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0 Canada’s WOODHAWK Reveals First Single “Strangers Ever After” From New Album “Love Finds A Way” Out June 2025

  • April 11, 2025
  • by Asher
  • · Music News · Woodhawk

NEWS RELEASE

Montreal, QC – April 11, 2025

WOODHAWK Reveals First Single “Strangers Ever After” From New Album “Love Finds A Way” Out June 2025

L to R: Kevin Nelson (Drums), Turner Midzain (Vocals/ Guitar), Mike Badmington (Bass/ Vocals)

Portrait by Mark Kowalchuk

Canadian stoner rock powerhouse Woodhawk returns with the announcement of their highly anticipated third studio album, “Love Finds A Way,” set for release on June 6, 2025, via Grand Hand Records. The Calgary trio of Turner Midzain (guitar/vocals), Mike Badmington (bass), and Kevin Nelson (drums) are also dropping the record’s first single, “Strangers Ever After,” toda,y giving fans their first taste of new Woodhawk material since 2019’s acclaimed “Violent Nature”. The band comments on the new single:

“This was the first song we wrote for this album. And I think we reworked it more than any song. It started out with a completely different feel and timing than what we ended up with. It was way darker. But we kept coming back to it and really loved the result. Strangers Ever After is a kind of demise of a relationship. The farewell to someone that maybe…you were better off never knowing. This is dark and honest.”

“Love Finds A Way” marks an evolution in the band’s creative journey. Their earlier work was very much influenced by bands like The Sword and Black Sabbath, with lyrics about wizards and goblins, but they’ve worked hard on bringing more emotion to their writing. The nine-track album promises to deliver the dynamic range fans have come to expect from Woodhawk, featuring what Midzain describes as ‘some really riff-rocking songs, but also a lot of hardship and honesty’.

“Strangers Ever After” showcases the band’s signature blend of classic hard rock sensibilities and modern stoner metal influences, delivering the infectious grooves and memorable hooks that have earned Woodhawk a devoted following since their formation in 2014. They are recommended for fans of The Sword, Red Fang, and Thin Lizzy.

Listen to “Strangers Ever After”:

YouTube – https://youtu.be/zCYCia-rPFo

​

Spotify – https://spoti.fi/4jmbEkW​

Album pre-order: https://woodhawk.bandcamp.com​

Track Listing
1. Grave Shaker – 4:41
2. Strangers Ever After – 4:24
3. Truth Be Told – 7:21
4. White Crosses – 6:10
5. The Unholy Hand – 5:21
6. No Place For Hate – 5:18
7. Love Finds a Way – 6:16
8. Relapser – 4:52
9. Killing Time – 8:37

Woodhawk is:
Turner Midzain – Guitar & Vocals
Mike Badmington – Bass & Vocals
Kevin Nelson – Drums

More info:​
https://www.woodhawk.ca
​https://www.instagram.com/woodhawkriffs​
​https://www.facebook.com/woodhawkriffs​

-30-

“Their brand of this style sounds far more refreshing and has a modern rock ‘n roll kind of aura to go along, slightly ringing in signs of alternative influence. The end result is as if Black Sabbath and Thin Lizzy had a child born in the age of Chevelle. With that said, this is immaculate. ” – Indy Metal Vault (Violent Nature – 2019)​
​
​“this is really the kind of rock that fans of classic U.K. metal in the ’70s will be instantly taken with. Sounds really good turned-up really loud, which is always a good test.” – Vancouver Sun (Violent Nature – 2019)​
​
​“Violent Nature kicks off with the slithering riffs of “Snake in the Grass,” which comes crawling up slowly before striking with a venomous fuzz-riffy attack, and a soaring, fist-raising chorus. “Weightless Light” gets my head nodding right away with a solid stoner rock riff, while giving off a pretty decent Monster Truck vibe in the chorus – I can see why they made it the pre-release single.” – Hellbound (Violent Nature – 2019)​
​
​“This is what music is about. When you put yourself out there, you connect with others on a deeper level and that’s always a win.” – The Music Below (Violent Nature – 2019)​
​
​“Violent Nature surpasses their debut and then some; the Rocky Mountain trio have harnessed the best of the past, given it a fresh coat of paint, made me smile and just enjoy rock and roll in its purest form…” – The Sleeping Shaman (Violent Nature – 2019)​
​
​“going by the lead single “Weightless Light” it seems like whatever they’re making the songs about, Woodhawk still bring the same sense of songcraft to their material, which is always good to know.” – The Obelisk (Violent Nature – 2019)

—
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0 EPK – Woodhawk – Love Finds A Way (2025)

  • April 11, 2025
  • by Asher
  • · EPKs · Woodhawk

EPK – Woodhawk – Love Finds A Way (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We are over the moon to get this album out. Love Finds a Way is easily the hardest we have worked on an album to date. We poured our heart and soul into this one. It really is a journey of getting out of the darkness and into the light. Check in with your friends and loved ones. Hug the ones you love. Be nicer to each other. Love will always prevail and be stronger than anything else. After 10 years of being a band, I feel like we are still just getting started!” – Woodhawk

For fans of Black Sabbath, The Sword, Red Fang, Thin Lizzy, Priestess

Band: Woodhawk
Album Title: Love Finds a Way
Release Date: June 6, 2025
Label: Grand Hand Records

Woodhawkriffs.com​​ | Instagram.com/woodhawkriffs​​ | Facebook.com/woodhawkriffs | X.com/woodhawkriffs | Youtube.com/@woodhawkriffs

Woodhawk.bandcamp.com | Spotify

“Calgary’s Woodhawk returns after five years with new album” – Calgary Herald 

Top 30 Chart: Aug 8 – 14, 2025 – #16 – Woodhawk – CKUA Radio Alberta

“Love Finds A Way is a moving, introspective, and incredibly honest trek. Doubts and regrets are aired like candid confessions… The music moves the sentiment of these nine songs with a crisp, stalwart beat from drummer Kevin Nelson and robust bass rhythms from Mike Badmington (who also shares vocals throughout the album).The flow is undeniable in the closing number “Killing Time,” which is to me the gem of the collection. It’s about being gaslit in a relationship, waking up, and rediscovering a sense of self and is just so thoughtfully written from the catchy beat to the vocal phrasing and the guitar solo and addition of the piano… While I’ve made much to-do about the lyrical force of the album, it takes every member of the band to really pull it off and make us believers. Woodhawk is working like a well-oiled machine one EP and three albums into their career, making this a wholly convincing spin track after track.” – Doomed and Stoned 

“Woodhawk built a reputation for themselves in the stoner scene, however you wouldn’t necessarily call Love Finds A Way a generic stoner record. There are certainly some fuzzy riffs, however the sound is more of a conglomeration of classic blues rock, some old-fashioned NWOBHM energy and a liberal sprinkling of 90s hard rock (especially in the vocals). But, the main thing that dominates is the GROOVE. With some frenetic guitars, an intense rhythm section and some funky keyboard action, groove is not only in the heart, it’s in the lungs, the kidneys, and the reproductive organs. Hell, it’s running more rampant through the body than a particularly virulent dose of the clap. With all but 3 of the songs clocking in over 5 minutes, these guys have the time and space to track down a killer groove and nail the little bastard down tight. A great album that gets better with each listen. As Haddaway once asked, ‘What is Love?’ …this is! 4.5/5″ – Metal Epidemic

“Love Finds A Way is so damn catchy. Some of these songs will get very stuck in your head, and these guys understand melody, combined with hard rock, as well as any of the best bands out there. There is a bluesy feel at some points and a grunge vibe during others, but regardless of what you label it, this is some killer heavy rock… Love Finds A Way is some next level heavy rock. I hesitate to call it stoner rock, just like I would not call Valley Of The Sun stoner rock, but Woodhawk have created something special with the nine songs on their third, and best record to date. Love the vocals, love the riffs, love the organ, love the emotion, and love Love Finds A Way. 9/10″ – Musipedia of Metal

“One of Canada’s best Stoner Rock bands WoodHawk make a welcome return with Love Finds A Way where the band play a more amplified style of Heavy Rock music with focus primarily on melody and aggression. Taking up the LOUD RAWK mantle of bands such as THIN LIZZY, THE SWORD, BLACK SABBATH and LED ZEPP. WoodHawk bring a soulful and highly energetic style of Classic Blues Rock into the mix… WoodHawk impresses on every level with Love Finds A Way which allows this record to be their best album yet which you will be listening to for a very long time to come. Add this record to your collection and if you’re a fan of Old School Heavy Rock then this is the place to be. Outstanding. End Of.” – Outlaws of the Sun

“From the raucous energy of  trangers Ever After  to the moody, keyboard-tinged doom of  The Unholy Hand,  the album is consistently engaging. It’s a banger from start to finish, successfully blending hard rock thunder with a sense of tender vulnerability. Love Finds A Way is a highly recommended listen for any fan of heavy, melodic rock. It captures Woodhawk not just as skilled musicians, but as evolved songwriters who have crafted their finest and most relatable album yet.” – Alt Yeg Music Magazine

“Love Finds A Way is an album that cements the trio as first-class songwriters. The doom/stoner elements of the band’s earlier outings remain infused in their DNA, but they’ve been augmented with a genuinely striking ability to pen tunes that sink into your brain. These songs straddle the worlds between biting hard rock and heavy metal thunder, while carrying an almost poppy sense of tender vulnerability. The long wait was absolutely worth it. This album is a banger.” – The Sleeping Shaman

“Stoner rockers’ Woodhawk have just dropped their new single “Strangers Ever After” and it ROCKS! Heavy, driving and just spot-on as a great selection for the first single from their forthcoming 3rd album “Love Finds A Way” which is slated for a June 6th release (we’ve also had the opportunity to preview the new album and it’s pretty amazing). In the meanwhile, you can catch “Strangers Ever After” on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Even though “Love Finds A Way” opens up energetically as usual with ‘Grave Shaker’ and ‘Strangers Ever After’, the tension between the tried and tested band sound and further development soon becomes audible. On the one hand, the album sounds typically like WOODHAWK, we listen to heavy rock with a clear stoner side and rich guitar riffs, but on the other hand, the record seems more mature and serious. 8/10″ – PowerMetal.de

“Calgary trio Woodhawk have got that swing on their new single “Strangers Ever After,” which is the first single to come from their aspirationally-titled new album, Love Finds a Way, due out June 6 on Grand Hand Records. There’s classic-style, organ-enhanced boogie meeting with a modern production and tonal fullness, all aligned around a central push and tense sections of chug — skillfully wrought, melodic, clear in its intention to engage but not without expressive purpose either. It keeps its balance after spinning around in a few circles, and the solo is class before the bluesy verse returns to round out. Been six years, but that happens sometimes. Cool to have a new one coming from these guys either way. ” – The Obelisk (2025)

“Psychedelic Stoner Rockers WOODHAWK return from a six year slumber with their upcoming and absolutely stunning new album Love Finds A Way. With swirling Psychedelic melodies married with Grunge, Doom and heavy groovy soundscapes, this sees the band in inspired form.” – Outlaws of The Sun (2025)

“Woodhawk from Canada immediately conjures up appealing associations, with both stoner and seventies hard rock. It is catchy, can hold the tension quite well, and is skillfully performed… The songs themselves are often really strong as a whole; beautiful lines, catchy hooks and just enough variation in the arrangements, with a very fine sense of timing. An album that certainly deserves a serious listen.” – Rockportaal (2025)

“THE ÜBER ROCK SINGLES CLUB DAILY PICK – WOODHAWK – STRANGERS EVER AFTER” – Uber Rock (2025)

“Love Finds A Way is a ravishing and excellent album from start to finish. The three-piece band joins a list of fantastic bands emerging from the Great White North. Woodhawk are in the top tier of quality for hard rock bands from Canada.” – Jam Yeti Music Blog

“Their brand of this style sounds far more refreshing and has a modern rock ‘n roll kind of aura to go along, slightly ringing in signs of alternative influence. The end result is as if Black Sabbath and Thin Lizzy had a child born in the age of Chevelle. With that said, this is immaculate. ” – Indy Metal Vault (Violent Nature – 2019)​
​
​“this is really the kind of rock that fans of classic U.K. metal in the ’70s will be instantly taken with. Sounds really good turned-up really loud, which is always a good test.” – Vancouver Sun (Violent Nature – 2019)​
​
​“Violent Nature kicks off with the slithering riffs of “Snake in the Grass,” which comes crawling up slowly before striking with a venomous fuzz-riffy attack, and a soaring, fist-raising chorus. “Weightless Light” gets my head nodding right away with a solid stoner rock riff, while giving off a pretty decent Monster Truck vibe in the chorus – I can see why they made it the pre-release single.” – Hellbound (Violent Nature – 2019)​
​
​“This is what music is about. When you put yourself out there, you connect with others on a deeper level and that’s always a win.” – The Music Below (Violent Nature – 2019)​
​
​“Violent Nature surpasses their debut and then some; the Rocky Mountain trio have harnessed the best of the past, given it a fresh coat of paint, made me smile and just enjoy rock and roll in its purest form…” – The Sleeping Shaman (Violent Nature – 2019)​
​
​“going by the lead single “Weightless Light” it seems like whatever they’re making the songs about, Woodhawk still bring the same sense of songcraft to their material, which is always good to know.” – The Obelisk (Violent Nature – 2019)

[Download Album Cover | Download Album Lyrics]

Band: Woodhawk
Album Title: Love Finds A Way
Release Date: June 6, 2025
Label: Grand Hand Records

Track Listing
1. Grave Shaker – 4:41
2. Strangers Ever After – 4:24
3. Truth Be Told – 7:21
4. White Crosses – 6:10
5. The Unholy Hand – 5:21
6. No Place For Hate – 5:18
7. Love Finds a Way – 6:16
8. Relapser – 4:52
9. Killing Time – 8:37

Album Credits:
All songs performed by: Woodhawk
All songs written by: Woodhawk
Produced by: Jesse Gander
Mixed by: Jesse Gander
Mastered by: Jason Livermore
Album Artwork by: Mark Kowalchuk
SOCAN MAPLWoodhawk is:Turner Midzain – Guitar & Vocals
Mike Badmington – Bass & Vocals
Kevin Nelson – Drums

==================================================

About The Album Artwork:

It was the concept of how small we all can be in the grand scheme. This hand is holding an orb, inside which is a guy who appears lost, just holding a lantern as he gazes upon this vast landscape. Just finding his way through. Isn’t that true of all of us in life?

But through all this, being in the orb, bubble, world, whatever..love finds a way. Love always prevails and wins. It’s what keeps us driven and what we work the hardest for. Love.

About the album as a whole (LYRICALLY & MUSICALLY):

It’s a journey through the last couple years. All of us went through some hard times and to no surprise the pandemic wasn’t much better! We weren’t really sure if we would continue being a band or not. But we prevailed and are stronger than ever. It’s about love and friendship. And getting through things together. Checking in on your loved ones and friends.

Track by Track (LYRICALLY & MUSICALLY):

1. Grave Shaker – This one is about change. Growth through the years. And sometimes you outgrow the patterns you were in, the people you surrounded yourself and the habits you had. It’s an evolution. It can be very uncomfortable to change who you are. It’s a huge leap of vulnerability. But being true to yourself and keeping your head up.

2. Stranger Ever After – Through changes and growth, sometimes you lose people along the way that were once very close to you. Be it a partner, spouse, friend etc. Someone who was once your closest person can become the opposite if you grow in different directions. And maybe after all, we were just better off being Strangers.

3. Truth Be Told – This was a breakthrough of just saying how I felt. Up until this point, I wasn’t being honest with myself on how I felt, who I was, and who I wanted to be. This is kind of a farewell to the past and welcome to the future. Sometimes the truth hurts.

4. White Crosses – This is the death of a friend, relationship or even marriage. ‘How did we end up here? Is this what we hoped for?’
No one ever expects to go their separate ways. No one gets into something with the plan to get out. And through any separation or grief, you pass these moments and memories along the way. Sort of like the little white crosses we see planted along the roadside where someone lost their life. Little reminders of what was. Gone but not forgotten.

5. The Unholy Hand – The remnants of something fallen and destroyed, only to be built back up again. This higher power, that yields good or bad. All within and without our control.

6. No Place For Hate – This one is a little more on the nose. The world we live in feels like it has just become more filled with hate, homophobia, transphobia, racism and bigotry. We all have 0 tolerance for this. We try to not ever be a political band, but this just felt really important to us and flowed naturally. Love one another. It’s way harder to hate than it is to love.

7. Love Finds a Way – This was a triumphant song that was a coming of age for us. Love is at the heart of everything. And if you love something, set it free. It will come back to you if it’s meant to be. This really embodied so much of how I felt and how we as a band felt. We had to hit a bit of a pause on our band to see if we still wanted to do it. Lots had changed and were still changing. But at the end of the day, we are 3 very close friends, and that is so important to us. We felt like our love for each other really kept us together, and found a way for all of us. We are genuinely closer as friends than ever before.

8. Relapser – This was an honest take on feeling like you have grown up and evolved and become better. Only at the same time to feel like you easily fall into old habits and patterns again that you tried so hard to escape. It drags you back down, and it feels like you must start all over again.

9. Killing Time – It started as a lot of self-reflection and feeling quite lost. I felt really gaslit in a previous relationship, and it took me a while to really snap out of it and see what was going on. But also trying to navigate my way back to who I am and who we are as people. Does anyone care? Do I still care? Or are we just killing time? I really wanted this to be a farewell to the old and a door opening to what was ahead. And if it was the last song people ever heard of our band, then I felt it was the best way to possibly say goodbye.

==================================================

Fun Facts – Story Angles

1. In 2016, when we were recording our first LP, Beyond The Sun, we were in Vancouver at Rain City Recorders. We were maybe a couple days into it, and our producer stops after one of the takes and says, ‘Turner, you need to check your phone. Someone is trying to get a hold of you to open for Airbourne tomorrow night!’ So I checked my phone and he was right. And within a couple of phone calls, we were set up to play the Commodore Ballroom the next night to open up a sold-out show for Airbourne. We still tracked all day and the next day. Then loaded up, played the coolest show ever, and went back the next day to the studio to keep tracking like that blur of a gig hadn’t even happened.

2. We were touring Canada in Spring 2018 and made our way out to Ontario. Most of the weather thus far had been fine. Mild spring weather. On our way back around the Canadian shield to head to Thunder Bay and make our trek home, we stopped by Turner’s grandmother’s house in Barrie, ON. We had to have only been there for 45 minutes. At this time, a wild snowstorm blew in, and we got stuck at the bottom of a large hill near the lake. We had to get towed up to the top, drive through what felt like a foot of snow in our not-so-great van and trailer. Only to get to the highway…to find out it was closed due to the storm and an accident. From there, not wanting to miss any shows, we detoured back south, then over to North Bay. All the while, our heat in the van dies. We bundled up in sleeping bags and ponchos to get through it. This was the WORST drive we have ever taken to date.

3. In 2020, we all either quit our jobs, got fired, or took an indefinite leave of absence to spend our time on the road touring our album, Violent Nature. We were booked for all of Canada, Europe, and the USA to follow. Within days of paying our gear deposit for Europe, about to book flights and leave the next day for the Canadian tour, the pandemic fully shut everything down. Somehow, 2 of us managed to save our jobs. One of us is not so lucky. We saw so many of our friends and peers get stuck out on tours and have to travel home safely during the pandemic. We were so lucky that it could have happened to us, but we avoided it by a little over 24 hours.

L to R: Kevin Nelson (Drums), Turner Midzain (Vocals/ Guitar), Mike Badmington (Bass/ Vocals)

Portrait by Mark Kowalchuk

Formed in Calgary, Alberta, in 2014, Woodhawk swiftly emerged as a formidable presence in the Canadian rock scene. With their debut album Beyond the Sun dropping in 2017, the trio—comprising Turner Midzain on guitar and vocals, Mike Badmington on bass, and Kevin Nelson on drums—immediately garnered attention with their distinctive fusion of classic hard rock and modern stoner metal.

Their music, characterized by infectious grooves and memorable hooks, captivates audiences and has earned them a devoted fanbase. Following the success of their sophomore release, ‘Violent Nature,’ in 2019, Woodhawk continues to push boundaries and captivate listeners with their upcoming 2025 album, ‘Love Finds a Way,’ set to further solidify their status as one of Canada’s most exciting rock acts. With electrifying performances and a sound that marries nostalgia with innovation, Woodhawk remains a force to be reckoned with, poised to leave a lasting mark on the music landscape.

Discography:
2025 – Love Finds a Way
2019 – Violent Nature
2017 – Beyond The Sun
2014 – Self Titled EP

Shared Stage with: Airbourne, In Flames, Elder, Truckfighters, Metz, The Shrine, Sandrider

Tours and Festivals:
2017, 2018, 2019, 2022 – Sled Island Calgary
UP+DT – 2016 + 2017 (Edmonton)

Endorsements:
Los Cabso Drum Sticks 2014-Current
Heartbeat Hotsauce 2017-2022

0 Streaming Now! VORTEX Cruises Through Cosmic Horror w/ Orchestral Blackened Death EP “Alien Realms” + Eastern Canada Tour w/ France’s XAON (QC/NB/ON)

  • April 10, 2025
  • by Asher
  • · Music News · Vortex

NEWS RELEASE

Montreal, QC – April 10, 2025

Streaming Now! VORTEX Cruises Through Cosmic Horror w/ Orchestral Blackened Death EP “Alien Realms”

+ Eastern Canada Tour w/ France’s XAON (QC/NB/ON)

L-R – Simon Desjardins (Bass), Mathieu Duguay (Guitars, Orchestrations), Alexandre Labrie (Vocals), Dany Lévesque (Guitars), Olivier Harrisson (Drums)
Photo Credit – Giuseppe Calvinisti

Rimouski, Quebec’s Vortex, has their highly anticipated concept EP, “Alien Realms,” being unleashed on April 11th, and before it officially drops, they have teamed up with Decibel Magazine for its full stream premiere HERE.

“Alien Realms” is a four-track journey through cosmic horror and discovery that showcases the band at their most refined, combining massive orchestral elements with soaring epic melodies and relentless, aggressive riffing. Keeping with the style present in the previous two records, this orchestral blackened death tells a wicked tale of humanity venturing into space in search of intelligent life. The band comments on the record:

“This is a Blackened Death EP that blends massive orchestral elements, soaring epic melodies, and relentless, aggressive riffing. On this new EP, we doubled down on what worked best in our previous album, ‘The Future Remains in Oblivion.’ If you’re into massive orchestras and melodies blended with aggressive riffs and Blackened Death vocals, then ‘Alien Realms’ is for you.”

The EP features a carefully crafted sequence of tracks: “When Humans Defy the Void”, “Haunting the Abyss”, “Ripping The Threads Of Reality”, and “Where Wonders Dwell”. Each song serves as a chapter in the band’s exploration of humanity’s search for intelligent life among the stars.

The band approached this EP with a clear vision; the music and lyrics work together to build intensity and emotion as the story unfolds. It represents the next evolution in Vortex‘s sound, building upon the foundation laid by their previous releases while pushing into new territorial extremes. The EP seamlessly blends the band’s technical death metal roots with expanded orchestral elements and black metal influences, creating their most ambitious and fully realized work to date. It is recommended for fans of Fleshgod Apocalypse, Dimmu Borgir, and Cradle of Filth.

Fans in Eastern Canada will also have a chance to see Vortex live. They will be touring with France’s XAON in April (dates listed below) and then Europe in the fall.

Music Video “Haunting the Abyss” (directed by Chris Kells (The Agonist)) – https://youtu.be/bxIiP9VVWSQ

​

Due out on April 11, 2025, “Alien Realms” is available for pre-order at https://vortexband.bandcamp.com​

Track Listing:​​
1. When Humans Defy the Void – 5:03
2. Haunting the Abyss – 5:26
3. Ripping the threads of Reality – 4:10
4. Where Wonders Dwell – 3:00
EP Length: 17:40

Symphony For The Dead Tour – Vortex + XAON (QC, ON, NB)​
April 15 – Montreal, QC – Le Petit Campus ***
April 16 – Edmundston, NB – Ateepic *
April 17 – Saint John, NB – Haven Music Hall and Cafe *
April 18 – Moncton, NB – Xeroz *
April 19 – Rimouski, QC – Coop Le Paradis *
April 22 – Ottawa, ON – The Rainbow
April 23 – Drummondville, QC – La Ste-Paix ****
April 24 – Quebec City, QC – L’Anti ****
April 25 – Saguenay, QC – Microbrasserie Port-Alfred
April 26 – Trois-Rivieres, QC – L’Entite **
​
* Omnivide
** Strigampire
*** Ulfhednar
**** Burning Attic

Vortex is:
Simon Desjardins (Bass)
Mathieu Duguay (Guitars, Orchestrations)
Alexandre Labrie (Vocals)
Dany Lévesque (Guitars)
Olivier Harrisson (Drums)

For more info (Official Website, Socials, Videos, Bandcamp, Spotify, Apple Music): https://linktr.ee/vortexband​

​
– 30 –

“There is not one weak song on the EP. The songs are well crafted and mastered by hugely talented musicians. For me the perfect 10. Can’t wait to see the songs performed live.” – Project Metal Music
​
“When Humans Defy The Void is, like its creators Vortex, unique, and unlike anything else you have ever heard. It is everything you think it would be, but cranked up to eleven and with more twists and turns than a Raymond Chandler novel, and if this is just a taster of what Alien Realms has to offer, then I can’t wait to be abducted on April 11th.” – Black Metal Archive
​
“No need to fuck around with this one folks; I loved Alien Realms from the first intense beats of “When Humans Defy the Void” to the fading notes of the haunting “Where Wonders Dwell”. Vortex’sAlien Realms pulls you in with its unpredictable symphonic blackened melodic death metal that blends elements of bands like Mechina, Fleshgod Apocalypse and Behemoth with the likes of Dimmu Borgir, Graveworm and Hermh. Needless to say, this is a DENSE little EP full of some unique metal.” – The Poser’s Graveyard

Canadian College Radio Charts – August 2023 – top 20 loud – #14 Vortex (earshot)

“#8 on Top 10 Quebec Band 2023 Albums – The Future Remains In Oblivion delivers a solid punch with their intense and well-felt symphonic death metal and, with a quality product like this, they have nothing to envy of the big names in the genre.” – Thorium Mag

“The Future Remains in Oblivion is the collision zone between powdered wig classical and battle jacketed death metal that should hold appeal for fans of Fleshgod Apocalypse, Septicflesh and those who like their Suffocation mixed with Dimmu Borgir.” – Decibel Magazine

“The song’s (The Walls) multi-faceted nature is further revealed in harrowing and haughty growls, jolting chords, and fiery sunbursts of sound, as well as through a swirling melodic guitar solo that spectacularly sends the song into the stratosphere. The song’s finale is itself a full-power spectacle that really gets the adrenaline surging.” – No Clean Singing

“If there’s anything that Vortex nails, it’s drama. Album highlight and banger track “First Blood” is simply massive” – Angry Metal Guy

“For some music is pure escapism but does that still hold true when bands like Canadian Melodic Death Metal monster Vortex whisk the would be listener into a bleak world that is recovering from a devastating cataclysm? Scenes of war and survival are punctuated with harrowing strings, technical riffs, and guttural and Black Metal inspired vocals as the band weave cinematic stories and orchestral touches into their third concept album “The Future Remains In Oblivion”” – Metal Noise

“the title-track The Future Remains In Oblivion, a song that will blow your mind with its insane wall of sounds, background orchestrations, epic passages, striking riffs and solos, and visceral yet intricate drums, resulting in one of the most breathtaking moments of the entire album.” – The Headbanging Moose

“An excellent group that you must discover because of the intensity they are able to show” – Ondes Chocs​
​
—–
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0 Exitus Stratagem Records – AUTUMN LIES BURIED Unleashes New Video “Debt Of Silence” Off EP “Mob Mentality” Out June 2025 + HELLHOWLER TOUR w/ Casket Robbery

  • April 10, 2025
  • by Asher
  • · Autumn Lies Buried (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – April 10, 2025

AUTUMN LIES BURIED Unleashes New Video / Single “Debt Of Silence”

New EP “Mob Mentality” Out June 2025 via Exitus Stratagem Records

+ THE HELLHOWLER TOUR (NC/GA/FL/TN/IN) w/ Casket Robbery, My Own Will, Nicolas Cage Fighter

L-R – Perry Jones – Guitar, Cole Hill – Drums, Kaelin Wilkins – Vocals, Cane Potter – Guitar, Marcus Nettles – Bass

Photographer Credit – Cody Petty

Extreme metal outfit Autumn Lies Buried is unleashing its blistering new single “Debt of Silence,” accompanied by a music video. The track serves as the first glimpse into the band’s upcoming EP “Mob Mentality,” scheduled for release on June 6th, 2025, via Exitus Stratagem Records. “Debt of Silence” delivers the band’s signature combination of breakneck energy, socially conscious lyrics, and unrelenting heaviness that fans have come to expect. Vocalist Kaelin Wilkins comments:

“Given the current political climate of the US, I felt it necessary to write about silencing a lot of them. I felt like America just needs a hard reset, and it starts by not giving these fascists in free-world clothing the clout they have. They owe us a debt of silence. A ritual dismemberment of corrupt leadership. Cutting of the tongue is symbolic as well as literal.”

Autumn Lies Buried continues to evolve their sound, which draws from a diverse palette of influences including slam, mathcore, hardcore, hip hop, and deathcore. The result is what the band describes as “a beating with a cinder block’ that creates a cathartic experience for listeners.”

This release marks the beginning of an exciting summer for Autumn Lies Buried, with another single planned for May and the full EP release coinciding with the kickoff of their Hell Howler Tour alongside Casket Robbery, My Own Will and Australia’s Nicolas Cage Fighter on June 6th. They are recommended for fans of Whitechapel, Suicide Silence, and Tech n9ne.

Watch and listen to “Debt of Silence” via its music video premiere on The Circle Pit – https://youtu.be/pe7P2jiNHKg

Digital Single pre-save – https://hypeddit.com/autumnliesburied/debtofsilence

EP pre-save – https://hypeddit.com/autumnliesburied/mobmentality​

Hellhowler Tour – Casket Robbery, Autumn Lies Buried, My Own Will, Nicolas Cage Fighter

#Autumn Lies Buried Not Appearing | + My Own will Not Appearing

5/29 – West Chicago, IL – WC Social Club #
5/30 – Hamtramck, MI – Sanctuary #
5/31 – Battle Creek, MI – The Music Factory #
6/1 – Cleveland, OH – The Foundry #
6/3 – Pittsburgh, PA – The Smiling Moose #
6/4 – Clifton, NJ – Dingbatz #
6/5 – Salisbury, MD – Lurking Class Skate Shop #
6/6 – Gastonia, NC – The Rooster +
6/7 – Wilmington, NC – The Eagles Dare +
6/8 – Duluth, GA – Sweetwater Bar +
6/10 – Winter Park, FL – Conduit +
6/11 – Miami, FL – Bar Nancy +
6/12 – Tampa, FL – The Orpheum +
6/13 – Pensacola, FL – Handlebar +
6/14 – Clarksville, TN – The Revel House +
6/15 – Hobart, IN – Hobart Art Theatre +
​

More info: Facebook.com/autumnliesburied | Instagram.com/autumn.lies.buried​

-30-

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0 RED CAIN Drops New Single “FWAB” (Fire, Water, Air, Blood) Ahead of Hyperspace Metal Fest Performance!

  • April 9, 2025
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC – April 9, 2025

RED CAIN Drops New Single “FWAB” (Fire, Water, Air, Blood) Ahead of Hyperspace Metal Fest Performance!

L-R: Samuel Ridout, Evgeniy Zayarny, Taylor Gibson, Oman Tribuzy
​
Photo Credit: Red Cain​
​

Set to perform at this year’s Hyperspace Metal Festival in Vancouver, BC on April 10th, power prog storytellers RED CAIN are unveiling their new single “FWAB” (Fire Water, Air, Blood). With its heavy balalaika breakdown, downtuned heavy riffs, and soaring harmonized choruses among atmospheric industrial synth backing, “FWAB” hits hard and never lets go – a primeval ritual chant in front of cold stone, on a frozen steppe, among howling winds.

The band explains the story of the track in further detail:

“In the frozen Eastern European steppes, there stood a fell ancient god. Every ill word fed him, and every ill deed made him more potent. For millennia, he grew strong through kingship over mortal ill will, suffering, and pride, until his nourishment took a new form, unable to feed or strengthen. Without nourishment, the god was powerless, and without power, he slept. After millennia, fed full by ill words and ill deeds, searching for an awakening, the god demands the symbols of his power: Fire, Water, Air, Blood. Join the ritual sacrament of Chernobog. With this new release, the Slavic pagan ritual to call forth the “Black God” takes flight, asking the listener what they would be willing to change their fate.”

Listen to “FWAB” (Fire Water, Air, Blood):

YouTube – https://youtu.be/3PcRrHlSU_I​

Spotify – https://spoti.fi/42fdexS

​

Red Cain will be performing on night one of this year’s Hyperspace Metal Festival in Vancouver, BC, on April 10th at The Cobalt alongside Glyph, Tower Hill, Serpent Rider, and Crüzer. Full details on the Hyperspace Metal Festival being held from April 10th to 12th can be found at https://www.facebook.com/HyperspaceMetalFestival​

Red Cain, from Calgary, Canada, is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I”, “Kindred: Act II,” and “NÄE’BLISS”. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitar
Oman Costa – Guitar
Taylor Gibson – Drums

For more info: Redcain.ca | Facebook.com/redcainofficial | Instagram.com/redcainarmy

– 30 –

“NAE’ BLISS is a fine example of world-class Metal. With every album they grow in statue and status they can stand shoulder to shoulder with the titans of the genre.” – Metal-Rules (2023 – NÄE’BLISS)​
​
​“Red Cain continue their evolutionary path with NÄ̈E’BLISS, taking us all on a fantastic and metallic journey that will surely help them carve their name even deeper into the metal scene worldwide.” – The Headbanging Moose (2023 – NÄE’BLISS)

“they come up with elements of melodeath, symphonic-, prog- and powermetal, melted together by the expressive vocal performance of singer Evgeniy Zayarny, who convinces with his full tone and an impressive range… “Näe’bliss” is well written, varied and dynamic, telling the stories about a common “good” against an “evil” antagonist in a great way.” – The Prog Space (2023 – NÄE’BLISS)​
​​
“What a masterpiece! In my last review, I gave my first 10/10 and called it my album of the year. That place has already been overtaken.” – Musipedia of Metal (2023 – NÄE’BLISS)

“Canadians Red Cain took on the mammoth task of turning Robert Jordan’s works of the Wheel of Time series into an album… Needless to say the Power Prog band delivers an ambitious album filled with twists and turns that will keep you on your toes!” – Belgian Jasper (2023 – NÄE’BLISS)​
​
​“Red Cain has made by far the best Wheel Of Time-related piece of art that I’ve seen or heard since before November 18, 2021. Sour grapes aside, this is some energetic power metal worthy of the source material.” – Metal Utopia (2023 – NÄE’BLISS)​
​
​“Red Cain combine with clean singing and growling vocals on opener “Fisher King.” Much of Nae Bliss has a fresh modern sound (“Blight” and the gothic “The Great Hunt”) and some modern groove (“Sightblinder”)… The modern metal here reminds me of Iced Earth and Nevermore which has some excellent clean vocals. ” – Transcending the Mundane (2023 – NÄE’BLISS)​
​​
“this is an album to explore if you tend to enjoy a more theatrical and bombastic variety of progressive metal.” – Progressor (2023 – NÄE’BLISS)

“If you’re into the symphonic side of metal, then this is a must have album.” – Smorg Magazine (2023 – NÄE’BLISS)

“As such Red Cain uses Näe’bliss to showcase the slickest noodling and power grooving of their career… Red Cain hasn’t yet made an album for the ages in this modern expression of classic prog/power exuberance, but each record thus far has swung for the fences and landed in good graces—stop sitting around and spin some Red Cain!” – Angry Metal Guy (2023 – NÄE’BLISS)​
​
​“you’ll still feel the mighty pull of Power Metal all over the record. But the progressive parts now start to encroach on soundscapes bands like Haken or Caligula’s Horse3) usually usurp. And that leaves us with an uncannily savvy power prog mix with an unholy urge for unusual extreme metal undercurrents on full display. And that led – yet again – to overheated turntables over at the RMR office tower. Red Cain are back and in full swing yet again, feisty as ever. And as well they should be. So, where’s that bookshop? Robert Jordan’s fantasy lore’s beckoning us.” – Rock Music Raider (2023 – NÄE’BLISS)​
​
​“With Näe’bliss, Red Cain has created their own progressive metal epic fantasy that is fuelled with blast beats, howling guitars, wailing vocals, and rumbling bass. The intricate lyrics tell their own tales and have captured the essence of the adversaries and nemesis of the story. Perhaps for me, storyline aside, is the wonderful vocal dynamic between Evgeniy Zayarny and Kalie Yan and how they play off each other in a beautiful tit for tat of clean versus harsh and singing versus operatic as if they were the protagonist and antagonist. Let the chaos reign supreme, crank Näe’bliss to 11.” – Amplify The Noise (2023 – NÄE’BLISS)​
​
​““Fisher King,” is a monstrous opening, a song that tempts the deliverance and brings the power of brilliance and chaos of the whirlwind…. “Fires of Heaven,” is bombastic, powerful, enchanting and downright haunting. A song that smashes through everything.” – The Median Man (2023 – NÄE’BLISS)​
—
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0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ For the Week Ending: Tuesday, April 8, 2025 | 92.5 FM CFBX “the X” – Kamloops – Loud #10 SweetBeast | CFRU 93.3 FM – Guelph – Loud #7 UTILITY PROVIDER, #8 The Wring | CJSW Radio 90.9 FM – Calgary – Loud #8 Derev, #10 Frogg | Smithers Community Radio CICK 93.9 – Smithers – Top 30 #13 CHÜZO (single), #23 CHÜZO (EP)

  • April 9, 2025
  • by Asher
  • · CHUZO · Derev · FROGG · SweetBeast · The Wring · Utility Provider

Thank You Canadian MDs and DJs for the airplay love! \m/\m/
For the Week Ending: Tuesday, April 8, 2025
======
92.5 FM CFBX “the X” – Kamloops – Loud
#10 SweetBeast
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-04-08
======
CFRU 93.3 FM – Guelph – Loud
#7 UTILITY PROVIDER, #8 The Wring
https://earshot-online.com/charts/cfru.cfm?intChartTypeID=6&dWeekOfID=2025-04-08
======
CJSW Radio 90.9 FM – Calgary – Loud
#8 Derev, #10 FroggBand
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-04-08
======
Smithers Community Radio CICK 93.9 – Smithers – Top 30
#13 CHÜZO (single), #23 CHÜZO (EP)
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-04-08

0 Rockshots Records – LAY OF THE AUTUMN New Video “Lost In Your Eyes” Off Latest Album “Of Love And Sorrow”

  • April 9, 2025
  • by Asher
  • · Lay of The Autumn (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – April 9, 2025

LAY OF THE AUTUMN New Video “Lost In Your Eyes”

New Album “Of Love And Sorrow” Out Now! via Rockshots Records

Rockshots Records and Lay Of The Autumn proudly present the official music video for “Lost In Your Eyes,” one of the most successful songs from the band’s debut album, Of Love And Sorrow, which was released on October 25th, 2024.
​
​“Lost In Your Eyes” combines orchestral and symphonic power metal elements to create an energetic yet emotional sound. Fast solos, dynamic arrangements, and ERIA’s expressive vocals bring the song to life and capture the feeling of being completely lost in someone’s gaze.

The video visually amplifies the emotional weight of the track with evocative imagery that mirrors the wonder, vulnerability, and intensity expressed in the music. With their distinctive aesthetic, Lay Of The Autumn offers a powerful visual counterpart to one of their most resonant songs.

Following the release of other standout tracks such as “Thrown Away”, this new video confirms the band’s strength in pairing emotional storytelling with grandiose metal arrangements. Their debut album, Of Love And Sorrow, features 10 tracks blending Power Metal, Symphonic Metal, Melodic Death Metal, and cinematic influences mixed and mastered by Ettore Rigotti (Disarmonia Mundi) at The Metal House Studios, ensuring a rich, powerful, and polished sound.

With “Lost In Your Eyes”, Lay Of The Autumn continue to explore the emotional core of their music creating a journey that resonates deeply with fans of Nightwish, Sonata Arctica and Stratovarius.

Watch the official video now and experience one of the most moving tracks from “Of Love And Sorrow”!
​
​LISTEN: http://lnk.to/8qpvcB​

VIDEO: https://youtu.be/2mht-__lttc​

Digital Album / CD – https://lnk.to/jR59oz

​

Track Listing:​
1 – When It Rains – 2:27
2 – Flowing Tears – 5:52
3 – Lost In Your Eyes – 5:51
4 – After All This Time? Always – 5:44
5 – Thrown Away – 5:53
6 – Undergo Deconstruction – 5:55
7 – Love You To Death – 6:20
8 – Si Sta Come D’Autunno Sugli Alberi Le Foglie – 5:02
9 – Of Love And Sorrow – 5:59
10 – Who Is To Blame – 5:39
​
​Lay Of The Autumn are:

Main Singer: Iryna Eria Boyarkina – ERIA​
Growl Singer: Andrea Gambaro​
Keyboards/Composition: Davide Scuteri Music​
Guitar: Davide Lovecchio​
Bass: Cesare Ferrari​
Drums: Michele Olmi​
Mix and Mastering: Ettore Rigotti at The Metal House​
Music Label: Rockshots Records​
Moviemaker: Moviedel Productions​
Photos: Flarescape​
Cover artwork: ProgArt Media – Artwork by Mattias Norén​
Jewel Designer: helenaromanova​

More info: ​
​Rockshots.eu​
​https://www.facebook.com/layoftheautumnofficial​
​https://www.instagram.com/layoftheautumnband​
​
​YouTube: eria_singer_official ​
​Instagram: anyri_mysterya
​Facebook: / eriaofficial ​
​Telegram: https://t.me/joinchat/rpJiGB9IyBo2YzVi​
​TikTok: https://vm.tiktok.com/ZM83t243B/​

-30-

​

—
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0 Brutal Death OPHIOLATRY Signs To WormHoleDeath Records For New Album “Serpent’s Verdict” Out June 2025

  • April 9, 2025
  • by Asher
  • · Music News · Ophiolatry

NEWS RELEASE

Montreal, QC – April 9, 2025​

Brutal Death OPHIOLATRY Signs To WormHoleDeath Records For New Album “Serpent’s Verdict” Out June 2025

L-R – Diego Santiago (Bass), Jaime Veron (Lead Vocals), Jhorge “Dog” Duarte (Drums), Fred Barros (Guitar)

Photography: Kevin Eisenlord, Anderson Hildebrando

Brazilian brutal death metal veterans Ophiolatry have officially signed with WormHoleDeath Records and announced the release of their highly anticipated new album “Serpent’s Verdict”, set to drop on June 6, 2025. The band has also released a teaser for the album, giving fans their first glimpse into what promises to be a devastating release in extreme metal. They comment on the brutality:

“The album delves into themes of spiritual revenge, indigenous resistance, and the clash between ancient traditions and imposed beliefs. Inspired by real events in the Amazon, mythology, and existential suffering, the lyrics paint vivid scenes of war, punishment, and transcendence through pain. Each song tells a story, whether it be about warriors resurrected for revenge, the wrath of serpent gods, or the fall of oppressive ideologies. The words are raw, intense, and unrelenting, reflecting the chaotic brutality of the music itself.”

This signing marks a significant milestone for Ophiolatry, whose last full-length album “Transmutation” was released in 2008 through Forces of Satan Records/Regain Records. After a period of careful composition and development, the band returns with renewed purpose and vision, channeling the raw energy that established them as pioneers of South American extreme metal while evolving their distinctive sound. The album represents a departure from the relentless technicality of “Transmutation” while preserving the band’s signature brutality and expanding their sonic palette.

The album functions as a sonic ritual—a brutal, immersive descent into cycles of destruction, revenge, and rebirth. Each track serves as a chapter in this narrative, combining aggressive riffs, guttural vocals, and tribal rhythms inspired by ancient warrior traditions. It is recommended for fans of Morbid Angel, Death, and Deicide.

Teaser – https://youtu.be/md11q5o044c

​

Album pre-save – https://orcd.co/serpentsverdict​

Track Listing:​
1 – Jesus Complex – 3:48
2 – Revenge – 4:21
3 – Generation Curse – 3:09
4 – Death Tour – 3:35
5 – Serpent’s Spits – 4:31
6 – Atheris – 1:32
7 – Apophis – 5:01
8 – Midia Bible – 3:34
9 – Manipulations Guilt – 4:03
10 – Heaven Jails – 3:26
11 – Narcissistic Victim Syndrome – 4:06
12 – Human Factory – 3:18
13 – Ecdysis – 2:34
Album Length: 47:03

Album Recording Credits:​
All songs performed and composed by Ophiolatry.
Mastering: Dan Swanö – http://www.unisound.se
Artwork: LouLou – http://www.louloufineart.com
Pre-Production: Steve Rumpli & Ophiolatry
Production, Recording & Mixing: Diego Santiago
Studio: Satori Estudio
Photography: Kevin Eisenlord, Anderson Hildebrando
Graphic Layout: Beto Mustafa

Album Band Line Up:​
Jaime Veron – Lead Vocals
Diego Santiago – Bass
George “Dog” Duarte – Drums
Fred Barros – Guitars

More info: Ophiolatry.com.br | Facebook.com/profile.php?id=100063556233508 | Instagram.com/ophiolatry​

-30-

“According to Merriam-Webster, “ophiolatry” means “the worship of or attribution of divine or sacred nature to snakes.” You can certainly feel the snakes of death metal surround you as you listen to “Abyss of Alienation” from Brazil’s Ophiolatry, featuring hypnotic riffs, brutal vocals, and crushing rhythms reminiscent of Hate Eternal, Nile and Steve Tucker-era Morbid Angel. The song is a re-recording of a track from the band’s 2008 album, Transmutation.” – Decibel Magazine (2023 Single – Abyss of Alienation)

“Hailing from Brazil comes Ophiolatry, a three-piece powerhouse of a brutal death metal band whose bread-and-butter sound comprises blistering drumming and technical guitar lines set against a suffocating and claustrophobic sonic backdrop.” TheMetalForge​
​
​“Ophiolatry will reward the open-minded metal head with an inflection of national culture, post-modernism and, of course, stunningly brutal death metal.” – Sputink Music​
​
​“…Relentless blastbeats and truly brutal guitar work that have the ability to pummel the listener into a fine powder.” – Scene Point Blank​
​
​“[…] similar technical versatile approach on Death Metal as defined by KRISIUN but where the latter still have a disappointing song writing quality OPHIOLATRY have more feel, more structure and variation.” – Voices from the Dark Side​
​
​“[…] you’ve got yourself another nice brutal death metal band, comparable with (older work of) for example the Brazilian bands Krisiun, Mental Horror and Nephasth, as well as North American’s Monstrosity and Vital Remains – who came up in my mind because of the guitar virtuosity.” – Metal Rage​
​
​“A Lendária banda de Brutal Death Metal Ophiolatry está de volta as atividades.” – Brazil Legion Nekrounderground

—
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0 REALITY GREY Commemorate Metal Icon’s Birthday – Children of Bodom’s Alexi Laiho – With Cover Of “Hate Crew Deathroll”

  • April 8, 2025
  • by Asher
  • · Music News · Reality Grey

NEWS RELEASE

Montreal, QC – April 8, 2025

REALITY GREY Commemorate Metal Icon’s Birthday – Children of Bodom’s Alexi Laiho – With Cover Of “Hate Crew Deathroll”

Italian melodic death metal powerhouse Reality Grey has announced the upcoming release of their cover of Children of Bodom‘s iconic track “Hate Crew Deathroll”, scheduled to drop on April 8th, the birthday of the late Alexi Laiho. Children of Bodom was one of the most influential bands for Reality Grey, especially during their early days, and this cover is nothing short of a tribute. While they’ve developed their style over the years, they think fans will appreciate their return to a classic ‘old school/mid-2000s’ sound, which they still love. They comment on the cover:

“This is our tribute to Alexi Laiho and Children of Bodom. “Hate Crew Deathroll” was a pivotal moment in our lives as musicians, as we had just started out as a band in 2003. We kept the song close to the original, which is something we usually won’t do; we like to add our own spin and mix things around. I think we succeeded in keeping the “fuck you” attitude of the original song.”

Hailing from South Italy and formed in 2004, Reality Grey has established themselves as a formidable force in the Italian metal scene. The five-piece band is known for its distinctive blend of melody and brutality, combining complex yet catchy songwriting with fearsome death growls, clean vocals, razor-sharp guitar riffs, and fusion-oriented solos. They are recommended for fans of Children of Bodom, Meshuggah, and Soilwork..

Listen to Reality Grey‘s cover of Children of Bodom’s “Hate Crew Deathroll” at https://youtu.be/Wcdi8Hq_aOI

Spotify – https://spoti.fi/4jiicRn​

More info: https://linktr.ee/realitygrey​

-30-

“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection (Beneath This Crown 2021)

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine (Beneath This Crown 2021)

“Reality Grey give off a viciousness and expertise hard to find in other bands. The instrumental expertise of each component is absolute, slighting touching tech-death side of acts like The Faceless but remaining ‘catchy’ in their complexity” – Metal Hammer (Beneath This Crown 2021)

“It’s complete and total aural devastation with some seriously chunky moments, so it lives right up to what you’d expect a song called “The Void” to do.” – Metal Injection (Beneath This Crown 2021)

“Reality Grey will serve the world of metal excellently both as an all round, no nonsense, metal act and as a brigde band for younger fans of heavy music” – Metalunderground.at (Beneath This Crown 2021)

—
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0 Reminder – April 10-12 – HYPERSPACE METALFEST (Vancouver, BC) w/ ENFORCER, PSYCHOSTICK, GREYHAWK, GLYPH, CRIMSON SHADOWS, LUNAR and more!

  • April 7, 2025
  • by Asher
  • · Hyperspace Metal Festival · Music News

NEWS RELEASE

Montreal, QC – April 7, 2025

Reminder – HYPERSPACE METALFEST w/ ENFORCER, PSYCHOSTICK, GREYHAWK, GLYPH, CRIMSON SHADOWS, LUNAR and more!

April 10th – 12th – Vancouver

“It’s Western Canada’s premier melodic and power metal festival with a lineup of local, national, and international acts ranging from Sweden’s Enforcer and Toronto’s Crimson Shadows to local faves Crüzer. All told, 15 acts will turn amps to 11 and bring the noize to headbanging fans.” – Stuart Derdyn, Vancouver Sun (Add these Vancouver concerts in April to your events calendar)

“The annual festival returns for three days of mosh mayhem.” – Georgia Straight​ (30 can’t-miss Vancouver concerts for April 2025)

HMF 2025 Lineup Spotify Playlist – https://spoti.fi/3T4kU2p

​

Vancouver, B.C., Canada’s premier melodic and power metal festival, HYPERSPACE METAL FEST, returns for its 6th edition after another year of crowd-pleasing epic fun.

Being hosted at The Cobalt (April 10 &11th) and the Rickshaw Theatre (April 12th), Hyperspace Metal Fest’s 2025 lineup features headliners ENFORCER, PSYCHOSTICK, Greyhawkalong with Crimson Shadows, Lunar, AfterTime, Tower Hill, Solarus, Red Cain, Tylor Dory Trio, Serpent Rider, Luminator, The Astral Prophets and Crüzer.

​​Headlining Saturday, April 12th at The Rickshaw Theatre, Sweden’s ENFORCER have proved themselves both live and on record; they have staked their place amongst the world’s most renowned heavy metal bands since first forming in 2005. They have toured the world over, playing at the biggest festivals and garnering a global fanbase. Their latest sixth studio album, Nostalgia (released May 2023 – Nuclear Blast), features 13 heavy metal anthems and throws ENFORCER back to their speed metal roots. Fusing extreme guitar riffing with catchy stadium choruses, ENFORCER is out to conquer the world. Music Video – Nostalgia – https://youtu.be/XhfrJAPbOCY

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Supporting ENFORCER on the closing night lineup will be the Comedy Metal Kings PSYCHOSTICK. These humorcore titans bring forth a nostalgic escapade of sing-alongs and moshing fun with iconic titles such as “Beer!”, “Numbers (I Can Only Count to Four)”, “Dogs Like Socks”, “Obey The Beard!”, “Boobs”, and their latest single “Ultra Mega Fast” – https://youtu.be/kaqeizvxefM

Friday, April 11th, the second-night lineup will also witness the return of the formidable force that is Toronto’s Crimson Shadows, bringing forth tales of fantasy and warfare in their fierce melodic power and death metal-imbued sound. Thundering across the icy Canadian mountains, Crimson Shadows has awoken after five years away. The band has emerged from the dark and is preparing to forge its own path in this next stage of its journey. Across their defiant career stretching almost two decades, to date, notable highlights of Crimson Shadows‘ journey include the band’s appearance at Wacken Open Air in Germany in mid-2013 and subsequent victory in obtaining the title of International Wacken Battle Champions. Alongside international performances, Crimson Shadows has ventured across the length and breadth of their homeland, delivering brutality, technical prowess, and unyielding intensity in their melding of power and death. Music Video – Guardians – https://youtu.be/W9BKYvGYeCM

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Headlining Friday, April 11th at The Cobalt and returning for their third time at HMF is Seattle’s Greyhawk, stepping in at the last minute to headline night 2 of Hyperspace this year. With new singer Anthony Corso, Greyhawk is ready to bring the power with what is sure to be their best performance at Hyperspace yet! Anyone who has seen this traditional heavy metal titan before knows that they are in for an incredible set. Their newest album, “Thunderheart,” released in April 2024 on Fighter Records, a division of Xtreem Music, has been making waves across the heavy metal and power metal scenes worldwide. Band playthrough – Spellstone – https://youtu.be/65ySwth-LKo

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Also featured on the Friday night lineup is the first-ever live performance from Lunar, a progressive metal project from California that features members from Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, and Double Vision. Founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin, who passed away in 2018, LUNAR continues in his memory. Their fourth full-length “Tempora Mutantur” was released on January 31st via Saibot Reigns Records to follow 2023’s “The Illusionist” and features a fresh lineup with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse). Music Video – Watch The Weather Change – https://youtu.be/WKdnZD_DJsE

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Meant to perform on the 2024 lineup but forced to cancel, Tylor Dory Trio returns for 2025. They are a monstrous progressive metal unit beloved by many in Western Canada. This live performance on Friday, April 11th, will be their first following a nearly seven-year layoff. Music Video – The Waitress – https://youtu.be/nh9MxcSqlOE

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Also added to the Friday lineup and opening that night is The Astral Prophets, a psychedelic rock/metal band from Calgary, AB, featuring Apprentice, Lycanthro, and Scythia members. This is the band’s first time on the fest although some members have played the fest before in previous groups. They will be supporting their latest 2023 EP “Anywhere But Here”. EP Stream – https://youtu.be/255g8CZX2F8

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The opening night of the festival, Thursday, April 10th at The Cobalt, will showcase the Pacific Northwest’s Glyph, which is not just a heavy metal band, they are a crew of intergalactic mercenaries escaping a dying planet in their spaceship, the VSS Dragonlord. Clearly, Glyph isn’t just writing songs; they’re building worlds, and they bring it forth in their latest album, “Honor, Power, Glory,” released this past March. Music Video – March of the Northern Clan – https://youtu.be/htSyUb25wD4

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Traveling from Edmonton, AB, Tower Hill delivers premium old-school heavy metal inspired by bands like Running Wild, Riot, Judas Priest, early Blind Guardian, and Helloween. Forging the best of the late 80s and early 90s German, British, and US metal scenes into a new blend of shimmering steel, Tower Hill’s riff-driven, hook-laden traditional metal will have you banging your head and singing along. Lyric Video – Deathstalker – https://youtu.be/IGybnd-HZRU

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Replacing the originally announced Lost Nebula, Calgary’s RED CAIN has been imported to perform their power-prog storytelling with Eastern European roots for the masses. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I”, “Kindred: Act II,” and “NÄE’BLISS”. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with the latest singles “Firestarter” and “Demons II”. Music Video – Demons II – https://youtu.be/7VViLOrFfQ8

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Hyperspace Metal Festival VI – April 10th – 12th.​
One-day passes and three-day passes are available at https://www.eventbrite.ca/e/hyperspace-metal-festival-vi-tickets-1000996957847​

Facebook Event – https://www.facebook.com/events/1637280440385808​

Thursday, April 10th – The Cobalt​
Glyph
Tower Hill
Red Cain
Serpent Rider
Crüzer
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​Friday, April 11th – The Cobalt​
Greyhawk
Lunar
Solarus
Tylor Dory Trio
The Astral Prophets
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​Saturday, April 12th – The Rickshaw Theatre​
Enforcer
Psychostick
Crimson Shadows
AfterTime
Luminator

To follow updates for Hyperspace Metal Festival 2024, please visit the following links:
​Facebook.com/HyperspaceMetalFestival​
​Instagram.com/HyperspaceMetalFestival​

Festival Press Materials Dropbox HERE.

Over the five editions of Hyperspace Metal Festival, bands from all over the world have come to play power, prog, melodic death, and speed metal on the Canadian West Coast. The festival has presented lineups that have included performances by Týr, Flotsam and Jetsam, Skelator, Trollfest, Aether Realm, Exmortus, Striker, Riot City, Into Eternity, Witherfall, Planeswalker, Iron Kingdom, Helion Prime, Ravenous, Crimson Shadows, West of Hell, Judicator, Odinfist, Tanagra, Scythia, Greyhawk, The Order of Chaos, Red Cain, and many more.
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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