guitars), Ryan Loewen (bass), and Matt Helie (drums). Together, they built their identity on pushing boundaries and refusing comfort. Their sound fuses the weight of groove with the intensity of extreme metal, earning them stages alongside Cattle Decapitation, Aborted, Death Angel, and more.
Their discography includes All Else Fails (2007), Without Mercy (2009), Reborn/Mouichido (2014/2016), and Seismic (2020), each release expanding their technical precision, emotional depth, and genre‑defying approach.
The band’s evolution is rooted in contrast: four musicians with different influences learning to protect their differences rather than smooth them out. The result is a sound that is dynamic, unyielding, nuanced, textural, and intentional.
More info:
https://www.withoutmercyband.com/
https://www.facebook.com/withoutmercyband
https://www.instagram.com/withoutmercyband
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“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit (Seismic – 2020)
“Right from the start (Uprooted), Without Mercy set the bar high for their extremity, aiming for something far more chaotic. The opening is a mix between the pure grind-death akin to that of Cattle Decapitation, and the math metal sound of Protest the Hero.”- Metal Injection (Seismic – 2020)
“pay witness (I Break The Chain) to their thrashy death metal a la Cattle Decapitation, Meshuggah and Decapitated and watch as they adorn the blast beats and breakdowns with beer guts and brogues.” – Decibel Magazine (Seismic – 2020)
“…To put it simply: the band does an incredible job of blending their grooves with their growls. Between segments of death, doom, and shreddy guitar solos that absolutely slay, there are moments of satisfying melodic breakdowns, and cutting riffs to die for… Seismic is full of lyrics that hold true and poignant meaning while using powerful imagery to evoke epic scenes of turbulent life and painful decay in the minds eye… ground-shaking album. 4/5” – Metal-Rules (Seismic – 2020)
“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple (Seismic – 2020)
“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life (Seismic – 2020)
“The thrash-stomp modes on “Worthless” ring like a head-on collision between DECAPITATED and BIOHAZARD with a dash of power metal thrown into the solo section. Alex Friis wrings his throat to huge extremes, hopefully leaving tissue intact as he hits agonizing squeals while throwing indictments against former band members — guess on your own who that might entail. DJ Temple’s guitar work on “Worthless” is terrific..” (Mouchido EP 2016) – Blabbermouth
“Vancouver’s Without Mercy is a prime example of how putting in a little bit of elbow grease can result in advantageous outcomes. The quartet play their brand of melodic, groove-laden death metal independently, but refuse to remain held back by a lack in the promotional and money machine backing departments. Over the course of a decade or so, the band has experienced the same highs and lows as most others, but their successes – which include a small handful of recordings, a bigger handful of tours, and appearances in video games – have been felt at a deeper clip because they’ve essentially managed everything themselves.” (Mouchido EP 2016) – Decibel Magazine
“In a word, the music rips. And it also thunders, and punches so fast and hard that it’s like a jackhammer-sized nail gun ramming bolts into concrete at high speed while the operator howls and shrieks for all he’s worth, segmented by a start-stop breakdown that will give your skull a good rattling and lit up by swarming guitar flurries that are as fiery as the torches in the video (Burn).” (Mouchido EP 2016) – No Clean Singing
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0 Streaming Now! SIEGE PERILOUS’ New Album “Becoming The Dragon” ft. Guests Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance) + Music Video “Echoes of Home”
NEWS RELEASE
Montreal, QC – March 26, 2026
Album Download HERE (for media use only)
Streaming Now! Power Metal Storytellers SIEGE PERILOUS’ Concept Album “Becoming The Dragon” + New Music Video “Echoes of Home”
Album Guests Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance)
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L-R: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)
Photographer Credit – Gii Astorga
Denver, CO power-metal storytellers Siege Perilous will be unveiling their long‑awaited debut full‑length concept album, officially on Friday, March 27th, via Crunchtronic Records. And before officially releasing, the band has teamed up with New Noise Magazine for the full-stream premiere of the concept record, along with their new music video for the emotional power ballad “Echoes of Home” ft. Kristin Starkey. The release follows months of anticipation fueled by the band’s earlier singles, including the title track and the Fabio Lione-fronted “As the Dragon Falls.”
“Becoming the Dragon” is a cinematic, story‑driven concept album chronicling the rise, fall, and transformation of the “Child of Prophecy,” a hero who ultimately embraces destiny by becoming the very dragon he was sworn to slay. Across ten tracks, Siege Perilous blends epic riffing, soaring vocals, and symphonic arrangements into a cohesive narrative arc that stands tall among modern power metal concept records. The album features two major guest vocalists who helped shape the band’s identity: Fabio Lione (Rhapsody, Angra) as the voice of the dragon in “As the Dragon Falls”, Kristin Starkey (Twilight Force, Temperance) as the Mystic in “Echoes of Home”.
For vocalist Shaughnessy McDaniel, these collaborations are deeply personal:
“Getting to sing alongside one of the voices that got me into metal as a teenager is an indescribable blessing, and having Kristin Starkey rip a power ballad with us is far beyond anything we could have hoped for.”
The newly released video “Echoes of Home” highlights one of the album’s most emotional moments, the “all is lost” chapter of the story. Written during a difficult period when McDaniel’s newborn son was in the NICU, the song channels grief, fear, and hope into a sweeping Jim Steinman-inspired power ballad.
“Those nights going home alone while my wife stayed with our son really fueled the sadness and sense of loss that became the core of ‘Echoes of Home.’ Thankfully, he’s now happy, healthy, and just celebrated his second birthday in February.”
Check out both the album and video on New Noise Magazine HERE.
Formed in Colorado by longtime friends and LARP companions Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums), Siege Perilous grew from a shared passion for fantasy storytelling and the electrifying inspiration of seeing Unleash the Archers live in 2021. Joined by Eric Fischer (bass) and later Ryan Flanagan, the band has evolved into a fully collaborative creative unit. Every track on “Becoming the Dragon: was shaped collectively, with each member contributing to the story beats, arrangements, and narrative flow. The result is a unified musical saga with each chapter standing strong as an individual song.
Epic, melodic, powerful, cinematic, and story‑driven, Siege Perilous is recommended for fans of Manowar, Battle Beast, Iron Maiden, Hammerfall, Sabaton, Blind Guardian, Rhapsody, Helloween, and Avantasia.
“Becoming the Dragon” will be available on March 27th, 2026, via Crunchtronic Records on all digital platforms, along with physical CD and Vinyl, plus merch at the following links:
CD + Vinyl (Limited Edition 12″ Vinyl in Draconic Red) – https://siegemetal.bandcamp.com/album/becoming-the-dragon
Add to your Spotify playlist – https://open.spotify.com/artist/7LbZQwXnTZE0nv3s8aDaSQ
Music Video – Becoming The Dragon – https://www.youtube.com/watch?v=nzbb6lX-BhM
Music Video – As the Dragon Falls ft. Fabio Lione – https://www.youtube.com/watch?v=WzMIMvm4wvY
In additional news, Siege Perilous will also mark the launch of their debut concept album, “Becoming The Dragon,” with a release show in Greeley, CO on April 4th at the Moxi Theater, joined by Starwraith and Wicked Vixen. Full details are available at https://siegemetal.com/album-release-show-april-4-moxi-theater.
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Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54
More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal
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“Siege Perilous puts all the notes in the right places and has the chops to be a player in the epic power metal arena… and Becoming the Dragon offers a glimpse of this band’s potential.” – The Metal Crypt
“With ‘Becoming The Dragon’, Siege Perilous proves that they are ready for the bigger stage. For fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, this is a must. This is power metal with heart, brains, and a sword in hand.” – Musika
“Becoming The Dragon is an ambitious work that combines epic heavy metal with orchestral elements. Siege Perilous show talent in songwriting and variety of arrangements… The mix of powerful vocals, triple guitar riffing and orchestral interjections makes the album interesting for fans of epic metal,” – MetalUnderground.at
““It’s certainly not a lack of ambition, this is a band that clearly sees itself as the natural successors to the true greats of fantasy-based power metal… Guest Fabio Lione… absolutely lays waste to all around him in the role of ‘The Dragon’ on As The Dragon Falls…. They deserve the highest praise for their commitment to the cause if nothing else.” – Sentinel Daily
“The 10 tracks keep you on the edge of your seat and even feature a collaboration with Fabio Lione, who deserves to be praised in every way… An album to enjoy!” – Nada Hay Bajo El Sol
“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM
“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine
“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric
“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Only A Few Days Left! TAMPA DEATH FEST Taking Band Submissions For 2026 Lineup
NEWS RELEASE
Montreal, QC – March 25, 2026
Only A Few Days Left! TAMPA DEATH FEST Taking Band Submissions For 2026 Lineup
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Celebrating eight years of delivering some of Florida’s most savage and unrelenting extreme metal, Tampa Death Fest is gearing up for its next chapter, and only a few days remain for bands to throw their name into the ring for the 2026 lineup.
Returning September 4th and 5th to the legendary Brass Mug in Tampa Bay, the festival is currently accepting submissions to fill its final performance slots. Extreme‑metal acts from anywhere in the world are encouraged to apply before the April 1st deadline. TDF continues its mission to showcase the full spectrum of brutality the genre has to offer, highlighting diversity, intensity, and global reach.
Bands can submit their EPKs to: tampabaymetalscene.booking[@]yahoo.com
Since launching in 2019, Tampa Death Fest has cemented itself as a cornerstone of the underground extreme‑metal community. Rooted in the city widely hailed as the Death Metal Capital of the World, TDF continues to unite bands, fans, and local businesses under its guiding mantra: “Strength Through Unity, Unity Through Metal.”
Each year, TDF showcases a diverse roster of international, national, and regional acts, offering a platform for rising underground talent to share the stage with established legends. Past editions of TDF have hosted such notable acts as Satan, Venom, Inc, Ringworm, Diabolic, Leishmaniasis (Colombia), Repulsive Vision (UK), Massacre, Atheist, GraveHuffer, Blasphemation, Carpathian Funeral, Kill The Imposter, Sadistic Vision, Nibiru, Merciless Scum, Quiescent Mantis, MRSA, Pantheon, and more.
With an ever‑growing international presence, Tampa Death Fest continues to strengthen connections across Florida and beyond, fostering a spirit of collaboration and community engagement within the metal scene.
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Event Details:
Dates: September 4–5, 2026
Location: The Brass Mug, Tampa Bay, FL
About Tampa Death Fest:
Founded in 2019, Tampa Death Fest has grown into a premier event within the extreme metal world. The festival’s mission is to uplift artists, unite fans, and celebrate the culture of heavy music through a shared passion for brutality, creativity, and community.
More Info: https://www.facebook.com/profile.php?id=61577052471967
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“With Tampa’s legendary death metal scene, I think we can all agree that there should be a fest in this city. There have been a few, but they have come and gone. This includes the three-day Tampa Deathfest that just happened in October 2023. What I like about this Tampa Deathfest is it not only hailed legends, such as Hellwitch and Venom, Inc., but it also represented the local talent we still have here.”- Infernal TV
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)
NEWS RELEASE
Montreal, QC – March 25, 2026
NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)
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L-R – Frank Tosi – Lead Guitars, Dave English – Drums, Max Capshaw – Vocals, Jun Takeshita – Lead Guitars
Photo Credit: Another Demon
NYC thrash metal outfit Another Demon will officially re‑release their debut EP “As Above So Below” on April 18th, 2026, through Ragebreed Records, with global distribution handled by Earache Records. Originally unveiled independently, the EP now returns with expanded reach and renewed momentum as the band continues its rapid ascent through the East Coast metal ranks.
Formed in 2023, Another Demon has quickly carved out a reputation for a sound they define in five words: Powerful, Fast, Aggressive, Thrashing, Evil. Their music fuses high‑velocity riffing, death‑tinged precision, and a dark atmospheric edge—an approach that feels instantly familiar to fans of classic thrash while pushing into new territory.
“We feel like anyone hearing us for the first time will immediately get what we’re about. Another Demon is the kind of band you can feel instantly familiar with and instantly want more,” says guitarist Frank Tosi.
The EP delivers a layered listening experience, offering both surface‑level adrenaline and a deeper emotional catharsis. The band’s collaborative writing process, built on trading riffs, expanding ideas, and prioritizing results over ego, creates songs that feel cohesive, urgent, and alive.
A major highlight of “As Above So Below” is “Drawn and Quartered,” featuring a guest solo from legendary guitarist James Murphy (Testament, Death, Obituary), whose presence adds both historic weight and technical ferocity to the record. Across its six tracks, the EP delivers a spectrum of thrash intensity: “Reduced to Ash” erupts with frantic, horror‑driven chaos inspired by The Evil Dead, while “Deaf Gods” channels spiritual collapse and frustration through sharp, unrelenting heaviness. “Skull Vessel” pushes deeper into the band’s darker, riff‑forward territory, and “War March” unfolds as a slow‑burning, cinematic descent, massive, ominous, and ritualistic. The title track, “As Above So Below,” ties the EP together with atmosphere, weight, and precision, capturing the full scope of the band’s vision.
Another Demon is powered by four musicians deeply rooted in the NY/NJ/CT heavy music scene. Bassist and vocalist Max Capshaw, known for his work with Sick Of It All, H2O, Murphy’s Law, and Burn, brings decades of hardcore pedigree and a commanding presence at the front of the band. Frank Tosi, the EP’s primary songwriter, shapes the group’s modern thrash identity with guitar work that is tight, aggressive, and atmospherically driven. Alongside him, guitarist Jun Takeshita blends 80s thrash with the intensity of Japanese punk and metal, expanding the band’s sonic range with speed, melody, and precision. Behind the kit, Dave English delivers dynamic, powerful drumming that fuels the band’s relentless pace and rhythmic complexity. Together, they forge a sound built on heavy riffing, razor‑sharp execution, and a balance of pure aggression and immersive atmosphere, music that hits hard and stays with you long after the final note fades.
The tracks on “As Above So Below” were shaped over years of dormancy and renewed creative drive. With a full‑length album currently in development, the band promises an even broader expression of their identity.
“These songs reflect our influences and personal tastes. The full‑length will show even more of our collective personality—our best, our heaviest, and our most honest work,” adds Tosi.
Recommended for fans of Slayer, Testament, Exodus, Overkill, and Immortal, “As Above So Below” is available on the following platforms.
Single Stream – Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – https://www.youtube.com/watch?v=F7m8elmZ2H8
Add to your Spotify Playlist – https://open.spotify.com/artist/3kNaNyl0Lcp2NffXJUwjT6?si=SbY0-uwdTE6jlNyjTIRDJA
Bandcamp – https://anotherdemon.bandcamp.com/album/as-above-so-below
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Track Listing:
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20
EP Band Line Up:
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums
Live Band Line Up:
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums
More info: https://linktr.ee/another_demon_official
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“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer
“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 EPK – Another Demon – As Above So Below (2026) (Ragebreed Records/ Earache Distro)
EPK – Another Demon – As Above So Below (2026) (Ragebreed Records/ Earache Distro)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
“As Above, So Below is really us pulling together everything we love about metal and putting it into one record, but doing it in a way that feels true to our own brand of New York City thrash. Ripping guitar riffs, powerful vocals, and devastating drums all come together to define the sound, while still leaving room for atmosphere, dynamics, and the different influences that shaped us along the way.” – Frank Tosi – Another Demon
For fans of Slayer, Testament, Exodus, Overkill, Immortal
Band: Another Demon
EP Title: As Above So Below
Release Date: April 18, 2026
Label: Ragebreed Records
Distribution: Earache Digital Distribution
Genre: Thrash Metal / Death Metal
Location of Band: New York City
All Links: https://linktr.ee/another_demon_official
Facebook.com/anotherdemonofficial | Instagram.com/another_demon_official | Youtube.com/@Another_Demon_Official
Anotherdemon.bandcamp.com | Anotherdemonofficial.bigcartel.com | Spotify
“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer
“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile
[Download EP Cover | Download EP Lyrics]
Band: Another Demon
EP Title: As Above So Below
Release Date: April 18, 2026
Label: Ragebreed Records
Distribution: Earache Digital Distribution
Genre: Thrash Metal / Death Metal
Location of Band: New York City
Track Listing:
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20
EP Recording Credits:
• All songs performed by: Another Demon
• All songs written by: Frank Tosi, Max Capshaw
• Produced by: Frank Tosi, Max Capshaw, Richie Kennon
• Mixed by: Richie Kennon
• Mastered by: Barking Dog Studios
• EP Artwork by: Hellforge Metal Art
EP Band Line Up:
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums
Live Band Line Up:
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums
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About The EP Artwork:
Back when the band first started, Frank built a strong working relationship with artist Moises Alves of Hellforge Metal Art in Brazil. Since then, Moises has become an integral part of the band’s identity. We often refer to him as our honorary fifth member, as nearly every visual element tied to Another Demon has been created by him in one way or another. Drawing direct inspiration from the band’s lyrics and music, Moises has developed artwork that not only reflects the songs’ tone but also helps shape and define the band’s visual identity, giving Another Demon a distinct look that aligns with its New York City Thrash branding. Evil, Gritty, and unmistakably Metal!
About The EP (LYRICALLY & MUSICALLY):
As Above, So Below is a dark and aggressive record built on heavy riffing, fast pacing, and a strong sense of atmosphere. Musically, it stays rooted in thrash metal, but pulls in elements of death metal and dynamic shifts to keep things intense and engaging from start to finish. Lyrically, the album explores themes of horror, punishment, inner conflict, and duality, drawing from classic horror imagery, occult concepts, and darker reflections on human nature. It is meant to feel both chaotic and controlled, giving the listener a full experience rather than just a collection of songs.
Track by Track:
1. Reduced to Ash leans into horror-driven imagery inspired by the cult classic film “The Evil Dead,” pairing fast riffs with a relentless feel.
2. Deaf Gods explores the collapse of one’s faith and the dangers that can be caused through mental instability, driven by tight structure and intensity.
3. Skull Vessel dives into ritualistic and occult themes with a darker and more atmospheric approach.
4. Drawn and Quartered focuses on brutality and paints a picture of the infamous historical punishment, with sharp, aggressive riffing and a punishing pace.
5. War March delivers an evil, commanding, and atmospheric feel, centred around power, control, and destruction.
6. The title track As Above, So Below ties everything together with themes of duality and existence, combining aggression with a more expansive and atmospheric sound to close the record with weight and purpose.
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STORY ANGLES / FUN FACTS ABOUT THE BAND:
1. Max Capshaw began his career in the New York hardcore scene, stepping in as a touring drummer for Sick Of It All during their early rise following their debut album. Though his time with the band was brief, it placed him at the center of a defining moment in the development of New York hardcore.
2. In 2025, Another Demon took on a unique role performing as Prime Evil Tribulation in support of Andy Eichorn, bringing a different dimension of their sound and presence to the stage. That year, the band appeared at major regional events, including the Rock Fantasy 39th Annual Music Festival and the Rage of Armageddon Festival in August, further solidifying their growing reputation in the Northeast.
3. While the experience was a powerful and memorable chapter for the band, the project has since come to a close due to health concerns for Mr Eichorn. Although it was an opportunity the band valued greatly, it also contributed to delays in their recording schedule. Another Demon is now fully refocused on their next release, which is currently targeted for late 2026.
4. At the Rock Fantasy 39th Anniversary Festival, Frank Tosi performed both the Another Demon set and the Prime Evil Tribulation set while playing with a broken finger on his fretting hand, a testament to the band’s mindset and commitment to delivering no matter the circumstances. The show must go on!
5. Jun Takeshita’s style is shaped by both sides of the world. He came up in the Japanese thrash scene in the late 80s and later brought that foundation to New York, blending that precision and intensity with the raw edge of the Northeast metal scene. It gives his playing a sharp, aggressive feel, with a unique character that stands out right away.
6. Dave English brings more than just performance experience to Another Demon. He is also an instructor at School of Rock in Clark, where he works with developing musicians across multiple disciplines. That background adds another layer to his playing, combining technical precision with a deeper understanding of rhythm, structure, and dynamics that translates directly to the band’s sound.
7. Another Demon is currently working toward their next full-length release, projected for late 2026, and while details are being kept close to the chest, the band has hinted at a major surprise. The upcoming record will feature a standout guest musician in a significant role, adding a new dimension to the band’s sound and giving listeners a hint at just how far things are starting to move to the next level.
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L-R – Frank Tosi – Lead Guitars, Dave English – Drums, Max Capshaw – Vocals, Jun Takeshita – Lead Guitars
Photo Credit – Another Demon
Another Demon is built on the foundation of heavy riffing, relentless thrash energy, and moments of dark atmosphere that cut just as deep as the aggression itself. Each member brings a distinct history and voice, forming a band that feels both seasoned and dangerous.
Max Capshaw — Bass / Vocals
At the forefront of Another Demon is Max Capshaw, a veteran of the New York hardcore scene whose presence defines the band’s raw intensity. From early days behind the kit with Sick Of It All to playing with Murphy’s Law, Burn, and as a founding member of H2O, Max brings decades of experience and authenticity. Now stepping into the role of frontman, his delivery is commanding and unfiltered—anchoring the band’s thrash assault with grit, weight, and undeniable attitude.
Frank Tosi — Lead Guitar
The architect behind Another Demon’s sound, Frank Tosi, drives the band with a focused vision of modern thrash—tight, aggressive, and riff-forward. His playing is rooted in precision and structure, delivering sharp, driving rhythms while weaving in darker, atmospheric elements that give the music depth. His return to music was intentional and fully realised, shaping the band into a cohesive and powerful force.
Jun Takeshita — Lead Guitar
Jun Takeshita brings a distinct international edge, fusing 80s thrash influence with the intensity of Japanese punk and metal. His style blends speed, melody, and technical precision, strengthening the band’s dual-guitar attack while adding a unique voice that expands the sonic landscape beyond straight aggression.
Dave English — Drums
Behind the kit, Dave English is the engine driving Another Demon forward. His playing is powerful, precise, and dynamic—equally capable of high-velocity thrash and complex rhythmic movement. With a background across multiple genres, he adds both control and explosive energy, locking the band into a groove that feels relentless yet alive.
Together, Another Demon delivers a modern thrash sound defined by heavy riffing, tight execution, and a balance between pure aggression and immersive atmosphere, music that hits hard and lingers long after the last note.
Shared Stage with: Max Cavalera’s Go Ahead and Die, Nasty Savage, Deceased, Détente, Bloodfeast, Malignancy, Aggression, Skinlab, Shortfuse, Cerebral Hemmorage, Breakker, Electrocutioner
Corporate sponsors/artist endorsements:
Fortin Amplification, Morley Pedals, All Pedal, Valorous Guitar, DC Custom Guitars, Pighog Cables
Tours and Festivals:
Another Demon – Live Performances (2023–2026)
September 11, 2026 – The Cellar on Treadwell – Hamden, CT (with Vicious Rumors, Mutant, Unknown)
April 18, 2026 – The Zone @ Clemson Ragebreed As Above So Below Release Party – Middletown, NY (with Mutant, Death Metallic)
February 7, 2026 – Cherry St. Station – Wallingford, CT (with Blood Feast, Electrocutioner, Maidenhead, Mutant)
August 30, 2025 – The Meadows (Rage of Armageddon Festival VIII) – Brooklyn, NY
July 20, 2025 – Gold Sounds – Brooklyn, NY (with Ranges & Precious Blood)
April 26, 2025 – The Stage @ Roosevelt Hall (Rock Fantasy 39th Anniversary Festival) – Warwick, NY
August 11, 2024 – The Ritz – San Jose, CA
August 10, 2024 – Toot’s Tavern – Crockett, CA
August 9, 2024 – World Famous Doll Hut – Anaheim, CA
(Venomicities Tour with Skinlab & Short Fuse)
2024 – Quinnz Pinz (A Dangerous Metal Meeting) – Middletown, NY
December 30, 2023 – The Kingsland – Brooklyn, NY
October 14, 2023 – Saint Vitus Bar – Brooklyn, NY
September 22, 2023 – Lucky 13 Saloon – Brooklyn, NY
0 EPK – Reign of Echos – Static Vein (single) (2026)
EPK – Reign of Echos – Static Vein (single) (2026)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
For fans of Lamb of God, Gojira, Korn, Mudvayne, Trivium
Band: Reign of Echos
Single Title: Static Vein – 3:31
Release Date: March 13, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Metal
Location of Band: Apple Valley, CA
All Links: https://www.linktr.ee/reignofechos
Reignofechos.com | Facebook.com/reignofechos | Instagram.com/reign_of_echos
[Download Single Cover | Download Single Lyrics]
Band: Reign of Echos
Single Title: Static Vein – 3:31
Release Date: March 13, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Metal
Location of Band: Apple Valley, CA
Previous Single – Title: “Blindside”
Release Date: January 5, 2026
Singles Recording Credits:
• All songs performed by: Reign Of Echos
• All songs written by: Reign Of Echos
• Produced by: Soundland Recorders
• Mixed by: Billy Baker
• Mastered by: David Donnelly
• Single Artwork by: Crystal Eye Imagery
Single and Live Band Line Up:
Randy Lee – Guitar/Lead Vocals
Robert Gresham – Bass/Backup Vocals
Dustin Reddington – Drums/Backup Vocals
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About the Single Artwork for Static in Vein:
Eye-catching, Powerful, Original, tells the story of the song/album in a single image.
About the singles:
“Blindside” lyrics convey the emotions of a person who has been betrayed by someone they thought they could trust. While the music takes you on a ride through the anger and frustration of the betrayal, followed by the overcoming of the emotions.
“Static Vein” lyrics tell the story of the struggle of mankind’s battle with inner demons and the continued presence of the darkness that exists in each of us. The music is intertwined with the madness of the story, while darkness and hope fight each other within the musical progression.
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BAND STORY ANGLES / FUN FACTS:
1. Randy used to go to shows that Dustin played drums at with his former band, “Freak Occurance” years ago, not knowing that they would eventually find the path to work together and create what we have today.
2. Rob and Randy were in two bands together before Reign Of Echos and have played iconic venues throughout California.
3. This is the first band that Randy has written songs for with a 7-string guitar.
4. Randy and Rob met through an ad on Myspace of Rob looking to just jam with someone a long time ago. Randy decided to go and jam, and they have been friends since.
5. Dustin has toured the US with prior bands. The bands eventually had a falling out. Dustin kept his chops up, jamming with friends here and there in the middle of not being in a band. Randy and Dustin, by chance, worked together at a rock quarry, and Randy had asked Dustin if he wanted to join his new project, which became Reign Of Echos. That sparked a new life in Dustin’s musical passion to write and play music again with a band.
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L-R – Robert Gresham (Bass, BU Vocals), Randy Lee (Guitar, Lead Vocals), Dustin Reddington (Drums, BU Vocals)
Reign of Echos is a Southern California modern metal trio formed in 2025. Delivering a sound that merges crushing heaviness with cinematic atmosphere and emotional intensity. Formed by guitarist and vocalist Randy, and solidified with Rob on bass and backing vocals, and Dustin on drums and backing vocals, the band has quickly evolved into a focused, high-impact unit with a clear identity and vision.
Blending elements of modern metal and nu-metal influence, Reign of Echos creates music that balances aggression and melody, weight and space, designed to hit just as hard live as it does through speakers. Their approach goes beyond songwriting, building an immersive experience through synchronized visuals, lighting, and performance. Driven by precision, energy, and intent, Reign of Echos is not just creating songs—they’re building something bigger.
0 Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”
NEWS RELEASE
Montreal, QC – March 24, 2026
Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”
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L-R – Kris King (Bass) – Patrice Jolicoeur (Guitar) – Charles Morin (Vocals) – Til Dubois (Guitar) – Mathieu Fréchette (Drums)
Photo Credit – Sylvain Courchaine (Eighty Oaks Photography)
Metalcore/Post‑Hardcore outfit Bury the Past has officially dropped their brand‑new single “Clarity,” now available on all major streaming platforms. The track marks a defining moment for the five‑piece Canadian band as they step boldly into a heavier, more modern metal direction.
Formed through the natural evolution of guitarist Til Dubois’ creative vision, Bury the Past has grown into a powerhouse collective of musicians from across the Gatineau/Quebec scene. With the addition of drummer Mathieu “Fretch” Fréchette (Fractures & Outlines / Soulthief (Upstate Records) & 2025 Wacken Metal Battle Canada National Finalists), the band found the missing piece that would help shape their new sonic identity.
“Clarity was the first song we wrote together with the latest lineup. It introduced a new drumming style as I joined the band permanently. From fast‑paced verses to slower, heavier sections, the single shows what we’re capable of,” says drummer Mathieu Fréchette.
Musically and lyrically, “Clarity” is a turning point. The band leans into a more aggressive, modern metalcore sound while keeping the emotional depth and diversity that define their identity. Though heavier than previous releases, the band emphasizes that Bury the Past refuses to be boxed into a single genre; evolution is part of their DNA.
If fans are expecting more intensity, they won’t be disappointed.
“Heavy, catchy, emotional, evolving, diverse, that’s how we’d describe our sound. “I think fans are really going to appreciate the new direction. Having Til back on guitar is a major upgrade, and the writing process has never been smoother,” adds Fréchette.
The band’s lyrics, primarily crafted by vocalist Charles Morin with contributions from Til and Kris, draw from everyday struggles, personal experiences, and the universal challenges humanity faces. The result is music that hits as hard emotionally as it does sonically.
Bury the Past pulls inspiration from giants like The Ghost Inside, August Burns Red, The Amity Affliction, Alexisonfire, and Parkway Drive, blending metalcore, modern metal, and post‑hardcore into something uniquely their own.
And while their music is serious, the band’s personality is anything but one‑dimensional. From inside jokes like shouting “Tooteeth” (a reference to Til’s cats) to a lineup spanning ages 20s to 50, Bury the Past is a family built on passion, humor, and a shared love for heavy music.
With plenty of material already written and waiting for the studio, fans can expect more singles from Bury the Past in the near future.
“Timing is key, but trust us, there’s a lot more coming,” adds Fréchette.
Turn it up, dive in, and hear the new era of Bury the Past. “Clarity” is streaming now on all major platforms.
Add to your Spotify Playlist – https://open.spotify.com/track/58hT043E252gg4jgq2m2fB
YouTube – https://www.youtube.com/watch?v=Y7VPu2lWhu8
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Single Recording Credits:
• All songs performed by: Bury the Past
• All songs written by: Bury the Past
• Produced by: Tiny Rik Productions
• Mixed by: Tiny Rik Productions
• Mastered by: Tiny Rik Productions
Band Line Up:
Kris King (Bass)
Patrice Jolicoeur (Guitar)
Charles Morin (Vocals)
Til Dubois (Guitar)
Mathieu Fréchette (Drums)
More info: https://linktr.ee/burythepast
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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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Tweet – AsherMedia
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